On this day in 1967, The Beatles continued work on arguably their best song, "A Day in the Life." After a debate over how to end the track following the huge orchestral build-up (sustained choral vocals were considered, but scrapped), the group decided to simultaneously strike a massive E chord on three pianos and sustain the notes for as long as possible. Adding overdubs (and a contribution from producer George Martin on harmonium), the final resonating notes hang in the air for over 40 seconds on the recording. As the held chords faded on the pianos in the studio, the engineer had to crank the recording level, which picked up some incidental sounds (like a creaking chair and, certainly, something about Paul being dead) from the studio.
That E-major chord that closes the song — and the whole Sgt. Pepper's Lonely Hearts Club Band album, considered one of the best ever — is widely considered one of the most famous chords in Rock/Pop history. Which means that The Beatles are responsible for the most popular opening chord in modern music — the mysterious G7sus4-ish that kicks off "A Hard Day's Night" — and the most notable final chord with the "A Day in the Life" finale.
Below is audio of BTO guitarist Randy Bachman explaining the "Hard Day's" chord mystery (frustrated guitarists should feel better about their inability to figure it out), followed by today's biggest Pop superstar performing that famed final note from Sgt. Peppers.
Click the jump for "Born This Day" featuring live footage from one of the final Sublime concerts with Bradley Nowell.
The Van's Warped Tour might not be the most financially successful summer package tour of all time (the promoter and performers work together to keep an ego-free environment and low ticket prices), but it's hard to argue that it is not the most successful overall, especially in terms of longevity. Now in its 18th year, Kevin Lyman's eclectic traveling festival has outlived all of the roving music events that sprouted up around the same time (from Lollapalooza to Lilith Fair) by creating a "customer friendly" experience that's also very "artist friendly."
The tour's 2012 finale is this weekend in Portland, but before shutting things down for the summer, the fest makes its annual stop at Cincinnati's Riverbend today. Doors open at 11 a.m. and music kicks off shortly after. The show ends around 9 p.m. Tickets at the box office will cost ya $42 (about a dime a band, by my estimation).
Click here for more local show details, including info on how you can "Skip the Line" and walk right into the venue.
The set-times for each act are decided just prior to the gates opening; if you're going, look for the giant inflatable Warped logoed amp to see when your favorites are playing. I also highly recommend grabbing the official Warped Tour app.
Be sure to support our local music scene reps — The Few The Fallen, Heres To The Heroes and Let It Happen will play the Ernie Ball Stage. Check out Let It Happen's recent video for "Bridges" from the great release, It Hurts, But It's Worth It.
Here is who's playing where (via Riverbend's site). (Welsh rockers Lostprophets are also on the bill, though not listed on Riverbend's site; all info is subject to change.)
MAIN STAGE: Taking Back Sunday, All Time Low, New Found Glory, Streetlight Manifesto, Yellowcard, Piece The Veil, Four Year Strong, Of Mice and Men, We The Kings, Breathe Carolina, Miss May I, Falling In Reverse, Blood On The Dance
TBD STAGE: Every Time I Die, Mayday Parade, blessthefall, Chelsea Grin, For Today, Memphis May Fire, Motionless In White, Rise To Remain, Sleeping With Sirens, The Ghost Inside, Vampires Everywhere!, Title Fight
TILLY’S STAGE: Senses Fail, Vanna, Polar Bear Club, We Are The Crowd, Man Overboard, A Loss For Words, Funeral Party, I Fight Dragons, Machine Gun Kelly, Oh No Fiasco
TBD STAGE: Echo Movement, G-Eazy, Stepdad, The Constellations, Ballyhoo!, Champagne, T. Mills, Tomorrows Bad Seeds, Mod Sun, The Green, Amyst
ERNIE BALL STAGE: iwrestledabearonce, Born Of Osiris, Chunk! No Captain, Fireworks, Transit, Cold Forty Three, The Scissors, The Few The Fallen, Here's To The Heroes and Let It Happen.
KEVIN SAYS STAGE: Make Do And Mend, Matt Toka, Tonight Alive, Skip The Foreplay, Sick of Sarah, Mighty Mongo, Captain Capa, I Call Fives, Hostage Calm, The Silver Comet, Twin Atlantic, The Darlings, Dead Sara
ACOUSTIC BASEMENT: A Loss For Words, Koji, Brian Marquis, Rocky Votolato, Transit Owen Plant, Anthony Raneri
Northern Kentucky native and genuine guitar god Adrian Belew returns to the area tonight for a show with The Crimson ProjeKct at the Taft Theatre. Belew is spending half his summer on the road with the ProjeKct — a King Crimson offshoot that also includes KC’s Tony Levin and Pat Mastelotto, plus Markus Reuter, Julie Slick and Tobias Ralph — touring as opener for modern-day Prog Rock legends Dream Theater. The ProjeKct set lists so far on the tour have been all King Crimson, primarily from Belew's initial period with the group ("Elephant Talk," "Thela Hun Ginjeet") and the ’90s KC period when Mastelotto joined the fold ("B'Boom," "THRAK"), but they've also been doing the title track from KC's 1974 album, Red.
In August, Belew, Levin and Mastelotto will be going to camp in the Catskills. The second annual “Three Of A Perfect Pair Music Camp” — which will include workshops, story sharing, hangouts and lots of music-playing — takes place Aug. 20-24 (visit threeofaperfectpair.com for full details or check out the video overview below).
But first things first — Belew and The Crimson ProjeKct perform tonight at the Taft at 7:30 p.m., followed by Dream Theater. Tickets are $27.50-$53.
Here's a clip from 1982 of Crimson performing another song the ProjeKct has been playing on its current jaunt.
• The name Marsalis is a quality-ensurer in Jazz. So many family members have made a name in music, the Marsalis family tree is a full branch of the general American Jazz family tree.
Esteemed trombonist Delfeayo Marsalis is the brother of famed trumpeter/historian Wynton, modern sax icon Branford and respected drummer-turned-vibraphonist Jason, and son of Louisiana Music Hall of Famer Ellis Marsalis, Jr. Together, the musical family received the NEA Jazz Masters Award in 2011.
Of course, the Marsalis' individual achievements are still wildly impressive outside of the context of the family's accomplishments. Delfeayo has released a handful of acclaimed albums since the ’90s, including 2011's Sweet Thunder: Duke and Shak, but his greatest contribution to Jazz may be his work in production. Handling the boards on over 100 albums over the years, Delfeayo helped steer recorded Jazz back to a more acoustic mindset, eschewing tech "advancements" like the "dreaded direct bass" for the ambiance of early, classic Jazz sessions.
The Delfeayo Marsalis Sextet (with saxman and clarinetist Victor Goines) begins a two-night stand (with shows at 7 p.m. and 9:15 p.m.) tonight at downtown's Blue Wisp Jazz Club. Admission is just $15 ($10 for students with ID).
Here's a clip of Delfeayo with his pops, performing "Sultry Serenade."
Today in 1996, one of the greatest, most influential bassists ever, Bernard Edwards of Disco/Funk group Chic, passed away after contracting pneumonia while on tour in Japan.
My personal favorite bass line is Sly Stone's lick on "If You Want Me to Stay," but it's hard to deny the power of Chic's "Good Times," a Disco-era hit that helped lay the groundwork for Hip Hop. Edwards' bass line from the song is considered one of the most sampled pieces of music ever and it has been mimicked almost as often. Songs that wouldn't exist with Edwards' riff include Queen's "Another One Bites the Dust," Hip Hop trailblazers Sugarhill Gang's breakthrough "Rapper's Delight," Blondie's "Rapture," Daft Punk's "Around the World" and Wham!'s "Wham Rap! (Enjoy What You Do)" (hey, they can't all be winners).
R.I.P Bernard Edwards. And thanks for the groove.
Click on for Born This Day featuring Bez, Skip Spence, Grandmaster Caz and Robert Christgau.
Loudon Wainwright III could very easily have slid into the where-are-they-now realm of celebrity obscurity if he had allowed himself to be swallowed up by the one-hit wonderment of “Dead Skunk” in 1972. Although most people at the time only knew him for that ubiquitous single, Wainwright was confident that he had plenty of other weapons in his songwriting arsenal and set about to define the 40-year Folk/Pop career that has brought him certain measures of acclaim, wealth and notoriety as a songwriter, performer, actor and dysfunctional family man, each role woven inextricably into the fabric of the others (remember when he was Captain Spalding, the singing surgeon on M*A*S*H?). Clearly, the two paths that have intersected most often in Wainwright’s life are music and family; his itinerant singer/songwriter’s existence has been both a positive and a negative in his numerous attempts at familial stability and his parents, wives and children have been an endless source of grist for his songwriting mill.
Chief among Wainwright’s influences has been his often larger-than-life father, whose death at 63 left a gaping hole in his 17-year-old son’s life and psyche. A great deal of Wainwright’s unresolved love and anger issues concerning his father have been worked out in his songs over the past few decades, but his latest uniformly excellent album finds him looking back at his long timeline after reaching the milestone birthday of 65, a momentous and bittersweet benchmark that inspired the album’s title; Older Than My Old Man Now.
Like much of his recent work, Wainwright explores the familiar subjects of family, aging, death and lust on Old Man, which he does with typical candor, humor and reflection. Wainwright opens with the jazzy “The Here & the Now,” an annotated but honest account of his 65 years (“I took a wife, we had some kids/I screwed that up and went on the skids”), a history that he continues tracing on the contemplative and mournful “In C.” In the eloquent spoken word intro to the title track, Wainwright calls his father his “principal ghost” and then launches into a Delta-flavored vamp that addresses the psychic conundrum of having more calendars under his belt than his dad (“Sixty four is awful old, you know what can happen next/Hey, I’m older than my old man ever was, and I’m trying to keep it in context”).
Wainwright’s broad range is best typified by the ridiculously funny “I Remember Sex,” a parlor piano duet with Barry Humphries’ female alter ego Dame Edna Everidge, and the sublimely heartbreaking realizations of “The Days That We Die,” where Wainwright expounds, in prose and rhyme, on the reality of getting closer to life’s finish line without having fully reconciled with his children for his real and imagined sins. Listening to Wainwright and son Rufus trade soul-searching verses about life and change and forgiveness will bring a tear to the most cynical eye.
Over the course of the past few albums, Wainwright has honed his songwriting style to a fine point and narrowed his focus to very personal issues which he has translated into impossibly universal songs. Older Than My Old Man Now finds him in peak form in that regard, and reinforces the idea that he’s probably got plenty more to say on every subject as his finite journey heads inexorably toward the infinite horizon.
I’m not going to pretend I knew what synesthesia meant before listening to former Cincinnati/current Columbus-based Hip Hop artist Ill Poetic’s latest release, Synesthesia: The Yellow Movement. But after diving into the seven-song EP (and looking up the title on dictionary.com), I discovered that synesthesia is something like a music-induced hallucination where the afflicted see music as colors, which is the perfect description the album has on its listeners.
In the short amount of time it takes to get through this EP (just under 24 minutes), Ill Po takes the listener on a funky, soulful trip through his creative process. On the first track, “Be Cool,” Po is kind of like Samuel L. Jackson in the diner scene of Pulp Fiction (without the Jheri curl), urging everyone from politicians to status rappers to just chill the fuck out and re-birth the cool like Miles Davis.
“Be Cool” then melts into a laid-back Soul cut, the highlight track “On My Way,” which features crooner CJ the Cynic. It’s probably just the producer in him, but Ill Poetic lets CJ take the reins of “On My Way” for almost the first two minutes before he brings his spoken-word lyrical styling to the production, which is reminiscent of early Kanye or Eryka Badu with, dare I say, an added dose of creativity.
The wait for Po's words is well worth it, however, when he spits that “Ghostface is my real estate agent." Again, I really don’t know what this means, but the sheer image of calling Sibcy Cline or Century 21 and getting Ghostface Killah on the other end of the receiver is pure imagery gold.
On the sixth track and first single off the EP, “Gone,” the song cleverly describes Po’s struggle to leave Cincinnati and pursue his dreams (his every body part attempting to convince his brain to dip-out), while the Jazz-style production makes the listener want to roll-up and take a road trip with this song on repeat.
The best part about this album, though, is when Ill says “You don’t have to be cool to listen to this; you don’t have to listen to this to be cool.” So for all the nerds, dorks, dweebs and losers out there looking for new music, have no fear. You don’t have to be cool to listen to this and listening to Ill Poetic won’t make you cool. But it surely couldn’t hurt.
Click below to preview and purchase Synesthesia: The Yellow Movement. For more on Ill Poetic, visit his official site here.
This whole week has been overflowing with big-time concerts, from Radiohead to Red Hot Chili Peppers to Drake. If you went to any (and especially if you went to ALL), your pocketbook is probably a little lighter this weekend. So, in honor of all of you heroes who paid $15 just to park or spent $100 on three beers, tonight's live music recommendations are all FREE. And high-quality, to boot.
• Kick off your weekender on Fountain Square tonight for perhaps the most eclectic MidPoint Indie Summer series concerts of the year. Kicking off at 7 p.m., the free show is like a musical world tour that takes you from the early Reggae sounds of Jamaica (with local openers The Pinstripes) to the unique and exotic native-Blues of Timbuktu (Malian music legend Khaira Arby, pictured, and her band) to the grinding, deep Funk of Nashville's vintage Soul revivalists The Dynamites featuring Charles Walker on the mic. Dancing shoes are a must!
Walker and the Dynamites recently teamed with fellow soldier in the retro-funky revolution, Bettye Lavette, for the single "Yours & Mine." Check the phenomenal duet below.
• Local powerhouse power trio The Sundresses perform a freebie tonight at MOTR Pub in Over-the-Rhine. The 10 p.m. show also features Lexington rockers Oh My Me, making tonight's show a half-reunion of the "Midwest by Southwest" tour from this past spring (which also featured Wussy — who are currently headed to the west coast for dates — and Whiskey Daredevils from Cleveland).
Oh My Me has an intriguing and often captivating sound, mixing a groovy back-drop of fluid, hypnotic psychedelia with singer Erin Reynolds' stunningly soulful vocals weaving between the grooves — sort of a modern day Big Brother and the Holding Company. Lots of singers get the Janis Joplin comparison; Reynolds' voice and presence are so thoroughly alluring and absolutely natural, she's one of the few who actually deserves it.
Check the clip below for a taste.
More than just the openers, there's another reason to show up early. The first 20 people through the door tonight receive a free copy of the Cincinnati Entertainment Awards' 2008 Album of the Year, Barkinghaus, by headliners The Sundresses.
Click here for the full run down of tonight's live musical entertainment offerings.
On this date in 1987, a Beastie Boys/Run DMC concert in Liverpool, England, turned into a riot and ended with the arrest of Adam "Ad Rock" Horovitz. The pumped-out crowd reportedly began throwing bottles and cans at the group, which the Boys playfully batted back at them. At first. After just a few minutes, things continued to get out of hand and the concert was cancelled for the safety of all involved. At the hotel later that night, Horovitz was arrested because police believed he was responsible for the beer can that struck and injured a female fan.
Horovitz spent the night in jail and, in November, Ad Rock — 21 at the time — was found not guilty of the charges.
Here's an ancient MTV segment featuring the Boys at Spring Break (to give you a sense of the trio's pre-enlightenment personalities around the time of Horovitz's arrest).
Born This Day: Musical movers and shakers sharing a May 30 birthday include legendary Big Band bandleader and clarinetist Benny Goodman (1909); founding bassist for Punk giants Dead Kennedys, Geoffrey Lyall, better known as Klaus Flouride (1949); Jazz Fusion bassist Dann Glenn (1950); on-again/off-again drummer for The Clash, Topper Headon (1955); singer for Swedish Pop duo Roxette ("It Must Have Been Love," "The Look") Marie Fredriksson (1958); drummer and founding member of progressive Canadian Metal greats Voivod, Michel Langevin (1963); Country star Wynonna Judd (1964); Rage Against the Machine/Audioslave guitarist Tom Morello (1964); frontman for Indie Rock icons Pavement, Stephen Malkmus (1966); singer for Brit Pop crew The Charlatans, Tim Burgess (1967); Hip Hop-turned-Pop superstar Cee-Lo Green (1974); singer for Metal band Shadows Fall, Brian Fair (1975); "Freak Folk" poster child Devendra Banhart (1981) and Hip Hop MC Remy Ma (1981).
Remy was born Reminisce Smith and grew up in the Castle Hill Projects in the Bronx. Neighborhood MC Big Pun was an early mentor, putting Remy (then "Remi Martin") on a pair of tracks from his Yeeeah Baby album. It was a bittersweet debut, though; Pun died from a heart attack in 2000 and the album came out two months afterwards. (Big Pun was reportedly 698 pounds when he died.) Another big rapper, Fat Joe, took Remy under his wing and made her a member of Terror Squad. She was featured on the Terror Squad's huge 2004 single "Lean Back," which was a No. 1 hit on the Billboard Hot 100 for three weeks that summer. It also earned Remy a Grammy nomination.
Remy's debut solo album, There's Something About Remy: Based on a True Story, dropped on Feb. 7, 2006, the sixth anniversary of Big Pun's death. The album was critically acclaimed but didn't sell very well (Fat Joe and Remy blamed poor promotion and choice of singles). She left Terror Squad in 2007.
As a free agent, Remy reportedly received numerous label offers and even a reported deal for a reality show. She had her second album in the works, as well as the debut of the super-trio 3Sum, featuring fellow MCs Jacki-O and Shawnna, when things went really bad for Remy. She turned herself into police after a shooting outside of a nightclub that wounded a woman who had allegedly tried to rob the rapper. The woman ID'ed Remy as the shooter. In 2008, Remy was convicted of assault, attempted coercion and weapons possession. She was sentenced to eight years in prison. In 2008, she married her fiancee, Hip Hop artist Papoose.
Remy — who also has a young son — lost her appeal last June. The earliest she can be released is Jan. 31, 2015. If she has to serve her whole sentence, she won't be out until March 23, 2016.
Despite her jail stint and the limited material released, Remy Ma remains a big influence on established and up-and-coming female Rap artists.
Here's part of an interview Remy did with StreetHeat about her life in prison.