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by Brian Baker 08.23.2012
Posted In: Live Music, Music Video at 10:22 AM | Permalink | Comments (1)
 
 
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Why Steve Earle & John Hiatt Make Ideal Tourmates

Hiatt and Earle (plus his Dukes) perform together at the Taft Theatre tonight

There isn't a huge stylistic gap between Steve Earle and John Hiatt, so it makes sense that they would make a good tour package (one that hits the Taft Theatre tonight for an 8 p.m. show). They're both moderately successful Americana artists with slavishly loyal fan bases and solid bodies of work over long careers (Hiatt having the earlier ’70s start).

To the curious mind, the billing begs the point: What else do Earle and Hiatt have in common?

• They both began their careers as staff songwriters and launched performing careers after one of their songs became a hit for someone else (Johnny Lee for Earle, Three Dog Night for Hiatt).

• They've both been covered extensively by other artists, Earle by Travis Tritt, Robert Earl Keen and others, and Hiatt by Bonnie Raitt, Rosanne Cash, Willie Nelson, Bob Dylan and many more.

• They both signed with Epic Records for their first deal; Earle never recorded for them, while Hiatt did two Epic albums which sold poorly and expedited his release.

• Their second contracts were both with MCA; Earle had a pretty decent run with the label, including his 1988 hit Copperhead Road, while Hiatt's was a repeat of his Epic experience.

• They've both been nominated for Grammys, but Earle has a commanding lead with 14 nods and three wins, while Hiatt has been nominated twice with no mantle bling to show for it yet.

• They've both been married multiple times, but again Earle has the lead with seven marriages; Hiatt has only had three.

• Both have successfully dealt with substance issues.

• Both are balding; Hiatt has the lead here with more hair, but Earle compensates with a ZZ Toppish beard.

• Both will kick your ass in the live setting, so bring an extra ass.

Here's a clip for Hiatt's "Damn This Down," off his latest LP, Dirty Jeans and Mudslide Hymns.

And here is part of a documentary filmed during Earle's sessions for I'll Never Get Out of This World Alive (also the name of his novel and, yes, both are based on the Hank Williams tune, which he covers on the album as a bonus track. The novel is centered around Williams mysterious "doctor" who traveled with the singer until his death, then disappeared).


 
 
by Reyan Ali 08.20.2012
Posted In: Live Music, Local Music, Music Video at 11:28 AM | Permalink | Comments (0)
 
 
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Music Tonight: Shonen Knife

Japanese Punk/Pop icons perform tonight at the Ballroom at the Taft

Irony is not a concept usually shared by international cultures. Case in point: cats.

The Western (internet) world shows its adoration for felines by churning out pointless LOLcat YouTube video after LOLcat YouTube video, gilding this love with a patina of wink-wink jokeyness, as if to say, "Sure, we obsess over and anthropomorphize these cute beasts that don't do very much, but since we're making a gag out of it, it's OK to openly enjoy it. This is how we've earned our pass."

Japan's Shonen Knife, on the other hand, has willingly dedicated an entire song to the same animals while keeping a straight face — a move that would definitely earn mockery if they were an American band. The 31-year-old Pop-Punk trio's "I Am a Cat" off 1993's Let's Knife is an autumnal, simple tune where the narrator steps into an astral "timeless zone" and finds a cat's whiskers and ears. After attaching them to herself, she observes, "In a moment, I become a sweet little cat/And I dance on a flying saucer."

It's silly and a bit dumb, of course, but the total absence of irony —especially since this comes from an underground Rock outfit — is a true gift. Shonen Knife has long championed frivolous music about frivolous subjects, and the trio’s childlike earnestness yields great charm.

With that being said, it's somewhat surprising that Kurt Cobain of all folks supported Shonen; but, hey, even the guy who wrote "Rape Me" needed some relief from pain and aggression, too (see: heroin addiction).

Shonen Knife's tour behind its new album, Pop Tune, comes to the Ballroom space inside the Taft Theatre downtown tonight. Showtime is 8:30 p.m.; doors open at 7:30 p.m. Opening the show is red-headed sibling rockers White Mystery (from Chicago) and Cincinnati greats The Harlequins. Tickets are $13.

Here's the video for the title track off of Shonen Knife's new LP.


 
 
by Mike Breen 08.13.2012
Posted In: Music Commentary, Music Video at 06:48 PM | Permalink | Comments (0)
 
 
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NBC-Ya Later: U.S. Network Does Best to Ruin Olympics

Final thoughts on Olympics 2012's sights and (mostly) sounds (if they weren't edited out)

First let me say that I'm not what you would call a huge Olympics fan. This isn't an essay on sports. I'll tune in occasionally for things like basketball, soccer and Brazilian women's beach volleyball (LOTS of Brazilian women's beach volleyball), but it's hardly Must-See-TV for me every four years. If I had more patience, I'd probably watch more — but researching how the scoring works in water polo (and where they hide their horses) kind of takes the fun out of things.

I do love the drama of sports. I grew up the music nerd who didn't like sports because it was for jocks. My stance softened thanks to the 1999 Cincinnati Reds. Living just a few blocks away from the old Cinergy Field, I probably went to 50 home games that year — paid five bucks for a cheap "Top 6" seat (before they'd stop you from moving closer if there were open seats, which there usually were). Some of the dramatics of that season (cut short by a devastating one game playoff loss to the Mets) re-made me into the sports fan I was as a 10 year old.

The way drama in sports moved me reminded me (and still does) of the way music moves me. Though quite different experiences (sports is "thrill of victory/agony of defeat" exciting, while music moves me to my very core, caresses my heart, soothes my pain, gets me pumped up, etc.), they both give me a somewhat similar tingle in my brain.

As this year's Olympics progressed, I began to notice a lot of complaints about NBC's "tape delayed" coverage, whereby the network would hold back all the key, shining (mostly American athlete-oriented) moments for its prime-time broadcast. Of course, as pretty much every person with the ability to communicate online noted, this meant hearing that, say, Michael Phelps and Usain Bolt just made Olympic history … then turning on NBC to hear "tune in at 9 p.m. to find out how!"

Anyone with access to a radio, TV with channels other than NBC, a computer, smartphone or an excitable Olympics superfan BFF usually found out what happened up to 10 hours ahead of time. In some ways, I felt bad for the piling-on of NBC's Olympic events coverage. I mean, they did broadcast hours upon hours of live footage from London on their multiple Olympics platforms (iPad apps, Android apps, websites, additional channels, etc.).

But some people are busy, work strenuous jobs (without access to the aforementioned fancy devices) and want to come home, have some dinner, maybe smoke a doobie and THEN see what happened earlier at the Olympics. I'd be curious if anyone was actually able to avoid all spoilers — every time someone won a medal, I received a "news update" alert on my smartphone or would find out instantly on a British news website or within my Twitter or Facebook feed.

So I cut NBC the slightest of slack for fouling up some of the tape-delayed broadcast decisions (but there was no excuse for promoting Today show interviews with "new gold medalists" right before viewers actually saw said gold medalist win the top prize, something NBC did multiple times). If you really wanted to see an event live, you could do so.

The same can be said for the Closing Ceremonies, which streamed live on the Olympics many media platforms. But when it came time for editing it all down to a tight two-and-a-half hour or so prime-time broadcast, NBC had to cut some material out of the Closing Ceremony to make it fit and leave room for McDonald's  and Coke commercials.

During the Opening Ceremonies, NBC shamefully cut away to show Ryan Seacrest interview Michael Phelps instead of airing the ceremony's tribute to the 52 victims of the July 7, 2005, terrorist attacks in London.

There's editing for time and then there's just rude ethnocentrism. If New York City hosted the Olympics and the BBC cut away from the broadcast to show Simon Cowell interview legendary British track cyclist Chris Hoy, I wouldn't be shocked if the U.S. immediately began discussions about when to start the bombing of London.

Thankfully, nothing quite that insensitive occurred during the Closing Ceremonies.

The Closing Ceremonies piqued my interest the most of all of the Olympic happenings, mostly because I'm a proud Anglophile when it comes to music. Of my favorite artists ever, I'd be shocked if half weren't from the U.K. (if not more).

So I was fairly excited when I heard that the Closing Ceremonies would be titled "A Symphony of British Music" (look, you can already buy a CD) and focus primarily on England's greatest export, alongside comedy (which was spotlighted cleverly in both the opening and closing events) and Cadbury Creme Eggs. (I was only "fairly" excited because these things can often be cheesier than a Super Bowl halftime show with Up With People)

I had a slightly busy Sunday (well, busy enough that I couldn't watch stuff on TV or online all day), so I checked a handful of performances from the Olympics live stream, figuring I'd be able to catch the whole thing later.

There were some great moments. The John Lennon/"Imagine" salute was touching in a pure, unforced and restrained manner (not much else was, but that's not what ceremonial, once-in-the-lifetime, music-driven ragers should 
be about, especially in London).

It was interesting to see athletes from other countries singing along to Oasis' biggest hit, "Wonderwall," in seemingly their own languages (not sure how Noel Gallagher felt about his little bro's band Beady Eye playing it, though; Noel did turn down a chance to participate).

The unfussy cover of Pink Floyd's "Wish You Were Here" was serviceable, but gets bonus points for bridging a generational gap by bringing together hot new singer/songwriter Ed Sheeran and RIchard Jones from young Brit band The Feeling with PInk Floyd drummer Nick Mason and Genesis guitarist Mike Rutherford.

Meanwhile, the only thing missing from Eric Idle's perfectly nonsensical performance of "Always Look on the Bright Side of Life" was a chorus line of singers nailed to crucifixes (a la Monty Python's Life of Brian, the film in which it first appeared).

And, cheesy as it may have been, Freddie Mercury (in video projection/hologram-ish form) leading the stadium through a chant proved he is STILL the best frontman in Rock, even in death.

There were also, as is to be excepted, several cringe worthy moments.

The Spice Girls were a big deal for a few minutes, but did they deserve to perform more than one song at a global event like the Olympics? What exactly did they give the world besides a lady-friend for one of the planet's (former) greatest soccer players? I know, I know — it was a "rare" reunion (though it feels like they have "rare reunions" ever six months or so). I kept hoping for a five-olde-timey-taxi pile-up as they zoomed around the performance area at seemingly dangerous speeds.

Singer Jessie J must now be bigger than Princess Diana in the U.K., because she was able to perform multiple songs as well, like her big hit "Price Tag," showing the U.K.'s contribution to crappy Pop music, and "We Will Rock You" with Roger Taylor and Brian May, presumably because Paul Rodgers either wasn't available, passed away recently or refused to wear a nude, bedazzled unitard.

Ms. J also jammed with the artists during the segment where the London Olympics showed the world that there are indeed black people in the U.K., though Taio Cruz and Tinie Tempah are essentially carbon-copies of crappy American R&B/Pop singer/rappers. They did do a fun, mercifully short cover of the Bee Gees's "You Should Be Dancing," which probably pumped up views of the Bee Gees' Wikipedia page thanks to all of us who could have sworn the trio was from Australia (they were born in the U.K., moved to Australia, then back to the England where their career kicked off in earnest … in case you don't get Wikipedia).

There were a few glaring omissions from the parade of British Music stars, but the ceremony director gets a pass for that. How do you fit a century of music into three hours? Still, I could have done with seeing The Cure play (anything but "Killing an Arab") or New Order do a Joy Division/New Order mini-set or even Def Leppard (at least!) representing the influential New Wave of British Heavy Metal movement in lieu of Russell Brand singing a Willy Wonka tune and miming "I Am the Walrus."  

And, hey, remember how Britain co-invented Punk Rock? Beside awkwardly copping "London Calling" as a sort of unofficial anthem (before people apparently listened to the lyrics) and a mention of designer Vivienne Westwood, Punk Rock wasn't very big in the U.K., I guess. And Fatboy Slim apparently invented the British rave scene and U.K. dance music (while living inside a giant inflatable octopus).

Finally, in the spirit of mixing British humor and music, it would have been hilarious if George Michael would have appeared with former Wham! mate Andrew Ridgeley clasped around his leg ("I let go once — never again!").

The Rolling Stones, David Bowie, Sex Pistols, Kate Bush and others reportedly turned down invites to be involved in the ceremony, though at least most were given props during the ceremony (Bowie's "Fashion" soundtracked the tribute to British fashion through the years, while a remix of Kate Bush's "Running Up That Hill" was used as the music for a dazzling dance number spotlighting the tune).

The biggest blunder of the Closing Ceremonies, though, came once again courtesy of NBC's prime time broadcast.

I'm an editor and I understand that sometimes you can't fit every single thing you want into the tiny box given to you; tough calls must be made sometimes. 

But what network exec's 14-year-old niece was given control over the U.S. broadcast's final cut on NBC? Whoever made the tough decisions made a few seriously bad ones and the internet has been screaming about how much it SUCKED ever since.

The Kate Bush-soundtracked performance was cut, but I get that. Kate's not a household name in the States. I caught rockers Muse — who wrote and recorded the official song of this year's Olympics, "Survival" — and can forgive that one too — their performance was a bit lackluster and the song has an oddly ominous tone, like something Mussolini would have commissioned had the Olympics ever come to Italy during his reign.

Ray Davies' performance might have been spared if he'd playing "You Really Got Me" or some other U.S. FM radio staple. But Davies could play nothing but his gorgeous ode to London, "Waterloo Sunset," because it was the perfect time and place for the beloved British hit to be performed.

(Click ahead to the 1:35 mark to see it, until NBC removes it)


When I realized NBC cut "Waterloo Sunset," that's when my head-cocked bemusement turned to "WTF!" annoyance. A peek at the internet revealed I was not alone (I think the Davies cut was the hardest for most true Rock fans to take).

That is, until the end of the broadcast.

The absolute worst cut from NBC's primetime broadcast was the deletion of The Who, the perfect British band to provide a grand finale. If you were watching live, you saw the extinguishing of the Olympic flame and then, while Bob Costas was allowed to blather on about nothing over the allotted air time a day or two earlier, causing the show to "run over," Costas signed off with a very quick, "We'll be back from Olympic Stadium in about an hour for the London closing party featuring The Who. But stay tuned now for a full episode of Animal Practice, the new NBC comedy presented commercial free."

The network switched over to Monkey Doctor (or whatever it's called) and then followed it with local news.

THEN The Who's impressive eight-minute medley — touching on proudly anthemic and quite British tunes like "My Generation" — was allegedly aired, an hour after prime-time programming had ended. Pete, Roger and their ringers kicked things off with "Baba O'Reily," with its perfectly dramatic, almost always spine-tingling opening keyboard riff, which would have made a perfect segue way from the flame being put out. Instead — Hospitals for Monkeys (or whatever it was called), commercial free!

I left NBC as soon as Marcus Monkeypants MD started and ultimately fell asleep, mumbling to myself about how I'll never watch another episode of America's Got Talent or something like that. Then I spent today looking up what I missed on YouTube and other sites … when available. There was some good footage posted for a few minutes, but NBC and the Olympics yanked them faster than Fred Willard in a movie theater.

The nbcolympics.com site DID have The Who segment up by this evening. But they called "Baba O'Riley" by its not-actual-title, "Teenage Wasteland."

See — 14-year-olds are running NBC!

Ultimately, it's not that big of a deal — today there was another sad, tragic, inexplicable shooting in public near Texas A&M University. We STILL have not seen what Paul Ryan's abs look like. And NBC says the Olympic games were the most watched in history; one ad exec went so far as to suggest the high ratings in the U.S. were BECAUSE of the weird tape-delay approach. It created excitement (not hair-pulling-out frustration?).

So keep it in perspective and start getting ready for the 2016 Olympic games in Brazil. I'm already plotting how to watch it all as it should be watched — on a live stream, on Brazilian TV or in person (CityBeat, I'm volunteering my services). Because you just know NBC is going to shoot 90% of it from "above the waist." Some of those amazing booties over there are definitely NSF-NBC.

 
 
by Mike Breen 08.10.2012
Posted In: Live Music, Local Music, Music Video at 01:13 PM | Permalink | Comments (0)
 
 
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Free Eclectic MidPoint Indie Summer Show Tonight

Sleeper pick for the best Fountain Square show of the summer

Tonight's free, all-ages MidPoint Indie Summer concert on Fountain Square is certainly one of the most eclectic ever … and may turn out to be one of the best ever.

Exhibit A: Openers Sidewalk Chalk at 7 p.m.

Chicago's Sidewalk Chalk have opened for De La Soul and ?uestlove, and Lupe Fiasco majorly shouted-them-out on his Twitter and Facebook pages. The band is described as "a hip-hop, soul, jazz octet that consists of a singer, emcee, drummer, bass, trombone, trumpet, keys player, and a tap dancer."

Here's the music video for Sidewalk Chalk's "Water Song" from the group's album Corner Store.  


Exhibit B: Middle-slot performers Kansas Bible Company at 8:15 p.m.

From nearby Goshen, Ind. (currently working out of Nashville), KBC has wowed Cincy crowds a few times in the past year or so. The dynamic Soul/Jazz/Rock band trumps Sidewalk Chalk's mere eight-person membership, featuring "a five-man horn line, three guitars, two percussionists and one bass."

Dig this video for the great KBC tune "How to Build A Planet" from their album Ad Astra Per Aspera (rough translation: A rough road leads to the stars).



Exhibit C: Headliners A Place to Bury Strangers at 9:30 p.m.

Another frequent visitor to Cincy, the NYC-based APTBS are like a more abrasive, modern update of Jesus & Mary Chain's Psychocandy album. Guitar nuts can also bathe in some cool guitar sounds courtesy of the band's own line of effect pedals. (Read Reyan Ali's interview with the band for CityBeat from this past March here.)

Here is a video from A Place to Bury Strangers' recently released Worship album, "You Are The One." (Mildly NSFW clip.)

 
 
by Mike Breen 08.06.2012
Posted In: Live Music, Local Music, Music Video at 01:38 PM | Permalink | Comments (0)
 
 
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Walk the Moon's 'MTV Unplugged' Debuts at MTV.com

Cincinnati band goes acoustic for MTV

As we told you last week, Cincinnati-spawned RCA Records recording artist (and Perez Hilton faves) Walk the Moon's session for the MTV series Unplugged debuted today at MTV.com (because God forbid the network find time in its schedule amongst the embarrassing stream of exploitative reality TV shows to run an actual music program). I'm fairly certain this is a first for a Cincinnati band (someone please correct me rudely and anonymously in the comments section if I'm wrong). The Palladia HD channel (part of MTV's family of networks) often broadcasts Unplugged episodes after they've run online. We'll keep you posted.

Here's a clip from the program (of the band doing "Tightrope" from its recently released major-label debut full-length). Click here to enjoy the entire show.


And here's an interview with the band tied to the sessions.

 
 
by Mike Breen 08.03.2012
Posted In: Live Music, Local Music, Music Video at 09:09 AM | Permalink | Comments (0)
 
 
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Watch Afghan Whigs Live at Lollapalooza Today

Lollapalooza YouTube channel to stream live sets all weekend from Chicago

It's not quite the same as being there — unless you have long lines at your refrigerator, like to keep your house a balmy 105 degrees and live shoulder-to-shoulder with thousands of drunk people — but watching a music festival from the comfort of your own home isn't the worst thing in the world. (You could, for example, be watching Two and a Half Men.)

The Lollapalooza YouTube channel will be streaming various artists' sets from this year's festival in Chicago, including today's 5:15 p.m. (Cincy/EST time) performance by reunited Cincinnati icons The Afghan Whigs. The festival begins this afternoon; streaming starts at 1:30 p.m. I watched a few live sets from last year's Lollapalooza through the YouTube site and the footage and stream were both pretty strong.

Here's another Cincy act performing at Lolla last year.



Here's the full rundown of streams for the next three days of Lolla (times are CST, so add an hour if you are in the Queen City):

FRIDAY
    •    1:30 PM
    •    Yellow Ostrich
    •    
    •    1:30 PM
    •    Michael Kiwanuka
    •    
    •    2:15 PM
    •    The Black Angels
    •    
    •    2:15 PM
    •    Dr. Dog
    •    
    •    3:00 PM
    •    The War on Drugs
    •    
    •    3:30 PM
    •    Blind Pilot
    •    
    •    4:00 PM
    •    Metric
    •    
    •    4:15 PM
    •    The Afghan Whigs
    •    
    •    5:15 PM
    •    The Head & The Heart
    •    
    •    5:15 PM
    •    Tame Impala
    •    
    •    6:15 PM
    •    The Shins
    •    
    •    6:15 PM
    •    Band of Skulls
    •    
    •    7:00 PM
    •    Sharon Van Etten
    •    
    •    7:30 PM
    •    Dawes
    •    
    •    8:00 PM
    •    Die Antwoord
    •    
    •    8:30 PM
    •    The Black Keys

SATURDAY
    •    1:30 PM
    •    JEFF the Brotherhood
    •    
    •    1:30 PM
    •    Los Jaivas
    •    
    •    2:15 PM
    •    Delta Spirit
    •    
    •    2:15 PM
    •    GIVERS
    •    
    •    3:00 PM
    •    Neon Indian
    •    
    •    3:15 PM
    •    Aloe Blacc
    •    
    •    4:00 PM
    •    The Temper Trap
    •    
    •    4:15 PM
    •    Alabama Shakes
    •    
    •    5:15 PM
    •    FUN.
    •    
    •    5:15 PM
    •    First Aid Kit
    •    
    •    6:00 PM
    •    The Weeknd
    •    
    •    6:00 PM
    •    Washed Out
    •    
    •    6:45 PM
    •    tUnE-yArDs
    •    
    •    7:00 PM
    •    Bloc Party
    •    
    •    8:00 PM
    •    Red Hot Chili Peppers
    •    
    •    8:30 PM
    •    Avicii

SUNDAY
    •    1:30 PM
    •    Oberhofer
    •    
    •    1:30 PM
    •    Bombay Bicycle Club
    •    
    •    2:15 PM
    •    Trampled By Turtles
    •    
    •    2:30 PM
    •    White Rabbits
    •    
    •    3:00 PM
    •    The Walkmen
    •    
    •    3:15 PM
    •    Gary Clark Jr.
    •    
    •    4:15 PM
    •    Franz Ferdinand
    •    
    •    4:15 PM
    •    J.Cole
    •    
    •    5:15 PM
    •    The Gaslight Anthem
    •    
    •    5:15 PM
    •    Toro Y Moi
    •    
    •    6:00 PM
    •    At The Drive-In
    •    
    •    6:15 PM
    •    Of Monsters & Men
    •    
    •    7:15 PM
    •    Florence + the Machine
    •    
    •    7:15 PM
    •    The Big Pink
    •    
    •    8:15 PM
    •    Miike Snow
    •    
    •    8:30 PM
    •    Jack White
    •    
    •    9:15 PM
    •    Childish Gambino

Click here to watch all of the Lollapalooza streams.



The Whigs — who will perform at great Chicago club Metro for a sold-out post-Lolla party tomorrow night — have most recently added tour dates in Cleveland, Boston, Philadelphia, Portland, Seattle, San Francisco and Los Angeles.

The group comes home to Cincinnati's Bogart's on Oct. 25 for a sold-out gig with part-time tourmates Wussy. (Don't have tickets? Click here for a chance to win a a pair.)

 
 
by Mike Breen 07.31.2012
Posted In: Festivals, Live Music, Local Music, Music Video at 08:41 AM | Permalink | Comments (0)
 
 
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Warped Tour Hits Riverbend Today

The 18th annual Punk/Metal/Hip Hop/etc. traveling fest winds down after today's Cincy stop

The Van's Warped Tour might not be the most financially successful summer package tour of all time (the promoter and performers work together to keep an ego-free environment and low ticket prices), but it's hard to argue that it is not the most successful overall, especially in terms of longevity. Now in its 18th year, Kevin Lyman's eclectic traveling festival has outlived all of the roving music events that sprouted up around the same time (from Lollapalooza to Lilith Fair) by creating a "customer friendly" experience that's also very "artist friendly."

The tour's 2012 finale is this weekend in Portland, but before shutting things down for the summer, the fest makes its annual stop at Cincinnati's Riverbend today. Doors open at 11 a.m. and music kicks off shortly after. The show ends around 9 p.m. Tickets at the box office will cost ya $42 (about a dime a band, by my estimation).

Click here for more local show details, including info on how you can "Skip the Line" and walk right into the venue.

The set-times for each act are decided just prior to the gates opening; if you're going, look for the giant inflatable Warped logoed amp to see when your favorites are playing. I also highly recommend grabbing the official
Warped Tour app.

Be sure to support our local music scene reps — The Few The Fallen, Heres To The Heroes and Let It Happen will play the Ernie Ball Stage. Check out Let It Happen's recent video for "Bridges" from the great release, It Hurts, But It's Worth It.



Here is who's playing where (via Riverbend's site). (Welsh rockers Lostprophets are also on the bill, though not listed on Riverbend's site; all info is subject to change.)

MAIN STAGE: Taking Back Sunday, All Time Low, New Found Glory, Streetlight Manifesto, Yellowcard, Piece The Veil, Four Year Strong, Of Mice and Men, We The Kings, Breathe Carolina, Miss May I, Falling In Reverse, Blood On The Dance

TBD STAGE:  Every Time I Die, Mayday Parade, blessthefall, Chelsea Grin, For Today, Memphis May Fire, Motionless In White, Rise To Remain, Sleeping With Sirens, The Ghost Inside, Vampires Everywhere!, Title Fight

TILLY’S STAGE: Senses Fail, Vanna, Polar Bear Club, We Are The Crowd, Man Overboard, A Loss For Words, Funeral Party, I Fight Dragons, Machine Gun Kelly, Oh No Fiasco

TBD STAGE: Echo Movement, G-Eazy, Stepdad, The Constellations, Ballyhoo!, Champagne, T. Mills, Tomorrows Bad Seeds, Mod Sun, The Green, Amyst

ERNIE BALL STAGE:  iwrestledabearonce, Born Of Osiris, Chunk! No Captain, Fireworks, Transit, Cold Forty Three, The Scissors, The Few The Fallen, Here's To The Heroes and Let It Happen.

KEVIN SAYS STAGE:  Make Do And Mend, Matt Toka, Tonight Alive, Skip The Foreplay, Sick of Sarah, Mighty Mongo, Captain Capa, I Call Fives, Hostage Calm, The Silver Comet, Twin Atlantic, The Darlings, Dead Sara

ACOUSTIC BASEMENT:   A Loss For Words, Koji, Brian Marquis, Rocky Votolato, Transit Owen Plant, Anthony Raneri

 
 
by Mike Breen 07.23.2012
Posted In: Local Music, Music Video at 09:38 AM | Permalink | Comments (0)
 
 
foxy-shazam-holy-touch1

WATCH: Foxy Shazam's 'Holy Touch' Video

Cincy rockers premiere clip for new single on Vevo

Fresh off of one of the absolute best performances at the recent Bunbury Music Festival, Cincy Rock & Roll acrobats Foxy Shazam had their new music video debut this morning on the popular Vevo online vid site. The clip is for "Holy Touch," the latest single (and most Queen-like track yet) from Foxy's debut album on IRS Records, The Church of Rock & Roll.

Along with the band members, the clip for "Holy Touch" (directed by Shane Valdes of Realm) features appearances by actress (and Cleveland native) Paula Jai Parker (Friday, Hustle & Flow) and actor (and son of Gary) Jake Busey (Starship Troopers, Road House 2).

A little Rock & Roll church for your Monday morning.



 
 
by Mike Breen 07.19.2012
 
 
the ridges_by_keith klenowski

MidPoint Indie Summer with The Ridges and More

Athens, Ohio Indie Folk troupe unveils "commerical" for free Friday Fountain Square show

Tomorrow evening on Fountain Square will be dry! I promise, or I'll personally refund your ticket money. This week's installment of the free MidPoint Indie Summer concert series on the Square features another solid bill. Joining in on the fun Friday is rootsy Indie Rock crew and Bloodshot recording artists Ha Ha Tonka, the eclectic Izzy and the Catastrophics (read more here) and our pals from great Athens, Ohio-born Indie Chamber Folk group, The Ridges.

The Ridges (MPMF vets) usually add a great personal touch to their area gigs by making cool little commercials for the event (which we've featured several times in the past). Tomorrow's show is no different. Check their latest "ad" and then click here to listen to more tunes from The Ridges.

Friday's MidPoint Indie Summer show starts at 7 p.m.


Here's a taste of Ha Ha Tonka, via the music video for the group's "Lonely Fortunes" from last year's Death of a Decade.

And here's a wild video from Izzy and Co. for the song "Mi Bailarina."


 
 
by Mike Breen 07.19.2012
Posted In: Live Music, Local Music, Music Video at 08:01 AM | Permalink | Comments (0)
 
 
wtmconan

Walk the Moon Does 'Conan'

Cincinnati RCA recording artists do a little national TV promo before homecoming gig

One of Cincinnati's most successful bands making waves on a national level, Alt/Dance/Pop quartet Walk the Moon, got a nice extra plug for its sold-out homecoming concert at 20th Century Theater in Oakley a week from today (July 26).

As the band prepped to play their money-shot song, the miraculously infectious "Anna Sun," on Conan last night on TBS, during the group's intro, host Conan O'Brien mentioned its hometown gig, Walk the Moon's first Cincy show since the release of its debut album on June 19 (which they celebrated by playing the same song on The Late Show with David Letterman; compare and contrast here). The band played with incredible enthusiasm once again, impressive given how much work the members have put in over the last year-plus.

Walk the Moon's members received hearty handshakes from O'Brien after the song, then chatted joyfully with Conan, Andy Richter and Breaking Bad's
freshly Emmy-nominated Bryan Cranston as the house band played the show off. Watch the full episode here ("Ronny Sunshine, The Incredibly Helpful Bath Salts Addict" was hilarious). Below is WtM's performance.


 
 

 

 

 
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