A small, diverse crowd ranging from thirtysomething fans and overweight mosh-marchers to lanky, high school kids and excessively tattooed crust-punks packed into Covington’s humid, poorly ventilated (yet ever-endearing) Mad Hatter on Tuesday night for an evening of average-to-fantastic Speed Punk and Hardcore.
Singer/songwriter Eric Falstrom has been performing locally for several years, including with the rockin’ Mystery Wagon in the early ’90s. Since then, Falstrom has been working the solo route, releasing records on his own off and on since the end of the Wagon.
But Falstrom’s latest disc, Love Will Come Through, feels much like a reintroduction, featuring some of the best writing and performing of his career so far. The album is rich and focused, bringing Falstrom’s strengths (poetic lyrics, a heartfelt singing voice and beautiful arrangements) to the forefront.
I don’t think I’ve ever written anything about Jake Speed without mentioning Woody Guthrie. Call me lazy, but the political Folk pioneer is such an obvious influence on Speed’s songs and lyrics it almost seems dishonest not to mention it.
While listening to World Come Clean, Jake Speed and the Freddies’ brand new release, I never thought of Woody once.
On the album, Speed and his band still work within a traditional Americana format, but the songs are a bit more expansive and the claustrophobia of Folk clichés is alleviated by the more dynamic songwriting and performances. The album’s songs are far less predictable than ones from previous Speed releases, showing the maturity of Speed as a songwriter, refreshingly not purely working within the idioms of Folk music. There are shades of Rock, Blues, Country and Gypsy Jazz (and, yes, still lots of Folk) in the mix and The Freddies’ turn in typically perfect performances, showing they may just be the best Roots band in the city.
Thankfully, Speed’s lyrical approach remains socially/politically aware, with jabs at the U.S.’s current sad state. Most of the songs began as “Songatorials,” from Speed’s weekly song offerings for CityBeat throughout 2007, “Speedy Delivery,” based on current events. While these issues have often been diluted with a tinge of sharp humor on previous Speed recordings, here, Speed plays it more straight. In fact, there’s a sense of urgency and even a little anger in the feel of many of these tracks, something largely absent from Speed’s discography so far.
The fiery nature of the lyrics is translated wonderfully by the musicians (Freddies Justin Todhunter, Kentucky Graham, Chris Werner, and assorted "guest Freddies"), who perform most of the songs with the energy of a Punk Rock band. The album shifts gears halfway through with gentler songs that turn the anger and despair into hopefulness about the world and the future. Giving the album this kind of duality (and breaking it up so exactly) creates an enjoyable and interesting listening experience.
Some see Speed as a bit of a novelty act, his aw-shucks shtick and throwback duds making him seem like a costumed strolling troubadour at some Renaissance Fair-like Pioneer Days festival. But those people aren’t listening or paying close enough attention. World Come Clean should go a long way in dispelling such surface observations.
Jake Speed and the Freddies will celebrate the release of World Come Clean this Saturday with a free show at Northside Tavern. The Queen City Zapatistas open. Go to Jake Speed and the Freddies official site for more info.— Mike Breen