Scoring major glowing reviews in national music magazines for your first two albums might intimidate some artists. But for Wussy, set to release its newest (a self-titled effort) for locally-based Shake It Records, a natural progression and tightness has resulted in their best album yet.
On Sept. 19, Scruby released Boy Genius, which is his second Hip Hop mixtape in less than a year. In two weeks, Boy Genius is less than a thousand downloads from surpassing Best Foot Forward, which Scruby released last November.
Over the 10 months since officially entering the music scene, Scruby has taken off. While making Boy Genius, Scruby studied at Ohio State University and played a few shows. His biggest shows included opening for J. Cole at May’s BuckeyeThon Benefit Concert at OSU. Recently, he opened for Machine Gun Kelley and performed at Ohio University’s 10Fest.
Along with live performances, Scruby and his team at LandSea Media produced enough videos to keep fans entertained while they worked on Boy Genius.
The wait for the new music was worthwhile. I was instantly blown away at the quality of the music. It didn’t sound as if it was produced in a dorm room, but rather a professional studio. The audio was balanced and the vocals weren’t hidden under a blanket of bass.
As for the lyrics, Scruby uses a mix of wordplay and comedy in his songs, and it works. His tracks follow a life of love (or rather, lovemaking), success and partying. Although I find these themes to be a stereotype of rap, Scruby pulls off the stereotypical rap lifestyle with ease.
Mixtape opener “Double Time” features Cincinnati’s own DJ ETrayn. He welcomes fans to the musical journey before the song begins. The start of this track is reminiscent of Dumbfoundead’s “Green.” This song makes me want to lean my driver’s seat back and drive with one hand on the steering wheel while doing 50 in a 25.
What seems to be a fan favorite is “Fux With Me.” Crowds at 10Fest wore shirts donned with "I Fux With Cal Scruby." The song isn’t my personal favorite, but I enjoy the tour of people who "fux" with Scruby and how he doesn’t let it slow him down.
My personal favorite is the bonus track “Midwest City,” which is a tribute to his hometown, that city where they sin two times. This closes the album and leaves me wanting to hear more from Scruby.
Even though high school is long gone, I can’t go somewhere
without hearing about the guy who was super cereal about ManBearPig and now,
he’s super cereal about his music.
It is shaping up to be a great summer in Cincinnati for fans of popular, contemporary Country music. First it was announced that the giant Tim McGraw/Kenny Chesney tour (with Grace Potter and the Nocturnals opening up) would come to Paul Brown Stadium on July 1. Now, Riverbend has unveiled an impressive lineup of some of the top names in Country scheduled to appear at the outdoor shed this year (including Miranda Lambert, pictured at the right). An on sale date for the individual concerts has yet to be announced; the lineup was released this morning because of the return of the B105-sponsored "Country Megaticket" offer, where fans can save some money by purchasing ticket packages that will get them into all seven concerts. The "Megatickets" (packages range from $200-$385) go on sale this Friday at 10 a.m. through www.Riverbend.org or www.B105.com. Click here for more details and check below for the full lineup.
Music Tonight: Popular Detroit Psychobilly/Punkabilly/Powerbilly trio The Koffin Kats hot-rod it into Newport for a show at the Southgate House. While the band, which formed in 2003, has done the Psychobilly schtick, writing songs with Horror and Sci Fi themes, the Kats' more "real life" songs have always been around and, over the years, become more dominant in KK sets and on albums. That should be especially evident on the upcoming Our Way & The Highway, due in mid-January, which reflects what singer/bassist Zac Victor told CityBeat was a general move towards a "Bruce Springsteen approach more than a Dracula approach" and even more reflective of their broad musical influences. Read the entire interview with Victor at citybeat.com, then catch the band tonight at SGH with Dr. Bombay, The Returners, Vice Tricks and Switchblade Syndicate. Showtime is 9 p.m. Tickets are $10 ($13 for those ages 18-20). Below, check out the great, swoony track (anybody else hear some Smiths in there?) "The Bottle Called" from last year's "split album" with 12 Step Rebels called From Our Hands to Yours (it will also be on the new album).
Ill Poetic — the multitasking Hip Hop artist who made his bones in the Cincinnati and Dayton scenes and writes a monthly words-of-wisdom column for CityBeat called Hip Hop (Un) Scene — will be providing some dispatches from the road this month for us as he embarks on the J. Rawls-headlined “#Ohio Takeover Tour.” The tour (featuring a roster of Ohio acts) is an early promotional push for The Hip Hop Affect, the anticipated new release from Rawls, a renowned DJ/producer whose credits range from work on the first Black Star album to working with Madlib and The Beastie Boys. Recently, Rawls leaked the new track “We’re on Top (#ohiotakeover),” a “posse cut” featuring 23 MCs from the Buckeye State.
In a lot of ways, Cincinnati's Over the Rhine belonged to the world almost as soon as they birthed its spectacular debut album, 1991’s Patience. There wasn't really an evolutionary period involving chops-honing and building an audience with local bar gigs every weekend before becoming a songwriting and performing powerhouse that could stand toe-to-toe with its peer group on the national level. Karin Bergquist and Linford Detweiler sprang fully formed from Zeus’ forehead as a mature and supremely talented duo with the undeniable ability to mingle heartache and joy with words and music and find an indelible way to invest each emotion with a taste of the other.
Five Finger Death Punch has one of the biggest and most exciting shows you'll find in Metal music right now. The band just released its third studio album, American Capitalist, which features the popular single “Under and Over It” and the song “Back For More,” featured in the latest game in the Madden franchise. FFDP are about to go out on its headlining “Share the Welt” tour with All That Remains, Hatebreed and Rev Theory (the tour comes to Indianapolis' Murat Egyptian Room on Nov. 6). CityBeat recently spoke with lead guitarist Zoltan Bathory and band newcomer and bassist Chris Kael at X-Fest in Dayton, Ohio, about the new album and why the band’s music moves a more aggressive crowd.
Besides baseball, there are two things that I associate with GABP and the Reds — beer and music. Well, maybe there are three. Losing in the playoffs has seemingly snuck itself in there in the last week or so.
Whatever, I don’t want to talk about it.
Ever since I was a kid, my favorite baseball players' personalities have always matched their walk-on batting intros. (Adam Dunn’s intro, “For Whom the Bell Tolls” by Metallica, was badass, unless he struck out afterward, which was often the case.)
But as I got older and was able to drink at the games (legally anyway), I began to notice a trend in my beer buying regiment. I was buying more booze in the bottom-half of the innings than in the top-half and I had no idea why. But after some deliberation (a couple more beers), I finally figured it out. It was this team’s batting intros that drove me to the stands to go broke on $9 beers (thanks, guys!)
So, in lieu of thinking about my bank account, or the fact that we made history being the only team ever up 2-0 in a series and still, somehow, some way, found a way to lose three straight at home, here is a list of the Reds' starters walk-on songs, rated on a scale of how many beers it takes for me to enjoy them. Even though no amount of booze will ease the pain of that Game 5 loss, maybe making fun of these guys' music preferences will.
• Zack Cozart: “Too Close” – Alex Clare:
Alex Clare’s DupPop single “Too Close” (best known for soundtracking an Internet Explorer commercial) has risen on the pop charts at the same rate as Zack Cozart’s batting average over the past season. Coincidence? I think not.
But really, Zack? This is your walk-on song? This is what gets you pumped up? I mean, for God’s sake, the lyrics don’t make any sense. “I feel like I am just too close to love you”? It would make much more sense if the lyrics were, “I feel like I’m too just too drunk to do you.” That would be a song I could connect with.
Rating: 8 beers.
• Drew Stubbs: “Breakin’ a Sweat” – Skrillex and The Doors
There is no excuse for this. The whole thing sounds like Netzero fucked Jim Morrison and it’s just not OK. I honestly think this may be half the reason why Stubbs’ hitting had been so atrocious over the last season. Really though, if I had to hear this screeching dial-tone noise ringing throughout GABP every time I went up to bat, I wouldn’t be able to concentrate either.
Rating: 20 beers. Alcohol poisoning sounds better than this song.
• Brandon Phillips: “Turn Up” – 2 Chainz; “Turn On The Lights” – Future; “Everythang” – Young Jeezy; “Pop That” – French Montana; “Bandz a Make Her Dance” – Juicy J
All right, DatDude, what the hell? I understand wanting to switch it up during the game and maybe having two or even three songs tops. But five? In most games you don’t even get to the plate five times!
It’s OK, though. It’s worth it just to see all the old white people get uncomfortable when there is some Rap music blowing through the speakers at GAB.
Rating: 2 beers.
• Joey Votto: “Paint it Black” – The Rolling Stones
I like to picture Joey Votto sitting at home alone, crying, listening to this song and asking, “Why do I have to do everything?!?”
Seriously though, when you hear that thumping drum beat in the beginning of the song, you know fear strikes the heart of any opposing pitcher having to face Votto-matic.
Rating: Zero beers. No alcohol needed for this one.
• Ryan Ludwick: “Brass Monkey” – The Beastie Boys
While Phillips' newer Rap joints are a little too hood for the white people in the crowd, this is something they can relate, too. I wish Ludwick could bat twice in the order, not only because he’s a great hitter, but so I can see the drunk 40-something in front of me gyrate and giggle some more when this song comes on.
Rating: 2 beers. It’s a fantastic song but it is about drinking, so it only seems right to have a little bit of a buzz.
• Todd Frazier: “Come Fly With Me”/ “Fly Me To The Moon” – Frank Sinatra
Todd Frazier is a class act. His intro songs were chosen because they remind him of his grandparents (seriously dude — is there a bad bone in your body?). But honestly, who better than Old Blue Eyes to bring out the classiest Red since Sean Casey?
Rating: Zero beers. Maybe a “Daniels on ice, two fingers” though, in salute to Sinatra.
• Jay Bruce: “Everything I Do” – Timeflies
I don’t know who these guys are, but based on the 15-30 second judgment made when I heard it every time Bruce came up to bat, I’m not a fan. (Sidenote: I’m going to blame this song on that pop-fly he had in the ninth inning of Game 5. Thanks a lot, Timeflies — you ruined the season!)
Rating: 5 beers.
• Ryan Hannigan: “The Show Goes On” – Lupe Fiasco
I applaud Hannigan for throwing up a Lupe song as his walk-on. It’s cool that he listens to some good Hip Hop. But this song was quite possibly the worst choice he could have made. The sample of Modest Mouse’s “Float On” alone makes me want the “show” to stop and never go on again.
Rating: 5 beers.
• Scott Rolen: “Viva La Vida” – Coldplay
This might be the weirdest choice on the whole list. When you see Scott Rolen up to bat, he just looks pissed off. Like he’s Liam Neeson and the ball he’s about to smash just took his daughter and sold her into the sex trade.
But then you hear his walk-on music and it’s freakin’ Coldplay? I was expecting some AC/DC, even some Motorhead, but Coldplay? I would go on, maybe even make a “You know how I know you’re gay?” joke — but honestly I’m afraid of this guy. Even if he does listen to Coldplay.
Rating: 4 beers. After about four large drafts I’d be singing along. It’s just got that Pop-chant chorus that I can’t resist when intoxicated.
I wasn’t going to do any pitchers but this one was too hard to resist …
• Mike Leake: “Some Nights” – Fun
You know what would be fun, Mike? If “Some Nights” you’d stop choking and pitch to your full potential.
Rating: 6 beers.
(While we know up-to-bat music is irrelevant in Major League Baseball and cannot actually be blamed for the Reds blowing it in the playoffs, we'll offer our suggestions for new walk-on music this coming spring. Look for it in about six months. Leave your own suggestions in the comments.)
Tim Wilson is a comedian and singer/songwriter who represents Southern culture and lifestyle with his songs and stand-up. He is often featured on national telecasts of the syndicated radio shows The Bob and Tom Show and the John Boy and Billy Morning Show and Wilson has also been appeared on many of the late-night talk shows. With a dozen comedy albums featuring his original songs, Wilson has found crossover success on both the comedy and Country music charts.
CityBeat caught up with Wilson by phone to preview his appearance in Cincinnati and discuss southern roots in comedy and the assimilation of music into his comedy. Catch him performing live Saturday night at the Taft Theatre with Patti Vasquez (ticket info here).