I may be imagining it (the eternal optimist that I am), but it seems like ever since the Southgate House locked its doors at the end of 2011, many in the local booking world stepped up their game instantly. Though it's only been just over a month, it certainly doesn't feel as if the Greater Cincinnati concert market has been gutted by the loss of that one great club. And with several spots slated to open later this year (new venues from the brains behind the Southgate and Mad Hatter, plus whatever happens to the actual Southgate House building), it only looks to be getting better.
More good news on that front came out at the start of this week. On Feb. 10, an unexpected, big-time venue entered the mix — or rather, increased its presence in it. Downtown’s gorgeous Taft Theatre already this year announced some concerts by more “mid-level” groups like Trampled By Turtles and JJ Grey & Mofro, cult faves and Southgate alumni. Now, the Taft and promoter Music & Events Management Inc. are opening a new venue-within-a-venue that will allow the Taft to book artists who have outgrown small clubs but aren't quite ready for the big room.
The Ballroom at the Taft — located in the theater’s lower level — was designed to be, according to the press release, “a showcase style club venue that will play host to a variety of live entertainment events spanning all types of styles and genres.”
Over the years, Greater Cincinnati has been lucky to have at least a few radio stations dedicated to giving original, local music some airtime. While WEBN (yes, that WEBN) strongly supported local music in the ’70s/’80s, most substantial local airplay now comes courtesy of community and/or low-powered stations, plus the occasional, short-lived niche show from a huge corporate radio outlet.
At 88.9 FM (or 89.1 FM in Northern Kentucky), Class X Radio's diverse programming and lineup of shows include the longest-running local music program in the area — Kindred Sanction — which got its start on WAIF over 25 years ago (the station also incorporates local music into its other programming). The community radio station WVQC (Radio Free Queen City) is run through Media Bridges and features numerous shows that spotlight Cincy artists (listen online or at 95.7 FM). And Northern Kentucky's powerhouse public radio channel, WNKU (wnku.org or 89.7 FM) integrates local artist cuts into its normal playlist frequently.
This past April, 94.5 FM became Cincy Rock 94.5 … for a month. Owners Clear Channel threw a bone to local music after Northern Kentucky resident Josh Fields won a contest to program the channel until its May 1 conversion to a 24-hour FM simulcast of AM superstar, WLW.
This Sunday, in what will hopefully be a more permanent occupation of some FM airtime for local music, another Clear Channel outlet, The Project (at 100.7 FM and 106.3 FM), will launch what looks to be a great new program, CincyMusic Spotlight.
One of the few conglomo-stations to consistently play "Alternative" music in the city (it also plays the bigger local bands, like Foxy Shazam and Walk the Moon, on a regular basis), The Project will now delve into Greater Cincinnati's music scene head first every Sunday night at midnight. The program will be made available as a podcast at CincyMusic.com, which partnered with The Project for the new show (podcasts will also be available at CincinnatiProject.com). You can subscribe to the podcasts at both sites starting Sunday.
In a press release, the show is described as "a mix of the region's most talented musicians" and will also feature a "weekly recap of all the local music news from CincyMusic.com."
The program certainly has the right hosts in place. CincyMusic Spotlight will feature two local music/radio veterans — Venomous Valdez (who has done radio in the past, helped keep the MidPoint Music Festival running smoothly last year and currently works with local bands as a manager/road manger) and Joe Long (who helms the music blog Each Note Secure and was a former DJ on the late, great 97X/WOXY).
Tune in this Sunday night and be vocal in your support of the show so CincyMusic Spotlight stays on the air and proves wrong the seemingly conventional wisdom that there are no ratings or money in "local music."
Matt “Sledge” Waller, a former DJ for the late Indie/Alternative music powerhouse WOXY (dating back to its terrestrial days in Oxford, Ohio), has gotten back to playing music. Waller hosts a weekly two-hour radio show on the Internet channel party934.com, which also airs in its hometown of Hudson Valley, NY, on the 94.9 frequency.
Nationally-acclaimed Cincinnati foursome Wussy are set to release its fourth full-length album through Shake It Records, Strawberry, with a release show at Northside Tavern on Oct. 29. But if you pre-order the album now, you'll receive an instant download of the full release. Click here to download or just give a listen. There's also a free pre-release EP available that'll only cost you an email address here. The preview EP includes new album tracks "Pulverized" (check it out below, as well) and "Chicken," as well as "Crooked," off the limited release, Funeral Dress II. The national release date for Strawberry is Nov. 2.
When Over the Rhine's new album, The Long Surrender, comes out early next year, it will have been 20 years since the beloved Cincinnati outfit released Till We Have Faces, OTR’s 1991 debut. In that time, OTR’s husband/wife braintrust — multi-instrumentalists and vocalists Linford Detweiler and Karin Bergquist — carved out one of the more impressive careers in Cincinnati music history, amassing a dedicated worldwide fanbase of passionate supporters. OTR’s unusually close-knit relationship with those fans has kept their base intact. It’s also how the duo was able to make The Long Surrender.
Cincinnati born and bred legend Bootsy Collins is known for his collaborations, from James Brown, George Clinton and Deee-Lite to more recent (and more unusual) hookups, like William Shatner, Charlie Daniels and Dr. Cornel West. But his latest collabo might be his strangest — and most fun — yet. Last night, Collins joined The Roots, DEVO's Mark Mothersbaugh, Biz Markie and Erykah Badu on Late Night with Jimmy Fallon for a little jam session with the cast of the trippy, hip kids' show, Yo Gabba Gabba.
Though not officially available until Aug. 2 to the rest of the world, Southwestern Ohio’s Buffalo Killers begin their touring duties for the new album 3 tonight in Dayton before coming to MOTR Pub Saturday night for their Cincy album release party. In honor of the forthcoming release, today the band issued a free MP3 download today of the song “Love Is Gold,” which was recorded during the 3 sessions, but left off of the album. Click above to listen.
Indie Pop trio The Seedy Seeds are nearing the end of its first tour leg in support of the new album Verb Noun, which took the band coast-to-coast, wrapping up Friday in Columbus, Ohio. Local fans will have a few chances to see them in April — April 21 they do a free show at the Cincinnati Zoo with The Tillers and they'll join Walk the Moon April 28 at 20th Century Theatre in Oakley — or you can check out the band's new video for the album's lush Indie Pop title track below. The band has also offered up a free stream of their "Friends of The Seedy Seeds" project, featuring several musician pals covering tunes from Verb Noun.
Brian Penick of local music promotions company The Counter Rhythm Group is guest blogging for CityBeat monthly to provide a behind-the-scenes look at his journey to release his interactive industry guidebook, Musicians' Desk Reference. For more on the project, visit its Facebook page here.
Wow, what a month. Extreme highs and lows, minimal sleep and a work schedule that would make an outsider believe I had an armed guard with a shotgun pointed at my back … which in some regard is true, except that I am playing both roles.
I am going to attempt to make this blog entry significantly shorter than the last because, as you may have guessed, I have more work to accomplish. The ever-looming deadline for South by Southwest (SXSW) is creeping up and preparations with everything surrounding the presence of Musicians’ Desk Reference at SXSW grow almost exponentially by the day.
This will be my fifth year attending the Austin, Tex., festival/conference (the largest music-related event in the US), and while it is my second time going without performing, I can already tell that this will be my busiest year ever. Taking meetings, handing out promo material and managing schedules for myself and my team are just a few of the things that will fill my week-long itinerary, all for the pursuit of introducing Musicians’ Desk Reference to some select individuals for endorsement.
While there are many different potential outcomes to this journey, I feel confident that my inevitable glass of top-shelf Kentucky bourbon at the end of the week will be a salute to success rather than a drowning of sorrows.
The obvious focus of this month, or at least what the intention was to focus on, was our Kickstarter campaign for Musicians’ Desk Reference (our upcoming music industry progression eBook for you newcomers). We still have a little over a week to go and time will tell what the final outcome is. My original goal was to have the funding reached by interested parties to eliminate the need for a third party publisher, ultimately keeping the cost down for the user.
In the event that this goal is not obtained in early March, never fear, as those who know me have probably deduced, I have several backup plans. Am I thorough? Yes. To the point that I am slightly neurotic? Probably. Regardless, nothing is going to stop the freight train that is Musicians’ Desk Reference. Nothing.
So in my attempt to clear my schedule for February to make way for this crowdfunding campaign, I actually ended up with a much busier month that originally anticipated. On top of all of our regular client work, The Counter Rhythm Group hosted our Locally Insourced Cincinnati Music Industry Trade Show, a fantastic show with Bad Veins, PUBLIC and The Ridges. We have been in negotiations with several of our clients for national support tours and we are in the midst of working a potentially huge licensing contract for a client.
In addition to a nationwide social media campaign and a getting ever so close to finishing the book, these past 28 days have seemingly become a marathon that we have just sprinted through. My next vacation is (literally) planned for 2015.
In closing I would like to take a second to thank not only those who have already donated to our Kickstarter, but also to those who (hopefully) will. There is still some time left (depending on when you read this; campaign ends on March 8), and sharing is something we are also encouraging folks to do. I would really like to try and go the independent route with this project, but I am prepared with other options in the end if that is not the case. At the least it has been quite a journey.
I also would like to thank those who have had to deal with my absentmindedness in (“normal,” non-music related) conversation over the past few weeks. I would like to say that this may change in the coming months, but knowing myself and how much I want to accomplish with Musicians’ Desk Reference, I would just plan on it for the next several months. It is by no means a way of stating that I do not care about what else is going on in the world, but should be viewed as a precursor to how significant I think this project can potentially be. I have dedicated literally half of my life to the music industry and I believe this is my biggest accomplishment to date.
Goodnight, and thanks for reading!