The long overdue appreciation of Cincinnati-based King Records gets another shot in the arm with the publication of Dayton-native Jon Hartley Fox’s King of the Queen City: The Story of King Records, a detailed look at the various personalities, including kingpin Syd Nathan, that made the studio such a culturally groundbreaking and creatively vital musical force.
For those who can’t wait for Fox’s appearance at the Books by the Banks festival at the Duke Energy Center on Saturday or at Shake It Records on Sunday, the author discussed the book with Terry Gross on NPR’s Fresh Air today. The show also included separate interviews with Bootsy Collins and former King staffer/Sire Records founder Seymour Stein, both of whom talk about their memories of King.
The Country Throwdown Tour wraps up in a few weeks. By all accounts it has been a success, drawing large crowds and little, if any, controversy. We caught up with Emily West, Heidi Newfield, Sean Patrick McGraw, Sarah Buxton & Jedd Hughes while they were on tour to get inside their heads.
Hello. First stop, Blue Wisp, where I got carded. I was so excited to get carded, really. When you start getting older, you're easily amused.
I saw Cincinnati’s Syd Natanists here. Bring on the funk. Swarthy from the Swarthy Band was kicking ass, sitting in on bass, and the amazing Marvin Hawkins was hitting skins. Elliott Ruther rocked on guitar and vocals, and we had keys — someone tell me who was on keys — sorry brother, you were awesome. I got distracted by CityBeat Big Dog John Fox, who was standing tall next to me, looming over my shoulder and watching my every move. Actually, he was drinking a beer and grooving out, smiling. Yo, this band was tight. Play on players, you got my vote.
It is shaping up to be a great summer in Cincinnati for fans of popular, contemporary Country music. First it was announced that the giant Tim McGraw/Kenny Chesney tour (with Grace Potter and the Nocturnals opening up) would come to Paul Brown Stadium on July 1. Now, Riverbend has unveiled an impressive lineup of some of the top names in Country scheduled to appear at the outdoor shed this year (including Miranda Lambert, pictured at the right). An on sale date for the individual concerts has yet to be announced; the lineup was released this morning because of the return of the B105-sponsored "Country Megaticket" offer, where fans can save some money by purchasing ticket packages that will get them into all seven concerts. The "Megatickets" (packages range from $200-$385) go on sale this Friday at 10 a.m. through www.Riverbend.org or www.B105.com. Click here for more details and check below for the full lineup.
Ill Poetic — the multitasking Hip Hop artist who made his bones in the Cincinnati and Dayton scenes and writes a monthly words-of-wisdom column for CityBeat called Hip Hop (Un) Scene — will be providing some dispatches from the road this month for us as he embarks on the J. Rawls-headlined “#Ohio Takeover Tour.” The tour (featuring a roster of Ohio acts) is an early promotional push for The Hip Hop Affect, the anticipated new release from Rawls, a renowned DJ/producer whose credits range from work on the first Black Star album to working with Madlib and The Beastie Boys. Recently, Rawls leaked the new track “We’re on Top (#ohiotakeover),” a “posse cut” featuring 23 MCs from the Buckeye State.
This Saturday is Record Store Day, which began in 2007 as a way to celebrate (and draw business to) independent, brick-and-mortar record shops all over the globe.
In the Cincinnati area, four longtime record shops with loyal fanbases will officially participate — Everybody’s Records in Pleasant Ridge, Shake It Records in Northside, Mole’s Record Exchange in Clifton Heights and Phil’s Music & Memories in Latonia, Ky. That means you’ll be able to get your hands on some of the thousands of exclusive, RSD-only releases coming out this year from a wide range of acclaimed artists, new and old. (See the huge "The List" of exclusives below.) Other stores may also be doing fun, interesting stuff for the "holiday"; be sure to visit all of your favorites. That's what the day is all about.
• The local shops usually do it up big for RSD. At Everybody’s Records, you can listen to live music (including a 2 p.m. acoustic set from Jody Stapleton and Brandon Losacker of Jody Stapleton and the Generals) and DJing (from local Reggae DJ squad Queen City Imperial Soundsystem at 5 p.m.) throughout your RSD adventuring at the store.
• At Shake It, Grammy-winning (for his work on Dr. John’s last album) rocker Brian Olive performs at 6 p.m. (he and his band play MOTR Pub later on Saturday for free), while Chuck Cleaver and Lisa Walker of Wussy play at 8 p.m. Shake It is offering a 10% discount on purchases for anyone bringing non-perishable food items for Churches Active in Northside’s Choice Food Pantry.
• Shake It’s “record label” branch is also getting in on the RSD fun, putting out a pair of new, limited, exclusive releases by a couple of local music giants. Saturday at the shop, you’ll be able to pick up a live vinyl album featuring a performance at Shake It by The Greenhornes over a decade ago. The Live at Shake It Records 2001 LP featuring 14 tracks representing the band’s first three albums (one song was previously released by the label on a 7-inch in 2002, but it went out of print instantly).
Shake It will also release an EP of songs by Walker and Cleaver — a.k.a. Wussy Duo, which plays when the full band is not available. The CD features seven tracks from the slimmed-down lineup.
• With Record Store Day falling on 4/20, it should be no surprise that critically-acclaimed Cincy-area rockers Buffalo Killers would get in on the action; pot references are sprinkled throughout the band’s discography and their deft blend of vintage Psych Pop and swampy Blues Rock is certainly THC-friendly. The trio — which tours frequently and has made fans out of The Black Keys, The Black Crowes and many others across the U.S. — is coming through big with a new six-track, 12-vinyl EP titled Ohio Grass. The follow-up to the band’s fourth and finest full-length, 2012’s Dig. Sow. Love. Grow., has more than just a title reference to the smoky stuff — the EP’s cover (see above) features a giant, burning joint and the vinyl itself is colored “Herb Green” (as noted on the pot-leaf sticker also gracing the cover). The EP is a Record Store Day exclusive through the band’s label, Alive Naturalsounds Records.
The Buffs will be spending 4/20 in Dayton, performing an in-store at Omega Records to celebrate the release and RSD, but on Friday, Buffalo Killers perform a free show for Cincinnati fans at MOTR Pub with special guests, The Cincinnati Suds. Showtime is 10 p.m.
Click below for a huge list of Record Store Day exclusives from the RSD official site. (Click here for more, including the special RSD releases that will still be available post-Record Store Day.)
On Sept. 19, Scruby released Boy Genius, which is his second Hip Hop mixtape in less than a year. In two weeks, Boy Genius is less than a thousand downloads from surpassing Best Foot Forward, which Scruby released last November.
Over the 10 months since officially entering the music scene, Scruby has taken off. While making Boy Genius, Scruby studied at Ohio State University and played a few shows. His biggest shows included opening for J. Cole at May’s BuckeyeThon Benefit Concert at OSU. Recently, he opened for Machine Gun Kelley and performed at Ohio University’s 10Fest.
Along with live performances, Scruby and his team at LandSea Media produced enough videos to keep fans entertained while they worked on Boy Genius.
The wait for the new music was worthwhile. I was instantly blown away at the quality of the music. It didn’t sound as if it was produced in a dorm room, but rather a professional studio. The audio was balanced and the vocals weren’t hidden under a blanket of bass.
As for the lyrics, Scruby uses a mix of wordplay and comedy in his songs, and it works. His tracks follow a life of love (or rather, lovemaking), success and partying. Although I find these themes to be a stereotype of rap, Scruby pulls off the stereotypical rap lifestyle with ease.
Mixtape opener “Double Time” features Cincinnati’s own DJ ETrayn. He welcomes fans to the musical journey before the song begins. The start of this track is reminiscent of Dumbfoundead’s “Green.” This song makes me want to lean my driver’s seat back and drive with one hand on the steering wheel while doing 50 in a 25.
What seems to be a fan favorite is “Fux With Me.” Crowds at 10Fest wore shirts donned with "I Fux With Cal Scruby." The song isn’t my personal favorite, but I enjoy the tour of people who "fux" with Scruby and how he doesn’t let it slow him down.
My personal favorite is the bonus track “Midwest City,” which is a tribute to his hometown, that city where they sin two times. This closes the album and leaves me wanting to hear more from Scruby.
Even though high school is long gone, I can’t go somewhere
without hearing about the guy who was super cereal about ManBearPig and now,
he’s super cereal about his music.
In a lot of ways, Cincinnati's Over the Rhine belonged to the world almost as soon as they birthed its spectacular debut album, 1991’s Patience. There wasn't really an evolutionary period involving chops-honing and building an audience with local bar gigs every weekend before becoming a songwriting and performing powerhouse that could stand toe-to-toe with its peer group on the national level. Karin Bergquist and Linford Detweiler sprang fully formed from Zeus’ forehead as a mature and supremely talented duo with the undeniable ability to mingle heartache and joy with words and music and find an indelible way to invest each emotion with a taste of the other.