It is shaping up to be a great summer in Cincinnati for fans of popular, contemporary Country music. First it was announced that the giant Tim McGraw/Kenny Chesney tour (with Grace Potter and the Nocturnals opening up) would come to Paul Brown Stadium on July 1. Now, Riverbend has unveiled an impressive lineup of some of the top names in Country scheduled to appear at the outdoor shed this year (including Miranda Lambert, pictured at the right). An on sale date for the individual concerts has yet to be announced; the lineup was released this morning because of the return of the B105-sponsored "Country Megaticket" offer, where fans can save some money by purchasing ticket packages that will get them into all seven concerts. The "Megatickets" (packages range from $200-$385) go on sale this Friday at 10 a.m. through www.Riverbend.org or www.B105.com. Click here for more details and check below for the full lineup.
This Saturday is Record Store Day, which began in 2007 as a way to celebrate (and draw business to) independent, brick-and-mortar record shops all over the globe.
In the Cincinnati area, four longtime record shops with loyal fanbases will officially participate — Everybody’s Records in Pleasant Ridge, Shake It Records in Northside, Mole’s Record Exchange in Clifton Heights and Phil’s Music & Memories in Latonia, Ky. That means you’ll be able to get your hands on some of the thousands of exclusive, RSD-only releases coming out this year from a wide range of acclaimed artists, new and old. (See the huge "The List" of exclusives below.) Other stores may also be doing fun, interesting stuff for the "holiday"; be sure to visit all of your favorites. That's what the day is all about.
• The local shops usually do it up big for RSD. At Everybody’s Records, you can listen to live music (including a 2 p.m. acoustic set from Jody Stapleton and Brandon Losacker of Jody Stapleton and the Generals) and DJing (from local Reggae DJ squad Queen City Imperial Soundsystem at 5 p.m.) throughout your RSD adventuring at the store.
• At Shake It, Grammy-winning (for his work on Dr. John’s last album) rocker Brian Olive performs at 6 p.m. (he and his band play MOTR Pub later on Saturday for free), while Chuck Cleaver and Lisa Walker of Wussy play at 8 p.m. Shake It is offering a 10% discount on purchases for anyone bringing non-perishable food items for Churches Active in Northside’s Choice Food Pantry.
• Shake It’s “record label” branch is also getting in on the RSD fun, putting out a pair of new, limited, exclusive releases by a couple of local music giants. Saturday at the shop, you’ll be able to pick up a live vinyl album featuring a performance at Shake It by The Greenhornes over a decade ago. The Live at Shake It Records 2001 LP featuring 14 tracks representing the band’s first three albums (one song was previously released by the label on a 7-inch in 2002, but it went out of print instantly).
Shake It will also release an EP of songs by Walker and Cleaver — a.k.a. Wussy Duo, which plays when the full band is not available. The CD features seven tracks from the slimmed-down lineup.
• With Record Store Day falling on 4/20, it should be no surprise that critically-acclaimed Cincy-area rockers Buffalo Killers would get in on the action; pot references are sprinkled throughout the band’s discography and their deft blend of vintage Psych Pop and swampy Blues Rock is certainly THC-friendly. The trio — which tours frequently and has made fans out of The Black Keys, The Black Crowes and many others across the U.S. — is coming through big with a new six-track, 12-vinyl EP titled Ohio Grass. The follow-up to the band’s fourth and finest full-length, 2012’s Dig. Sow. Love. Grow., has more than just a title reference to the smoky stuff — the EP’s cover (see above) features a giant, burning joint and the vinyl itself is colored “Herb Green” (as noted on the pot-leaf sticker also gracing the cover). The EP is a Record Store Day exclusive through the band’s label, Alive Naturalsounds Records.
The Buffs will be spending 4/20 in Dayton, performing an in-store at Omega Records to celebrate the release and RSD, but on Friday, Buffalo Killers perform a free show for Cincinnati fans at MOTR Pub with special guests, The Cincinnati Suds. Showtime is 10 p.m.
Click below for a huge list of Record Store Day exclusives from the RSD official site. (Click here for more, including the special RSD releases that will still be available post-Record Store Day.)
I hate festivals. I hate that they’re always at the peak of a heat wave or in the middle of a tornado warning. I hate that 90 percent of festival goers don’t understand the concept of deodorant. I hate the rushing around to multiple stages and the trying to decide who you like best when two awesome bands are both playing at 6 p.m I hate that my friends hate festivals, too, and always refuse to go with me. And I really hate the lack of cold beverages.
And yet Saturday afternoon found me in the middle of the crowd at Bunbury falling hopelessly in love with some band called “Imagine Dragons.”
It began during the second song I heard after arriving late to the Bud Light Stage. The lead singer, Dan Reynolds, bounced from one end of the stage to the other. The crowd around me sang along to songs I’d only heard once before, throwing their hands above their heads, voices to the sky and adoration at the stage. They practically worshiped a guy I’d only seen once in a small picture on Wikipedia. My love deepened when Reynolds spoke with absolute sincerity about how much it meant to see so many people singing along to their songs. Imagine Dragons hadn’t even performed in Cincinnati until their stop at Bunbury.
Then, as it often does, my heart melted at the sound of motorcycle boots and a palm on the chest as they thumped out a beat. Finally, my mug o’ love filled with melt-y heart goo, overflowed when the drummer, Daniel Platzman, flung himself off the stage after their set and bequeathed drumsticks to his adoring fans. These guys were perfect. Their music was made for screaming and dancing and the band members seemed so genuine.Nothing gets to me faster than a shaggy-haired dude saying a heartfelt “thank you” to his fans.
Thirty minutes into my time at Bunbury and I was madly in love.
It happens all the time, my falling in love at festivals In 1998, it was Hanson at a radio station festival in Miami. In 2001, it was a boy named Justin at the Buzz Bake Sale. Last year, it was The David Mayfield Parade at Appalachian Uprising and Avett Brothers at Memphis in May. This year I fell in love with Ben Howard at Bonnaroo and Imagine Dragons at Bunbury.
That feeling you get when you realize you’ve happened upon something amazing is pretty rare. Festivals, though, are like breeding grounds for that sensation. I’m certain that while music fans think festivals exist so they can see all their favorite bands at once, their organizers think festivals exist only for the purpose of making people gain new favorite bands.
Study any festival schedule and you’ll see what I mean. At some point during the day there will be about an hour of time where there will be three bands playing and you won’t have heard of any of them. You’ll call that, “dinner time.” However, as you wander along, looking for the perfect supper, you’ll also shuffle past three stages of random music. Almost inevitably the sound from of those stages will catch your attention and pull you across the grass to the barricade. Forty-five minutes later, you’re buying the band’s EP and mass texting your friends to tell them to check out this new band you just heard.
On Saturday I saw, among others, Manchester Orchestra, Gaslight Anthem and Weezer. (Weezer!) They were awesome, just as I’d expected. I flew from stage to stage, trying to catch as much of everything as possible. But the show that held my attention for the longest time was on the smaller stage and it lured me in while I was looking around for something to drink other than beer. The performance I’ll remember years from now won’t be Weezer, whom I’ve waited so long to see. It will be Imagine Dragons and it will be a memory of yet another time I fell in love.
In the words of James Hetfield (Metallica, y’all), “Nothing else matters.”
However, I’m supposed to report on the entire festival. So, here’s how the rest of my evening went something like this: I had Taco Azul for dinner and they were yummy beyond belief. I left for a bit to make my first ever walk across the Purple People Bridge to score photos of the fest from afar and I don’t regret that decision.
I spent a very long time wandering from one end of the park to the other in search of cold soda/pop, found none and I spent a hot second hoping that my poor editor thought to bring his Diet Pepsi from home. So, I bought a warm beer and immediately regretted that decision. I refused to use the porta-potties. I wandered by a DJed stage and considered how much better that section would be if it were more like Bonnaroo’s Silent Disco where everyone listened to music through headphones instead. Also, I briefly questioned the logic of scheduling the festival on the same weekend as a Reds game and the World Choir Games.
It was an awesome day. Fell in love, lost five pounds from sweating so much, and saw (here it comes, again) Weezer! And you know what else? I still don’t smell like a hobo.
Music Tonight: Ohio musical pioneers Rocket From the Tombs perform at the Southgate House with local greats Buffalo Killers and SS-20. Formed in 1974 in Northern Ohio, the pre-Punk legends might not get the credit of some of Punk's other earliest engineers, from New York and the U.K, but their importance in shaping the music (and the New Wave/Alterntaive/Indie music that followed) cannot be overstated. Like many great artists (Van Gogh, Poe, Kafka, etc.), RFTT weren't appreciated in their time, something not surprising considering they existed for only about a year and never released a lick of music. The band's split spawned two other wildly important bands — Dead Boys, featuring Stiv Bators and TFTT's Cheetah Chrome, and Pere Ubu with RFTT's David Thomas and Peter Laughner (who passed away in 1977). Both "new" (and distinctively different) bands took some Rocket tunes with them — Dead Boys claimed songs like "Ain't It Fun" and "Sonic Reducer," while Pere Ubu took with them "Final Solution" and "30 Seconds Over Tokyo" — all "Punk" classics. In the ’00s, RFTT compiled live and archival recordings so the band would finally have something in the record stores and, in the process, reconnected and, in 2009, the band convened to record its official "debut album" nearly 35 years after originally forming. Read Steven Rosen's interview with frontman (and Art Rock icon) David Thomas for this week's CityBeat here. Showtime tonight is 9 p.m. and admission is $15. Click below to listen to Rocket From the Tombs' rendition of "Sonic Reducer."
Hello. First stop, Blue Wisp, where I got carded. I was so excited to get carded, really. When you start getting older, you're easily amused.
I saw Cincinnati’s Syd Natanists here. Bring on the funk. Swarthy from the Swarthy Band was kicking ass, sitting in on bass, and the amazing Marvin Hawkins was hitting skins. Elliott Ruther rocked on guitar and vocals, and we had keys — someone tell me who was on keys — sorry brother, you were awesome. I got distracted by CityBeat Big Dog John Fox, who was standing tall next to me, looming over my shoulder and watching my every move. Actually, he was drinking a beer and grooving out, smiling. Yo, this band was tight. Play on players, you got my vote.
It's official — the Heartless Bastards are indeed still "from Cincinnati." When the band appeared on David Letterman's Late Show Tuesday night, Dave walked over at the end of their performance and asked, "You're from Austin?" Both Erika Wennerstrom and bassist Jesse Ebaugh corrected him by saying, "We're from Cincinnati."
On Sept. 19, Scruby released Boy Genius, which is his second Hip Hop mixtape in less than a year. In two weeks, Boy Genius is less than a thousand downloads from surpassing Best Foot Forward, which Scruby released last November.
Over the 10 months since officially entering the music scene, Scruby has taken off. While making Boy Genius, Scruby studied at Ohio State University and played a few shows. His biggest shows included opening for J. Cole at May’s BuckeyeThon Benefit Concert at OSU. Recently, he opened for Machine Gun Kelley and performed at Ohio University’s 10Fest.
Along with live performances, Scruby and his team at LandSea Media produced enough videos to keep fans entertained while they worked on Boy Genius.
The wait for the new music was worthwhile. I was instantly blown away at the quality of the music. It didn’t sound as if it was produced in a dorm room, but rather a professional studio. The audio was balanced and the vocals weren’t hidden under a blanket of bass.
As for the lyrics, Scruby uses a mix of wordplay and comedy in his songs, and it works. His tracks follow a life of love (or rather, lovemaking), success and partying. Although I find these themes to be a stereotype of rap, Scruby pulls off the stereotypical rap lifestyle with ease.
Mixtape opener “Double Time” features Cincinnati’s own DJ ETrayn. He welcomes fans to the musical journey before the song begins. The start of this track is reminiscent of Dumbfoundead’s “Green.” This song makes me want to lean my driver’s seat back and drive with one hand on the steering wheel while doing 50 in a 25.
What seems to be a fan favorite is “Fux With Me.” Crowds at 10Fest wore shirts donned with "I Fux With Cal Scruby." The song isn’t my personal favorite, but I enjoy the tour of people who "fux" with Scruby and how he doesn’t let it slow him down.
My personal favorite is the bonus track “Midwest City,” which is a tribute to his hometown, that city where they sin two times. This closes the album and leaves me wanting to hear more from Scruby.
Even though high school is long gone, I can’t go somewhere
without hearing about the guy who was super cereal about ManBearPig and now,
he’s super cereal about his music.