Friday's Bonnaroo festivities started with great promise, as we were treated to a surprise performance by Jack Johnson in the press tent. Johnson is a last-minute fill-in for headliners Mumford and Sons, who had to cancel because their bass player had a medical procedure to fix a blood clot in his brain earlier this week. Warmth and humility emanated from Johnson as he debuted two brand new songs accompanied by ALO's Zach Gill on accordion.
An hour later Trixie Whitley slithered on to the Which Stage in a long black gown and proceeded to mesmerize the mid-day crowd with her hypnotic and soulful swamp Rock. There were moments during her set when she sang with such power and pathos it literally knocked the wind out of me. The crowd was so awed by Whitley's performance they stood in a stunned silence so quiet that at times you could hear shutters clicking in the photo pit.
I don't think Chuck and I stopped laughing once during a spontaneous and hilarious 15 minutes we spent chatting with Daniel, Thomas and new drummer Johnny Colorado of the Futurebirds. We barely had time to catch our breath and regain our composure before a 4 p.m. press conference that featured comedians Michael Che and Mike Birbiglia, as well as Jason Isbell and Jazz Fusion guitar legend John McLaughlin.
Around the festival grounds today we've heard remarkable performances by Jason Isbell and 400 Unit, Nashville's Alanna Royale and Trombone Shorty.
Coming up later tonight: Wilco, Paul McCartney, ZZ Top and many more.
The Heights Music Festival returns this weekend for its fall event and another wide-ranging sampling of Cincinnati’s original music scene. Music will run Friday and Saturday night from 7 p.m. until about closing time at four venues in Clifton Heights near the University of Cincinnati campus — Baba Budan’s, Mac’s Pizza Pub, Christy’s Biergarten and Rohs Street Café (the only location open to music lovers of all ages).
Here's the full lineup/schedule for this year.
Rohs Street Cafe : 7:00 – Music Resource Center showcase; 8:00 – Wendy’s Yellow Poncho; 9:00 – MC Forty and Wonder Brown ; 10:00 – Cowgirl; 11:00 – The Yugos
8:00 – Sulla;
9:00 – Second Chance At Eden;
10:00 – Damn It To Hell
; 11:00 – Buenos Crotches
; 12:00 – Grey Host
Mac’s Pizza Pub:
8:00 – The Celestials;
9:00 – Majestic Man
; 10:00 – The MJ’s Blues
; 11:00 – Hickory Robot;
12:00 – Jeremy Pinnell & The 55′s;
1:00 – The Founding Fathers
8:00 – The Marmalade Brigade;
9:00 – The Heavy Hinges;
10:00 – The Perfect Children;
11:00 – Shrub (Columbus, OH); 12:00 – The Guitars
Rohs Street Cafe : 7:00 – Elementz Hip Hop Youth Center showcase; 8:00 – Alex Evans ; 9:00 – For Algernon ; 10:00 – Young Heirlooms ; 11:00 – Oui Si Yes
8:00 – Pursuing Hounds
; 9:00 – Sweet Ray Laurel
; 10:00 – Jamwave;
11:00 – The Regrettes (Columbus, OH);
12:00 – The Natives
Mac’s Pizza Pub: 8:00 – Tangerine Sound Machine ; 9:00 – Somebody’s Something ; 10:00 – Big Rock Club ; 11:00 – Valley High ; 12:00 – Junya Be & Wazali
: 8:00 – Killer Looks & Noise
; 9:00 – Horsecop;
10:00 – Loudmouth;
11:00 – Black Signal
; 12:00 – DAAP Girls;
1:00 – The Frankl Project
Tickets are $5 per night if purchased in advance through cincyticket.com here. Admission is $8 for one night or $12 for both if purchased at the festival. Visit the fest's official site here for more info. Here's a sampler the organizers compiled featuring some of the performers:
MidPoint Music Festival 2014 kicks off this Thursday and we've been showcasing some of the Critic's Picks from our official MidPoint guide (which will be available throughout the fest). While most of attendees are likely very familiar with some of the bigger headlining acts, these suggestions mostly focus on some of the lesser known gems. (If you're in doubt, any act with "Cincinnati" next to their name is a slam dunk.)
12:15 a.m. @ Arnold's
Baskery (Stockholm, Sweden)
Sweden’s Baskery formed in 2007, but the members didn’t have to go far to find each other. The group consists of sisters Greta, Stella and Sunniva Bondesson, who dub their unique spin on Roots/Country music everything from “Nordicana” to “Banjo-Punk.” But descriptions are especially difficult when it comes to Baskery; the trio’s third album, this year’s Little Wild Life, finds the sisters spinning a wide range of American Roots music styles into their own distinctive, wildly diverse sound. One second the group is showcasing its vocal harmony prowess a capella on the haunting “Northern Girl,” the next its strutting swamp boogie a la Southern Culture on the Skids on “The NoNo.” If you’re tiring of Roots music that doesn’t go off the same exact blueprints established a century ago, Baskery will show you just how far Americana can be taken.
You’ll Dig It If You Dig: The Dixie Chicks without boundaries, The Beatles reborn as a sister act fascinated by Americana. (Mike Breen)
7:15 p.m. @ Christian Moerlein Brewing Co. (Outdoor Stage)
Ancient Warfare (Lexington, Ky.)
Ancient Warfare’s dark and quiet intensity transcends the band’s tough-chick exterior. The quartet designs a sonic atmosphere the same way Saul Bass once designed logos: with elegant simplicity and ferocious creativity. The psychedelic aspect to Ancient Warfare’s presentation is more about texture than actual sound, as their languid, fuzzy melodies drift through their ethereal yet solidly constructed songs, like the heavy smoke in an opium den. The palpable weariness of Echo Wilcox’s gloomy vocals and haunted guitar, the intractable pull of Rachael Yanarella’s hypnotic violin, the subtle thunder of Reva Williams’ bass and the exquisite filigrees provided by multi-instrumentalist Emily Hagihara swirl and combine to make Ancient Warfare’s enveloping totality and assure that their imminent debut album, The Pale Horse, will be one of the fall’s most anticipated releases.
YDIIYD: Sixteen Horsepower reimagined as the Velvet Underground by P.J. Harvey, Aimee Mann and Hope Sandoval. (Brian Baker)
10 p.m. @ Christian Moerlein Brewing Company (Indoor Stage)
Apache Dropout (Bloomington, Ind.)
Like all good college towns, Bloomington, Ind., is forever dishing up awesome bands with fresh, new music. In the case of Apache Dropout, that “new” sound is perfectly and thankfully reminiscent of some of the best music of the past. Their newest album, Heavy Window, comes from Magnetic South, co-owned by band member Seth Mahern. The guys pressed 1,000 copies of Heavy Window, one of their largest printings yet. Fun fact: The first half of those records feature glowing eyes on the eerie-cool cover. It’s the ultimate tell-tale sign of the drug-addled, paranoid Rock & Roll boogie on the inside.
YDIIYD: The Who on acid, Sgt. Pepper’s Lonely Hearts Club. (Deirdre Kaye)
11 p.m. @ The Drinkery
Xoe Wise (Chicago)
At 19, Xoe Wise moved from her North Carolina home (the first song she wrote was for a sick goat on her family’s farm) to Chicago and immediately became a fixture in the city’s burgeoning scene. Wise’s debut album, 2010’s Echo, generated a pile of positive local press, while its follow-up, 2012’s Archive of Illusions, earned her a sell-out crowd at Schuba’s, a spot on WGN-TV and a feature in the Chicago Tribune. Wise’s third EP, Breakfast, hit the Top 20 on iTunes’ Singer/Songwriter chart and she’s currently at work on her third full-length, irresistibly titled Racecar Orgasm. Wise plays solo acoustic or with a full Electro Pop crew, but either way she creates a dreamy and undeniable vibe.
YDIIYD: Imogen Heap and Suzanne Vega play Twister on a musical game board. (BB)
11:15 p.m. @ Mainstay Rock Bar
The Tontons (Houston)
Big-haired Texas and its Rock & Roll-loving youngsters have eaten up and loved every second of their time with The Tontons. Now the band is out touring the nation and conquering ears and hearts across the globe. The group’s sultry Rock is just good enough to make The Tontons Cincinnati’s favorite band, too. “So Young,” off 2011’s Golden, feels like a modern, youthful, rockin’ spin on elevator music or like Henry Mancini decided to start a female-led Rock band. Asli Omar’s one-of-a-kind voice and perfect squeal makes each song on this year’s Make Out King and Other Stories stand out.
YDIIYD: Blonde Redhead, wearing leather to Tiffany & Co. (DK)
8:45 p.m. @ Mainstay Rock Bar
The Nepotist (New York, N.Y.)
Good luck trying to find a one or two word descriptor for the music made by NYC trio The Nepotist. Actually, don’t even try — the group’s uniqueness and sonic diversity is what makes them so enjoyable to listen to. The Village Voice called them “Alt Soul,” a term the band has embraced and works well enough given the soulful vocals and rewired Steve Cropper guitar riffs. But then you have a track like the recent single “Kids,” which has bubbling banjo and harmonies befitting a Folk band. It’s a delicious stew that is blissfully unpredictable. The trio (formed by brothers Chris and Hayden Frank) has only been together a couple of years but has already drawn loads of glowing press thanks to its pair of EPs and various singles released just this year alone. A full-length is due early next year.
YDIIYD: Grizzly Bear, Sufjan Stevens, Dr. Dog. (MB)
10:30 p.m. @ Memorial Hall
Saintseneca (Columbus, Ohio)
When Saintseneca canceled an appearance at the Fashion Meets Music Festival in Columbus this July, the quintet made national headlines not for its music but for its social politics, because the members were against sex offender R. Kelly performing at the fest. Met with vicious protests, Kelly eventually pulled out (no pun intended) of the fest. This is one of many ways the folksy Appalachian Pop group has become famous this year, along with releasing the new record Dark Arc (produced by Bright Eyes member Mike Mogis), recording a NPR Tiny Desk Concert and gigging across the country. From grassroots house concerts in central Ohio to performing at national fests, it won’t be long now before everyone knows their name and music.
YDIIYD: Weird instruments like the bouzouki, the dulcimer and a bowed banjo playing lilting harmonies with a Ben Gibbard-y vocal affectation. (Garin Pirnia)
9:45 p.m. @ MidPoint Midway Stage
Low Cut Connie (Brooklyn, N.Y.)
If you think Piano Rock is all Billy Joel and Elton John, sorry will be a much easier word for you after you’ve experienced the 88-key onslaught of Low Cut Connie. Featuring the manic piano fireworks of Adam Weiner and the ambidextrous drum/guitar magic of Dan Finnemore (and a full band’s worth of mayhem on tour), Low Cut Connie entertains with a vengeance and accepts nothing less than total surrender. Their first two albums, 2011’s Get Out the Lotion and 2012’s Call Me Sylvia, are loaded with catchy numbers that feature a lot of humor but stop well short of being simple novelties and showcase the duo’s disparate influences (Jerry Lee Lewis and Iggy Pop for Weiner; British Punk and Garage Rock for Finnemore). Low Cut Connie’s latest triumph was a spectacular version of Harry Nilsson’s “Jump Into the Fire” on the Nilsson tribute This is the Town earlier this year, and rumors of a third album continue to swirl. But right now, the play’s the thing. See Low Cut Connie and marvel at the things a piano was never meant to do but should have been doing all along.
YDIIYD: Ben Folds dipped in speed and forced to play Replacements and Stooges songs in a seedy cabaret. (BB)
8 p.m. @ MOTR Pub
Wyatt Blair (Los Angeles)
Power Pop gets short shrift in any serious discussion of music because of its relative simplicity and perceived lack of gravity, but nothing could be further from the truth. Coming up with hooks and lyrics that get the job done in under three minutes and stick in the head like brain taffy may be among the most difficult musical tasks. Wyatt Blair doesn’t seem to have any problem at all, and his latest album, the confectionary Banana Cream Dream, is solid evidence of his lo-fi Power Pop ambitions (he also works with Peach Kelli Pop and Mr. Elevator & the Brain Hotel). As Andy Partridge once noted so succinctly, this is Pop.
YDIIYD: Rick Springfield channeling T. Rex, produced by Tommy Keene. (BB)
10:45 p.m. @ Ballroom at the Taft Theatre
Earth (Seattle, Wash.)
Much like the planet itself, the band Earth has been through a lot in the past 25 years. Guitarist Dylan Carson founded the primarily instrumental band in 1989, cribbing the name from one of Black Sabbath’s early monikers. The band’s 1993 debut, Earth 2, has long been considered the launching pad for what Carlson dubbed Ambient Metal, a feedback- and distortion-drenched drone that influenced a subsequent generation. In the mid-’90s, Carlson shelved the band to deal with heroin addiction; it would be nearly a decade before the release of 2005’s Hex; or Printing in the Infernal Method, which retained a Doom Metal structure but incorporated Country and Blues motifs and was also heavily influenced by Cormac McCarthy’s novel, Blood Meridian. Earth’s next albums, Angels of Darkness, Demons of Light I and II, were shaped by Carlson’s love of Pentangle and Fairport Convention, while the just released Primitive and Deadly finds Carlson moving in yet another new and different direction, incorporating straight Rock and even Pop elements into his long droning jams. With 16 lineup changes in a quarter century, it’s not unusual that Earth would shift identities, but even if the personnel had been stable throughout, Carlson would have retooled the band’s sound in any event and made a new, glorious noise to confront the world.
YDIIYD: God’s guitar, Gabriel’s amp, the Devil’s road crew. (BB)
We are barely halfway into this thing and Bonnaroo's memorable performances and highlights already seem too good to be true. In addition to 12 stages featuring live music for 18 hours a day for four days straight, the assembled press are privy to gut busting scenes of spontaneous hilarity in Bonnaroo press conferences twice daily.
Without fail, these press conferences will feature provocative observations from the panelists about their respective Bonnaroo experiences. But more often than not they will degrade into an impromptu exchange of silly quips, wacky tales from the road, and dirty jokes. Friday was no exception.
After setting the bar obscenely low for the 1pm press conference with multiple references to sex acts taking place on and off stage, it was the affable Matt + Kim who stuck around for nearly 45 minutes afterwards, smiling broadly, Happily answering more questions and posing for photographs.
The press conference itself was a chaotic and ramshackle riot that teetered on the brink of peep-show perversion for the duration. Perhaps this was no surprise as its schizophrenic panel included TV star Ed Helms and classic rocker John Oates alongside the eager upstarts Matt + Kim, Nicki Bluhm and Michael Angelakos from Passion Pit. Aside from a brief description of Oates' charity work, the discussion was a lighthearted group improvisation on the pros and cons of playing big festivals.
Helms is doing double duty at this year's Bonnaroo, presenting a comedy revue in the festival's comedy tent and hosting a Bluegrass jam on one of its main stages. Asked why he loves the banjo, Helms sighed, "I believe that banjos are very irritating and that's why banjos and comedians get along."
"Hey Ed," a smirking Oates chimed in, "Do you know why there's no banjos on Star Trek?"
"No John. Why is that?"
"Because it's the future."
Later in the day there was a 4 p.m. press conference that featured some very insightful exchanges between country rocker Jason Isbell and Jazz Fusion guitar legend John McLaughlin (pictured). The Bonnaroo crowd warmly embraced McLaughlin's evening performance in That Tent, causing the master musician to grin from ear to ear from the first notes of his set to the very last.
Though they started 30 minutes late, Rock icons ZZ Top performed a smoking midnight set in This Tent to a capacity crowd who sang along to nearly every song in the bands hit-laden set.
Details for the first two big local music festivals of 2011 have been announced. The One More Girl on a Stage fest returns Jan. 21 and 22 to Newport’s York Street Café for the Rivertown Music Club’s last ever event, while the Cincy Blues Society’s annual Winter Blues Fest takes over the Southgate House Jan. 28 and 29.
Though there is a lot of it, this weekend's three-day Bunbury Music Festival isn't just dudes with guitars playing Alternative Rock music. You'll also find Folk, AltCountry, Post Punk, Blues, Pop and, if you're a fan of DJs and Electronic music, besides acts like RJD2 and Lights, there's a whole stage set up for you.
Self Diploma, the crowd-brining-and-moving local promoters behind the successful Beats Summer Music Series (which has packed Fountain Square every Saturday this summer with a mix of DJs, Electronic and Hip Hop artists), has booked Bunbury's DJ stage and assembled a great mix of local artists with a few marquee headliners.
The DJ/Electronica bookings will perform on the Red Bull Stage, which is the westernmost stage at Sawyer Point, right before the bridge underpass that separates the park from Yeatman's Cove (and next to the "Craft Beer Village"). Here is the full lineup and a little sampling from each day's headliner.
Ice Cold Tony (Noon); CJ the DJ (1:30 p.m.); Alex Peace (3 p.m.); DJ AMF (4:30 p.m.); Mixin Marc (6 p.m.); The Alchemist (7:45 p.m.)
The Alchemist has been an important player on the Hip Hop scene for the past two decades, from his early years learning under mentor DJ Muggs and producing Dilated Peoples and Mobb Deep, through his run in the ’00s producing some of the biggest names in Hip Hop (Ghostface, Snoop Dogg, Nas) through his acclaimed solo albums and DJing gig with Eminem. Al's latest project is the long-awaited Russian Roulette album, which features guest MCs like Evidence, Action Bronson, Schoolboy Q and Danny Brown and has drawn positive reviews for its progressiveness (and trippiness).
The album is due July 17. Here's a track with Big Twinz from the album.
Davey C (Noon); DJ Etrayn (1:30 p.m.); Big Once (3 p.m.); DJ Ivy (4:30 p.m.); DJ Spider (6 p.m.); DJ Irie (8 p.m.)
When you’re dubbed the top DJ in the club-rich scene of Miami, it’s safe to say you’re also one of the best in the country. Miami Herald gave DJ Irie that distinction for his work not only as host of the No. 1 mix-show on Miami’s 99 JAMZ, but also for his crowd-pleasing, fully-energized club sets across the globe. Irie is often lauded for his ability to read a crowd and incorporate a variety of styles for any occasion. Irie could be the dictionary definition of a superstar DJ, having performed everywhere from Robert Downey Jr.’s crib to Miami Heat home games, where he’s the team’s house DJ.
Here's Irie doing a halftime showcase at a Heat game.
DJ Prism (12:45 p.m.); DJ K-Dogg (2:15 p.m.); DJ D-LO (3:45 p.m.); Mr. Best (5:15 p.m.); Mick Boogie (6:45 p.m.)
Mick Boogie is one of the more popular on-call party/club DJs in the U.S., scoring gigs literally all over the planet at some of the top clubs in the world. He's done a lot of popular remixes and commercial work for campaigns by Adidas and Bing, so chances are you've heard him even if you don't recognize his name instantly.
In honor of Adam Yauch's induction into the Rock and Roll Hall of Fame and subsequent passing earlier this year, Boogie put together a great Beastie Boys mixtape titled Grand Royal (after the group's boutique not-just-music label). Below is a sample (or you can download the whole thing here).
Tickets and full info on the Bunbury Music Festival can be found here.
UPDATE: It appears there has been some shifting around on the Red Bull Stage. DJ Irie is now spinning Sunday at 5:15 p.m.; DJ Spider has his slot Saturday at Bunbury and the afterparty. Be sure to click here for the latest scheduling updates. And click here for afterparty details featuring several of the DJs from the fest.
It goes without saying that Paul McCartney flat out slayed 'em on Bonnaroo's What Stage last night. Snagging Sir Paul as a main stage headliner is possibly the biggest coup in Bonnaroo's 12-year history. To no one's great surprise, McCartney dished out sheer unfettered joy to the thousands via a masterful marathon performance that featured onw heart-warming soul-sending classic after another. You can be sure that his eyes have beheld many wonders over the course of a 50+ year career that is unrivaled and unparalleled in every way imaginable. But even McCartney himself could not disguise his expression of awe and disbelief at the size and deafening enthusiasm of the Bonnaroo crowd.
Today and tomorrow, I'll focus on the smaller stages to catch up close and personal performances by JEFF The Brotherhood, The Revivalists, and Alex Ebert of Edward Sharpe and the Magnetic Zeros. Already today I've seen the Futurebirds destroy the Sonic Stage with their peculiar powerhouse hybrid of Indie Country.
Sir Paul's son James McCartney drew a respectful and curious crowd to the On Tap Lounge for his early afternoon solo acoustic performance. Sadly, the booming bass reverberating from the larger stages all but drowned out his gentle folk pop purr. If you could huddle up close enough to the stage, he sounded pretty good. But the son of a Beatle deserves better accommodations.
The 2010 MidPoint Music Festival is finally upon us. In fact, it actually kicks off at noon today on the outdoor plaza outside the Main Public Library at Ninth and Vine streets with local Americana/Roots favorites Magnolia Mountain. Should be a hot start to a long, action-packed weekend. Literally.
If you're looking for last-minute updates and answers to your questions, you can stop by the MidPoint World Headquarters across from the library at Garfield Suites Hotel (Vine Street and Garfield Place). They'll be open for business by noon today. The MidPoint web site is a good spot for daily schedules, venue details, maps, Metro shuttle bus info and everything else.
The third and final day of Forecastle finally arrived. The fest’s weekend felt much longer than, well, a weekend, though each day seemingly flew by. By this point, the festival started to feel like home.
I entered the media tent expecting familiar faces, waited like a patient puppy in front of its food bowl for happy hour, snagged a band interview or two and wandered from stage to stage. Despite my tired eyes, I knew that I could get used to this. Like all good things, though, Forecastle had to come to an end. But not before one last day of fun.
I got to the fest just in time for The Weeks at the Boom Stage. After interviewing the band the previous day, I was looking forward to seeing what they would present live, and I wasn’t disappointed. A Southern-rooted band (Mississippi-rooted, to be exact), the Rock vibe was heavy with lead vocalist Cyle Barnes belting out his husky, Caleb Followill-esque lyrics. These young and rowdy dudes proved to be the perfect start to a sunny afternoon of music.
I scooted away from the stage to browse through the artist tents behind me. As I’ve said, I’m a total sucker for band posters, so off to shop I went. Thankfully my new friend Coltin found me before I could spend too much and we made our way to happy hour in the media tent.
It is quite possible that this is the most pizza I have ever consumed in a three-day period, but when free food calls, one must answer. After taking advantage of the day’s free amenities, Coltin and I attempted (and failed) to get into the Bourbon Lounge, so found our way to the Mast Stage for Brett Dennen. The songs that Dennen write are simple — They aren’t trying too hard, but they’re pleasant, and Dennen’s vocals tie everything together quite nicely. After several songs, though, it was time to wander again, so to the Boom Stage I returned.
Trampled By Turtles was next on my list, as I was scheduled to interview them that evening. Day 3 was much hotter than the others — the cool breeze that carried us through Days 1 and 2 had left us, and bodies glimmered in the summer sun. If you’re getting the idea that this stopped anyone from basking in the heat for their favorite bands, you’re wrong. I realized this as TBT began their set, the audience dancing without hesitation. Perhaps this proves to be true for most shows, particularly at a festival such as this — our bodies ache, our feet hurt, we are “hangry,” but once the music begins we forget it all. We are taken to a different place. TBT did this for their audience as the incredibly fast-fingered Erik Berry on the mandolin drove the crowd wild. It was a sight to see.
Day 3 required much more wandering on my part and floating between bands, so, knowing that I needed to at least catch a few songs from Jenny Lewis’ set, I made my way to the Mast Stage. Wishing my beagle Rilo (named after Rilo Kiley) was with me, I swayed to Lewis’ songs from her latest album, The Voyager, and was quickly reminded of why I fell in love with her old band some years back. Lewis is a little sassy and a lot of fun, rocking out on stage with her band dressed in white and rainbow suits. After a few songs it was time for my last interview of the fest.
I met with a few guys from Trampled By Turtles in the media tent for a quick chat, though I was admittedly distracted by the sounds of Nickel Creek in the distance. I wrapped up our interview and bolted to the stage like I’ve never brisk-walked before. With a smile on my face and happy tear in my eye, I was thrilled to watch a band that I’ve adored since middle school.
I cannot begin to describe how happy I was to see Nickel Creek, especially considering they played so much of their early material. Songs like “The Lighthouse’s Tale”, “Reasons Why” and “When You Come Back Down” from their 2000 self-titled album and “This Side,” along with the instrumental tunes from 2002’s This Side, were all featured, and each song sounded as perfect as the recordings. After so many years, Nickel Creek sounds as beautiful as ever and the band even has a new record out, A Dotted Line. I think I could have died a happy gal after seeing them.
After Nickel Creek, until Beck’s Forecastle-ending performance, I travelled from stage to stage (mostly in search of food) and ran into Adam, a fellow photojournalism pal from school. It was nice to see a friend after only briefly seeing familiar faces throughout the day, so together we went to dance to Flume. It was quite literally a party under the freeway as the Australian DJ blasted his beats from the stage, hands in the air and a sea of bodies moving in sync. Once that set ended it was time for Beck, and Adam and I ran to the stage.
Over the course of Beck’s first few songs we managed to weasel our way toward the front, getting closer to the main stage than I had been the entire weekend. There couldn’t have been a more perfect end to Forecastle.
Beck sang the beautifully airy and springtime-sounding songs from his latest release Morning Phase, but didn’t fail to bring the party with old favorites like “Loser”, “Girl” and more, eventually ending the night with “Sexx Laws” for the encore. One would never realize that Beck has been at this for as long as he has. His energy was amazing; bouncing across the stage between band members, the party atmosphere was what we needed to wrap up the night (and fest).
The audience was immense but was perhaps one of the friendliest crowd I encountered over the weekend — not sure if that’s due to the realization that our tired feet would soon get the rest they needed or perhaps it was just the booze. Either way, Forecastle ended with one of the best shows of the weekend, and we left on the perfect note to wrap up the fest.
Things to know for Forecastle if you plan to go next year: Wear comfortable shoes. Know that if you come in sandals, you will leave with very dirty feet.
Stay hydrated. Keep water with you, especially if the weather is as hot as Day 3 this year. Music festivals require long days, so don’t forget to take care of yourself.
Come with a schedule. You can create a custom schedule on the Forecastle website and print it out, something that helped me immensely this year in keeping track of things. Don’t be afraid to go outside your comfort zone, though. Discovering new music is what festivals are all about!