It was quite a treat for area fans of (forgive the term) Alternative Rock as Arctic Monkeys rolled into Covington’s Madison Theater again this past Monday night. As one of the millennium’s most influential acts, the band from the English Midlands can normally be found playing arenas and large theaters, or headlining festivals throughout their homeland and the rest of Europe. Yet, they managed to schedule Covington on this tour, knowing they would easily be able put butts in the seats (even though there are few seats in the venue), which indeed they did.
The sold-out but well behaved crowd witnessed the band flawlessly execute a 20-song set, that was heavy on new tracks, but still filled with “hits.” They got right down to business opening with “Do I Wanna Know?” before powering into “Brianstorm” and “Don’t Sit Down ‘Cause I Moved Your Chair.” Lead singer Alex Turner’s banter with the audience focused mostly on the correct pronunciation of “Covington.” He eventually adopted a passable American accent and assured the crowd that a good time was going to be had. That statement was not inaccurate.
The band’s energy steadily increased, tempered only by Turner’s occasional breaks to comb back his hair — which the audience seemed to love. Their main set ended with the perfectly arranged trifecta of “I Wanna Be Yours,” “Fluorescent Adolescent,” and “505.” The encore was similarly paced, ending with fan-favorite “R U Mine?”
A pleasant surprise was opening act The Orwells. There’s been some heat on this Chicago-based quartet since the Arcs hand-picked them as their support act, and because of their very well-received appearance on The Late Show with David Letterman a few weeks back. Lead singer Mario Cuomo’s vacant yet engaging style captured the crowd’s attention, many dancing and bopping along to the band’s Post Punk stylings. Hope to see them back.
A satellite event to the Cincy Blues Society’s huge outdoor, summertime Cincy Blues Fest, the Winter Blues Fest — which returns to The Phoenix (812 Race St., Downtown, thephx.com) tonight and tomorrow — has truly grown into its own. This year’s lineup features two of the fest’s biggest national headliners yet.
Celebrated Blues/Rock singer/guitarist Tinsley Ellis performs in the venue’s third floor Grand Ballroom on Friday at 9:45 p.m. Check out Ellis’ “Kiss Of Death,” from his recently released Midnight Blue album, below:
Accomplished singer/songwriter Janiva Magness performs in the Grand Ballroom on Saturday at 9:15 p.m. (For more about Magness, read Brian Baker’s preview from this week’s CityBeat). Here’s a clip of Magness and her band performing “I Won’t Cry,” which won her and co-writer Dave Darling “Song of the Year” honors at the Blues Music Awards (one of many Mangess has won over the past several years).
Below is the full lineup (subject to change). Click each artist’s name for more info.
Third Floor Grand Ballroom
6:30-8 p.m.: G. Miles & The Hitmen
8:15-9:30 p.m.: Greg Schaber Band
9:45-11:15 p.m.: Tinsley Ellis
11:30-12:45 p.m.: The Blue Birds
Second Floor Cincinnati Room
6:30-7:45 p.m.: Bob Dellaposta
8-9:15 p.m.: Jimmy D. Rogers
11 p.m.-12:45 a.m.: Dave Muskett Duo
Second Floor Archway Ballroom
7-8:15 p.m.: Blue Sacrifice
8:30-9:45 p.m.: The Juice
10:00-11:15 p.m.: Leroy Ellington Blues Band
11:30 p.m.-1 a.m.: The Blues Merchants
First Floor Presidents Room
6:15-7:45 p.m.: The Heaters With Ben Levin
10-11:15 p.m.: Ralph & The Rhythm Hounds
11:30 p.m.-1 a.m.: Ducttape & Dynamite
3rd Floor Grand Ballroom
6-7:30 p.m.: The Tempted Souls Band
7:45-9 p.m.: Doug Hart Band
9:15-11:15 p.m.: Janiva Magness
11:30 p.m.-12:45 a.m.: Johnny Fink & The Intrusion
Second Floor Cincinnati Room
6:30-7:45 p.m.: Brian Wallen
8-9:15 p.m.: Greg Schaber (Solo)
9:30-10:45 p.m.: TBA
11 p.m.-12:15 a.m.: The Twirlers
Second Floor Archway Ballroom
6:30-8 p.m.: Blues In The School Band
8:15-9:30 p.m.: Chuck Brisbin & the Tuna Project
9:45-11:15 p.m.: The SoulFixers
11:30 p.m.-12:45 a.m.: Jay Jesse Johnson
First Floor Presidents Room
6:15-7:45 p.m.: Little Red & The Rooster
8-9:15 p.m.: Ricky Nye Inc.
9:30-10:45 p.m.: Brad Hatfield Band
11 p.m.-12:45 a.m.: The Noah Wotherspoon Band
Tickets can be purchased in advance at cincybluesfest2014.brownpapertickets.com. Prices are $20 for one night or $32.85 for a weekend pass (there are smaller-than-usual service fees through the ticketing site). There will be food available and full-service bars throughout the venue.
Visit cincyblues.org for the full schedule, artist details, ticket links, deals for special room rates at the nearby Garfield Suites Hotel and more.
If you are even a marginal fan of Black Owls (whose members split time between Cincinnati and Granville, Ohio) and have not yet visited their Bandcamp page to purchase a copy of their recent recorded triumph, Wild Children (which came out late last year), off with you. I'll wait.
The Owls' fourth album is nothing less than the maturation of a supremely talented band that has been patiently waiting for the right pieces to fall into the right places almost from the beginning. The installation of drummer extraordinaire Brian Kitzmiller and the relocation of vocalist David Butler away from the drummer's chair and to the front of the stage was the first necessary shift, while adding second guitarist Brandon Losacker as a frenetic foil to Ed Shuttleworth's tightly coiled brilliance was inspired and equally required.
The bass position has been problematic only in its temporary nature; Nancy/National bassist Mike Brewer left to pursue his own thing, the thunderously wonderful Alan Beavers was forced from his role due to back issues and Goose four stringer Sammy Wulfeck was almost psychotically overextended and had to bow out; his work is all over Wild Children, a
tantalizing hint at what he brought to the Owls and further proof of his longstanding chemistry with Kitzmiller. (For the record, both Beavers and Brewer guest on Wild Children and remain welcome alumni in the Owls' extended family.)
On the whole, Wild Children is an expansion of the Owls' sonic mission statement of cross-pollinating early '70s-era Glam (see Bowie/Mott/Marc Bolan) with late '70s-era New York Punk (via Tom Verlaine's Television, Richard Hell's Voidoids and Lou Reed's simple fury). A good many of the songs on Wild Children have been worked out in live sets over the past year or so and will be familiar to anyone who has haunted the band's numerous local appearances; the effervescently charged "Incandescent Vultures," the melodically moody "She Invented Air," the propulsive and sinewy title track, produced into a beefy studio anthem. There's even a re-recording of "Julias Morningstar," one of the Owls' most recognizable and popular tracks from their 2008 debut, Lightning Made Us Who We Are. Wild Children shows that the Owls are gelling nicely and becoming even more comfortable and confident in the brilliant niche they've created for themselves.
And while Wild Children is patently excellent and an absolute necessity, perhaps even more exciting is the two-track glimpse into the Owls' future just revealed by Kitzmiller. A result of recent sessions featuring former Doc & the Pods/Roundhead four-stringer Kip Roe, an absolute prince of a human being and the perfect piece to complete the Owls' puzzle, the two songs find the quintet sounding less like the brilliant sum of their influences and more like a blazingly original band that has effectively incorporated their heroes into their creative vision without showing a seam
or dropping a stitch. "Gasoline" is a hard-charging, manic and relentless three minute thrill ride (and a prime candidate for the first single from the album that it will eventually crown), while "Rook" muscles along with the shivering, shimmering energy that has defined the Owls' best work over the past six years. These two as-yet-unmastered tracks show Black Owls evolving into a focused unit of astonishing power and unlimited potential.
More. Soon. Please.
Last Sunday's Cincinnati Entertainment Awards show — which featured 19 awards for local musicians and nine top-notch performances — is available to watch now courtesy of the fine folks at ICRCTV. Now's your chance to watch, in the comfort of your home, the show about which people have said was "fun," "blerg," "entertaining," "disappointing," "amateurish," "too noisy" and "lacking in chairs"!
Cincinnati Entertainment Awards 2014 Winners
Rock: Electric Citizen
Indie/Alternative: DAAP Girls
Metal/Hard Rock: Moonbow
Punk: The Dopamines
Folk/Americana: The Tillers
Bluegrass: Rumpke Mountain Boys
Country: Jeremy Pinnell and the 55’s
Singer/Songwriter: Molly Sullivan
World Music/Reggae: The Cliftones
Hip Hop: Buggs Tha Rocka
Electronic: Black Signal
Blues: Ricky Nye
Jazz: The Faux Frenchmen
R&B/Funk/Soul: The Cincy Brass
Best Live Act: Foxy Shazam
Best Artist Not Nominated: Young Heirlooms
Best Music Video: “8 Ball” by Valley High
Album of the Year: Fists of Love - I Sang My Heart Out to a Snake Once
New Artist of the Year: Tweens
Artist of the Year: Walk the Moon
It has been much too long since Patrick Hennessy and any viable version of The Tigerlilies have committed to a studio regimen and the clear goal of emerging with something/anything approaching the scorching delight of their first three discs, 1992's Deeper, 1997's Space Age Love Songs and 2003's Ceci N'Est Pas Pop. Hennessy's involvement with The Fairmount Girls began in 2004, a span of time that nearly equals the gap between the Tigerlilies' third release and its latest and perhaps greatest recorded document, In the Dark.
Vocalist/guitarist Hennessy, his drumming/singing brother Steve and bassist Brian Driscoll were joined by guitarist/vocalist Brendan Bogosian about midway through The Tigerlilies' long studio drought; Bogosian even did a little moonlighting of his own with Kry Kids. Somehow, the quartet managed to motivate themselves to pen a dozen new Tigerlilies classics and set to work with Culture Queer's Jeremy Lesniak at the console to create In the Dark. In fact, when I interviewed Culture Queer a little over a year ago, Lesniak was in the process of digitally tweaking In the Dark and promised that it would be their best album to date. That has turned out to be a promise well kept.
While The Tigerlilies are enamored with Rock's Glam period and Punk traditions, the band tends to filter it all through a greater love of Brit Pop in general, not to mention a proclivity toward a more defined Power Pop direction, resulting in a sound that suggests Cheap Trick and Husker Du teaming up for a Clash tribute. That position is made perfectly clear on In the Dark, from full throttle disc opener "Hold on Tight" to the melancholy joy of "Don't Let It Get You Down" to the Husker/Trick jittery jangle of "Sweetheart" and the anthemic Velvet Crush-like barnstorm of "Some Things Are Meant to Be."
In the Dark isn't all bash-and-crash, with more than a few relatively quiet moments (the Beatlesque "Pull You In," "Five Will Get You Ten," the title track) offered as a bit of a breather, but even at their most sedate, The Tigerlilies bristle with an undeniable love of chiming Pop spiked with a bracing dose of melodic Punk.
The Cincinnati Entertainment Awards ceremony/party returns for its 17th annual celebration of the Greater Cincinnati music scene this Sunday at Madison Theater (730 Madison Ave., Covington, madisontheateronline.com). The show is open to music fans of all ages and kicks off at 7 p.m. (Doors open at 6 p.m.)
This marks the first year the CEAs have gone up against that OTHER music awards show, The Grammys (made possible by the CEA ceremony’s move from November to January last year). Don’t worry — you can DVR The Grammys or check out the best bits later online.
Along with the presentation of awards in 19 categories and lots of fun planned by first-time host (and CityBeat Arts & Culture Editor) Jac Kern, this year’s CEAs will feature more live performances than ever. The show will open with a secret — an all-star crew going by the name Saint Ain’t Mangled Angels. There will also be a special appearance by Folk trio The Tillers, who will pay tribute to their former bassist, Jason Soudrette, who passed away last year. Rounding out the great performance lineup are 2014 CEA nominees DAAP Girls, The Almighty Get Down, Moonbow, Valley High, Honey & Houston, The Yugos and The Upset Victory. (Check out all of this year's nominees here.)
Immediately after the CEA show, ticket holders are invited to attend the famous/infamous after party at BLDG (30 W Pike St., Covington, 513-491-4228). Indie/Electronic band Dark Colour will perform and Melissa Fairmount and Dana Hamblen of The Fairmount Girls will once again be doling out the “Fashion Trashies,” special handmade awards given to the best/worst/weirdest dressed CEA attendees (so be sure to look your best/worst/weirdest on the red carpet!).
Tickets to the CEA show are available at cincyticket.com for $20 (they’ll be $25 at the door). Proceeds benefit the Cincinnati USA Music Heritage Foundation. Also available at cincyticket.com are special VIP tickets. For $40, VIPs get some goodies from the Heritage Foundation (including a membership), food and drinks, private seating, performances by DJ squad Selectas Choice and more.
For those who can’t make it Sunday, follow @CityBeatMusic on Twitter to find out who wins what live as the awards are handed out.
Click below to check out this year’s nominees in first time category, Best Music Video. The videos will be shown on the big screen at the Madison a half hour before the 7 p.m. start time.
Saturday at Bogart’s you’ll have a chance to see 10 of Greater Cincinnati’s finest up-and-comers as CityBeat presents the first “Best New Bands” showcase. The event coincides with our “Best New Bands” cover story, featuring profiles and info on all of the performers — grab a copy if you haven’t.
Below is the lineup, which includes all six of the local acts nominated in the “New Artist of the Year” category and four other favorites, plus some audio/video previews to whet your appetite. Click the artists’ name to read CityBeat’s stories (and some great original photography) about each. The stories include links to the acts’ websites and more music.
The doors open at 7 p.m. Saturday at Bogart’s and admission is just $5. Performers will be featured on two stages, so it will be non-stop music all night.
7:30 p.m. Pop Goes the Evil
8 p.m. Molly Sullivan
8:30 p.m. Injecting Strangers
9 p.m. ADM
9:30 p.m. Mardou
10 p.m. Austin Livingood
10:30 p.m. Archer's Paradox
11 p.m. Little Lights
11:30 p.m. Tweens
12:15 a.m. Electric Citizen
Word has been trickling out over the past few weeks about a new Country music festival in Cincinnati, organized by Bunbury Music Festival founder Bill Donabedian. Today, the first four artists slated to appear at the inaugural Buckle Up Music Festival were announced. The festival is set for the weekend after Bunbury — July 18-20 — and will use the same grounds at Sawyer Point/Yeatman’s Cove along the Ohio River. (Think of it as Bunbury’s version of Coachella’s Stagecoach fest.)
The lineup will feature “upwards of 80 performers” and include both modern, commercial Country acts and variations on the Country theme — “folk, bluegrass, Americana, roots rock and more,” according to the press materials — something the initial lineup announcement reflects.
Legendary Country act Alabama (which for many years used the controversial Confederate Flag in its artwork, years before Kanye decided to reclaim it) and current Country hitmakers the Eli Young Band will be joined by up-and-comers J.T. Hodges (whose music has been described as “Country Soul with some Rock N’ Roll”) and eclectic Brooklyn-based Americana trio The Lone Bellow, which performed last November at Cincinnati’s 20th Century Theater (read CityBeat’s preview here).
Voting for the 17th annual Cincinnati Entertainment Awards, celebrating the best of the Greater Cincinnati music scene, ends TONIGHT at midnight. Click here to cast your ballot for your favorite nominated local artists.
The CEA ceremony is set for Sunday, Jan. 26, at Covington’s Madison Theater. The show/party will feature performances from CEA-nominated artists Honey & Houston, Moonbow, The Yugos, The Upset Victory, Valley High, The Almighty Get Down and DAAP Girls, as well as a secret opening performance by an entity known (as of now) only as Saint Ain't Mangled Angels (those who read CityBeat regularly will likely be able decipher the thinly-veiled pseudonym).
Also added to the run of show for the CEA event is a special performance by Cincinnati Folk trio The Tillers, who released their fantastic Hand on the Plow album and toured the U.K. with Pokey LaFarge in 2013. The group, nominated for CEAs in the Folk/Americana, Album of the Year and Artist of the Year categories, will be paying tribute to their former bassist Jason Soudrette, who lost his battle with acute myeloid leukemia late last year.