He is a subject whose resonance is great for both Smith — whose 2010 National Book Award-winning memoir, Just Kids, recounted their friendship as young people in New York’s art world and is being made into a film — and the CAC, which famously faced (and beat) obscenity charges in 1990 for showing the Mapplethorpe retrospective The Perfect Moment.
“It’s very much a rumination on the life and death of Robert Mapplethorpe,” Ludwig said of the exhibit. “So there are a lot of objects in the exhibition that very much relate to his life. We’ve received things like Robert’s slippers that have his initials on them, and photographs of Robert from throughout his life. So it really focuses on the relationship between these two artists.
“There are medals, necklaces that Robert wore,” Ludwig continued. “There is an inkwell. There are small elements that will be presented in cases in the exhibition. It’s presented very much like an art installation. They’re not necessarily presented as historical objects but as elements that are part of Patti’s life.”
“And we have an installation within the show called ‘Infirmary,’ which is all steel beds that are references to the beds Robert spent the end of his life in and that many people who died from AIDS passed away in. They are actual steel beds acquired by her.” (Mapplethorpe died from AIDS in 1989.)
The show will have several photographs by Mapplethorpe with text by Smith – of the sea, a boat and a sculpture. (None was in The Perfect Moment.) “They’re very beautiful,” Ludwig said.
Sometimes there are just too many theater events in town to feature every one of them in print. But let me bring to your attention one that's happening for just three days, Oct 23-25.
Showbiz Players, which usually offers larger musical theater productions is undertaking a piece that's more like a musical cabaret, A … My Name Is Alice, a work conceived in 1983 by Joan Micklin Silver and Julianne Boyd. This show combines the talents of numerous composers, lyricists and writers to create a work with 20 songs and sketches performed by five women who represent a broad spectrum of femininity.
Know Theatre has announced the 2012 Cincinnati Fringe Festival, kicking off May 29 and continuing through June 9. Festivities begin with the official CityBeat Fringe Kick-Off Party on May 29 at 6 p.m. (A suggested donation of $5 gets you in.) During the Festivals’ two-week run, 29 productions will receive multiple performances. Some shows are locally originated (14) and others are by touring artists (15) who travel to festivals around the United States. If everything selected actually happens (that’s seldom the case), there will be 10 plays, nine solo shows, four dance works and six multimedia/variety pieces.
Several award-winning groups popular with past Fringe audiences are set to return. One of the most popular performers from 2011, Kevin J. Thornton — his I Love You (We’re Fucked) had a sold-out run and returned for another stint last October — is back with Strange Dreamz. Thornton has appeared in the Capital Fringe, Indy Fringe, NYC Frigid Festival, Tucson Fringe Festival, Phoenix Fringe Festival, Orlando Fringe Festival, Kansas City Fringe Festival, and the Minnesota Fringe Festival.
Four Humors Theater from the Twin Cities is back for the fifth consecutive year, this time presenting Bombus and Berrylinne, or the Bumblebee and the Hummingbird. The group has previously produced Mortem Capiendum (Producer’s Pick of the Fringe, 2008), April Fools (2009), and Harold (Critic’s Pick of the Fringe, 2010) and the hilarious James Bond-inspired puppet show You Only Live Forever Once (2011).
The longevity honors will continue to be held by Cincinnati Fringe veteran group Performance Gallery, returning for their ninth year with Rodney Rumple's Random Reality. Past Cincinnati Fringe appearances include Images of a Beating Heart (2004), The Killer Whispers and Prays (2005), Godsplay (2006), Girlfight (2007), Fricative (2008), KAZ/m (2009), The Council (2010) and The Body Speaks (2011). Brad Cupples, the playwright for Performance Gallery’s 2010 entry, returns with Third Quarter Moon: A Complex Derivative Love Story.
We’ll see shows from established local companies, including Quake: A Love Story from New Edgecliff Theatre (they presented Darker in 2011) and Don't Cross The Streams: The Cease and Desist Musical, a stage musical from Covington’s Carnegie Visual & Performing Arts Center.
Two new local companies will present for the first time. Homegrown Theatre, led by local actress Leah Strasser will present an absurdist piece, The Doppelganger Cometh and Overtaketh, while Essex Theatre Arts Studio, founded by actors Bob Allen and Elizabeth Harris, will stage Love Knots, a series of shorts plays about love and romance by local playwright Phil Paradis.
There will be plenty of new acts, including Grim & Fisher (the award-winning A deathly comedy in full-face mask) from Portland, Ore., and Rebecca King (Storms Beneath Her Skin), a transgender artist from Chicago. New York artist Tanya O’Debra’s Radio Star has won awards in San Francisco, Montreal and New York City.
There will be dance performances by Houston-based dance company Psophonia (Delicious) and two local groups, MamLuft&Co.’s (Latitude) and Pones, Inc. (Project Activate). The latter is a collaborative and participatory performance that asks “How do you activate Cincinnati?” It’s the product of five local service organizations with 12 professional artists from a variety of disciplines.
Each evening after performances, artists, audience members, staff, and volunteers gather at Know Theatre’s Underground bar for the Fringe Bar Series featuring the “Channel Fringe Hard Hitting Action News Update.” Events there include Fringe previews, Fringe Olympics, Fringe-e-Oke, Fringe Prom, and the 22.5 hour play project.
This year marks the second year of FringeNext, offering three shows created and performed by high school students. Two are originating from the School for Creative and Performing Arts; the third is from Lakota West High School.
Individual tickets to shows are still $12. “Full Frontal” passes are $200, providing access to every event in the festival. “Flexible Voyeur” six-show passes are on sale for $60, the price equivalent of five tickets. “One Night Stand” passes are $35; that’s good for one weeknight (as many as three shows) and a drink at Know Theatre's Bar. Pre-sale single tickets will go on sale mid-May.
For more information about the performances or to purchase passes, check out www.cincyfringe.com or call (513) 300-KNOW (5669).
Right now most theaters are readying shows that will be onstage in early September, so there's not a lot to see around town. But if you're looking for some dramatic entertainment on Sunday evening that will keep you outdoors, I suggest you head to the lawn at the Harry Whiting Brown Community Center in Glendale where Cincinnati Shakespeare Company's "Shakespeare in the Park" makes a stop at 7 p.m. –––
They're offering a stripped-down version of the tragic tale of Romeo and Juliet, using just eight actors (which means several performers play more than one role). You'll see some fine acting and a couple of well-staged fights. It might feel like a "back-to-school" special, what with the poetry and all, but even teens should enjoy the action and big emotions. Best of all, it's free (although your donation to the cause will be appreciated.)
Get details on the CSC web site.
If the last gasps of winter still have you shivering, you can warm up this weekend with some frothy musical theater at UC's College-Conservatory of Music, where Two Gentlemen of Verona is dancing its heart out. With a silly story (thanks to Shakespeare) and an eclectic score (from the guy who wrote the music for Hair), this 1971 show doesn't get staged very often. But you'll wonder why if you find yourself in Patricia Corbett Theater: Thanks to CCM 1995 grad Andrew Palermo, who's returned to direct and choreograph the show, the cast never stops dancing.
Don't fret about the story — changing affections, disguises, villains and heroes — just watch as the tale takes you from the university town of Verona to the urban Milano. The costumes (preppy white shirts and ties in the former, metropolitan chic black and Hip Hop in the latter) will tell you where you are. And the performers are all shining stars from CCM's musical theater program, several of them ready to move along to Broadway. This is the CCM musical people will continue to talk when the current season is over. Two Gentlemen runs longer than usual for a CCM show — two weekends (final performance is March 8) — but don't dally to get your tickets: By next weekend they'll all be claimed. Box office: 513-556-4183.
It's easy to spend time writing about exciting new developments in our local theater scene. But who got things started?
It could be argued that F. Paul Rutledge was the guy who laid the foundation. He passed away a week ago at the age of 91. Rutledge was a theater pioneer in Cincinnati, and many people who shaped what we have today were inspired by him.
For several years Joshua Jeremian seemed to be onstage everywhere in Cincinnati. He was a regular in opera productions at UC’s College-Conservatory of Music, where he was pursuing a master’s degree and then an artist’s diploma (additional graduate-level training) as an opera singer. But he was glad to find performing opportunities with many Cincinnati perfroming arts institutions. In 2005 he played a pair of princes in Ensemble Theatre of Cincinnati’s holiday musical, Sleeping Beauty. (In fact, the big-voiced baritone was nominated for a 2006 Cincinnati Entertainment Award for his performance at ETC.)
Cincinnati Art Museum did well at this week's announcement of MacArthur Foundation $500,000 "genius grants" — one of the most prestigious in the world. Among the 24 recipients were artist Los Angeles artist Mark Bradford (pictured), who creates large-scale map-like collages out of everyday material and whose show Maps & Manifests was featured at Cincinnati Art Museum in 2008.
If you're looking to get revved up for Halloween, I can think of no better choice than heading to Cincinnati Shakespeare Company this weekend for Giles Davies' first performance of Poe, a compilation of creepy stories from the master of the macabre.
Cincinnati finally got its first "pop-up shop," a holiday effort by local merchants to band together to take over unused retail space in Over-the-Rhine for a short period and then vacate when done. See photos from its opening weekend here.
'Tis also the season for pop-up theater, smaller productions that are squeezed in between performances of mainstage shows. One opens tonight at Know Theatre of Cincinnati.