Cincinnati's beloved linebacker Dhani Jones will have an exhibit of his photographs on display at Country Club this Friday. Aside of crushing Steelers players, Jones is also the star of the Travel Channel series Dhani Tackles the Globe, in which he participates in the sports of local communities around the world in an attempt to immerse himself in their culture. His photography centers around his travels.
While I’m not quite a junkie, I am fairly addicted to the “33 1/3” book series from publisher Continuum. If you’ve yet to hear about the series, the books are each dedicated to one specific album that has gained some sort of notoriety in the music world. The records chosen are mostly cult favorites with a few influential blockbusters mixed in. Of the 60 books written so far (each by a different author), the series has covered Pet Sounds, Songs in the Key in Life, Exile on Main St. and Led Zeppelin II but also lower-selling but no less influential recordings by the Magnetic Fields, Belle & Sebastian, Guided By Voices, DJ Shadow and Sonic Youth. (For a great overview, pick up one of the two Greatest Hits volumes released by the publisher.)
The tomes vary in approach, with some offering strictly historical examinations, some more about the author’s personal relationship with the album and others a mix of both. Chicago-based writer and music industry vet Bob Gendron has written what will likely be the only Cincinnati-connected album in the series, telling the tale behind Gentlemen, the major-label debut and relative breakthrough album by The Afghan Whigs. I would argue that records by Over the Rhine and The Ass Ponys, among others, deserve the 33 1/3 treatment, but they’re likely not well known enough to pique the publisher’s interest. I’d also argue that my personal favorite Whigs’ album, Black Love, should get a book, but the chances of having two Whigs stories in the series are just as slim.
Gendron mostly plays historian, telling the story via research and numerous interviews with the prime players, including all of the Whigs (drummer Steve Earle included), Sub Pop employees (Gendron himself used to be one) and other friends and industry connections. He also does a fantastic job of recreating the state of the Whigs at the time, a band of tight friends on the brink of major success yet also inflicted with drug issues and internal and external squabbles.
The story of Gentlemen is bookended by the tale of the band’s beginnings and their breakup, all the way up through last year’s greatest hits album. There are a lot of interesting tidbits and revelations. Gendron gets singer/songwriter Greg Dulli to talk about his serious relationship with the mysterious “Kris,” the dissolution of which led to the album’s tortuous, heartbroken tone. Other fun facts: Dulli recorded several of the album’s lead vocal tracks in one night while flying on coke and trying to impress a girl; Steve Earle was booted for several reasons (alcohol abuse, meddling girlfriend, creative control issues, ego conflict); and labelmate Linda Ronstadt was allegedly furious about the album’s cover (depicting a young boy and girl lounging on a bed), apparently under the impression that it was a naked bellybutton away from being child porn. It was also interesting to read that one of the band’s main friends at Elektra Records was feeding information to the nasty, slanderous 'zine Fat Greg Dulli.
Gendron gets to about every detail of the album, from the cover art’s original inspiration and liner notes to the songs’ inspirations and recording. But he doesn’t just relay facts. He also talks about Gentlemen as an artistic statement, carefully dissecting and describing the individual songs’ and the general album’s mood, cause and effect. Not only does Gendron’s book offer the last word on Gentlemen, it also shows what a compelling story The Afghan Whigs’ entire career remains.
For Whigs fans or even just those who were around Cincinnati to witness the band’s rise from little underground touring unit to soulful, seductive Rock machine, the book is a fascinating remembrance. For those who’ve never even heard of the Afghan Whigs, the story is universal and dramatic enough to be read as a novel (save the music-critic-y song dissertations).
The story is so good, in fact, that it would be great to see Gendron expand it beyond the 113 pages of this book. As his Gentlemen proves, the Whigs are deserving of a long-form biography that tells the band’s complete story. Who knows? Maybe Gentlemen: The Movie isn’t totally out of the realm of possibility.
Too bad John Belushi isn't around to play Greg. And Jimmy Page is too old to play Rick McCollum.
— Mike Breen
Dear Diary: Friday Midpoint. Wearing my green Noctaluca T-shirt, my super cool non-leather jacket that looks like leather and my faded black jeans that are too big and too long — with my distracting, cool clothes choice, I was trying super hard to steer people away from the fact that I hadn’t had time to shower. Seemed to work. Yes.
(** UPDATE FOLLOWS AT BOTTOM.)
Mark Miller isn't a subtle guy.
Miller, treasurer of the Coalition Opposed to Additional Spending and Taxes (COAST), recently apologized publicly after using the anniversary of the Sept. 11 terrorist attacks to tweet a comment comparing the attacks to a political battle about the planned Cincinnati streetcar system.
Now Miller has posted an altered photograph on his Facebook page that some people believe is racist. The photo depicts a streetcar filled with young African-American males brandishing weapons. The streetcar has a sign that reads, “Banks & Freedom Center Only.”
Last month, the Ohio High School Athletic Association declared her ineligible for the current basketball season. It says her family’s move into the suburban school district was not for “bona fide” reasons; it was solely to play basketball. A lawsuit filed by Paige’s mother, Vivian Watkins, contends Withrow High School opposed the transfer and filed an inaccurate complaint that led to the ban. OHSAA has not yet filed its formal response in the case. Court officials told CityBeat its lawyer has been in touch with the judge and indicated it will fight to keep Paige from playing high school hoops.
The 18-year-old Paige is a 5-foot-7 guard who is one of Cincinnati’s top female athletes. A post-high school college scholarship might be hanging in the balance of the court case. She was all-conference for the past three seasons in the Cincinnati Metro Athletic Conference, the league which includes most of the city’s public urban high schools. (Clark Montessori and Walnut Hills are the two city schools that are in different leagues). Three years worth of Paige’s stats are available by clicking here.
Hamilton County Common Pleas Judge Robert Ruehlman has scheduled a Dec. 4 hearing on a request for a temporary injunction that would lift the OHSAA ban and allow Paige to play. The basketball player’s mom — who is acting as her own lawyer in the case — says legitimate family issues led to the move outside the city. The mom contends the OHSAA has refused to consider evidence showing her daughter transferred to Winton Woods because the mom’s marriage broke down and she moved into a suburban apartment with her two children.
“Mrs. Watkins looked for apartments that would fit her budget and a decent community to reside in,” the mom wrote in the lawsuit against the OHSAA. “She looked all over and finally found a place in May of 2012. Since Alexxus was moving with her it would have been hard to transport Alexxus back and forth to Withrow High School, so it was decided that Alexxus would attend Winton Woods High School which is closer to Alexxus place of residence.”
The state rule is designed to hamper schools from recruiting star athletes to pump up their sports programs. In the past, there have been allegations that players enrolled in schools where they did not actually reside, or had temporarily “moved” in order to improve a team.North College Hill was dogged for years over rumors it recruited O.J. Mayo and Bill Walker for its state championship hoops teams. Both are now in the NBA: Walker plays for the New York Knicks and Mayo is with the Memphis Grizzlies.
Movieline is back. Sort of.
Launched in 1989, the magazine was — like the beat it covered — a glossy, gossipy, A-list-laden Hollywood wank-fest full sometimes vapid, usually smart, almost always entertaining content. (I still have a copy of the issue with Wild at Heart’s Nicolas Cage and Laura Dern on the cover.
Republicans made a lot of fuss about Barack Obama’s associations during last year’s presidential campaign. Now that same standard might come back to haunt them.
Because Obama attended church where the Rev. Jeremiah Wright preached, the GOP told us it must mean that Obama shared all of Wright’s incendiary beliefs about the 9/11 terrorist attacks and the origin of the AIDS virus. Because Obama lived near ex-‘60s radical William Ayers and attended some of the same events, they breathlessly added that it must mean Obama approves of blowing up public buildings.
What, then, does that say about Rob Portman, the former GOP congressman who is the odds-on favorite to run for George Voinovich’s seat in the U.S. Senate in 2010?
There are concerts that are fun and there are concerts that kick your ass. If you were at the sold-out U.S. Bank Arena Friday night for the opening date of The Black Keys first headlining arena tour, you probably got your ass kicked.
First up, Arctic Monkeys caused a ruckus on the floor. Most (but not all) of the folks in the seats wandered around aimlessly or sat there, watching listlessly. There was certainly uproar in front of the stage, though. But as the English boys played, sang and sassed, the crowd in the arena filled in and loosened up. It helped that their lighting guys strobed the shit out of them, too. The seizure-inducing lights may have been Morse code for “Love Arctic Monkeys. Swoon over our accents.” If so, it worked. By the time Arctic Monkeys closed with “When the Sun Goes Down,” the crowd on the floor had nearly doubled and, at the very least, those in their seats were nodding their heads and smiling. Those boys put on a fun show.
After spending the entire intermission only getting halfway through the beer line, nearly everyone gave up and fled to their seats when The Black Keys began. Not that anyone sat, though — they were all too busy dancing and freaking out. Strictly speaking, The Black Keys may not be from Cincinnati but it’s safe to say we treat them like hometown boys, anyway. Dan Auerbach (singing/guitar) even recalled playing Southgate House a few years ago. Upstairs. In the small room.
From a titanic disco ball that lowered from the rafters (for only one song) to the graphics on the screens behind them, the show was far different from their days playing tiny rooms. With each beginning there was an outburst of recognition. The middles of songs gave way to dancing, flailing and air guitar (or drums) and each ending note was drowned out by thousands of shrieks, whistles and catcalls.
Two things were learned last night. First, if you have any doubt about the amount of noise that one guitar and a set of drums can make, go see The Black Keys. Their albums don’t do justice to the sheer volume Auerbach and Partrick Carney (drums) are capable of producing. Second, you haven’t lived until you’ve heard an entire arena try to whistle.
If you weren’t there, you missed the best kind of Friday night possible. If you were, you’re probably already making plans for the next time The Black Keys come to town.
Have something to say that’s more significant about what’s going on in the world than where to find the cheapest beer or what the woman next to you is wearing? Then put those thoughts down on paper and submit them to the 2009 annual Book of Poems and Drawings on Peace and Justice.
The first step is a call for poets to focus on the themes of peace and justice. Here are the pesky details:
* Poet may submit up to three poems.
* All submissions will be considered. The editors will be looking for quality, inclusiveness, and appropriateness to the themes of peace and justice.
* If space becomes limited, priority will be given to poets not published in previous books. (This is the sixth annual book.)
* Poems selected will be illustrated in black and white by Greater Cincinnati artists (one drawing per poet).
* Poems and illustrations will be printed in For a Better World 2009 slated for publication in May 2009.
Send submissions as “Word” attachments (or in full text) by e-mail or by U.S. mail (on a CD) to:
Saad Ghosn: firstname.lastname@example.org or 216 Erkenbrecher Ave., Cincinnati, OH 45229
Submission deadline: Feb. 25, 2009
The book will be launched and available for sale at “SOS ART” and “poets included in book will be invited to read their poems at SOS ART,” according to publisher and event organizer Saad Ghosn.