(Editor's Note: For the 2010 Bonnaroo music festival in Manchester, Tenn., CityBeat dispatched a team to cover the event. ’Roo vet Ric Hickey returned, joined by newcomers Adam Sievering and photographer Chuck Madden. We'll be rolling out their reports here over the next several days. Here is Hickey's first dispatch.)
MusicNOW kicked off last night with performances from Fleet Foxes’ frontdude Robin Pecknold, who apparently played a solo acoustic set of new material (I arrived just as he was finishing), and Joanna Newsom, whose intricate songs proved the perfect aesthetic match to the ornate Memorial Hall.
Is it really that time again? It seems like just yesterday that we were jumping from one packed MPMF venue to another, checking out everyone from local favorites to national and international gems to local favorites turned (inter)national gems.
Yes, bands and artists the world over can now register to take part in the 2010 MidPoint Music Festival, a three-day (Sept. 23-25) downtown Cincinnati party that is rapidly becoming a highlight of the region’s musical landscape.
When it was announced that Cincinnati native Bryce Dessner would be one of the curators of the huge Big Ears festival in Knoxville, Tenn., at the end of March, some wondered if his annual hometown avant/Indie/Chamber MusicNOW festival would happen in 2010, considering the similarities in programming and timing. So it was good news to hear that MusicNOW is on schedule for March 30-April 1 at Memorial Hall (next to Music Hall), just after Big Ears and featuring some of the same artists.
Duke Energy Center isn’t the first place that comes to mind when the words “sacred space” are uttered, but evidently God don’t give a damn (sorry — dang) about the venue, just so long as you’re singin’, praisin’ and believin’. The big building formerly known as the Convention Center is the site of the 42nd Annual Gospel Music Workshop of America National Convention.
The Lebanon-based up-and-comers at the All-Nighter Studio want to set your everlovin' music mind spinning this upcoming weekend. They've brought together an impressive array of jammy, funky, folksy and twangy groups for a two-day music festival they're calling Greentree Groove.
"The Bubblegum Masquerade," you say? Indeed. A local gentleman named Paul O'Moore has put together the Saturday show under the banner of his Vibrant Fringe Productions group, an essentially pro bono, one-man promotions organization founded to "exclusively support local and regional music" and to be "a partner in rebuilding Greater Cincinnati's music scene," according to the Vibrant Fringe Web site.
And looking at the generous lineup of local acts that O'Moore's ambitious two-stage, twelve-hour, multi-genre Masquerade plans to offer, he's clearly living up to his own mission statement.
Cincinnati is not known as an Industrial music destination. Unlike San Francisco in the late ‘70s, Chicago in the mid-‘80s and Cleveland in the early ‘90s, the Queen City has never really enjoyed a love affair with the ever-morphing genre of all things dark, mechanical and dingy-sounding.
Ilan Kaim is the man who intends to change that.
An impressive and eclectic roster of local bands will transform an otherwise stark Loveland VFW hall into an artsy, flashy, sorta hippy-ish Rock ‘n’ Roll venue for this year’s third annual Adjust Your Eyes Music and Arts Festival, June 26 and 27. The two-day, two-stage, multimedia extravaganza, which is the brainchild of Grasshopper Juice labelmeister and Wonky Tonk/Chick Pimp band member Nick Mitchell, will feature not only upwards of 28 bands but also art by Jacklyn Howard and CincyStar Glass and stage lights and visualizations by Bunk News.