There has been more activity downtown at the former home of the historic Herzog recording studios than there has been since the studio’s heyday in the ’40s, when legendary songs were recorded by everyone from Flatt and Scruggs and Patti Page to The Delmore Brothers and Hank Williams. (For some background on Herzog, check out this CityBeat feature by Rick Bird.) This week sees a double dose of activity relating to the Herzog legacy.
• The Cincinnati USA Music Heritage Foundation is, fittingly, headquartered in the former Herzog space (on the second floor of 811 Race St.) and has hosted numerous Herzog-related events over the past few years. Late last year, CUMHF presented “Come Play the Lost Notebooks of Hank Williams,” inspired by last year’s Lost Notebooks compilation project, which featured various top-name artists bringing to life lyrics Williams had left behind.
The Foundation invited several local musicians to gather at the studio and record some of those songs last year. The jam — which included noted players like David Rhodes Brown, Ed Cunningham, Marvin Hawkins and Mark Utley, among others — was recorded and, this Thursday, Cincinnati USA Music Heritage Foundation will issue its first official release, a four-track EP culled from the sessions. Come Play The Lost Notebooks of Hank Williams At Herzog is a digital release with a visual art component — small, signed-and-numbered prints by artist Keith Neltner (pictured).
Thursday at the 811 Race St. space, the limited-edition digital EP/art package of Come Play The Lost Notebooks will be available for $20. (You can pre-order the EP, the proceeds from which go to CUMHF, here). Admission to the 7 p.m. shindig is a $5 donation to CUMHF (or free if you purchase an EP). The event will also include a screening of video chronicling the entire “Guitar Army” event last summer on Fountain Square, where numerous local guitarists paid tribute to the Rock & Roll standard, “Train Kept A-Rollin’ ” (the original was recorded at the King Records' facility on Brewster Ave. and the event celebrated the recording’s 60th anniversary).
For more on the event and the Cincinnati USA Music Heritage Foundation, visit takingyoutothebridge.org. Check the Facebook event page for further info here.
Here's the original version of a song remade for CUMHF's Lost Notebooks EP, Alan Jackson doing "You've Been Lonesome, Too." On the EP, Mark Utley and Renee Frye of Magnolia Mountain provide the vocals.
• Local musician Kelly Thomas spent many years organizing ambitious benefit concerts. That ambitious approach returns in a new form with her latest creative project, “Sacred Harp Sessions,” a series of videos that will chronicle the source of much of the singer’s inspiration — the rich musical climate of Greater Cincinnati.
Thomas is collaborating with 12 of her favorite local bands on 12 songs, with a video documenting each session (plus an introduction “sharing some of the great things happening in our music community,” Thomas says) becoming the monthly series installment. Thomas plans to unveil one Sacred Heart Session episode each month for a year, then release the songs as an LP. A limited number of free downloads of the songs will be made available after the videos post.
The first Sacred Harp Sessions video premieres Saturday at kellythomasonline.com and on Thomas’ YouTube channel (KellyThomasMusic). In the debut episode, Thomas talks about the legacy of King Records and the Herzog studio. Then, cameras follow her as she records “Lost Highway” by Herzog’s most famous client, Hank Williams, in the actual Herzog space along with great local Roots troupe Arlo McKinley and The Lonesome Sound.
Saturday, Thomas and her Fabulous Pickups and McKinley and Co. will help launch the series with a concert at Covington’s Madison Theater. The Great Depression (featuring the Lonesome Sound’s Tim Carr and Jeremy Pinnell of Jeremy Pinnell and the 55s) will reteam for a rare performance; rockin’ Roots crew The Sleepin’ Dogs rounds out the bill. Cover is $6 and the 9 p.m. concert is open to all ages.
Here's Hank Williams' version of "Lost Highway."
• At this weekend's Whispering Beard Folk Festival in Southeast Indiana, masterful Cold Spring, Ky., Americana group The Kentucky Struts debuted their great new music video for the ominous, creeping and soulful tune, "Country Road," from their The Year of the Horse album. The band made the video with Keith Neltner and Brian Steege, who worked on the documentary Charlie Louvin: Still Rattlin' the Devil's Cage. (Read more about the Struts recent album from CityBeat here.)
Cincy rockers Wussy have stepped up their game in terms of touring and promotions big time. It was previously announced that the group would join Cincy legends The Afghan Whigs on their upcoming U.S. tour run. Now, immediately following those (mostly sold out) dates, Wussy is set to join another local favorite, Heartless Bastards (now based in Austin, Tex.), for several shows on that band's fall tour.
Wussy is the confirmed support act on Bastards dates in Houston, New Orleans, Nashville, Athens, Ga., Saxapahaw, NC, and Washington D.C.
Wussy and Heartless Bastards are also hooking up on vinyl, participating in the series of singles tributing the songs of Soul/R&B songwriter Eddie Hinton. The Afghan Whigs' Greg Dulli recorded the first single in The Dangerous Highway Series of 7-inch singles (taking on "Hard Luck Guy” and “Cover Me"), while Drive-By Truckers did Vol. 2. Due next month, Vol. 3 features Wussy doing "Breakfast in Bed" on one side and the Bastards doing "Got Down Last Saturday Night" on the flip. At the same time as the split single, Shake It is also releasing Vol. 4 featuring Cincy's Buffalo Killers, with two tracks produced by Dan Auerbach of the Black Keys. (Besides buying them in Shake It's Northside shoppe, the releases will also be available through Shake It via mail order; click here to browse the catalog.)
Before the Whigs and Bastards dates, Wussy headlines next Friday's free MidPoint Indie Summer Series on Fountain Square (the last of the season), then the band's Chuck Cleaver and Lisa Walker will be doing several dates as a duo in the U.K. (from Sept. 17-Oct. 1). The band's first album to be released overseas, Buckeye (on the Damnably Records imprint), came out in July in the U.K. and features a compilation of Wussy songs from the group's five albums (including the acoustic rendition of Funeral Dress). Buckeye has been scoring Wussy some remarkable press; the BBC reviewed the record and said, "Wussy are certainly a band with an incredibly rich past and, undoubtedly, an equally rich future."
This weekend's big Western & Southern Open tennis tourney (kicking off at 10 a.m. tomorrow at the Linder Family Tennis Center in Mason) won't have world-class champs like Rafael Nadal and Maria Sharapova (who've both dropped out in the past couple of days).
But the event WILL feature several world-class local music champs who will provide tunes between matches throughout the entire event. (Oh, and a bunch of really good tennis-ball hitters will still be showing up.)
Think tennis and music should never mix? Well, Bieber clearly gets it (see pic above). And you obviously haven't seen this.
Here's the schedule of musical acts (presented in conjunction with CityBeat), for those planning to attend. (Schedule courtesy of Game Day Communications).
Saturday, Aug. 11: Jake Evans (10:45 to 11:30 a.m.)
Sunday, Aug. 12: Michael McIntire (10:45 to 11:30 a.m); Michael McIntire and Marmalade Brigade (12-2 p.m.)
Monday, Aug. 13: Andyman Hopkins (10:45 to 11:30 a.m.); Brad Loans of The Sundresses (12-2 p.m.); Andyman Hopkins (5 to 7 p.m.)
Tuesday, Aug. 14: Carole Walker Luley (10:45 to 11:30 a.m.); Hickory Robot (12 to 2 p.m.); Jeremy Pinnell & the 55’s (5 to 7 p.m.)
Wednesday, Aug. 15: Sean Geil of The Tillers (10:45 to 11:30 a.m.); The Cla-Zels (12 to 2 p.m.); Blake Taylor of 46 Long (5 to 7 p.m.)
Thursday, Aug. 16: Shiny Old Soul (10:45 to 11:30 a.m. and 12 to 2 p.m.); Young Heirlooms (5 to 7 p.m.)
Friday, Aug. 17: Colin Shoff (10:45 to 11:30 a.m.); Faux Frenchmen (12 to 2 p.m.); The Shivering Timbers (5 to 7 p.m.)
Saturday, Aug. 18: The Sunburners (6 to 8 p.m.)
Sunday, Aug. 19: Newburg Trio (10 a.m. to 12 p.m.)
Welsh musician Gruff Rhys is bringing his current unique (and brief) tour to Cincinnati's Contemporary Arts Center tomorrow (Thursday). The show starts at 8 p.m. Click here to grab your tickets.
attending the tour’s stop at the CAC will also be treated to an extra
rare bonus — Rhys’ Neon Neon project-mate and Cincinnati native Boom Bip (aka Bryan Hollon, who now works from out of the West Coast) will be
joining Gruff onstage after the main performance for a one-of-a-kind DJ
Rhys’ band Super Furry Animals released its major label debut, Rings Around the World,
in 2001 and the group appeared to be a successor to the throne occupied
by fading superstars like Blur and Oasis. The album (following SFA’s
excellent debut, Fuzzy Logic,
and a trio of experimental-oriented albums put out by king-maker Alan
McGee’s Creation Records) put a brilliant, creative spin on “Brit Pop,”
highlighted by fascinating sounds between the grooves, but also an
extraordinary knack for writing incredibly potent melodies. Rings
contained several hit-songs-in-waiting and did well in the U.K., but
never fully grabbed the ears of the U.S. mainstream like a few of the
band’s predecessors did.
While some artists would have simply gone back and cleaned up/out the sound of their potential breakthrough to appeal more to the mainstream, it soon became clear that Rhys and the Furries weren’t interested in pandering. The band had always been underlined by a progressive, adventurous streak (early works embraced Electronic and Ambient music, among other approaches) and it was evident that the opportunity to crossover or become a massive success was less important to Rhys and Co. than following their own creative whims. (By the mid-’00s, SFA had left the Sony family for the artist-friendlier confines of Rough Trade Records).
Rhys’ work outside of the Furries’ domain has been even more exploratory. Rhys’ eclectic solo albums have contained songs sung alternately in Welsh, English and Spanish. And he’s a huge fan of collaboration, working with artists like Mogwai, Sparklehorse, De La Soul, Gorillaz, Simian Mobile Disco and Brazilian artist Tony da Gatorra, to name a few. One of his most celebrated collaborations has been with Boom Bip; the pair’s Neon Neon project has been widely acclaimed, earning a Mercury Prize nomination in 2008 for the album Stainless Style (a loose concept piece about the life of John De Lorean).
Rhys’ current project/tour is a follow-up to Separado!, a feature film/multimedia venture during which film crews followed the musician as his “investigative concert tour” traveled through South America. The film followed Rhys on his journey to learn more about his “long lost, guitar-playing, poncho-wearing uncle, Rene Griffiths.” Given his musical output, it was fitting that Rhys’ intellectual and creative curiosity had led him down such another unique path.
Here's the trailer for Rhys' "psychedelic western musical," Separado!
current “investigative tour” is another adventure in genealogy and
travel, as the artist (again trailed by a film crew for a planned
movie sequel/music/prose/photo project) journeys through North America to find
the burial site of John Evans, another distant relative who allegedly
left Wales in the late 1700s on a quest to verify the legend of a
Welsh-speaking tribe of Native Americans.
Rhys put this call out to anyone with info that could help: “Gruff urges anyone with clues regarding Evans’s unknown burial place; imaginary volcanos; wandering tribes of Welsh Speakers, or lingering river reptiles to come to the shows, where their help with his investigations will be appreciated and featured in the movie.” You might even make the film's final cut just by showing up and checking out the show.
Rhys’ performance will include music, discussion, his cutting humor and more. As the trailer above suggests, and anyone who’s seen SFA live knows (the band's criminally under-attended show at the Southgate House many years ago was one of my all-time favorite concerts), don't go into one of Gruff’s appearances with too many expectations because, most likely, they’ll be blown out of the water.
Tickets for the forthcoming season at Cincinnati Playhouse in the Park were put on sale this morning at 10 a.m. To celebrate, the Playhouse is hosting a lunchtime event on Fountain Square at noon featuring giveaways and other merriment, as well as a performance by a few excellent local musicians.
Mark Utley, frontman for diverse Americana group Magnolia Mountain, Chris Cusentino (The Turkeys) and Cameron Cochran (Pop Empire, Jeremy Pinnell & the 55s) are slated to be on hand for the festivities this afternoon, performing a few songs from the remarkable songbook of Hank Williams.
The performance is a tie-in to the Playhouse's forthcoming staging of Hank Williams: Lost Highway, a play that follows Williams' early career and starts in "the backwoods of Alabama and winds up at center stage of the Grand Ole Opry." Lost Highway — which features over 20 of Williams greatest tunes (including locally-recorded ones like "I'm So Lonesome I Could Cry") — opens Nov. 3 and runs through Dec. 23. Click here for more info on this and all of the upcoming Playhouse performances for this season.
Utley's Magnolia Mountain recently debuted a brand new music video for its track "Bad For Me" off of the group's recent Town and Country album. Dig it …
Cincinnati's Walk the Moon has been doing the promo rounds hardcore for a while now, performing on network TV shows like the Late Show and Late Night, and touring the planet to ever-increasing crowds. The band tweeted photos about a month ago from its sessions for an episode of MTV Unplugged, the long-running acoustic series on the now-music-deficient network.
Today, Walk the Moon announced that the episode will premiere this coming Monday (Aug. 6) on MTV.com. The band also revealed the first clip from the episode — an a cappella version of "Maps" by popular AltRock trio the Yeah Yeah Yeahs. Enjoy.
Cincy rockers Wussy are set to join the much-celebrated Afghan Whigs' reunion tour this fall when the band finally hits the U.S. for a string of dates. Another great exhibition of Cincy's rich music scene, again in the national spotlight. Wussy has been touring a lot more than usual lately, including its first West Coast jaunt, so this should help raise the group's national profile even more.
So far, Wussy is set to open for The Afghan Whigs for their homecoming show at Bogart's on Oct. 25 (sold out), as well as dates in New Orleans (Oct. 19), Atlanta (Oct. 20), Carrboro, NC (Oct. 21) and another sold-out affair in Detroit (Oct. 24). More dates are expected to be announced soon.
Wussy co-lead-singer/songwriter Chuck Cleaver is a longtime friend/mutual fan of the Whigs. Back in 1993, the local label Mono Cat 7 released a split single featuring the Whigs and Cleaver's former band, The Ass Ponys. The Ponys covered The Whigs' tune "You My Flower," while Greg Dulli and Co. tackled the Ass Ponys classic "Mr. Superlove." (That's the cover art, with former Short Vine mayor Archie acting as the model, above.)
Here's a fan-made video for the Whigs' take on "Mr. Superlove" (NSFW due to mild nudity).
More recently, Wussy recorded a great cover version of another early Whigs song, Up In It opening track, "Retarded," for an Afghan Whigs tribute compilation put out by fantastic Afghan Whigs site Summer's Kiss (listen or purchase here). The comp also included Whigs renditions by Mark Lanegan, Joseph Arthur and several other acts.
Give a listen to Wussy's "Retarded" below.
Following the successful screening of acclaimed Sigur Ros concert film Inni in April, the Contemporary Arts Center is showing another hot music flick. Tonight (on the same night and at the same time as an ever-growing list of theaters and venues nationwide) the CAC is screening Shut Up and Play the Hits, the much-anticipated concert film/documentary about hugely popular Electronic/Dance/Rock band LCD Soundsystem’s final concert, which took place April 2, 2011, at Madison Square Garden in New York City.
The film — which has received awards from both the Sundance and SXSW film festivals — features plenty of live footage from the finale, but the narrative focuses on bandleader James Murphy’s day-to-day life leading up to the show (and the day after) as he ponders the “personal and professional ramifications” that come with deciding to break up one of the top bands on the planet at its peak.
As of this morning, tickets were surprisingly still available (most screenings around the country have sold out). I'd call ahead to make sure there are some left (513-345-8431). Or if you can get to the box office early, tickets are on sale for $10 ($5 for CAC members) in the CAC Store. Screening is at 9 p.m., but you can show up starting at 7:30 p.m., have some drinks and tour the museum.
Here's a brief clip from the film.