Editor's Note: Brian Penick of local music promotions company The Counter Rhythm Group is guest blogging for CityBeat monthly to provide a behind-the-scenes look at his journey to release his interactive industry guidebook, Musicians’ Desk Reference.
We are very much in the trenches right now! Keeping afloat amongst a sea of deadlines is a feat in and of itself. And while we typically do not doubt ourselves here at The Counter Rhythm Group, we are quite impressed to bear witness the amount of information being processed within the schedule we have upheld.
This past week I did something that I never thought I would do with Musicians’ Desk Reference — I printed it out! Well, part of it at least. I was simply amazed at the amount of pages and text that printed, so much that I had to refill the printer several times with new reams of paper and even with new ink cartridges.
Through several stages of copy editing and revisions we are finally starting to show how massive this project really is. I knew somewhat early on that it was going to be a wealth of information and documentation (as demonstrated by my inability to stick to the five-page limit set by my high school teachers), but this is far beyond what I imagined.
The interesting thing about all of this — beyond the content — is the fact that the entire workload is customizable to the user. If an artist wants to check every item on a list to recall all potential information, they could be in for several nights’ worth of preparation and work. However, the opposite is also true, as we have built MDR to allow both the beginner and the full-time touring musician to grab a single doc on the go with minimal effort. Maybe I have just been staring at the same set of screens for too long, but it still seems impressive after working on it for over two years!
The rest of the month will see us continually chopping away at content and revisions, plus document sign-offs and content uploads. We are also starting to work out some specifics for the national release and promotional campaigns, which is enough excitement to keep me going like a kid on the night before Christmas morning.
Every day that this project gets closer to release, the potential impact seems to grow exponentially and that is reward enough keep us awake and help pull us through all of these longs days and late nights.
I am going to make this my shortest blog entry yet, because there is still so much work to do. Unfortunately, I have had to remove myself from much of the live music world that I enjoy so very much over the past few months. While this trend will likely continue through most of the summer for me, I hope that you all are able to get out and support the local music scene.
We are very fortunate to live in this city with all of its talent and available venues. While you may not be able to contribute as much to the music industry and independent artists around here as you would like to, a simple start is to go see a show, buy a piece of merch and tell an artist “thank you” for doing what they do. The music industry is not an easy place to find success. We are trying to create a platform that informs and eases the process, but it cannot move forward without the support and contribution from the fans.
Thank you for reading – now go see some live music!
EdenSong, the long-running summer concert series presented by the Queen City Balladeers, kicks off this Friday in Eden Park, but not in its usual outdoor spot at the Seasongood Pavilion.
For the 2013 series, EdenSong is moving just up the hill and indoors — inside the Cincinnati Art Museum, to be exact. The series — now dubbed ArtSong — runs every Friday through Aug. 2 and, as usual, features an excellent collection of primarily local Americana/Roots music performers.
The concerts will take place in the museum’s Fath Auditorium. Seating is more limited, so organizers advise arriving earlier than the 8 p.m. start time. Attendees are asked to enter the museum’s Dewitt entrance on the side of the building, in lieu of using the front doors.
The EdenSong concerts remain free (donations are, of course, welcome) and there is free parking on the museum grounds. This Friday's opening concert features the impressive lineup of Shiny & the Spoon, Ma Crow & the Lady Slippers, Lisa Biales, Anachrorhythms and Bob Kotz.
For the July 19 show, you can catch Ricky Nye, Wild Carrot & the Roots Band, Jim’s Red Pants, Steve Bonafel & One Iota and Ellie Fabe. The lineup for July 26 features Anna & Milovan, Red Cedars, Silver Arm, Greg Schaber and Calamity Rain. And for the Aug. 2 closer, you'll be able to see/hear The Rattlesnakin' Daddies, Bromwell-Diehl Band, the Hertz Brothers, Ann & Phil Case and John Ford.
For more info, visit queencityballadeers.org.
In the late ’70s, Punk Rock and New Wave were blossoming in New York City. But those genre tags were just a convenient labeling device, a catch-all that didn’t take into consideration all of the varied influences artists were bringing with them under that umbrella of Punk or New Wave. Bands would drag things like Rockabilly or Disco into their audio realm and craft their own new sound out of it, with barely any fans blinking an eye, let alone screaming, “That’s not Punk!”
Cincinnati trio Animal Circles bring that sort of kitchen-sink approach into their compositions, craftily blending together Surf Rock, Punk, Roots/Folk/Country sounds, Rockabilly and other styles into their own distinctive sonic smoothie. With the access people have to every type of music these days, it’s a wonder why every band doesn’t have Animal Circles’ sense of eclectic wonderment.
The band celebrates the release of its debut album, Eva Lee, Saturday at Northside Tavern. The free show also features Bloomington, Ind., rockers Thee Open Sex and local Black Sabbath tribute, Druid Piss.
Animal Circles’ variety and sense of dynamics make Eva Lee a thoroughly entertaining from start to finish. From the full-throttle burner “Brooks and Then Done,” with its speeding-out-of-control-train shuffle and rumbling Surf guitar licks (a consistent on the record) to the anxious, Jack-White-goes-to-the-beach vibe of “Squid Attack” to the vintage Country-flavored rocker “Southern Bell,” the band keeps your interest, not just with its unique ingredients, but also its strong sense of songwriting and melody.
The “Surfin’ Space Cowboy” approach has the potential to get old fast, so it’s to AC’s great credit that Eva Lee is such a consistently compelling listen. This is no novelty act.
Here is the Eva Lee track "Life on the Bonzai Pipeline."
Singer/songwriter/musician Joe Hedges — known for work with his band July for Kings, as well as some great solo ventures — is collaborating with visual artist Jiemei Lin tonight at downtown’s Contemporary Arts Center as part of the museum’s series, "The Living Room." (Hedges is also a visual artist, creating paintings, web art and installations.)
The twosome’s project, “Scroll Improvisation,” features Hedges creating music on the fly with a mix of live and recorded material, while Lin crafts a large “scroll drawing” on the floor. According to the press release, “The piece will investigate the function and history of narrative Chinese scrolls in a contemporary fashion while exploring the idea of the western living room as a venue for improvisational ambient and Folk music.” (Lin is a native of China.)
More from the CAC: "In the west, the living room has long been a venue for intimate performances of music for family and friends using inexpensive hand-held instruments. Traditional Chinese living rooms contain a scroll featuring calligraphy and painting. Both western acoustic music and eastern paper scrolls tell stories, reinforce family identities and values. Scroll Improvisation investigates the relationship of music and art, narrative quality of Chinese scrolls, notation and recording, cultural identity and control."
Monday’s special performance begins at 8 p.m. and is free and open to the public. For more information, visit contemporaryartscenter.org.
The free, every-Friday MidPoint Indie Summer (MPIS) series concerts at Downtown’s Fountain Square have featured some eclectic music over the past few years, everything from Bounce and Electro to Roots Rock, World music and Pop. But this Friday, the series goes where it has yet to go, presenting the very first all-Punk MPIS concert.
Though Punk is known for its quick bursts of songs, it’s a mere coincidence that this Friday’s free show features four acts (as opposed to the usual three per show). The quartet of bands playing offers a nice cross-section of Greater Cincinnati’s Punk scene.
The Pop/Punk crew BoyMeetsWorld opens the concert at 8 p.m. After coming out of the gates fast (in just its first year as a band, the group won first place at the popular “battle of the bands” competition presented by Forest Park’s The Underground), the hooks-heavy BMW released its debut EP, Do What’s Best for You, this past April. (The band is performing acoustically at the Microsoft store at Kenwood Mall this Saturday at 4 p.m.)
At 8:45 p.m. The Lockland Brakes take over the MPIS stage. The punchy, melodic band just played its first show and released a three-song EP last month. But they’re far from “green,” with a lineup that includes past/present members of Situation Red, Newport Secret Six and DAAP Girls.
The excellent, raucous trio The Dopamines, which spent a chunk of its spring touring Europe, perform at 9:15 p.m. The hard-touring band has put out several excellent releases, including last year’s stellar Vices, which caused JadedPunk.com to declare, “For a bunch of goddamned drunks, The Dopamines sure can write some catchy hooks.”
Headlining the night at 10 p.m. is Loudmouth, a high-energy local five-piece that mixes power and melody in the vein of Screeching Weasel, NOFX and No Use for a Name. Loudmouth digitally released its latest effort, the eight-track Future Boredom EP, in late March.
For more on the MidPoint Indie Summer concerts — and all of the PNC Summer Music Series concerts — visit myfountainsquare.com.
Veteran Cincinnati bass wizard Freekbass (of the band Freekbass, as well as Freekbot, the Kelly Richey Band and Headtronics) is the first Master Class leader to be announced for The London Bass Guitar Show 2014. The event (March 1-2 at the Olympia Conference Centre London) will draw some of the world's greatest bassists to London to "promote the art of bass playing to the general public." The show will showcase new bass products and gear, plus feature clinics and master classes throughout the event.
Past London Bass Guitar Show participants include Mark King, Gary Willis, TM Stevens, Paul Turner, Marco Mendoza, Yolanda Charles, Doug Wimbish, Neil Murray and Dave Marks, Peter Hook, Igor Saavedra, Wojtek Pilichowski, Guy Pratt, Andy Irvine, Jonas Hellborg, Grog & Die So Fluid, Malcolm Joseph, Andrew Levy, David Ellefson, Jah Wobble, Lee Rocker, Nate Watts and Phil Mulford.
Here's some footage from last year's event:
The bassist is gearing up for the next album (click here to download Freekbass' album Concentrate for free) from his eponymous band. Freekbass is working on the new album at Lexington's Shangri-La Studios with Duane Lundy, who has done work with My Morning Jacket, Ben Sollee and others. The album will reportedly feature special guests DJ Spooky, Adam Deitch (a producer/drummer who has worked with everyone from John Scofield to 50 Cent) and Steve Molitz (Particle, Headtronics).
This Wednesday, Freekbot (Freebass + DJ/beatmaster/electronicist Tobotius) will perform a recently announced show at Longworth's in Mt. Adams, 9:30 p.m.-midnight.
In honor of its 100th birthday and its forthcoming plans to renovate it into a music venue/"multi-use events hall," the owners of the Woodward Theater (1404 Main St., Over-the-Rhine) will show off the new space tomorrow at 7 p.m.
The Woodward was purchased by the owners of MOTR Pub, with help from the Cincinnati Development Fund, this past February. A grand opening seems a bit down the road still, but tomorrow's unveiling is a great first step and more information about the opening will be discussed.
"Funding of the planned $750,000 Woodward renovation project is presently being pursued with Hamilton County Development Company," the press release states. "Target opening date, operational details and benefit to the community will be discussed at the Woodward’s 100th birthday June 18 before TUESDAY’S TURN ON of the Woodward Theater’s 52 façade light bulbs at sunset!"
Directly after the "Turn On," the party moves across the street to MOTR, where nationally acclaimed Cincinnati singer/songwriter/producer/mult-instrumentalist Brian Olive will play a free show.
You can keep tabs on the Woodward's progress through its Facebook page here.
It was the keen eye of photographer and close friend Chuck Madden who first caught the clues on Walk The Moon's Facebook page that seemed to indicate the band would be doing something special for their fans at Bonnaroo this weekend.
On little more than a hunch Chuck insisted that we check out "Kaleidoscope Space Tribe" at 3 p.m. on the Sonic Stage. Sure enough, at five past the hour WTM bounded out on stage and proceeded to artfully bash through a 30 minute set of Talking Heads songs including "Girlfriend Is Better," "Burning Down The House," "Psycho Killer" and more. Considering the huge crowd they played to just two nights ago in the Other Tent, this performance was an ultra rare treat for the clever and faithful two or three hundred fans who figured it out.
Dwight Yoakam seemed mildly irritated at Saturday's 4 p.m. press conference. Perhaps sensing that the Bonnaroo press corps might be too young to know his story, Yoakam quickly sketched a casual crash course on his career dating back to the ’80s. Rather unexpectedly, Dwight struck up a rapport with fellow panelist, comedian Reggie Watts, as the two of them discussed their mutual love of Hee Haw.
Dwight's 7 p.m. performance in That Tent began with an eight-song medley during which the band never paused for a breath, rocking through one continuous segue that included the songs "Please Please Baby," "Little Sister," "Streets Of Bakersfield" and Buck Owens' classic, "Act Naturally."