Oscar nominations were announced this morning. At first glance, I have to admit that this year’s batch seems uncommonly competent.
The 10 Best Picture nominees are all worthwhile in one way or another, and four of them actually made my top 10 of 2010: The Social Network, Toy Story 3, True Grit and Winter’s Bone. See, I told you they were competent.
The screen fills with a close-up of a military-issued boot marching along. Its owner, a grizzled and scarred commander, bellows, “You ain't in Kansas anymore.” So begins the preview footage of Avatar, the long-awaited and much ballyhooed sci-fi epic from James Cameron.
It's the filmmaker's first full-length feature project since Titanic made him the self-proclaimed “King of the World.”
Underneath Cincinnati has undergone a number of behind-the-scenes changes in its 10 years of existence (members of the Southern Ohio Film Association now guide it), but its mission has largely remained the same — to showcase and support area independent filmmakers.
It seems the director behind such crass mainstream entertainments as The Rock, Armageddon, Pearl Harborand the Transformers films — the third of which, subtitled Dark of the Moon, opens today — has no shame when it comes to his particular brand of slam-bam cinema. Bay specializes in disaster movies, the kind of stories where nothing less than the entirety of civilization hangs in the balance. His CGI-driven, ADD-addled films revel in big explosions, big visual flourishes and big emotions. Subtle he is not.
The Sundance Film Festival announced its 2011 lineup today. The festival, which invades the small ski-resort town of Park City, Utah, Jan. 20-30, will include 115 films from 28 different countries. Befitting a fest known for its nurturing of fresh talent (40 of the 115 are from first-time filmmakers), the 32 films in the U.S. Dramatic and Documentary (16 in each category) include a bunch of new names as well as a few familiar faces.
In advance of Tuesday's DVD release of All Together Now, a documentary about how Cirque du Soleil collaborated with The Beatles and their surviving families to create the hit Las Vegas show Love, there will be a one-night-only national theatrical screening on Monday, Oct. 20.
The film features new interviews with Paul McCartney, Ringo Starr, Yoko Ono and Olivia Harrison as it chronicles the creation of the show. It presents the re-worked Beatles songs in an advanced stereo sound mix, as well as Cirque du Soleil performances.
All Together Now will screen at 5, 7 and 9 p.m. at Pierce Point Cinema 10, 1255 West Ohio Pike in Amelia, and at 7:30 p.m. at the Rave Motion Picture Theater, 9415 Civic Center Blvd., West Chester.
Back in August of last year, Paramount Pictures announced that it was moving Martin Scorsese’s Shutter Island, the anticipated follow-up to the director’s Oscar-winning The Departed, from an Oct. 2 release date to February 2010. The move was perplexing for a variety of reasons, the most obvious of which was the presence of an Oscar-bait director like Scorsese and an equally lauded A-list actor like Leonardo DiCaprio. Such a shift — especially one that moves a film from the fall awards season to the Land of Misfit Movies known as February — is typically a sign that it’s expected to disappoint for one reason or another.
The key word there is “good,” an adjective that doesn't often describe modern summer movies, most of which are lowest-common-denominator products laden with special effects instead of interesting characters. We're now lucky if one or two transcend mediocrity each summer — last year Toy Story 3 and Inception were the big exceptions.