Welsh musician Gruff Rhys is bringing his current unique (and brief) tour to Cincinnati's Contemporary Arts Center tomorrow (Thursday). The show starts at 8 p.m. Click here to grab your tickets.
attending the tour’s stop at the CAC will also be treated to an extra
rare bonus — Rhys’ Neon Neon project-mate and Cincinnati native Boom Bip (aka Bryan Hollon, who now works from out of the West Coast) will be
joining Gruff onstage after the main performance for a one-of-a-kind DJ
Rhys’ band Super Furry Animals released its major label debut, Rings Around the World,
in 2001 and the group appeared to be a successor to the throne occupied
by fading superstars like Blur and Oasis. The album (following SFA’s
excellent debut, Fuzzy Logic,
and a trio of experimental-oriented albums put out by king-maker Alan
McGee’s Creation Records) put a brilliant, creative spin on “Brit Pop,”
highlighted by fascinating sounds between the grooves, but also an
extraordinary knack for writing incredibly potent melodies. Rings
contained several hit-songs-in-waiting and did well in the U.K., but
never fully grabbed the ears of the U.S. mainstream like a few of the
band’s predecessors did.
While some artists would have simply gone back and cleaned up/out the sound of their potential breakthrough to appeal more to the mainstream, it soon became clear that Rhys and the Furries weren’t interested in pandering. The band had always been underlined by a progressive, adventurous streak (early works embraced Electronic and Ambient music, among other approaches) and it was evident that the opportunity to crossover or become a massive success was less important to Rhys and Co. than following their own creative whims. (By the mid-’00s, SFA had left the Sony family for the artist-friendlier confines of Rough Trade Records).
Rhys’ work outside of the Furries’ domain has been even more exploratory. Rhys’ eclectic solo albums have contained songs sung alternately in Welsh, English and Spanish. And he’s a huge fan of collaboration, working with artists like Mogwai, Sparklehorse, De La Soul, Gorillaz, Simian Mobile Disco and Brazilian artist Tony da Gatorra, to name a few. One of his most celebrated collaborations has been with Boom Bip; the pair’s Neon Neon project has been widely acclaimed, earning a Mercury Prize nomination in 2008 for the album Stainless Style (a loose concept piece about the life of John De Lorean).
Rhys’ current project/tour is a follow-up to Separado!, a feature film/multimedia venture during which film crews followed the musician as his “investigative concert tour” traveled through South America. The film followed Rhys on his journey to learn more about his “long lost, guitar-playing, poncho-wearing uncle, Rene Griffiths.” Given his musical output, it was fitting that Rhys’ intellectual and creative curiosity had led him down such another unique path.
Here's the trailer for Rhys' "psychedelic western musical," Separado!
current “investigative tour” is another adventure in genealogy and
travel, as the artist (again trailed by a film crew for a planned
movie sequel/music/prose/photo project) journeys through North America to find
the burial site of John Evans, another distant relative who allegedly
left Wales in the late 1700s on a quest to verify the legend of a
Welsh-speaking tribe of Native Americans.
Rhys put this call out to anyone with info that could help: “Gruff urges anyone with clues regarding Evans’s unknown burial place; imaginary volcanos; wandering tribes of Welsh Speakers, or lingering river reptiles to come to the shows, where their help with his investigations will be appreciated and featured in the movie.” You might even make the film's final cut just by showing up and checking out the show.
Rhys’ performance will include music, discussion, his cutting humor and more. As the trailer above suggests, and anyone who’s seen SFA live knows (the band's criminally under-attended show at the Southgate House many years ago was one of my all-time favorite concerts), don't go into one of Gruff’s appearances with too many expectations because, most likely, they’ll be blown out of the water.
Want to be one of the first people on the planet to hear Verb Noun, the forthcoming album from local Indie/Electro/Folk/Pop buzz band The Seedy Seeds? You're in luck. Tonight at 7 p.m., the band is hosting a listening party at Shake It Records in Northside. It's free and open to all ages, and there are promises of "refreshments" on the band's Facebook page (as well as a chance to pre-order the album and win some schwag).
The ever-busy Greenhornes bring their current tour with San Antonio rockers Hacienda (“discovered” by Dan Auerbach of The Black Keys and also the bulk of Auerbach’s solo touring band, The Fast Five) to Covington’s Mad Hatter Thursday night for an all-ages, 8 p.m. show. (Local openers are The Kickaways and Two Headed Dog, featuring former members of The Virgins and Thee Shams.) If you can’t make it or want to keep the Greenhorne vibe going into April Fool’s Day, you can catch the band performing on Carson Daly’s late-night NBC show Friday (yes, it’s still on the air and, in fact, actually features a number of interesting musical and cultural figures now that the network appears to have no interest in it).
Nationally-acclaimed Cincinnati foursome Wussy are set to release its fourth full-length album through Shake It Records, Strawberry, with a release show at Northside Tavern on Oct. 29. But if you pre-order the album now, you'll receive an instant download of the full release. Click here to download or just give a listen. There's also a free pre-release EP available that'll only cost you an email address here. The preview EP includes new album tracks "Pulverized" (check it out below, as well) and "Chicken," as well as "Crooked," off the limited release, Funeral Dress II. The national release date for Strawberry is Nov. 2.
The CincyPunk Fest has emerged as one of the most popular benefit concerts in the region, raising money for various charities since its inception in 2005. For CincyPunk Fest 10, the event returns to Newport’s Southgate House April 8 and 9 under new management and with a lineup full of some of the top music-makers in Cincinnati. And, despite its name, the fest is again a showcase for much more than just Punk Rock.
Paul McCartney — "The Cute One" — will perform at Great American Ballpark on Aug. 4 as a part of a string of summer dates that'll see the former Beatle playing Yankee Stadium and Wrigley Field (among many other giant venues). Tickets for the Cincinnati date go on sale this Friday through tickets.com.
The New York Times published a story in the paper's arts section today about the history of Cincinnati-based King Records and those around town who have made it their mission to put the once-vital label back in the spotlight. The story mentions everyone from old-school King artists James Brown, Charlie Feathers and Nina Simone to current-day champions John Cranley, Elliott Ruther and Brian Powers.
RJ Smith, the author of the piece entitled "Rocking Cincinnati's R&B Cradle," was on hand for the King Records memorial back in mid-November, as well as the Cincinnati Entertainment Awards, presented by the good peeps at CityBeat, later that night.
Brian Penick of local music promotions company The Counter Rhythm Group is guest blogging for CityBeat monthly to provide a behind-the-scenes look at his journey to release his interactive industry guidebook, Musicians' Desk Reference. For more on the project, visit its Facebook page here.
Wow, what a month. Extreme highs and lows, minimal sleep and a work schedule that would make an outsider believe I had an armed guard with a shotgun pointed at my back … which in some regard is true, except that I am playing both roles.
I am going to attempt to make this blog entry significantly shorter than the last because, as you may have guessed, I have more work to accomplish. The ever-looming deadline for South by Southwest (SXSW) is creeping up and preparations with everything surrounding the presence of Musicians’ Desk Reference at SXSW grow almost exponentially by the day.
This will be my fifth year attending the Austin, Tex., festival/conference (the largest music-related event in the US), and while it is my second time going without performing, I can already tell that this will be my busiest year ever. Taking meetings, handing out promo material and managing schedules for myself and my team are just a few of the things that will fill my week-long itinerary, all for the pursuit of introducing Musicians’ Desk Reference to some select individuals for endorsement.
While there are many different potential outcomes to this journey, I feel confident that my inevitable glass of top-shelf Kentucky bourbon at the end of the week will be a salute to success rather than a drowning of sorrows.
The obvious focus of this month, or at least what the intention was to focus on, was our Kickstarter campaign for Musicians’ Desk Reference (our upcoming music industry progression eBook for you newcomers). We still have a little over a week to go and time will tell what the final outcome is. My original goal was to have the funding reached by interested parties to eliminate the need for a third party publisher, ultimately keeping the cost down for the user.
In the event that this goal is not obtained in early March, never fear, as those who know me have probably deduced, I have several backup plans. Am I thorough? Yes. To the point that I am slightly neurotic? Probably. Regardless, nothing is going to stop the freight train that is Musicians’ Desk Reference. Nothing.
So in my attempt to clear my schedule for February to make way for this crowdfunding campaign, I actually ended up with a much busier month that originally anticipated. On top of all of our regular client work, The Counter Rhythm Group hosted our Locally Insourced Cincinnati Music Industry Trade Show, a fantastic show with Bad Veins, PUBLIC and The Ridges. We have been in negotiations with several of our clients for national support tours and we are in the midst of working a potentially huge licensing contract for a client.
In addition to a nationwide social media campaign and a getting ever so close to finishing the book, these past 28 days have seemingly become a marathon that we have just sprinted through. My next vacation is (literally) planned for 2015.
In closing I would like to take a second to thank not only those who have already donated to our Kickstarter, but also to those who (hopefully) will. There is still some time left (depending on when you read this; campaign ends on March 8), and sharing is something we are also encouraging folks to do. I would really like to try and go the independent route with this project, but I am prepared with other options in the end if that is not the case. At the least it has been quite a journey.
I also would like to thank those who have had to deal with my absentmindedness in (“normal,” non-music related) conversation over the past few weeks. I would like to say that this may change in the coming months, but knowing myself and how much I want to accomplish with Musicians’ Desk Reference, I would just plan on it for the next several months. It is by no means a way of stating that I do not care about what else is going on in the world, but should be viewed as a precursor to how significant I think this project can potentially be. I have dedicated literally half of my life to the music industry and I believe this is my biggest accomplishment to date.
Goodnight, and thanks for reading!
CINCINNATI, Ohio (August 6, 2014) — The long wait is over. Fans eager to see what artists are playing at
MidPoint Music Festival will now find a full schedule online at MPMF.com. Approximately 150 acts from seven
countries, 57 cities, and across the tri-state region will perform in Cincinnati USA, September 25–27, 2014.
For weeks now, festival organizers have been leaking some bands and details via social media, but venue
and showcase times have been kept under wraps until today. All-access passes are on sale at mpmf.com for
what is arguably the best music festival value in the nation.
“We’ve always offered a wide array of music styles, but this year’s lineup has really developed into something
special and diverse,” said Dan McCabe, creative director. “I think fans would be hard pressed to find another
festival that can give you a bigger bang for your buck.”
Experience live music for three days
The 13th annual festival will present three exciting days of live music on 14 stages in the Over-the-Rhine and Downtown neighborhoods. While the event maintains its status as a primary showcase for emerging independent talent, there’s no denying that this year’s edition has raised the bar in booking established artists.
Cincinnati-music fans should take note that MidPoint welcomes one the most acclaimed local bands to break out in the 90s, The Afghan Whigs, who have stormed back better than ever with their first studio album in the past 16 years. MidPoint will be the only regional appearance for the band during their current world tour.
MidPoint will also be the tour kickoff for Chromeo, the “funk lordz” from Toronto, who are contending for the song of the summer with their single Jealous (I ain’t with it). Washington Park should expect a dance party with the band’s huge lightshow. Consequence of Sound called them a “must-see live show for any festival.”
Additionally, the festival will host some well-established names from the indie-music world over the past decade, including OK Go, The Raveonettes, Panda Bear, Sun Kil Moon and Joseph Arthur. Bands like Real Estate, St. Paul & the Broken Bones and Jessica Lea Mayfield are newer, but no less widely known.
Longtime MidPoint fans might also notice a wider array of music styles. The lineup still features a healthy
amount of pop and indie rock, but organizers have listened to fans’ suggestions, adding more:
Country Nikki Lane, Margo & the Price Tags, Bulletville;
Folk Lost in the Trees, Mutual Benefit, Woody Pines, Honey Locust, The Ridges;
R&B St. Paul and the Broken Bones, Magnolia Sons, The Almighty Get Down;
Blues Barrence Whitfield and the Savages, No Sinner, Left Lane Cruiser;
Heavy Metal Deafheaven, Liturgy; as well as more dance-oriented sounds like
Hip-hop/EDM Tycho, Dessa, WHY?, Body Language, and Parallels.
Experience new venues for young and old
Festival venues continue to evolve with great new, larger stages at Memorial Hall and Christian Moerlein Brewery. Younger fans will able see more showcases than ever with all-ages stages at the Contemporary Arts Center, Taft Ballroom, Memorial Hall, the MidPoint Midway, Christian Moerlein Outdoor Stage and Washington Park. In fact, children under 10 years of age can attend our Washington Park showcases for free with a paying adult. With afternoon music programmed for Washington Park on Saturday that could be just what the doctor ordered for parents who seldom get out to concerts.
Experience a unique festival atmosphere
Since 2001, MidPoint's goal has been to help you discover your new favorite band. Our embrace of today's
emerging artists is born of the same spirit employed by Cincinnati's celebrated musical pioneers, who always
reached for something new. This festival isn’t as much about the flavor-of-the-month, but rather a
tastemaker’s event where the bands performing will be what people are talking about next year.
For three days, fans can walk easily between venues dotted throughout beautiful, resurgent Over-the-Rhine.
This collection of young creative talent amongst an architecturally rich urban setting makes MidPoint a one-ofa-
kind experience. Unlike some festivals on a farm or a huge fielded area that could be anywhere, MidPoint
carries the heart of our city with intimate performances in smaller clubs and theaters. We think Cincinnati is
one of the best music cities in the world. With MidPoint showcasing bands and our city’s center, we are
putting our best foot forward towards showing this is a great place to live, work and play.
Everything is on an upswing in Over-the-Rhine and Downtown Cincinnati and we expect the fans to not just
enjoy the music, but the wonderfully reimagined Washington Park, our handsome German-heritage buildings
and all of the newer hip restaurants, cafés and hi-tech companies that are making this one of the hottest
regions of the Midwest.
Experience food and fun on the Midway
We realize that not everyone can afford to attend a music festival, so we’ve tried to make a small part of it
accessible to everyone with our outdoor MidPoint Midway. All of the music programmed here is free, thanks
in part to the help of festival sponsor P&G.
The Midway takes up about two blocks on 12th Street in Over-the-Rhine. Fans at the Midway can find festival
essentials such as food and beer trucks, various vendors and the return of the artistic installations coordinated
with the help of ArtWorks. (More on that in the coming weeks.)
MidPoint’s box office is also at the Midway, where fans will purchase All-Access, VIP, or single-day passes.
It is fairly easy to hop from show to show, but with 10 venues in Over-the-Rhine and four located downtown,
not every showcase will be a quick walk. But it is a quick bike ride. Festival organizers will continue to partner
with the City of Cincinnati to place a number of bike racks in strategic locations. We encourage everyone to
save their feet for the dance floor and bring their bike to get to those must-see bands faster.
MidPoint Music Festival highlights to look for:
Thursday September 25
Chromeo; Panda Bear; St. Paul & the Broken Bones; Sun Kil Moon; Lost in the Trees; and Nikki Lane
Friday September 26
The Afghan Whigs; Tycho; Real Estate; Wussy; WHY?; Dessa; Rubblebucket; and Jessica Lea Mayfield
Saturday September 27
OK Go; The Raveonettes; Deafheaven; Empires; EMA; Earth; Saintseneca; and Speedy Ortiz
Cincinnati USA represent:
Automagik; Black Owls; Bulletville; Culture Queer; Darlene; Fathers; Fists of Love; Heavy Hinges; Honey &
Houston; Honeyspiders; Injecting Strangers; Leggy; Molly Sullivan; Old City; Prim; Public; Smasherman; State
Song; The Afghan Whigs; The Almighty Get Down; The Ready Stance; Us, Today; WHY?; and Wussy
A full performance schedule is now online at MPMF.com/festival. All artists are subject to change without
notice. Schedule updates and further festival news will be available at MPMF.com, on Facebook and Twitter.
2014 MIDPOINT MUSIC FESTIVAL VENUES
Arnolds Bar & Grill
210 East Eighth Street
Christian Moerlein Brewery
1621 Moore Street (2 stages)
Contemporary Arts Center
44 East Sixth Street (all ages)
Bioré Stage at Know Theatre
1120 Jackson Street (2 stages)
Mainstay Rock Bar
301 West Fifth Street
1225 Elm Street (all ages)
Midpoint Midway Presented by P&G
Twelfth Street, between Vine & Walnut (all ages)
1345 Main Street
1323 Main Street
317 East Fifth Street (all ages)
1150 Main Street
Washington Park Presented by Dewey’s Pizza
1230 Elm Street (all ages)
TICKETS ON SALE AT MPMF.COM
All-Access Pass $69 ($79 after September 1)
VIP Pass $179
Single-Day Pass $40 (Limited quantities)
All venues will offer the option of À la carte pricing at the door, which covers that night at that venue.
Entry into any MidPoint venue is subject to legal capacity limits. All-Access Pass holders get admission to all
MidPoint showcases, all three days. VIP pass holders get an enhanced experience with the ability to skip
lines with priority admission, plus they receive access to catered VIP reception events each evening, with
complimentary food and beverages. An exclusive VIP viewing area is included at the Washington Park stage.