All of the qualifying matches, on both the men and women’s sides, have been played and today marks the official start of the main draws. There are preliminary press conferences scheduled with a select group of top players and while the interviews may have star power and a hint of intrigue – especially in light of the impact of inserting a grass court Olympics event into the already crowded summer schedule – I am drawn more to a few first round match-ups.
Veteran Nikolay Davydenko (RUS) dispatched the 13th seed Alexandr Dolgopolov (UKR) with such ease and efficiency [6-1, 6-1] that I never even made it out of the press box above Center Court down to watch the match from inside the stadium. Dolgopolov fumed a bit, but was clearly not ready for the steely Davydenko who is never unprepared.
I was able to march over to the Grandstand though for the second match of the day on that court, featuring two Americans – the qualifier Jesse Levine and young upstart Donald Young who has cracked the mid-to-upper ranks (world top 30) thanks to strong recent Grand Slam showings. He’s got natural athleticism and solid command of his shots, but the knock on him has been that he’s not as disciplined mentally as he needs to be to truly make a sustained run.
And, unfortunately, today’s match offered proof to support these claims. The duel between the two American lefties kicked off with loose play from Young as he was broken easily in his first service game and then sloppily dropped enough points for Levine to hold. Watching Young, it felt like he started out in a much lower gear, so low, in fact, that I would argue it’s a gear that the top players don’t even have anymore at this stage. The guys in the Top Five start in third and shift up from there, but Young was definitely in first and seemingly stuck, although Levine wasn’t ready to jump on the opportunity. He played down to Young’s level and I found myself pondering how quickly the winner here would exit in the next round.
In a fit of frustration after a listless point, Young muttered to himself that his shot “was the worst ever” and sadly, it would have been hard to disagree with him. That attitude though, without a corresponding rise in the level of play, is going to knock the wind out of his sails and those of his fans. Buck up, Young man!
The next match on the Grandstand, I was sure, would be better. In another battle of countrymen, Francesca Schiavone (ITA) faced off against wild card Camila Giorgi and I was hyped for a passionate display from Schiavone who impressed me during last year’s W&S Open with her never say die approach and gritty shot making. She has won a Grand Slam on clay, which lines up with her skills (and robs the larger, stronger players of their strengths), but the shots have to fall and alas that was not the case against Giorgi.
Schiavone struggled to withstand the power of Giorgi, a player who certainly looked equal to her in stature. There was discipline and poise in every move Giorgi made, while Schiavone settled into a surprising degree of resignation over the shots she was spraying all over (and beyond) the boundaries of the court. She quickly transitioned from frustration to acceptance that today, in this match, Giorgi was simply better, but she fought to the last point, as we would expect. In this case, as opposed to the Levine-Young match, I give Giorgi solid odds to possibly advance further, mainly because she didn’t simply let Schiavone give her the match; she earned it by seizing control of points and making shots.
My final match of the day, the first of the evening on Center Court featured the 13th seed and former Number One Jelena Jankovic (SRB) against Shuai Peng from China. Jankovic won the women’s W&S title back in 2009, but has been struggling to rebound back into the top ranks of late.
Rather than watch from the sheltered remove of the press box, I ventured down to the photographer’s pit on court and by chance ended up next to Peng’s coach. While I offered little more than a nod of greeting when he initially sat down, I found myself alternating between my own study of the match and a sneak bit of observation, focusing on his reactions to his player’s efforts.
Much is made of the idea that players should not receive coaching during a match, but a simple clap of encouragement or a reminder to keep your head in the game or to watch a stroke seems perfectly acceptable. Peng’s coach did these things, sparingly, and often, it was little more than confirming something Peng (and many of the observant fans in the stands) already knew. It was intriguing interplay that never crossed the line, but also wouldn’t intrude upon the player’s ability to think and strategize for herself. She is the one out there in the match and any adjustments, whether large or small, must come from her and their arrangement certainly gave her the control she needed.
Peng is a crafty and solid player who primarily uses a two-handed swing on both sides. I’m not much of a fan of the two-handed backhand because I believe that it limits the full range of the player’s stroke and forces them to get into position faster to reach and make certain shots, but watching Peng’s form, I must admit that she nearly won me over. When she was set and on top of the ball, the two-hand swing allows her to generate a great deal of power, which she can control and direct to either side.
The best facet of her game though is her discipline and mental toughness. Peng never once succumbed to rushing either a shot or the pace of her play. There was always a sense of an inner calm and this match certainly ended up pushing her to the limit.
Peng and Jankovic slugged it out for three long sets, the final going to a tiebreak, alternating between brilliant shot making and loose points. In addition, they suffered through a 45-minute rain delay, but in the end, Peng stood triumphant, as Jankovic seemed ready for the match to be over. After nearly 3 hours, it was hard to blame her.
Ever wonder what happened to Dennis Barrie, director of the Contemporary Arts Center when it showed Robert Mapplethorpe's The Perfect Moment in 1990, resulting in pornography charges that a Hamilton County jury rejected in a landmark local case?
With the MidPoint Music Festival a glorious memory, we turn our attention to the next big local music event: the Cincinnati Entertainment Awards. The nominees will be announced — and you will be able to vote — tomorrow at citybeat.com. Vote early before you start worrying about that other little voting thing coming up in November. There will be no paper ballots this year; all voting will be done online. Next year, optical scans. (Kidding … or am I?)
The nominees are another strong batch of the best local musicians in Greater Cincinnati this year. First time nominees in the categories voted on by the public include The Bad Words, The Tillers, Poco Loco, Super-Massive, The Cincinnati Suds, Dusty Bryant, John Walsh, The Dopamines, Dan Faehnle, Khadijah, Eagle to Squirrel and Lost In Holland.
Two first time nominees also scored a boatload of nominations: up-and-coming AltRock band Seabird nabbed Artist of the Year and Album of the Year nods, while Cold Spring, Ky. singer/songwriter Daniel Martin Moore (whose debut for Sub Pop Records, Stray Age, was just released) is up for four trophies.
This year’s show takes place Sunday, Nov. 23 at Over-the-Rhine’s Emery Theater. The event — which has honored local musicians and theatrical artists for 12 years now — benefits the Michael W. Bany Memorial Scholarship Fund, which helps send students interested in a higher education in music to college. The fund is named and maintained in honor of Michael Bany, a veteran local musician who was murdered several years ago after playing a gig in Over-the-Rhine.
This year, the awards will join the anniversary celebration for King Records, the pioneering record label that many feel gives Cincinnati at least partial ownership to the claim of being the “birthplace of Rock & Roll,” by teaming with city and other officials who have fought for a historical marker to be placed at the site of the label’s original Evanston facility. Stay tuned for more news on some exceptional live performances being lined up to honor the King legacy.
You'll have to wait until tomorrow for the full slate of nominees, but here our the noms in the Critical Achievement categories, which are voted on by the nominating committee.
New Artist of the Year
Cut in the Hill Gang
The Flux Capacitors
The Koala Fires
Daniel Martin Moore
Album of the Year
Peter Adams: I Woke With Planets in My Face
Banderas: Beast Sounds and Parlour Tricks
Buffalo Killers: Let It Ride
Faux Frenchmen: Oblivion
The Hiders: Penny Harvest Field
Pomegranates: Everything Is Alive
Jeff Scott Roberson: Summer’s Here
Seabird: ’Til We See the Shore
The Sundresses: Barkinghaus
Artist of the Year
Daniel Martin Moore
C. Spencer Yeh
Daniel Martin Moore promo photo by Jonathan Willis.
The nominations for the 2015 Cincinnati Entertainment Awards, honoring Greater Cincinnati’s fantastic music scene, were announced Wednesday and now it’s your turn to weigh in.
The 18th annual Cincinnati Entertainment Awards ceremony/party, where the winners for each category will be announced and several acts will perform, returns to Covington’s Madison Theater on Sunday, Jan. 25, 2015. So far, Young Heirlooms, Injecting Strangers, Mad Anthony, The Cliftones and Buggs tha Rocka are confirmed to play the CEAs this year. Stay tuned for further info; tickets are available here.
An educated voter is the best kind of voter, so why not actually check out some or all of the artists for whom you are voting? Below you will find links to the artists’ pages on the excellent local music site cincymusic.com (thanks, CIncyMusic!) featuring links, music, bios and more. (The final three “Critical Achievement” categories are not voted on by the public but rather the CEA nominating committee, but you should still totally check all of those acts out, too.)
Best Live Act:
Best Music Video:
Wussy – “North Sea Girls”
Rob Fetters – “Desire”
Mad Anthony – “Sank for Days”
Injecting Strangers – “Detroit”
Sleep – “I Shot Lincoln”
Tweens - “Forever”
The Tillers – “Willy Dear”
Trademark Aaron – “Gold”
Critical Achievement Awards Album of the Year:
Tweens – Tweens
Pop Goes the Evil – Love Stained Heart
500 Miles to Memphis – Stand There and Bleed
Wussy – Attica!
Rob Fetters – Saint Ain’t
Arlo McKinley & The Lonesome Sound – Arlo McKinley and the Lonesome Sound
The Almighty Get Down – People, This Is …
Buffalo Killers – Heavy Reverie
New Artist of the Year:
Artist of the Year:
(** UPDATE FOLLOWS AT BOTTOM.)
Mark Miller isn't a subtle guy.
Miller, treasurer of the Coalition Opposed to Additional Spending and Taxes (COAST), recently apologized publicly after using the anniversary of the Sept. 11 terrorist attacks to tweet a comment comparing the attacks to a political battle about the planned Cincinnati streetcar system.
Now Miller has posted an altered photograph on his Facebook page that some people believe is racist. The photo depicts a streetcar filled with young African-American males brandishing weapons. The streetcar has a sign that reads, “Banks & Freedom Center Only.”
Cincinnati's beloved linebacker Dhani Jones will have an exhibit of his photographs on display at Country Club this Friday. Aside of crushing Steelers players, Jones is also the star of the Travel Channel series Dhani Tackles the Globe, in which he participates in the sports of local communities around the world in an attempt to immerse himself in their culture. His photography centers around his travels.
Zagat published its latest survey of America’s top restaurants last week. Twenty local eateries made the cut, all of which have been covered in some form or fashion by CityBeat’s dedicated dining team.
Right around Thanksgiving time, CityBeat began to receive several queries via email, Twitter and Facebook, all essentially asking, "What the hell happened to the Cincinnati Entertainment Awards?"
CityBeat's annual celebration of Greater Cincinnati's best original music had been held for 15 years on the Sunday before Thanksgiving. The reasoning was that musicians who tour a lot would hopefully be home for the ceremony and regular weekly giggers might be less likely to have an every-Sunday residency. Also, we thought, perhaps the holiday timing would allow us to nab a few of the city's favorite sons and daughters (Jerry Springer? SJP? Any Lachey we could get our hands on?) as presenters.
In the end, the timing of the ceremony never really had much effect. We did have Jerry Springer — via video tape from Chicago — at the very first CEAs (held at the old Sycamore Gardens in Over-the-Rhine), but the video malfunctioned. Maybe it was an omen. We also spent many years attempting to lure the Isley Brothers to perform and be inducted into the CEA Hall of Fame, but the Isleys haven't been "local" in almost half a century, so the Thanksgiving timing was irrelevant (and the Isleys would have cost a fortune to bring to town).
We also discovered those hard-touring musicians tour so hard, having an off day the Sunday before Thanksgiving is hardly a given. Last year, for example, Artist of the Year winners Walk the Moon were on the road and unable to attend (though they still created one of the show's better moments by having their mothers accept on their behalf).
Having the ceremony in November was also a hassle once CityBeat acquired the MidPoint Music Festival, which occurs annually in late September. The CEAs bumped up a little too close to MPMF, making the organization of the awards a hectic endeavor.
So, starting with the 2012 Cincinnati Entertainment Awards, the ceremony will now be held in January. This change allows our staff to fully focus on the CEAs without battling MPMF fatigue. And it creates an easier-to-track window for nomination consideration. In the future, the Album of the Year category's eligibility timeframe will be anything released that year. Previously, the timeframe was approximately October of the previous year to October of the current year. (This year, eligibility will be extended to anything released in 2012, but also includes releases that came out October-December 2011.)
The 16th annual Cincinnati Entertainment Awards ceremony will be held at Covington's Madison Theater on Jan. 27. This year's host will be the very funny Ted Clark, who is also making plans to do his popular "live talk show" at the after-party (read more about Ted here). And there will be more live performances at the CEA ceremony than ever before. Ticket info, the lineup of performers and more details will be released soon.
(Let's get this out of the way right up front, since the Northern Ky. locale always gets mocked every year — yes, the "2012" "Cincinnati" Entertainment Awards will be held in Covington in 2013. How odd!)
Another new wrinkle for the CEAs this year will be a live showcase of the "New Artist of the Year" nominees; the winner of the category (normally decided by the nominating committee) will be largely determined by audience vote at the showcase, which is scheduled for Friday, Jan. 18 at Bogart's. More details to come.
The 2012 CEA nominees — determined by a large pool of local music experts, including writers, bloggers, club owners, radio show hosts and others (this year's committee is the largest yet) — will be announced Dec. 12. The ballot will go live at citybeat.com and then it's up to you. Fan voting determines all categories except for the "Critical Achievement" ones — Artist of the Year, Album of the Year — which are voted on by the committee.
Stay tuned for many more CEA announcements to come. And visit citybeat.com's CEA page here for a look at past nominees, winners and more.
Not that anyone really gives a [expletive] what Hank Williams, Jr., thinks about politics, but the country singer has gotten himself canned from Monday Night Football for saying insensitive things about subjects he doesn't know that much about. Williams yesterday told Fox & Friends that John Boehner's golf game with President Obama was "one of the biggest political mistakes ever," comparing it to “Hitler playing golf with (Israeli leader) Benjamin Netanyahu,” and then explaining that Obama and Joe Biden are “the enemy.”