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by mbreen 08.07.2009
Posted In: Local Music at 01:29 PM | Permalink | Comments (2)
 
 

Ludlow Garage Tribute at Blues Fest Tonight

Those not in the know often knock Cincinnati for a dilapidated arts scene, as if a conservative political climate results in a conservative cultural one. Those who have read CityBeat over the years hopefully know that this is a myth. Cincinnati's arts and music scene is often right on time, if not a few steps ahead. Tonight's tribute to the Ludlow Garage (and Rick Bird's feature this week on the late ’60s/early ’70s venue) is just one example that bucks any misconception that Cincinnati is, always was and will always be a backwards, messed-up city with, say it with me now, "nothing to do."

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by mbreen 04.28.2011
Posted In: Local Music, Music Commentary at 03:05 PM | Permalink | Comments (0)
 
 
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Walk the Moon Is Exploding!

The accelerated speed of tech developments over the past decade has changed the world in innumerable ways. The impact it has had on music is glaring, completely readjusting how the worldwide music industry operates and affecting everything from the way the sounds are created, recorded and distributed to the way they are experienced by listeners. Cincinnati’s Walk the Moon is currently in the midst of a quick rise in the music world that is a perfect example of how the career plans of aspiring young artists can today play out over an amazingly short period of time. It’s why you might want to catch Walk the Moon’s concert tonight at Oakley’s 20th Century Theater.

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by Hannah McCartney 03.29.2013
Posted In: Food, Eats, Culture, Life at 02:24 PM | Permalink | Comments (0)
 
 
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Eight Local Eating Challenges

Eat a lot of food to find glory, fame, heartburn

If you're looking for your own 15 minutes of fame but find your skill sets are generally limited to things that are superfluous  — or, in this case, possibly self-destructive — your best bet might be to take up one of these local eating challenges (these are the ones we know of — we bet there's a lot more of 'em) so you can achieve glory, superstar status and indigestion — right after you unbuckle your pants.

Everybody knows Cincinnati is obsessed with food, probably because there's a lot of it around here. Good food, that is. Whether you want to show off, naturally induce hibernation, experience a lifetime's worth of a particular dish in one sitting or just want a good story to tell, there are plenty of opportunities to make it happen with eating challenges around the city.

We’ve only added the ones we were able to confirm with the restaurant, but if you're dead-set on checking one of these out, it's probably a good idea to call ahead and make sure it's not a periodical offering. Be sure to let us know where we missed in the comments!

1) Ramundo's Pizza  (Mount Lookout)
Two people split a 26-inch pizza with extra cheese and two toppings, with 10 minutes to devour the whole thing. It's an investment — the pizza costs $35 — but you get it (and heartburn) for free if you finish.

2) Blue Ash Chili (Blue Ash) – "No Freakin' Way Challenge": One person + 2.5 lbs. spaghetti + 2.5 lbs. chili. + 2.5 lbs. cheese + 1 lb. jalapenos + 60 minutes + $40 = the most extravagant and gut-busting possible way to prove your obsession with our city's trademark dish, Cincinnati chili. If you finish, it's free and you'll get a spot on the Hall of Fame plus a T-shirt. Losers go on the Hall of Shame, but you'll still get a tee for free.

3) Raniero’s Pizza  (Cold Springs, Ky.) – Two people have 10 minutes to devour a 24-inch pizza, and each is allowed one 20 oz. cup of water. Beat the clock and get the pizza for free; beat the record and get a T-shirt, too.

4) Mecklenburg Gardens (Corryville) – The “Uber Terminator Challenge”: One person has an hour to put down a 3-foot long spicy mettwurst sausage on a hoagie bun, covered with peppers and sauerkraut. It’s $25, and free if you make it. You get a free T-shirt either way.

5) Padrino’s  (Milford)– Four pounds of spaghetti and meatballs + you + 45 minutes. If you make it, it’s free; if not, $30.

6) Izzy’s (multiple locations)
“110 Reuben Challenge”:  Of course, made famous a la Man v. Food: a super-sized potato pancake, more than 1 lb. of corned beef, a heap of sauerkraut, dressing and cheese, all inside a big loaf of poppyseed bread. You have 30 minutes to eat this monstrosity — it’s $19.99 — and if you make it, you’ll get it fo’ free plus a T-shirt and a photo on the Izzy’s wall of shame fame.

7) Guiseppe’s Pizza (Covington)  “Legend of the Drunken Fireman”: Just you and a 20-inch, 20-topping, 7-lb. pizza plus 59 minutes. If you lose, it’ll set you back $50; if you make it, you’ll get it free plus a T-shirt.

8) Bard’s Burgers  (Covington) – Two different challenges here: Go big with the Bardzilla — a burger with 10 1/3-lb. beef patties, 10 pieces of cheese, 2 lbs. of French fries and a 16 oz. milkshake (close to 7 lbs. of food). Free if you make it through in 45 minutes or less, $30 if not. Or, for the more timid, there’s the “Little Zilla” — beat the customer record to chow down one of two triple-stacked specialty burgers — the Kitchen Sink or the Widow Maker (eek) — plus an order of large fries and a milkshake, for a free meal
 
 
by 09.25.2009
Posted In: MidPoint Music Festival at 02:17 PM | Permalink | Comments (0)
 
 
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MPMF: Flash Dancing and Stripper Music at MidPoint

[Further Thursday coverage: 172 photos here and multimedia show here.]

I wanted to chime in on two fun events from the opening night of the 2009 MidPoint Music Festival that not many people saw: the kick-off shows on Fountain Square and Deke Dickerson at the Southgate House.

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The Young Republic at the Blue Wisp after playing Fountain Square

Rain kept the Fountain Square crowd down, obviously, but the two bands who performed (Shanya Zaid & the Catch from New York and The Young Republic from Nashville) were energetic, happy to be in Cincinnati and ready for their regular club showcases later in the evening. The sound, provided by ICB Audio, was excellent.

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by Blake Hammond 09.24.2012
Posted In: Music Commentary at 09:43 AM | Permalink | Comments (19)
 
 
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What Is A Radiohead Anyway?

Believe it or not, there are music critics who do not enjoy a certain musical sacred cow

I don’t like Radiohead.

Just like that, my budding career as a music journalist is destroyed by one, four-word sentence. I’m sure the pretentious Pitchfork police are on their way to my house right now to take me away.

I can imagine most of you yelling at me through the monitors on your Mac Book Pros, passing judgment on me through the lenses of your dark-rimmed Woody Allen-esque glasses. 


That’s OK.

I assure you, I can’t hear a damn thing you’re saying. So just save your breath and read.

I know why people like Radiohead. They are talented musicians who are constantly expanding their sound. Not to mention, Thom Yorke’s (even though he doesn’t know how to spell his name) vocal range goes for miles, making him one of the most impressive singers in Rock & Roll today. They are like the indie rock version of The Beatles, except The Beatles don’t take an eighth of magical mushrooms to appreciate. (Although I’m sure it makes it better, I wouldn’t dare know about such devilish things.)

Upon numerous occasions during my 23 years, I’ve tried desperately to enjoy this band.

At 16, I would peruse through cute “indie” girl’s MySpace pages, listening to “Karma Police” among various other cuts off of OK Computer. I would force-feed my metalhead mind to try and wrap itself around the ambient tones coming from my speakers. No matter how hard I tried (believe me, I tried; I needed something to trick these girls into liking me) it just never stuck.

A few years later, I made my second attempt. In Rainbows had just been released and it was a hot topic of conversation between my more “hip” friends. They would play the record on an endless loop and, eventually, I really did begin to dig it. Then I had a revelation.

While I was driving to work one day, I put the album on and quickly realized that I had never listened to this while I was sober. I mean, I know 2007-2008 had pretty much become a blur of various substances, but as the docile sounds of “House of Cards” rang through my car stereo, I said to myself, “Blake, put down the bottle and get your shit together! Also, take off that ridiculous v-neck shirt and skinny jeans. No one wants to see your Teen Wolf-covered man-boobs or your ‘
Basilisk’!” (That’s right, my junk is nicknamed after the giant snake in  Harry Potter and The Chamber of Secrets; get over it.)

It was as if the smoke had finally cleared (literally and metaphorically) and I came out of this catatonic state of intoxication a new man. That man just still happened to dislike Radiohead.

My final attempt was no more than four months ago. My lovely girlfriend bought me a record player for my birthday and I decided I would give In Rainbows one more shot.

I had grown up quite a bit since the last time I heard this record. Not only was I knee-deep in my journey to becoming a music journalist, but also I wasn’t totally sloshed all the time either.

Plus, if it doesn’t resonate with me on vinyl, it never will.

This last go-around, however, was a futile one.

I always thought, “Maybe I was just too young to get it?” Or “Maybe, I was just too fucked up to understand?”

But as I put the record on, more questions came up, like “Am I too old to get it?” or “Jesus, what’s that drug dealer’s number again?”

As I racked my mind trying to figure out why I’m the only music journalist who isn’t a part of this worldwide circle-jerk over Radiohead, I finally came up with a simple, yet honest explanation.

Radiohead fans can be broken down into two factions. You’re either a Radiohead guy or a “Creep” guy. I’m obviously a member of the latter group.

“Creep” is the anthem for every broken-hearted loser too cowardly to talk to the girl he dreams about every night. It’s the anthem for every outcast kid that roamed their hallways aimlessly; unable to find their place in the proverbial hell that was high school. It’s the anthem for every overweight, underachieving, late-blooming, weirdo band kid that the band chicks didn’t even want to associate with. It’s pretty much my 7-12 grade experience told in three minutes and 56 seconds.

“Creep” just always spoke to me in a way that no other Radiohead song ever had. It was effortless and truthful, yet, real and depressing. I made a connection with that song, a connection which I tried ever so earnestly to do with the rest of their catalog, but failed miserably.  

So to the Radiohead fans out there, keep listening to them.

Do whatever makes you happy, whatever you want. Because truly, you’re so fucking special.

I just wish Radiohead was special, too.

Radiohead then …

Radiohead lately …


 
 
by Rick Pender 11.20.2012
Posted In: Arts community at 12:25 PM | Permalink | Comments (0)
 
 
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CCM Grad's 'Stanley Steemer Variations' Video Goes Viral

Mia Gentile's voiceover demo gets love from company, Huffpo

If you grew up in the Midwest you’ve probably heard the catchy jingle for “Stanley Steemer, the Carpet Cleaner.” But I bet you’ve never heard it sung operatically, or with some bebop or thrash. Now you can do that — all in one three-minute video featuring University of Cincinnati musical theater grad Mia Gentile, a 2011 grad of the College-Conservatory of Music. Local audiences know her for several amusing turns in incarnations of The Marvelous Wonderettes at Ensemble Theatre Cincinnati and the sold-out (and revived) production of next to normal, but trust me, this girl is bound for glory.

People who’ve never heard of her or the carpet cleaning company are tuning in now by the thousands, thanks to a YouTube video, cleverly titled “The Stanley Steemer Variations (by Mia).” Gentile generated with local musician and producer Roger Klug. Julie Spangler, a professional pianist and musical theater instructor at CCM, introduced Klug and Gentile, who wanted to produce a voiceover demo of the various musical styles she could reproduce (which appears to be limitless). Klug convinced her to translate her vocal performances into a video, which they shot in one day over the summer. “It was a total collaboration,” Klug tells me. “We talked about what each character would look like, she did the makeup and hair, I shot and edited the thing. We completely did it for no other reason than ‘just for the fun of it.’” It was shot at the local studio Mental Giant with Klug using a Sony Handycam.


Well, that it was — it’s apparent from watching. But everyone is getting in on the fun, and the video has taken off virally on YouTube. When Klug contacted me on Monday morning, it had had 40,000 hits in just a few days. By midnight the piece had exploded, exceeding 100,000 hits. He and Gentile have created a blog site to support it: http://miavideo.wordpress.com.

Even better, the Stanley Steemer people have picked it up, hyping it on their Facebook page, which has led to a suspicion that the whole thing is a clever marketing ploy. “Another faction thinks Stanley Steemer owes us a big check,” Klug jokes, “which I'm inclined to agree with!” It’s spread to an international audience now, dare I say “picking up steam” with a mention and a link in the U.K. edition of The Huffington Post. Before this winds up, Gentile will need her own 1-800 number!

 
 
by 08.11.2009
Posted In: Protests at 12:21 PM | Permalink | Comments (1)
 
 
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PETA Takes to the Streets

People for the Ethical Treatment of Animals (PETA) took to downtown streets today to distribute "cruelty-free shopping guides." The pocket-sized pamphlets list more than 950 companies that have completed a statement of assurance saying they don't do product testing on animals.

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by Jason Gargano 12.07.2011
at 11:47 AM | Permalink | Comments (0)
 
 
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Know Theatre Screens Sundance Documentary Tonight

'Miss Representation' looks at how woman are protrayed in mainstream media

There's been a lot chatter in the vast, ever-opinionated movie blogosphere about the 2012 Sundance Film Festival's recently unveiled slate of films. Locally, the inclusion of Cincinnati native Todd Louiso's third directorial feature, Hello I Must Be Going, in the U.S. Dramatic competition is the most intriguing development.

But there's also another noteworthy local Sundance connection this week: Know Theatre is giving a 2011 Sundance film its Cincinnati premiere with a one-time screening 7 p.m. tonight (Dec. 7) in its space at 1120 Jackson St. in Over-the-Rhine. (Tickets are $10.)

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by Steven Rosen 01.12.2009
Posted In: Visual Art at 10:26 AM | Permalink | Comments (0)
 
 

Where Are They Now?: Dennis Barrie

Ever wonder what happened to Dennis Barrie, director of the Contemporary Arts Center when it showed Robert Mapplethorpe's The Perfect Moment in 1990, resulting in pornography charges that a Hamilton County jury rejected in a landmark local case?

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by Mike Breen 12.12.2011
Posted In: Live Music, Local Music, Music Video at 09:23 AM | Permalink | Comments (2)
 
 
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WATCH: 30-Minute Southgate House Documentary

In the summer of 2009, several student filmmakers from Northern Kentucky University decided to make a documentary about Newport music venue the Southgate House. With a soundtrack loaded with local music (Mack West, The Tillers and many others), the movie features some great historical information about the old mansion, lovely footage of the interior and exterior of the building and lots of interviews with area musicians, music lovers, Southgate employees and longtime operator Ross Raleigh, all discussing the uniqueness of the club and what it means to the local music community. There are some prescient comments towards the end about what losing the Southgate would mean to the music scene. Click below to watch the full shebang.

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