What are your favorite memories from the Southgate House?
On Monday night/Tuesday morning this week, as news that the popular Newport music venue would cease to exist (in its current state, at least) leaked out, I watched a steady stream of comments on Facebook respond to the news with a mix of stunned disbelief and sad nostalgia, as fans of the club shared some of their best stories and memories.
Many people were quite emotional, and I wondered why I wasn't having similar feelings. Since the late ’80s, I had been a frequent visitor to the club, and, over the entire span of my 20 years writing about music in Greater Cincinnati, I have consistently covered events at the venue. I was not totally unmoved by the sudden announcement, but I certainly wasn't as shaken as others appeared to be.
Music Tonight: Rootsy Connecticut-based trio Plume Giant performs at the Rohs Street Cafe in Clifton Heights with Columbus, Ohio's Deadwood Floats and Cincinnati's own Molly Sullivan (check out Sullivan's lovely, unique track "Bad Weather" here). Plume Giant released its self-titled debut EP last year, drawing praise from Seattle to New Haven, and travelled up and down the east coast in support. The Indie Folk trio — built around timeless songs, amazing three-part harmonies and pure, naked acoustic guitar/viola/violin backing — is taking on the Midwest this month, touring in advance of its first full-length, due this coming spring. Click here to listen to the EP and enjoy the Plume Giant song "Old Joe the Crow," performed live below.
On Sept. 19, Scruby released Boy Genius, which is his second Hip Hop mixtape in less than a year. In two weeks, Boy Genius is less than a thousand downloads from surpassing Best Foot Forward, which Scruby released last November.
Over the 10 months since officially entering the music scene, Scruby has taken off. While making Boy Genius, Scruby studied at Ohio State University and played a few shows. His biggest shows included opening for J. Cole at May’s BuckeyeThon Benefit Concert at OSU. Recently, he opened for Machine Gun Kelley and performed at Ohio University’s 10Fest.
Along with live performances, Scruby and his team at LandSea Media produced enough videos to keep fans entertained while they worked on Boy Genius.
The wait for the new music was worthwhile. I was instantly blown away at the quality of the music. It didn’t sound as if it was produced in a dorm room, but rather a professional studio. The audio was balanced and the vocals weren’t hidden under a blanket of bass.
As for the lyrics, Scruby uses a mix of wordplay and comedy in his songs, and it works. His tracks follow a life of love (or rather, lovemaking), success and partying. Although I find these themes to be a stereotype of rap, Scruby pulls off the stereotypical rap lifestyle with ease.
Mixtape opener “Double Time” features Cincinnati’s own DJ ETrayn. He welcomes fans to the musical journey before the song begins. The start of this track is reminiscent of Dumbfoundead’s “Green.” This song makes me want to lean my driver’s seat back and drive with one hand on the steering wheel while doing 50 in a 25.
What seems to be a fan favorite is “Fux With Me.” Crowds at 10Fest wore shirts donned with "I Fux With Cal Scruby." The song isn’t my personal favorite, but I enjoy the tour of people who "fux" with Scruby and how he doesn’t let it slow him down.
My personal favorite is the bonus track “Midwest City,” which is a tribute to his hometown, that city where they sin two times. This closes the album and leaves me wanting to hear more from Scruby.
Even though high school is long gone, I can’t go somewhere
without hearing about the guy who was super cereal about ManBearPig and now,
he’s super cereal about his music.
EDITOR'S NOTE: This year's 20th anniversary edition of Lollapalooza in Chicago's Grant Park was once again a live, breathing, three-day mixtape featuring star artists (Coldplay, Eminem, Foo Fighters), established performers, cult heroes and up-and-comers. Local writer Leyla Shokoohe attended her very first Lollapalooza this past weekend and agreed to write about the experience for CityBeat. Below is her report on Day 1 as well as video from some of the performances mentioned, mostly from Lollapalooza's YouTube page. Keep an eye on this space for Day 2 and 3 dispatches soon.
It was another great celebration of the Greater Cincinnati music scene Sunday night at Covington’s Madison Theater, as CityBeat presented the Cincinnati Entertainment Awards for the 18th straight year. The eclecticism of our local music scene was on display via excellent performances by nominees Mad Anthony, The Cliftones, Young Heirlooms, Zebras in Public, The Whiskey Shambles, Buggs Tha Rocka, Dark Colour and Injecting Strangers. (Pick up a CityBeat Wednesday for more on the show itself and stay tuned for photos from the event)
Wussy emerged the big winner of the night, taking home the Album of the Year, Artist of the Year and Best Music Video CEAs, a nice capper to a breakthrough year that saw the band sell out shows across the country, score rave reviews from several high profile music press outlets and make its network TV debut on CBS This Morning.
Below is the full list of 2015 Cincinnati Entertainment Award winners:
World Music/Reggae: The Cliftones
Jazz: Blue Wisp Big Band
Singer/Songwriter: Molly Sullivan
Country: 90 Proof Twang
Punk/Pop Punk: The Dopamines
Indie/Alternative: The Yugos
Rock: Buffalo Killers
Electronic: Dream Tiger
Blues: The Whiskey Shambles
Bluegrass: Rumple Mountain Boys
Folk/Americana: The Tillers
Metal/Hard Rock: Electric Citizen
R&B/Funk/Soul: Under New Order
Hip Hop: Buggs Tha Rocka
Best Live Act: The Almighty Get Down
Best Music Video: Wussy’s “North Sea Girls” (directed by Rich Tarbell)
New Artist of the Year: Honeyspiders
Album of the Year: Wussy’s Attica!
Artist of the Year: Wussy
Hard Rock group Alter Bridge was formed in Orlando in 2004 by Creed members Mark Tremonti, Brian Marshall and Scott Phillips after a tense Creed tour. Adding lead singer/rhythm guitarist Myles Kennedy (also a touring/recording collaborator with Slash), Alter Bridge quickly became more than a side project when Creed's break-up was announced a little later that year. Though Creed has reconstituted, Alter Bridge has remained a full-time entity. The band released its third studio album (on its third label) in 2010, ABIII, a conceptual work dealing with issues of faith that spawned the group's biggest hit yet, “Isolation.” Alter Bridge are currently on the Carnival of Madness tour (with Theory of a Deadman, Black Stone Cherry and others), which comes to the Kentucky State Fair in Louisville this Friday, one of the tour's only free stops, at Cardinal Stadium (required fair admission is $10; find details here). CityBeat recently spoke with Mark Tremonti about the band’s writing style, solo careers and that "other" band, Creed.
Music Saturday: There's a clinic on modern Psych Rock music at the Southgate House as three disparate practitioners team up for a 9:30 p.m., all-ages show. Headliners The Black Angels touch on the Velvet Underground brand of psychedelia, with droning hypnotics, as well as later artists like Spacemen 3 and Jesus and Mary Chain. D.C.'s Dead Meadow have been working their brand of hard-rocking trippiness for the past 13 years, while L.A.'s Spindrift make soundtracks for desert vision quests, influenced by the likes of The Doors, Hawkwind and Electronic music pioneer, Bruce Haack. The band's cinematic sound has been used to soundtrack several film projects (including the Tarantino-produced Hell Ride), and, this spring, the group released Classic Soundtracks Volume 1, featuring 14 themes from various scores, which were made into short films by various directors, touching on everything from Bollywood to film noir (the films, music videos and trailers from the project have been screened to a national audience on the IFC network). Check out a few examples from Spindrift's soundtracks project below. Tickets for tonight's show are $18 at the door.
"AAAANND welcome to 97.3 The Wolf!”
Um, what? I wouldn’t preset a Country station on my car stereo if my life depended on it. I flipped around frantically, trying to find The Sound instead of the bumpkin bonanza that was currently wreaking havoc on my speakers. Zilch. Gone. I later found out that The Sound, which enjoyed popularity in its early broadcasting stages but was forced last fall to move from 94.9 FM to 97.3 FM after its rankings plummeted, is now available only on HD radio due to continued low ratings.
Local singer/songwriter/multi-instrumentalist S.R. Woodward is not your average clean-cut, guitar-strumming, doe-eyed heartthrob. No, this guy is far too weird for that racket. Combining slightly-flat-yet-charming harmonies sung in a baritone warble with peppy, synthesized musical backing tracks, he’s a troubadour of minimalist ditties that lie somewhere between cheeky and heartfelt.