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by Holly Rouse 09.25.2013
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Turning Film Dreams into Reality

CityBeat film critic named finalist in the Big Idea Challenge

How many times have you found yourself with an idea that could change your community for the better? If you had an opportunity to make your idea a reality, would you take it?

These are two of the questions at the heart of the Greater Cincinnati Foundation’s Big Idea Challenge. The Foundation asked Cincinnati locals to submit ideas for improving their communities.

After receiving more than 200 entries, the foundation narrowed the contest down to 21 finalists in all, each with dreams of bringing education, culture, green living, wellness and thriving local business to the community.

CityBeat film critic tt stern-enzi is one such finalist. He hopes to launch WatchWriteNow, an after-school film club devoted to the development of critical thinking and creative writing skills.

“WatchWriteNow started thanks to my work as an independent contractor with Lighthouse Youth Crisis Center and a few Cincinnati Public School after-school programs,” stern-enzi writes in an email interview. “The impetus was to bring filmed content in to high school students, to let them critically discuss works that might be accessible to them in ways that subjects in the classroom might not be.”

stern-enzi hopes to improve education within the community by teaching film appreciation and the critical skills to express it in writing to local high school students. The concept is similar to an overseas program called Film Club UK, which was started by critics and filmmakers in order to bring film and critical discussion into classrooms — not just as an after-school activity but as part of the curriculum.

stern-enzi was inspired by his own high school AP English teacher, Cleve Latham, at the McCallie School for Boys in Chattanooga, Tenn.

“Mr. Latham let me talk about Blue Velvet after I saw it multiple times during its opening weekend back in 1986. To see a teacher grant that degree of respect and authority to a film, to allow an AP class to crack that ‘text’ open for analysis was the trigger for what has become not just a career path for me, but a real life's passion. And I want to be able to pay that forward for at least one of the students I encounter now.”

Now through Sept. 27, the foundation is asking the public to vote for their favorite Big Idea finalist. One winner in each category — Strong Communities, Cultural Vibrancy, Job Creation, Environmental Stewardship, Educational Success, Health & Wellness and Economic Opportunity — will be chosen based on the number of votes received.

This can't be accomplished without community involvement,” stern-enzi writes, “which is why the voting format for the challenge is so exciting. If we want projects like this as part of the Greater Cincinnati landscape, we must be prepared to support the foundational efforts to get them off the ground.”

The winners of The Big Idea Challenge have plenty of resources to make their dreams a reality.

In addition to cash prizes of $500 to $1,000, the foundation will also find a nonprofit organization to implement the seven winning ideas and provide grants of $5,000 to $50,000 to spring the ideas into action.

One of the finalists will also be selected to receive a grand prize, contributed by the members of the Foundation's governing board.

Voting for The Big Idea Challenge wraps up Friday, and winners will be announced in October.

 To cast your vote, visit bigideacincinnati.com by Friday, Sept. 27.

 

 
 
by Jason Gargano 08.27.2010
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Friday Movie Roundup: Is 3-D Here to Stay?

Before a recent Saturday matinee screening of Alexandre Aja's Piranha 3D — which, for the record, is a unabashedly bloody excursion into B-movie mayhem — I took in trailers for no less than five new 3-D movies: Resident Evil: Afterlife, Tron: Legacy, Green Hornet, Jackass 3D and Saw 3D, all of which and more (including the next installments in the Harry Potter and Chronicles of Narnia series) arrive on the heels of this summer's avalanche of like-formatted fare.

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by Jason Gargano 02.04.2011
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Friday Movie Roundup: Last Call for Coppola

It's another slow week in movieland, as only one of the four new releases was made available to us in advance, and that one, The Company Men, delivered mixed results. Rather than whine about something we have no control over, let's turn your attention to a film that sneaked into the Kenwood Theatre last week: Sofia Coppola's Somewhere.

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by Jason Gargano 05.27.2011
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Friday Movie Roundup: Long Live Kelly Reichardt

Kelly Reichardt's Meek's Cutoff is the opposite of a summer blockbuster: stylistically spare, elliptical, emotionally nuanced and told from a distinctly female perspective. It's the antithesis of the garish big-budget behemoths currently crowding the multiplex, a film that has zero interest in delivering a typical audience-pandering moviegoing experience.

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by Jason Gargano 07.15.2011
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Friday Movie Roundup: Harry Potter Edition

The Harry Potter movie series comes to a close this week with the release of Harry Potter and the Deathly Hallows: Part 2, which, if I'm not mistaken, represents the eighth movie adaptation of J.K. Rowling's wildly successful book series.

I confess: I've never watched a Harry Potter movie. I've caught a few minutes here and there on HBO or at a friend's or family member's house, but for some reason I've never been compelled enough to sit down and take in the entirety of even one of the series' movies.

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by Jason Gargano 01.21.2011
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Friday Movie Roundup: Borat Is Back Edition

It's kind of hard to evaluate this week's opening films when none of them were screened in advance for critics — or at least none of them were screened locally, a trend that's always more prevalent this time of year.

Surprisingly, early word on No Strings Attached — Ivan Reitman's sexually liberated romantic comedy featuring Natalie Portman and Ashton Kutcher — is strong.

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by Jason Gargano 06.29.2011
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Wednesday Movie Roundup: Michael Bay Edition

Some say Michael Bay is the devil, the man responsible for the death of cinema as we know it.

It seems the director behind such crass mainstream entertainments as The Rock, Armageddon, Pearl Harborand the Transformers films — the third of which, subtitled Dark of the Moon, opens today — has no shame when it comes to his particular brand of slam-bam cinema. Bay specializes in disaster movies, the kind of stories where nothing less than the entirety of civilization hangs in the balance. His CGI-driven, ADD-addled films revel in big explosions, big visual flourishes and big emotions. Subtle he is not.

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by Jason Gargano 04.30.2010
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Friday Movie Roundup: Good, Bad & Ugly

A “re-imagining” of A Nightmare on Elm Street opens this week. Really? The original Freddy movie, which is now best known as Johnny Depp’s first big-screen role, not to mention its endless (and endlessly lame) sequels?

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by Jason Gargano 04.30.2011
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Friday Movie Roundup: Summer Starts Now

As a child weaned at the entertaining teat of 1980s blockbusters like The Empire Strikes Back, Raiders of the Lost Ark, Ghostbusters and Back to the Future, I have a soft spot in my movie-snob heart for a good summer popcorn movie.

The key word there is “good,” an adjective that doesn't often describe modern summer movies, most of which are lowest-common-denominator products laden with special effects instead of interesting characters. We're now lucky if one or two transcend mediocrity each summer — last year Toy Story 3 and Inception were the big exceptions.

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by Jason Gargano 10.10.2010
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Friday Movie Roundup: Bounty of Options

After months of sparse and, more importantly, mediocre (if not abysmal) movie options, recent weeks have give us a bounty of worthwhile offerings in a variety of genres — from art-house fare like Catfish, Jack Goes Boating, Lebanon and A Woman, a Gun and a Noodle Shop to multiplex stuff like The Social Network and Let Me In and Easy A. And this week delivers yet more of both: Buried, It's Kind of a Funny Story, Secretariat and Never Let Me Go.

Add in the Cincinnati Film Festival, which opens today and runs through Oct. 16, and we have a smorgasbord of cinematic offerings from which to choose.

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