Lynn Meyers spends most of her time staging shows at Ensemble Theatre of Cincinnati, where she’s the producing artistic director. However, she headed a few blocks south from her Over-the-Rhine venue this month to direct Pride and Prejudice for Cincinnati Shakespeare Company at its Race Street venue.
The Cincinnati Art Museum has announced the winner of its second biennial 4th Floor Award for regional contemporary artists -- Darren Goodman of Waynesville, Ohio. He will receive $1,000 and a solo exhibition in the art museum’s Vance-Waddell Gallery this year from Sept. 17 through Nov. 27th.
According to a museum press release issued today, he earned his BFA from Bowling Green State University and apprenticed under glass master Leon Applebaum in Corning, N.Y.. Godman was commissioned by Ferrari to create trophies for the International Challenge Races (2009. From 2005 to 2007 he taught private classes in glass, and coordinated a glassblowing class for Wyoming High School students. In his work, Goodman explores color in glass and is inspired by natural forms. In his most recent installation, 2010's Tears of Joy, Goodman built on the “mistake” of molten glass falling to the ground. Using the same action, he created massive blue drops that were suspended together inches above the floor. In both his installations and individual pieces, Goodman endeavors to utilize the properties that are found solely in glass.
Three finalists each receive $500 -- Terence Hammonds, Casey Millard and Alice Pixley Young, all of Cincinnati,
The Contemporary Arts Center has canceled one of its first shows of the 2009-10 season, Young Country. That group show, in which young artists address issues and symbols of Americana, was scheduled to open Oct. 3 and continue through Jan. 10.
Sunday afternoon, some 100 people (perhaps many more — it was really crowded!) gathered at the downtown studio of artist Tom Bacher for a surprise party celebrating Dennis Harrington's 30-plus years of work in Cincinnati's visual arts community. Harrington currently is director of the non-profit Weston Art Gallery in the Aronoff Center for the Arts. He was hired there in 1995, when it was new, by Sally LoveLarkin and became director upon her retirement in 1998.
The Manhattan Dolls will make a one-night tour stop at Know Theatre on Sunday evening at 7:30, performing their Swing-style revue of tunes from the 1930s and 1940s, "Sentimental Journey," in the Over-the-Rhine theatre’s Underground cabaret space. The trio of singers from New York City travel the world performing for military events, air shows, award ceremonies, parades, Jazz clubs and concert series.
You'll have to pick and choose this weekend because
there's so much theater onstage. In addition to our professional
theaters, it's worth checking out production at universities: Tonight
through Sunday, CCM's esteemed musical theater program is offering the
cult favorite Chess, with music by ABBA's Björn Ulvaeus
and Benny Andersson. The story is set in Bangkok and Budapest during a
mid-1970s world chess championship — and it's driven by gamesmanship
between nations, between lovers and, of course, between chess players. I
saw the opening on Thursday, and it's a BIG show with a gigantic cast.
Several leading roles are double cast (with more juniors than seniors,
in fact, which bodes well for CCM productions for this season and next).
In particular, Matthew Paul Hill, playing the Russian grand master
Anatoly, lifted the roof of Corbett Auditorium with his powerful
baritone voice singing the stirring "Anthem," the Act 1 finale. Tickets
($30) Box office: 513-556-4183. At Northern Kentucky University you'll a production of Royal Gambit
by German playwright Hermann Gressieker (translated into English in the
late 1950s). The subject is King Henry VIII and his six wives, and this
looks to be a beautifully costumed show, featuring senior Seth Wallen
in the leading role. Tickets ($14). Box office: 859-572-5464.
Neil Simon's funny and endearing Brighton Beach Memoirs is onstage at the Cincinnati Playhouse. I gave it a Critic's Pick (review here), and I'm sure audiences will love this sweet portrait of growing up in Brooklyn in the 1930s, where a loving but fractious family copes with hard times. It's told from the perspective of Eugene, a precocious adolescent (he's really Simon as a 15-year-old), who takes notes on his family's behavior. Well acted and beautifully staged. Box office: 513-421-3888l.
My schedule hasn't permitted me to see several shows that are getting good notices, including recognition from the folks evaluating productions for the League of Cincinnati Theatres. I'm catching up this evening with Cincinnati Shakespeare Company, which is offering two shows this month. Romeo & Juliet is its mainstage show, and Sara Clark is getting high marks for her portrait of romantic but tragic young love. Brian Phillips' staging picked up an LCT nod, and the show received an overall recommendation from LCT. On the evenings when R&J is not onstage, there's another Shakespeare work for thrill seekers, specially selected and staged for the Halloween season: the bloody, gory tale of revenge, Titus Andronicus. Veteran actor Nick Rose plays a crazed Roman general, and just about everyone I've heard from says his performance is memorable. (It earned him an LCT nomination, too.) Box office: 513-381-2273.
This weekend is the final one for Mrs. Mannerly at Ensemble Theatre. When Harper Lee reviewed this one for CityBeat (review here), she gave it a Critic's Pick, and I agree wholeheartedly. (LCT named it a recommended production, too.) CEA Hall of Fame actress Dale Hodges is great fun to watch as a strict etiquette teacher in 1967, and Raymond McAnally plays all the other characters — a bunch of kids who are learning how to behave in a "mannerly" way. It's funny from start to finish, but there's a heart-warming message within the story. Definitely worth seeing. Box office: 513-421-3555.
At Clifton Performance Theatre, Clifton Players are staging A Bright New Boise, which also picked up an LCT recommendation. I haven't seen it, but the show won an Obie Award (that's for outstanding off-Broadway plays) in 2011, and it has a strong cast. This is a newish venue that's specializing in "storefront theater." Should be worth supporting. Tickets ($20): 513-861-7469.
say whether the hills will be alive, but The Carnegie in Covington
certainly will be in January when it presents a "lightly staged"
production of Rodgers and Hammerstein's The Sound of Music in partnership with the Kentucky Symphony Orchestra. Presented Jan. 17-26, 2014,
under the direction of Brian Robertson and KSO conductor J. R. Cassidy,
the production continues a popular series that has appealed to
audiences at the Carnegie's Otto M. Budig Theatre.
Thanks to spot-on casting of the four actors who bring Kim Rosenstock’s new play Tigers Be Still to life at the Cincinnati Playhouse, the show about people dealing with depression is charming, funny, optimistic and even heart-warming. It’s about a young woman with a recently earned degree in art therapy; she’s been down in the dumps about finding work, but not as much as her mom who’s gained weight and her sister who’s been dumped by her fiancé. She’s starting a new job thanks to her mom’s long-ago boyfriend, now a middle school principal. He has issues of his own — from a slacker son to anxiety about a tiger that’s escaped from the local zoo. Sound zany? Well, it is — as well as entertaining. The League of Cincinnati Theatres singled out this production’s sound design by Vincent Olivieri for an award. One panelist wrote, “On a very small stage, scenes took place in a school gym, drugstore, office, closet, outdoors and in the living spaces of two houses. Except for the main set, capturing the essence of these scenes was limited to a couple of props and pieces of furniture — and the sound!” Through April 15. Box office: 513-421-3888.
There’s a final performance on Saturday afternoon of Rapunzel! Rapunzel! A Very Hairy Fairy Tale, presented by The Children’s Theatre of Cincinnati. The world premiere musical by composer Janet Vogt and writer Mark Friedman has received an award from the league of Cincinnati Theatres for its scenic design by David Centers. Tickets: 513-569-8080, x13. His design for the show was described by LCT judges as “simple and very well executed in a style that was great for the play.” In addition to the show’s signature tower, the set also boasts a forest that “wasn’t too dank, dark and dismal, but instead had personality.” (Centers, a veteran local designer and a graduate of the School for Creative and Performing Arts, received an LCT Award in the same category earlier this year for his work Disney’s My Son Pinocchio Jr.) Tickets: 513-569-8080, x13.
On Wednesday I attended the Cirque du Soleil production of Dralion at the Bank of Kentucky Arena, adjacent to Northern Kentucky University. It’s another extravaganza of strength and showmanship, athleticism and artistry. This struck me as a somewhat more compact show than I’ve seen in the past: The talent is just as great, but the concept — connections between East and West — is pretty vaporous. But there are three wonderful clowns, and several of the performances do things that make you say, “How can a human body do that?” Balancing on one hand, flying through the air on a hoop, skipping rope in a human pyramid — it’s amazing stuff. It’s being presented through Sunday: Lots of available seats on opening night, so I’m guessing you can still find tickets for all performances. Through Sunday. Tickets: 800-745-3000
Two excellent productions wrap up this weekend. The Cincinnati Playhouse’s unique staging of Stephen Sondheim and George Furth’s musical Merrily We Roll Along, which uses actors who also play musical instruments has its final performances on Saturday. I gave the production a Critic's Pick; Merrily is only infrequently staged, so this is a chance not to be missed. Box office: 513-421-3888. Ensemble Theatre concludes the run of Time Stands Still, a fine drama with a great ensemble cast directed by Michael Evan Haney. Final performance is on Sunday. This tale of burned-out journalists and last gasps at relationships by Donald Margulies, a Pulitzer Prize-winning dramatist, also earned a Critic's Pick. Box office: 513-421-3555.
Know Theatre’s production of the recent off-Broadway and Broadway Rock musical hit, Bloody Bloody Andrew Jackson, opens on Saturday. (It’s onstage through May 12.) Word has it that tickets are already selling fast. Box office: 513-300-5669. This weekend is also the opening for Cincinnati Shakespeare’s production of The Grapes of Wrath, which runs through April 29. Box office: 513-381-2273, x1.
Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.