Have something to say that’s more significant about what’s going on in the world than where to find the cheapest beer or what the woman next to you is wearing? Then put those thoughts down on paper and submit them to the 2009 annual Book of Poems and Drawings on Peace and Justice.
The first step is a call for poets to focus on the themes of peace and justice. Here are the pesky details:
* Poet may submit up to three poems.
* All submissions will be considered. The editors will be looking for quality, inclusiveness, and appropriateness to the themes of peace and justice.
* If space becomes limited, priority will be given to poets not published in previous books. (This is the sixth annual book.)
* Poems selected will be illustrated in black and white by Greater Cincinnati artists (one drawing per poet).
* Poems and illustrations will be printed in For a Better World 2009 slated for publication in May 2009.
Send submissions as “Word” attachments (or in full text) by e-mail or by U.S. mail (on a CD) to:
Saad Ghosn: firstname.lastname@example.org or 216 Erkenbrecher Ave., Cincinnati, OH 45229
Submission deadline: Feb. 25, 2009
The book will be launched and available for sale at “SOS ART” and “poets included in book will be invited to read their poems at SOS ART,” according to publisher and event organizer Saad Ghosn.
You know that friend who gets sweaty and angry and tense whenever someone says something bad about Cincinnati? The friend who will defend it like King Arthur defended Camelot, not only the city itself but the idea of it? I'm that guy.
I will Wiki whatever city you grew up in and show you point by point why Cincinnati is better. "But adult internet star Raven Riley is from Middletown and did you know that the Cincinnati Public Library is arguably the largest public library in the country?" I say, scrambling for anything that might appeal to the Cincinnati-hater.
Last night was the season finale of Taking the Stage, the Cincinnati-based docu-drama about students at the School for Creative and Performing Arts. I've officially watched two episodes of the show (the first and last) and am therefore unqualified to comment on the quality and/or relevance of the content.
Right around Thanksgiving time, CityBeat began to receive several queries via email, Twitter and Facebook, all essentially asking, "What the hell happened to the Cincinnati Entertainment Awards?"
CityBeat's annual celebration of Greater Cincinnati's best original music had been held for 15 years on the Sunday before Thanksgiving. The reasoning was that musicians who tour a lot would hopefully be home for the ceremony and regular weekly giggers might be less likely to have an every-Sunday residency. Also, we thought, perhaps the holiday timing would allow us to nab a few of the city's favorite sons and daughters (Jerry Springer? SJP? Any Lachey we could get our hands on?) as presenters.
In the end, the timing of the ceremony never really had much effect. We did have Jerry Springer — via video tape from Chicago — at the very first CEAs (held at the old Sycamore Gardens in Over-the-Rhine), but the video malfunctioned. Maybe it was an omen. We also spent many years attempting to lure the Isley Brothers to perform and be inducted into the CEA Hall of Fame, but the Isleys haven't been "local" in almost half a century, so the Thanksgiving timing was irrelevant (and the Isleys would have cost a fortune to bring to town).
We also discovered those hard-touring musicians tour so hard, having an off day the Sunday before Thanksgiving is hardly a given. Last year, for example, Artist of the Year winners Walk the Moon were on the road and unable to attend (though they still created one of the show's better moments by having their mothers accept on their behalf).
Having the ceremony in November was also a hassle once CityBeat acquired the MidPoint Music Festival, which occurs annually in late September. The CEAs bumped up a little too close to MPMF, making the organization of the awards a hectic endeavor.
So, starting with the 2012 Cincinnati Entertainment Awards, the ceremony will now be held in January. This change allows our staff to fully focus on the CEAs without battling MPMF fatigue. And it creates an easier-to-track window for nomination consideration. In the future, the Album of the Year category's eligibility timeframe will be anything released that year. Previously, the timeframe was approximately October of the previous year to October of the current year. (This year, eligibility will be extended to anything released in 2012, but also includes releases that came out October-December 2011.)
The 16th annual Cincinnati Entertainment Awards ceremony will be held at Covington's Madison Theater on Jan. 27. This year's host will be the very funny Ted Clark, who is also making plans to do his popular "live talk show" at the after-party (read more about Ted here). And there will be more live performances at the CEA ceremony than ever before. Ticket info, the lineup of performers and more details will be released soon.
(Let's get this out of the way right up front, since the Northern Ky. locale always gets mocked every year — yes, the "2012" "Cincinnati" Entertainment Awards will be held in Covington in 2013. How odd!)
Another new wrinkle for the CEAs this year will be a live showcase of the "New Artist of the Year" nominees; the winner of the category (normally decided by the nominating committee) will be largely determined by audience vote at the showcase, which is scheduled for Friday, Jan. 18 at Bogart's. More details to come.
The 2012 CEA nominees — determined by a large pool of local music experts, including writers, bloggers, club owners, radio show hosts and others (this year's committee is the largest yet) — will be announced Dec. 12. The ballot will go live at citybeat.com and then it's up to you. Fan voting determines all categories except for the "Critical Achievement" ones — Artist of the Year, Album of the Year — which are voted on by the committee.
Stay tuned for many more CEA announcements to come. And visit citybeat.com's CEA page here for a look at past nominees, winners and more.
It was Sunday night and television options resembled that of The Banks project for the past 10 years — barren and dull. I was clearly in need of some entertainment. So, like 7,389* other people in the area, I tuned into Fox 19's premiere of Queen City.
I was hooked as soon as the intro song came on — excited to see what shenanigans the four “queens,” Adhrucia, Lauren, Tracey and Katie, would encounter in this local take on the Real Housewives series.
Luckily I didn’t hold my breath for too long.
And he's not done yet: Fincher's American version of Stieg Larsson’s The Girl with the Dragon Tattoo is currently in production and has a release date of Dec. 20. How’s that for an early Christmas present?
Not that anyone really gives a [expletive] what Hank Williams, Jr., thinks about politics, but the country singer has gotten himself canned from Monday Night Football for saying insensitive things about subjects he doesn't know that much about. Williams yesterday told Fox & Friends that John Boehner's golf game with President Obama was "one of the biggest political mistakes ever," comparing it to “Hitler playing golf with (Israeli leader) Benjamin Netanyahu,” and then explaining that Obama and Joe Biden are “the enemy.”
Greater Cincinnati has two awards programs that recognize our excellent theater scene. Perhaps that’s good news, but you might wonder if this kind of competition between competitions is the best way to go.
Peter Frampton was a leader of English Rock & Roll movement in the 1970s, sparked by the massive popularity of his epic 1976 live album, Frampton Comes Alive. Frampton is celebrating the 35-year anniversary of the album on the road with his "Comes Alive 35 Tour," which comes alive at Riverbend's PNC Pavilion this Sunday and features a performance of the entire milestone album in the first set. Frampton continues to evolve as an artist, as evidenced on his Grammy-winning 2006 album Fingerprints and his newest record, Thank You Mr. Churchill, released last year. CityBeat spoke with Frampton recently about the album's impact and how special music still is to the legend.