If you have access to a radio or television set, then you’re likely well aware that “Shut Up and Dance” by Cincinnati Dance Pop crew Walk the Moon has become a bona fide Pop hit. The single has been certified platinum, meaning it has sold more than one millions copies. The catchy, danceable track is currently at No. 5 on Billboard’s singles chart and has also performed very well on various other charts. “Shut Up” reached No. 2 on iTunes Top Songs chart and Billboard’s digital charts. On Spotify, the song has been streamed more than 78 million times, while “Shut Up”’s video has held a steady presence in the Top 10 of VH1’s Top 20 video countdown. Talking is Hard, Walk the Moon’s second album for RCA Records, continues to benefit from the single’s success, moving as high as No. 14 on Billboard’s overall album chart.
The Cincinnati band has worked hard to push “Shut Up and Dance” to the upper reaches of the Pop charts. Along with the usual late-night talk show circuit, Walk the Moon has also appeared on network morning shows like The Today Show (which used various WtM tunes as bumper music throughout the day the band appeared) and The Ellen DeGeneres Show.
When DeGeneres introduced the group on her show, she called “Shut Up” the band’s “No. 1 hit,” which it wasn’t at the time but could end up there as Walk the Moon keeps up its relentless promotional push. WtM’s is also becoming a bigger and bigger concert draw, selling out many of its shows across the country (the band just recently completely another successful U.S. jaunt).
And WtM has also been making it onto prime time TV lately. Last month, Riker Lynch and Allison Holker danced to “Shut Up” for a routine on ABC’s Dancing with the Stars. Tuesday night (May 12), the band will play “Shut Up” as special guests on NBC’s popular singing competition, The Voice. Tune in to catch the performance at 8 p.m.
Though several Cincinnati-based acts have done well on a national level, crossing over to the top of the Pop charts is pretty rare, particularly for artists who choose to remain in their hometown while pursuing their career. Walk the Moon comes home to play Cincinnati’s Bunbury Music Festival on June 5 along the Ohio’s riverfront. Click here for tickets/details.
Morning y’all! It’s bike to work week, so I hope you saddled up on your commute today. Here’s what’s up in the news.
It’s kind of unbelievable that solid statistics on housing on one of the city’s most actively developed neighborhood don’t exist. I’ve been working to find solid numbers on affordable housing in Over-the-Rhine forever, so this is great news: Xavier’s Community Building Institute and the Over-the-Rhine Community Council are teaming up to conduct a much-needed housing survey in OTR. As land values and housing costs in the neighborhood skyrocket (some condos there have reached the $600,000 mark, and proposed new single-family homes could go for as much), many worry about dwindling supplies of low-income housing there. Though a neighborhood comprehensive plan was completed in 2002, there have been no other comprehensive studies of housing in the neighborhood since. Much of the data on housing in OTR is scattered and incomplete. CBI’s efforts will change that — starting in June the organization will do a complete survey of the buildings in OTR to record how many units each has and how much it costs to live in them.
• A seven-story hotel by Marriott is coming to riverfront development The Banks, the lead development group for the project announced today. That’s a relief for city and county officials and area business leaders who have been waiting for that major piece of the Banks puzzle for a long time. Stakeholders had originally hoped to have the hotel open in time for the 2015 MLB All-Star Game in July, but it looks as though the hotel will now open in spring 2017.
• The city of Cincinnati will pay Cincinnati Public Schools $2.1 million in back property taxes from the downtown Duke Energy Center. The CPS Board of Education and the Ohio tax commissioner have been fighting the city since 2011 over taxes on the property, which is managed by a private company. The city has argued that it is exempt from such taxes since the building is owned by a public entity and obtained a tax exemption from state legislators in 2012. But CPS and the state tax assessor have fought that claim in court. The city has now settled with the district and will pay the $2.1 million to the schools. Had the city lost its case with CPS, it would have had to pay up to $25 million in back taxes and other costs.
• Here’s cool news: Former MVP and 2012 Hall of Famer Barry Larkin is working for the Reds again. No, you won’t see the shortstop running the bases, but he’ll be an infield instructor for the Reds’ minor league teams. Larkin played for the Reds for nearly two decades from 1986 to 2004.
• The city of Covington’s City Hall is currently located in a former J.C. Penny department store building, and before that it was located in another former department store. But that could change soon, and the seat of city government there could get a new, more permanent home in a proposed riverfront development called Duveneck Place, named after the famous Covington-born artist Frank Duveneck. That building would be the first major riverfront development in Covington since the 2008 Ascent luxury condos and could host both the city’s administrative offices and Kenton County offices. The city’s main administrative building has moved around several times since Covington’s ornate official City Hall building was demolished in 1970.
• As state lawmakers mull a bill that would eliminate a question about felonies from public organizations’ job applications, private companies wrangle with whether or not they should do the same. Some big, generally conservative companies like Koch Industries have announced they no longer ask about felony convictions on job applications, but many others, especially those in the area, still do. That puts a barrier between former convicts and employment, a key factor in reducing recidivism. Such barriers also disproportionately affect minorities, who are more often subject to arrest and conviction in the first place. Here’s an Enquirer story about the push to do away with a box on employment applications asking about felonies. I’ve been speaking with former convicts and academics who study this issue for a long story on the topic. Stay tuned for that.
• Finally, a report by the Baltimore Sun shows that thousands apprehended by Baltimore Police have been so severely injured they cannot be taken directly to jail. Between June 2012 and April 2015, the Baltimore City Detention Center refused to admit 2,600 arrestees because injuries they sustained from police were too severe and required immediate medical attention. These included broken bones, head injuries and other traumas. The report comes in the wake of civil unrest around the April death of Freddie Gray in police custody and a looming U.S. Department of Justice investigation into the city’s police force.
Morning y’all. Here’s what’s going on today.
The battle over Over-the-Rhine’s parking plan continues. Yesterday, Mayor John Cranley told the Cincinnati Enquirer that he would be open to eliminating permit parking in the city — currently, one part of Clifton near Cincinnati state and the tiny Pendleton neighborhood both have permits available for residents. He said he’d also be interested in auctioning off spots in OTR to the highest bidder.
That doesn't sit well with permit advocates in the neighborhood, including City Councilman Chris Seelbach and OTR Community Council President Ryan Messer.
At the bottom of the debate is a philosophical difference: Cranley wants any parking plan to be first and foremost a revenue generator to pay for the streetcar and pay back taxpayers for investment in OTR. On Wednesday, he vetoed a parking plan for the neighborhood that would have created up to 450 permitted spots for residents at $108 a year. Previously, Cranley had proposed a plan that would have charged $300 a year and then later another that would have charged an unspecified market rate for the spaces.
Cranley says it’s unfair to taxpayers that certain spots can be bought by residents of a neighborhood that has seen millions in taxpayer money spent on redevelopment. Taxpayers pay for the roads, Cranley says, and should be able to park on them. What’s more, he says, creating a permit plan for OTR will only encourage other neighborhoods to seek them. Downtown has already made movement toward that end.
Permit supporters, meanwhile, see the measure mainly as a way to make
life easier for residents who have to park in one of the most popular
places in town. Supporters of the parking permits, including Democrats on council, say they will help keep low-income people who can’t afford garages or extended time at meters in the neighborhood.
There is nothing unusual about parking permits in neighborhoods. Cities like Columbus, Portland, Seattle, Chicago, San Francisco (the nation’s most expensive at $110 a year) and many other major urban areas have them. Even smaller cities like Newport, Covington and Bloomington, Indiana have them. Hell, in Washington, D.C., you have to have D.C. plates to park on most streets and need to apply for a visitor’s permit if you don’t (I know this by experience and it is awful). But if it wasn’t for that permit system, residents in popular neighborhoods would spend an hour after work circling the block looking for a place to put their cars while tourists or folks from the other side of the city dropped by and took their time eating at that new $40-a-plate neo soul food place. (Err, sorry. Did I mention D.C. was awful?)
On the other hand, the affordability card is a funny one to play here. In terms of affordability, all the parking plans, including Cranley’s, presented a clause for lower-cost permits for low-income residents. But there are bigger issues as rents in OTR continue to increase and the neighborhood shifts ever-more toward the high-end in terms of the businesses and homes there. Perhaps a discussion about how much affordable housing is in the neighborhood, instead of spinning wheels on a parking plan, would better serve low-income folks?
• Here’s another transportation mess: Cincinnati City Council Budget and Finance Chair Charlie Winburn is threatening to withhold city funds from the Southwest Ohio Regional Transit Authority for its Metro bus program until it releases information about the bids it has received to operate the streetcar. Those bids were due March 30, but SORTA says it will not release them until it has made a selection, claiming that making the information public will compromise the competitive bid process. Winburn says the public has a right to know how much the streetcar will cost them. The Cincinnati Enquirer has sued SORTA for the records, which it says fall under open records laws. SORTA’s attorney disagrees. The question now is whether a judge will agree and if the ruling will come before SORTA makes its pick and releases the documents anyway.
• Democratic County Commissioner Todd Portune might get an unexpected Republican challenger in the 2016 election. Hamilton County Appeals Court Judge Sylvia Hendon might run against Portune, she says. Hendon, 71, is about to hit the age limit for judges in Ohio but isn’t ready to give up public service. Democrats say they aren’t worried; though Hendon has served in a number of capacities in the county’s judicial system, Hamilton County Democratic Party Chair Tim Cooke says she doesn’t have the name recognition to mount a serious challenge to the popular Portune. But Republicans say her time as a top judge gave her strong managerial skills and unique qualifications for the commissioner’s spot. They say she’ll be a strong contender should she choose to run. Commissioners oversee the county budget and the county’s various departments. Hendon is also looking at running for county recorder, a position held by Democrat Wayne Coates. Another Republican, former Hamilton County Judge Norbert Nadel, is also contemplating a run for that seat.
• Are online charter schools getting taxpayer money for students who are no longer enrolled in their courses? Some recent evidence seems to suggest that, and a state investigation might result. Data from one online school, Ohio Virtual Academy, shows that hundreds of students were on that school’s rolls but hadn’t logged in to classes in months. Only 14 had been withdrawn. OVA has 13,000 students. It’s not the first time charters have seen scrutiny for their attendance records. The schools get paid millions in state funds based on the number of students they have attending classes. In January, a state investigation found significant discrepancies between reported attendance and actual attendance at many of charters across the state.
• Finally, there’s another marijuana legalization scheme in Ohio, and it just cleared its first hurdle. Better for Ohio is challenging ResponsibleOhio’s plan for weed legalization by… doing almost exactly the same plan. The difference is that instead of ResponsibleOhio’s 10 grow sites, Better for Ohio would create 40, each tied (not kidding here) to a serial number on a specific $100 bill stipulated in the group’s plan. The holder of that bill would be allowed to grow marijuana at one of the grow sites. Private, non-commercial growth would also be allowed, and wouldn’t require registration with the state the way ResponsibleOhio’s plan does. The state just gave the OK for the group’s initial ballot language, and now it just has to get the necessary 300,000-plus signatures. Of course, there’s been some sniping between Better for Ohio and ResponsibleOhio, with both groups criticizing the other’s plan. Things are getting heated in the weed legalization game.
That’s it for me. Tweet or email me with news tips or just to say hey.
If you're feeling nostalgic, Cincinnati stages have several offerings for you to enjoy. Let's start with Vanya and Sonia and Masha and Spike at the Cincinnati Playhouse. It's set in the present, but Vanya, one of three angsty siblings, thinks that contemporary life is missing the point, and he yearns for things he loved during his childhood in the 1950s. He love them to the point that he's spurred to a 10-minute rant (by a feckless actor who pays more attention to texting than the people in the room with him) about all that life is lacking today. It's a very funny moment in Christopher Durang's award winning play. I gave it a Critic's Pick in my CityBeat review. Tickets: 513-421-3888
The production of Vanya and Sonya and Masha and Spike wraps up with the Beatles' "Here Comes the Sun." If you'd like a whole evening of Beatles tunes, you need to be at the Aronoff Center in Downtown Cincinnati on Monday evening for RAIN: A Tribute to the Beatles. It's more than two hours of music, covering the progression from "I Want to Hold Your Hand" to "I Am the Walrus," with more than 30 numbers being authentically performed. The live, multi-media spectacle covers the entire career of the band and its four famous musicians. These guys pay attention to details in recreating the music and the mood. Tickets: 513-621-2787
Ensemble Theatre Cincinnati just opened a production of John Patrick Shanley's Outside Mullingar that will make anyone who's Irish long to head to the Emerald Isle. It's about generational differences and the possibility of love between two unlikely souls. What will make this one good is the cast: Joneal Joplin (Scrooge for many years at the Playhouse) plays a crusty old man, and Dale Hodges, one of Cincinnati's best professional actresses, is his outspoken neighbor. Jen Joplin (Joneal's daughter in real life) plays Hodges' daughter in the show; and the old man's son is brought to life by Brian Isaac Phillips from Cincinnati Shakespeare. It's being staged by Ed Stern, former artistic director at the Cincinnati Playhouse. With that many theater veterans working on it, the show is sure to be worth watching. Lots of people must think so, since ETC has already announced an extension of the show to May 30. Tickets: 513-421-3555
Cincinnati Music Theater can always be depended on to do a good job with a big musical. Our city's most ambitious community theater takes on the lighthearted Gershwin tuner, Crazy for You, which will be staged at the Aronoff's Jarson-Kaplan Theater. It's onstage for two weekends, through May 16.
Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
I actually liked “Uptown Funk” when I first heard Bruno Mars and Mark Ronson perform it on SNL last November. But because we can’t have anything nice, the song has been sorely overplayed in TV promos, movie trailers, parody videos, poorly choreographed wedding dances (I’m guessing) and elsewhere to the point that it is no longer enjoyable.
So, naturally, now is the very appropriate time for a Westside-themed parody to surface. Ladies and gentlemen, WKRC’s “Bridgetown Funk”:
fifth season is currently in production (follow Lena Dunham
— or the other Girls girls — on
Instagram for sneak peeks) and while the HBO comedy hasn’t been renewed past
that point, Dunham says if six is a go, it’ll probably be the final season.
Cincinnati on the TV alert! Locally based eyewear company Frameri appeared on Shark Tank last week, but walked away without a deal. Frameri is an online frame and lens shop that specializes in interchangeable lenses that can pop in and out of various Italian frames. The local angle wasn’t too prominent and the sharks ripped them apart due to their steep valuation ($150,000 for 3.5 percent), but everyone knows even just the exposure on the show can bring success to Shark Tank businesses.
Here’s Justin Timberlake playing a washed up lime in a Sauza tequila commercial:
Did you have a good Derby Day? Did you get all dressed up, sport a fancy hat and bet on the ponies? You still did not do Derby Day as well as Johnny Weir.
The mint julep fascinator speaks for itself.
Annie Leibovitz photographed the cast of Star Wars: The Force Awakens and the shots are out of this world (sorry).
Remember those funny “Ryan Gosling won’t eat his cereal” Vines? Well — sad, serious segue here — the creator of those passed away after a battle with cancer. In a sweet move that paid tribute to creator Ryan McHenry and proves that Ryan Gosling really is just the best, Mr. Hey Girl posted a Vine of himself finally eating that cereal. McHenry would have loved it.
Everyone knows the annual Met Gala is less of a fundraiser for the Metropolitan Museum of Art's Costume Institute and more of a Halloween for rich beautiful people. And any time rich beautiful dress up in crazy clothes, the Internet will meme the shit out of them. Here’s a few.
Ever wondered what your fave celebs would look like as redheads? See gingified stars on Put a Rang On It. (For those who don’t watch Chris Lilley shows/aren’t down with Aussie slang, “ranga” — as in orangutan — is their version of “ginger.”)
“…back when MTV actually played music” is a thing a lot of old people like to say, but honestly I grew up watching a lot of non-music programming on the channel. Sure, I got down with TRL and early-morning videos, but I also loved shows like Daria, The Real World, Road Rules, Pimp My Ride, Rich Girls (seriously, is there anyone out there who remembers this mess of a reality show that was on TV for like three weeks?) and, of course, MTV Cribs.
Perhaps the most memorable
episode took viewers to Redman’s Staten Island house, which did not quite fit
in with the sprawling mansions and gold bidets of other celebs. Right off the
bat, you had to rub two wires together outside to get the doorbell to ring.
Inside, was a tiny (comparatively), messy bachelor pad a group of
past-their-prime frat bros would live in. The episode was shot just like all
the rest, except Redman showed off his George Foreman grill, small collection
of DVDs and a box of cash he stored above his fridge. Many argued the episode
was faked, but Thrillist recently talked to the rapper and Cribs creators top uncover the truth — it was all real. Read all about it and relive the ep here.
An answer to millions of
prayers: A tool that will wipe away all references to the Kardashians out of
your Internet life. (They’re working on a Beiber blocker too)
Just a couple of decades or so ago, downtown Cincinnati resembled a ghost town in the evenings. Once 5 p.m. rolled around, most downtown workers hopped in their cars and headed home, rarely staying in or visiting the city’s core for any other reason (maybe a concert or sporting event, but that was largely a “parking garage/game/home” process). It’s hard to explain to some younger locals just how much the city has changed since then, with the life and energy brought back to Downtown and nearby Over-the-Rhine over recent years becoming the norm.
There are, of course, numerous reasons for the resurrection of the city’s center, much of which is covered weekly in CityBeat (new restaurants, bars, events and other additions, plus the influx of people deciding to live in the area). Every summer I’m particularly struck by the huge shift the city has made when I attend some of the many free live, outdoor concert options available to the public most days of the week. Seeing hundreds of people from all backgrounds enjoying free music in a variety of genres is yet another thing that should make our city proud of how far we’ve come.
Lineups for this summer’s music series on Fountain Square and Washington Park, as well as the relative newcomer, Smale Riverfront Park, have gradually been unveiled over the past few weeks. Below is a list of scheduled events so far. All of the series do a great job of spotlight the enormous local talent in the city, and there are also several concerts featuring national touring acts that would otherwise cost you several dollars for tickets (or at least a cover charge of some sort).
Print this out, grab a highlighter and mark your favorites (or, heck, take a chance on something new) and then get ready for another great summer for music lovers in the Queen City. (These are only the weekly music-related happenings; visit myfountainsquare.com, washingtonpark.org and mysmaleriverfrontpark.org for all kinds of other events happening this summer in the spaces.)
Salsa on the Square
The long-running Salsa on the Square series gets a jumpstart on the other music series on Fountain Square, kicking off today (and continuing through mid-September, which is also later than the other series). Running 7 p.m. to 10 p.m., the concerts feature numerous area Salsa bands, lots of dancing and even some instructors on hand to help you out if you need some tips.
May 7: Son Del Caribe
May 14: Tropicoso
May 21: Kandela
May 28: Clave Son
June 4: Stacie Sandoval & Grupo Tumbao
June 11: Kentucky Salsa All-Stars
June 18: Son Del Caribe
June 25: Zumba
July 2: Kandela
July 9: Clave Son
July 16: Stacie Sandoval & Grupo Tumbao
July 23: Kentucky Salsa All-Stars
July 30: Tropicoso
Aug. 6: Stacie Sandoval & Grupo Tumbao
Aug. 13: Monk River
Aug. 20: Clave Son
Aug. 27: Son Del Caribe
Sept. 3: Afro-Cuban Cartel
Sept. 10: Tropicoso
Sept. 17: Latin Beat Project
The American Roots series features a variety of acts that cover the wide spectrum that is Americana music today. Most of the top local Roots acts are performing, while touring artists like American Aquarium, Chuck Mead & His Grassy Knoll Boys, Dale Watson and more will also make appearances. Each night features two performers. Music runs 7 p.m. to 10 p.m.
May 26: American Aquarium and Ben Knight and the Welldiggers
June 2: Buffalo Wabs & the Price Hill Hustle and Wild Carrot
June 9: Chicago Farmer and Shiny and the Spoon
June 16: Chuck Mead & His Grassy Knoll Boys and Jeremy Pinnell
June 23: The Shook Twins and G. Burton
June 30: The Quebe Sisters and Howlin’ Brothers
July 7: Dale Watson and Straw Boss
July 14: TBA
July 21: Quiet Life and Crow Moses
July 28: The Brothers Landreth and Josh Eagle and Harvest City
Aug. 4: Arlo Mckinley and Wilder
Aug. 11: Young Heirlooms and The Hiders
Aug. 18: Bulletville and Noah Smith
Aug. 25: Elk Creek and Frontier Folk Nebraska
Sept. 1: Dallas Moore and Pure Grain
Joining the usual array of some of the finest Reggae bands in the city and region this year for Reggae Wednesday are numerous touring bands, including St. Louis’ Taj Weekes & Adowa, Jamaican natives Yabba Griffiths and Jah Messengers Reggae Bnad and Brooklyn’s New Kingston. Reggae Wednesdays run 6 p.m. to 10 p.m.
May 27: Areesaa Iyah & The Eastwind Band
June 3: Taj Weekes & Adowa
June 10: Yabba Griffiths & the Traxx Band
June 17: Ras Bonghi Reggae All-Stars
June 24: Positive Mental Attitude
July 1: The Flex Crew
July 8: The Ark Band
July 15: The Cliftones
July 22: Gizzae
July 29: Oriel Barry and the Revoluters
Aug. 5: New Kingston
Aug. 12: Ukombozi
Aug. 19: All Star Jammerz
Aug. 26: Jah Messengers Reggae Band
Sept. 2: Anthem Reggae Band
MidPoint Indie Summer
Sponsored by the popular late September MidPoint Music Festival (which, full disclosure, CityBeat runs), this year’s Indie Summer concerts (held each Friday) feature some of the biggest acts in the series’ history, alongside some of the best Rock/Indie/Alt/Electronic bands in Cincy. The Indie Summer shows showcase four acts and begin at 7 p.m. each week. (More artists are to be added to certain dates.)
May 29: Surfer Blood; The Yugos; Automagik; Harbour
Jun 5: The Mowgli's; One Day Steady; Nevele; Beloved Youth
Jun 12: Kopecky; Broncho; Coconut Milk; Near Earth Objects
Jun 19: Buffalo Killers; Ohio Knife; Mad Anthony; Go Go Buffalo
Jun 26: Sloan; Mother Mother; Old City
Jul 3: Red Wanting Blue; Young Heirlooms; Motherfolk; Chris Salyer
Jul 10: Saint Motel
Jul 17: The Ting Tings; Brick + Mortar; Black Signal
Jul 24: Givers; Prim; Even Titles
Jul 31: The Whigs; Multimagic; Pop Goes the Evil; The Never Setting Suns
Aug 7: Tweens; Leggy; Smut; Shark Week
Aug 14: Judah & The Lion; Seabird; Matt Hires; Along the Shore
Aug 21: San Fermin; Lemon Sky
Aug 28: Wussy; Pike 27; The Perfect Children; JetLab
Sep 4:The World is a Beautiful Place & I am No Longer Afraid to Die; Injecting Strangers; Moonbeau: Edison
Beats by Self Diploma
Local production/promotion crew Self Diploma has always done a fantastic job of bringing in some of the hottest acts on the EDM and Hip Hop circuits, making its Saturday night showcases some of the biggest of all the series. Last year, the group opened things up to other genres and offered audition opportunities to artists of all sort. Though still heavy on DJs, Electronic/Dance music and Hip Hop, this year’s lineup also includes things like Country Pop and live R&B and Funk. Music starts each Saturday at 7 p.m., with the last act going on at 10 p.m.
May 30: Alex Angelo; Ezzy; Aprina; Justin Stone
June 6: Ja Rule; Trademark Aaron; Diamond Star Russell; Mayo
June 13: King Chip; Cameron Grey; Razook; Sarob
June 20: Nappy Roots; Packy; Ajax Stacks & Nate Paulson; Alexa Lusader
June 27: OnCue; Cato; Rhett Wellington
July 4: Ground Up; DJ Kev the Goon; Swah; David Zup
July 18: Milk N Cookies; Panzer; Reaux; Button Mashers
July 25: Futuristic; Marc Goone; Puck; The Media
August 1: No Sleep; DJ Drowsy; CopyCats; Gold Dash
August 8: Huey Mack; Kid Quil; Lauren Vanatsky; Kid Slim
August 15: Kap Slap; Saranate; RandiFloss
August 22: Academy; TJ Hickey; Sh3llz; Benji
August 29: JMSN; Oregonia; Tana Matz
September 5: The Jane Doze; Gateway; Halogen
Washington Park has stripped back to two weekly music series this year, but both offer plenty of exciting performers.
The Bluegrass shows return this year to the centralized gazebo/bandstand stage every Thursday (except Aug. 6, which sees the return of the popular Lumenocity multi-media extravaganza). The “Bluegrass” part of the name is a bit of a misnomer; Bluegrass bands are on the schedule, but so are plenty of other Americana/Country/Roots/Folk acts. I guess alliteration is more fun than bad puns (or maybe Dick Clark’s production company would sue if they went with “Americana Bandstand”). Music starts at 7 p.m. and there are usually two acts per night. This year’s lineup includes an appearance by Country Blues favorite Charlie Parr, diverse Michigan ensemble The Appleseed Collective and a few other national acts.
May 28: The Mamadrones
June 4: Mustered Courage and Blair Crimmins
June 11: Willow Tree Carolers
June 18: Jake Book and New Country Rehab
June 25: Woody Pines and Barefoot Movement
July 2: Casey Campbell and Charlie Parr
July 9: Mipso and Railsplitters
July 16: The Appleseed Collective and The Tillers
July 23: Buffalo Wabs & The Price Hill Hustle
July 30: Red Cedars and Blue Rock Boys
August 13: Hu Town Holler and Town Mountain
August 20: Mike Oberst and My Brother’s Keepers
August 27: Comet Bluegrass All-Stars
September 3: Al Scorch & Friends
Fridays at Washington Park, R&B and Jazz acts from all over the country (there are some real legends in this bunch) will provide the sounds for Friday Fusion. The concerts rotate between the Bandstand stage and the Main Stage (across from Music Hall). Music begins at 7 p.m.
May 29: Midnight Star (Main Stage)
June 5: Dixie Karas Group (Bandstand)
June 12: Michel’le (Main Stage)
June 19: Eddie Brookshire Quintet (Bandstand)
June 26: Hot Magnolias (Bandstand)
July 3: Delfeayo & Jason Marsalis (Main Stage)
July 10: Zapp Band (Main Stage)
July 17: Straight Ahead All-Female Jazz Band (Main Stage)
July 24: Tim Warfield Quartet (Main Stage)
July 31: Marc Fields Quintet (Main Stage)
August 14: Soul Pocket (Main Stage)
August 21: Vernon Hairston Trio (Bandstand)
August 28: Kathy Wade with the Cincinnati Contemporary Jazz Orchestra (Main Stage)
SMALE RIVERFRONT PARK
Cocktails and Crown Jewels
Washington Park previously hosted the weekly Crown Jewels of Jazz concerts, but this year the series moves to one of the city’s newer green-space gems, Smale Riverfront Park (near the river and The Banks). Now called Cocktails and Crown Jewels, the concerts are heavy on Jazz acts but also include some R&B, Salsa and the melange of styles crafted by funky party crew The Cincy Brass. Music starts at 7:30 p.m. The concerts take place on the park’s Schmidlapp Event Lawn & Stage most Thursdays throughout the summer. The shows are free but attendees can also pay $25 to enjoy the music from the special VSP Area (with some food and drink included).
May 28: Alex Bugnon
June 4: The Cincy Brass
June 11: Urban Jazz Coalition
June 25: WOW featuring Tim Warfield and Bobby Floyd
July 2: FrenchAxe
July 16: Craig Bailey and the Cincy Jazz All-Stars
July 23: Orquesta Kandela
Aug. 6: Ingrid Woode & the Woode Tribe Orchestra
Aug. 13: fo/mo/deep
Aug. 27: Sound Body Jazz Orchestra
Heya! Here’s a quick rundown of the big stories today before I jet off for an interview.
As you may have heard, Mayor John Cranley yesterday vetoed an Over-the-Rhine parking plan that would have created up to 450 permitted parking spots for residents and left 150 spots for so-called “flex parking,” or unmetered spots available to all. The plan would have charged $108 per permit, the second-highest in the country behind San Francisco, which charges $110. But that’s better than no parking at all, residents in OTR say. Many say that as the neighborhood becomes more and more busy, it has become much harder for those living there to find a place to park in the evening. That takes a big toll on the neighborhood’s low-income residents, neighborhood social service providers say. They’d like to see a parking plan passed.
The proposed plan would have offered permits to low-income residents at a discounted rate. Cranley says vetoing the plan was a matter of fairness, because it allows any resident of the city to continue parking on the city streets their tax dollars pay for. In past months, however, Cranley offered his own permit plan, albeit one that charged $300 per spot. The move yesterday was Cranley’s first veto since he took office in 2013. Before that, Mayor Mark Mallory vetoed a council action on red light cameras in 2011.
• Though the OTR parking plan has gone down in flames, another item Cincinnati City Council’s Neighborhoods Committee killed earlier this week will get a second look. Contradicting fellow Democrats twice in one council session, Mayor Cranley has referred a motion supporting development of a $25 million luxury apartment complex in Madisonville to council’s Economic Growth and Infrastructure Committee after Democrats on the Neighborhoods Committee voted it down. The Economic Growth committee is full of Cranley allies, while Neighborhoods is dominated by the Democrats with which Cranley usually finds himself at odds. The Madisonville Community Council and its Urban Redevelopment Corporation oppose the project, saying it’s not an appropriate use of the land in the neighborhood. Cranley and other supporters say it will bring millions in other development to the area.
• Speaking of development, things are starting to pick up in Camp Washington, where 52 homes have been refurbished. Four more major development projects are also on the way. As I’ve told you about before in this blog, the historic Crosley Building in the neighborhood is also being redeveloped into 238 apartments. More on all the activity in this Soapbox story.
• Last week, Music Hall got some great news to the tune of $12 million, and now its next door neighbor gets a turn. Memorial Hall is closed to the public today as it undergoes a nearly $8 million restoration. Work on the building should be done by next fall. It's the first restoration of the building in nearly 25 years.
• Hamilton County Administrator Christian Sigman has been relieved of yet more duties, according to this Business Courier story. Sigman was taken out of his role in downtown development The Banks after questioning whether that project needs a new head developer. Now, he’s also been removed from his role in helping oversee the stadiums on the riverfront. He keeps the rest of his duties, which involve overseeing county departments who don’t have an elected official leading them. He’ll also keep his $180,000 a year salary. The whole thing seems pretty sketchy, but then again, I’d be down for reduced responsibilities if I got to make the same amount of money. Something tells me it’s not the same, though.
• Here’s something you don’t see very often: Liberal Democrat U.S. Sen. Sherrod Brown is praising conservative Republican Governor John Kasich over his push to apply statewide standards for police use of force. Brown says Kasich’s moves are part of much-needed reforms to the justice system. Kasich recommended the standards after convening the Statewide Taskforce on Community-Police Relations late last year. That task force came after the police shooting deaths of John Crawford III in Beavercreek and 12-year-old Tamir Rice in Cleveland.
The National Endowment for the Arts (NEA) will make a $50,000 grant to Contemporary Arts Center to help mount a survey exhibition of Korean-American artist Do Ho Suh in 2016. The CAC will also produce a catalog on the artist.
In a press release, CAC Director Raphaela Platow said, “We are delighted to have received this recognition from the NEA, it is a true vote of confidence to the quality of our curatorial program and the continued strength of this institution, as one of the oldest non-collecting contemporary art institutions in the country.”
Do Ho Suh: Passage, curated by the CAC's Steven Matijcio, is set for Feb. 12 to Sept. 11 of next year. Suh, who moved to the U.S. in 1993, makes life-size fabric replicas of his homes. The CAC expects that, in Passage, his work will imaginatively complement Zaha Hadid's bold architecture.