On Sept. 19, Scruby released Boy Genius, which is his second Hip Hop mixtape in less than a year. In two weeks, Boy Genius is less than a thousand downloads from surpassing Best Foot Forward, which Scruby released last November.
Over the 10 months since officially entering the music scene, Scruby has taken off. While making Boy Genius, Scruby studied at Ohio State University and played a few shows. His biggest shows included opening for J. Cole at May’s BuckeyeThon Benefit Concert at OSU. Recently, he opened for Machine Gun Kelley and performed at Ohio University’s 10Fest.
Along with live performances, Scruby and his team at LandSea Media produced enough videos to keep fans entertained while they worked on Boy Genius.
The wait for the new music was worthwhile. I was instantly blown away at the quality of the music. It didn’t sound as if it was produced in a dorm room, but rather a professional studio. The audio was balanced and the vocals weren’t hidden under a blanket of bass.
As for the lyrics, Scruby uses a mix of wordplay and comedy in his songs, and it works. His tracks follow a life of love (or rather, lovemaking), success and partying. Although I find these themes to be a stereotype of rap, Scruby pulls off the stereotypical rap lifestyle with ease.
Mixtape opener “Double Time” features Cincinnati’s own DJ ETrayn. He welcomes fans to the musical journey before the song begins. The start of this track is reminiscent of Dumbfoundead’s “Green.” This song makes me want to lean my driver’s seat back and drive with one hand on the steering wheel while doing 50 in a 25.
What seems to be a fan favorite is “Fux With Me.” Crowds at 10Fest wore shirts donned with "I Fux With Cal Scruby." The song isn’t my personal favorite, but I enjoy the tour of people who "fux" with Scruby and how he doesn’t let it slow him down.
My personal favorite is the bonus track “Midwest City,” which is a tribute to his hometown, that city where they sin two times. This closes the album and leaves me wanting to hear more from Scruby.
Even though high school is long gone, I can’t go somewhere
without hearing about the guy who was super cereal about ManBearPig and now,
he’s super cereal about his music.
Though Rock/Pop chartbusters Journey don't have the same frontman they did when ruling the airwaves in the ’70s/’80s, the band continues to draw big crowds whenever they tour. The band created some of the most well-known songs in modern music — "Don't Stop Believin" is the No. 1 iTunes download of all time, for example. Journey's summer tour for its 15th album, Eclipse, teams the band with fellow Arena Rock soldiers Night Ranger and Foreigner and comes to Riverbend this Wednesday. CityBeat had a chance to speak with the band’s drummer, Deen Castronovo, about touring, the new album, his love of KISS and some fond Coney Island experiences in Cincinnati.
Music Saturday: There's a clinic on modern Psych Rock music at the Southgate House as three disparate practitioners team up for a 9:30 p.m., all-ages show. Headliners The Black Angels touch on the Velvet Underground brand of psychedelia, with droning hypnotics, as well as later artists like Spacemen 3 and Jesus and Mary Chain. D.C.'s Dead Meadow have been working their brand of hard-rocking trippiness for the past 13 years, while L.A.'s Spindrift make soundtracks for desert vision quests, influenced by the likes of The Doors, Hawkwind and Electronic music pioneer, Bruce Haack. The band's cinematic sound has been used to soundtrack several film projects (including the Tarantino-produced Hell Ride), and, this spring, the group released Classic Soundtracks Volume 1, featuring 14 themes from various scores, which were made into short films by various directors, touching on everything from Bollywood to film noir (the films, music videos and trailers from the project have been screened to a national audience on the IFC network). Check out a few examples from Spindrift's soundtracks project below. Tickets for tonight's show are $18 at the door.
We caught up with local singer/songwriter Kim Taylor after her show at HullabaLOU Music Festival at Churchill Downs in Lousiville a few weeks ago. We wanted to get the scoop on her new album, Little Miracle.
Kim has been working on new music and will release her latest recording Friday night at Northside Tavern Her music can often be heard on TV shows like Grey’s Anatomy, Lost and Hawthorne.
EDITOR'S NOTE: This year's 20th anniversary edition of Lollapalooza in Chicago's Grant Park was once again a live, breathing, three-day mixtape featuring star artists (Coldplay, Eminem, Foo Fighters), established performers, cult heroes and up-and-comers. Local writer Leyla Shokoohe attended her very first Lollapalooza this past weekend and agreed to write about the experience for CityBeat. Below is her report on Day 1 as well as video from some of the performances mentioned, mostly from Lollapalooza's YouTube page. Keep an eye on this space for Day 2 and 3 dispatches soon.
Local RCA Records recording artists Walk the Moon surprised fans today by announcing that they have teamed with video service VEVO to premiere its new, self-titled album, which hits stores this coming Tuesday. The album is being premiered as a "series of officially unofficial videos, hand-made, band-made by yours truly without a film crew or a budget."
Check out the full Walk the Moon album below (in playlist form).
There have been an increasing number of examples — especially in the past decade — of conservative politicians using songs in their campaigns by artists who do not want their music used in that way. Recently, a member of Survivor who owns the copyright for the Rocky III anthem, "Eye of the Tiger," asked Newt Gingrich to stop using the song at rallies (the problem being that not only is the song being used in public, but it also ends up soundtracking YouTube clips from the same rally and lives on eternally on the web). Likewise, British Funk/Rock band The Heavy freaked when Newt's people blared their "How You Like Me Now?" hit to rile up supporters.
It almost seems like these occurrences happen on a weekly basis now. Usually, when asked to cease use, the politicians' campaigns comply immediately. But, with it happening so frequently, wouldn't a campaign manager be a little more aware of the music they're deciding to co-opt? And if a campaign refuses, are there really any legal ramifications?
Photo by Joe Lamb - View a gallery of images from the event here.
It’s a great time of year to live in a swing state like Ohio. At least if you’re a music fan. Last night, popular Ohio-affiliated bands The National and The Breeders played a free rally/concert for Barack Obama and packed Fountain Square front to back. Tonight, in Akron, Devo, The Black Keys and Chrisse Hynde are doing an Obama concert (cleverly dubbed “Duty Now for the Future”). And this coming Thursday, The Beastie Boys headline a “Get Out and Vote” concert at Dayton’s Hara Arena, with guests Ben Harper and Sheryl Crow.
I don’t know if I’ve just tuned it out this year, but there seems to be a lot less of that "shut up and sing” sentiment in the 2008 election cycle. I’ll credit the Dixie Chicks, the Pop Country band that lost a large chunk of its fanbase and was virtually crucified for daring to criticize the President. A film about their experience with crazed, angry former fans (and their successful rebound), Shut Up and Dance, perhaps provided enough embarrassment that the public has backed off of those damn “activist artists.”
Or maybe the “shut up and sing” crowd has backed away because, as always, artists were right in their demand for regime change four years ago.
Cincy rockers Wussy are set to join the much-celebrated Afghan Whigs' reunion tour this fall when the band finally hits the U.S. for a string of dates. Another great exhibition of Cincy's rich music scene, again in the national spotlight. Wussy has been touring a lot more than usual lately, including its first West Coast jaunt, so this should help raise the group's national profile even more.
So far, Wussy is set to open for The Afghan Whigs for their homecoming show at Bogart's on Oct. 25 (sold out), as well as dates in New Orleans (Oct. 19), Atlanta (Oct. 20), Carrboro, NC (Oct. 21) and another sold-out affair in Detroit (Oct. 24). More dates are expected to be announced soon.
Wussy co-lead-singer/songwriter Chuck Cleaver is a longtime friend/mutual fan of the Whigs. Back in 1993, the local label Mono Cat 7 released a split single featuring the Whigs and Cleaver's former band, The Ass Ponys. The Ponys covered The Whigs' tune "You My Flower," while Greg Dulli and Co. tackled the Ass Ponys classic "Mr. Superlove." (That's the cover art, with former Short Vine mayor Archie acting as the model, above.)
Here's a fan-made video for the Whigs' take on "Mr. Superlove" (NSFW due to mild nudity).
More recently, Wussy recorded a great cover version of another early Whigs song, Up In It opening track, "Retarded," for an Afghan Whigs tribute compilation put out by fantastic Afghan Whigs site Summer's Kiss (listen or purchase here). The comp also included Whigs renditions by Mark Lanegan, Joseph Arthur and several other acts.
Give a listen to Wussy's "Retarded" below.
In a lot of ways, Cincinnati's Over the Rhine belonged to the world almost as soon as they birthed its spectacular debut album, 1991’s Patience. There wasn't really an evolutionary period involving chops-honing and building an audience with local bar gigs every weekend before becoming a songwriting and performing powerhouse that could stand toe-to-toe with its peer group on the national level. Karin Bergquist and Linford Detweiler sprang fully formed from Zeus’ forehead as a mature and supremely talented duo with the undeniable ability to mingle heartache and joy with words and music and find an indelible way to invest each emotion with a taste of the other.