As far as changes, the restaurant will be extending its hours to include lunch (starting Nov. 5) and Saturday brunch (starting Dec. 7), which will feature a make-your-own bloody mary bar. Chef Johnson will also be updating the Local 127 menu to include more seafood and beef choices with seasonal preparations, plus adding a bar snack menu with pork belly bites, devils on horseback (a pub snack with a fruit like dates wrapped in bacon), fries inspired the by the In-N-Out Burger chain and more.
And for fans of the "local" in Local 127, fear not: Chef Johnson will remain true to the restaurant's pledge of serving responsibly sourced foods, according to the press release.
Local 127 is located at 413 Vine St., Downtown. For more information visit mylocal127.com.
Many jobs the state government claims it’s creating don’t actually exist, according to The Toledo Blade. The Ohio Development Services Agency claims it improved its process for tracking the effects of taxpayer-financed loans, grants and subsidies, but The Blade found errors led to more than 11,000 claimed jobs that likely don’t exist. Part of the problem is that the state relies on companies to self-report job numbers; although the Ohio Development Services Agency is supposed to authenticate the reports, officials almost never visit businesses that get tax incentives. The discrepancy between claimed job creation and reality raises more questions about the efforts of JobsOhio, the privatized development agency established by Gov. John Kasich and Republican legislators that recommends many of the tax subsidies going to Ohio businesses. CityBeat covered JobsOhio in further detail here.
Mayoral candidate John Cranley didn’t repay a $75,000 loan for his Incline Village Project in East Price Hill that was meant to go to a medical office and 77 apartments that never came to fruition. Kathy Schwab of Local Initiatives Support Corporation (LISC), which loaned the money to Cranley’s former development company, told The Cincinnati Enquirer that they worked out terms to repay the loan after the news broke yesterday. Supporters of Vice Mayor Roxanne Qualls’ mayoral campaign say the news casts doubt on whether Cranley is as fiscally responsible as he’s led on while stumping on the campaign trail. As The Enquirer notes, Cranley is very proud of the Incline Project and often touts it to show off his experience building a successful project in the private sector.Hamilton County commissioners are expected to vote on a budget on Nov. 6. This year’s budget is the first time in six years that the county won’t need to make major cuts to close a gap. But the commissioners also told WVXU that it’s unlikely they’ll take up the county coroner’s plan for a new crime lab, which county officials say is a dire need.
A lawsuit filed on Oct. 23 asks the Hamilton County Court of Appeals to compel the Hamilton County Board of Elections to scrub UrbanCincy.com owner Randy Simes off the voter rolls, less than two weeks after the board of elections ruled Simes is eligible to vote in Cincinnati. The case has been mired in politics since it was first filed to the board of elections. Simes’ supporters claim the legal actions are meant to suppress Simes’ support for the streetcar project and Vice Mayor Roxanne Qualls’ mayoral campaign. Proponents of the lawsuit, who are backed by the attorney that regularly supports the anti-streetcar, anti-Qualls Coalition Opposed to Additional Spending and Taxes (COAST), argue they’re just trying to uphold the integrity of voting. The dispute hinges on whether Simes’ registered residence for voting — a condo owned by his friend and business colleague, Travis Estell — is a place where he truly lived or just visited throughout 2013. Currently, no hearing or judge is set for the lawsuit.
Pure Romance officially signed a lease for new headquarters in downtown Cincinnati, which means the $100-million-plus company is now set to move from its Loveland, Ohio, location starting in January 2014. Pure Romance originally considered moving to Kentucky after Ohio reneged on a tax deal, but council ultimately upped its offer to bring the company to Cincinnati. As part of its deal with the city, Pure Romance will get $854,000 in tax breaks over the next 10 years, but it will need to stay in Cincinnati for 20 years. The city administration estimates the deal will generate $2.6 million in net tax revenue over two decades and at least 126 high-paying jobs over three years.
One in six Ohioans lived in poverty in 2012, putting the state poverty rate above pre-recession levels, according to the U.S. Census Bureau.
Two Butler County students were arrested yesterday after they allegedly threatened to go on a shooting spree on Facebook.
Rachel Maddow accused Ky. Sen. Rand Paul of plagiarizing his speech off Wikipedia.
The Taste of Belgium’s next location: Rookwood Exchange.
Pollinating bees could deliver pesticides in the future.
Early voting is now underway. Find your voting location here. Normal voting hours are 8 a.m. to 4 p.m., although some days are extended. Check out CityBeat’s coverage and endorsements for the 2013 election here.
A lawsuit filed on Oct. 23 asks the Hamilton County Court of Appeals to compel the Hamilton County Board of Elections to scrub UrbanCincy.com owner Randy Simes off the local voter rolls.
The lawsuit was filed less than two weeks after the board of elections ruled that Simes is eligible to vote in Cincinnati.
The case has been mired in politics since it was
first filed to the board of elections. Simes’ supporters claim the legal actions are meant to suppress Simes’ support for the streetcar project and Vice Mayor Roxanne Qualls’ mayoral campaign. Proponents of the lawsuit argue they’re just trying to uphold the integrity of voting.
Hartman is spearheading the lawsuit. He regularly represents the Coalition Opposed to
Additional Spending and Taxes (COAST), a conservative group that opposes the streetcar project and Qualls.
The lawsuit claims Simes isn’t legally able to vote in
Cincinnati because he currently resides in South Korea and lived in Chicago
prior to the move overseas.
Ohio election law requires a place of residency to vote, but someone can remain on the voter rolls if he or she intends to return to the city or state while in another part of the country or overseas.
Simes’ supporters, who the board of elections sided with
on Oct. 14, claim Simes has every intention of returning to Cincinnati
when he’s done with his work in South Korea. Simes’ contract
with his employer, Parsons Brinckerhoff, states he’ll return to
Cincinnati in two years.
Until then, Simes is registered to vote at a condominium owned by his friend and business colleague, Travis Estell.
According to Estell’s testimony to the board of election, Simes kept a key and sometimes stayed for a week when he came and went from the residence throughout the spring and summer. Simes also has credit card and bank mail sent to the address, and he attempted to change his registered driver’s license address to match the residence, Estell said.
But Hartman says the evidence, which was gathered largely through Simes’ social media activities, shows Simes was a visitor, not a resident. He cites Estell’s testimony that Simes lived out of a suitcase and didn’t pay rent when he stayed in Cincinnati.
Tim Burke, chairman of the board of elections and Hamilton County Democratic Party, says there’s a reason three out of four members of the board, including one Republican, agreed Simes should remain on the voter rolls.
“The facts that were presented didn’t rise to the legal standard of clear and convincing evidence to justify depriving the voter of his right to vote,” Burke says.
Burke likens the arrangement to a Procter & Gamble employee who spends a year or two overseas but still keeps the right to vote in Cincinnati. Burke says someone could even sell his home in Cincinnati and keep his right to vote from the sold residence.
Hartman says the comparison doesn’t work because a Procter & Gamble employee would live in and keep ties to Cincinnati prior to moving overseas. He claims Simes’ decision to register to vote from Chicago in 2012 effectively broke his electoral ties with Cincinnati and Ohio.
But the argument could be rendered moot. Burke, who is named as one of the defendants in the lawsuit, says the legal challenge might not make it to court because two different people filed the lawsuit to the court of appeals and complaint to the board of elections. That could render the lawsuit procedurally defective and lead to a dismissal, according to Burke.
The lawsuit currently has no scheduled hearing or judge, but Hartman says he hopes to expedite hearings in time for the Nov. 5 election.
I was a few months shy of 16
when I first heard the lucidly stark voice of Lou Reed stream over the
airwaves. I was just another suburban weirdo, looking for a justified rebellion
to call his own. I had spent those “formative years” sleeping around with any
album loud enough to drown out my inner white noise, moving through a steady
stream of Hardcore, Punk, Metal — if
they were screaming it, I was buying it. As it turns out, though, what I was
really looking for was a quieter sort of revolution, and at the helm was Mr.
Lou Reed, telling me with a frank honesty that there was freedom in the
composition. It was, like any great lesson, one I’d come to learn in time.
To say I enjoyed those first striking chords of “Heroin” would be an
understatement. It was on a snowy night in 2007, crammed in the back of a
friend's Yaris Liftback, when I first heard it. I can’t remember exactly where
we were previous to that moment, when that raw melody first came in. All I can
remember is how I suddenly became more aware of myself than ever before.
Everything I knew about music, about artistry, about writing — all of it would
change with that first overlap of beautiful melody. I was mesmerized, shaken
from a stupor of conditioned knowledge and thrown into a concoction of John
Cale’s haunting strings with Lou Reed’s candid crooning. By the time Maureen
Tucker’s drumming kicked in, sparse in its reverberation, my resolve would be
just as stripped, replaced by a wily knot that would take years to untie.
Though, right then, the song was just “fucking awesome.”
It would only be years later, waking up to a chilled October morning in 2013,
that this memory would even begin to matter. As the headlines would come to
read, “Lou Reed Dead at 71,” so, too, would the horizon appear most clearly.
I’ve always been a firm believer in the crossover of influences, the
collaboration of mediums in shaping any sort of artistry. As a writer, I can
proudly say that the recorded sound has had just as much influence on me as the
written word. And when I heard the Velvet Underground for the first time, it
became clear that they believed in a similar marriage, affirmed on the morning
of Oct. 27. With the news of the passing of a legend came an onslaught of
anecdotes from around the arts world, plastered against my computer screen. Amidst
the mass of legends, one story stood out in particular.
As according to
Rolling Stone, it was
1965, and the first few months of the Velvet Underground playing under their
iconic moniker. They had began a residency playing in New York’s Café Bizarre
and in the beginning stages of developing their distorted and chaotically
composed sound. Management was set on having performers play more contemporary
numbers, and warned the band not to play their original composition “Black
Angel Death Song.” They went on to perform the number anyway, fit with all the
chilling accidentals in its string arrangements, and were fired immediately.
Though they would emerge from that loss victorious (it led to their
introduction to Andy Warhol, the man who would come to produce their record and
put them on the map of the underground art scene of ‘60s New York), there was
something bigger about that moment, something more pressing in my association
Incidentally, “Black Angel Death Song” was the first thing I clicked on Sunday
morning when I heard the news of its writer’s passing. The strings were
suddenly more haunting, and the story seemed all the more important. It was yet
another quintessential moment in the life of Lou Reed, a man who sang with
unbridled frankness, who played with unencumbered passion, and who inspired me
with the tirelessness of his dedication to honest expression. It transported me
back, seven years and a lifetime ago, to that night in December 2007, when I
first pricked my ears with another of his songs, that found, all at once, both
comfort and chaos within itself. Though I’d spend the lapsed time between 2007
and 2013 finding appreciation for the 40-plus years of Reed’s prolific career —
from “Black Angel Death Song” and “All Tomorrow’s Parties,” through “Satellite
of Love” and “Pale Blue Eyes” and even up until his
Hudson River Wind Meditations — it would always be that
compositions that would stay, forever imprinted in my mind.
“Heroin” became, for me, a love song to the in between — it was everything I’d
been listening to up until that point and nothing I’d ever heard before; it was
the sentimentality of Indie Rock, the calm before the double bass in hardcore,
the simplistic, chord interplay of Punk and its cleaner cut cousin Pop. And, at
the same time, it was also the recklessness of avant-garde, the soundtrack to
the colors of an underground New York I’d only experience in preserved murals
and snapshots. It was everything I’d known, and everything I would come to know
about music, about art, about sound and about writing.
There are moments that comprise your past, songs that take you to a memory you
thought you’d left. And then there are moments that define your future, songs
that propel you forward into infinity.
Lou Reed, and what he accomplished before, with and after the Velvet
Underground, stood as a symbol for finding freedom in ones composition, and
pushing the statements made to work in a fashion of success.
It was a lesson I would learn time and time again in my own work, as I moved
through the progression of my writing and my own performance techniques. I
would come to face my own obstacles, fight my own battles against normative
expectations. And it would be in those times I fell the deepest, my resolve
threatening to falter, that this education would come back to me, mysterious in
its origins, all the while growing, like a backbone that stood rigid for honest
experimentation and freedom in the composition.
Even now, as this mystery’s been unearthed, its inductor put to rest, ahead of
me remains miles and miles of still shrouded possibility. But against that wall
of lessons I’ll stand, riveted, staring towards the looming unknown. And I’ll
try for a different kind of kingdom, if I can.
New York City Ska legends The Toasters were the bridge from the late ’70s 2 Tone Records-fueled Ska revival in the U.K. to the one that brought Ska into the American mainstream in the ’90s. Easily one of the most influential Ska acts of all time, The Toasters were formed in 1981 by Robert “Bucket” Hingley, a U.K. native (and the group’s lone constant member) who had just moved to The States, taking inspiration from the 2 Tone Ska being created in his homeland (The Beat, The Specials, The Selecter, etc.).
The Toasters, in turn, helped inspire multitudes of Ska bands to form, something that ultimately led to the development of so-called Ska Punk. Having a hard time finding a label, Hingley formed his own, Moon Ska Records, which grew to become the major American Ska indie imprint, releasing music (via albums or the label’s popular compilations) by The Slackers, Dance Hall Crashers, Mustard Plug, Less Than Jake and No Doubt, among many others. The Moon label was a road-map to quality American Ska when the music was more underground; the imprint, which was artist- and consumer-friendly (like Punk label Dischord, Moon always kept prices low), experienced its greatest success during the ’90s Ska boom, but when the music fell out of mainstream favor, the label faded away. Hingley moved to Spain, where he formed another label, Megalith, to continue releasing Toasters albums.
The Toasters were the cool elder statesmen of the Ska scene and they’ve survived the fickleness of musical trends and an ever-changing music industry for over 30 years now by doing things on their own terms and keeping true to their vision.
A Republican-proposed bill in the Ohio legislature is drawing criticism from voting rights advocates because they say it would unnecessarily limit absentee voting. The bill would permit the secretary of state to send out absentee-ballot applications on even years, when gubernatorial and presidential elections are held, only if the legislature funds the mailings, and it would prevent county election boards from mailing out additional ballot applications beyond what the state sends out. Previously, some counties mailed unsolicited ballot applications to all voters to potentially reduce lines on Election Day. Voting rights advocates say the bill will dampen and reduce voter participation, but State Sen. Bill Coley, the bill’s sponsor, argues it’s necessary to bring uniformity to county-by-county absentee voting.
A nine-member panel of criminal justice officials on Friday recommended limiting access and improving oversight of Ohio’s controversial facial recognition program, following a two-month review of the system and public criticisms over the program’s secrecy and alleged lack of oversight. The facial recognition program, which is part of a state database of criminal justice records known as the Ohio Law Enforcement Gateway (OHLEG), was live for more than two months and 2,677 searches before Ohio Attorney General Mike DeWine formally announced its existence in August. The program allows police officers and civilian employees to use a photo to search databases for names and contact information; previously, law enforcement officials needed a name or address to search such databases.
Ohio Gov. John Kasich and Ky. Gov. Steve Beshear debated Obamacare on Sunday’s Meet the Press. Beshear pointed to his state’s successful rollout of Kynect, a Kentucky-operated online marketplace for state-based health insurance plans. The Kentucky marketplace has already enrolled 26,000 Kentuckians, although 21,000 are Medicaid enrollees. Meanwhile, Kasich criticized the rocky launch of the federal portal HealthCare.gov, which only applies to states, like Ohio, that declined to run their own online marketplaces. The federal portal has been practically unworkable for a huge majority of Americans since it launched on Oct. 1. Kasich also claimed Obamacare will increase health insurance costs in Ohio — a claim that goes against findings in a national premium model developed by Avik Roy, a conservative health care expert who is typically critical of Obamacare. CityBeat covered Obamacare’s Ohio rollout in further detail here.
Councilwoman Yvette Simpson is questioning why WCPO used a man named Jim Kiefer as a source after he posted racist insults aimed at her on social media. WCPO quoted Kiefer in a story as a John Cranley supporter, but the Cranley campaign quickly distanced itself from Kiefer upon learning of his history of bigoted posts on his Facebook wall, which was public at the time but is now private. Kiefer told CityBeat the posts were supposed to be jokes.
The ongoing mayoral race looks like the most expensive since Cincinnati began directly electing its mayors in 2001.
City Council could move forward with a plan next month to reduce the noise freight trains make overnight.
Emma and William were the most popular names in Cincinnati in 2012.
Ohio gas prices dipped this week after two straight weeks of increases.
The furthest confirmed galaxy shows off light from just 700 million years after the Big Bang.
Early voting is now underway. Find your voting location here. Normal voting hours are 8 a.m. to 4 p.m., although some days are extended. Check out CityBeat’s coverage and endorsements for the 2013 election here.
A panel of nine criminal justice officials on Friday recommended limiting access to Ohio’s facial recognition program and establishing protocols that would seek to make the program less prone to abuse.
The panel’s recommendations follow a nearly two-month review of current procedures and public criticisms over the program’s secrecy and alleged lack of oversight.
The panel broadly looked at the Ohio Law Enforcement Gateway (OHLEG), a state database of criminal justice histories and records, but largely focused on the controversial facial recognition program, which was live for more than two months and 2,677 searches before Ohio Attorney General Mike DeWine formally announced its existence in August. The program allows police officers and civilian employees to use a photo to search databases for names and contact information; previously, law enforcement officials needed a name or address to search such databases.The panel recommends limiting access of the facial recognition program to law enforcement, meaning police departments, sheriff’s offices, state highway patrol, county prosecuting attorneys and other local, state or federal bodies that enforce criminal laws or have employees who have the legal authority to carry out an arrest. Anyone else who wants to tap into the system would need to do so with written permission from the superintendent of the Bureau of Criminal Investigation (BCI).
For those who would retain access, the panel says written policies and protocols should be developed and implemented. The recommendations extend from written rules for out-of-state officials to a training program that better establishes clear penalties for misuse and guidelines for reporting and prosecuting infractions.
The report calls for improved monitoring of the system, which it states is “perhaps the most effective measure of whether the system is being properly implemented for its intended criminal justice purpose.” The oversight should include random audits of OHLEG, one person in charge of monitoring OHLEG’s use in each local agency and a model for ideal use, according to the report.
The panel says the attorney general should also establish a steering committee comprised of criminal justice officials, along with an advisory group. The committee would be in charge of OHLEG training, monitoring and policy review, among other oversight functions.
The panel also advises the attorney general’s office to launch an education campaign that tells the public of the potential benefits of OHLEG’s programs.
Separately, the Ohio Public Defender’s Office recommends allowing citizens to access their own criminal history records through a secure Internet portal with a social security number, similar to AnnualCreditReport.com.
The panel included former Ohio Supreme Court justices, judges and law enforcement officials, among other criminal justice leaders from around Ohio.
DeWine, a Republican, says the facial recognition program is a vital tool for law enforcement to more easily identify and catch potential criminals. But critics, including the American Civil Liberties Union of Ohio and Democratic attorney general candidate David Pepper, say the program was allowed to operate for far too long without public knowledge or proper checks in place.When asked if DeWine will implement the recommendations, Lisa Hackley, spokesperson for the attorney general’s office, wrote in an email, “The Attorney General has committed to implementing the recommendations. Some are already in progress. Others, such as those requiring new computer programming, may take longer.”
The full report:
Updated at 10:04 p.m. with comment from the attorney general’s office.
Councilwoman Yvette Simpson is questioning why WCPO used a man named Jim Kiefer as a source for a story after he harassed her on social media with racist insults.
WCPO’s Kevin Osborne
quoted Kiefer in a story, identifying him as a supporter for John Cranley’s mayoral
campaign. (Full disclosure: Osborne formerly worked for CityBeat.)
When Simpson saw the story with Kiefer as a source, she says she immediately recognized him as someone who has repeatedly harassed her with racist remarks on Facebook.
Kiefer's Facebook page was publicly viewable prior to Simpson calling him out on Twitter yesterday, but it has since been made private.
On Oct. 20, the day before WCPO's story was published, Kiefer posted a message on his Facebook wall that said, “For my pick as worst councilperson in cincinnati (sic).... Evette (sic) getto (sic) Simpson!” Although the post included various grammatical and spelling errors, Kiefer then attached an image that said, “No you may not ‘Axe’ me a question. I don't speak Walmart.”
Several of Simpson’s colleagues, including Councilman Chris Seelbach and City Council candidate Mike Moroski, have come to Simpson’s defense after she posted the image.
The issue for Simpson is whether a media outlet should be
using Kiefer as a source, considering his images and posts were publicly viewable on Facebook. Simpson says Osborne never responded to
her email asking whether he or WCPO is aware of Kiefer’s history. Osborne is Facebook friends with Kiefer.
CityBeat contacted WCPO News Director Alex Bongiorno by phone and email to ask about WCPO’s policy for vetting and identifying sources, but no response was given prior to the publishing of this story.
WCPO’s story detailed criticisms from Cranley supporters against opponent Vice Mayor Roxanne Qualls, who Simpson supports. Specifically, the story questioned why Qualls allegedly never sought an opinion from the Ohio Board of Ethics over whether her work as a realtor presents a potential conflict of interest with her support for the streetcar project, which could increase property values — and perhaps Qualls’ compensation as a realtor — along its route.
It turns out Qualls had asked for a professional opinion on the ethical issue at least two times before,
but the city solicitor deemed the connection
between Qualls’ work and the streetcar project too indirect and
speculative to present a conflict of interest, according to an email
from City Solicitor John Curp copied to CityBeat and other media outlets.
Kiefer called CityBeat after people on social media discussed CityBeat’s various calls for comment for this story. Kiefer said the images were supposed to be jokes. “You have to have a sense of humor,” he said.
The Cranley campaign says it has and wants nothing to do with Kiefer.
“John (Cranley) wouldn’t know Jim Kiefer if he walked past him in
the street right now. It’s not someone that he’s ever met. It’s not
someone that he’s ever dealt with. It’s not someone that the campaign
has ever dealt with,” says Jay Kincaid, Cranley’s campaign director.
“Whatever his views are don’t reflect those of John.”
Kincaid also points out that Cranley’s record goes against
some of the bigotry perpetuated by Kiefer's posts. While on City Council, Cranley
championed and helped pass an anti-racial profiling ordinance and LGBT
protections in local hate crime laws.
Simpson’s history with Kiefer goes back to at least June,
when Simpson says Kiefer went on a racist tirade against her on Facebook
in the middle of an online discussion over the city’s parking plan. The
discussion has been deleted since then, but Simpson says
Kiefer told her to never return to the West Side of Cincinnati.
This is not the first time Kiefer touted images with bigoted connotations on his Facebook wall. In one instance, he “liked” an image of President Barack Obama in tribal regalia. In another, he posted an image of Barney Frank that mocked the former congressman’s homosexuality.
If your medicine cabinet could use a good fall cleaning, think about de-cluttering tomorrow during National Drug Take-Back day so you can properly dispose of the pills and make sure they don't get into the wrong hands.
The local prescription take-back is sponsored by the Hamilton Country Sheriff Department and the Drug Enforcement Administration. Prescription drug abuse is a rampant public safety and health issues, and take-back programs are one of a number of public health measures communities can take to reduce prescription drug abuse in their neighborhoods.
Even flushing the pills down the toilet poses its own risks; the chemicals could make their way into our water supplies. The Environmental Protection Agency (EPA) has found that fish have suffered serious deformities from pharmaceutical-tainted water supplies, and it could affect humans, too, although the research isn't strong enough to draw any solid conclusions yet.
There are three locations around the city where you can bring old prescriptions (all locations are open from 10 a.m.- 2 p.m.):
The National Institute on Drug Abuse estimates that 20 percent of people in the United States have used prescription drugs for reasons other than which they were prescribed. In 2010, 7 million Americans abused a prescription drug; pain relieving medications like Vicodin and Oxycontin are the most commonly abused drugs.
Unintentional drug overdose deaths are the leading cause of injury-related deaths in Ohio. The state has experienced a 440 percent growth rate in accidental overdose deaths from 1999 to 2011.
According to DrugAbuse.gov, teenagers are especially likely to abuse medications because of their easy accessibility and a lack of awareness about the consequences of abuse.
Needles, IV bags and radioactive medicines will not be accepted.
• Nashville’s Escondido came together quickly but very naturally. The project of Jessica Maros and Tyler James (a solo artist who has also toured as pianist for Edward Sharpe and the Magnetic Zeros) got its start in James’ home studio when he was recording an artist with whom both were friends. During a recording break, Maros, a Vancouver native and successful clothing/jewelry designer, was casually playing a song in the studio, James hit “record,” added some light ornamentation and, essentially, Escondido was born. That night, the two decided to make an album. Fittingly, the album — Esondido’s debut, titled The Ghost of Escondido — was recorded live in just one day with a handful of talented Nashville friends/musicians, even though it sounds incredibly cohesive, full-bodied and organic.
The making of the full-length, released at the start of this year, was driven by the spirit of Ennio Morricone, the legendary spaghetti western soundtrack genius, and that desert-sunset atmosphere meshes beautifully with the band’s mix of Indie Rock, Pop and Country. The end result is mesmerizing, a hazy, dreamy collection of haunted, mysterious soundscapery and spine-tingling harmonies and vocals, making the band reminiscent of a slightly twangier, more dynamic and grounded Mazzy Star. Along with garnering a wide-range of supporters, from the tastemakers at KCRW to the writers at Vogue, The Ghost of Escondido also made a fan out of eccentric filmmaker/artist/writer/musician David Lynch, who wrote about his love for the band in Mojo magazine.
Here’s the music video for Escondido’s “Black Roses.”
The duo (fleshed out by a full touring band) performs a free show tonight at MOTR Pub in Over-the-Rhine. New York City’s Indie Pop/Garage Rock group Unicycle Loves You opens the show at 10 p.m.
• Tonight at Covington’s Madison Theater is a good chance to hear what a “Jam Band” sounds like in 2013, as several groups join forces for an all-ages, 8 p.m. show. Or, rather, you’ll hear how almost no two “Jam Bands” sound alike anymore, making the Grateful Dead-mimicking cliches about the scene completely outdated. Today, the “Jam” tag has less real meaning than ever, with the groups earning the descriptor exploring a huge range of styles. Jam Bands now often share little more than a tendency to improvise.
Headliners Dopapod epitomize the diversity of the modern Jam scene with their progressive blend of Electronic music, Jazz, Rock, Soul, Funk and various other styles. The Brooklyn, N.Y., group released its third studio album, Redivider, late last year, introducing fans to a Dopapod first — vocals (previously, the band was all instrumental). Read Brian Baker’s preview of the show for CityBeat here.
The support lineup for Dopapod is a varied collection of mostly local bands that reflect the same kind of sonic adventurousness as the headliners, though, of course, each bringing their own slant — Ethosine, Nevele, Us Today, Freeform Connection, Peridoni, Aliver Hall and Blue Moon Soup. Tickets are $15 at the door.
• Though they never reaped the full rewards and commercial success that some bands that came after them did, Michigan’s Mustard Plug was one of the early guiding forces behind the ’90s Punk Ska explosion. The band put out its first album, Skapocalypse Now!, on cassette in 1992 and moved up to third-wave Ska’s version of 2 Tone Records, NYC’s Moon Records, for its second full-length, kicking off two decades of hardcore international touring.
Mustard Plug later joined the roster of Hopeless Records, which would go on to become one of the top independent Punk labels in the country. While the vast majority of Ska Punk bands from the ’90s either moved on to another style of music or imploded after the “craze” died down, Mustard Plug continues to write new songs, put out new music and tour on a regular basis, its loyal cult of fans proving that, while you won’t hear it on the radio anymore, there is still an audience hungry for Ska Punk done well. Mustard Plug has been operating D.I.Y. since parting ways with Hopeless; a new album (the band’s first since 2007’s In Black and White) is reportedly finished and due soon thanks to a successful Kickstarter campaign.
Mustard Plug plays a free show tonight at Northside Tavern. Opening is Cincinnati’s Elysian Souls.
• October is coming to an end, which means Rocktober is also almost over and Rocktober on the Square, a new every-Friday concert series at downtown’s Fountain Square, is winding down as well. Today at 5 p.m., the final Rocktober on the Square show starts with a set from great, rootsy singer/songwriter Josh Eagle.
In the 6 p.m. slot is singer/songwriter Mike Oberst of popular Cincy Folk group The Tillers, who are heading overseas for their first ever U.K. tour, playing Nov. 1-16 throughout England, Scotland and Ireland as support for Pokey LaFarge.
The always fantastic 500 Miles to Memphis closes out Rocktober at 7 p.m. It’s the rowdy, rootsy rockers’ last local show of the year; the 500MTM fellas are taking a break from performing to go back into the studio to finish their next album.
Rocktober on the Square is a free event. Click here for more info.
• Don’t forget — the One More Girl on a Stage benefit concerts continue today after last night’s kickoff at various venues in Over-the-Rhine. The OMG fest takes over the Southgate House Revival in Newport for a “whole house” show tonight starting at 7 p.m. Go here for complete details.