WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
Home - Blogs - Staff Blogs - Popular Blogs
Latest Blogs
 
by Mike Breen 11.14.2012
Posted In: Live Music, Local Music, Music Video at 01:53 PM | Permalink | Comments (0)
 
 
6196063841_6e6de76611_b

Music Tonight: Dope Body, Lights and More

• Baltimore Noise Punk foursome Dope Body introduced itself to the Indie Rock world with the donkey punch that was last year’s Nupping, the band’s first full-length. The group returned this year with the Natural History album on Drag City, on which a chaotic barrage of guitar harmonics, muscular drum/bass pummeling and howling vocals combine for something that sounds like The Jesus Lizard jacked up on speed (or Gang of Four jacked up on The Jesus Lizard). There is an artfulness to the noise, but it’s the group’s hectic energy level — which sometimes makes it seem like they’re going to fall apart at any second — that first draws the listener in, as if sucked up by the tornadic swirl, Dorothy-and-Toto-syle. The herky-jerky rhythms are also alluring, occasionally falling into a seemingly impossible groove that feels like some sort of alien Funk. You can dance to Dope Body — you just might look a little convulsive.

After an appearance at The Comet earlier this spring, Dope Body returns to Cincy tonight for a free, 10 p.m. show at MOTR Pub in Over-the-Rhine. Brooklyn trio Call of the Wild opens the show. Check videos from both acts below.





• Singer/songwriter James McMurtry (son of successful author Larry) performs tonight at the Southgate House Revival in Newport. The Americana song stylist kicked his career off in 1989 with his debut Too Long in the Wasteland and has continued to make album after album of modern Roots songs, which often showcase his deft lyrical ability (something perhaps in his blood). McMurtry has been celebrated for the short story style of writing, though in recent years he's addressed political issues for frequently and directly. His 2005 song "We Can't Make It Here" fit the Occupy movement's message so perfectly, he gave it away as a free download when the movement began, then re-recorded it with Steve Earle and Joan Baez for inclusion on the Occupy Wall Street benefit compilation, Occupy This Album. You can hear that version below. (Read more about McMurtry in Brian Baker's preview from this week's CityBeat here.)

McMurtry performs tonight at the new Southgate with his band, which at one time was dubbed "The Heartless Bastards," until some bratty kids from Cincinnati stole it for their own and have been using it quite successfully. Locals Monkeytonk open at 8 p.m. Tickets are $25.



• Canadian ElectroPop star Valerie Anne Poxleitner — who legally changed her name to Lights when she turned 18 and has performed under the moniker ever since — comes to the 20th Century Theatre in Oakley tonight for an 8 p.m. show. Tickets are $18. Canadian AltRock group Arkells opens the show. Similar to Robyn's approach, Lights' sound is a mix of more vintage Synth Pop, modern Electronic styles (yes, including Dubstep) and straight-up, ready-for-Top-40-radio Pop. Lights is a bonafide Pop star in Canada, with her albums, EPs and singles selling chart-worthy numbers, and though she has a faithful following in the U.S., she hasn't matched the same level of airplay, exposure and sales. Yet. Lights' sound has an ear-grabbing quality that could make her a chart and radio fixture in the States in an instant.

Here's Lights' latest single from 2011's Siberia, "Timing Is Everything."



Click here for even more live music events in Greater Cincinnati tonight.

 
 
by Mike Breen 07.31.2012
Posted In: Festivals, Live Music, Local Music, Music Video at 08:41 AM | Permalink | Comments (0)
 
 
letithappen

Warped Tour Hits Riverbend Today

The 18th annual Punk/Metal/Hip Hop/etc. traveling fest winds down after today's Cincy stop

The Van's Warped Tour might not be the most financially successful summer package tour of all time (the promoter and performers work together to keep an ego-free environment and low ticket prices), but it's hard to argue that it is not the most successful overall, especially in terms of longevity. Now in its 18th year, Kevin Lyman's eclectic traveling festival has outlived all of the roving music events that sprouted up around the same time (from Lollapalooza to Lilith Fair) by creating a "customer friendly" experience that's also very "artist friendly."

The tour's 2012 finale is this weekend in Portland, but before shutting things down for the summer, the fest makes its annual stop at Cincinnati's Riverbend today. Doors open at 11 a.m. and music kicks off shortly after. The show ends around 9 p.m. Tickets at the box office will cost ya $42 (about a dime a band, by my estimation).

Click here for more local show details, including info on how you can "Skip the Line" and walk right into the venue.

The set-times for each act are decided just prior to the gates opening; if you're going, look for the giant inflatable Warped logoed amp to see when your favorites are playing. I also highly recommend grabbing the official
Warped Tour app.

Be sure to support our local music scene reps — The Few The Fallen, Heres To The Heroes and Let It Happen will play the Ernie Ball Stage. Check out Let It Happen's recent video for "Bridges" from the great release, It Hurts, But It's Worth It.



Here is who's playing where (via Riverbend's site). (Welsh rockers Lostprophets are also on the bill, though not listed on Riverbend's site; all info is subject to change.)

MAIN STAGE: Taking Back Sunday, All Time Low, New Found Glory, Streetlight Manifesto, Yellowcard, Piece The Veil, Four Year Strong, Of Mice and Men, We The Kings, Breathe Carolina, Miss May I, Falling In Reverse, Blood On The Dance

TBD STAGE:  Every Time I Die, Mayday Parade, blessthefall, Chelsea Grin, For Today, Memphis May Fire, Motionless In White, Rise To Remain, Sleeping With Sirens, The Ghost Inside, Vampires Everywhere!, Title Fight

TILLY’S STAGE: Senses Fail, Vanna, Polar Bear Club, We Are The Crowd, Man Overboard, A Loss For Words, Funeral Party, I Fight Dragons, Machine Gun Kelly, Oh No Fiasco

TBD STAGE: Echo Movement, G-Eazy, Stepdad, The Constellations, Ballyhoo!, Champagne, T. Mills, Tomorrows Bad Seeds, Mod Sun, The Green, Amyst

ERNIE BALL STAGE:  iwrestledabearonce, Born Of Osiris, Chunk! No Captain, Fireworks, Transit, Cold Forty Three, The Scissors, The Few The Fallen, Here's To The Heroes and Let It Happen.

KEVIN SAYS STAGE:  Make Do And Mend, Matt Toka, Tonight Alive, Skip The Foreplay, Sick of Sarah, Mighty Mongo, Captain Capa, I Call Fives, Hostage Calm, The Silver Comet, Twin Atlantic, The Darlings, Dead Sara

ACOUSTIC BASEMENT:   A Loss For Words, Koji, Brian Marquis, Rocky Votolato, Transit Owen Plant, Anthony Raneri

 
 
by Mike Breen 06.25.2012
Posted In: Live Music, Local Music, Music News, Music Video at 10:00 AM | Permalink | Comments (0)
 
 
229104_199973613371094_5915048_n

Music Tonight: Crimson ProjeKct and Delfeayo Marsalis

Northern Kentucky native and genuine guitar god Adrian Belew returns to the area tonight for a show with The Crimson ProjeKct at the Taft Theatre. Belew is spending half his summer on the road with the ProjeKct — a King Crimson offshoot that also includes KC’s Tony Levin and Pat Mastelotto, plus Markus Reuter, Julie Slick and Tobias Ralph — touring as opener for modern-day Prog Rock legends Dream Theater. The ProjeKct set lists so far on the tour have been all King Crimson, primarily from Belew's initial period with the group ("Elephant Talk," "Thela Hun Ginjeet") and the ’90s KC period when Mastelotto joined the fold ("B'Boom," "THRAK"), but they've also been doing the title track from KC's 1974 album, Red.

In August, Belew, Levin and Mastelotto will be going to camp in the Catskills. The second annual “Three Of A Perfect Pair Music Camp” — which will include workshops, story sharing, hangouts and lots of music-playing — takes place Aug. 20-24 (visit threeofaperfectpair.com for full details or check out the video overview below).



But first things first — Belew and The Crimson ProjeKct perform tonight at the Taft at 7:30 p.m., followed by Dream Theater. Tickets are $27.50-$53.

Here's a clip from 1982 of Crimson performing another song the ProjeKct has been playing on its current jaunt.



• The name Marsalis is a quality-ensurer in Jazz. So many family members have made a name in music, the Marsalis family tree is a full branch of the general American Jazz family tree.

Esteemed trombonist Delfeayo Marsalis is the brother of famed trumpeter/historian Wynton, modern sax icon Branford and respected drummer-turned-vibraphonist Jason, and son of Louisiana Music Hall of Famer Ellis Marsalis, Jr.  Together, the musical family received the NEA Jazz Masters Award in 2011.

Of course, the Marsalis' individual achievements are still wildly impressive outside of the context of the family's accomplishments. Delfeayo has released a handful of acclaimed albums since the ’90s, including 2011's Sweet Thunder: Duke and Shak, but his greatest contribution to Jazz may be his work in production. Handling the boards on over 100 albums over the years, Delfeayo helped steer recorded Jazz back to a more acoustic mindset, eschewing tech "advancements" like the "dreaded direct bass" for the ambiance of early, classic Jazz sessions.

The Delfeayo Marsalis Sextet (with saxman and clarinetist Victor Goines) begins a two-night stand (with shows at 7 p.m. and 9:15 p.m.) tonight at downtown's Blue Wisp Jazz Club. Admission is just $15 ($10 for students with ID).

Here's a clip of Delfeayo with his pops, performing "Sultry Serenade."

 
 
by Mike Breen 04.18.2012
 
 
coachellahologram

Virtual2pacalypse Now? When Jokes Come Alive

Was the hologram 2Pac a glimpse into the future of "live" music?

It's always a baffling moment for me when one of the things many of us have joked about happening in the future actually happens in the future.

"One day we'll just talk to the TV to change channels," we'd say, goofing around as we maneuvered the broomstick taped to the channel changer dial on (yes, ON) the television set so we wouldn't have to get off the couch to change it (more) manually.

"Wouldn't it be cool if, like, we could go see Kajagoogoo in Cleveland this weekend, but just broadcast to us in the garage so we can chug Milwaukee's Best and do Whip-Its while we watched it?" we'd say, knowing Mom would let us borrow the station wagon to go see the New Wave megastars in Cleveland when pigs can fly or we can carry around all the books in the library in our pockets!

Yeah, like that'll happen. But only because Kajagoogoo broke up years ago (and it did NOT end well). Last weekend, I was able to watch several artists perform at Coachella live, as it happened, while laying on my couch. Not naked, but also not sweating or getting run into constantly by some wasted "raver" in a purple Adidas jumpsuit shouting "Play 'Our House!'" while I'm trying to watch Madness.

I don't think the latest watershed the-silly-future-is-now moment — Tupac Shakur appearing at Coachella in hologram form alongside Snoop Dogg and Dr. Dre — was part of the live broadcast through YouTube. But enough people have seen footage of it now that it has become a super-high trending topic on our digital future-boxes with the interweb and the series of tubes and whatnot.

I've been a bit shocked that the gimmick has elicited way more "OMG" responses that "WTF" ones. It is a neato technological trick and certainly warrants a lots of "Well I'll be"-type responses, but I've been bewildered that most of the commentary has been in the range of "tearful amazement" and "pure awe." This is based on some serious Twitter research, which has revealed how people like Katy Perry ("I think I might have cried when I saw Tupac") and Rihanna ("#IWASTHERE #STORY4myGrandKidz") reacted. I can only assume the "little people" feel the same way and are equally impressed.

If you somehow haven't seen it, take a gander:



I've made jokes in print about things like a "Hip Hopera," using it as something beyond the realm of possibility because it would be so cheesy and ridiculous. It's happened numerous times since. Never that successfully, because, you know, it's a Hip Hopera.

I've used the dead-musician-
hologram gag similarly — a far-fetched concept to play upon the ridiculous rate of technological advancement today and the greed of the music biz that might one day enable all the great dead artists of our time to be brought back to life as holograms and go on tour. Older artists could go out as their vintage selves — The Rolling Stones circa Beggars Banquet or Wu-Tang Clan circa Enter the Wu-Tang (36 Chambers) (… and EVERYONE shows up). "Bands" could do multinational shows simultaneously. And the only people really getting paid to tour would be the A/V geeks hired to run the equipment.

It's such a bizarre concept; it's not supposed to ever actually come true. That's the kind of thing that makes jokes dated. And it's why The Jetsons still holds up. Robot maids — that shit's hilarious!

As dazzled as everyone seems to be by the projection of a dead rapper fake-performing (even shouting out "Coachella," though, to be fair, they could have cobbled that together from a sample from when Tupac used to play Frisbee Golf there on spring break), could there actually be a market for a hologram act to "tour"? (Note: Yes, I realize the Tupac at Coachella wasn't actually a "hologram," so shut it.)

Promoters, apparently, are going to find out if reports are true that Hologram2Pac might go on tour with Dr. Dre. Since the ghost cameo was the talk of the entire festival, Dre and Co. probably started planning it immediately. Especially after Shakur's mother gave her permission for the Coachella use and was reportedly amazed by how it came off.

That could be a fun special effect as part of someone else's act, but could it ever go to the next level? Will there ever be a tour reliant on a holographic headliner? Would people pay to see that? I'm not equating a DJ concert with a film projection of a dead person, but put, say, hologram Elvis on Daft Punk's stage — with Daft Punk — and would it double or triple the usual Daft Punk draw on tour?

I don't know if "The 1969 Beatles on Tour" or "Eddie Van Halen and His Fabulous Rotating Hologram Singers" would find an audience at this point. But I'm constantly amazed by what people love. Reality TV? Now That's What I Call Music compilations? Karaoke? Bon Iver? Every sitcom on CBS? We can do better.

If you would have told me while I was listening to 2Pac's All Eyez On Me album in 1996 (and, honestly, trying to figure out why so many considered the man a genius) that one day within the next two decades a dead Shakur would be the talk of some huge festival ("It's like that Lollapalooza thing, ’cept it don't travel"), I would have spit Milwaukee's Best out of my nose. (Yeah, I didn't mature much.)

I've watched as the concert experience — the actual, go-some-place-type of concert experience — has evolved in the past 20 years. The most talked about today is the phenomenon involving young people fiddling with their phones instead of "not paying attention" to the concert. I was, like many, annoyed/befuddled by the perceived lack of focus, but I realized something while watching Paul McCartney's Cincinnati concert at Great American Ballpark last summer that has helped me take a deep breath and just accept it.

Everyone enjoys music — listening to it, watching it performed, absorbing it — in different ways.

It was especially evident at the McCartney show because so many people had deep connections to the music being played, but they showed it — or expressed it — in different ways. I was intensely attentive and a bit internally emotional. I didn't talk a lot. My epiphany came when my girlfriend spoke to me while Sir Paul was introducing the next song. I could not imagine how insane someone must be to TALK while PAUL FREAKIN' MCCARTNEY WAS TALKING?!

And then I realized how stupid that was. My way of experiencing the show was different than hers or from the hammered 60-something couple dancing with their eyes shut or the beaming kids with their parents or the teen with the smartphone tweeting. They all had fun. And they'll all remember it (and those who don't as well will have photos to help).

So if Hologram2Pac is the next wave of live concert entertainment, I probably won't go to any of those concerts, but I won't make fun of people who do. Well, maybe just a little. Mostly because I won't be able to stop thinking about the early Saturday Night Live "fake commercial" promoting a concert residency, not long after Elvis died, starring Elvis' coat. That's one old music biz joke that hasn't come true. Yet. (Though EP did "tour" as video footage on big screens backed by a live band. And it did pretty damn well, from what I remember.)

Elvis Presley's Coat from Walter Williams on Vimeo


My recommendation is to do as I do, frustrated concertgoers. Accept our new hologram superstars. You never know — they might some day come to life and the world will be ruled by hologram images of great pop cultural icons originally crafted for beer commercials and personal appearances at car dealerships.

President Sinatra, I supported you all along.


(And now that I've made a joke about it, it has about a 600 percent better chance of happening.)
 
 
by Mike Breen 03.16.2013
Posted In: Live Music, Local Music, Music Video at 09:50 AM | Permalink | Comments (1)
 
 
ec4eb683

WATCH: Usher Joins Afghan Whigs at SXSW

Superstar surprises fans by joining Cincinnati-spawned Rock greats onstage in Austin

Cincinnati-spawned rockers The Afghan Whigs surprised fans last week with the announcement that the band would perform at the "Fader Fort" party at South By Southwest in Austin, Texas. Last night, they surprised the music world when superstar Usher joined the Whigs for half their set, performing hits like his own "Climax" and "OMG," as well as The Afghan Whigs' "Something Hot." "Afro-futurist" funkateer Sinkane also joined the party with a version of "Runnin.'"

Murmurs about the surprise appearance were minimal (though a photo of the Whigs' Greg Dulli with Usher and Sinkane surfaced on the band Facebook page earlier in the day), so the special performance turned out to be one of the biggest and most buzzed ones of the entire SXSW fest.

Here is the full video of The Afghan Whigs' performance at SXSW last night. Usher (who asked the crowd for good thoughts for his pal, Lil Wayne, who wasn't on his death bed, despite an outlandish TMZ report) comes in about 15 minutes into the set.


 
 
by Mike Breen 11.21.2012
Posted In: Live Music, Local Music, Music Video, New Releases at 01:57 PM | Permalink | Comments (0)
 
 
1062_508194469190680_178224527_n-1

Music Tonight: Newbees, Miss May I and Much More

Thanksgiving Eve brings tons of live music to area venues tonight

Tonight's allegedly the "busiest bar night of the year," so if you like to hang out at places that are really packed, this is your jam. If you like to hear live music when you go out, you're also in luck, as a lot of the top acts seek out lucrative Wednesday-before-Turkey-Day gigs because of the aforementioned packed-ness.

If you want that live music to be (primarily) original, here are a few recommendations.

• Troy, Ohio-spawned Miss May I (whose singer, Levi Benton, recently moved to Cincinnati) is headlining the Alternative Press tour, which conveniently brings the increasingly popular "Metalcore" band back to their homeland just in time for Thanksgiving. The band's most recent release, At Heart (on Rise Records), came out this summer and was greeted with the best reviews of MMI's career and a No. 32 debut on the Billboard Top 200 chart.

The thrashy, melodic MMI headlines tonight at Bogart's in Corryville on a bill that also features The Ghost Inside, Like Moths to Flames, The Amity Affliction and Glass Cloud. Doors open at 6 p.m. and tickets to the all-ages show are $20.

Read CityBeat's interview with Benton here then check out Miss May I's most recent music video, for At Heart track "Day By Day."



• Vintage Rock & Roll stylist Chris Isaak makes his way to downtown Cincinnati tonight for an 8 p.m. show at the Taft Theatre. Tickets range from $29.50-$59.50. Isaak's going to have to play the show then hop on a plane quickly — he's slated to perform in the annual Macy's Thanksgiving Parade in New York City. (Click here to read CityBeat's full preview of the show.)

Isaak recently issued a live DVD based on his 2011 double-disc release Beyond the Sun (his first for the Vanguard label). The album was a collection of cover songs originally recorded by artists on Memphis' seminal Sun Records (from Johnny Cash and Jerry Lee Lewis to Carl Perkins and, of course, Elvis), a fitting tribute given Isaak's similar approach and sound. The new Chris Isaak Live! Beyond the Sun DVD is a concert flick featuring several songs from the Sun album, as well as some of his big hits. Expect to hear a similar set list tonight. Here's an Isaak original from the DVD, "Live It Up."



• The songcraft experts and flawless musicians of veteran Cincy Pop/Rock band The Newbees host an album release party tonight at Newport's Southgate House Revival. The release show was originally intended to be the second show at the new club (brought to you by the owners/operators of the old, beloved Southgate House across from Newport on the Levee) but a late code inspection held the grand opening up for a week. The Newbs are celebrating their LP Modern Vintage, a patchwork of musical styles and mercilessly catchy songs. Click here for a full review of the album.

The Newbees are joined tonight by The Turkeys, Chaselounge, Honey & Houston, Les Whorenettes, Shiny Old Soul, See You in the Funnies, Sundae Drives and Dave Hawkins. Tickets are $12 at the door (or $14 for those ages 18-20). Showtime is 9 p.m. Here's the Beatles-esque new album track "Up All Night":



• There are also plenty of other local original groups performing tonight. Among the highlights: Reggae/Rock crew The Ohms and soulful, rocking power trio Tattered Roots (which is celebrating its one-year anniversary) join together at Stanley's Pub in Columbia Tusculum. … Rootsy rockers Alone at 3 a.m. are playing a freebie at The Comet in Northside with Jacob Tippey and Matt Wood. … Electronic improvisers Skeetones hold down the party at The Mad Frog in Corryville, joined by guests The B.E.A.T. and Bassface. … Two former members of The Greenhornes — Brian Olive and Eric Stein — perform a free show at Northside Tavern with their current bands, The Brian Olive Band and Stein's
Grotesque Brooms. … Rocket-fueled Indie/Blues/Roots/Rock trio The Sundresses headline tonight's free offering at MOTR Pub in Over-the-Rhine, joined by Detroit foursome Jeecy and the Jungle. … And two of the city's best modern rockers — Ohio Knife and State Song — perform a free show at Mayday in Northside (see poster above). 

Click here for even more live music events in Greater Cincinnati tonight.

 
 
by Brian Baker 05.02.2012
Posted In: Music Video, New Releases, Reviews at 01:16 PM | Permalink | Comments (1)
 
 
loudon-wainwright-iii-older-than-my-old-man-now

Review: Loudon Wainwright III's 'Older Than My Old Man Now'

Loudon Wainwright III could very easily have slid into the where-are-they-now realm of celebrity obscurity if he had allowed himself to be swallowed up by the one-hit wonderment of “Dead Skunk” in 1972. Although most people at the time only knew him for that ubiquitous single, Wainwright was confident that he had plenty of other weapons in his songwriting arsenal and set about to define the 40-year Folk/Pop career that has brought him certain measures of acclaim, wealth and notoriety as a songwriter, performer, actor and dysfunctional family man, each role woven inextricably into the fabric of the others (remember when he was Captain Spalding, the singing surgeon on M*A*S*H?). Clearly, the two paths that have intersected most often in Wainwright’s life are music and family; his itinerant singer/songwriter’s existence has been both a positive and a negative in his numerous attempts at familial stability and his parents, wives and children have been an endless source of grist for his songwriting mill.

Chief among Wainwright’s influences has been his often larger-than-life father, whose death at 63 left a gaping hole in his 17-year-old son’s life and psyche. A great deal of Wainwright’s unresolved love and anger issues concerning his father have been worked out in his songs over the past few decades, but his latest uniformly excellent album finds him looking back at his long timeline after reaching the milestone birthday of 65, a momentous and bittersweet benchmark that inspired the album’s title; Older Than My Old Man Now.

Like much of his recent work, Wainwright explores the familiar subjects of family, aging, death and lust on Old Man, which he does with typical candor, humor and reflection. Wainwright opens with the jazzy “The Here & the Now,” an annotated but honest account of his 65 years (“I took a wife, we had some kids/I screwed that up and went on the skids”), a history that he continues tracing on the contemplative and mournful “In C.” In the eloquent spoken word intro to the title track, Wainwright calls his father his “principal ghost” and then launches into a Delta-flavored vamp that addresses the psychic conundrum of having more calendars under his belt than his dad (“Sixty four is awful old, you know what can happen next/Hey, I’m older than my old man ever was, and I’m trying to keep it in context”).

Wainwright’s broad range is best typified by the ridiculously funny “I Remember Sex,” a parlor piano duet with Barry Humphries’ female alter ego Dame Edna Everidge, and the sublimely heartbreaking realizations of “The Days That We Die,” where Wainwright expounds, in prose and rhyme, on the reality of getting closer to life’s finish line without having fully reconciled with his children for his real and imagined sins. Listening to Wainwright and son Rufus trade soul-searching verses about life and change and forgiveness will bring a tear to the most cynical eye.

Over the course of the past few albums, Wainwright has honed his songwriting style to a fine point and narrowed his focus to very personal issues which he has translated into impossibly universal songs. Older Than My Old Man Now finds him in peak form in that regard, and reinforces the idea that he’s probably got plenty more to say on every subject as his finite journey heads inexorably toward the infinite horizon.


 
 
by Mike Breen 04.18.2012
Posted In: Music History, Music Commentary, Music Video at 10:49 AM | Permalink | Comments (0)
 
 
wea_11.310_d_a

This Date in Music History: April 18

Chic bassist Bernard Edwards dies and the "Dean of American Rock Critics" turns 70

Today in 1996, one of the greatest, most influential bassists ever, Bernard Edwards of Disco/Funk group Chic, passed away after contracting pneumonia while on tour in Japan.

My personal favorite bass line is Sly Stone's lick on "If You Want Me to Stay," but it's hard to deny the power of Chic's "Good Times," a Disco-era hit that helped lay the groundwork for Hip Hop. Edwards' bass line from the song is considered one of the most sampled pieces of music ever and it has been mimicked almost as often. Songs that wouldn't exist with Edwards' riff include Queen's "Another One Bites the Dust," Hip Hop trailblazers Sugarhill Gang's breakthrough "Rapper's Delight," Blondie's "Rapture," Daft Punk's "Around the World" and Wham!'s "Wham Rap! (Enjoy What You Do)" (hey, they can't all be winners).

R.I.P Bernard Edwards. And thanks for the groove.

Click on for Born This Day featuring Bez, Skip Spence, Grandmaster Caz and Robert Christgau.

Read More

 
 
by Mike Breen 05.30.2012
Posted In: Music History, Music Video at 12:09 PM | Permalink | Comments (0)
 
 
beasties1986

This Date in Music History: May 30

Ad Rock gets ill (and arrested) and Remy Ma spends 31st birthday in prison

On this date in 1987, a Beastie Boys/Run DMC concert in Liverpool, England, turned into a riot and ended with the arrest of Adam "Ad Rock" Horovitz. The pumped-out crowd reportedly began throwing bottles and cans at the group, which the Boys playfully batted back at them. At first. After just a few minutes, things continued to get out of hand and the concert was cancelled for the safety of all involved. At the hotel later that night, Horovitz was arrested because police believed he was responsible for the beer can that struck and injured a female fan.

Horovitz spent the night in jail and, in November, Ad Rock — 21 at the time — was found not guilty of the charges.

Here's an ancient MTV segment featuring the Boys at Spring Break (to give you a sense of the trio's pre-enlightenment personalities around the time of Horovitz's arrest).



Born This Day: Musical movers and shakers sharing a May 30 birthday include legendary Big Band bandleader and clarinetist Benny Goodman (1909); founding bassist for Punk giants Dead Kennedys, Geoffrey Lyall, better known as Klaus Flouride (1949); Jazz Fusion bassist Dann Glenn (1950); on-again/off-again drummer for The Clash, Topper Headon (1955); singer for Swedish Pop duo Roxette ("It Must Have Been Love," "The Look") Marie Fredriksson (1958); drummer and founding member of progressive Canadian Metal greats Voivod, Michel Langevin (1963); Country star Wynonna Judd (1964); Rage Against the Machine/Audioslave guitarist Tom Morello (1964); frontman for Indie Rock icons Pavement, Stephen Malkmus (1966); singer for Brit Pop crew The Charlatans, Tim Burgess (1967); Hip Hop-turned-Pop superstar Cee-Lo Green (1974); singer for Metal band Shadows Fall, Brian Fair (1975); "Freak Folk" poster child Devendra Banhart (1981) and Hip Hop MC Remy Ma (1981).

Remy was born Reminisce Smith and grew up in the Castle Hill Projects in the Bronx. Neighborhood MC Big Pun was an early mentor, putting Remy (then "Remi Martin") on a pair of tracks from his Yeeeah Baby album. It was a bittersweet debut, though; Pun died from a heart attack in 2000 and the album came out two months afterwards. (Big Pun was reportedly 698 pounds when he died.) Another big rapper, Fat Joe, took Remy under his wing and made her a member of Terror Squad. She was featured on the Terror Squad's huge 2004 single "Lean Back," which was a No. 1 hit on the Billboard Hot 100 for three weeks that summer. It also earned Remy a Grammy nomination.

Remy's debut solo album, ‪There's Something About Remy: Based on a True Story‬, dropped on Feb. 7, 2006, the sixth anniversary of Big Pun's death. The album was critically acclaimed but didn't sell very well (Fat Joe and Remy blamed poor promotion and choice of singles). She left Terror Squad in 2007.

As a free agent, Remy reportedly received numerous label offers and even a reported deal for a reality show. She had her second album in the works, as well as the debut of the super-trio 3Sum, featuring fellow MCs Jacki-O and Shawnna, when things went really bad for Remy. She turned herself into police after a shooting outside of a nightclub that wounded a woman who had allegedly tried to rob the rapper. The woman ID'ed Remy as the shooter. In 2008, Remy was convicted of assault, attempted coercion and weapons possession. She was sentenced to eight years in prison. In 2008, she married her fiancee, Hip Hop artist Papoose.

Remy — who also has a young son — lost her appeal last June. The earliest she can be released is Jan. 31, 2015. If she has to serve her whole sentence, she won't be out until March 23, 2016.

Despite her jail stint and the limited material released, Remy Ma remains a big influence on established and up-and-coming female Rap artists.



Here's part of an interview Remy did with StreetHeat about her life in prison.


 
 
by mbreen 07.27.2011
Posted In: Music Video, Music News, Live Music at 01:21 PM | Permalink | Comments (0)
 
 
-

Squeeze the Day for 7/27

Music Tonight: When CityBeat contributing writer Gregory Gaston was in New Orleans earlier this summer, while roaming around the city, he happened to overhear some people talking about how AltCountry/Roots Rock forefather and current Americana music adventurer and Renaissance man Steve Earle had been murdered. Greg was stunned — not only is he a fan of Earle’s music, he was also due to interview the singer/songwriter in advance of his concert tonight at Oakley’s 20th Century Theater. As Greg writes in his article on Earle for last week’s CityBeat, he was so taken aback that he approached the people who’d “reported” Earle’s unfortunate passing. Suffice to say, Earle’s not dead yet and will be performing in Cincy tonight with his band, The Dukes (and Duchesses). (The concert recently sold out, so good luck finding a spare ticket.) Earle’s character on the HBO series Treme won’t be making any public appearances anytime soon, though.

Read More

 
 

 

 

 
Close
Close
Close