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by Jason Gargano 05.27.2011
at 03:28 PM | Permalink | Comments (0)
 
 
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Friday Movie Roundup: Long Live Kelly Reichardt

Kelly Reichardt's Meek's Cutoff is the opposite of a summer blockbuster: stylistically spare, elliptical, emotionally nuanced and told from a distinctly female perspective. It's the antithesis of the garish big-budget behemoths currently crowding the multiplex, a film that has zero interest in delivering a typical audience-pandering moviegoing experience.

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by Jason Gargano 01.23.2009
at 05:55 PM | Permalink | Comments (0)
 
 

Friday Movie Round-up: Local Alternative

The post-holiday/awards season dumping ground is upon us — just two films hit theaters this week, neither of which are likely to pique the interest of more discerning moviegoers.

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by Jason Gargano 02.13.2009
at 11:31 AM | Permalink | Comments (0)
 
 

Tarantino and His Basterds

A teaser trailer of Quentin Tarantino’s Inglourious Basterds, which is still in production, has made its way to cyberspace. It’s being billed as his ensemble war flick/spaghetti western, and if the tone of this teaser is any indication, look for Basterds to lean toward the genre-pillaging frivolity of Death Proof and the Kill Bill films. (Personally, I was hoping for a return to Tarantino’s more emotionally satisfying heyday, especially the underrated Jackie Brown.)

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by Jason Gargano 03.01.2011
at 07:17 PM | Permalink | Comments (0)
 
 
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A Snooze of an Oscars

The Academy has been trying in recent years to move its awards show into the 21st century without dissing its tradition-rich past. The results have been mixed.

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by Jason Gargano 03.05.2010
at 11:46 AM | Permalink | Comments (0)
 
 

Friday Movie Roundup: Oscar Baiting

The 82nd Academy Awards telecast is Sunday night. Will you be watching?

Yes, I will again succumb to its guilty pleasures, no doubt groaning every 10 minutes or so at the lavish, self-important nature of it all (please don’t let James Cameron win — the only thing worse than his creepy, flowing gray hair is the inevitably pompous speech that will spill from his lips if Avatar wins him a Best Director or Best Picture Oscar, which it likely will).

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by Jason Gargano 07.09.2010
at 03:31 PM | Permalink | Comments (0)
 
 

Friday Movie Roundup: The Art House Strikes Back

The worst summer movie season in memory gets a kick in the ass this week with the opening of a pair of small-scale, Sundance-approved art-house gems: the Duplass brothers' Cyrus, an unexpectedly touching, hilariously awkward comedy featuring John C. Reilly, Marisa Tomei and Jonah Hill in an odd love triangle of sorts, and Debra Granik's Winter's Bone, a tension-laced thriller that is likely to stand as young actress Jennifer Lawrence's breakout role.

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by Jason Gargano 02.22.2009
at 04:40 PM | Permalink | Comments (0)
 
 

Oscar Predictions

I'm through bitching about how clueless the Academy is for overlooking my favorite films in favor of "geriatric coffeetable dogshit" (aka The Reader), as Christian Slater put it in True Romance. (To be fair, The Reader is slightly better than dogshit, mostly due to the presence of Kate Winslet.) Yes, I've finally accepted the Oscars for what it is: an industry wank-fest punctuated by a few moments of genuine spontaneity and/or emotion. Look for Slumdog Millionaire to clean up tonight despite not garnering a single acting nomination, which is almost unheard of for a Best Picture nominee. And look for an elaborately coiffed, sunglasses- and chain wallet-clad Mickey Rourke do something wonderfully eccentric while accepting the Best Actor Oscar.

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by Jason Gargano 04.22.2011
at 01:49 PM | Permalink | Comments (0)
 
 

Friday Movie Roundup: Digital Revolution Edition

Once upon a time people would go to grandiose, darkened theaters to watch images projected on large screens via illuminated strips of film.

Those days are all but over.

Initially altered by the late-’70s advent of platter projection — not to mention that same era's movie-magic-eroding advent of cable TV and home-video players — film culture is now going through a sea change as theaters of every stripe move to digital projection, a turnabout that has had more of an impact than might meet the eye.

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by Jason Gargano 09.25.2009
at 10:17 AM | Permalink | Comments (2)
 
 

Friday Movie Roundup: The Fantastic Mr. Fox

The fall movie season has gotten off to a pretty mediocre start, and this week’s slate of new multiplex offerings does little to reverse the trend: a pair of ho-hum-looking sci-fi thrillers, Pandorum and Surrogates, and what looks to be a glossy remake of Fame, the 1980 movie musical that would serve as the senior play for yours truly many years later (I played Ralph Garcy.) Not coincidently, all three screened after our print deadline, typically a sign that they’re not ripe for much critical love.

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by Jason Gargano 11.03.2011
at 12:26 PM | Permalink | Comments (0)
 
 
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The Return of Pauline Kael

A pair of new books centering on film critic Pauline Kael — The Library of America's lavishly rendered The Age of Movies: Selected Writings of Pauline Kael and Brian Kellow's incisive biography Pauline Kael: A Life in the Dark — have resulted in an avalanche of recent Kael appraisals and reminiscences a decade after her death in 2001 and 20 years after her retirement from writing in 1991.

I can't quite remember when I became aware of Kael, but it had to be in my late teens, which is when I began to move beyond the Hollywood blockbusters of my youth and into deeper, more adventurous cinematic waters. I do know that my initial Kael exposure occurred after she had retired from The New Yorker, where she rather famously wrote film essays and reviews for nearly 25 years.

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