Six months ago today, 26 children and adults were slaughtered at the hands of Adam Lanza and a semi-automatic Bushmaster XM12 E2S rifle inside Sandy Hook Elementary School in Newtown, Conn., one of the deadliest school shooting massacres in U.S. history. As parents, friends, family and gun control advocates around the country mourn and commemorate the loss of life, Ohio gun rights advocates are worried about something else.
Their concern: how to make it easier for Ohio citizens to obtain high-round magazines for their semi-automatic weapons.
A new Ohio House Bill introduced by State Rep. John Becker (R-Union Township) could, if passed, allow people to purchase high-round magazines for semi-automatic weapons, removing language from the Ohio Revised Code (ORC) that currently restricts use of magazines exceeding 31 rounds for semi-automatic weapons.
Specifically, the proposed bill would remove the definition of "automatic firearm" from section 2923.11 from the ORC that currently qualifies a weapon traditionally defined as a semi-automatic firearm (which operated by firing only once for each pull of the trigger) as an automatic firearm under Ohio law when used with a magazine holding greater than 31 rounds of ammunition.
Gun rights advocates are in favor of deleting the line because qualifying a semi-automatic as an automatic weapon under Ohio law (dependent on magazine size) subjects gun owners to greater background checks and stricter purchasing restrictions, which they consider an unlawful hassle and burden.
Jim Irvine, Chairman of the Buckeye Firearms Association, says that the sentence Becker has proposed to remove is one that inherently conflicts the actual definition of an automatic weapon; he says it doesn't make sense to qualify a semi-automatic weapon under the same umbrella as an automatic weapon when the two are entirely different types of firearms.
He says that the issue is one of convenience for most semi-automatic gun owners, including himself. "Loading up magazines can take time," he says. "When I go to the shooting range I want to use my time up shooting, not reloading."
That extra time, though, is exactly the point of the wording in the ORC, explains Toby Hoover, executive director for the Ohio Coalition Against Gun Violence. Limited magazines were what eventually stopped the Arizona gunman who shot former U.S. Rep. Gabrielle Giffords because a bystander was able to attack the shooter when he dropped a magazine while trying to reload.
Hoover asserts that gun rights advocates like Irvine are being subversive in their reasons for wanting to change the changed law.
She says the legal issue is not that the ORC is trying to directly equate semi-automatic weapons to automatic weapons — they clearly operate differently — but that grouping them together using that magazine restriction is a common-sense way to define them both as dangerous, unnecessary forms of firearms that simply shouldn't be readily accessible to the average gun owner. Semi-automatic weapons are extremely easy to purchase in Ohio, she says, while purchasing automatic weapons involves many more complicated restrictions and regulations.
"I'm just really upset with the way they [Ohio Republicans and gun lobbyists] are ignoring the fact that people in Ohio want gun restrictions. They're just going the opposite direction," she says. "If they're really concerned about the wording of the law, just have them maybe separate the definitions but keep the restrictions the same."
Ohio is one of several states monitor magazine limits on semi-automatic weapons, she explains, so it's not unusual at all that the ORC does so.
Adam Lanza, Sandy Hook's shooter, had several 30-round magazines on him and was also carrying two handguns. It's estimated he used somewhere between four and 10 magazines during the shootings, which took place over a matter of minutes.
The bill has been assigned to the House's Transportation, Public Safety and Homeland Security committee, where it currently awaits hearing
Last week, Cincinnati's stars-in-the-making Walk the Moon issued the first release under its deal with RCA Records. Though only three songs, the effort is illuminating and a hint of what's to come on the band's forthcoming, so-far-untitled RCA full-length debut (due to be released this May). The Indie Dance Pop foursome has seemingly been touring and doing business related tasks non-stop for at least the last year. Now that it has a release on RCA, that will only increase. The recording is called Anna Sun EP, named for the band's irresistible tune that (along with a stellar music video) helped initially generate much of the buzz they've received fairly consistently over the past year or so.The song "Anna Sun" is on the EP, but those who have i want! i want! (the group's stellar self-released LP containing the original track) might still want to listen. It's a new version of the catchy song, slicked up a bit for radio and seemingly (inexplicably) sped up.
On this date in 1993, Elvis Presley died. For real this time. This according to the tabloid Weekly World News, which has given the world such groundbreaking stories as the trials and tribulations of Bat Boy (half-boy, half-bat, of course), the capture of various mer-people (mermen and mermaids) and the secret romantic relationship between Saddam Hussein (former gay porn star … ALLEGEDLY) and Osama bin Laden.
Presley died from diabetes, according to WWN's exclusive report.
Alas, the King didn't stay dead long in the pages of the tabloid. In 2005, everything in the universe was back in its right place as the Weekly World News published the cover feature "Elvis IS Alive." Not only was he still alive, but he was going to run for President. I don't recall that actually happening, but they wouldn't print it if it wasn't true, right? Either the lame-stream media just ignored Elvis' campaign or the King was just gearing up for a 2012 run. I hear the Republicans need a viable candidate.
What's Elvis been up to lately? Last summer, WWN reported he was hanging out on Barack Obama's tour bus. As for Obama, the President's foes are apparently way off base with the whole "secret Muslim" thing. Among other things, WWN has reported that Obama is a — duh! — alien from outer space. Oh, and he won the "Who is a bigger enemy of dogs?" war handily by kidnapping "Republican campaign dog, Huckabee." Holding him hostage? Nope. According to WWN, the President "had a Huckabee burger.” (Actually, WWN seems almost reasonable compared to the "birther" movement. Now THAT'S scary.)
Until the next time Elvis dies, just remember the words of Mojo Nixon, poet and prophet:
Born This Day: Musical movers and shakers sharing a May 14 birthday include ’50s/’60s Pop star ("Mack the Knife," "Beyond the Sea") Bobby Darin (1936); one of Rock's greatest bassists, Cream's Jack Bruce (1943); original drummer for legendary Canadian Rock trio Rush, John Rutsey (1952); frontman for British rockers The Cult, Ian Astbury (1962); guitarist for glammy Hair Metal heroes Poison, CC DeVille (1962); bassist for Alice in Chains, Mike Inez (1966); the still-alive half of Milli Vanilli, Fabrice Morvan (1966); one of the less-celebrated New Kids on the Block members, Danny Wood (1969); bassist for Modern Rock band AFI, Hunter Burgan (1976); half of the killer Hip Hop duo Clipse, Terrence Thornton, known professionally as Pusha T (1977); Disney actress/Pop princess Miranda Cosgrove (1993); and Soul/R&B singer/songwriter/musician/producer Raphael Saadiq (1966).
Saadiq's career began in the early ’80s when he got a job as bassist for Sheila E and toured the world with Prince. He returned to his native Oakland after the tour and formed the R&B/Pop trio Tony! Toni! Tone! with his brother and cousin. The band scored several hits, notably the upbeat "Feels Good," their only Top 10 hit on the Billboard singles charts. In 1997, Saadiq formed Lucy Pearl, a supergroup of sorts, featuring members of A Tribe Called Quest and En Vogue.
Saadiq has worked behind the scenes with several popular artists. He collaborated with D'Angelo for "Untitled (How Does It Feel," which won D'Angelo a Grammy, and also worked with Whitney Houston, Macy Gray, Jill Scott, John Legend, Joss Stone and many other star performers. In 2002, he put out his first solo effort, Instant Vintage, a brilliant throwback/old-school R&B album that scored Saadiq five Grammy nominations. He has since released a string of strong solo works, including 2011's great Stone Rollin' and 2008's even better The Way I See It.
Recently, Saadiq was one of a small handful of musicians named one of Time magazine's "100 Most Influential People In the World," joining Rihanna, Adele and others. Elton John wrote the blurb about Saadiq for Time, writing "Immaculately dressed (a Saadiq trademark) and moving like the soul stars of old, (Saadiq) confirmed that great black music is alive and well and not just a string of hip-hop monotony."
Happy 46th birthday to Mr. Saadiq. Here's a clip for the title track from his most recent solo album.
Peter Frampton was a leader of English Rock & Roll movement in the 1970s, sparked by the massive popularity of his epic 1976 live album, Frampton Comes Alive. Frampton is celebrating the 35-year anniversary of the album on the road with his "Comes Alive 35 Tour," which comes alive at Riverbend's PNC Pavilion this Sunday and features a performance of the entire milestone album in the first set. Frampton continues to evolve as an artist, as evidenced on his Grammy-winning 2006 album Fingerprints and his newest record, Thank You Mr. Churchill, released last year. CityBeat spoke with Frampton recently about the album's impact and how special music still is to the legend.
Tristate hipsters' shopping selection has significantly decreased with the closing of Newport's Village Discount Outlet this week.
As an attorney and lobbyist at Keating, Muething & Klekamp (KMK), mayoral candidate John Cranley helped payroll company Paycor finalize plans to move its headquarters — and 450 to 500 jobs with it — from Queensgate in Cincinnati to Norwood, Ohio.
Specifically, KMK helped Paycor and Norwood set up a tax credit deal to incentivize the company’s relocation. Throughout the
process, the law firm called on several of its employees, including
Cranley, to help with the negotiations.
For Paycor, the move comes after more than two decades in Cincinnati. The company originally looked in Cincinnati for bigger headquarters with better parking options, but ultimately couldn’t find a location to its liking, according to a May 2012 memo from the city manager. So when Paycor found a location outside city limits and worked out a tax incentive package with Norwood and Ohio, it decided to move.
Cities and states often deploy incentive packages, ranging from property tax abatements to deductions on income taxes, to attract and retain companies. Pure Romance, a $100-million-plus “relationship enhancement” company, recently agreed to move from Loveland, Ohio, to downtown Cincinnati after securing such a tax deal with the city.
Paycor broke ground on its new headquarters in December and plans to move there next spring. The transition will pull 450 to 500 employees out of Cincinnati, and the company plans to add another 250 to 300 employees over time at its new facilities.
Cranley campaign manager Jay Kincaid says Cranley and KMK won’t comment on the details of their work with Paycor or other clients for ethical reasons. But Kincaid says Cranley was just doing his job after Paycor went to KMK, not the other way around.
“In the legal profession you’re asked to represent clients, and you do it to the best of your ability,” Kincaid says. “At the time I don’t think (Cranley) was even running for office. The firm came to him and said, ‘Hey, we have a job that we need you to work on.’ And he did the work, just like anyone else would at their job.”
Norwood City Council approved the deal with Paycor on Oct. 23, 2012. Cranley announced his mayoral campaign three weeks later, on Nov. 14.
Cranley’s critics argue that a mayoral candidate shouldn’t be helping companies leave the city he wants to lead.
“It is disappointing that John (Cranley) helped Paycor leave the city with its over 450 tax-paying jobs. His efforts undercut the city’s efforts to retain jobs and businesses,” said Vice Mayor Roxanne Qualls, who is running against Cranley, in an emailed statement.
The move comes despite Cincinnati’s various attempts to hang on to Paycor, including previous tax deals. In 2001, then-Councilman Cranley and the rest of City Council approved tax incentives to keep the company in Cincinnati, retain its 142 jobs at the time and create another 25. The city administration estimated the deal would cost the city $225,750 and generate $546,000 in net tax revenue over five years.
In 2006, Cranley and seven council members approved another incentive package to further secure Paycor’s stay in Cincinnati.
But the deals also required Paycor to remain in Cincinnati through 2015. Since Paycor’s move violates the agreement, the city administration says it plans to claw back some of the tax benefits given to the company.
In other words, Cranley in 2001 and 2006 approved tax deals with Paycor that the company, with his help, is now set to break.
City spokesperson Meg Olberding says the clawback process will begin after Paycor moves to Norwood in 2014. So if Cranley is elected by voters on Nov. 5, he would be mayor as the city is taking back some of the money it gave away.
Although the city is taking a hit, Cranley’s relations with the payroll company appear unscathed. Paycor CEO Bob Coughlin contributed $1,100 to Cranley’s campaign on Aug. 20, according to campaign finance reports.
Updated with more details about the tax deals between Cincinnati and Paycor.
The accelerated speed of tech developments over the past decade has changed the world in innumerable ways. The impact it has had on music is glaring, completely readjusting how the worldwide music industry operates and affecting everything from the way the sounds are created, recorded and distributed to the way they are experienced by listeners. Cincinnati’s Walk the Moon is currently in the midst of a quick rise in the music world that is a perfect example of how the career plans of aspiring young artists can today play out over an amazingly short period of time. It’s why you might want to catch Walk the Moon’s concert tonight at Oakley’s 20th Century Theater.
There are concerts that are fun and there are concerts that kick your ass. If you were at the sold-out U.S. Bank Arena Friday night for the opening date of The Black Keys first headlining arena tour, you probably got your ass kicked.
First up, Arctic Monkeys caused a ruckus on the floor. Most (but not all) of the folks in the seats wandered around aimlessly or sat there, watching listlessly. There was certainly uproar in front of the stage, though. But as the English boys played, sang and sassed, the crowd in the arena filled in and loosened up. It helped that their lighting guys strobed the shit out of them, too. The seizure-inducing lights may have been Morse code for “Love Arctic Monkeys. Swoon over our accents.” If so, it worked. By the time Arctic Monkeys closed with “When the Sun Goes Down,” the crowd on the floor had nearly doubled and, at the very least, those in their seats were nodding their heads and smiling. Those boys put on a fun show.
After spending the entire intermission only getting halfway through the beer line, nearly everyone gave up and fled to their seats when The Black Keys began. Not that anyone sat, though — they were all too busy dancing and freaking out. Strictly speaking, The Black Keys may not be from Cincinnati but it’s safe to say we treat them like hometown boys, anyway. Dan Auerbach (singing/guitar) even recalled playing Southgate House a few years ago. Upstairs. In the small room.
From a titanic disco ball that lowered from the rafters (for only one song) to the graphics on the screens behind them, the show was far different from their days playing tiny rooms. With each beginning there was an outburst of recognition. The middles of songs gave way to dancing, flailing and air guitar (or drums) and each ending note was drowned out by thousands of shrieks, whistles and catcalls.
Two things were learned last night. First, if you have any doubt about the amount of noise that one guitar and a set of drums can make, go see The Black Keys. Their albums don’t do justice to the sheer volume Auerbach and Partrick Carney (drums) are capable of producing. Second, you haven’t lived until you’ve heard an entire arena try to whistle.
If you weren’t there, you missed the best kind of Friday night possible. If you were, you’re probably already making plans for the next time The Black Keys come to town.
The Cincinnati pugilist (23-0, 19 knockouts), who lives in Westwood, faces Vicente Escobedo (26-3, 15 knockouts). The fight will be broadcast on HBO's Boxing After Dark and represents the next step in a career that may propel Broner into the highest levels of the sport. This will be Broner's fifth appearance on HBO.
Broner is the youngest current U.S. title holder after winning the WBO Junior Lightweight belt with a third-round knockout of Vicente Rodriguez last November. His first title defense came in February of this year, also in Cincinnati. He easily defeated Eloy Perez, prompting additional fan, cable and promoter attention. His second title defense this Saturday may be a turning point, leading to the next tier of exposure and reward — and perhaps much tougher fights.
Escobedo is a 2004 US Olympian, though he did not medal. He's fighting at 130 pounds, having tasted defeat as a pro at 135 pounds in a split-decision title fight loss versus Michael Katsidis in 2009. After four victories in the new weight class, the 30-year-old Escobedo now faces one of the most highly touted prospects in boxing today in Broner.
In the ring, Broner's athleticism, speed, power and preparation, as well as his side-on fighting style and offense-from-defense positioning, have led to comparisons with current pound-for-pound great Floyd Mayweather, Jr. Broner says he doesn't watch tape of opponents but prefers to adapt in the ring.
Outside the ring, he's known for a flamboyant style that also has brought comparisons to Mayweather's flashy persona, but Broner shows adaptability in the arena of life as well. Broner describes strong and apparently nourishing interests, including recording his own music. So far, when it's time to focus — in the ring or answering serious questions about his claims to elite status — the 22-year-old can be frank, direct and thoughtful.
But he's also being called over-the-top. A rare talent. And, of course, undefeated.
Cincinnati sports fans are on notice that maybe, just maybe, they have a new, hometown, world-class athlete worth following on the international stage.
Broner-Escobedo headlines an extensive undercard on Saturday, July 21. U.S. Bank Arena doors open at 5 pm. HBO Boxing After Dark coverage begins at 10 pm. Tickets are available through Ticketmaster.