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by 08.28.2009
Posted In: Visual Art, COMMUNITY at 04:50 PM | Permalink | Comments (0)

Student Murals Brighten Stores

Students at the Cincinnati Arts & Technology Center (CATC) had a productive summer of paint-slinging as they created a mural of local scenes for display at the bigg’s store in Florence, Ky. The mural is the 10th in a series of 11 murals being painted by the students for the supermarket chain in the Tristate area under the guidance of CATC instructor Mike McGuire.

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by Steven Rosen 07.21.2014
at 09:16 AM | Permalink | Comments (0)

Lois Rosenthal, Cincinnati Arts Patron, Has Died

It is with sadness that we report the death of one of Cincinnati's great art patrons, Lois Rosenthal, at age 75. This notice was in today's issue of The New York Times:

ROSENTHAL--Lois, 75, on July 20, 2014, died peacefully. She is survived by her husband Richard, their children Jennie (Allan) Berliant and David, her grandchildren Elizabeth and Andrew Berliant and Eva and Mae Rosenthal, and her brother Harvey (Mary) Reis. An activist, environmentalist, supporter and participant in organizations that defended the oppressed, the hungry, and the disadvantaged, she initiated many programs and activities. From the Ohio Innocence Project which has exonerated 17 wrongfully convicted people, to the Fresh Produce initiative at the Freestore Foodbank, and the Rosey Reader Program which has provided books to over 30,000 Cincinnati Public School children, grades K-3, to foster a love of reading, to her creation of Uptown Arts which provides free classes in art, music, acting and dance to five-ten year old city kids. During Lois' 28-year tenure on the board of the Cincinnati Playhouse in the Park, she and her husband established the Rosenthal New Play Prize which produced 15 world premier productions, several nominated both for the Pulitzer Prize and produced in New York. As a member of the Board of the Cincinnati Art Museum, Lois and Dick endowed the museum to allow free admission in perpetuity. Lois was also a member of the Board of The National Underground Railroad Freedom Center. There, once again drawing on her compassion for those with little or no voice, she envisioned, championed and funded Invisible: Slavery Today, the world's first museum-quality, permanent exhibition on the subjects of modern-day slavery and human trafficking. Along the way, Lois wrote a weekly consumer column for the Cincinnati Enquirer for 10 years, had a call-in radio show, and wrote features for several national magazines. Among her seven books, Living Better was a Book of the Month Club selection. Lois relaunched Story magazine in 1989 with her husband. In five of the 10 years she edited Story, it was nominated for the National Magazine Award for short fiction. In two of those years Story won the prestigious award. Like the founders of Story-- Whit Burnet and Martha Foley-- who first published the works of today's marquis writers, Lois first published stories by Juno Diaz, Elizabeth Graver and Nathan Englander among others. Mother, wife, friend to many, Lois Rosenthal transformed organizations, intellectually and with creative determination. We're all better for her high standards, her dynamic personality, the impact she made on so many lives, and her contagious enthusiasm for doing good.
There will be a memorial service in the Marx Theater at Cincinnati Playhouse in the Park at 4:30 p.m. on Sept. 15.
by Rick Pender 01.27.2012
Posted In: Theater at 11:53 AM | Permalink | Comments (0)

Stage Door: Weekend Theater Roundup

Each week in Stage Door I offer theater tips for the weekend, sometimes with a few pieces of theater news.

The Whipping Man opened on Wednesday at Ensemble Theatre of Cincinnati. The show made a big splash at Manhattan Theatre Club in New York last spring with Andre Braugher in the central role of Simon, a dedicated former slave who remains in a ruined mansion in 1865 Richmond in the days just after the Civil War. Caleb, the wounded son of his former master stumbles in (desperately needing some horrendous surgery) and then John, another former slave, a young man raised side by side with Caleb. The slave-owning family was Jewish, and it’s almost time for Passover, which they decide to celebrate. It’s a powerful show about freedom and responsibility with some jaw-dropping plot twists. Director D. Lynn Meyers gets the most from her cast. This one is a must-see. Onstage through Feb. 12.

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by Rick Pender 03.16.2012
Posted In: Theater at 10:19 AM | Permalink | Comments (0)
onstage 3-21 - time stands still - jen johansen as sarah goodwin - photo ryan kurtz.widea

Stage Door: ETC, Playhouse, Mariemont Players

Fewer productions onstage this week, but still some great choices. On Wednesday evening I attended the premiere of Donald Margulies’ very much in-the-moment drama Time Stands Still at Ensemble Theater. It’s the story of two journalists who have been addicted to the adrenalin rush of covering wars. He’s now running away and hiding in film reviews (there’s a touch of post-traumatic stress, it seems, because he’s watching classic horror films all the time), and she’s recovering from injuries that resulted from a roadside bomb blast in Iraq. What’s next for them? Well, that’s what the play is about — a return for more or settling for a calmer, safer life, represented by a happy if unlikely couple who visit them, the photographer’s editor and mentor and his naïve young girlfriend. Four intriguing character studies add up to an evening of thoughtful drama. I gave it a Critic’s Pick; here’s a link to my review. Through April 1. Tickets: 513-421-3555

I’ve been talking with lots of people about the Cincinnati Playhouse production of Stephen Sondheim’s Merrily We Roll Along. It’s been directed by John Doyle, who inventively staged Sondheim’s Company in 2006, a production that moved to Broadway and earned a Tony Award. He uses the same approach this time: actors who provide their own musical accompaniment. I liked the results he got from his strong, talented cast. But I will say that this production evokes strong reactions: Some people love it, some are mystified and some hate the nontraditional approach. No one has said it’s not skillfully done, so I can safely tell you that you ought to go and see for yourself. Merrily has long been viewed as one of Sondheim’s few failures (its original run in 1981 lasted for only 16 performances on Broadway), but you wouldn’t know that from this staging: It’s a showbiz tale of chasing success that has not resulted in happiness. We start at the end of a friendship, with three people at one another’s throats, and then trace back to their earliest, optimistic moments together. With great music, a stylized set piled with pages of music (the central character is a Broadway composer) and some intriguing decisions by Doyle about elevating a realistic tale to something more deeply emotional, this version of Merrily is a fascinating production that musical theater lovers ought to see. In addition to my Critic’s Pick, this production has garnered five awards from the League of Cincinnati Theatres for Outstanding Ensemble, for performer Becky Ann Baker, for Scott Pask’s imaginative scenic design, Matt Castle’s music direction and Mary-Mitchell Campbell’s orchestrations. Can’t quite figure why director John Doyle wasn’t cited, since he’s the mastermind behind all this, but you can judge that one for yourself. Through March 31. Box office: 513-421-3888.

I don’t get to see too much community theater, but there are several companies that consistently present work worth watching: Mariemont Players is one of them. Through March 25 the company is presenting Cole, a musical tribute to the life of songwriter Cole Porter, from his days as a student at Yale, life in Paris then Manhattan then Hollywood. I haven’t seen it, but I suspect that it will be entertaining. At the Walton Creek Theater (4101 Walton Creek Road, just east of Mariemont). Tickets: 513-684-1236.

Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.

by Steven Rosen 04.04.2011
Posted In: Visual Art at 02:31 PM | Permalink | Comments (0)

CAM Announces 4th Floor Award Winner

The Cincinnati Art Museum has announced the winner of its second biennial 4th Floor Award for regional contemporary artists -- Darren Goodman of Waynesville, Ohio. He will receive $1,000 and a solo exhibition in the art museum’s Vance-Waddell Gallery this year from Sept. 17 through Nov. 27th.

According to a museum press release issued today, he earned his BFA from Bowling Green State University and apprenticed under glass master Leon Applebaum in Corning, N.Y.. Godman was commissioned by Ferrari to create trophies for the International Challenge Races (2009. From 2005 to 2007 he taught private classes in glass, and coordinated a glassblowing class for Wyoming High School students. In his work, Goodman explores color in glass and is inspired by natural forms. In his most recent installation, 2010's Tears of Joy, Goodman built on the “mistake” of molten glass falling to the ground. Using the same action, he created massive blue drops that were suspended together inches above the floor. In both his installations and individual pieces, Goodman endeavors to utilize the properties that are found solely in glass.

Three finalists each receive $500 -- Terence Hammonds, Casey Millard and Alice Pixley Young, all of Cincinnati,

by Rick Pender 02.25.2011
Posted In: Theater at 10:58 AM | Permalink | Comments (0)

Stage Door: Pride and Prejudice

Lynn Meyers spends most of her time staging shows at Ensemble Theatre of Cincinnati, where she’s the producing artistic director. However, she headed a few blocks south from her Over-the-Rhine venue this month to direct Pride and Prejudice for Cincinnati Shakespeare Company at its Race Street venue.

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by Steven Rosen 06.30.2009
Posted In: Visual Art at 02:03 PM | Permalink | Comments (0)

CAC Cancels Fall Show

The Contemporary Arts Center has canceled one of its first shows of the 2009-10 season, Young Country. That group show, in which young artists address issues and symbols of Americana, was scheduled to open Oct. 3 and continue through Jan. 10.

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by Rick Pender 03.30.2012
Posted In: Theater at 10:47 AM | Permalink | Comments (0)
onstage 3-28 - tigers be still - cincy playhouse - (l-r) joanne tucker, eric nelsen & lindsey kyler - photo by sandy underwood..widea

Stage Door: Entertainments For All Ages

Traditional shows, Cirque du Soleil and openings at Know and Cincy Shakes

Thanks to spot-on casting of the four actors who bring Kim Rosenstock’s new play Tigers Be Still to life at the Cincinnati Playhouse, the show about people dealing with depression is charming, funny, optimistic and even heart-warming. It’s about a young woman with a recently earned degree in art therapy; she’s been down in the dumps about finding work, but not as much as her mom who’s gained weight and her sister who’s been dumped by her fiancé. She’s starting a new job thanks to her mom’s long-ago boyfriend, now a middle school principal. He has issues of his own — from a slacker son to anxiety about a tiger that’s escaped from the local zoo. Sound zany? Well, it is — as well as entertaining. The League of Cincinnati Theatres singled out this production’s sound design by Vincent Olivieri for an award. One panelist wrote, “On a very small stage, scenes took place in a school gym, drugstore, office, closet, outdoors and in the living spaces of two houses. Except for the main set, capturing the essence of these scenes was limited to a couple of props and pieces of furniture — and the sound!” Through April 15. Box office: 513-421-3888.

There’s a final performance on Saturday afternoon of Rapunzel! Rapunzel! A Very Hairy Fairy Tale, presented by The Children’s Theatre of Cincinnati. The world premiere musical by composer Janet Vogt and writer Mark Friedman has received an award from the league of Cincinnati Theatres for its scenic design by David Centers. Tickets: 513-569-8080, x13. His design for the show was described by LCT judges as “simple and very well executed in a style that was great for the play.” In addition to the show’s signature tower, the set also boasts a forest that “wasn’t too dank, dark and dismal, but instead had personality.” (Centers, a veteran local designer and a graduate of the School for Creative and Performing Arts, received an LCT Award in the same category earlier this year for his work Disney’s My Son Pinocchio Jr.) Tickets: 513-569-8080, x13.

On Wednesday I attended the Cirque du Soleil production of Dralion at the Bank of Kentucky Arena, adjacent to Northern Kentucky University. It’s another extravaganza of strength and showmanship, athleticism and artistry. This struck me as a somewhat more compact show than I’ve seen in the past: The talent is just as great, but the concept — connections between East and West — is pretty vaporous. But there are three wonderful clowns, and several of the performances do things that make you say, “How can a human body do that?” Balancing on one hand, flying through the air on a hoop, skipping rope in a human pyramid — it’s amazing stuff. It’s being presented through Sunday: Lots of available seats on opening night, so I’m guessing you can still find tickets for all performances. Through Sunday. Tickets: 800-745-3000

Two excellent productions wrap up this weekend. The Cincinnati Playhouse’s unique staging of Stephen Sondheim and George Furth’s musical Merrily We Roll Along, which uses actors who also play musical instruments has its final performances on Saturday. I gave the production a Critic's Pick; Merrily is only infrequently staged, so this is a chance not to be missed. Box office: 513-421-3888. Ensemble Theatre concludes the run of Time Stands Still, a fine drama with a great ensemble cast directed by Michael Evan Haney. Final performance is on Sunday. This tale of burned-out journalists and last gasps at relationships by Donald Margulies, a Pulitzer Prize-winning dramatist, also earned a Critic's Pick. Box office: 513-421-3555.

Know Theatre’s production of the recent off-Broadway and Broadway Rock musical hit, Bloody Bloody Andrew Jackson, opens on Saturday. (It’s onstage through May 12.) Word has it that tickets are already selling fast. Box office: 513-300-5669. This weekend is also the opening for Cincinnati Shakespeare’s production of The Grapes of Wrath, which runs through April 29. Box office: 513-381-2273, x1.

Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.

by Rick Pender 04.28.2013
Posted In: Theater at 10:49 AM | Permalink | Comments (0)
lynn meyers

ETC Shares News About Four Shows for Next Season

Two additional shows will round out 2013-14 season

Ensemble Theatre Cincinnati today announced four of its six shows for the 2013-2014 season, which opens on Sept. 4. Producing Artistic Director D. Lynn Meyers says, "We are planning a truly original, fresh and exhilarating season of dynamic regional premieres, and I am absolutely thrilled to showcase some of the hottest titles and newest voices this coming year." 

I'll add my vote of confidence: Meyers' play selection has been unerring for several seasons: Even if the titles aren't immediately familiar, ETC's productions have been engaging and among the best work onstage locally. It's a bit of annual amusement for ETC subscribers that Meyers takes longer than most to pull together what she will present — but that's because she's bargaining, wheedling and pleading with agents, rights organizations and sometimes playwrights themselves right up until the last minute to land very recently produced works. In fact, for the coming season, rather than wait until everything is in place, Meyers has is announcing four shows for the company's 28th season, with slots still open for productions in February and May 2014.

Here's what we know, for now:

Other Desert Cities by Jon Robin Baitz (Sept. 4-22, 2013). The searing comedy by the creator of TV's hit drama Brothers & Sisters, was a Pulitzer Prize finalist, and The New York Times called it "the best new play on Broadway" a year ago. When a once-promising novelist returns home to Palm Springs to visit her parents, conflict ensues when she reveals she's been writing a juicy, tell-all memoir focusing on the tragic death of her antiwar-activist brother. 

Rapture, Blister, Burn by Gina Gionfriddo (Oct. 9-27, 2013). It's another Pulitzer Prize finalist, this one is by a writer whose credits include Law & Order and the recent Netflix series starting Kevin Spacey, House of Cards. It's a social comedy about a rising young academic who's not at all certain that she's leading the life she wants. An evening with a friend who's a stay-at-home mom leads to an interesting game of musical chairs.

Around the World in 80 Days by Joseph McDonough and David Kisor (Dec. 4, 2013-Jan. 4, 2014). ETC will revive one of the first of its holiday shows created back in 1999. Based on Jules Verne's classic novel, it's the story of a crazed circumnavigation of the globe in 1899 by the brilliant Englishman Phileas Fogg, who wages a fortune that he can do it in record time. Bandits, buffalo and winter storms are just a few of the obstacles he must overcome, but the story promises great fun for families.

The Mountaintop by Katori Hall (March 19-April 6, 2014). This show won London's Olivier Award for the season's best new play, and its Broadway production featured Samuel L. Jackson and Angela Bassett as Dr. Martin Luther King Jr. and a feisty young hotel maid. The civil rights leader is cooling down in a lonely Memphis hotel room after delivering one of his greatest speeches. The next day, tragedy would strike. It's a powerful piece of theater by a rising young playwright, according to all who have seen it.

Subscriptions are already on sale for ETC's season. More information is available by calling 513-421-3555. Single tickets will go on sale to the general public on August 5, 2013.
by Rick Pender 08.26.2011
Posted In: Theater at 11:29 AM | Permalink | Comments (0)

Stage Door: Swing on Sunday at Know

The Manhattan Dolls will make a one-night tour stop at Know Theatre on Sunday evening at 7:30, performing their Swing-style revue of tunes from the 1930s and 1940s, "Sentimental Journey," in the Over-the-Rhine theatre’s Underground cabaret space. The trio of singers from New York City travel the world performing for military events, air shows, award ceremonies, parades, Jazz clubs and concert series.

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