MPMF news and musings: Three-day wristbands are running low (get 'em here now, quick-like). If you miss your chance (or are broke like me), there are ways to win freebies. (It's the luck of the draw, so don't bank on it, but definitely worth a shot!)
The fine folks at local club conglomerate 4EG (which operates The Pavilion, The Lackman, Keystone, Righteous Room and several other bars around town) is giving away 10 MPMF 3-day passes. Click here for details. And seek out the CityBeat booth at Oktoberfest this weekend, harass our employees and sign up for s chance to win a pair of fancy-schmancy VIP tickets. (You can find the official Oktoberfest guide in the CityBeat on streets right now.)
And now, with the countdown down to just seven days, here are our daily MidPoint Music Festival 2012 picks …
Laetitia Sadier (France)
Fans of French Post Rock favorites Stereolab need no introduction to Laetitia Sadier. She was the co-founder of Stereolab and also founded Monade in the mid ’90s. Along the way, she was also a frequent collaborator, working with everyone from The High Llamas and Blur to Common and Mouse on Mars. In 2010, Sadier went solo, releasing The Trip on Stereolab’s U.S. label, Drag City Records. This summer, she followed up the record with Silencio, a dynamic album that runs from lush, orchestrated pieces to quirkier electronic Pop to warm Tropicalia, all driven by Sadier’s trademark sensual coo.
You'll Dig It If You Dig: Nico, Jane Birkin, Stereolab. (Mike Breen)
Laetitia Sadier performs at the Contemporary Arts Center on Thursday, Sept. 27, 11 p.m. Here's her new video for the Silencio tune "Find Me the Pulse of The Universe."
Denney and the Jets (Nashville, TN)
Denney and the Jets may be one of Nashville’s most mysterious bands. A Google search reveals almost no biographical information about them, just plenty of references to the quote on their Tumblr page. (“One warm night in July an angel came to me and said, ‘There is nothing I can do for you. Nashville is dead and so is Rock ’N Roll.’ ”), which brings up an interesting question: Do you need to know anything/everything about a band to enjoy their music? As far as Chris Denney and his Jets are concerned, the answer would seem to be a resounding “Hell no.”
UPDATE: Since the official guide went to press, we dug up (i.e. got a press release with) info on the group. From their PR:
Frontman Chris Denney began writing songs in the Spring of 2008, recruiting Wes Traylor (Natural Child), and Jake and Jamin Orrall (of JEFF The Brotherhood) to be the very first of his Jets. After each member parted ways to pursue their own individual careers, Chris signed on Daniel Pujol (eponymously of PUJUOL) and Joe Scala. After Pujol's departure, Denneysolidified the lineup by adding longtime friend Sean Cotton on lead guitar, Joe's little brother Evan Scala and most recently bringing in Ric Alessio on keys and sax. Denney and The Jets have turned songwriting into a full realized communal process and have grown in to one of the South's finest.
After releasing a 7" single and EP (a limited Cassette only release) on JEFF The Brotherhood's Infinity Cat Recordings, the band returns with their new 5-song Self-Titled EP on Miami, FL-based label Limited Fanfare Records -- Recorded in the Spring of 2012 with Producer/Engineer Andrija Tokic (Alabama Shakes, The Parting Gifts) -- with "Close The Blinds" recorded at Cleft Music by Nashville legend, Loney Hutchins. The result is an insanely fiery batch of tunes that Nashville Cream calls "[Straight-up rock and roll music] — not bastardized, compromised, corrupted or contaminated."
Dig: Bob Dylan and Paul Westerberg get drunk on bathtub gin and listen to Chuck Berry and the Beach Boys. (Brian Baker)
Denney and the Jets play MidPoint on Saturday, Sept. 29, at 11 p.m. at the Cincinnati Club. Dig the vintage swagger on this track, "Fun Girls."
LOCAL LOCK PICK
Jody Stapleton and the Generals (Cincinnati, OH)
Jody Stapleton has always had an ear for the past and a finger on today's pulse. With the Stapletons a decade ago, Stapleton made Psych-fueled Garage Rock that sounded vaguely phase shifted from another time and yet completely fresh, a talent that earned them CEA awards for Best New Act and Rock Band of the Year in 2001 and 2003 respectively. With his new outfit, Jody Stapleton and the Generals, Stapleton is similarly tapped into bygone days, this time the sunshine-on-your-shoulder days of '70s AM radio Pop, combined with a modern sensibility and approach.
Dig: Paul Westerberg listening to a transistor radio tuned permanently to 1973. (BB)
Jody and the Generals perform Thursday, Sept. 27, at Main Event, 11 p.m.. Here's a few tunes from the band's recent debut release.
Click here for full MPMF details via the official MidPoint site.
The Afghan Whigs kicked off their upcoming U.S. tour — which brings them to back to their hometown twice, at Bogart's on Oct. 25 (sold out) and Dec. 31 (tickets on sale to the general public tomorrow through ticketmaster.com) — by performing on ABC's Jimmy Kimmel Live last night.
The Whigs performed "My Enemy," Track 2 on their masterpiece, 1996's Black Love, and played the show off with "Uptown Again" off the band's swan song, 1965, from 1998. And, once again, they sound better than ever. You can watch the full episode here.
And here's "Uptown," in full (only a snippet made it on the air):
The group performed a "mini concert" for those assembled at Kimmel's studio in Hollywood. The great Whigs fan site Summer's Kiss reports that the Whigs played Gentlemen track "Fountain & Fairfax" and the Black Love song for which the site is named, "Summer's Kiss." Kimmel's official site sometimes posts bonus songs, so if/when we find good footage, we'll update this post.
MPMF news and musings: The official MPMF.12 "Kick Off Celebration" is set for Wednesday, Sept. 26, in the Hanke Building just off Main St. (215 Michael Bany Way, between 12th and Reading). The free, open-to-all (21-and-up) party starts at 6 p.m. and will feature music from DJ Ice Cold Tony (who will be laying down some mash-ups featuring MPMF artists) and great Cincy rockers 500 Miles to Memphis will blow the rest of the roof off with a set starting at 9 p.m. There will be giveaways, free Vitaminwater, free Eli's BBQ (while it lasts) and a chance to win a pair of VIP tickets to the CityBeat-sponsored New Year's Eve blow-out at Bogart's featuring music by The Afghan Whigs.
And now, with the countdown down to just 8 days, here are our daily MidPoint Music Festival 2012 picks …
Tennis (Denver, CO)
It’s been a breakthrough year for Colorado Indie trio Tennis, starting with the winter release of its stellar (and highly anticipated) sophomore full-length, Young and Old, on Fat Possum Records. After touring its comparatively lo-fi, critically-lauded debut Cape Dory (crafted by core duo Alaina Moore and Patrick Riley), the duo took its vintage Pop songs into the studio with The Black Keys’ Patrick Carney, who helped give the songs a more direct punch (resulting in the addition of a drummer to the fold). Where acts like Best Coast and Jesus and Mary Chain rewire the classic Pop of the ’60s, Tennis write songs that often recall the ballads of ’50s Pop, something more evident and effective on Young and Old, which charted well and performed exceptionally at college radio. The band’s songs have been used on TV shows like Grey’s Anatomy and are becoming favorites in the fashion world, and they’ve also made a fan out of the Republican (one of "the good ones") daughter of an almost-President, Meghan McCain, who tweeted her joy that Tennis had become the soundtrack to her summer this earlier this year.
You'll Dig It If You Dig: Lesley Gore, Dusty Springfield, the house band for Mad Men (if they had one). (Mike Breen)
Tennis performs at the Know Theatre on the Bioré Strip's Main Stage Saturday, Sept. 29, at 11:45 p.m. Here's Tennis' clip for their swoony tune "Pigeon."
The Bonesetters (Muncie, IN)
Bonesetters don’t necessarily sound like a lot of bands but they fit well in the Midwestern construct of talented groups crafting a complex sound out of relatively simple ingredients. Sparse guitar melodies, both plugged and unplugged, are appointed with spartan rhythmatism, unexpected instrumental counterpoints (mariachi trumpet, keening violin, gentle vibes, wheezing harmonium) and a quiet sense of Indie Rock urgency on Savages, Bonesetters’ full-length debut from late last year. It’s easy to understand why Muncie loves Bonesetters, it’s harder to understand why they don’t play here all the bloody time.
Dig: Clem Snide, My Morning Jacket and Gomez making high lonesome carnival Surf Rock for emo hodads. (Brian Baker)
The Bonesetters perform Thursday in Washington Park at 5 p.m. Here's the band's debut album, which you can sample below, then download the whole shebang for free.
LOCAL LOCK PICK
The Dukes Are Dead (Cincinnati, OH)
Rock & Roll
If you’re a local Rock fan who has yet to catch a live show from exciting Cincinnati foursome The Dukes Are Dead, you’ve missed out on some great shows … and you only have this one more before The Dukes Are Dead are dead. In just a couple of years — first as “The Dukes,” before adding “Are Dead” to avoid confusion with the 17,000 other bands with the same name — the foursome amassed a loyal following and even got into theater, becoming the house band for the local staging of “Rock musical” Bloody Bloody Andrew Jackson. Though the band’s last show (sure to be a debauched blow-out) is this one at MPMF, there is hope for fans — in their farewell note on Facebook, it was announced that the members will each continue to pursue making music in the future.
Dig: No-nonsense Rock & Roll, bands with names that turn out to be prophetic. (MB)
The Dukes Are Dead's final show is Saturday, Sept. 28, at 8:30 p.m. at The Drinkery. The kind gentlemen of The Dukes are also giving fans some final recorded music as a parting gift — sample below then click on the player to download your free copy of the five-track EP, Before We Died.
Click here for full MPMF details via the official MidPoint site.
MPMF news and musings: ArtWorks/Springboard Cincinnati is once again handling one of the cooler aspects of the "MidPoint Midway" (the fairgrounds-like area connecting Main to Vine streets, with food vendors, a music stage, poster expo and lots more). Last year's MidPoint Music Festival saw the introduction of the "Box Truck Carnival," where numerous local artists and organizations turned nondescript moving trucks into their own little worlds (last year, there was a theater, a skate park and a Putt Putt course).
This year, Springboard is profiling the trucks on its website leading up to the big event next week. So far, they've introduced the Art for All People truck, "Art and Music Box," where you'll be able to add your own creative paint job, and the truck by OTRimprov, which will feature improv games and "on-the-spot workshops" for aspiring UCB comedians (or just the curious). Click here to check out these and other "fun in a box" experiments.
• The other big news of the day is that one of the bigger headlining acts, Sleigh Bells, has been forced to cancel its appearance at Washington Park during the festival. The band was slated to headline the park stage at 7 p.m. on Saturday, Sept. 29. The full lineup for Saturday is up in the air, but will be retooled with additional acts. Expect an announcement soon.
If Sleigh Bells was the only act you wanted to see at the festival and you'd like a refund, here's the official details: "Customers who have purchased the Washington Park Saturday Ticket may choose to either keep their tickets, or may receive a refund by contacting email@example.com by the end of the day Sept. 21st. If you elect the refund, only the cost of the ticket is refunded, not the shipping or service fees. No refunds will be issued for All Music Access Passes."
Sleigh Bells guitarist Derek Edward Miller tweeted that he fractured his arm while skateboarding in Florida recently, causing the cancellation of MPMF and a few other dates.
And now, with the countdown down to just 9 days (single digits!), here are our daily MidPoint Music Festival 2012 picks …
The Walkmen (New York, NY)
A dozen years since members of Jonathan Fire*Eater and the Recoys coalsced into the formidable Walkmen? It hardly seems possible. But then, neither does the band's almost supernatural string of confusingly brilliant albums, all crafted by the same line-up that began at the dawn of the new millennium; the sparse, atmospheric jangle of Everyone Who Pretended to Like Me Is Gone, the intense and visceral Bows + Arrows (featuring their signature "The Rat"), the quiet beauty of A Hundred Miles Off, their weirdly wonderful cover of Harry Nilsson's Pussy Cats, the powerful You & Me, the fabulous Lisbon, and their latest, Heaven, widely acknowledged as their best album to date, a phenomenal accomplishment for a band in their 13th year. Long may they walk.
You'll Dig It If You Dig: The Strokes if they'd been guided by Bob Dylan, Bob Dylan if he'd been backed by The Strokes. (Brian Baker)
The Walkmen perform Saturday, Sept. 29, on the Grammer's/Dewey's Pizza Stage at 9:15 p.m. Here is the band's music video for "The Love You Love."
Holy Ghost Tent Revival (Greensboro, NC)
When a band lists the Rolling Stones and Glenn Miller as primary influences, there’s a good chance their musical pegs don’t fit the standard genre holes. So it is with Holy Ghost Tent Revival, a North Carolina sextet that redefines eclectic, veering from Ragtime and Hot Jazz to an electric brand of Swing and the kind of funky, rootsy Country Rock that would have made Levon Helm grin and stomp. You don’t often see the Charleston breaking out in the middle of the mosh pit, but anything is possible at a Holy Ghost Tent Revival gig. Be prepared.
Dig: Squirrel Nut Zippers explore their secret love of the Band, Blood Sweat & Tears and Burt Bacharach. (BB)
Holy Ghost Tent Revival performs Saturday, Sept. 29, at Japp's at 11:30 p.m. Here's a preview of the band's just-released album Sweat Like the Old Days.
LOCAL LOCK PICK
You, You're Awesome (Cincinnati, OH)
The duo You, You’re Awesome has been the Cincinnati Indie music scene’s go-to Dance music favorites for the past few years, blending live drums with quirky, playful soundscapes that call back to earlier electronic music pioneers. As EDM and other forms of Electronica have grown in popularity, a lot of artists seem to have a hard time figuring out how to distinguish themselves. But You, You’re Awesome doesn’t have that problem, emerging with a versatile sound that isn’t based on any one trend. The group released several EPs before last year’s debut full-length, but YYA is most fun to experience in a live setting. You can dance if you want to — everyone else will be.
Dig: Daft Punk reborn as Saturday morning cartoon characters. (Mike Breen)
You, You're Awesome are slated to play at 5 p.m. on the Washington Park stage on Friday, Sept. 28.
Here's the track and visuals for YYA's "Yippee Ki Yay Mister Falcon." Click below for a playlist featuring numerous YYA clips.
Click here for full MPMF details via the official MidPoint site.
MPMF news and musings: Wanna be a volunteer for this year's MidPoint Music Festival? The great local volunteerism org Give Back Cincinnati is handling this year's vital MPMF helpers. Click here for details and perks.
And now, with the countdown down to just 10 days, here are our daily MidPoint Music Festival 2012 picks …
F.Stokes (New York City, NY)
With a poetic/spoken word approach to his smart lyrics and a musical approach informed by his eclectic tastes (he draws influence from everyone from Patti Smith and Johnny Cash to Miles Davis and Kanye West), F.Stokes is far from your stereotypical Rap artist. Though modern and relevant, Stokes’ unique approach is a throwback to the Native Tongues movement in Hip Hop during the late ’80s/early ’90s, in that he seems to be forging a creative path by following his own eclectic muses and not by following the blueprint for whatever it is that makes a Hip Hop song a hit nowadays. His lyrics can be raw and real, but he never indulges in the stereotypical Rap crutches (glorifying bling, guns, etc.). Like Kanye West minus the ego and with less epic ambition, F.Stokes creates his own alternative universe for Hip Hop, one that praises creativity and innovation over all else. Stokes’ new EP, Love, Always, was recorded in various spots across Europe, where music fans have embraced his originality and soulful style.
You'll Dig It If You Dig: Kanye at his most artistic, Blackalicious, The Pharcyde. (Mike Breen)
F.Stokes performs at the Blue Wisp Jazz Club on Friday, Sept. 28, at 12:15 a.m. Here's a clip for Stokes' tribute to small towns, "My Simple."
Ami Saraiya and the Outcome (Chicago, IL)
Classically trained and wonderfully quirked, Ami Saraiya reprises her 2009 solo debut, Archeologist, with Soundproof Box, her first album offering equal billing to her backing band, the Outcome. Pinning down Saraiya’s sound is like describing Jackson Pollack’s work to an infant, but if you can conceptualize Zooey Deschenel fronting the Squirrel Nut Zippers as the carnival soundtrack to a Kate Bush PowerPoint presentation, you’d be in the weirdly appropriate ballpark.
Dig: A cabaret gypsy Jazz Pop revue in tribute to Edith Piaf featuring Regina Spektor on stage and Ani Di Franco in the orchestra pit. (Brian Baker)
Ami and Co. perform Friday, Sept. 28, at the "Biore Strip"/Know Theatre's second stage starting at 10 p.m. Here's the group's video for the track, "I'm Pregnant."
LOCAL LOCK PICK
Culture Queer (Cincinnati, OH)
Known for their quirky, eccentric, electronics-infused and endlessly catchy take on Indie Pop and engaging live shows that incorporate various video art backdrops (three of the members work in film), quartet Culture Queer has released some of the best albums of the past decade or so of Cincy music. This October, the band returns with Nightmare Band, a rich, kaleidoscopic stunner-of-an-album that’ll be backed by a national promo push that should do wonders for exposing one of Cincy’s best kept musical secrets to the rest of the universe.
Dig: The Rentals, Devo, Eels, Fruit Pop with all the flavors of the rainbow. (MB)
Culture Queer performs Friday, Sept. 28, at the Cincinnati Club at 8:15 p.m. Here's a fresh new video from the band's upcoming album, the title track "Nightmare Band." The album hits the streets (cyber and otherwise) on Oct. 16 with a release party around the same time (stay tuned).
Click here for full MPMF details via the official MidPoint site.
MPMF news and musings: The official MidPoint Music Festival guide (on the streets of Greater Cincinnati until Wednesday, then resurfacing when it's MPMF-time) included a few feature stories this year about some of the festival's bonus features and additions. Read Leyla Shokoohe's interview with MPMF main-man, CityBeat's own Dan McCabe, about the fest's dedication to Over-the-Rhine and new MPMF venues Washington Park and the Emery Theatre here.
And now, with the countdown down to just 12 days, here are our daily MidPoint Music Festival 2012 picks …
Grizzly Bear (Brooklyn, NY)
Indie Art Pop
When this year’s initial MPMF performers were announced, eclectic Brooklyn crew Grizzly Bear was by far the name that seemed to most excite fest-goers. The group’s eccentric mix of artsy arrangements, organic psychedelia and boundless experimentalism has been earning the fans an ever-increasing and loyal fanbase since their lysergic debut release in 2004. Though continually adventurous, the band’s sound has grown and matured with the size of its following — 2009’s Veckatimest debuted at No. 8 on Billboard’s album chart and seemingly made every single music critic in the world’s “Top 10 Best” list that year. Expect an even bigger response from critics and fans when Grizzly Bear finally unleashes the much-anticipated new release, Shields, released just prior to the band’s MPMF stop. There’s a very good chance one of MPMF.12’s biggest acts will be sporting a Top 10 album by the time they get to Washington Park (an MPMF first).
You'll Dig It If You Dig: Brian Wilson at his “off-the-meds” creative peak, listening to an “AM Gold” Soft Rock compilation and a Kraut Rock comp after drinking gallons of psychedelic mushroom tea.
Grizzly Bear headlines the Washington Park stage on Friday, Sept. 28 at 8:30 p.m. The band performed the lead-off track from its new Shields album, "Sleeping Ute," on Late Night with Jimmy Fallon last night. Take a look/listen:
Rich Aucoin (Halifax, CAN)
On his enthralling 2011 full-length, We’re All Dying to Live, Canadian musician Rich Aucoin decided he’d invite Canada to record with him. As a result, the album features over 500 musicians, whose teaming on Aucoin’s dynamic, funky and craftily constructed tracks makes Dying to Live sound like the Electro Disco party of the century. But it’s not just a mindless exercise in dancefloor stereotypes — there’s depth and nuance to Aucoin’s songwriting and layering that might not be noticeable initially. Unlike a lot of Dance acts, Aucoin’s music isn’t disposable fun — it’s essential and commands repeated listens.
Dig: ’80s Synth Pop, ’70s Disco, of Montreal, 4AD artists, Chic and Duran Duran in art school together.
Rich Aucoin performs at Below Zero Lounge on Thursday, Sept. 27, at 11 p.m. Here is the hour-long film created to sync up with We're All Dying to Live (plus, of course, the full album for a free preview listen).
MPMF news and musings: Kick-ass longtime MPMF sponsor Dewey's Pizza is giving away a trio of special "Next Level Experience" passes for you and two of your closest friends (or, I suppose, you could give them to people you hate, though that would just be kinda weird).
If you win, you'll receive a three-day wristband and one night at the Dewey's Pizza/Grammer's stage in the best seat in the house (which appears to be a couch positioned very close to the stage). For more on Dewey's Next Level Experience contest, click here.
And now, with the countdown down to just 13 days, here are our daily MidPoint Music Festival 2012 picks, today featuring all Ohio artists …
Cloud Nothings (Cleveland, OH)
From his parents’ basement, Dylan Baldi created and released several acclaimed lo-fi recordings as Cloud Nothings before his 2009 EP, Turning On, pinged the critics’ radar and scored positive reviews on all the right blogs. Almost immediately, Baldi had to assemble a band to play the gigs that were offered to him, resulting in lots of touring and his slightly shinier 2011 self-titled full-length. This year has seen the release of the even more expansive Attack on Memory and a string of upcoming opening dates for Silversun Pickups. Not a bad three years for a Hardcore obsessed kid from Cleveland.
You'll Dig It If You Dig: The idea of Tommy Keene and Kevin Seconds stirring up some Pop and some Punk for a Husker Du tribute. (Brian Baker)
Cloud Nothings perform at Midnight on Friday, Sept. 28, at the Cincinnati Club. Here's the official music video for Cloud Nothings' "No Future/No Past."
Blowfly hatched from Soul songwriter/producer Clarence
Reid’s depraved imagination as his alter ego who loves to make parodies
about, well, getting off.
As Blowfly, he rapped nasty ditties decades before Too Short and 2 Live Crew. In the ’70s and ’80s, Reid released a slew of Adults Only party records as Blowfly on his own Weird World record label, all the while writing and producing for R&B artists like Betty Wright, Joe Tex, Wilson Pickett, KC & the Sunshine Band — and himself.
At the time, fans of Reid (and even his family) didn’t know about his career as Blowfly. His appeal remained underground. Like Rudy Ray Moore, who also built his following imitating the street culture of signifying, Blowfly’s poetic toasts were tall tales about size and strength. On “Rapp Dirty,” he spits an outrageous storyline of him as a sexual superhero whipping the Ku Klux Klan with his tool. A 45 spelled “Rap Dirty” from 1965, with him rhyming to a beat like Southern radio disc jockeys, is considered by many collectors to be the first Rap record.
Even bawdier at 73, Blowfly still makes music, and in 2011, he was featured in a documentary about his career, The Weird World of Blowfly. (The film is available on Netflix; check out the trailer below). In it, the caped crusader’s very elderly mother remembers that he said his first cussword when he was 9 months old and told her his okra tasted “ass-ty.”
Blowfly is currently touring the Midwest and Canada on his “Porno Freak” tour.
If you still have the energy after ooh-ing and ahh-ing at the fireworks on the river Sunday night — or if you're avoiding them altogether because you hate crowds (I'll be live tweeting the TV broadcast of the fireworks for all you homebodies) — two great Ohio bands are performing for free at Over-the-Rhine club MOTR Pub immediately following the big booms.
The fireworks after-party kicks off with Columbus Indie Rock crew Indigo Wild, a crafty, eclectic band that has built a nice following in Cincy thanks to frequent performances in the area (band members live in both Cincinnati and Ohio's capital). Here's a fun music video for Indigo Wild's song "Rowboats," featured on the band's debut release, the If By Sea EP (which came out last year around this time; click here to listen or purchase).
Headlining the show are The Ridges, an Athens, Ohio-based Orchestral Indie Folk troupe that has also amassed a solid following in Cincinnati. The MidPoint Music Festival vets — who perform in different configurations, depending on which members are available (including string and horn players) — return to play MPMF.12 in a few weeks. The Ridges are currently prepping a full-length album (recorded here in Cincinnati), so fans may even get a few new songs at the MOTR show.
The group performed at this summer's MidPoint Indie Summer concert series on Fountain Square, where they did an interview with CityBeat's John Byrne for a cool video feature. Learn more about the band and hear a few snippets of music in the piece below. (You can view more videos from Byrne's Indie Summer video series here.)