Music Tonight: Hailing from the same Tulsa, Okla., suburb (Broken Arrow) as singer/actress Kristin Chenoweth, Saturday Night Live comedian (and South Park writer) Bill Hader and Hall of Fame baseball pitcher Warren Spahn, singer/songwriter JD McPherson's upbringing found him youthfully exploring the music of Nirvana and The Stooges right alongside Carl Perkins and Buddy Holly, a signal of things to come. Today, McPherson (now based in the Chicago area) is making a name for himself with songs that reflect the influence of Rock & Roll's breakout period. McPherson performs tonight at MOTR Pub in Over-the-Rhine. The free show also features an appearance by like-minded locals (although with a bit more of a Honky Tonk stride) Straw Boss. Showtime is 9 p.m. Check out this potential Northside anthem, "North Side Gal," and dig McPherson's incredibly soulful and authentic ’50s vibe:
When I was 12 or 13, my dad told me a joke that has, over the years, become one of my all time favorites. A drunk is standing in a doorway to get out of the rain, and a guy and a woman are standing on the corner in front of him, waiting for the light to change. The guy leans over to the woman and says, “Tickle your ass with a feather?” And the woman says, “What did you say?” The guy replies, “Typically nasty weather.” The woman laughs, they strike up a conversation and walk off together. The drunk thinks, “That was amazing! I’m gonna try that!” Pretty soon, a woman stops on the corner, the drunk lurches out of the doorway, sidles up to the woman and says, “Hey! Shove a feather up your ass?” The woman says, “I beg your pardon?” And the drunk says, “Fucking rain.”
When I looked out of my window at around 4:30 this afternoon, I thought about that joke, particularly the punch line. Luckily, the rain passed through relatively quickly and cleared to a large extent, giving us a nearly perfect night two of MidPoint 2010.
Music Saturday: This weeks' CityBeat cover stars The Kentucky Struts have reached the end of their yearlong recording/art project, The Year of the Horse. After releasing one track online from the album each month in 2011, as well as showcasing a corresponding, horse-themed piece of art commissioned to accompany the song, the Roots/Country/Rock band will have copies of the full release available at Saturday's release party at Newport's Southgate House. The visual artists featured on the project are a mix of local and national artists, including Joshua Black Wilkins (also an acclaimed singer/songwriter), Rob Warnick, Karen Heyl, Matthew Shleton and Julie Hill. Some proceeds from the release show (featuring openers The Sundresses), as well as profits from prints of the artwork, will be donated to the Kentucky-based horse rescue organization, Speak Up For Horses. Click here and here for more on the project (and to look at some of the amazing art pieces). Below, take a gander at the pre-launch video, which explains the ambitious venture.
Younger local musicians and the music fans who love them might find it hard to fathom, but once upon a time, Cincinnati’s corporate Rock radio juggernaut WEBN was one of local music’s biggest allies, a wild, wooly and eclectic FM outlet as open-ended and freeform as any internet radio station or podcast. In the ’70s and ’80s, before inflexible, homogenized playlists made it impossible for even major label Cincy bands like The Afghan Whigs to get spins, the annual WEBN Album Project compilations gave major exposure to local and regional artists. Saturday at the Madison Theater, the WEBN Album Project Reunion Show flashes back to that era. In this week’s CityBeat, Brian Baker caught up with one of Cincinnati’s most popular bands ever (and an early Album Project participant), The Raisins, whose seminal lineup is reuniting for Saturday’s event, joining several other AP alumni. Brian also caught up with some of the other participating musicians to discuss the Album Project’s legacy. Below are their thoughts, as well as some vintage video clips from the era.
Five Finger Death Punch has one of the biggest and most exciting shows you'll find in Metal music right now. The band just released its third studio album, American Capitalist, which features the popular single “Under and Over It” and the song “Back For More,” featured in the latest game in the Madden franchise. FFDP are about to go out on its headlining “Share the Welt” tour with All That Remains, Hatebreed and Rev Theory (the tour comes to Indianapolis' Murat Egyptian Room on Nov. 6). CityBeat recently spoke with lead guitarist Zoltan Bathory and band newcomer and bassist Chris Kael at X-Fest in Dayton, Ohio, about the new album and why the band’s music moves a more aggressive crowd.
Zeng is an award-winning performer and a music educator but he’s never ventured into song writing, until now. He’s currently working on an upcoming album titled Through These Doors about the discrimination he’s faced and he wants to influence others.
"During difficult times in my life, I have always turned to music. This time, for the first time, I was inspired to write and perform my own music. After personally experiencing discrimination, I hope that my music will help others who face similar situations,” said Zeng in a press release.
Combining his story with his professional knowledge in opera and musical theater to create an album that’s both emotionally driven and musically appealing.
His singles “Through These Doors” and “Now” are currently available on iTunes and other major music distribution sites, but audiences have to wait until October to get the full album.
Zeng is hosting a free launch party on Friday, Oct. 19 from 8-10 p.m. at the Below Zero Lounge in Over-The-Rhine. The party is open to the public and those attending will see Zeng perform his singles as well as unveil other album songs.
I hate festivals. I hate that they’re always at the peak of a heat wave or in the middle of a tornado warning. I hate that 90 percent of festival goers don’t understand the concept of deodorant. I hate the rushing around to multiple stages and the trying to decide who you like best when two awesome bands are both playing at 6 p.m I hate that my friends hate festivals, too, and always refuse to go with me. And I really hate the lack of cold beverages.
And yet Saturday afternoon found me in the middle of the crowd at Bunbury falling hopelessly in love with some band called “Imagine Dragons.”
It began during the second song I heard after arriving late to the Bud Light Stage. The lead singer, Dan Reynolds, bounced from one end of the stage to the other. The crowd around me sang along to songs I’d only heard once before, throwing their hands above their heads, voices to the sky and adoration at the stage. They practically worshiped a guy I’d only seen once in a small picture on Wikipedia. My love deepened when Reynolds spoke with absolute sincerity about how much it meant to see so many people singing along to their songs. Imagine Dragons hadn’t even performed in Cincinnati until their stop at Bunbury.
Then, as it often does, my heart melted at the sound of motorcycle boots and a palm on the chest as they thumped out a beat. Finally, my mug o’ love filled with melt-y heart goo, overflowed when the drummer, Daniel Platzman, flung himself off the stage after their set and bequeathed drumsticks to his adoring fans. These guys were perfect. Their music was made for screaming and dancing and the band members seemed so genuine.Nothing gets to me faster than a shaggy-haired dude saying a heartfelt “thank you” to his fans.
Thirty minutes into my time at Bunbury and I was madly in love.
It happens all the time, my falling in love at festivals In 1998, it was Hanson at a radio station festival in Miami. In 2001, it was a boy named Justin at the Buzz Bake Sale. Last year, it was The David Mayfield Parade at Appalachian Uprising and Avett Brothers at Memphis in May. This year I fell in love with Ben Howard at Bonnaroo and Imagine Dragons at Bunbury.
That feeling you get when you realize you’ve happened upon something amazing is pretty rare. Festivals, though, are like breeding grounds for that sensation. I’m certain that while music fans think festivals exist so they can see all their favorite bands at once, their organizers think festivals exist only for the purpose of making people gain new favorite bands.
Study any festival schedule and you’ll see what I mean. At some point during the day there will be about an hour of time where there will be three bands playing and you won’t have heard of any of them. You’ll call that, “dinner time.” However, as you wander along, looking for the perfect supper, you’ll also shuffle past three stages of random music. Almost inevitably the sound from of those stages will catch your attention and pull you across the grass to the barricade. Forty-five minutes later, you’re buying the band’s EP and mass texting your friends to tell them to check out this new band you just heard.
On Saturday I saw, among others, Manchester Orchestra, Gaslight Anthem and Weezer. (Weezer!) They were awesome, just as I’d expected. I flew from stage to stage, trying to catch as much of everything as possible. But the show that held my attention for the longest time was on the smaller stage and it lured me in while I was looking around for something to drink other than beer. The performance I’ll remember years from now won’t be Weezer, whom I’ve waited so long to see. It will be Imagine Dragons and it will be a memory of yet another time I fell in love.
In the words of James Hetfield (Metallica, y’all), “Nothing else matters.”
However, I’m supposed to report on the entire festival. So, here’s how the rest of my evening went something like this: I had Taco Azul for dinner and they were yummy beyond belief. I left for a bit to make my first ever walk across the Purple People Bridge to score photos of the fest from afar and I don’t regret that decision.
I spent a very long time wandering from one end of the park to the other in search of cold soda/pop, found none and I spent a hot second hoping that my poor editor thought to bring his Diet Pepsi from home. So, I bought a warm beer and immediately regretted that decision. I refused to use the porta-potties. I wandered by a DJed stage and considered how much better that section would be if it were more like Bonnaroo’s Silent Disco where everyone listened to music through headphones instead. Also, I briefly questioned the logic of scheduling the festival on the same weekend as a Reds game and the World Choir Games.
It was an awesome day. Fell in love, lost five pounds from sweating so much, and saw (here it comes, again) Weezer! And you know what else? I still don’t smell like a hobo.
Brian Olive, a founding member of The Greenhornes and later a member of the Soledad Brothers (under the stage-name Oliver Henry), is releasing a self-titled solo album on June 23. The CD will be put out by Alive Records, also home to Cincy's Buffalo Killers.
Music Saturday: There's a clinic on modern Psych Rock music at the Southgate House as three disparate practitioners team up for a 9:30 p.m., all-ages show. Headliners The Black Angels touch on the Velvet Underground brand of psychedelia, with droning hypnotics, as well as later artists like Spacemen 3 and Jesus and Mary Chain. D.C.'s Dead Meadow have been working their brand of hard-rocking trippiness for the past 13 years, while L.A.'s Spindrift make soundtracks for desert vision quests, influenced by the likes of The Doors, Hawkwind and Electronic music pioneer, Bruce Haack. The band's cinematic sound has been used to soundtrack several film projects (including the Tarantino-produced Hell Ride), and, this spring, the group released Classic Soundtracks Volume 1, featuring 14 themes from various scores, which were made into short films by various directors, touching on everything from Bollywood to film noir (the films, music videos and trailers from the project have been screened to a national audience on the IFC network). Check out a few examples from Spindrift's soundtracks project below. Tickets for tonight's show are $18 at the door.
The third annual Record Store Day, a celebration of independent record stores on April 16, is shaping up to be the biggest yet, with hundreds of special, limited-edition releases and in-store appearances around the country by some of the biggest names in music, from Jerry Lee Lewis to Foo Fighters. Northside’s Shake It Records has firmed up its Record Store Day lineup. As previously mentioned, Talib Kweli and Wussy will appear at Shake It for RSD and the shop recently added another local heavyweight to the festivities — Foxy Shazam.