Details for the first two big local music festivals of 2011 have been announced. The One More Girl on a Stage fest returns Jan. 21 and 22 to Newport’s York Street Café for the Rivertown Music Club’s last ever event, while the Cincy Blues Society’s annual Winter Blues Fest takes over the Southgate House Jan. 28 and 29.
Friday's Bonnaroo festivities started with great promise, as we were treated to a surprise performance by Jack Johnson in the press tent. Johnson is a last-minute fill-in for headliners Mumford and Sons, who had to cancel because their bass player had a medical procedure to fix a blood clot in his brain earlier this week. Warmth and humility emanated from Johnson as he debuted two brand new songs accompanied by ALO's Zach Gill on accordion.
An hour later Trixie Whitley slithered on to the Which Stage in a long black gown and proceeded to mesmerize the mid-day crowd with her hypnotic and soulful swamp Rock. There were moments during her set when she sang with such power and pathos it literally knocked the wind out of me. The crowd was so awed by Whitley's performance they stood in a stunned silence so quiet that at times you could hear shutters clicking in the photo pit.
I don't think Chuck and I stopped laughing once during a spontaneous and hilarious 15 minutes we spent chatting with Daniel, Thomas and new drummer Johnny Colorado of the Futurebirds. We barely had time to catch our breath and regain our composure before a 4 p.m. press conference that featured comedians Michael Che and Mike Birbiglia, as well as Jason Isbell and Jazz Fusion guitar legend John McLaughlin.
Around the festival grounds today we've heard remarkable performances by Jason Isbell and 400 Unit, Nashville's Alanna Royale and Trombone Shorty.
Coming up later tonight: Wilco, Paul McCartney, ZZ Top and many more.
Though there is a lot of it, this weekend's three-day Bunbury Music Festival isn't just dudes with guitars playing Alternative Rock music. You'll also find Folk, AltCountry, Post Punk, Blues, Pop and, if you're a fan of DJs and Electronic music, besides acts like RJD2 and Lights, there's a whole stage set up for you.
Self Diploma, the crowd-brining-and-moving local promoters behind the successful Beats Summer Music Series (which has packed Fountain Square every Saturday this summer with a mix of DJs, Electronic and Hip Hop artists), has booked Bunbury's DJ stage and assembled a great mix of local artists with a few marquee headliners.
The DJ/Electronica bookings will perform on the Red Bull Stage, which is the westernmost stage at Sawyer Point, right before the bridge underpass that separates the park from Yeatman's Cove (and next to the "Craft Beer Village"). Here is the full lineup and a little sampling from each day's headliner.
Ice Cold Tony (Noon); CJ the DJ (1:30 p.m.); Alex Peace (3 p.m.); DJ AMF (4:30 p.m.); Mixin Marc (6 p.m.); The Alchemist (7:45 p.m.)
The Alchemist has been an important player on the Hip Hop scene for the past two decades, from his early years learning under mentor DJ Muggs and producing Dilated Peoples and Mobb Deep, through his run in the ’00s producing some of the biggest names in Hip Hop (Ghostface, Snoop Dogg, Nas) through his acclaimed solo albums and DJing gig with Eminem. Al's latest project is the long-awaited Russian Roulette album, which features guest MCs like Evidence, Action Bronson, Schoolboy Q and Danny Brown and has drawn positive reviews for its progressiveness (and trippiness).
The album is due July 17. Here's a track with Big Twinz from the album.
Davey C (Noon); DJ Etrayn (1:30 p.m.); Big Once (3 p.m.); DJ Ivy (4:30 p.m.); DJ Spider (6 p.m.); DJ Irie (8 p.m.)
When you’re dubbed the top DJ in the club-rich scene of Miami, it’s safe to say you’re also one of the best in the country. Miami Herald gave DJ Irie that distinction for his work not only as host of the No. 1 mix-show on Miami’s 99 JAMZ, but also for his crowd-pleasing, fully-energized club sets across the globe. Irie is often lauded for his ability to read a crowd and incorporate a variety of styles for any occasion. Irie could be the dictionary definition of a superstar DJ, having performed everywhere from Robert Downey Jr.’s crib to Miami Heat home games, where he’s the team’s house DJ.
Here's Irie doing a halftime showcase at a Heat game.
DJ Prism (12:45 p.m.); DJ K-Dogg (2:15 p.m.); DJ D-LO (3:45 p.m.); Mr. Best (5:15 p.m.); Mick Boogie (6:45 p.m.)
Mick Boogie is one of the more popular on-call party/club DJs in the U.S., scoring gigs literally all over the planet at some of the top clubs in the world. He's done a lot of popular remixes and commercial work for campaigns by Adidas and Bing, so chances are you've heard him even if you don't recognize his name instantly.
In honor of Adam Yauch's induction into the Rock and Roll Hall of Fame and subsequent passing earlier this year, Boogie put together a great Beastie Boys mixtape titled Grand Royal (after the group's boutique not-just-music label). Below is a sample (or you can download the whole thing here).
Tickets and full info on the Bunbury Music Festival can be found here.
UPDATE: It appears there has been some shifting around on the Red Bull Stage. DJ Irie is now spinning Sunday at 5:15 p.m.; DJ Spider has his slot Saturday at Bunbury and the afterparty. Be sure to click here for the latest scheduling updates. And click here for afterparty details featuring several of the DJs from the fest.
The 2010 MidPoint Music Festival is finally upon us. In fact, it actually kicks off at noon today on the outdoor plaza outside the Main Public Library at Ninth and Vine streets with local Americana/Roots favorites Magnolia Mountain. Should be a hot start to a long, action-packed weekend. Literally.
If you're looking for last-minute updates and answers to your questions, you can stop by the MidPoint World Headquarters across from the library at Garfield Suites Hotel (Vine Street and Garfield Place). They'll be open for business by noon today. The MidPoint web site is a good spot for daily schedules, venue details, maps, Metro shuttle bus info and everything else.
Cincinnati’s MidPoint Music Festival (owned and operated by CityBeat) recently announced that tickets for the late September festival were on sale, as well as a new date format (instead of Thursday-Saturday, 2015’s MPMF will take place Friday, Sept. 25-Sunday, Sept. 27). Now the first artists slated to appear at MPMF have been unveiled.
The first batch of MidPoint 2015 acts includes pioneering British Shoegaze band Ride, Canadian Electro Pop duo Purity Ring, Indie/Electronic up-and-comers Sylvan Esso, experimental artist tUnE-yArDs (aka Merrill Garbus) and diverse Indiana songwriter Strand of Oaks. The rest of the initial lineup announcement features Zola Jesus, Cathedrals, Matthew E. White, Pokey LaFarge, Moon Duo, Betty Who, K.Flay, Beach Slang, Sarah Jaffe, Ryley Walker and Truly.
More artists (as well as specific schedule and venue info) will be announced in the coming weeks as the Over-the-Rhine/Downtown festival approaches. For the latest updates, tickets (a limited amount of early bird passes are still available) and more info, visit mpmf.com. Artists interested in showcase consideration can still apply through mpmf.com through May 17.
Here's a sampling of some music clips from this round of MPMFers:
We are barely halfway into this thing and Bonnaroo's memorable performances and highlights already seem too good to be true. In addition to 12 stages featuring live music for 18 hours a day for four days straight, the assembled press are privy to gut busting scenes of spontaneous hilarity in Bonnaroo press conferences twice daily.
Without fail, these press conferences will feature provocative observations from the panelists about their respective Bonnaroo experiences. But more often than not they will degrade into an impromptu exchange of silly quips, wacky tales from the road, and dirty jokes. Friday was no exception.
After setting the bar obscenely low for the 1pm press conference with multiple references to sex acts taking place on and off stage, it was the affable Matt + Kim who stuck around for nearly 45 minutes afterwards, smiling broadly, Happily answering more questions and posing for photographs.
The press conference itself was a chaotic and ramshackle riot that teetered on the brink of peep-show perversion for the duration. Perhaps this was no surprise as its schizophrenic panel included TV star Ed Helms and classic rocker John Oates alongside the eager upstarts Matt + Kim, Nicki Bluhm and Michael Angelakos from Passion Pit. Aside from a brief description of Oates' charity work, the discussion was a lighthearted group improvisation on the pros and cons of playing big festivals.
Helms is doing double duty at this year's Bonnaroo, presenting a comedy revue in the festival's comedy tent and hosting a Bluegrass jam on one of its main stages. Asked why he loves the banjo, Helms sighed, "I believe that banjos are very irritating and that's why banjos and comedians get along."
"Hey Ed," a smirking Oates chimed in, "Do you know why there's no banjos on Star Trek?"
"No John. Why is that?"
"Because it's the future."
Later in the day there was a 4 p.m. press conference that featured some very insightful exchanges between country rocker Jason Isbell and Jazz Fusion guitar legend John McLaughlin (pictured). The Bonnaroo crowd warmly embraced McLaughlin's evening performance in That Tent, causing the master musician to grin from ear to ear from the first notes of his set to the very last.
Though they started 30 minutes late, Rock icons ZZ Top performed a smoking midnight set in This Tent to a capacity crowd who sang along to nearly every song in the bands hit-laden set.
It goes without saying that Paul McCartney flat out slayed 'em on Bonnaroo's What Stage last night. Snagging Sir Paul as a main stage headliner is possibly the biggest coup in Bonnaroo's 12-year history. To no one's great surprise, McCartney dished out sheer unfettered joy to the thousands via a masterful marathon performance that featured onw heart-warming soul-sending classic after another. You can be sure that his eyes have beheld many wonders over the course of a 50+ year career that is unrivaled and unparalleled in every way imaginable. But even McCartney himself could not disguise his expression of awe and disbelief at the size and deafening enthusiasm of the Bonnaroo crowd.
Today and tomorrow, I'll focus on the smaller stages to catch up close and personal performances by JEFF The Brotherhood, The Revivalists, and Alex Ebert of Edward Sharpe and the Magnetic Zeros. Already today I've seen the Futurebirds destroy the Sonic Stage with their peculiar powerhouse hybrid of Indie Country.
Sir Paul's son James McCartney drew a respectful and curious crowd to the On Tap Lounge for his early afternoon solo acoustic performance. Sadly, the booming bass reverberating from the larger stages all but drowned out his gentle folk pop purr. If you could huddle up close enough to the stage, he sounded pretty good. But the son of a Beatle deserves better accommodations.
MusicNOW kicked off last night with performances from Fleet Foxes’ frontdude Robin Pecknold, who apparently played a solo acoustic set of new material (I arrived just as he was finishing), and Joanna Newsom, whose intricate songs proved the perfect aesthetic match to the ornate Memorial Hall.
The third and final day of Forecastle finally arrived. The fest’s weekend felt much longer than, well, a weekend, though each day seemingly flew by. By this point, the festival started to feel like home.
I entered the media tent expecting familiar faces, waited like a patient puppy in front of its food bowl for happy hour, snagged a band interview or two and wandered from stage to stage. Despite my tired eyes, I knew that I could get used to this. Like all good things, though, Forecastle had to come to an end. But not before one last day of fun.
I got to the fest just in time for The Weeks at the Boom Stage. After interviewing the band the previous day, I was looking forward to seeing what they would present live, and I wasn’t disappointed. A Southern-rooted band (Mississippi-rooted, to be exact), the Rock vibe was heavy with lead vocalist Cyle Barnes belting out his husky, Caleb Followill-esque lyrics. These young and rowdy dudes proved to be the perfect start to a sunny afternoon of music.
I scooted away from the stage to browse through the artist tents behind me. As I’ve said, I’m a total sucker for band posters, so off to shop I went. Thankfully my new friend Coltin found me before I could spend too much and we made our way to happy hour in the media tent.
It is quite possible that this is the most pizza I have ever consumed in a three-day period, but when free food calls, one must answer. After taking advantage of the day’s free amenities, Coltin and I attempted (and failed) to get into the Bourbon Lounge, so found our way to the Mast Stage for Brett Dennen. The songs that Dennen write are simple — They aren’t trying too hard, but they’re pleasant, and Dennen’s vocals tie everything together quite nicely. After several songs, though, it was time to wander again, so to the Boom Stage I returned.
Trampled By Turtles was next on my list, as I was scheduled to interview them that evening. Day 3 was much hotter than the others — the cool breeze that carried us through Days 1 and 2 had left us, and bodies glimmered in the summer sun. If you’re getting the idea that this stopped anyone from basking in the heat for their favorite bands, you’re wrong. I realized this as TBT began their set, the audience dancing without hesitation. Perhaps this proves to be true for most shows, particularly at a festival such as this — our bodies ache, our feet hurt, we are “hangry,” but once the music begins we forget it all. We are taken to a different place. TBT did this for their audience as the incredibly fast-fingered Erik Berry on the mandolin drove the crowd wild. It was a sight to see.
Day 3 required much more wandering on my part and floating between bands, so, knowing that I needed to at least catch a few songs from Jenny Lewis’ set, I made my way to the Mast Stage. Wishing my beagle Rilo (named after Rilo Kiley) was with me, I swayed to Lewis’ songs from her latest album, The Voyager, and was quickly reminded of why I fell in love with her old band some years back. Lewis is a little sassy and a lot of fun, rocking out on stage with her band dressed in white and rainbow suits. After a few songs it was time for my last interview of the fest.
I met with a few guys from Trampled By Turtles in the media tent for a quick chat, though I was admittedly distracted by the sounds of Nickel Creek in the distance. I wrapped up our interview and bolted to the stage like I’ve never brisk-walked before. With a smile on my face and happy tear in my eye, I was thrilled to watch a band that I’ve adored since middle school.
I cannot begin to describe how happy I was to see Nickel Creek, especially considering they played so much of their early material. Songs like “The Lighthouse’s Tale”, “Reasons Why” and “When You Come Back Down” from their 2000 self-titled album and “This Side,” along with the instrumental tunes from 2002’s This Side, were all featured, and each song sounded as perfect as the recordings. After so many years, Nickel Creek sounds as beautiful as ever and the band even has a new record out, A Dotted Line. I think I could have died a happy gal after seeing them.
After Nickel Creek, until Beck’s Forecastle-ending performance, I travelled from stage to stage (mostly in search of food) and ran into Adam, a fellow photojournalism pal from school. It was nice to see a friend after only briefly seeing familiar faces throughout the day, so together we went to dance to Flume. It was quite literally a party under the freeway as the Australian DJ blasted his beats from the stage, hands in the air and a sea of bodies moving in sync. Once that set ended it was time for Beck, and Adam and I ran to the stage.
Over the course of Beck’s first few songs we managed to weasel our way toward the front, getting closer to the main stage than I had been the entire weekend. There couldn’t have been a more perfect end to Forecastle.
Beck sang the beautifully airy and springtime-sounding songs from his latest release Morning Phase, but didn’t fail to bring the party with old favorites like “Loser”, “Girl” and more, eventually ending the night with “Sexx Laws” for the encore. One would never realize that Beck has been at this for as long as he has. His energy was amazing; bouncing across the stage between band members, the party atmosphere was what we needed to wrap up the night (and fest).
The audience was immense but was perhaps one of the friendliest crowd I encountered over the weekend — not sure if that’s due to the realization that our tired feet would soon get the rest they needed or perhaps it was just the booze. Either way, Forecastle ended with one of the best shows of the weekend, and we left on the perfect note to wrap up the fest.
Things to know for Forecastle if you plan to go next year: Wear comfortable shoes. Know that if you come in sandals, you will leave with very dirty feet.
Stay hydrated. Keep water with you, especially if the weather is as hot as Day 3 this year. Music festivals require long days, so don’t forget to take care of yourself.
Come with a schedule. You can create a custom schedule on the Forecastle website and print it out, something that helped me immensely this year in keeping track of things. Don’t be afraid to go outside your comfort zone, though. Discovering new music is what festivals are all about!