Today, I wanted to write about something that all five of us share on this trip. Something we all cherish, hold close and respect more than anything. I want to talk about something that holds us all together on a daily basis. The love of Rock & Roll.
Ha ha! Just kidding, I’m talking about gaffer’s tape.
Some of you may be asking what gaffer’s tape (aka gaff tape) is. Others of you may be saying that gaff tape is just like duct tape. To the first group, I will say that gaff tape is a wondrous roll of tape with properties that make it perfect for a touring band’s needs. To the second group, I will say, “Shut up, no it isn’t.”
Gaff tape comes in a large roll similar to duct tape, is generally black (shiny or matte) and adheres to just about anything. The non-stick surface and a Sharpie is a match made in heaven. And when you go sticky side to sticky side, nothing short of The Hulk (or a knife) will get that stuff separated.
But there is one attribute that makes it invaluable: it rips off the roll super easily. Anyone who has used duct tape knows what a struggle it is to get that stuff to part with the rest of the roll. OK, it’s not super hard to do, but when you’re half asleep, in some random European city, with 15 minutes till doors open and an entire merch area to set up, convenience is crucial.
To give you an idea of just how versatile gaff tape is, I want to share with you some of the myriad ways we’ve put gaff tape to work.
The first is makeshift signs. When you have to advertise what sizes we have left in stock on a shirt, gaff tape comes to the rescue.
We also use the black gold to hang our merch when no hooks or other devices are present.
Sometimes we use it to keep our expensive tour banners from falling over.
CityBeat contributor Nick Grever is currently traveling Europe on tour with Cincinnati Rock band Valley of the Sun. He will be blogging for citybeat.com regularly about the experience.
This American Life, the true storytelling public radio show hosted by Ira Glass, is one of the most popular radio programs and podcasts today. Each week since 1995, Glass presents a theme — cars, summer camp, break-ups — and a variety of writers, comedians, journalists and everyday people share stories of their experiences with that subject. For the few unfamiliar with TAL, it’s one of those shows that will keep you in your car with the radio on long after you’ve pulled in the driveway.
Ira Glass will present his
live show, Reinventing Radio, this
Saturday at the Aronoff Center. CityBeat spoke to Glass about his history with
public radio — check out our interview here.
To celebrate the program and its adorable bespectacled host, CityBeat staffers have compiled a few of our favorite episodes (in no particular order).
Why not start at the beginning? This American Life’s very first episode — back when the program was called Your Radio Playhouse — aired on Nov. 17, 1995. The theme: New Beginnings. One of the guests is Ira’s mom.
Fear of Sleep (Aug. 8, 2008) features tales on various things that go bump in the night. Comedian Mike Birbiglia shares his astonishing stories of sleepwalking, which later inspired his movie, Sleepwalk with Me.
This American Life has done a few live productions over the years. On May 10, 2012, Glass
and friends took the stage at New York University’s Skirball Center for Invisible Made Visible,
a performance that was streamed live in movie theaters across the country. It
was an incredible interactive experience that included music, dance, comedy and
a short film. Check out photos here.
From mistaken identity to evil twins, Dopplegangers (Jan. 11, 2013) has it all. Including Fred Armisen’s impeccable Ira Glass impression.
A lot of This American Life segments are anecdotal, but sometimes the show has taken on newsier issues — and one time, they got it all wrong. On Jan. 6, 2012, Mr. Daisey and the Apple Factory aired. Mike Daisey spoke about the conditions of an iPhone factory in China, including vivid details and interviews with workers. Soon after, it was revealed that Daisey had fabricated his story and lied during the fact-checking process. Retraction is not only an interesting correction to the original Daisey program, but a commentary on journalistic integrity, the importance of fact-checking and the lengths people will go for a moment in the spotlight.
Reinventing Radio: An Evening with Ira Glass takes place at 8 p.m. Saturday at the Aronoff Center. Tickets: 513-621-ARTS or cincinnatiarts.org.
Last night, British photographer Paul Graham presented his FotoFocus-sponsored lecture at Cincinnati Art Museum. Graham’s work is in two of FotoFocus’ featured exhibitions — the museum’s Eyes on the Street and the Stills show at Downtown’s Michael Lowe Gallery. Eyes on the Street is up until Jan. 4; Stills closes Nov. 1.
Graham’s work is related to but updates classic street photography in that, based on what he said last night, he seeks out subtle shots rather than what he calls “clichéd” or obviously dramatic images. He tries to build haiku-like, enigmatic visual sequences that in their small details cumulatively provide insight. (That said, he did show slides from a recent series that features rainbows.)
It’s a difficult task not always easily evident to the viewer, but he expressed his purpose eloquently last night and repeatedly mentioned those whose work inspired him — Robert Frank, Diane Arbus, Garry Winogrand. For those moved by his work, there’s a Where’s Waldo quality to “reading” the smallest details — the color of a tie or T-shirt, the positioning of a pedestrian on a street, the relationship of the camera angle to a storefront sign, the choices in focus.
This is particularly noticeable in his recent The Present series of New York street life, from which the Cincinnati-displayed photos come. “It’s the theater of the street, the theater of life coming at you,” he said. He also prefers that his framed prints be mounted on a gallery wall close to the floor, to approximate sidewalk level. But he acknowledged last night that the Stills show did not do that, and he enjoyed being able to see his photos at more normal eye level.
His The Present photos in Eyes on the Street capture the results of bold action or drama, a rarity for him, in that a woman has fallen on the sidewalk while others move toward her.
Meanwhile last night, the museum’s associate curator of photography, Brian Sholis, distributed announcements of two additional events connected to the current Eyes on the Street show: a Nov. 5 panel discussion at 7 p.m. about Eyes on the Street at Niehoff Urban Studio, University of Cincinnati, 2728 (Short) Vine St.; and a Nov. 19 conversation at 7 p.m. on “Art and Privacy” featuring Cincinnati Police Chief Jeffrey Blackwell and civil-rights lawyer Alphonse Gerhardstein. It’s at the museum’s Fath Auditorium.
Go here for more information.
American photographer and firebrand Tyler Shields makes his return to Cincinnati
for a Miller Gallery exhibition as part of the ongoing
This is Shields’ second appearance at the Miller Gallery in conjunction with
FotoFocus, first appearing in 2012 with Controlled Chaos. This
year's exhibit – Provocateur — opens tonight and he’s been shooting
in various locations locally throughout the week.
Of all the superlatives to describe Shields and his work, “provocateur” might
be most suitable of all. He’s gained a level of notoriety for his past exhibits
and photo shoots, including a 2011 exhibit that substituted paint for the fresh
blood of 25 rich and famous celebrities.
Shields has successfully merged the world of art with celebrity, similar to
fellow rebel-rouser Andy Warhol. He’s taken racy and playful photos of Lindsay
Lohan, Kathy Griffin, Abigail Breslin and the entire cast of Revenge.
His work can also be seen as a companion to Jay Z and Kanye Wests’s Watch the
Throne, using the medium of photography to exhibit grandeur, fame
and the excesses of materialism. His works have seen the destruction of a
$100,000 Hermès Birkin bag and the detonation of a vintage Rolls Royce — all in
the name of art, of course.
His latest Cincinnati exhibit yet again pushes his subjects and the limits of
what photography can be. His exhibit takes risks, but also presents the
germination for pensive and reflective thought.
But of all the superlatives and excessive descriptors for his work, nothing
beats seeing the real thing. Make sure Provocateur is a part of your
2014 FotoFocus experience.
The opening party takes place from 7 to 10 p.m. at Miller Gallery (2715 Erie Ave., Hyde Park) and continues through Nov. 8. Go here for more information.
Losing a key singer/songwriter in any band is a difficult proposition (see: Van Halen, multiple times), but popular Roots act Carolina Chocolate Drops haven’t missed a beat since their amicable split with Dom Flemons (now a solo artist). Singer/multi-instrumentalist Rhiannon Giddens, the sole original member of the group, continues to drive the Drops, who began as a throwback/tribute to, as Derek Halsey writes in his preview for CityBeat this week, “the African American string-band tradition that flourished in the 1700s and 1800s.” Giddens has also been in the spotlight for her vital contributions to Lost River: The New Basement Tapes, a T Bone Burnett-helmed album featuring songs written around newly discovered “lost” Bob Dylan lyrics. The album, due for release on Nov. 11, also includes some heady company: Elvis Costello, Jim James, Marcus Mumford and Taylor Goldsmith.
Carolina Chocolate Drops perform tonight (Friday) at Parrish Auditorium on the Hamilton campus of Miami University. Showtime is 7:30 p.m. and tickets are $25. Click here for details.
Here’s a clip of the Drops performing “Don’t Get Trouble in Your Mind” recorded this summer … on a gondola!
• Art Rap giant Busdriver comes to Newport’s Thompson House Saturday night for a 7 p.m. show. Tickets are $15 and Clipping, Milo, Kenny Segal, Counterfeit Money Machine, Eugenius and Evolve are also on the bill.
After the stellar cultural and musical eccentricity of 2012's Beaus$Eros, Busdriver's latest album, Perfect Hair, may be his most ambitious and satisfying record to date. On the new album's "Bliss Point," Busdriver asks the tongue-in-cheek musical questions, "Where exactly is Hip Hop going? Did Hip Hop have breakfast this morning? Does Hip Hop really have the body type to pull off that outfit?" In reverse order, the answers have to be, "Hell yes," "Hell no, it was this afternoon" and "Wherever the Busdriver is taking it."
• Dynamic Jam band The Werks, who work a crafty Electronic vibe into their improvisational mix, play Covington’s Madison Theater Saturday night at 9 p.m. Zoogma and Peridoni also perform. Tickets are $15 in advance; $18 at the door.
Blending genres ranging from fat Funk and Blues to psychedelic Rock and Electronica, their guitar shreds, their keys and organs wail and their bass and drums form a pocket to create what they call “Psychedelic Dance Rock.”
• Cincinnati singer/songwriter/multi-instrumentalist Ingrid Woode and her group The Woode Tribe Orchestra celebrate the release of a new CD/DVD package with a concert Saturday at the Fairfield Community Arts Center Theatre. Tickets for the 7:30 p.m. show are $12, which includes a copy of the new release, titled Going LiVe In FiVe. Tickets for the show and more details are available here.
Woode is an accomplished musician, having written for artists like Queen Latifah and Lalah Hathaway. She also performed her original composition “When This Life Is Over” with the Cincinnati Symphony Orchestra in 2011. The 11-piece Woode Tribe Orchestra (which includes five backup vocalists) gives the five tracks on Going LiVe In FiVe a full-bodied richness and depth. The music is best categorized as smooth and funky R&B/Soul, but there is an impressive diversity in the arrangements that takes it to another more intriguing level.
• The Burger Records Caravan of Stars pulls into Southgate House Revival in Newport Saturday with a lineup of Burger acts that includes The Coathangers, together PANGEA, Cherry Glazerr, AJ Tavera & Terror Amor and Mozes & the Firstborn. Burger is a cultishly beloved DIY label known for its many cassette release. More recently the notoriously artist-friendly label has been growing and garnering wider attention; the label put out over 300 releases last year, outlets like The New York Times have been doing large feature stories on the label and a new Burger publishing branch was just announced.
In this week’s CityBeat, contributor Reyan Ali chatted with Meredith Franco from Caravan headliners The Coathangers about their evolution from an off-handed joke (something along the lines of, “We should start a band called The Coathangers!”) to international indie success story.
“We didn’t even know what type of music we were going to play. We’re not like, ‘Oh, we’re going to play Punk. We’re going to play Rock & Roll,’ ” Franco says. “Now it’s still the same thing. We just write whatever and that’s what it is. [When people ask] ‘What kind of band are you in?’ I’m like, ‘I don’t know. I guess it’s Rock & Roll.’ ”
Here’s a music video for the band’s “Follow Me,” featuring the members of fellow Atlanta rockers Mastodon filling in for the ’Hangers.
Saturday’s show kicks off at 8 p.m. Tickets are $12 in advance; $15 at the door.
• Saturday afternoon at 1 p.m., Cincinnati singer/songwriter Maurice Mattei and his band The Tempers (currently featuring scene vet Jimmy Davidson on guitar, bassist Neil Sharrow, drummer Mike Grimm and Rick Howell on harmonica) will perform at Everybody’s Records in Pleasant Ridge in honor of Maurice’s 21st release, the full-length Celebrity Issue. The event is free.
CityBeat’s Brian Baker spoke with Mattei about the new release for last week’s CityBeat. Though Mattei generally shies away from “concept albums,” he admits a thread developed in the writing for Celebrity Issue, which features guests like pianist Ricky Nye, pedal steel player Cameron Cochran, multi-instrumentalist/Blessid Union of Souls bassist Dave Ramos, cellist Claire Timmerman, harmonica player Rick Howell and Mattei’s wife Korin on vocals.
“It’s inevitable when you write a group of songs in a finite period that you’re kind of documenting whatever experiences you’re going through at the time,” Mattei says. “A lot of the material talks about loss; loss of someone you knew or a relationship or an era, a time, a place. That’s what I get from it. It’s about how things change and how loss occurs.”
• Progressive Hip Hop/Jazz crew IsWhat?! presents a special multi-media showcase Sunday at The Greenwich in Walnut Hills. Dubbed “A Million Ways to Tell a Story,” the show will spotlight international artists from various disciplines and show how they tell stories within their own mediums. The night includes a screening of the short film Doradus by Italian director Fernando J. Scarpa, who IsWhat?! frontman Napoleon Maddox met while in Hollywood supporting the film Billie’s Blues, which was scored by Maddox. Experimental Japanese percussionist (or, as Maddox calls him, “sonic poet”) Tatsuya Nakatani will also perform, as will IsWhat?! and poet Matt Hart, co-founder/editor of Forklift, Ohio: A Journal of Poetry, Cooking & Light Industrial Safety and also a musician (you may remember him from such local acts Clifford Nevernew and Travel).
“A Million Ways to Tell a Story” begins at 8 p.m. and admission is $7. Find more info on the show at iswhatonline.blogspot.com.
• Play It Forward, the local non-profit organization set up to assist (typically uninsured) musicians in their times of medical and/or financial need, presents a benefit concert this Sunday in the name of esteemed veteran local guitarist Larry Goshorn (Sacred Mushroom, Pure Prairie League, Goshorn Brothers). Goshorn has had a series of health issues over the past couple of years, including open-heart surgery. Sunday’s all-ages “Play It for Larry Goshorn” benefit concert runs 4-11 p.m. at Covington's Madison Theater.
The show is being hosted by Cincy radio superstars Gary Burbank (Play It Forward’s founder) and Eddie Fingers and will feature performances by Pure Prairie League, The Goshorn Brothers, The Menus, The Bluebirds, Balderdash, Rob Fetters, George Powell and Dave Widow. Advance tickets are $20 (through cincyticket.com) or $25 at the door. All proceeds benefit Play It Forward.
• Earlier this year, Cincinnati Pop Rock band Mixtapes announced they’d be going on indefinite hiatus after their current run of show dates, which wraps up on Halloween at the big Punk Rock festival Fest in Gainesville, Fla. Local fans won’t have to travel to Florida to see Mixtapes before their break (which seems like it could possibly be permanent). On Sunday at 7:30 p.m., the band plays its final hometown show for at least quite some time at a unique venue — Lucy Blue Pizza (1126 Main St., Over-the-Rhine). The show also includes Mixtapes’ current tourmates Direct Hit!, Elway and Lipstick Homicide, plus Cincy’s Boys and Kinder Words.
Sunday’s show is open to fans of all ages and admission is $8 (advance tickets are available through cincyticket.com).
Know of more good live music options going down this weekend in Greater Cincinnati? Let us know about it in the comments.
Morning y’all. Here’s what’s happening in Cincinnati and the wider world this morning. On a side note, I can’t wait until Nov. 5 so I can stop writing about politics quite so much. Anyway, onward.
The city’s last facility providing abortions could be closing soon. Planned Parenthood’s Elizabeth Campbell Surgical Center in Mount Auburn received notification that the state is citing it under a law passed last year requiring all clinics providing abortions to have agreements with area hospitals to take patients in case of emergencies. The Mount Auburn facility doesn’t have that agreement with any hospital but applied for an exception, called a variance, last year. The state has yet to reply to the clinic’s application. If the center closes down, Cincinnati could become the largest metropolitan area in the country without access to such facilities.
• The city’s much-discussed proposal to charge $300 a year for residents to park in Over-the-Rhine to pay for streetcar operating costs might not be legal, a former city solicitor says. In 2012, Ohio Supreme Court justices ruled that fees levied against a specific group of people but used for projects that benefit the general public are a no-go. City officials say the parking permits are a different issue than that case, which involved zoning permits, because parking permits are voluntary. The city has also stressed that no legislation has been voted on or put forward yet, and that they’re working to make sure any proposal falls within the letter of the law.
• The race for the Ohio House seat representing the 28th District in northern Hamilton County has been a knock-down, drag-out fight. The latest skirmish between Republican Jonathan Dever and his Democrat Michael Kamrass is over campaign finance. Dever says Kamrass’ campaign colluded with Coalition for Ohio’s Future, a PAC, on mailed ads the PAC run against Dever. That’s illegal under campaign finance rules. Dever points to the fact that the ads use photos identical to those paid for and used by Kamrass’ campaign and that the ads both have the same client number from a direct mail company called JVA Campaigns. Kamrass’ campaign says the photos are available for download on Flickr. JVA says the number on the ads in question simply denotes the month in which the ads were ordered.
• Democrat Sen. Sherrod Brown yesterday released a statement criticizing Ohio Secretary of State Jon Husted for displaying his name prominently on informational posters his office is requiring be hung in polling places.
“A Secretary of State’s obligation is to fair and accessible elections, rather than furthering his own reelection,” Brown said. “I’ve never seen a Secretary of State who is on the ballot insist that his name be prominently displayed near the voting booths, where a voter would be barred from even wearing a small button or sticker. Jon Husted is abusing his office by forcing boards of election to give his campaign a boost.”
Hamilton County Democratic Party Chair Tim Burke first called out the posters last month. Husted says they’re simply part of his job administering elections for the state. He's is running for reelection against Democrat Nina Turner.
• Speaking of statewide races: It must be hard being Ed FitzGerald right now. The Democrat candidate for governor has taken a shellacking in the press for campaign missteps and he’s trailing his opponent, Gov. John Kasich, by oh, about $4 million in fundraising. And last night, during the only debate between the two and Green Party candidate Anita Rios, Kasich literally gave FitzGerald the cold shoulder. Kasich, leaning back in his chair with no tie on like Don Draper just after closing a big ad sale to GM, cast not an eye toward FitzGerald. He didn’t bother answering any of his challenger’s questions, either, or really directly address FitzGerald at all. Cold. He DID accidentally call a reporter at the debate Ed, which was not the reporter’s name. So, you know, at least he’s thinking about FitzGerald on some level.
• I feel it’s worth noting in the national scheme of things, so here it is: Someone in New York has been diagnosed with Ebola. The 33-year-old doctor is the fourth case confirmed in the United States. But don’t freak out. About Ebola at least. There are plenty of other things to freak out about.
In early September, Cincinnati major-label act Walk the Moon had its new single, “Shut Up and Dance,” released by RCA Records. The song — which the band performed on Late Night with Seth Myers on Sept. 15 — is slated for inclusion on the band’s next full-length for RCA, the group’s second for the label. The new album is due for release later this year.
Today, the “Shut Up and Dance” video was made public. In the press materials for the new clip, frontman Nicholas Petricca says, “Influenced by the plot-driven music videos of the 80s and nerdy visuals of 90s television, our new video for Shut Up and Dance is a trippy story of dork victory. We are the proud mothers and co-directors of this weird throwbacky fantasy, alongside the brilliantly funny Josh Forbes.” There’s also an awesomely awkward dance break from Petricca in the clip.
Walk the Moon is currently doing a national tour (with fellow Cincinntians Public opening several dates) that has largely sold out; an announcement of a more extensive spring tour in support of the new album is due in the coming weeks.
Check out Mashable’s piece on the new video, in which Petricca picks his favorite ’80s music videos here.
Good late morning, readers. Roughly 13 more work hours until the weekend... we got this. I think.
This week's issue was filled with Words Nobody Uses or Knows, most of which were found in our cover story, Lost in Wilberforce, a piece about how the country's oldest historically black college is dying a slow, sad and dysfunctional death. Nobody is sure if it can be saved. Not what I would call a light read, but wonderfully written and important nonetheless.
Best word of the issue, found in that cover story, is promulgated.
promulgated: to publish or make known officially (a decree, church dogma, etc.); to make widespread, i.e. to promulgate learning and culture (v.)
In this issue: "Dr. Algaenia Warren Freeman, a veteran HBCU
administrator, has taken the reins from interim president Wilma Mishoe
and is painted by the board — and the university’s PR firm
Trevelino-Keller — as emblematic of the 'force of change' promulgated in
the university slogan."
Next best word is fealty (also found in the cover story).
fealty: the duty and loyalty owed by a vassal or tenant to his feudal lord; an oath of such loyalty (n.)
In this issue: "Jarred, a Pittsburgh native, pledges fealty only to the University of North Carolina." I enjoy the comparison of the university to a feudal lord here.
And then there's salvos, a great sounding word that has two completely different meanings and is Italian.
salvos: the release of a load of bombs or the launching of several rockets at the same time; a burst of cheers or applause (n.) I find it amusing that this word can mean something deadly and delightful simultaneously.
In this issue: "'Your cerebral cortex cannot comprehend the complexity
of my complex bars,' says Jarred, with the kind of theatrical cadence
and gesturing that makes me think these might be introductory salvos in
an impromptu face-off right here. 'You can’t fuck with me.' " OK. Does anybody understand the use of that word in the above sentence? Because I've read it three times and I'm still not getting it.
Another terrific sounding word in this issue is coquettish, which for whatever reason reminded me of Cosette in Les Miserables. Or croquet? Coquettish Cosette played croquet. I don't know. It's in Rick Pender's review of An Iliad at Ensemble Theater, which, by the way, is an astounding production. Really. I see a lot of theater, sometimes multiple shows a week, because my husband works in theater, and let me tell you, this was by far one of the best productions I've seen in the city since I've moved here, like, two months ago. But I digress.
Coquettish: As a young, flirting girl. (adj.)
In this issue: "He is called upon to recreate a dozen or so characters from Homer’s sweeping epic — the professional warrior (and demigod) Achilles; the brave Trojan Prince Hector; Achilles’ protégé Patroclus; pretty boy Paris who lit the fuse on the war by stealing another man’s wife; the arrogant Greek King Agamemnon and his aged, disconsolate counterpart from Troy, King Priam; even several women, from the coquettish Helen and Hector’s steadfast wife Andromache; and a god or two, especially and humorously the fleet-footed Hermes, 'a young man with fabulous sandals.' "
Last word in today's vocab lesson is prescience, found in this week's Big Picture column, which is about the late George S. Rosenthal, a Cincinnati photographer who took photos of the city's West End neighborhood before it was destroyed by the construction of I-75 in the 1950s.
prescience: apparent knowledge of things before they happen or come into being; foreknowledge (n.)
In this issue: "I mean them no disrespect to focus this story on Rosenthal, but his work fascinates me for his prescience.