The 82nd Academy Awards telecast is Sunday night. Will you be watching?
Yes, I will again succumb to its guilty pleasures, no doubt groaning every 10 minutes or so at the lavish, self-important nature of it all (please don’t let James Cameron win — the only thing worse than his creepy, flowing gray hair is the inevitably pompous speech that will spill from his lips if Avatar wins him a Best Director or Best Picture Oscar, which it likely will).
Richard Kelly’s Donnie Darko might be the cult film of the new millennium.
The young auteur’s moody opus struggled to find an audience amid a post-9/11 climate that apparently had little patience for the film's head-scratching, reality-shifting narrative and apocalyptic overtones — it received a limited theatrical release about a month after the terrorist attacks and quickly faded from view.
The worst summer movie season in memory gets a kick in the ass this week with the opening of a pair of small-scale, Sundance-approved art-house gems: the Duplass brothers' Cyrus, an unexpectedly touching, hilariously awkward comedy featuring John C. Reilly, Marisa Tomei and Jonah Hill in an odd love triangle of sorts, and Debra Granik's Winter's Bone, a tension-laced thriller that is likely to stand as young actress Jennifer Lawrence's breakout role.
A trio of “event” screenings boosts this week’s mixed bag of new releases (of which Bong Joon-Ho’s Hitchcockian thriller, The Mother, is the clear winner).
The fall movie season has gotten off to a pretty mediocre start, and this week’s slate of new multiplex offerings does little to reverse the trend: a pair of ho-hum-looking sci-fi thrillers, Pandorum and Surrogates, and what looks to be a glossy remake of Fame, the 1980 movie musical that would serve as the senior play for yours truly many years later (I played Ralph Garcy.) Not coincidently, all three screened after our print deadline, typically a sign that they’re not ripe for much critical love.
What does it say when Golden Globes’ host Ricky Gervais is getting more post-show attention than the night’s winners (or January Jones’ gravity-defying dress)? Sure, Gervais’ sharp-tongued shots at various targets — from the easy (Charlie Sheen, Robert Downey Jr. and Mel Gibson) to the slightly less so (Steve Carell, Tim Allen and God) — were often insensitive and sometimes crass, but none of them were necessarily untruthful or even far from what most viewers would say about each recipient.
Can we just have Pixar make every movie? The animation studio is at it again with Toy Story 3, yet another creative triumph that offers everything the rest of the summer's big-budget extravaganzas do not: multifaceted characters, adventurous filmmaking and an emotionally involving story that is surprisingly dark and intense.
Why can't Sam Rockwell find a movie that fully takes advantage of his singular talents?
Long one of our most expressive, instinctual and interesting actors, the 42-year-old Rockwell has added spice as a supporting player in a string of high-profile studios movies (Iron Man 2, Everybody's Fine, Frost/Nixon, Matchstick Men, Charlie's Angels and The Green Mile, among others) and has been compelling as a central figure in a handful of smaller films (Choke, Joshua, Confessions of a Dangerous Mind, Lawn Dogs and Box of Moon Light).
How many times have you found yourself with an idea that could change your community for the better? If you had an opportunity to make your idea a reality, would you take it?
These are two of the questions at the heart of the Greater Cincinnati Foundation’s Big Idea Challenge. The Foundation asked Cincinnati locals to submit ideas for improving their communities.
After receiving more than 200 entries, the foundation narrowed the contest down to 21 finalists in all, each with dreams of bringing education, culture, green living, wellness and thriving local business to the community.
CityBeat film critic tt stern-enzi is one such finalist. He hopes to launch WatchWriteNow, an after-school film club devoted to the development of critical thinking and creative writing skills.
“WatchWriteNow started thanks to my work as an independent contractor with Lighthouse Youth Crisis Center and a few Cincinnati Public School after-school programs,” stern-enzi writes in an email interview. “The impetus was to bring filmed content in to high school students, to let them critically discuss works that might be accessible to them in ways that subjects in the classroom might not be.”
stern-enzi hopes to improve education within the community by teaching film appreciation and the critical skills to express it in writing to local high school students. The concept is similar to an overseas program called Film Club UK, which was started by critics and filmmakers in order to bring film and critical discussion into classrooms — not just as an after-school activity but as part of the curriculum.
stern-enzi was inspired by his own high school AP English teacher, Cleve Latham, at the McCallie School for Boys in Chattanooga, Tenn.
“Mr. Latham let me talk about Blue Velvet after I saw it multiple times during its opening weekend back in 1986. To see a teacher grant that degree of respect and authority to a film, to allow an AP class to crack that ‘text’ open for analysis was the trigger for what has become not just a career path for me, but a real life's passion. And I want to be able to pay that forward for at least one of the students I encounter now.”
Now through Sept. 27, the foundation is asking the public to vote for their favorite Big Idea finalist. One winner in each category — Strong Communities, Cultural Vibrancy, Job Creation, Environmental Stewardship, Educational Success, Health & Wellness and Economic Opportunity — will be chosen based on the number of votes received.
“This can't be accomplished without community involvement,” stern-enzi writes, “which is why the voting format for the challenge is so exciting. If we want projects like this as part of the Greater Cincinnati landscape, we must be prepared to support the foundational efforts to get them off the ground.”
The winners of The Big Idea Challenge have plenty of resources to make their dreams a reality.
In addition to cash prizes of $500 to $1,000, the foundation will also find a nonprofit organization to implement the seven winning ideas and provide grants of $5,000 to $50,000 to spring the ideas into action.
One of the finalists will also be selected to receive a grand prize, contributed by the members of the Foundation's governing board.
Voting for The Big Idea Challenge wraps up Friday, and winners will be announced in October.