The League of Cincinnati Theatres LCT) continues its program of recognition for 2011-2012 theater productions with recently announced awards for productions of As You Like It at the Cincinnati Playhouse in the Park and Gruesome Playground Injuries at Know Theatre of Cincinnati. Nine shows have now been handed awards by panels of informed theatergoers.
And then there are those that touch numerous bases — either because that’s what the artists intended or because time has changed the meaning or our appreciation of the work. In the former category, and so far the work that towers over everything else I’ve seen, is Doug and Mike Starn’s Gravity of Light in the decommissioned Holy Cross Church at Mount Adams Monastery. This installation prominently uses photographs without letting them define what its purpose or meaning is about. I’ve written about it previously and may do so again, so powerful is it. It’s up through year’s end, and I hope everyone realizes how important an artwork it is and goes to see it. Go here for details.
It can be discussed and debated whether Disfarmer, who died in 1959) was engaged in what he thought was a commercial venture or whether he was after something else… his own quest for an artful statement. But the work today is important as something other than straight photo-documentation, though it is that. The photographs are haunting missives from the place Greil Marcus called “the old, weird America” — a spiritual zone, a cosmic baptismal font, from where much of our contemporary culture can trace its origins.
But they came, sometimes dressed in their best and sometimes dressed in the best they had. What resulted — and we are fortunate his work has been preserved, which itself was a struggle — is a different take on Depression Era poverty than the federal Farm Security Administration photos. Taken by outsiders, those placed — with warmth and humanity — their subjects in their surrounding hardscrabble environment. They have a sociological dimension.
By the way, I’m not sure how many people know this exhibit is here. FotoFocus literature didn’t list it as an ongoing show, but rather a part of a one-day event – last week’s Emery concert by guitarist Bill Frisell/858 Quartet of his composition Musical Portraits from Heber Springs. But the Emery is keeping it up through the month. To see it, e-mail firstname.lastname@example.org with your phone number and times you’re available, or call 513-262-8242.
The artist spent five years observing — in film and still photographs — the effect of light, seasonal change and weather on a remote, pristine, Finnish island. In “Forest (Tree and Pond),” his work is condensed via editing into a relatively tight time span and projected onto a gray-painted section of a gallery wall. While it looks like we are a watching a specific spot on the island change over the seasons, I’m told it’s a composite. (I find that remarkable.) Tuori has created this slightly wavering mirage of an image to show how art can turn what we think of as mundane into something momentous. He has photographed elusive “change.”
Photography, like all art, isn’t meant to stand still. Tuori is at the forefront of finding new ways to show that.
Ensemble Theatre Cincinnati today announced four of its six shows for the 2013-2014 season, which opens on Sept. 4. Producing Artistic Director D. Lynn Meyers says, "We are planning a truly original, fresh and exhilarating season of dynamic regional premieres, and I am absolutely thrilled to showcase some of the hottest titles and newest voices this coming year."
The Cincinnati Art Museum's 2009-2010 season will include several photography shows, all in 2010: Starburst: Color Photography in America 1970-1980 (Feb. 13-May 9); local photographer Thomas Schiff's Las Vegas 360 (April 3-July 18): and Walker Evans: Decade by Decade (June 12-Sept. 5).
say whether the hills will be alive, but The Carnegie in Covington
certainly will be in January when it presents a "lightly staged"
production of Rodgers and Hammerstein's The Sound of Music in partnership with the Kentucky Symphony Orchestra. Presented Jan. 17-26, 2014,
under the direction of Brian Robertson and KSO conductor J. R. Cassidy,
the production continues a popular series that has appealed to
audiences at the Carnegie's Otto M. Budig Theatre.
The 2009 Cincy Fringe Festival wraps up tonight. Starting today at 2 p.m., 18 different productions are presenting their final shows and both Film Fringe and Visual Fringe are wrapping up at the Art Academy of Cincinnati.
Rick Pender reports that ticket sales have already surpassed Fringe organizers' goals, and today's beautiful weather should bring out a final wave of good attendance.
Reviews of all 18 of today's shows are posted on CityBeat's Fringe micro-site, including The Secrets Project, which opened last night at New Stage Collective and presents its second and final performance tonight at 7:30. In fact, CityBeat writers have reviewed all 31 Fringe shows, with most reviews being posted the morning after their debut performances.
For the holidays, they'll produce The Naughty List, hosted by Ronda Androski and her great staff at Arnold's Bar & Grill downtown and featuring the talent of OTR Improv, one of the groups Know has nurtured with its Jackson Street Market. They'll take holiday memories from those in attendance as they recreate holiday movies and tell you how your life would have been different if you had received that special gift you yearned for. The fun will be happeing in Arnold's courtyard on Sunday, Monday and Tuesday evenings from Dec. 2 to 30. Tickets will be $15 in advance and $18 at the door.
Know will also offer The Apocalypse Show! for two nights on its home stage at 1120 Jackson St.. Since the world is scheduled to come to an end on Dec. 21, 2012 (according to the Mayan calendar), Know will produce a variety show to end all variety shows on Dec. 20 and 21. There will be sketch comedy, predictions, guest appearances, "gratuitous drinking and answers to all of your apocalypse FAQs." Dec. 20 will be a fundraiser (tickets: $50), despite the funny come-on that you should bring all your money, since it will be worth nothing the next day! (If you come to the performance on Dec. 21, you only need to scrape together $15 in advance or $18 at the door.)
Assuming that the world really isn't ending on Dec. 21, Know will co-host its annual New Year's Eve event with CityBeat, the Speakeasy Party from 8 p.m. on Dec. 31 (to 1 a.m.). Know typically attracts 300 well-dressed guests for this event, and everyone has fun with casino games, food, dancing to a DJ and a live band, martinis and a champagne toast at midnight.
After all this fun stuff, Know will get down to some serious theater — presenting Andrew Bovell's "best new play of 2010," When the Rain Stops Falling (Feb. 8-March 16, 2013). It's another partnership, with the production being staged by Brian Isaac Phillips, artistic director at Cincinnati Shakespeare Company. (Bovell's Speaking in Tongues had a great production at the Cincinnati Playhouse last season.) The show uses an intricate fabric of overlapping connections, moving between several generations between 1959 and 2039 and between London and Australia. Acts and sins of the past are connected to three generations that follow.
More will be following, including an unnamed production running from April 5 to May 12. Sometime in late April (date TBA), just in advance of the tenth annual Cincinnati Fringe Festival (May 28-June 8, 2013), Know will host the 2013 United States Association of Fringe Festivals Conference. "We're honored to have been selected to host this year's conference," says Know's Producing Artistic Director Eric Vosmeier. "It's an amazing opportunity to work on ideas and issues at the core of all Fringe Festivals. Every time I have been to a conference, the Cincinnati Fringe is better for it. We can't wait to show off our city to festival producers from all over the United States."
One more note: Know is selling its version of a subscription, Flex Passes. But these have evolved: You can purchase six flex passes for $90. Valid for most Know productions, they do not expire. (If a show ticket has a higher price than the pass, you can use your pass and just pay the difference.) Know's website will designate: "Flex passes are valid for this event." When you run out of tickets (and you surely will), you simply need to buy another pass.
Know's Fringe Festival has promoted itself with the slogan "Weird, like us." And they're living up to that mantra in a way that should appeal to its supporters and more.
You'll have to pick and choose this weekend because
there's so much theater onstage. In addition to our professional
theaters, it's worth checking out production at universities: Tonight
through Sunday, CCM's esteemed musical theater program is offering the
cult favorite Chess, with music by ABBA's Björn Ulvaeus
and Benny Andersson. The story is set in Bangkok and Budapest during a
mid-1970s world chess championship — and it's driven by gamesmanship
between nations, between lovers and, of course, between chess players. I
saw the opening on Thursday, and it's a BIG show with a gigantic cast.
Several leading roles are double cast (with more juniors than seniors,
in fact, which bodes well for CCM productions for this season and next).
In particular, Matthew Paul Hill, playing the Russian grand master
Anatoly, lifted the roof of Corbett Auditorium with his powerful
baritone voice singing the stirring "Anthem," the Act 1 finale. Tickets
($30) Box office: 513-556-4183. At Northern Kentucky University you'll a production of Royal Gambit
by German playwright Hermann Gressieker (translated into English in the
late 1950s). The subject is King Henry VIII and his six wives, and this
looks to be a beautifully costumed show, featuring senior Seth Wallen
in the leading role. Tickets ($14). Box office: 859-572-5464.
Neil Simon's funny and endearing Brighton Beach Memoirs is onstage at the Cincinnati Playhouse. I gave it a Critic's Pick (review here), and I'm sure audiences will love this sweet portrait of growing up in Brooklyn in the 1930s, where a loving but fractious family copes with hard times. It's told from the perspective of Eugene, a precocious adolescent (he's really Simon as a 15-year-old), who takes notes on his family's behavior. Well acted and beautifully staged. Box office: 513-421-3888l.
My schedule hasn't permitted me to see several shows that are getting good notices, including recognition from the folks evaluating productions for the League of Cincinnati Theatres. I'm catching up this evening with Cincinnati Shakespeare Company, which is offering two shows this month. Romeo & Juliet is its mainstage show, and Sara Clark is getting high marks for her portrait of romantic but tragic young love. Brian Phillips' staging picked up an LCT nod, and the show received an overall recommendation from LCT. On the evenings when R&J is not onstage, there's another Shakespeare work for thrill seekers, specially selected and staged for the Halloween season: the bloody, gory tale of revenge, Titus Andronicus. Veteran actor Nick Rose plays a crazed Roman general, and just about everyone I've heard from says his performance is memorable. (It earned him an LCT nomination, too.) Box office: 513-381-2273.
This weekend is the final one for Mrs. Mannerly at Ensemble Theatre. When Harper Lee reviewed this one for CityBeat (review here), she gave it a Critic's Pick, and I agree wholeheartedly. (LCT named it a recommended production, too.) CEA Hall of Fame actress Dale Hodges is great fun to watch as a strict etiquette teacher in 1967, and Raymond McAnally plays all the other characters — a bunch of kids who are learning how to behave in a "mannerly" way. It's funny from start to finish, but there's a heart-warming message within the story. Definitely worth seeing. Box office: 513-421-3555.
At Clifton Performance Theatre, Clifton Players are staging A Bright New Boise, which also picked up an LCT recommendation. I haven't seen it, but the show won an Obie Award (that's for outstanding off-Broadway plays) in 2011, and it has a strong cast. This is a newish venue that's specializing in "storefront theater." Should be worth supporting. Tickets ($20): 513-861-7469.