What's up with David Fincher? After giving us only one film (2002's Panic Room) in the eight years following 1999's gleefully subversive, zeitgeist-capturing Fight Club, the notoriously meticulous filmmaker is back with The Social Network, his third effort in four years following 2007's excellent Zodiac and 2008's out-of-character — it's essentially a straight-up love story — The Curious Case of Benjamin Button. And he's not done yet: Fincher's American version of The Girl with the Dragon Tattoo is currently in production and will be out by the end of 2011.
Not that we'd ever want to steer you away from the pleasures of the movie house, but this weekend we won't be upset if you forgo the new cinematic releases — which, for the second straight week is rather robust — to hit the MidPoint Music Festival, which is also offering a few documentary films to complement its smorgasbord of musical options.
I've emerged from the darkness. After catching nearly two dozen films in six days at the Toronto Film International Film Festival, I've finally returned to life as we know it, still buzzing more from the gallons of coffee I ingested than TIFF's cinematic offerings.
The fall movie season gets underway this week with a curious quartet of options: a languid character piece about a mysterious hit man played by George Clooney; a reasonably effective romantic comedy featuring a pair of real-life lovers; a B-movie homage packed with a crazy-quilt cast; and an intriguing documentary about our ill-advised adventure in Afghanistan.
Before a recent Saturday matinee screening of Alexandre Aja's Piranha 3D — which, for the record, is a unabashedly bloody excursion into B-movie mayhem — I took in trailers for no less than five new 3-D movies: Resident Evil: Afterlife, Tron: Legacy, Green Hornet, Jackass 3D and Saw 3D, all of which and more (including the next installments in the Harry Potter and Chronicles of Narnia series) arrive on the heels of this summer's avalanche of like-formatted fare.
The final episode of At the Movies aired last weekend, marking the end of an era that began more than 30 years ago.
Featuring a pair of geeky Chicago-based film critics — Roger Ebert from The Sun-Times and The Tribune's Gene Siskel — the long-running show debuted as Sneak Previews in 1975 before switching to At the Movies in 1977. The premise was simple: two people talking about that week's releases with passion, intelligence, wit and personality.
With the rise of Netflix, Redbox and ever-expanding streaming-video options, old-school brick-and-mortar video stores are likely to be extinct by the end of next year. Say what you will about the evils of a behemoth like Blockbuster, but this can't be a positive development. And I don't say that from a purely nostalgic point of view — though that's part of it.
By now I typically unveil my favorite movies from the first half of the year. Yet looking back on the first six months of 2010, only two films —Lee Unkrich's Toy Story 3 and Banksy's Exit Through the Gift Shop —have discerned themselves as unqualified contenders to make my year-end list.
The antithesis to the bloated, big-budget commercial fare that dominates the summer multiplex, the annual 48 Hour Film Project has done exactly what its creators envisioned when they founded it in 2001: empower filmmakers of every stripe and experience level to get off their asses and create something from nothing.
The worst summer movie season in memory gets a kick in the ass this week with the opening of a pair of small-scale, Sundance-approved art-house gems: the Duplass brothers' Cyrus, an unexpectedly touching, hilariously awkward comedy featuring John C. Reilly, Marisa Tomei and Jonah Hill in an odd love triangle of sorts, and Debra Granik's Winter's Bone, a tension-laced thriller that is likely to stand as young actress Jennifer Lawrence's breakout role.