Music Saturday: There's a clinic on modern Psych Rock music at the Southgate House as three disparate practitioners team up for a 9:30 p.m., all-ages show. Headliners The Black Angels touch on the Velvet Underground brand of psychedelia, with droning hypnotics, as well as later artists like Spacemen 3 and Jesus and Mary Chain. D.C.'s Dead Meadow have been working their brand of hard-rocking trippiness for the past 13 years, while L.A.'s Spindrift make soundtracks for desert vision quests, influenced by the likes of The Doors, Hawkwind and Electronic music pioneer, Bruce Haack. The band's cinematic sound has been used to soundtrack several film projects (including the Tarantino-produced Hell Ride), and, this spring, the group released Classic Soundtracks Volume 1, featuring 14 themes from various scores, which were made into short films by various directors, touching on everything from Bollywood to film noir (the films, music videos and trailers from the project have been screened to a national audience on the IFC network). Check out a few examples from Spindrift's soundtracks project below. Tickets for tonight's show are $18 at the door.
Cincy rockers Wussy are set to join the much-celebrated Afghan Whigs' reunion tour this fall when the band finally hits the U.S. for a string of dates. Another great exhibition of Cincy's rich music scene, again in the national spotlight. Wussy has been touring a lot more than usual lately, including its first West Coast jaunt, so this should help raise the group's national profile even more.
So far, Wussy is set to open for The Afghan Whigs for their homecoming show at Bogart's on Oct. 25 (sold out), as well as dates in New Orleans (Oct. 19), Atlanta (Oct. 20), Carrboro, NC (Oct. 21) and another sold-out affair in Detroit (Oct. 24). More dates are expected to be announced soon.
Wussy co-lead-singer/songwriter Chuck Cleaver is a longtime friend/mutual fan of the Whigs. Back in 1993, the local label Mono Cat 7 released a split single featuring the Whigs and Cleaver's former band, The Ass Ponys. The Ponys covered The Whigs' tune "You My Flower," while Greg Dulli and Co. tackled the Ass Ponys classic "Mr. Superlove." (That's the cover art, with former Short Vine mayor Archie acting as the model, above.)
Here's a fan-made video for the Whigs' take on "Mr. Superlove" (NSFW due to mild nudity).
More recently, Wussy recorded a great cover version of another early Whigs song, Up In It opening track, "Retarded," for an Afghan Whigs tribute compilation put out by fantastic Afghan Whigs site Summer's Kiss (listen or purchase here). The comp also included Whigs renditions by Mark Lanegan, Joseph Arthur and several other acts.
Give a listen to Wussy's "Retarded" below.
I hate festivals. I hate that they’re always at the peak of a heat wave or in the middle of a tornado warning. I hate that 90 percent of festival goers don’t understand the concept of deodorant. I hate the rushing around to multiple stages and the trying to decide who you like best when two awesome bands are both playing at 6 p.m I hate that my friends hate festivals, too, and always refuse to go with me. And I really hate the lack of cold beverages.
And yet Saturday afternoon found me in the middle of the crowd at Bunbury falling hopelessly in love with some band called “Imagine Dragons.”
It began during the second song I heard after arriving late to the Bud Light Stage. The lead singer, Dan Reynolds, bounced from one end of the stage to the other. The crowd around me sang along to songs I’d only heard once before, throwing their hands above their heads, voices to the sky and adoration at the stage. They practically worshiped a guy I’d only seen once in a small picture on Wikipedia. My love deepened when Reynolds spoke with absolute sincerity about how much it meant to see so many people singing along to their songs. Imagine Dragons hadn’t even performed in Cincinnati until their stop at Bunbury.
Then, as it often does, my heart melted at the sound of motorcycle boots and a palm on the chest as they thumped out a beat. Finally, my mug o’ love filled with melt-y heart goo, overflowed when the drummer, Daniel Platzman, flung himself off the stage after their set and bequeathed drumsticks to his adoring fans. These guys were perfect. Their music was made for screaming and dancing and the band members seemed so genuine.Nothing gets to me faster than a shaggy-haired dude saying a heartfelt “thank you” to his fans.
Thirty minutes into my time at Bunbury and I was madly in love.
It happens all the time, my falling in love at festivals In 1998, it was Hanson at a radio station festival in Miami. In 2001, it was a boy named Justin at the Buzz Bake Sale. Last year, it was The David Mayfield Parade at Appalachian Uprising and Avett Brothers at Memphis in May. This year I fell in love with Ben Howard at Bonnaroo and Imagine Dragons at Bunbury.
That feeling you get when you realize you’ve happened upon something amazing is pretty rare. Festivals, though, are like breeding grounds for that sensation. I’m certain that while music fans think festivals exist so they can see all their favorite bands at once, their organizers think festivals exist only for the purpose of making people gain new favorite bands.
Study any festival schedule and you’ll see what I mean. At some point during the day there will be about an hour of time where there will be three bands playing and you won’t have heard of any of them. You’ll call that, “dinner time.” However, as you wander along, looking for the perfect supper, you’ll also shuffle past three stages of random music. Almost inevitably the sound from of those stages will catch your attention and pull you across the grass to the barricade. Forty-five minutes later, you’re buying the band’s EP and mass texting your friends to tell them to check out this new band you just heard.
On Saturday I saw, among others, Manchester Orchestra, Gaslight Anthem and Weezer. (Weezer!) They were awesome, just as I’d expected. I flew from stage to stage, trying to catch as much of everything as possible. But the show that held my attention for the longest time was on the smaller stage and it lured me in while I was looking around for something to drink other than beer. The performance I’ll remember years from now won’t be Weezer, whom I’ve waited so long to see. It will be Imagine Dragons and it will be a memory of yet another time I fell in love.
In the words of James Hetfield (Metallica, y’all), “Nothing else matters.”
However, I’m supposed to report on the entire festival. So, here’s how the rest of my evening went something like this: I had Taco Azul for dinner and they were yummy beyond belief. I left for a bit to make my first ever walk across the Purple People Bridge to score photos of the fest from afar and I don’t regret that decision.
I spent a very long time wandering from one end of the park to the other in search of cold soda/pop, found none and I spent a hot second hoping that my poor editor thought to bring his Diet Pepsi from home. So, I bought a warm beer and immediately regretted that decision. I refused to use the porta-potties. I wandered by a DJed stage and considered how much better that section would be if it were more like Bonnaroo’s Silent Disco where everyone listened to music through headphones instead. Also, I briefly questioned the logic of scheduling the festival on the same weekend as a Reds game and the World Choir Games.
It was an awesome day. Fell in love, lost five pounds from sweating so much, and saw (here it comes, again) Weezer! And you know what else? I still don’t smell like a hobo.
Whenever I would get a phone call from Tebbe Farrell, I’d usually save whatever I was working on and put my computer into sleep mode. Regardless of the purpose of the call — to hip me to an upcoming show, to pitch a story that she wanted me to write, to alert me to some injustice that required a damn good righting — I knew it would ultimately turn into a marathon conversation that was destined to go completely and wonderfully off tangent. The primary reason for this was quite simple; if Tebbe felt passionate about something, whether it had to do with music or a social cause or a political issue, she made sure that, a) you knew how passionate she felt about it, and b) by the end of the conversation, you’d feel passionate about it too.
The group behind last fall's successful effort to erect a Rock & Roll Hall of Fame historical marker at the former King Records studio is at it again. They're now hoping to memorialize Herzog Studios' contributions to local and national music history.
At a press conference downtown this morning, leaders of the Cincinnati Music Heritage Foundation announced plans for a marker at 811 Race St., where in the 1940s and ’50s Herzog Studios hosted recording sessions by Hank Williams, Patti Page, Ernest Tubbs, Flatt and Scruggs and other notable "Country & Western" acts.
There appears to have been a second small controversy over remarks delivered at the podium at Sunday night's Cincinnati Entertainment Awards. At least this time it didn't involve anyone's penis.
Before Mr. Rhythm Man, who spins stacks o' shellacks every Saturday night on WNKU (89.7 FM), presented the award for R&B/Funk, he offered his thoughts on the past and future of King Records, which was a major topic throughout the evening's event. Earlier in the day a historical marker had been unveiled at the former King studio and offices in Evanston, followed by a reception to celebrate a proposed new King studio and community center being developed by Xavier University, Ultrasuede owner John Curley and others.
We caught up with local singer/songwriter Kim Taylor after her show at HullabaLOU Music Festival at Churchill Downs in Lousiville a few weeks ago. We wanted to get the scoop on her new album, Little Miracle.
Kim has been working on new music and will release her latest recording Friday night at Northside Tavern Her music can often be heard on TV shows like Grey’s Anatomy, Lost and Hawthorne.
EDITOR'S NOTE: This year's 20th anniversary edition of Lollapalooza in Chicago's Grant Park was once again a live, breathing, three-day mixtape featuring star artists (Coldplay, Eminem, Foo Fighters), established performers, cult heroes and up-and-comers. Local writer Leyla Shokoohe attended her very first Lollapalooza this past weekend and agreed to write about the experience for CityBeat. Below is her report on Day 1 as well as video from some of the performances mentioned, mostly from Lollapalooza's YouTube page. Keep an eye on this space for Day 2 and 3 dispatches soon.
If you attend tonight’s free MidPoint Indie Summer show on Fountain Square, you’ll not only have a chance to check out some excellent local bands (Buffalo Killers, The Guitars, Soapland and The Lions Rampant), but you’ll also be among the first to see the brand new Lions Rampant music video for the song “Crazy or a Liar?,” to be screened on the Square’s giant video board.
Hard Rock group Alter Bridge was formed in Orlando in 2004 by Creed members Mark Tremonti, Brian Marshall and Scott Phillips after a tense Creed tour. Adding lead singer/rhythm guitarist Myles Kennedy (also a touring/recording collaborator with Slash), Alter Bridge quickly became more than a side project when Creed's break-up was announced a little later that year. Though Creed has reconstituted, Alter Bridge has remained a full-time entity. The band released its third studio album (on its third label) in 2010, ABIII, a conceptual work dealing with issues of faith that spawned the group's biggest hit yet, “Isolation.” Alter Bridge are currently on the Carnival of Madness tour (with Theory of a Deadman, Black Stone Cherry and others), which comes to the Kentucky State Fair in Louisville this Friday, one of the tour's only free stops, at Cardinal Stadium (required fair admission is $10; find details here). CityBeat recently spoke with Mark Tremonti about the band’s writing style, solo careers and that "other" band, Creed.