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by Mike Breen 02.29.2012
Posted In: Local Music, Live Music, Music News, Festivals at 01:18 PM | Permalink | Comments (5)

Forecastle and Pitchfork Fests Announce Lineups

The two established music events coincide with Cincy's innaugrual Bunbury festival

The Bunbury Music Festival in Cincinnati falls on the same weekend as two other big regional music fests, one 100 miles to our south and the other about 300 miles northwest of the Queen City. Like Bunbury, the Pitchfork Music Festival in Chicago and the 10th annual Forecastle fest are happening July 13-15.

In theory, the proximity (geographically and time-wise) should lead to some crossover, as artists from one event might run their tour route to the other cities to score some of those big festival performance fees. (MidPoint's 2011 fest in Cincy, for example, shared some acts with the somewhat nearby Pygmalion Music Festival in Urbana-Champaign, Ill.) But so far that hasn't happened with Bunbury, which seems to be focusing on more mainstream "Alternative" artists, as opposed to Pitchfork's more esoteric lineup and Forecastle's endearing mishmash of styles.

Louisville's Forecastle previously announced that hometown heroes My Morning Jacket would be curating the event and performing. This morning organizers announced that joining them will be Dubstep superstar Bassnectar and Dad Rock champs Wilco, plus Andrew Bird, Girl Talk, Atmosphere, Neko Case, Sleigh Bells, A-Trak, Dean Wareham (playing Galaxie 500 songs), Galactic, Clutch, Flying Lotus, Preservation Hall Jazz Band, Mike Doughty, Real Estate, Deer Tick, Charles Bradley, JEFF the Brotherhood and Cincinnati's Walk the Moon, among others. Click here for ticket info and the the full lineup so far.

Meanwhile, here is who Pitchfork announced yesterday for this year's event in Chicago's Union Park: Vampire Weekend, Feist, Godspeed You! Black Emperor, Hot Chip, AraabMUZIK, A$AP Rocky, The Field, Liturgy, Kendrick Lamar, Grimes, Cloud Nothings, Tim Hecker and Willis Earl Beal. Thirty more artists will be announced later.

Pitchfork tickets go on sale next Friday, March 9, at noon via the Pitchfork fest's site here.

So if you could go to any of the three festivals, based on the info available so far (and not counting travel costs and lodging arrangements) which one would you attend — Cincinnati's, Louisville's or Chicago's?

by Mike Breen 02.14.2012
Posted In: Live Music, Local Music at 10:45 AM | Permalink | Comments (0)
baby new edtion

Squeeze the Day for Feb. 14

New Edition (minus Bobby Brown?), plus This Day in Music with famous Valentine's Day weddings and Maceo Parker

Music Tonight: If you're up for a night of slinky, sexy R&B this Valentine's Day, you lucked out, because New Edition's 30th anniversary tour hits the U.S. Bank Arena tonight with equally bumpy/grindy K-Ci & JoJo and El DeBarge. Many more locals than usual are aware of tonight's New Edition performance, unfortunately due to the coverage of the death of Pop superstar Whitney Houston, ex-wife of Bobby Brown, New Edition's biggest success story outside of the group. The New Edition tour was a rarity, primarily due to the participation of Brown, who left the band at the height of their success to launch an even more successful solo career.

Many of you have likely seen the teary, heart-breaking footage of Brown performing with NE the night he found out his ex-wife and the mother of his child had died. Once it was clear that his daughter was having a very tough time dealing with the tragedy (hospitalized twice since Saturday), he left the tour to be with her. Today, people reported that Brown and Houston's 18-year-old child was released from the hospital and the AP has reported that Houston's funeral is set for Saturday in Newark, NJ.

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by Mike Breen 04.29.2013

MidPoint Music Festival ’13: Announcement Coming Soon

Initial lineup announcement for MPMF.13 due Friday via Dewey's Pizza

Get ready, MidPoint Music Festival fans. This Friday, the first 10 or so artists booked for 2013's MPMF — returning to the streets and venues of Over-the-Rhine and Downtown Sept. 26-28 — will be announced. And longtime MPMF sponsor Dewey's Pizza will  have the scoop.

Friday, those wanting the info first should head to facebook.com/DeweysPizza ("like" their page, not just for the yummy grub they serve but for the support they've given MPMF and local music over the years). Then, of course, check this here music blog for a recap and more details.

Also of interest to MPMF fanatics are the lineups for this year's "Indie Summer" concerts, every Friday on Fountain Square from May 31-Aug. 30. The performers for the MidPoint- and CityBeat-sponsored shows are expected within the week. Keep an eye on this blog for the full announcement as soon as we get the green light to post it. (The lineups for the other themed Fountain Square music nights — six per week — are due very soon as well.)

For artists wanting to be considered for a performance slot at MPMF.13, the time to submit is now, as the deadline is quickly approaching. Submissions will be accepted (visit mpmf.com for directions) until May 11 at 11:59 p.m.

Several weeks ago, two pricing tiers of "early bird" and "loyalty" MPMF tickets sold out almost immediately. Tickets for MPMF.13 go back on sale this Friday through cincyticket.com ($69 for a three-day pass or $169 for "VIP Experience" tickets).

by Alex L. Weber 07.03.2009
Posted In: Local Music at 03:21 PM | Permalink | Comments (0)

Free Stuff from Freekbass!

Everyone's favorite funkdified, dancetastic bass hero, Freekbass, has teamed up with Hip Hop/DJ collective Tobotius for a slammin' couple of tracks that'll definitely get your booty motorin'.

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by Mike Breen 03.06.2012
Posted In: Live Music, Local Music at 03:07 PM | Permalink | Comments (2)

Cincinnati Music's Unprecedented SXSW Invasion

Oodles of Greater Cincinnati musicians and businesses prepare to mess with Texas

I attended my first South By Southwest festival in Austin, Tex., over 15 years ago to cover local Funk group SHAG's appearance at the festival for a much younger CityBeat. It seemed exciting back then that one of Cincinnati's biggest bands was invited to showcase at SXSW. This year, the amount of acts from the area performing is unprecedented — never has Cincinnati had such a presence at America’s premier music fan/industry showcase and conference (which starts a week from today).

And it’s not just performers. Representatives from local promo company The Counter Rhythm Group will be on hand in force, venture development group CincyTech is hosting regular chats as well as a Cincinnati hospitality headquarters and party in Austin and the progressive promotional/licensing machine The All Night Party is sponsoring both a tour centered around the Texas festival and its own showcase night at the event, a first for a local organization.

And, as we have most SXSWs over the past 17 years, CityBeat will have a reporter on the scene providing regular updates for this here blog. Be sure to check back often starting next week and see how are hometown heroes are doing.

Here’s an overview of just some of the Cincy-centric happenings related to SXSW 2012:

• The All Night Party presents the Midwest by Southwest tour (also sponsored by this summer’s Bunbury Music Festival and assisted by Counter Rhythm and Reveal Concepts) featuring, as the tagline reads, “Four Midwestern Bands — On A Mission to Rock.” The tour has Cincinnati bands The Sundresses (repeat visitors to SXSW) and Wussy, as well as Cleveland rockers The Whiskey Daredevils and Lexington’s Oh My Me. The jaunt begins Thursday at Mount Lookout’s The Redmoor. (Doors open at 6 p.m., showtime is 8 p.m. and tickets are $10.) MWXSW will hit several other cities before and after the ANP SXSW showcase Tuesday at the Soho Lounge. The Lions Rampant will appear on the bill in Austin, as well.

If you'd like to help the caravan out, there is a Kickstarter campaign with some cool perks you can check out here. (Quick, only three days left!) Here's the promo vid:

R. Ring, the acoustic duo featuring local musician/engineer Mike Montgomery (thistle, Ampline) and Dayton, Ohio’s Kelley Deal (Breeders), will perform at a showcase hosted by the Misra label on March 15. Misra is releasing the twosome’s first single in a few months, with a full-length to follow.

Ohio Knife, a new duo project from The Chocolate Horse’s Jason Snell, Andrew Higley and Joe Suer, is also headed to Austin and the local branch of branding agency Landor is tagging along. The company is hosting a travelogue website here so you can follow along at home. Ohio Knife plays a tour kickoff show Friday at The Comet in Northside. The band will hit other clubs in Tennessee and Texas along its way to SXSW.

• Local Indie Pop faves Pomegranates are now labelmates (on the Modern Outsider imprint) with fellow Cincy band Bad Veins. While the Veins won’t be performing in Texas (they’re preparing their own tour launch March 19 in Colorado), the Poms will play the official Modern Outsider SXSW showcase on March 14 at Trinity Hall.

• Indie/Folk/Electro/Pop powerhouse The Seedy Seeds took part in a SXSW launch party a couple of weeks ago. The band performs at the All Night Party showcase Tuesday.

• Eccentric breakout rockers Foxy Shazam are one of the headliners of a showcase presented by the huge booking company The Agency Group on March 15 at Latitude 30; the day before they’ll play an afternoon party.

• Cincy RCA Records recording artists Walk the Moon aren’t technically “showcasing” for SXSW, but they will be in Austin for the MTVu Woodie Awards ceremony and festival held in during SXSW, where they’ll be performing and hoping to score the Breaking Woodie award they’re competing for against acts like tUnE-YarDs and Lana Del Rey. Vote for the hometown boys here, where you can also watch a live stream from the March 15 festival.

by Mike Breen 06.20.2012
Posted In: Local Music, Music Video, Music News at 07:01 AM | Permalink | Comments (4)

Walk the Moon Plays Letterman on LP Release Day

Cincinnati band celebrates new RCA Records release in NYC

Last night, Cincinnati's Walk the Moon hosted an album release show at New York City's Mercury Lounge in honor of their full-length debut for RCA Records. To promote the record on a bit of a wider scale, the quartet also performed on The Late Show with David Letterman. The band played its signature tune, "Anna Sun," which has been named "song of the summer" two years running and, therefore, deserves a ranking on the list of all-time songs of summer.

WtM's appearance on The Late Show also elicited some nostalgia from the host. Letterman introduced the band as "from the Queen City, Cincinnati, Ohio … home of Oscar Robertson and your Cincinnati Royals." Lettterman grew up in Indiana and has talked about his affinity for Cincinnati (and, particularly, its sports teams, including our one-time NBA franchise) frequently.

After the tune, Letterman seemed to enjoy the group so much, he joked with them, "Now wait a minute — during your song, we made some calls and we've arranged for you guys to move from Cincinnati and live here at the YMCA."

Walk the Moon killed it. Look ma — no face paint?! Here's the video:

by Steven Rosen 03.10.2011
Posted In: Local Music, King Records at 12:28 PM | Permalink | Comments (0)

Local King Records Artist Dies

William “Beau Dollar” Bowman, a Hamilton-born singer/drummer who recorded at King Records in the 1960s with both The Dapps and Beau Dollar & The Coins, has died in Cincinnati after an extended illness. Until recently, he had been living in Florida. He was 69. Information on funeral services is available at www.webb-noonan.com.

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by Charlie Harmon 10.14.2014
Posted In: Music History, Local Music at 12:32 PM | Permalink | Comments (0)

These Walls Have Heard It All: Sudsy Malone's

When researching Bogart’s for the first of these columns, I discovered a place that used to be its side-stream neighbor. Sudsy Malone’s, which sat just across the street from Bogart’s until 2008, may be a well-known name to older Cincinnatians, but to those of my generation I imagine it’s a legend unheard.

Sudsy’s, as those who knew it well referred to it, was more than just a bar or music venue. It was a laundromat. A gathering place of locals who fancied having a beer and hearing a tune as their clothes turned over in bubbly cleanliness. And while it was only open for a fraction of the time many of the big venues around here have been, it occupies a deep space in the history of Cincinnati and its local music scene.

Refined searches and several page scrolls through Google turns up hardly anything on the former venue. I finally found a memorial Facebook page that further fascinated me, still only offering a brief and general history but filled with posts by former loyal patrons reminiscing of great times at the bar, offering tales of hilarious happenings along with images, videos and old posters to fill it all in with color.

I wanted to know more in hopes of giving Sudsy’s its due place in Cincinnati music history. To understand where it all started and where it went from there, I talked to Janine Walz, a former managing partner who was around during the establishment’s heyday.

Sudsy’s was originally owned by John Cioffi and opened in 1986. As I understand it, the idea was inspired by similar businesses popping up in the region such as Dirty Dungarees in Columbus. They serve beer, so you can sip some foam while listening to the groan of washers and dryers, but Dungaree’s was never quite a bar. They served drinks in more of a refreshment center style. Cioffi’s vision for Sudsy’s was different.

The decision for the name came from a lot of scrawling and scratching by Cioffi and his family.

“They just had a long list of names that they would write down as they were brainstorming, and then they started crossing names out until it was down to Soapy Tucker’s or Sudsy Malone’s,” Walz says.

Michael Sharp, the highly adored Renaissance man known for his ballet career in Cincinnati and who sadly just passed away in September, designed the character logos. Soapy Tucker was a sort of motherly figure, whereas Sudsy Malone was a true gangster.

He became the face of the place, with his one-eyed look, suds-filled beer and coin-flipping hand becoming the calling card of the bar’s sign.

Upon walking in the front door guests faced a 40-foot bar.

“We would have competitions to see who could slide a mug full of beer the furthest down the bar without spilling it,” Walz recalls with a smile.

They had little round cocktail tables covered with dark blue tablecloths and standard bar stools. The ceiling undulated with the movement of fans under which each had a globular light, providing a sort of soft ambiance to the bar.

At the back of the building sat the laundry area, a brightly lit room where the fluorescent lights glinted off dozens of top-of-the-line washers and dryers.

“I remember some of the bands complaining after a while about the laundry room lights because they would glow into the bar and kill the mood for the crowd,” Walz says. “We strung up some Christmas lights and would just turn those on instead when bands were on stage at night.”

When the place first opened, however, the stage didn’t exist. Live music had never even been part of the idea.

“It was only intended to be a laundromat with frosty-mug beer,” Walz says of the original plan.

Walz recalls being the second laundry customer when Sudsy’s first opened. She worked at the Perkins just up Short Vine, and happened to be John Cioffi’s waitress the day he sat down to get food with the liquor agent that was supposed to be approving Sudsy’s license.

“When they were finishing lunch he asked me to come a few doors down to talk to him about a job,” she says. “I figured it was the same distance from home and might pay better, so I went. Next thing I knew I was hired on as a manager.”

In other words, she was there from the start. Walz watched the bar being built, and she knew it when it was just a place for people to wash clothes and have a drink, the crowd rarely exceeding 10 people.

Only months after the place opened, a local band called The Thangs approached the owners with the idea to play music. Essentially, they just wanted a place to gig when nowhere else would let them. After some hesitation, Sudsy’s let them do it, and much to their surprise the first show was packed with about 100 people. Sudsy’s wasn’t expecting this, and they completely sold out of every drop of beer they had stocked at the time.

With such outrageous success, The Thangs wanted to come back. Before long, music became the detergent to Sudsy’s suds, responsible for consistently bringing in large crowds. At first they charged a very minimal cover, mostly so they had something to give the band, and offered a free soft-drink ticket with entry for additional incentive.

By ’87 they were charging a $5 cover, although they would still let people in for free if they had a basket of laundry. This often resulted in washers full of abandoned clothes the next day, as people brought the clothes to get in and then simply forgot about them in the excitement of music and merriment. Over time, Sudsy’s developed a massive collection of forsaken threads.

This memory sparked another for Walz: “I remember this guy that would show up about once every year driving a station wagon. He would take the clothes people had left over time and pack every inch of his car, literally. He would do something with them, I think donate them.”

As the place continually packed in people like foam to the top of a mug — thanks to the highly praised booking magic of Dan McCabe (Now of MOTR Pub) — problems inevitably occurred that now seem laughable. The carpet in the bar area became so matted and disgusting that it resembled tile, so Walz had it ripped out and replaced with wood. The men’s bathroom was a story of its own. Widely known as “Worst Men’s Bathroom,” Walz said she wouldn’t go near it, even almost buying stainless steel sheets to layer on it so she could just hose it down at night.

At one point the fire department came in and completely cleared house, although there wasn’t a single flame or wisp of smoke. The building’s stated capacity was far under how many people they would pack in, and one night they had to count the crowd back in, one by one. Eventually they completely stopped the music for a period of time to get the building up to code.

Despite its small size, Sudsy’s brought in now-major acts that were rising at the time — Beck, Smashing Pumpkins and Red Hot Chili Peppers — while also helping breed local acts like The Afghan Whigs and Over The Rhine. Almost all the music was original, save some special events like Grateful Dead night.

Even on nights they weren’t playing themselves, members of bands could always be found among the crowd. The music scene at the time was like a circle, made up of bands and fans that truly appreciated music and enjoyed simply watching people express themselves creatively. Bands would come out and support other bands. Non-musicians would out come and support them all.

Even bands and celebrities that were too big to play there live in the storybooks. Popularly known folks like Jackson Browne, "Weird Al" Yankovic and James Taylor stopped in to wash clothes or use the phone. Kate Pierson (B52s) and Chrissie Hynde (The Pretenders) came by during their Tide protest to pass out literature in affiliation with People for the Ethical Treatment of Animals.

Walz recalls the afternoon before a Jefferson Airplane concert at Riverbend when the bar was pretty empty and there were four guys hanging out doing laundry and drinking a beer. They were worried about their cab not showing up and frantically trying to figure out how to get to their hotel — so Walz drove them. Only after dropping them off did she realize the reason the dudes were so worried about being late.

Walz showed me the blueprint of the building, and again lit up when she pointed out the wash sink in the laundry room.

“Some crazy celebrity took a bath in that sink one night,” she says. “I’m pretty sure it was Marilyn Manson.”

And these stop-ins aren’t the only “celebrity” claims to fame for Sudsy’s. The bar itself was given awards throughout the years from Cincinnati’s former alternative weekly Everybody’s News, from “Best Looking Staff” to “Best Rock Club,” and even “Best Place to Ditch a Blind Date.” They were also named the best bar in Ohio in ’93 by Creem magazine, courtesy of The Connells.

However, all the press, awards and celebrities aside, Walz says what really made the place special were the local patrons.

“It was like a family, people were loyal,” she says. “They would look out for others, and for the bands, and would always defend Sudsy’s no matter what. Without the people, everybody, the people that watched the bands, the bands themselves, Sudsy’s was nothing.”

The bar would even cater specifically to bands they knew well, for example stocking extra Hudy Delight when The Thangs would come back because their crowd loved to drink it.

There were also folks she referred to as “family bums”. There was Archie Harrison, a local homeless man who would help clean at night for a little money. During the days he would just hang out, always being jolly and telling jokes sharing what little bit of anything he might have had that day to share.

Then there was Sonny, a good-hearted man who hid behind a hulk of a body. Sonny would guard the back door, despite never being asked.

“I remember one time one of the dryers was broken and the glass wasn’t in there to cover the hole,” she says. “We had an out of order sign but, you know, I guess it disappeared. No surprise there. Anyway, we had given him some money to do laundry and he used that dryer, just picking up the clothes as they fell out of hole and throwing them right back in. It was hysterical. When we asked him why he didn’t switch dryers he said he didn’t want to bother us and cause trouble.”

As the Millennium rolled around, a lot of the core patrons began settling down and showing up less often. The crime in the area would keep people away, and the decline in the laundry business lowered their numbers even further. Walz had just put $12,000 into a new sprinkler system, still trying to keep the building code-worth, but she, too, was moving toward settling down.

“I was pregnant at that pointm too, and I was just kind of done working in the bar business,” she says.

That, along with clashes between Walz and McCabe about making money versus booking acts that would be huge for the scene led to Walz selling the establishment by 2002.

While it seems that Sudsy’s wasn’t as glorious after that time as it once had been, the venue remained open until 2008, at which time it closed its doors for good. The old building at 2626 Vine Street remains a boarded up relic.

One of the most revealing things Walz said during our talk about Sudsy’s was, “If you were there, you were part of the reason you are here talking to me today.”

It saddens me that I didn’t have to opportunity to be there, but for all those who were, as well as for the others that might not have known what this place ever was, this is just a small piece of the big apple pie that was Sudsy Malone’s Rock n’ Roll Laundry & Bar.