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by mbreen 10.26.2011
Posted In: Live Music, Local Music, Music Video at 12:16 PM | Permalink | Comments (0)

Squeeze the Day for 10/26

Music Tonight: New Orleans Jazz/Funk wunderkind Trombone Shorty grooves into Oakley tonight for a show at the 20th Century Theater. The young musician (who appeared on the HBO series Treme) will be joined by his band Orleans Avenue, delivering his unique mix of Funk, Jazz and Hip Hop. Last month, Shorty released For True, his followup to last year's breakthrough, Backatown, which spent nine weeks atop the Jazz charts and was nominated for a Grammy. For True is loaded with special guests, including Kid Rock, Warren Haynes, Jeff Beck, The Rebirth Brass Band and Lenny Kravitz, who gave Shorty his start as a member of his touring horn section in 2005. Showtime tonight is 8 p.m. and tickets are $25 at the door. Below, check out the video for new album track "Do To Me."

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by mbreen 08.29.2011
Posted In: Live Music, Music Video at 11:26 AM | Permalink | Comments (0)

Squeeze the Day for 8/29

Music Tonight: The Outlaw Country movement that emerged in the late ’60s showcased, as the name suggests, a renegade sound that didn’t pretty up Country for a Pop audience, instead keeping everything down and dirty, building a bridge between Country and Southern Rock that fed into the “AltCountry” trend of the past 20 or so years. That honest, raw approach has also been translated in modern times by artists whose rebellious side includes a hankering for muscular Heavy Metal. Beginning with David Allan Coe and Pantera’s co-mingling, Hank Williams III has furthered the metallic side of Country in clubs across the world, mixing hard rockin’ songs with more traditional Country, all delivered with the same timeless Punk Rock spirit. Hank III’s guitar tech/tourmate Bob Wayne is another Heavy Outlaw purveyor and tonight he brings his ruckus (and his Outlaw Carnies) to the Southgate House’s Parlour for a 9 p.m. show. Tickets are $10 at the door. Here’s a clip of Wayne kickin’ up dust to a shuffling beat and banjo to get you in the mood (NSFW, primarily for language).

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by Mike Breen 12.02.2013

WATCH: The MidPoint Sessions featuring Molly Sullivan

Cincinnati singer/songwriter stars in fourth video from the Queen City Project’s “MidPoint Sessions” series

So far, the videos released from The Queen City Project’s series of clips from The MidPoint Sessions (a day party that took place at the Art Academy during September’s MidPoint Music Festival) have showcased three great Ohio acts — Athens’ The Ridges (also the curators of the Sessions), Cincinnati’s The Happy Maladies and Columbus’ Indigo Wild. Today you can check out the final clip from the performances, this one featuring another Cincinnati artist — intriguing singer/songwriter Molly Sullivan. While the previous performances were acoustic, Sullivan strums an electric guitar and utilizes loops to create a haunting effect.

Click here for more about Sullivan. And you can see/hear her live this Thursday at MOTR Pub in Over-the-Rhine as she opens for Lexington, Ky.’s Ancient Warfare, which also played this year’s MidPoint Music Festival. Find details on the free show here.

by Mike Breen 07.31.2012
Posted In: Festivals, Live Music, Local Music, Music Video at 08:41 AM | Permalink | Comments (0)

Warped Tour Hits Riverbend Today

The 18th annual Punk/Metal/Hip Hop/etc. traveling fest winds down after today's Cincy stop

The Van's Warped Tour might not be the most financially successful summer package tour of all time (the promoter and performers work together to keep an ego-free environment and low ticket prices), but it's hard to argue that it is not the most successful overall, especially in terms of longevity. Now in its 18th year, Kevin Lyman's eclectic traveling festival has outlived all of the roving music events that sprouted up around the same time (from Lollapalooza to Lilith Fair) by creating a "customer friendly" experience that's also very "artist friendly."

The tour's 2012 finale is this weekend in Portland, but before shutting things down for the summer, the fest makes its annual stop at Cincinnati's Riverbend today. Doors open at 11 a.m. and music kicks off shortly after. The show ends around 9 p.m. Tickets at the box office will cost ya $42 (about a dime a band, by my estimation).

Click here for more local show details, including info on how you can "Skip the Line" and walk right into the venue.

The set-times for each act are decided just prior to the gates opening; if you're going, look for the giant inflatable Warped logoed amp to see when your favorites are playing. I also highly recommend grabbing the official
Warped Tour app.

Be sure to support our local music scene reps — The Few The Fallen, Heres To The Heroes and Let It Happen will play the Ernie Ball Stage. Check out Let It Happen's recent video for "Bridges" from the great release, It Hurts, But It's Worth It.

Here is who's playing where (via Riverbend's site). (Welsh rockers Lostprophets are also on the bill, though not listed on Riverbend's site; all info is subject to change.)

MAIN STAGE: Taking Back Sunday, All Time Low, New Found Glory, Streetlight Manifesto, Yellowcard, Piece The Veil, Four Year Strong, Of Mice and Men, We The Kings, Breathe Carolina, Miss May I, Falling In Reverse, Blood On The Dance

TBD STAGE:  Every Time I Die, Mayday Parade, blessthefall, Chelsea Grin, For Today, Memphis May Fire, Motionless In White, Rise To Remain, Sleeping With Sirens, The Ghost Inside, Vampires Everywhere!, Title Fight

TILLY’S STAGE: Senses Fail, Vanna, Polar Bear Club, We Are The Crowd, Man Overboard, A Loss For Words, Funeral Party, I Fight Dragons, Machine Gun Kelly, Oh No Fiasco

TBD STAGE: Echo Movement, G-Eazy, Stepdad, The Constellations, Ballyhoo!, Champagne, T. Mills, Tomorrows Bad Seeds, Mod Sun, The Green, Amyst

ERNIE BALL STAGE:  iwrestledabearonce, Born Of Osiris, Chunk! No Captain, Fireworks, Transit, Cold Forty Three, The Scissors, The Few The Fallen, Here's To The Heroes and Let It Happen.

KEVIN SAYS STAGE:  Make Do And Mend, Matt Toka, Tonight Alive, Skip The Foreplay, Sick of Sarah, Mighty Mongo, Captain Capa, I Call Fives, Hostage Calm, The Silver Comet, Twin Atlantic, The Darlings, Dead Sara

ACOUSTIC BASEMENT:   A Loss For Words, Koji, Brian Marquis, Rocky Votolato, Transit Owen Plant, Anthony Raneri

by Leyla Shokoohe 08.10.2011
Posted In: Festivals, Live Music, Music Video at 03:52 PM | Permalink | Comments (0)

Leyla at Lolla: Lollapalooza 2011 Day 2

Lollapalooza Day 2 dawned bright and early — I woke up a tad late, having burned the midnight oil too long the night before.

Rule No. 2 of Lollapalooza: Get enough sleep. Always. Especially if you’ll be walking every-the-heck-where.

I had been invited to an after-party Friday night, sponsored by Belvedere Vodka, at the W Chicago City Center downtown. I went in my sweaty Lolla regalia, and was rewarded with performances by Two Door Cinema Club and Fitz and the Tantrums.

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by Mike Breen 02.28.2012
Posted In: Live Music, Music Video, Local Music at 01:59 PM | Permalink | Comments (0)
pop emp

Music Tonight: Pop Empire at The Comet

Local group closes out residency, releases clips from Emery Theatre video project

Local electronics-tinged Rock & Roll duo-turned-trio Pop Empire closes out its every-Tuesday residency at The Comet tonight with another free, 10 p.m. show. The band has been publicly evolving and busy as bees, adding a live drummer (which, as you'll see in the clips below, gives the band's sound a whole new dimension), working on a new album, running the free digital record label called The Recording Label and masterminding a cool new video project with internationally-acclaimed photographer Michael Wilson.

The video project is a series of music clips featuring bands performing live, filmed in one continuous shot, without edits. Pop Empire filmed several songs for the project at the historic Emery Theatre (on the border of Over-the-Rhine and Downtown). Check out clips for "True Believer" and "The Chills" below (and click here to check out the rest).

Pop Empire's music can also be heard in a new ad for Harley-Davidson. Check out the commercial featuring PE's "Some Fun" below.

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by Mike Breen 03.25.2014
Posted In: Music News, Music Video, New Releases at 10:03 AM | Permalink | Comments (0)

The National Film Opens in Cincinnati

Cincinnati native Tom Berninger’s Mistaken for Strangers opens at the Esquire this Friday

Cincinnati native Tom Berninger’s film that follows his older brother Matt’s band, The National, on tour, Mistaken for Strangers, is finally opening in Cincinnati this weekend, after making the film fest rounds and racking up mounds of positive press (it currently has an impressive 92 percent rating on Rotten Tomatoes). 

The movie — which follows The National’s members (all Cincy natives) on their tour behind 2010’s High Violet album, but is really more about Tom and Matt’s relationship — makes its Cincinnati premiere this Friday at the Esquire Theatre in Clifton at 7:30 p.m. 

The Friday screening will be followed by a Q&A via Skype with the Berninger brothers. Following Monday’s 7:30 p.m. screening, there will be an in-person Q&A hosted by Jim Blase of Shake It Records and featuring Tom, Matt and The National’s drummer, Bryan Devendorf. 

Advanced tickets for all screenings are available at the Esquire box office or through movietickets.com. (Click here for Friday tickets and here for Monday’s screening.)

Here's the trailer for Mistaken for Strangers:

by Mike Breen 04.18.2012

Virtual2pacalypse Now? When Jokes Come Alive

Was the hologram 2Pac a glimpse into the future of "live" music?

It's always a baffling moment for me when one of the things many of us have joked about happening in the future actually happens in the future.

"One day we'll just talk to the TV to change channels," we'd say, goofing around as we maneuvered the broomstick taped to the channel changer dial on (yes, ON) the television set so we wouldn't have to get off the couch to change it (more) manually.

"Wouldn't it be cool if, like, we could go see Kajagoogoo in Cleveland this weekend, but just broadcast to us in the garage so we can chug Milwaukee's Best and do Whip-Its while we watched it?" we'd say, knowing Mom would let us borrow the station wagon to go see the New Wave megastars in Cleveland when pigs can fly or we can carry around all the books in the library in our pockets!

Yeah, like that'll happen. But only because Kajagoogoo broke up years ago (and it did NOT end well). Last weekend, I was able to watch several artists perform at Coachella live, as it happened, while laying on my couch. Not naked, but also not sweating or getting run into constantly by some wasted "raver" in a purple Adidas jumpsuit shouting "Play 'Our House!'" while I'm trying to watch Madness.

I don't think the latest watershed the-silly-future-is-now moment — Tupac Shakur appearing at Coachella in hologram form alongside Snoop Dogg and Dr. Dre — was part of the live broadcast through YouTube. But enough people have seen footage of it now that it has become a super-high trending topic on our digital future-boxes with the interweb and the series of tubes and whatnot.

I've been a bit shocked that the gimmick has elicited way more "OMG" responses that "WTF" ones. It is a neato technological trick and certainly warrants a lots of "Well I'll be"-type responses, but I've been bewildered that most of the commentary has been in the range of "tearful amazement" and "pure awe." This is based on some serious Twitter research, which has revealed how people like Katy Perry ("I think I might have cried when I saw Tupac") and Rihanna ("#IWASTHERE #STORY4myGrandKidz") reacted. I can only assume the "little people" feel the same way and are equally impressed.

If you somehow haven't seen it, take a gander:

I've made jokes in print about things like a "Hip Hopera," using it as something beyond the realm of possibility because it would be so cheesy and ridiculous. It's happened numerous times since. Never that successfully, because, you know, it's a Hip Hopera.

I've used the dead-musician-
hologram gag similarly — a far-fetched concept to play upon the ridiculous rate of technological advancement today and the greed of the music biz that might one day enable all the great dead artists of our time to be brought back to life as holograms and go on tour. Older artists could go out as their vintage selves — The Rolling Stones circa Beggars Banquet or Wu-Tang Clan circa Enter the Wu-Tang (36 Chambers) (… and EVERYONE shows up). "Bands" could do multinational shows simultaneously. And the only people really getting paid to tour would be the A/V geeks hired to run the equipment.

It's such a bizarre concept; it's not supposed to ever actually come true. That's the kind of thing that makes jokes dated. And it's why The Jetsons still holds up. Robot maids — that shit's hilarious!

As dazzled as everyone seems to be by the projection of a dead rapper fake-performing (even shouting out "Coachella," though, to be fair, they could have cobbled that together from a sample from when Tupac used to play Frisbee Golf there on spring break), could there actually be a market for a hologram act to "tour"? (Note: Yes, I realize the Tupac at Coachella wasn't actually a "hologram," so shut it.)

Promoters, apparently, are going to find out if reports are true that Hologram2Pac might go on tour with Dr. Dre. Since the ghost cameo was the talk of the entire festival, Dre and Co. probably started planning it immediately. Especially after Shakur's mother gave her permission for the Coachella use and was reportedly amazed by how it came off.

That could be a fun special effect as part of someone else's act, but could it ever go to the next level? Will there ever be a tour reliant on a holographic headliner? Would people pay to see that? I'm not equating a DJ concert with a film projection of a dead person, but put, say, hologram Elvis on Daft Punk's stage — with Daft Punk — and would it double or triple the usual Daft Punk draw on tour?

I don't know if "The 1969 Beatles on Tour" or "Eddie Van Halen and His Fabulous Rotating Hologram Singers" would find an audience at this point. But I'm constantly amazed by what people love. Reality TV? Now That's What I Call Music compilations? Karaoke? Bon Iver? Every sitcom on CBS? We can do better.

If you would have told me while I was listening to 2Pac's All Eyez On Me album in 1996 (and, honestly, trying to figure out why so many considered the man a genius) that one day within the next two decades a dead Shakur would be the talk of some huge festival ("It's like that Lollapalooza thing, ’cept it don't travel"), I would have spit Milwaukee's Best out of my nose. (Yeah, I didn't mature much.)

I've watched as the concert experience — the actual, go-some-place-type of concert experience — has evolved in the past 20 years. The most talked about today is the phenomenon involving young people fiddling with their phones instead of "not paying attention" to the concert. I was, like many, annoyed/befuddled by the perceived lack of focus, but I realized something while watching Paul McCartney's Cincinnati concert at Great American Ballpark last summer that has helped me take a deep breath and just accept it.

Everyone enjoys music — listening to it, watching it performed, absorbing it — in different ways.

It was especially evident at the McCartney show because so many people had deep connections to the music being played, but they showed it — or expressed it — in different ways. I was intensely attentive and a bit internally emotional. I didn't talk a lot. My epiphany came when my girlfriend spoke to me while Sir Paul was introducing the next song. I could not imagine how insane someone must be to TALK while PAUL FREAKIN' MCCARTNEY WAS TALKING?!

And then I realized how stupid that was. My way of experiencing the show was different than hers or from the hammered 60-something couple dancing with their eyes shut or the beaming kids with their parents or the teen with the smartphone tweeting. They all had fun. And they'll all remember it (and those who don't as well will have photos to help).

So if Hologram2Pac is the next wave of live concert entertainment, I probably won't go to any of those concerts, but I won't make fun of people who do. Well, maybe just a little. Mostly because I won't be able to stop thinking about the early Saturday Night Live "fake commercial" promoting a concert residency, not long after Elvis died, starring Elvis' coat. That's one old music biz joke that hasn't come true. Yet. (Though EP did "tour" as video footage on big screens backed by a live band. And it did pretty damn well, from what I remember.)

Elvis Presley's Coat from Walter Williams on Vimeo

My recommendation is to do as I do, frustrated concertgoers. Accept our new hologram superstars. You never know — they might some day come to life and the world will be ruled by hologram images of great pop cultural icons originally crafted for beer commercials and personal appearances at car dealerships.

President Sinatra, I supported you all along.

(And now that I've made a joke about it, it has about a 600 percent better chance of happening.)
by Mildred C. Fallen 09.12.2012
Posted In: Live Music, Local Music, Music Video at 12:21 PM | Permalink | Comments (0)

Music Tonight: Blowfly!

Rap influence and naughty, naughty man Blowfly brings his XXX-rated show to Newport

Blowfly hatched from Soul songwriter/producer Clarence Reid’s depraved imagination as his alter ego who loves to make parodies about, well, getting off.

As Blowfly, he rapped nasty ditties decades before Too Short and 2 Live Crew. In the ’70s and ’80s, Reid released a slew of Adults Only party records as Blowfly on his own Weird World record label, all the while writing and producing for R&B artists like Betty Wright, Joe Tex, Wilson Pickett, KC & the Sunshine Band — and himself.

At the time, fans of Reid (and even his family) didn’t know about his career as Blowfly. His appeal remained underground. Like Rudy Ray Moore, who also built his following imitating the street culture of signifying, Blowfly’s poetic toasts were tall tales about size and strength. On “Rapp Dirty,” he spits an outrageous storyline of him as a sexual superhero whipping the Ku Klux Klan with his tool. A 45 spelled “Rap Dirty” from 1965, with him rhyming to a beat like Southern radio disc jockeys, is considered by many collectors to be the first Rap record.

Even bawdier at 73, Blowfly still makes music, and in 2011, he was featured in a documentary about his career, The Weird World of Blowfly. (The film is available on Netflix; check out the trailer below). In it, the caped crusader’s very elderly mother remembers that he said his first cussword when he was 9 months old and told her his okra tasted “ass-ty.”

Blowfly is currently touring the Midwest and Canada on his “Porno Freak” tour.

by Mike Breen 11.14.2013
Posted In: Live Music, Local Music, Music Video at 11:34 AM | Permalink | Comments (0)

Music Tonight: Stepdad, Sonny Landreth, Jaheim and More

Buoyant Electro Pop group Stepdad pulls into MOTR Pub in Over-the-Rhine tonight. The free show kicks off around 10 p.m. with locals Halvsies

Stepdad was formed in Chicago in 2009 by frontman Mark “Ultramark” Tafel and his roommate, Ryan McCarthy. The duo — which has grown Stepdad into a five-piece band over time — soon relocated to Grand Rapids, Mich., and self-released its debut recording, the Ordinaire EP, online. The EP drew wider attention to Stepdad, which signed to Michigan indie label Quite Scientific and re-released the EP in 2011. 

After completing its debut album, Wildlife Pop, with a little help from Kickstarter, the band signed with Black Bell Records, the relatively new imprint founded by Passion Pit’s Ayad Al Adhamy and distributed by Warner Brothers Records. Wildlife Pop, released last summer, is an incredibly endearing listen, layering vintage-sounding synth bleeps and squiggles with broader, lush Electro atmospherics and a rhythmic base that is muscular and dance floor ready. At the core is Ultramark’s steady stream of exuberant melodies, which adds greatly to Stepdad’s jubilant sound (though, spoiler alert, the lyrics can be much deeper and darker than the upbeat vibe suggest). Wildlife Pop falls somewhere between the M83’s shadowy, cerebral Electronic explorations and Capital Cities’ (see below) warm and cheerily infectious Dance Pop.

Here is the music video for Wildlife Pop single, “Will I Ever Dance Again”:

• Virtuoso Blues/Rock/Roots guitarist, songwriter and singer Sonny Landreth returns to Cincinnati tonight for an 8 p.m. show at Oakley’s 20th Century Theater. Rootsy local rockers Monkeytonk open.

After cutting his teeth in the ’70s playing with Zydeco/Cajun/Roots accordionist Clifton Chenier, Landreth (who grew up in Louisiana) launched his solo career in the ’80s, building his reputation as a masterful player and innovative slide guitarist. Landreth’s unique technique involves playing chords behind the slide leads, which he taps, slaps and picks with his right hand. Since the mid-’90s, Landreth has released a dozen albums that have been stylistic adventurous, a testament to his impressive versatility. The guitarist’s playing shows that Blues, Jazz, Rock, Cajun and many other types of music have greatly informed his boundless approach to writing and performing. (Landreth is also a popular session musician, having recorded with artists like Jimmy Buffett, Mark Knopfler, John Hiatt and numerous others.) 

Last year, Landreth released another wildly diverse album, Elemental Journey, his first all-instrumental effort which features guests like fellow guitar wizards Joe Satriani and Eric Johnson, as well as additives like symphonic strings and steel drums. 

Here is a live clip of Landreth performing at Eric Clapton’s Crossroads Guitar Festival in 2010:


Over at Covington’s Madison Theater tonight, bring your dancing shoes because Fitz and the Tantrums and Capital Cities are going to have the venue jumping with their ear-grabbing/dance-inducing sounds. Showtime is 7:30 p.m. and the event is open to all ages. Tickets are $25 at the door. L.A.’s Electro Dance rockers Beat Club open.

L.A. band Fitz and the Tantrums’ propulsive, modern update of vintage Soul/R&B caught the music world’s attention in 2010 with the release of their debut LP, Pickin’ Up the Pieces, both a critical and commercial success thanks in part to the powerful single, “MoneyGrabber,” a song that was perfectly timed to the national outrage over big banks and other mischievous financial institutions that led to the Occupy Wall Street movement. The Tantrums’ second album (and major-label debut), More Than Just a Dream, was released by Elektra Records this past May. Here’s a clip for that album’s “Out of My League”:

Electro Pop duo Capital Cities garnered a lot of mainstream attention this year with its debut album, In a Tidal Wave of Mystery, released in June through Capitol Records. The album features the insistently catchy and winsome singles “Kangaroo Court” and “Safe and Warm,” both from the twosome’s self-titled 2011 EP debut. Like MGMT’s “Kids” or Walk the Moon’s “Anna Sun,” songs that were originally issued on earlier, pre-fame recordings but were released to widespread success on their respective major label debuts, “Safe and Sound” was released originally in 2011 and, two years later, continues to earn Capital Cities more fans. The duo’s super-catchy Synth Pop is hard to resist and the more people are exposed to Capital Cities, the bigger they seem to get. 

• R&B singer Jaheim was already wowing audiences at a young age, winning the infamous talent show at the Apollo Theater three times when he was just 15. It was the start of a long, fruitful career that kicked off in earnest when the singer was in his early 20s and was signed to the Warner Brothers-distributed label Divine Mill. Since his debut album in 2001, Jaheim has been a regular visitor to the upper airspace of the R&B charts. His new album, Appreciation Day, was released earlier this year and earned praise for being one of the best displays of Jaheim’s seamless blending of the classic seductive R&B artists like Teddy Pendergrass and Luther Vandross popularized with today’s Neo Soul and Hip Hop-informed approach. Here’s the album’s single “Age Ain’t a Factor”: 

Jaheim brings his “Appreciation Tour” with singer Chrisette Michele to downtown’s Aronoff Center tonight, in the venue's Procter & Gamble Hall. Showtime is 7:30 p.m.

Click here for more live music options in Greater Cincinnati tonight.