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by Steven Rosen 01.30.2015
at 01:00 PM | Permalink | Comments (0)
 
 
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David Lewis' Music Lectures at the Main Library Expand to Saturdays

The presentations on The History of Cincinnati Music that David (“Uncle Dave”) Lewis has been presenting at the Main Library over the last year or so have been so good — so enlightening and entertaining — that one wishes he could do it for much larger crowds at the Aronoff Center or Music Hall. Or as a professor at University of Cincinnati — he’d be great there. He combines his original research with recordings and archival film footage and still photographs (when available).

One of his presentations, about Homer Rodeheaver, whose Cincinnati-based publishing company and record label were pioneers of sacred music and who was also close to the famous 1920s preacher Billy Sunday, got a nod as Best Arts Lecture last year from CityBeat.

But because his presentations have been on Wednesday evenings, many haven’t been able to attend. But now there’s a second chance. The Main Library’s music librarian, Steven Kemple, has arranged for Lewis to present reprises of his past lectures at 3 p.m. on the last Saturday of each month in the Reading Garden.

It starts tomorrow with The Hymn Composers of Cincinnati: Philips, Bliss & Doane, and Lewis will have guest pianist Jeremy Stevenson with him. All lectures are free.

Looking ahead beyond tomorrow, here’s the 2015 schedule so far for Lewis’ Saturday encore presentations:

Feb. 28: The Rodeheaver Record Company of Cincinnati
March 28: The Ohio Phonograph Company (with guest Patrick Feaster presenting the oldest known recordings of the human voice!)
April 25: Earl Fuller, Cincinnati's Daddy of "Jaz"
June 27: Cincinnati's Billy Golden and the Legacy of American Minstrelsy
July 25: Keep a Song in Your Soul: Mamie Smith, the "Queen of the Blues"
Aug. 29: It's More Than New York: Overview of Cincinnati Sound Recordings & How to Investigate Them (Part 1)
Sept. 26: It's More Than New York... (Part 2)
Oct. 31: Scary Stuff from Cincinnati
Nov. 28: It's More Than New York... (Part 3)

At the same time, Lewis is continuing with his new lectures on Wednesdays at 7 p.m. Here is the schedule for those to date:

Feb. 11: Fats Waller and Una Mae Carlisle – A Romance Made on Radio
March 11: Stay in the Wagonyard: The Lergacy of Louis Marshall “Grandpa” Jones
April 8: Cincinnati Jazz of the 1920s II: Ray Miller and Marion McKay
May 13: Cincinnati Jazz of the 1920s III: Bernie Cummins, Henry Theis
June 10: The Singing Groups of Southwestern Ohio: The Mills Brothers, the Ink Spots, the Charioteers
July 8: Cincinnatians in Silent Film: Arthur V. Johnson and Theda Bara
Aug. 12: Cincinnati Show People: Harry Richman and Libby Holman
Sept. 9: Singin’ Dirty Songs: Party Record King Larry Vincent
Oct. 14: The Library of Congress’ Field Trip to Cincinnati in 1938
Nov. 11: Rosemary Clooney (tentative)
Dec. 9: The Count of Monte Cristo (1913) with Cincinnatian James O’Neill

 
 
by Alex L. Weber 05.13.2009
Posted In: Reviews, Local Music at 11:27 AM | Permalink | Comments (1)
 
 
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Local CD Review: S.R. Woodward's 'Vertical Integration'

Local singer/songwriter/multi-instrumentalist S.R. Woodward is not your average clean-cut, guitar-strumming, doe-eyed heartthrob. No, this guy is far too weird for that racket. Combining slightly-flat-yet-charming harmonies sung in a baritone warble with peppy, synthesized musical backing tracks, he’s a troubadour of minimalist ditties that lie somewhere between cheeky and heartfelt.

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by Leyla Shokoohe 08.09.2011
Posted In: Festivals, Live Music, Reviews at 04:42 PM | Permalink | Comments (1)
 
 
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Leyla at Lolla: Lollapalooza 2011 Day 1

EDITOR'S NOTE: This year's 20th anniversary edition of Lollapalooza in Chicago's Grant Park was once again a live, breathing, three-day mixtape featuring star artists (Coldplay, Eminem, Foo Fighters), established performers, cult heroes and up-and-comers. Local writer Leyla Shokoohe attended her very first Lollapalooza this past weekend and agreed to write about the experience for CityBeat. Below is her report on Day 1 as well as video from some of the performances mentioned, mostly from Lollapalooza's YouTube page. Keep an eye on this space for Day 2 and 3 dispatches soon.

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by Alli Walker 10.05.2012
Posted In: Local Music, New Releases, Music Video at 11:10 AM | Permalink | Comments (1)
 
 
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REVIEW: Cal Scruby's 'Boy Genius'

Ohio Hip Hop artist releases new, much-anticpated mixtape

Sitting in my high school government class, I didn’t think the guy quoting South Park was someone I’d hear about after graduation, but less than a year after he put his best foot forward, I hear Cal Scruby is now a boy genius.

On Sept. 19, Scruby released Boy Genius, which is his second Hip Hop mixtape in less than a year. In two weeks, Boy Genius is less than a thousand downloads from surpassing Best Foot Forward, which Scruby released last November.  

Over the 10 months since officially entering the music scene, Scruby has taken off. While making Boy Genius, Scruby studied at Ohio State University and played a few shows. His biggest shows included opening for J. Cole at May’s BuckeyeThon Benefit Concert at OSU. Recently, he opened for Machine Gun Kelley and performed at Ohio University’s 10Fest.

Along with live performances, Scruby and his team at LandSea Media produced enough videos to keep fans entertained while they worked on Boy Genius.  

The wait for the new music was worthwhile. I was instantly blown away at the quality of the music. It didn’t sound as if it was produced in a dorm room, but rather a professional studio. The audio was balanced and the vocals weren’t hidden under a blanket of bass.

As for the lyrics, Scruby uses a mix of wordplay and comedy in his songs, and it works. His tracks follow a life of love (or rather, lovemaking), success and partying. Although I find these themes to be a stereotype of rap, Scruby pulls off the stereotypical rap lifestyle with ease. 

Mixtape opener “Double Time” features Cincinnati’s own DJ ETrayn. He welcomes fans to the musical journey before the song begins. The start of this track is reminiscent of Dumbfoundead’s “Green.” This song makes me want to lean my driver’s seat back and drive with one hand on the steering wheel while doing 50 in a 25.

What seems to be a fan favorite is “Fux With Me.” Crowds at 10Fest wore shirts donned with "I Fux With Cal Scruby." The song isn’t my personal favorite, but I enjoy the tour of people who "fux" with Scruby and how he doesn’t let it slow him down.

My personal favorite is the bonus track “Midwest City,” which is a tribute to his hometown, that city where they sin two times. This closes the album and leaves me wanting to hear more from Scruby.

Even though high school is long gone, I can’t go somewhere without hearing about the guy who was super cereal about ManBearPig and now, he’s super cereal about his music.

Check out Scruby on Facebook and go here to download Boy Genius.


 
 
by Brian Baker 02.02.2012
Posted In: Reviews at 01:22 PM | Permalink | Comments (1)
 
 
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I Shall Be Released: New Music Reviews

Reviews of new and recent releases from Beth Jeans Houghton, Nada Surf, Grace Woodroofe, The Pinstripes, Stew & The Negro Problem and others

Sometimes I feel like that scene in Seinfeld where Newman talks himself into a state of bug-eyed crazy as he describes the endless stream of mail that the Post Office is forced to deal with every day. I feel his fictional pain as I look about the Bunker and realize the stacks keep stacking regardless of my efforts to review them. I’m also reminded of an offhand comment made by my glass-half-empty pal Sean Daley when we worked together at Wizard Records way back in the weighty ’80s. One afternoon, Sean started looking around the store with a vacant gaze that suggested either the onset of a stroke or the Percocet kicking in. I asked him what was wrong and he said, “It just occurred to me that my new favorite album could be in here somewhere and I’d never know it because I won’t hear it, and no one I know will buy it and turn me onto it.” That’s how deeply philosophical it got in the store when we were short on customers. Of course, my dilemma doesn’t quite drip with that level of O. Henry irony. I might hear something quite good long after its release, but I have this forum to cover it, regardless of when it was actually hot off the presses.

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by mbreen 10.22.2011
Posted In: Live Music, Local Music, Music Video at 09:29 AM | Permalink | Comments (0)
 
 
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Squeeze the Day(s) for 10/22-23

Spindrift, Bettye LaVette and The Sounds, plus This Weekend in Music

Music Saturday: There's a clinic on modern Psych Rock music at the Southgate House as three disparate practitioners team up for a  9:30 p.m., all-ages show. Headliners The Black Angels touch on the Velvet Underground brand of psychedelia, with droning hypnotics, as well as later artists like Spacemen 3 and Jesus and Mary Chain. D.C.'s Dead Meadow have been working their brand of hard-rocking trippiness for the past 13 years, while L.A.'s Spindrift make soundtracks for desert vision quests, influenced by the likes of The Doors, Hawkwind and Electronic music pioneer, Bruce Haack. The band's cinematic sound has been used to soundtrack several film projects (including the Tarantino-produced Hell Ride), and, this spring, the group released Classic Soundtracks Volume 1, featuring 14 themes from various scores, which were made into short films by various directors, touching on everything from Bollywood to film noir (the films, music videos and trailers from the project have been screened to a national audience on the IFC network). Check out a few examples from Spindrift's soundtracks project below. Tickets for tonight's show are $18 at the door.

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by Amy Harris 08.25.2011
Posted In: Live Music, Interview at 01:04 PM | Permalink | Comments (0)
 
 
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Q&A with Alter Bridge

Hard Rock group Alter Bridge was formed in Orlando in 2004 by Creed members Mark Tremonti, Brian Marshall and Scott Phillips after a tense Creed tour. Adding lead singer/rhythm guitarist Myles Kennedy (also a touring/recording collaborator with Slash), Alter Bridge quickly became more than a side project when Creed's break-up was announced a little later that year. Though Creed has reconstituted, Alter Bridge has remained a full-time entity. The band released its third studio album (on its third label) in 2010, ABIII, a conceptual work dealing with issues of faith that spawned the group's biggest hit yet, “Isolation.” Alter Bridge are currently on the Carnival of Madness tour (with Theory of a Deadman, Black Stone Cherry and others), which comes to the Kentucky State Fair in Louisville this Friday, one of the tour's only free stops, at Cardinal Stadium (required fair admission is $10; find details here). CityBeat recently spoke with Mark Tremonti about the band’s writing style, solo careers and that "other" band, Creed.

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by Mike Breen 05.15.2012
Posted In: Local Music, Music Video at 09:50 AM | Permalink | Comments (2)
 
 
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Online Premiere: Ill Poetic's "Gone" Music Video

Clip for Ohio artist's new single looks back at Cincy Hip Hop's past

Below you can check out, for the first time, the final cut of the new music video for Hip Hop artist Ill Poetic's latest single, "Gone." The clip was celebrated and screened at the Northside Tavern a couple of weeks back, but this is the completed version.

The video takes a look at Cincinnati and the local Hip Hop scene in the ’00s, when the MC/producer cut his teeth. Ill Po says, “This video is for all Cincinnati folks who lived through the riots, Scribble Jam and everything that happened in the early-mid 2000s, as well as the new scene of heads who love this city and its music scene."


 
 
by Hannah McCartney 06.04.2009
Posted In: Music Commentary at 01:27 PM | Permalink | Comments (6)
 
 
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The Day the Music Died … Again?!

"AAAANND welcome to 97.3 The Wolf!”

Um, what? I wouldn’t preset a Country station on my car stereo if my life depended on it. I flipped around frantically, trying to find The Sound instead of the bumpkin bonanza that was currently wreaking havoc on my speakers. Zilch. Gone. I later found out that The Sound, which enjoyed popularity in its early broadcasting stages but was forced last fall to move from 94.9 FM to 97.3 FM after its rankings plummeted, is now available only on HD radio due to continued low ratings.

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by Blake Hammond 06.13.2013
Posted In: Music Commentary, New Releases, Music Video at 09:39 AM | Permalink | Comments (0)
 
 
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14 Songs That Absolve Kanye West of His Social Sins

Kanye's public persona has overshadowed his music. It shouldn't

“Has anyone seen Kanye lately? I haven’t heard him piss off the world in like a week so I’m starting to worry.” – Tweeted by me on May 16 at 3:59 p.m. 

Not 30 minutes later, at 4:28 p.m., this tweet from Rap-Up.com popped onto my Twitter feed, “‘I ain’t kissing nobody’s motherfuckin’ babies. I drop your baby and you sue me’ – Kanye West”

Like many other Kanye West fans, this is what I’ve had to deal with for the last 10 or so years of his solo career. Whether this soon-to-be father is ranting about not being a celebrity and holding random people’s children, drunkenly yelling at pretty white girls at award shows, freaking out Mike Myers on live television or impregnating the bumper sticker on the Bentley of pop-culture, Kim Kardashian, it’s been hard for Yeezy fans to deal with how “cray” Kanye has been since he was thrust into the public eye. 

But with his near-brilliant performances of “Black Skinhead” and “New Slaves” on SNL recently (songs from his forthcoming album, Yeezus, due this coming Tuesday), all of Kanye's followers were reminded that Kanye is a lot like your drunken uncle at Christmas. 

Sure, it was embarrassing when he threw up on your sister’s gifts halfway through his tirade about “Obama phones” and how the commie teachers at the university you recently graduated from are ruining America’s youth. But after a long clean up session and your mom stops crying, you open up the card that he gave you before his seventh Scotch and the contents inside contain a joint, $300 and a note stating, “Don’t spend it on drugs,” then you’re immediately reminded of why you loved him in the first place. 

So no matter what outlandish behavior Kanye comes up with next, I think we all need to be reminded that the “cray” that has inspired Kanye’s less attractive moments is the same “cray” that has been the driving force in creating some of the most genius and interesting songs in Hip Hop of the last decade. 

14. “Drive Slow (feat. GLC & Paul Wall)”; Late Registration – As the laidback beat puts the listener in a trance, Kanye paints a vivid picture of a summer spent driving around with his friend/mentor Mali; blasting his demo tape, looking for girls and desperately trying to grow up too quickly. Even though Kanye displays his great storytelling ability on this song, the real accomplishment here is that West found a way to make Paul Wall’s feature not sound ridiculously out of place, which is a feat in and of itself.

13. “Say You Will”; 808’s & Heartbreak – 2008 was a weird year for Kanye. Hell, 2008 was a weird year for all of us. But his unabashed openness (as you’ll see with the rest of this list) about his lady troubles is what makes this a song stick out. The only downside of this track? It gave Drake the green light to be all open and overly emotional on all his records, so thanks a lot, Kanye!

12. “Drunk and Hot Girls”; Graduation – A lot of people don’t care for this song, which is understandable because it’s not one of Ye’s deeper cuts. What this song does do, however, is give a perfectly, comical description of how one-night stands go. Plus, the song ends in him getting this girl pregnant, which brings to mind that slap-in-the-face reality check that every man and woman has the morning after a random sexual encounter (“Oh my god, not only did I overdraw my account at White Castles last night but is this the person that’s going to ruin my life for the next 18 years and nine months?!?”).

11. “Bittersweet”; Graduation This is the first time Kanye blatantly admits he is in the wrong on a track. Sure, the first half of the cut makes him seem like a total asshole (wanting to drunkenly “shake the shit out of” his girl), but it makes his soul-spilling at the end all the sweeter. 

10. “Addiction”; Late Registration – What’s your addiction? Is it money, girls, weed? Kanye has been afflicted by not one, but all three. But hey, that’s what makes this cut great. There is no catharsis or happy ending about how he found his will power and conquered his many ailments. But instead, we get a track about how, no matter what happens, no matter how hard he tries, his will power will always lose to the bad parts of his life, because they are just too damn good to resist – which is something everyone can relate to.

9. “Everything I Am”; Graduation – He’ll never be picture perfect like Beyonce (no one will, ever) or rock some mink boots in the summer time like Will.I.Am (no one should, not even Will.I.Am), but what Kanye can do is spit some harsh truths about public criticism and Chicago violence over a soothing beat. So please, keep talking shit about him at barber shops if this is going to be the outcome.  

8. “Can’t Tell Me Nothing”; Graduation – Kanye addresses a few of his crazy outbursts on the first verse of this track (including the whole “President Bush doesn’t care about black people, right Mike Myers?” incident) and handles it with a precision and poise. He admits that the scrutiny and pressure of fame has changed his behavior, but he doesn’t know how to be himself (slightly crazy) without being criticized by the media. Can any of us understand that feeling? No. Does it sound like a bullshit excuse? Yeah. But hey, at least he knows he has a behavioral problem. Admitting it is the first step. 

7. “Spaceship (feat. GLC & Consequence)”; The College Dropout – Anyone who has had a shitty job (service industry, retail) would be lying if they hadn’t felt violent urges towards overzealous mangers who take their jobs too seriously. Lucky for us, we can live vicariously through Kanye on this joint instead of becoming the next viral sensation on worldstarhiphop.com. 

6. “Jesus Walks”; The College Dropout – This song came out right when I got confirmed, which, as any of you were raised Catholic will know, is also the same time you stop going to church. It made me feel good to listen to Kanye, like his brand of socially conscious, Christ-loving jams were the sole key to my salvation and the only thing that could outweigh my deeply engrained Catholic guilt. Plus, who else could make a club banger about Jesus? Nobody but Yeezus. 

5. “All Falls Down”; The College Dropout – Does anyone else remember when Kanye was the self-conscious outsider of the Rap game? You probably don’t, hell, I don’t even know if Kanye remembers. You’d think Kanye’s egotisical façade he has concocted in place of his old persona would force him to listen to his own music more. But, alas, I fear that this Kanye is dead and gone, much like the career of that cute girl from Clueless that was in the music video.  

4. “Roses”; Late Registration “You know the best medicine go to people that’s paid/If Magic Johnson got a cure for A.I.D.S./And all the broke muthafuckers past away/You tellin’ me if my grandma was in the N.B.A./Right now she'd be ok?/But since she was just a secretary/Working for the church/For thirty five years/Things s’posed to stop right here?” 

Kanye makes you feel the pain, anger and confusion of his family as they sit at the bedside of his dying grandmother on this track. I cry literally every time I hear this song come on, but I’m emotionally unstable. Then again, I’m pretty sure if you don’t at least slightly tear up; you don’t know what love is or your mom didn’t hug you enough as a child.

3. “Blame Game (feat. John Legend & Chris Rock); My Beautiful Dark Twisted Fantasy – This track is almost “Bittersweet” in reverse because it’s West whose emotions are constantly toyed with by his love interest as she lies about seeing another man. Although this song is mostly serious (especially heavy during the beautiful done Chloe Mitchell poem) it ends hilariously as Chris Rock is revealed as the “mister” (male version of mistress?), reaping the benefits her apparent education at “Kanye West School of How to Wear Some Fucking Jimmy Chu’s” 

2. “Through The Wire”; The College Dropout – If you ever question Kanye’s dedication to the craft, go back and listen his first single, “Through the Wire”. Done only two weeks after a car crash that almost took his life, Kanye hit the studio and rapped with his jaw wired-shut. Nowadays, Nicki Minaj can’t even show up to her set at Summer Jam 2012 because radio personality, Peter Rosenberg, dissed her Katy Perry rip-off, “Starships.” So next time you want to diss Kanye, just remember, despite his flaws, he’s one of the only popular artist’s keeping the spirit of hip-hop alive. 

1.“Runaway (feat. Pusha T)”; My Beautiful Dark Twisted Fantasy – He pleads without being pathetic. He’s unflinchingly honest without being cliché. But most of all, he’s artistically progressive without losing his knack for pop sensibility. The beat is one of the most simplistic of his career, but never once feels repetitive or overdone by the end of this 7-minute-and-49-second journey. From top to bottom this has to be considered Kanye’s masterpiece, but who knows, he’s outdone himself before. 

Other Notables: “Heard ‘Em Say”, “The Glory”, “We Don’t Care”

 
 

 

 

 
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