Hey all. I made the treacherous arctic trek into the CityBeat office this morning just to bring you the morning news. It’s a bit of a slow day, probably because all the newsmakers and shakers in the world are hunkered down doing whatever it is powerful people do on their snow days. I picture them sitting in front of a several fireplaces smoking multiple cigars while watching a whole wall of big-screen TVs and double-fisting mimosas, mostly because that’s what I would do if I had money and power. Anyway, here are a few things happening around the city and beyond today.
Let’s start off with grilled cheese. Cincinnati-based Tom and Chee restaurants just signed a franchise deal for its first location in Nashville. The brand has also planned other expansions in Tennessee as well as Texas, Nebraska, Missouri and other states. The rapidly growing chain started just five years ago and got a boost from a 2013 appearance on the ABC investment show Sharktank. It has since expanded to 22 locations, with plans to have 50 open by the end of this year. The brand has received more than 25,000 franchise requests from around the world since its appearance on the show.
• A former Northern Kentucky University employee who is currently serving jail time for embezzling money from the school was also the subject of an earlier sexual harassment complaint and court settlement, the Cincinnati Enquirer reports. The university settled with former associate athletic director Chrissy Soards for $200,000 in 2013 after Soards complained that her boss, Scott Eaton, had sexually harassed her. Eaton was soon after fired for other ethics violations, including inappropriate sexual relationships with coworkers and an adult NKU student. After his dismissal, NKU discovered he had embezzled some $300,000 from the school, a crime for which he is currently serving 10 years in prison.
• Here’s more evidence former Ohio Gov. Ted Strickland could jump into the 2016 U.S. Senate race against Sen. Rob Portman. In an interview with the Enquirer yesterday, Strickland said he’s “evaluating whether or not I am the person who is best positioned to do this and to win. I think I am, but I’m taking this very seriously.” That sounds pretty affirmative to me. Should he chose to run, Strickland’s candidacy could spell a major challenge for Democrat Senate hopeful and current Cincinnati City Councilman P.G. Sittenfeld. Sittenfeld announced his candidacy a few weeks ago and has already begun fundraising. But he’ll have a challenge on his hands if one of the state’s best-known Democrats jumps into the race.
• Hey, this is terrifying. A CSX train full of oil from North Dakota derailed in West Virginia yesterday evening, causing the evacuation of two nearby towns and setting cars and a house afire. The oil was en route to coastal Virginia. No one was injured in the accident, but it’s the second oil related accident in this year. The other took place just 200 miles away in Virginia, where another train derailed and caught fire. Another accident involving a train carrying oil also happened last week in Canada when a train derailed and caught fire in Northern Ontario. The accidents and others like them have focused new questions on oil rail shipping safety standards.
• Yesterday, I told you about the budget hubbub currently going on between Republicans in the House and Democrats. The GOP Is steamed about President Barack Obama’s executive order halting deportations for up to 5 million undocumented immigrants. They’re so steamed that they’ve passed a bill that makes funding for the Department of Homeland Security contingent on eliminating Obama’s orders.
Anyway, that’s yesterday. Obama’s executive orders prohibiting deportations are currently under attack from another source as well. A federal judge in Texas has put a stay on the actions, saying halting deportations could cause irreparable harm to states on the border, including Texas. The decision is in response to complaints from a group of conservative, mostly Southern states who say the executive action constitutes an overreach of power by Obama. They say halting deportations will result in more law enforcement expenses and other burdens associated with processing applications for deferred deportation. How not deporting people is more expensive than the millions we spend rounding up, holding and shipping people back across the border I don’t’ know, but that’s the logic the states are arguing.
Good morning Cincy. Remember last weekend when the high was 59 degrees? No, no, I don’t either. Let’s just not talk about the fact that winter is apparently going to last forever and get on with the news, shall we?
A major Cincinnati fundraiser for the Democratic Party has put his backing behind current City Councilman P.G. Sittenfeld in his run for the U.S. Senate. Cincinnati businessman Allan Berliant raised as much as $500,000 for President Barack Obama’s reelection campaign in 2012 through his network of donors both here in Cincinnati and around the country. He expects many of those donors could chip in for Sittenfeld in his upcoming race.
"I have been very pleased almost to the point of being surprised at the breadth, width and depth and passion of support, both politically and financially, that I've seen here in the last three weeks,” Berliant told the Cincinnati Business Courier about Sittenfeld’s campaign. “I'm a fairly seasoned political fundraiser. I will tell you there is a lot of excitement surrounding this campaign and that is off to a great start."
The 30-year-old councilman has a big task ahead, as Democratic favorite and former Ohio Governor Ted Strickland has made noises about entering the race for the seat. And should Sittenfeld best Strickland and the other experienced Democrats eying the seat, he’ll have to take on sitting Sen. Rob Portman, who has already raised $6 million ahead of the election. Sources say Sittenfeld has raised about $500,000 since he announced his campaign a few weeks ago.
• Officials with Columbus-based Kokosing construction company apologized Friday for the fatal collapse of the Hopple Street off ramp last month. The collapse, which investigators believe was at least in part caused by last-minute changes to demolition plans, killed construction foreman Brandon Carl. Officials with the company have said a review shows key details missing from the plans, including stipulations about how to remove the road surface on the ramp.
"I am very sorry, and all of us are deeply troubled by these findings," CEO Brian Burgett said in a statement about the accident. The company will institute new safety policies as a result of the accident, having an independent engineering firm produce plans for bridge demolitions along with Kokosing’s in-house engineers. Demolition won’t proceed unless both plans match.
• So this is cool: A proposed tribute to Crosley Field, the Cincinnati Reds’ former home in Queensgate, is making headway. Designs have been drawn up for replica foul poles, a mural depicting the field near where it stood at Findlay Street and Western Avenue, a pocket park with information about the Crosley and other historical features. Crosley was the home of the Reds from 1912 to 1970, when the team moved to Riverfront Stadium. It was demolished in 1972. Boosters are aiming to have the tribute done in time for the 2015 MLB All Star game, which will take place in Cincinnati July 14.
• House Speaker John Boehner and other GOP members of the House are playing budget hardball again, this time over immigration. Republicans are risking shutdown of the Department of Homeland Security over several executive orders President Barack Obama has issued over the past two years. Boehner has signaled he won’t back down on a bill the House passed to keep the Department of Homeland Security funded for the next year. The department’s current funding ends Feb. 27. The GOP funding bill rolls back Obama’s 2012 and 2014 executive orders that have kept the federal government from deporting millions of undocumented immigrants. The GOP bill stands no chance with Democrats in the Senate and President Barack Obama has threatened to veto it, putting the Department of Homeland Security’s funding in a precarious position. Boehner says the House has done its job and passed a bill to fund the department and that it’s up to Senate Democrats and the president to follow through. Democrats, on the other hand, are saying that the bill is an obvious no-go and that far-right members of the House are once again playing political brinksmanship.
• Low-earning salaried positions could become eligible for overtime pay if a plan by the Obama administration comes to fruition. Under current rules, companies can declare some low-paid workers making as little as $23,600 “exempt" employees, meaning they’re not eligible for overtime. Labor advocates say that arrangement allows employers to take advantage of workers by forcing them to work long hours with no extra compensation, eroding the traditional 40 hour work week. The Department of Labor has discussed a plan would raise the floor for those who can be considered exempt to somewhere between $42,000 and $52,000 a year. Anyone under that salary range would have to be paid overtime if they work more than 40 hours a week. Liberal think tank Economic Policy Institute says the increase could affect between 3 and 6 million workers in the U.S. The Department of Labor is expected to roll out its proposal sometime in February or March.
Part two of Hollywood Week aired Wednesday and Thursday, picking up right where we left off — with group performances, specifically Alexis D. and her case of the vapors. She got her shit together enough to perform with her group and ended up advancing with Jax. The others, including Sal, were sent home. I guess American Idol my call to investigate his real age. Sorry, Sal!
Another group performed a slowed-down version of O.G. A.I. Kelly Clarkson's "Since You Been Gone."
We saw Hollywood Anderson spittin’ game on a bunch of ladies, including Jess Lamb. He made it through to the next round.
There was a quick look at Alexis Gomez and her group — they all advanced.
Then we finally got to see a performance by Jess — the first time since her amazing audition in Kansas City. Her group put a funky twist on the earworm “All About That Bass” and got even more love from Harry Connick Jr.
They killed it! It was honestly one of the most cohesive and entertaining performances of the round. But only Jess and Lovey made it through; the rest of the group was sent home.
My dreams were crushed when Garrett fell flat on his song and was eliminated.
The night ended with a badass all-girl cover of Queen;s “Somebody to Love,” where we learned it’s OK to forget the words to a song if you can incorporate a joke about it within said song.
With all the groups finished, solo performances began on Thursday’s episode. The judges began to cut approximately 80 contestants down to the 48 that will have to perform in front of a live audience at the House of Blues in next week’s episodes — that’s how the final top 24 will be determined. No feedback was given immediately following each performance; instead,
Loren set the bar high with her rendition of “Skyfall.” I know it’s not Jess, but she game me goosebumps, so you need to watch it.
Fifteen-year-old Daniel is also crazy good. His singing voice is about 4 years ahead of his speaking voice, so that works for him.
Big Ron made a big fool of himself talking shit on the music director before, during and after his performance. Obviously, he was sent home. Loren and Baby Daniel advanced, along with Shi (the girl with "the look"), Quentin (the guy with "the look"), Maddie (another supposed “teen” that looks like a very mature soap opera actress), Trevor (the “geek” of the group), Jax (who got way too close to her parents while singing “Let It Be”) and Nick (the old man of the group).
Alexis Gomez couldn’t decide if she wanted to channel “Dirty” Xtina with white girl cornrows or young Taylor Swift with crunchy curls, so she rocked them both. She made it, so we’ve officially got some local talent in the top 48!
Unfortunately, Jess Lamb is not one of them.
They didn’t show her final solo performance but did dedicate a few clips to her as they announced some of the more prominent folks leaving the competition.
We'll miss you, Jess! Actually, we don’t have to miss her because we will be checking out her local performances. Jess is already working on new music — with fellow Idol contestant Hollywood Anderson and the one and only Bootsy Collins!
This wraps up our coverage of Jess American Idol, but we can all expect more on her in the months to come.
Move over, movie theater chains. While several films open in theaters this weekend, there’s one you won’t find at AMC or other traditional movie joints. Reaching a following across the globe, the locally made independent feature film Ctrl+Alt+Dance will have its world premiere this weekend at Memorial Hall.
When an unemployed security software specialist takes an adventure with dance, the definition of courage is surely illustrated — and that’s what audiences can expect to explore. Inspired by the Lindy Hop Movement, producer Brian Crone and producer/director Gex Williams have worked side by side on this low budget independent film that has flourished and received widespread recognition in the dance community. Filled with swing dancing, passion and an unfolding romance, it’s the perfect flick for Valentine’s Day.
Gex Williams has worked on multiple professional film projects and served as the producer and Artistic director of SAC Family Theater in Lexington, Ky. CityBeat caught up with Williams and discussed the inspiration behind the film and the experience of starting out as a small independent project.
CityBeat: Are you and Brian Crone both originally from the Cincinnati area?
Gex Williams: Yes, we both grew up in the Northern Kentucky area but we knew each other growing up. We went to high school together and made some feature films.
CB: How did your film Ctrl+Alt+Dance come about?
GW: I became an avid swing dancer in high school through college. I was aware of this film community throughout the world and no other movies catered to this kind of dance, so I was like, “Hey, I want to make a movie.” I actually wrote the initial script in 2011 but wanted to sit on it to get other projects under by belt.
CB: What was your initial inspiration for the film?
GW: In 2011 I wrote the script, sat on it, and decided to move forward with it. It has a phenomenal story and [Brian and I] reworked a ton of it in early 2013 as we wrote a fresh script together on this draft. The film had dancing, but we needed a story to carry it along. We knew we didn’t have the budget to hire a huge actor and to be solid in the entertaining experience for the audience members. And then we ended the film in summer in 2013 two years from the initial start of pre-production. It went full force in the beginning of 2014 and we’ve been cranking on it ever since. We’re really happy. With an independent film it’s very hard on a low budget and we had phenomenal team members and people.
CB: After a few offers to shoot the film across the country, why was it important for you to film it here in Cincinnati?
GW: There were a few producers who were interested in shooting it out there, but it was really important for us to shoot it in Cincinnati because we love it so much and we’ve traveled some for business and we loved going back to Cincinnati. It’s a great place to come home to and what it offers. The city holds phenomenal landmarks and has a variety of locations.
CB: What were some of your favorite spots to film?
GW: One of my favorite shots of the film was a beautiful shot at Roebling Bridge set up on the Kentucky side, and you see this beautiful river flowing underneath the city and is lit up. And we had other phenomenal locations like Memorial Hall, which is gorgeous on the inside.
CB: What are some prominent themes in Ctrl+Alt+Dance?
GW: Action overcoming fear. We really wanted to communicate that. We [Brian and I] started our own business after college, a full-time gig and there was fear in our own selves and others. We wanted to tell a story about this and the dance was a catalyst to show how that takes place in the film. It’s a great story and a really cute romance. The dancing is amazing and we encourage people to feel good about it and hopefully inspire them to take risks in doing that.
CB: I see that you had difficulty getting into large chain theaters. Tell me about your experience with that in regard to the film.
GW: I can’t fault them because it is different for an independent film to get the mass distribution that an A-list film would get because they don’t have the budget to hire famous actors like Morgan Freeman. For large theaters, it’s a risk to put their movie in there that they won’t have people to support it. It’s so cool that that we have it in countries like Russia and China and were blessed that it was quite strong. We aced that challenge and we knew we had a strong following so we wanted people to see it. So we ended up contacting theaters ourselves and said we’d like to run a campaign in your city so people buy tickets for a one-night premiere showing. A lot of theaters responded.
CB: With a following in more than 80 different countries, how did word of the film spread so quickly all before the world premiere next weekend?
GW: It’s never been showed, but Cincinnati will be the world premiere. Because the Lindy Hop Swing Movement is huge around the world in countries like Spain and London and it’s really quite astounding that a lot of them they really tuned in. Our main actors, their acting is amazing, they’re international dance champions. People were aware of them and interest grew. We worked hard and wanted this film to benefit the community all over the world and we contacted local groups and wanted the proceeds to go back to local communities. We felt so blessed by the support we received and reached a considerable percentage to help others.
CB: What were your initial expectations for the film? Did you expect it to reach the magnitude it did?
GW: We’re blessed in something that is not at all normal for a normal independent project. A lot of projects start out with a grandiose idea and get small and less feasible and it’s a reality check. It’s difficult. And we’ve been so blessed with the talented people and how it blossomed from day one. We said we’re going to do this no matter what. We had talent and it’s grown and we hope it will continue to grow.
CB: Once it started gaining success, did you get any opportunities later on from corporate theaters?
GW: We are just at the beginning of our public awareness. We’ve had interest from larger producers and we’re definitely exploring our options to get a wider distribution of it.
CB: What are your hopes for the film after the big world premiere at Memorial Hall?
GW: We’ve been working hard to deliver the film in a way for people to access. We wanted to work hard to continue to pave a way and find a way to show this film to anyone who wants to see it. We’ll be talking to distribution companies for a possibility of larger scale so we have the resources to get it out there.
Ctrl+Alt+Dance premieres Feb. 13 and 14 at Memorial Hall. More info here.
Good morning readers! I'm a day late, but let's review the Words Nobody Uses or Knows in this week's issue — which, by the way, has to be one of my favorites to date. It's The Beer Issue, if you haven't already noticed, and we did so much reporting on local beer and Beer Week festivities that we created an entirely new webpage for it. It's a great place to start if you're looking for a calendar of events, want to learn more about Cincinnati's rich brewing history or what today's local breweries are all about.
But let's get started. Two high-brow words that caught my eye are in Steven Rosen's piece on the Cincinnati Art Museum's forgotten Japanese art collection. The first is cloisonné, a French word pronounced KLOIS-ZE-NAY. (I found the actual phonetic spelling of it, klȯi-zə-ˈnā, a bit confusing.)
cloisonné: of, relating to, or being a style of enamel decoration in which the enamel is applied and fired in raised cells (as of soldered wires) on a usually metal background (n.)
Here's an example of a beauteous Chinese cloisonné incense burner, via the Google:
In the issue: "Those objects include paintings, screens, prints, ceramics, lacquer and metal wares, ivory carvings, arms and armor, cloisonné, dolls, masks, costumes and textiles."
The next word is accessioned. It looks like a word I ought to know, like an SAT word, but nope.
accession: to record the addition of (a new item) to a library, museum, or other collection (v.)
In this issue: “I didn’t even know we had a Japanese art collection because most of it had never been published or displayed or organized, and some were not even accessioned,” she says.
Tippling, another obscure word, is found in Garin Pirnia's piece on lesser-known taprooms and breweries that are brand-spanking new or slated to open in the Tristate area in the next few months.
tipple: to drink (alcoholic liquor) or engage in such drinking, especially habitually or to excess (v.)
What a great word. I should start using that all of the time and really confuse people. "Hey! I'm out tippling!"
In this issue: "Needless to say, now would not be a good time to curtail your tippling."
Moving on. Perhaps my favorite word of the entire issue is found in Worst Week Ever: hoosegow. It's bizarre and antiquated and contains no hint whatsoever of its meaning.
hoosegow: slang for jail (n.)
Fun fact: According to thefreedictionary.com, the term was born from a mixture of Spanish and English spoken in the Western part of the United States at the beginning of the 20th century. In other words, it's Old West slang.
It comes from the Spanish word juzgado, meaning "court of justice, tribunal." If that's confusing, here's an explanation:
"In many varieties of Spanish, the ending ado is usually pronounced as ao in everybody speech, with no d at all or only a very lightly articulated one. The spelling hoosegow thus is a pretty good representation of the American Spanish pronunciation of the word juzgado as it might sound to the ears of an English-speaking American, even though hoosegow looks nothing like the actual written form of juzgado."
In this issue: "Remus’s life story is a fascinating and complicated one, which culminated in him killing his wife in Eden Park for betraying him while he was in the hoosegow."
Have a great weekend, readers!
Hey Cincy! It’s Friday, and Valentine's Eve, so I’ll be brief so we can all get to our weekends quickly.
The former School for Creative and Performing Arts on Sycamore Street in Pendleton is one step closer to becoming a 148-unit luxury apartment building. The Pendleton Community Council has approved a parking plan that will create almost 200 parking spaces for the development while still preserving green space next to the building. The units will range from $700 for an efficiency to $1,500 for a two-bed, two bath apartment. Work gutting the building has already begun, and Indianapolis-based developer Core Redevelopment says they expect to be finished with the building by spring of next year. The forward motion on the building comes as big changes take place across the small neighborhood bordering downtown and Over-the-Rhine. A number of other developments are planned for the historically low-income area, which sits near the Horseshoe Casino. There has been some controversy about the shift, though groups like Over-the-Rhine Community Housing have worked to preserve affordable housing in the neighborhood.
• Are the 100,000 Medicaid recipients who might have to pay premiums for the service under a new proposal by Gov. John Kasich cool with that? Yes, according to the Cincinnati Enquirer. Well, actually, two the three folks the Enquirer quotes say they’re kind of OK with it. Actually, it sounds a bit more like, “we’ll pay it if we have to,” which is sort of an obvious conclusion to reach when the alternative is paying hundreds of dollars a month for private insurance.
“I just barely get by. I wouldn't have to give up anything, but it would be tight," 53-year-old Dawn Smith of Westwood told the paper. Smith relies on Medicaid for diabetes medication. "If I have to pay $15 to $20, I have to pay it, because I have to have my medicine to live."
The rationale, according to Kasich, is that making people pay premiums while they’re on Medicaid now will prepare them for paying premiums when they start making enough to be ineligible for the program. Kasich’s office says that will help people be more financially secure in the long term. Kasich’s proposal would charge premiums to those making above the federal poverty level, which is currently just under $12,000 for a single person. Premiums would start at about $20 a month. That’s about a 2 percent hit to someone on the high end of the low-income qualification, which doesn’t sound like a lot but could be a stretch for folks trying to make every dollar count. I did Americorps for a couple years making that amount of money and it was brutal. I didn’t have $20 a month to spare, but that’s anecdotal and not really a good way to measure the impact of a policy that will effect more than 100,000 Ohioans, right?
• More crumbling concrete: A big chunk fell in Lytle Tunnel last night, causing the left southbound lane of I-71 to close for more than an hour. Investigators are still trying to figure out what caused the concrete to fall.
• The Ohio House has passed a bill that would keep students from being held back because of their results on Common Core tests this year. Some critics of the Common Core standards say they’re an intrusion by the federal government on states’ abilities to set their own educational agenda, while others decry the increased difficulty level of some of the standardized tests used to measure whether students have learned the new standards. Supporters of the standards say they are a way to ensure that all students get an education that will allow them to be competitive in the global workplace. House Bill 7, which was sponsored by Republican State Rep. Jim Buchy, keeps students this year from being held accountable for their test results as the standards are phased in. Supporters in the state House say it’s just the first in a series of efforts to change or reverse the standards. The bill will next to go the Ohio Senate. If it passes there, it would still need to be signed by Gov. John Kasich, who supports Common Core.
• Weird things are happening in Oregon. In what is one of the more fascinating political dramas to play out in the past few years, Oregon Gov. John Kitzhaber is resigning. Or he isn’t. No one is really sure at the moment. Equally unclear are the governor’s whereabouts, at least publicly. Kitzhaber, a Democrat, is caught up in a blooming controversy and court case around some improper payments his fiancée may have received and attendant accusations of corruption. State Democratic Party leaders met with the governor earlier this week to encourage him to step down. He seemed to indicate he would, then said he wouldn’t, then receded from public view.
• Finally, was Supreme Court Justice Ruth Bader Ginsburg (aka the Notorious RBG) a little tipsy at this year’s State of the Union Address? Yes, she says. Just a little. Those watching the address may remember a little hubbub about Ginsburg falling asleep during President Barack Obama’s big speech. She recently said she and the other justices had enjoyed a bottle of nice wine before the event.
“The audience for the most part is awake, because they’re bobbing up and down, and we sit there, stone-faced, sober judges. But we’re not, at least I wasn’t, 100 percent sober,” Ginsburg said last night while giving a talk at George Washington University in D.C. Cheers to you, Ms. Ginsburg.
Comedian Stewart Huff: Primarily a storyteller, he now focuses on stand-up. Huff started off wanting to be a writer of short stories. He wrote in secret, but after doing an open mic he became intrigued by what that art form had to offer. “I was obsessed with the idea of telling a story on stage and getting immediate feedback,” he says. After a time, Huff decided to focus solely on stand-up. Showtimes Thursday-Sunday. $8-$14. Go Bananas, 8410 Market Place Lane, Montgomery, gobananascomedy.com.
I hope my Curtain Call column (found here) in a recent issue moves you to head to UC's College Conservatory of Music for Richard Hess's staging of Wendy Wasserstein's Pulitzer Prize winner, The Heidi Chronicles, onstage through . If you remember the 1970s and ’80s, this production will transport you back in time as you watch young feminist Heidi Holland grow up, grow weary and grow wise. Tickets: 513-556-4183.
Comedy Central’s nightly “news” lineup is amidst a total overhaul with the recent end of The Colbert Report and the addition of The Nightly Show with Larry Wilmore. Stephen Colbert stepped down in December, and now The Daily Show’s Jon Stewart is following suit. The comedian shocked audiences at a Daily Show taping this week with the announcement that he’d be retiring from the show sometime later this year. While Colbert left to replace David Letterman as Late Show host (Letterman will step down in May; Colbert will take over in September), it’s unclear whether Stewart has another gig lined up, but it does sound like the show will continue with a new host. (The show originally featured Craig Kilborn before Stewart took over in 1996.)
Amy Schumer stars in a new Judd Apatow movie and, predictably, it looks hilarious.
Some previously unreleased Spice Girls songs hit the webz Wednesday, only to disappear from SoundCloud soon after. Could this be assign of another girl powa’ reunion?!
Speaking of leaks, House of Cards’ third season — which does not premiere until Feb. 27 — was available on Netflix for about 30 minutes yesterday. No, Frank Underwood was not pulling a Beyoncé by releasing a full season unannounced. It was a “mistake.”
A leak? More like the best House of Cards ad ever. Anyone who had momentarily forgotten about the upcoming season is now ready to binge the moment it premieres.
It’s been a great week in fashion for models who don’t look like hungry baby aliens, which is rare. The Sports Illustrated swimsuit issue featured two plus-size models; “World’s Oldest Supermodel,” 83-year-old Carmen Dell’Orefice appeared on the cover of New You magazine; and Jamie Brewer, who many of us know from American Horror Story, walked in a New York Fashion Week show today, becoming the first person with Down syndrome to do so. Yay beauty diversity!
And then there was The Grammys.
The night’s program kind of reminded me of the Super Bowl half-time shows of the early 2000s, where the desperate attempt to appeal to as many people as possible resulted in a mashup of lineups that simultaneously featured Nelly, Britney Spears and Aerosmith. Between Lady Gaga and Tony Bennett and Jessie J and Tom Jones, there were lots of slow songs sung by duos of old and young people, which made it very easy to watch the 603 other shows on Sunday nights (Hey, Better Call Saul!)
Sam Smith was the big winner of the night: Record of the Year, Song of the Year, Best New Artist and Best Pop Vocal Album all went to the magical songbird. Beck won Album of the Year and Best Rock Album (“Beck is still making music?” – everyone. Yes, he is. Morning Phase came out a full year ago). All those categories sound the damn same!
Of course, since Beyoncé was also nominated for Album of the Year — and a bunch of other categories she didn’t win #salty — Kanye just had to, well, Kanye Beck’s acceptance speech, and Bey and Jay Z were definitely surprised
I love Beyoncé’s subtle “No, Kanye, don’t...Someone stop him…” — which is basically the equivalent of “Somebody get a sponge!” — and Jay’s legit look of terror.
Also of course, if anyone thought Kanye was taking a jab at himself by recreating Taylorgate, he wanted to remind them of what a real asshole he is by running his mouth some more after the show. And then other people responded to Kanye’s response and now I’m writing about it. Circle of life, folks.
Sia’s “Chandelier” performance with Kristen Wiig and Maddie Ziegler totally takes the cake as my favorite performance (and you know this is a serious claim when Queen Bey is in the picture). Kristen Wiig gave a soulful choreographed performance with the Dance Moms star — who would have guessed?
Beyoncé recreated her sister’s recent wedding with her performance of “Take My Hand, Precious Lord” It was Sunday, after all. Amen!
Speaking of taking us to church, Hozier and Annie Lennox was my favorite collab of the night, performing the former’s breakout hit and “I Put a Spell on You.” Intoxicating!
Pharrell traded his Arby’s hat for an old-timey child bellhop uniform and presenting a heavy performance of “Happy”
And then it looks like Taylor Swift begged Jay Z to go to brunch with her. Awkward, especially when he finds out “brunch” is Taylor’s word for playing tea party with her cats while in pajamas. But judge for yourself.
"Brunch." "Brunch!" "BRUNCH."
See all the winners here.
MusicNOW, the popular new music festival founded by Cincinnatian Bryce Dessner of internationally acclaimed Indie Rock band The National, will celebrate its 10th anniversary this year when the fest returns March 11-15 at Music Hall, Memorial Hall and first-time venue Woodward Theatre.
On March 10, the Over-the-Rhine fest will be celebrated with the digital release of a compilation album featuring musical highlights from MusicNOW’s first nine years. MusicNOW- 10 Years will feature previously unreleased performances by Dirty Projectors, Sufjan Stevens, Bon Iver’s Justin Vernon, Bonnie “Prince” Billy, Grizzly Bear, My Brightest Diamond and others.
The album’s “Trials, Troubles, Tribulations” by Sounds of the South, a project featuring Vernon, Sharon Van Etten, Megafaun, Matthew E. White and Fight the Big Bull, was recently released as a preview.
“The first track ‘Trials, Troubles, Tribulations’ gets at the spirit of the compilation and the event. It is an American bluegrass gospel song written by Estil C. Ball. Here it is performed by Sounds of the South, a project featuring Justin Vernon (Bon Iver, Volcano Choir), Sharon Van Etten, Megafaun, Matthew E. White, and Fight the Big Bull. The project, organized by Megafaun, initially appeared at Duke Performances in North Carolina and MusicNOW in Cincinnati, Ohio, and subsequently traveled to Sydney Festival in Australia.”
In the press release for the album, Dessner says, ““Many of my most significant memories as a musician have taken place in Cincinnati during the MusicNOW Festival over the last 10 years. When we started, we were driven to create an intimate music festival that was as much a creative refuge for the artists as it is for the audience to partake in intimate and rare performances. We have celebrated works in progress and new commissions, new collaborations and detailed music of all kinds regardless of genre or popularity."
This year’s MusicNOW festival features appearances by Stevens, Nico Muhly, So Percussion, Timo Andres, concert:nova with Jeff Zeigler, Cloud Nothings, Will Butler and more. The National will also perform at the festival on March 13 at Music Hall with the Cincinnati Symphony Orchestra. Click here for full details and ticket info.
Sounds of the South "Trials, Troubles, Tribulations"
Robin Pecknold "Silver Dagger"
Sufjan Stevens "The Owl & The Tanager"
eighth blackbird "Omie Wise"
My Brightest Diamond "I Have Never Loved Someone"
Dirty Projectors "Emblem Of The World"
Tinariwen "Imidiwan Ma Tenam"
Tim Hecker "Chimeras (Live) 2011"
Colin Stetson "Nobu Take"
Owen Pallett "E Is For Estranged"
Erik Friedlander "Airstream Envy"
Bonnie 'Prince' Billy "Love Comes to Me"
Grizzly Bear "While You Wait For The Others"
The Books with Clogs "Classy Penguin"
Andrew Bird "Section 8 City"
Justin Vernon "Love More"
Know Theatre of Cincinnati
Andrew Hungerford, Know Theatre’s artistic director, has pointed out that the coming season is the company’s 18th, and that at years of age, “We’re ready to do everything that entails: step into a wider world, fall in love, confront loss, get a crazy summer job, have a history lesson, party with some college kids, give up our childhood toys, obsess over Star Wars again, rail against poverty and injustice, engage in civic discourse, major in the sciences and then, maybe, take a trip to the beach.” Know is planning a lot of shows including works that are entertaining and socially conscious and that offer lots of opportunities for local artists.
“As we near the 10th anniversary of moving into our home at 1120 Jackson St., I think we’re getting ever closer to the vision that Know Theatre’s leadership has always had for this space,” says Producing Artistic Andrew Hungerford. “From our mainstage to Serials to Fringe, there is so much happening on our stages. It really is a theatrical playground here. And seeing the Underground filled with an audience eager to be a part of the next crazy thing we make reminds me exactly why I took this job.” Hungerford is completing his first season of artistic leadership. Here’s what’s in store for his second:
Serials 3: Roundhouse (Late June) will be another stab at short-form theater. This time out there will be five playwrights involved in creating five episodic plays. Each week they’ll trade who’s writing which story.
One-Minute Play Festival (July 10-12, 2015) This event will invite writers to consider the world around them, their cities and communities and the ways they view the world, then write topical moments that say something about what’s happening here and now. The results, probably 70 to 90 of them, will be put together into three evenings of performance.
Hundred Days (July 24-Aug. 22, 2015). This is a show conceived by the Bengsons, a singer-musician couple who have been Cincinnati Fringe festival favorites, and they workshopped it here in 2011. It’s about a couple whose time together is cut short by a fatal illness. They decide to live the 100 days left as if it were the 60 years they had hoped for.
The Hunchback of Seville by Charise Castro Smith (Oct. 9-24, 2015) with CCM drama students, will be staged by CCM drama faculty member Brant Russell. Set in 1504 in Spain, it’s an irreverent comedy that turns historical atrocities on their heads.
Andy’s House of [blank] by Paul Strickland and Trey Tatum (Oct. 30-Nov. 14, 2015). This will be a fully staged version of the show that was presented in 15-minute increments across the five evenings of Serials 2: Thunderdome. (It’s the only show that made it through five weeks.) It’s a small-town, mystery-spot, time travel musical about an unusual man who runs a store that’s an every changing emporium of oddities. Strickland and Tatum are Fringe Festival veterans.
All Childish Things by Joseph Zettelmaier (Nov. 20-Dec. 19, 2015) is about three guys who still have Star Wars on the brain, despite being 30 years old. It’s set in Norwood, and the fact that Kenner, designer of Star Wars toys was headquartered in Cincinnati, is important to this story. This production happens right around the time that Star Wars: Episode VII – The Force Awakens will be in movie theaters. The playwright has been recognized several times by the American Theatre Critics Association, including this play in 2006.
The Naughty List by OTR Improv at Arnold’s Bar & Grill (December 2015) picks up on the Star Wars theme, too. This holiday iteration is subtitled, “The Jolly Awakens.”
Serials 4! (January 2016). Another round of episodic storytelling.
BlackTop Sky by Christina Anderson (Jan. 29-Feb. 20, 2016) is a story about love, violence, community, mental illness and the line between poverty and true homelessness. Kimberly Faith Hickman, the New York City-based director who staged Know’s thought-provoking production of The Twentieth-Century Way in April 2014, will stage it.
Beertown by dog & pony DC (March 2-19, 2016) is another crossover by a Fringe Festival act: dog & Pony performed A Killing Game here in 2013. For this show, they’ll present alternative tales about our town’s history and we get to choose which version we like — a mash-up of choose your own adventure and maybe a murder mystery dinner party. Every performance begins with a dessert potluck; audiences are encouraged to bring a dessert to share.
Silent Sky by Lauren Gunderson (April 15-May 14, 2016), one of America’s hottest young playwrights. Know presented her Macbeth-themed script, Toil and Trouble back in 2014, and the Cincinnati Playhouse is giving her new play The Revolutionists its world premiere in February 2016. Silent Sky is the true story of 19th-century astronomer Henrietta Leavitt and a group of revolutionary women who found a way to measure the universe.
The thirteenth annual Cincinnati Fringe Festival happens in late May and early June 2016. Followed by one more (June 24-July 16, 2016) show that’s still TBA (June 24-July 16), but Hungerford hints that it could be by Steve Yockey, whose surreal Pluto was staged by Know early in 2014.
New Edgecliff Theatre
New Edgecliff Theatre has announced three shows for its 2015-2016 season, planned for a new Northside venue at St. Patrick’s Church. “These are plays that challenge the way the characters view their lives and the circumstances they find themselves in,” says Producing Artistic Director Jim Stump. “They are stories of how much can change when you change how you look at things.”
Frankie and Johnny in the Clare de Lune by Terrence McNally (Sept. 17-Oct. 3, 2015). Jared Doren staged an excellent production of William Inge’s Bus Stop for NET in 2013, and he’ll be back to put together this show about a pair of lonely, middle-aged people whose first date ends with their tumbling into bed. Things head in different directions from there. This show, which debuted in 1987, had a sterling production at the Cincinnati Playhouse back in 1989; the Playhouse presents a new play by McNally, Mothers and Sons, in the spring of 2016.
The Santaland Diaries (Dec. 3-19, 2015) is a reprise of David Sedaris’s very funny monologue about working as an elf in Macy’s Santaland in New York City. This holiday staple has been missing from local stages for two seasons; it will be fun to see it again.
The Shape of Things by Neil LaBute (April 14-30, 2016). Former NET artistic director Elizabeth Harris will direct LaBute’s 2001 play about a man who thinks a woman is romantically interested in him when she’s actually using him as the subject of her MFA thesis project.
Under the management of new artistic director Maggie Perrino, Covington’s Carnegie will present four productions of well-known theater titles in the Otto M. Budig Theater.
Company by Stephen Sondheim and George Furth (Aug. 15-30, 2015) is about a single man and his married friends. The show, which won a dozen Tony Awards in 1971, has some of Sondheim’s greatest musical numbers, including “The Ladies Who Lunch,” “Getting Married Today” and “Being Alive.”
Sleuth by Anthony Shaffer (Nov. 7-22, 2015) is about playing games, but in this tale, the games are deadly serious. Veteran director Greg Procaccino will stage this famous Tony Award winner, a whodunit that will keep audiences guessing from start to finish.
The Wizard of Oz by L. Frank Baum, music and lyrics by Harold Arlen and E. Y. Harburg (Jan. 21-31, 2016) will be the Carnegie’s “lightly staged” musical for the coming season — a production that puts music and storytelling over physical staging. The production will feature the Kentucky Symphony Orchestra, led by J. R. Cassidy, performing all the tunes from the classic 1939 movie.
The Last Five Years by Jason Robert Brown (April 9-24, 2016) is an excellent contemporary musical (from 2001) about Jamie and Cathy, a young couple going through a divorce. His story and hers travel in opposite directions through time. Brown is one of the best of Broadway’s next generation of composers.
Commonwealth Dinner Theater
This company offers professional productions with dinner at Northern Kentucky University during the summer months. Productions are often sold out, so be sure to call early to reserve tickets (859-572-5464). This summer’s shows have characters from opposite ends of the age spectrum.
The Sunshine Boys (June 3-21, 2015) is Neil Simon’s 1971 comedy about two aging vaudevillian comics who have grown to hate each other after 40 years of working together. They’re reuniting for a special about the history of comedy, but keeping them on the same page is no easy task.
The 25th Annual Putnam County Spelling Bee by William Finn and Rachel Sheinkin (July 8-26, 2015) is about a contest featuring six quirky adolescents, overseen by three oddball adults. Its 2005 Broadway production was a surprise winner of several Tony Awards. Brush up on your spelling and you could be one of several audience members invited onstage to test your skills against the “kids.”
In its second year as a degree program, Xavier University Theatre is undertaking an ambitious season that features two Broadway musicals, a world premiere and a contemporary drama, staged by former Cincinnati Playhouse artistic director Ed Stern.
The undergraduate actors at Xavier will give Cincinnati audiences a second chance to see The 25th Annual Putnam County Spelling Bee (Oct. 22-24, 2015).
Stern will direct Kenney Lonergan’s This Is Our Youth (Dec. 3-6, 2015), the story of three wayward young people navigating New York in 1982 as they try to thread their way into adulthood.
In an especially challenging endeavor, the theatre program will present three plays in repertory during a two-week stretch (Feb. 17-28, 2016): Miss Julie by August Strindberg will be staged by veteran actress Torie Wiggins; Betrayal by Harold Pinter will be staged by another stage veteran, Bruce Cromer; and a new play by student playwright Tatum Hunter, Eve, will be staged by Bridget Leak.
Jonathan Larson’s rock musical Rent (April 21-24, 2016) will round out the season. It’s another Tony Award winner — and it landed a Pulitzer Prize, not often bestowed on a musical. Set in New York’s East Village, it follows a story about bohemian artists struggling to get by, inspired by Puccini’s opera, La Bohème.
Actors Theatre of Louisville
In 2016 the Humana Festival of New American Plays marks its 40th anniversary at Actors Theatre of Louisville. The theater has commissioned Sarah Ruhl, one of America’s most respected current playwrights, to create a new work, Peter Pan on her 70th Birthday, for the occasion. The play, a moving look at growing up and growing old within a family, will be presented from March 10 to April 10, 2016. Ruhl’s works have been offered by many of Cincinnati’s theatres — The Clean House by the Cincinnati Playhouse, Eurydice by Know Theatre, Dead Man’s Cell Phone by Ensemble Theatre and In the Next Room (or The Vibrator Play) by CCM Drama at the Carnegie in Covington.
People’s Liberty, a local group that describes itself as a “philanthropic lab that brings together civic-minded talent to address challenges and uncover opportunities to accelerate the positive transformation of Greater Cincinnati,” has announced eight new grantees who will receive help and funding from the organization for their various project proposals.
The group previously announced two 2015 Haile Fellows to receive funding and other support from People’s Liberty. Brad Cooper’s Start Small project involves building two efficient, low-cost “tiny houses” and engaging residents about the benefits of “tiny living” (the small, affordable homes will be powered by solar panels). Local musician Brad Schnittger was also named a Haile Fellow and is working on a music publishing platform called MusicLi, which will feature a library of original music by artists in Greater Cincinnati that can be licensed for commercial use (and provide income for the artists). Schnittger is currently surveying area businesses interested in using music in advertising to get a sense of their needs (click here if you’re involved in a business that would like to participate). There will be an event on May 7 at Over-the-Rhine’s Woodward Theater (6-8 p.m.) to discuss the new venture (Cincy’s Buffalo Killers will provide live music). Click here for details.
The just-announced Spring Project Grantees were chosen by a panel of creative types, business people and others from the community. This round of grantees includes CityBeat editor Maija Zummo, along with partner Colleen Sullivan, whose project Made in Cincinnati is a planned “curated online marketplace that simplifies shopping locally by offering goods directly from Cincinnati’s best craftspeople, creatives and artisans in one centralized location.”
Others chosen by the panel include Daniel Schleith, Nate Wessel and Brad Thomas’s Metro*Now project, which will provide signs with real-time Metro bus information; Nancy Sunnenberg’s Welcome to Cincinnati tool, to help newcomers connect with “local organizations, businesses and civic opportunities”; Mark Mussman’s Creative App Project, which will certify several Cincinnati residents via an Android App Developers educational series; Alyssa McClanahan & John Blatchford’s Kunst: Build Art, a print magazine focused on redevelopment projects for local historic buildings; Quiera Levy-Smith’s Black Dance is Beautiful, described as a “cultural event … designed to showcase diversity in Cincinnati dance, as well as encourage youth to pursue their passions and break down barriers”; Anne Delano Steinert’s Look Here!, a history exhibition to take place in Over-the-Rhine and feature 50 historic photos to help people connect that neighborhood’s past and present; and Giancomo Ciminello’s Spaced Invaders, an interactive installation featuring “a projection mapped video game that will activate the abandoned spaces once occupied by buildings.”
For more information on People’s Liberty’s work in the community (including information about how to apply if you have a good idea), click here.
Tonight at 6:30 p.m., Cincinnati Art Museum will host a symposium on Moby-Dick: How a 19th Century Novel Speaks to the 21st Century. This free event features Elizabeth Schultz, author of
Unpainted to the Last; Samuel Otter, editor of Leviathan; Matt Kish, author of
Moby-Dick in Pictures, and Emma Rose Thompson of Northern
Kentucky University. The moderator will be Robert K. Wallace, an English
professor at Northern Kentucky University who has taught a course on
Herman Melville's Moby-Dick since 1972. You
can RSVP at moby-dick-symposium.
This is the opening event to a Moby-Dick Arts Festival, co-organized by Thompson and Wallace, that then takes place at
the Covington branch of the Kenton County Public Library and NKU from Saturday through Monday. From 9 a.m.-9 p.m. Saturday and Sunday, there will be a marathon reading of the novel at the library. You can sign up for a 10-minute slot at mobydick.nku.edu. Ther
On Monday, there is an all-day symposium on the book at NKU, beginning at 9 a.m. in the Budig Theater. More information is available at mobydick.nku.edu.
A limited amount of early-bird passes to the 2015 MidPoint Music Festival are on sale now. Tickets good for all three days of the fest are available for $69, while V.I.P. passes are only $149. Once this first batch of passes is gone, weekend passes will be $79 (and $179 for V.I.P.s) through Labor Day, when another $10 price increase kicks in. The tickets are available for purchase at mpmf.cincyticket.com.
MPMF has also announced a new date shift. After 14 years of running Thursday-Saturday, MidPoint 2015 will take place Friday, Sept. 25-Sunday, Sept. 27. Organizers say the move was to make things easier for out-of-town guests (who previously might not have been able to make the Thursday shows) and also allow for more daytime programming opportunities, including in Washington Park, which is expected to see an increase in attractions and music showcases.
Stay tuned here and at MPMF.com (where artists can also submit for showcase consideration through May 17) for the latest MidPoint developments. You can also follow MPMF on Twitter here and Facebook here for more up-to-date info.
We all have that one Disney movie that we love dearly. The one film that, despite whatever age we are, we can watch and enjoy. For me there are several that meet that criteria: The Three Caballeros (1945), Beauty and the Beast (1991), The Great Mouse Detective (1986) and countless others. But the one film that takes the No. 1 spot on my list is Davy Crockett, King of the Wild Frontier, Disney’s take on the adventures of famed frontiersman and one-time congressman. The movie’s plot ranges from his time in the Creek Wars to his congress years to his final stand at the Alamo.
If I may get personal for a moment: I was obsessed with this movie when I was kid. I couldn’t get enough Crockett related stuff. I even dressed up as Crockett for Halloween one year. I was heartbroken when the film’s lead actor, Fess Parker, passed away in 2010. So, yes, this movie meant a lot to me. In a way, it set me on the path to my love of films and shaped me in a lot of ways.
I’m sure to some people the biggest flaw with the movie is that the plot is a rather romanticized telling of Crockett’s adventures. There’s very rarely a moment where he isn’t an upstanding guy, but to me that kind of works for the film. Walt Disney had no pretentions about this film (originally a mini-series) — he wasn’t planning on making this a super deep movie with complex characters and themes. What Disney wanted to do was take an iconic American folk hero and give the intended audience a person to look up to and root for. To me, you couldn’t anyone more perfect than actor and future wine maker Fess Parker.
Now as I stated before, Crockett’s portrayal in the film is a romanticized, but that doesn’t mean there aren’t some powerful moments — outside of the heroic times — with him. For me, one of the best emotional moments in the film is when Crockett receives word about his wife’s death. His sidekick throughout the film Georgie Russell (Buddy Ebsen) reads a letter delivering the unfortunate news and you can see the news slowly sinking into him. Russell consoles him and asks him if there’s something he can do, and all Crockett says is, “Just give me some time to think.” He then slowly and quietly walks into the woods to try and figure out what to do without his other half. Without any dialogue or music playing, we get a true sense how deeply this has affected him.
The film doesn’t shy away from all the historical facts; the most obvious example is that in the end he and his comrades die at the Alamo. Granted, they don’t show Crockett’s death onscreen but, then again, given how nobody knows how Crockett actually died it makes sense that we don’t see it. The movie ends with him swinging his rifle like a club at the overwhelming forces without a hint of fear.
Like a lot of classic Disney films, it features many great qualities: It has a memorable soundtrack that will have you humming its songs for hours on end; a great sense of adventure and excitement; and a terrific cavalcade of characters performed by great character actors. I mentioned earlier Parker and Ebsen who have amazing chemistry together. There’s also stunt-man Nick Cravat as the mute Comanche Indian named Busted Luck who shows that not only does he have bravery but he's also very witty and smart. There’s a great scene where he foils a trickster’s attempt at swindling him out of food. Speaking of which, there’s the dandy riverboat gambler Thimblerig played by Hans Conried who is a delight in every scene. Some of you know him best as the voice of Captain Hook in Disney’s Peter Pan (1953) and as Thorin in Rankin/Bass’ version of The Hobbit (1977).
haven’t seen this Disney gem, do yourself a favor and check it out,
especially if you have youngsters. Then check out the prequel Davy Crockett and the River Pirates
featuring the fun and bombastic character actor Jeff York as Mike Fink, King of
Hello Cincy. You know what time it is. Yep, news time.
It’s become a dependable, even comforting, routine. On Thursday mornings, I sit down and tell you all about the ways in which City Council bickered over the streetcar in its Wednesday meeting. The tradition continues. A discussion yesterday about proposed Over-the-Rhine parking plans, which have been bandied back and forth for months, quickly devolved into a debate over the streetcar’s operating budget gap. Mayor John Cranley has been using that gap, which could be as high as $600,000 a year because of shortfalls in revenue and advertising receipts, as a reason council should pass his version of the OTR parking plan.
Cranley, who formerly proposed $300-a-year parking passes for residents in the neighborhood, now wants the passes to be valued at a market rate determined by the city manager. Meanwhile, Councilman Chris Seelbach has another idea: Cap the costs of the permits at $108. Seelbach’s plan calls for 450 permits, plus 50 non-metered, non-permitted flex spots for bartenders, waiters and the like who work in the neighborhood. Cranley’s plan calls for more flex spots. Either proposal would likely yield the highest-cost neighborhood parking permit in the country.
At issue is a philosophical debate: Cranley wants OTR residents to shoulder more of the cost of the streetcar. He also says the city has done enough to subsidize residents in OTR, citing tax abatements on many properties in the neighborhood and the fact that metered spots on the public streets around them would bring in more money than the permits do. Streetcar supporters like Seelbach and Councilwoman Yvette Simspon, however, say the streetcar is about economic development and that it will benefit the entire city, not just OTR residents. They say it isn’t fair to place its financial burden so much on those living in the neighborhood. Seelbach also points to residential parking permits in other neighborhoods, which are priced much more affordably than Cranley’s OTR plan.
• There was also a big hubbub about whether or not the streetcar will get in the way of major downtown events on Fifth Street like Oktoberfest and Taste of Cincinnati. Mayor John Cranley yesterday railed against, as he said, “the idea that the city was secretly trying to discourage these events from maintaining their historic location,” and touted measures by city administration to make sure it doesn’t happen.
The backstory: In 2014, then-City Manager Scott Stiles released a memo stating that no special events could disrupt the streetcar’s operation. Depending on what you take “special events” to mean (i.e. is something that has been scheduled every year for at least a decade a special event?) that could mean the streetcar would take precedence over some beloved Cincinnati traditions. However, an agreement between streetcar operators SORTA and the city also signed later in 2014 allows streetcar operations to be disrupted for events up to four times a year. Sooo, yeah. Were those events ever actually in danger of being moved for the streetcar? Unclear.
• Citizens for Community Values President Phil Burress thinks defeat may be at hand, at least in the short term, when it comes to the looming Supreme Court case around same-sex marriage. Springdale-based right-wing CCV has pushed a number of anti-gay rights measures over the years, and Burress was instrumental in engineering Ohio’s 2004 constitutional amendment banning gay marriage. That law is part of the current SCOTUS case. Burress told the Cincinnati Enquirer he’s “not very optimistic” about Ohio’s ban withstanding the court challenge, mostly because he says some of the justices are biased and don’t respect state sovereignty. But Burress also promised that the issue “won’t go away” anytime soon. You can read our story about case, and the local folks who are making history as the plaintiffs, here.
• The Ohio House of Representatives last night passed a record-breaking two-year budget for the state that looks much different than the one Gov. John Kasich suggested. The proposed budget spends more than the state ever has, while taxing top-tier earners less than it has in the past three decades. The proposal would put Ohio’s top income tax rate below 5 percent for the first time since 1982 but forgoes Kasich’s more regressive plan to lower income taxes by 23 percent and use a sales tax hike to pay for the cuts. The $131.6 billion spending package, the largest in state history, also zeroes out much of Kasich’s proposed reform to education spending. Kasich is not exactly stoked by the budget.
“After the fiscal crisis subsides people think it's OK to slip back to old habits,” Kasich’s office said in a statement to press. “The governor will do everything possible to prevent that from happening."
The budget isn’t a done deal. Next it heads to the state Senate, which is cooking up its own budget anyway.
• After those long-winded updates, here's a quickie or two: Is former Florida Governor Jeb Bush really the cuddly moderate he's been made out to be, and, if not, does that open up a window of opportunity for Ohio Gov. Kasich in the GOP 2016 presidential sweepstakes? Despite being a proponent of Common Core and having some less-than-hardline views on immigration, ol' Jeb does have some harder right tendencies as well that make him more complicated to consider. This article gives some good examples.
• Finally, as a person who recently transitioned to Microsoft Office 365 for all my workaholic email needs, I really appreciate this hilarious Washington Post article about the company's new ad campaign. I really do love working while I'm also sleeping face down in my bed.
That is all. Tweet me. Email me. Or don’t. Actually, just go outside and enjoy the sun. But bring your smart phone just in case.