The Bunbury Music Festival will present its fourth annual three-day event on Cincinnati’s riverfront (Sawyer Point and Yeatman’s Cove) June 5-7 this year (moved up from the usual July dates due to Reds/All Star Game activities). This morning, organizers of the festival — which was purchased by Columbus-based PromoWest Productions late last year — officially announced the lineup this morning.
Bunbury 2015 will feature headliners The Black Keys, Snoop Dogg and The Avett Brothers. The rest of the lineup includes Brand New, Tame Impala, The Decemberists, Old Crow Medicine Show, twenty one pilots, Walk the Moon, Matt and Kim, Bleachers, Royal Blood, Manchester Orchestra, Father John Misty, Atmosphere, Temples, Shakey Graves, Kacey Musgraves, The Devil Makes Three, Reverend Horton Heat, Lindsey Stirling, Catfish & The Bottlemen, Jamestown Revival, Mikky Ekko, The Reverend Peyton’s Big Damn Band, Mini Mansion, The Front Bottoms, Jessica Hernandez, Secret Sisters, Lil Dicky, machineheart, Go Analog, Bummers and Indigo Wild.
So far, Cincinnati acts on the bill include Multimagic, Buggs Tha Rocka and RCA recording artists Walk the Moon, who have been touring relentlessly behind their sophomore major label release, Talking Is Hard (the band recently appeared on The Tonight Show; see video below). More artists are expected to be announced leading up to the festival.
One-day and three-day tickets for the 2015 Bunbury fest are available now. Click here for pricing and links.
The inaugural Bunbury Music Festival — three days of top-shelf Alternative music at Cincinnati's riverfront Sawyer Point Park — is TOMORROW! All this week, CityBeat's music blog has featured samples from some of our "sleeper picks" for the fest, artists who some may not be as familiar with as they are Weezer or Death Cab for Cutie or Jane's Addiction.
Our next "sleeper" is Now, Now, performing Sunday at 3 p.m. on the Bud Light Stage.
Cacie Dalager and Bradley Hale, paired up as songwriters since 2003 when both were in high school marching band, officially started as a duo with the unwieldy handle Now, Now Every Children; their 2008 debut full length Cars was an indie sensation.
That success ultimately resulted in a moniker makeover to the sensibly edited Now, Now and the addition of second guitarist Jess Abbott, which broadened the band’s sound on its 2010 EP, Neighbors. Sporting an energetic Indie Pop vibe that could pass for Kathleen Edwards channeling Motion City Soundtrack, Now, Now teamed with veteran producer Howard Redekopp for its just-released sophomore full length Threads, an expansive album that throbs with an aggressive Ambience.
Here's "Thread" from Threads.
The Heights Music Festival returns this weekend for its fall event and another wide-ranging sampling of Cincinnati’s original music scene. Music will run Friday and Saturday night from 7 p.m. until about closing time at four venues in Clifton Heights near the University of Cincinnati campus — Baba Budan’s, Mac’s Pizza Pub, Christy’s Biergarten and Rohs Street Café (the only location open to music lovers of all ages).
Here's the full lineup/schedule for this year.
Rohs Street Cafe : 7:00 – Music Resource Center showcase; 8:00 – Wendy’s Yellow Poncho; 9:00 – MC Forty and Wonder Brown ; 10:00 – Cowgirl; 11:00 – The Yugos
8:00 – Sulla;
9:00 – Second Chance At Eden;
10:00 – Damn It To Hell
; 11:00 – Buenos Crotches
; 12:00 – Grey Host
Mac’s Pizza Pub:
8:00 – The Celestials;
9:00 – Majestic Man
; 10:00 – The MJ’s Blues
; 11:00 – Hickory Robot;
12:00 – Jeremy Pinnell & The 55′s;
1:00 – The Founding Fathers
8:00 – The Marmalade Brigade;
9:00 – The Heavy Hinges;
10:00 – The Perfect Children;
11:00 – Shrub (Columbus, OH); 12:00 – The Guitars
Rohs Street Cafe : 7:00 – Elementz Hip Hop Youth Center showcase; 8:00 – Alex Evans ; 9:00 – For Algernon ; 10:00 – Young Heirlooms ; 11:00 – Oui Si Yes
8:00 – Pursuing Hounds
; 9:00 – Sweet Ray Laurel
; 10:00 – Jamwave;
11:00 – The Regrettes (Columbus, OH);
12:00 – The Natives
Mac’s Pizza Pub: 8:00 – Tangerine Sound Machine ; 9:00 – Somebody’s Something ; 10:00 – Big Rock Club ; 11:00 – Valley High ; 12:00 – Junya Be & Wazali
: 8:00 – Killer Looks & Noise
; 9:00 – Horsecop;
10:00 – Loudmouth;
11:00 – Black Signal
; 12:00 – DAAP Girls;
1:00 – The Frankl Project
Tickets are $5 per night if purchased in advance through cincyticket.com here. Admission is $8 for one night or $12 for both if purchased at the festival. Visit the fest's official site here for more info. Here's a sampler the organizers compiled featuring some of the performers:
Tomorrow (Saturday) is the seventh annual OTR (that's "Over-the-Rhine," if you don't get the hip lingo) 5K Run and Summer Celebration, featuring a fine art show, food, drink and other vendors, the 5K Run and a strong lineup of local, original music in OTR's Washington Park.
The festivities kick off with the 10 a.m. OTR 5K, which begins and ends at Washington Park this year. Here are the artists — including several Cincinnati Entertainment Awards nominees and winners — you can check out (on the park's Bandstand and Main Event Lawn Stage) this year. (Click each name for more info on the performer.)
• The Cincy Brass (Event Lawn Stage 10:15am-11:30am)
• Baoku & the Image Afro-Beat Band (Event Lawn Stage 12:00pm-12:45pm)
• DAAP Girls (Event Lawn Stage 1:15pm-2:00pm)
• Decker, the solo guise of Histoire singer Jane Smith. (Event Lawn Stage 2:30pm-3:15pm)
• The Tillers (Bandstand 11:30am-12:15pm)
• Mia Carruthers (Bandstand 12:45pm-1:30pm)
There will also be the following "special appearances":
Young Professionals Choral Collective (Bandstand 10:45am-11:15am)
Cincinnati Opera (Bandstand 2:00pm-2:20pm)
Queen City Brass Band (Bandstand 2:45pm-3:30pm)
The 2010 MidPoint Music Festival is finally upon us. In fact, it actually kicks off at noon today on the outdoor plaza outside the Main Public Library at Ninth and Vine streets with local Americana/Roots favorites Magnolia Mountain. Should be a hot start to a long, action-packed weekend. Literally.
If you're looking for last-minute updates and answers to your questions, you can stop by the MidPoint World Headquarters across from the library at Garfield Suites Hotel (Vine Street and Garfield Place). They'll be open for business by noon today. The MidPoint web site is a good spot for daily schedules, venue details, maps, Metro shuttle bus info and everything else.
The inaugural Bunbury Music Festival — three days of top-shelf Alternative music at Cincinnati's riverfront Sawyer Point Park — is just two days away. All this week, CityBeat's music blog will be featuring samples from some of our "sleeper picks" for the fest, artists who some may not be as familiar with as they are Weezer or Death Cab for Cutie or Jane's Addiction.
Today's "sleeper" is The Henry Clay People, performing Friday at 3:45 p.m. on the Bud Light Stage.
Glendale, Calif.’s Henry Clay People has been around in one form or another for over a decade, first as Vallejo By Knife in 2003 and then HCP in 2005. With an energetic sound that approximates an Indie/Classic Rock gene splice of Camper Van Beethoven, Pavement, Tom Petty and Crazy Horse, The Henry Clay People has released four full-lengths, a pair of EPs and a live album in the last seven years, including their last record, the freewheeling and well-received Somewhere on the Golden Coast in 2010, which was accompanied by their triumphant tours with Silversun Pickups and Against Me! in the summer and Drive-By Truckers in the fall.
The Henry Clay People’s hotly anticipated new release, Twenty-Five for the Rest of Our Lives, hit the streets late last month and it has all the earmarks of an HCP classic — brashly exultant, breathlessly eclectic and wildly original.
Here's a video for The Henry Clay People's great new-album cut, "Friends Are Forgiving."
Though there is a lot of it, this weekend's three-day Bunbury Music Festival isn't just dudes with guitars playing Alternative Rock music. You'll also find Folk, AltCountry, Post Punk, Blues, Pop and, if you're a fan of DJs and Electronic music, besides acts like RJD2 and Lights, there's a whole stage set up for you.
Self Diploma, the crowd-brining-and-moving local promoters behind the successful Beats Summer Music Series (which has packed Fountain Square every Saturday this summer with a mix of DJs, Electronic and Hip Hop artists), has booked Bunbury's DJ stage and assembled a great mix of local artists with a few marquee headliners.
The DJ/Electronica bookings will perform on the Red Bull Stage, which is the westernmost stage at Sawyer Point, right before the bridge underpass that separates the park from Yeatman's Cove (and next to the "Craft Beer Village"). Here is the full lineup and a little sampling from each day's headliner.
Ice Cold Tony (Noon); CJ the DJ (1:30 p.m.); Alex Peace (3 p.m.); DJ AMF (4:30 p.m.); Mixin Marc (6 p.m.); The Alchemist (7:45 p.m.)
The Alchemist has been an important player on the Hip Hop scene for the past two decades, from his early years learning under mentor DJ Muggs and producing Dilated Peoples and Mobb Deep, through his run in the ’00s producing some of the biggest names in Hip Hop (Ghostface, Snoop Dogg, Nas) through his acclaimed solo albums and DJing gig with Eminem. Al's latest project is the long-awaited Russian Roulette album, which features guest MCs like Evidence, Action Bronson, Schoolboy Q and Danny Brown and has drawn positive reviews for its progressiveness (and trippiness).
The album is due July 17. Here's a track with Big Twinz from the album.
Davey C (Noon); DJ Etrayn (1:30 p.m.); Big Once (3 p.m.); DJ Ivy (4:30 p.m.); DJ Spider (6 p.m.); DJ Irie (8 p.m.)
When you’re dubbed the top DJ in the club-rich scene of Miami, it’s safe to say you’re also one of the best in the country. Miami Herald gave DJ Irie that distinction for his work not only as host of the No. 1 mix-show on Miami’s 99 JAMZ, but also for his crowd-pleasing, fully-energized club sets across the globe. Irie is often lauded for his ability to read a crowd and incorporate a variety of styles for any occasion. Irie could be the dictionary definition of a superstar DJ, having performed everywhere from Robert Downey Jr.’s crib to Miami Heat home games, where he’s the team’s house DJ.
Here's Irie doing a halftime showcase at a Heat game.
DJ Prism (12:45 p.m.); DJ K-Dogg (2:15 p.m.); DJ D-LO (3:45 p.m.); Mr. Best (5:15 p.m.); Mick Boogie (6:45 p.m.)
Mick Boogie is one of the more popular on-call party/club DJs in the U.S., scoring gigs literally all over the planet at some of the top clubs in the world. He's done a lot of popular remixes and commercial work for campaigns by Adidas and Bing, so chances are you've heard him even if you don't recognize his name instantly.
In honor of Adam Yauch's induction into the Rock and Roll Hall of Fame and subsequent passing earlier this year, Boogie put together a great Beastie Boys mixtape titled Grand Royal (after the group's boutique not-just-music label). Below is a sample (or you can download the whole thing here).
Tickets and full info on the Bunbury Music Festival can be found here.
UPDATE: It appears there has been some shifting around on the Red Bull Stage. DJ Irie is now spinning Sunday at 5:15 p.m.; DJ Spider has his slot Saturday at Bunbury and the afterparty. Be sure to click here for the latest scheduling updates. And click here for afterparty details featuring several of the DJs from the fest.
Louis Langrée is well aware of the Cincinnati Symphony Orchestra's rich history. The CSO's freshly minted music director also knows part of that history includes the nurturing of contemporary composers and their often unconventional works.
Enter MusicNOW, Bryce Dessner's 9-year-old festival of adventurous sounds. (Read our conversation with Dessner here.) This year's sonic extravaganza includes the CSO's take on new pieces by such esteemed composers as Nico Muhly and David Lang, as well as the title work from Dessner's new Classical album, St. Carolyn by the Sea.
CityBeat recently connected with the genial Langrée — who spoke in self-described "primitive" English by phone from Paris — to discuss the CSO's collaboration with MusicNOW.
CityBeat: Before we get into MusicNOW, I'm curious about your initial impressions of the Cincinnati Symphony Orchestra. Why were you interested in coming on as music director?
Louis Langrée: The fame the orchestra is really big. Everybody knows it's a major orchestra. But then making music with them was a completely different experience because, yes, they have the qualities of all major American orchestras — precision, clarity of the attack of the situation. But they have also from their heritage, in their DNA, this German conception of sound, that you build the sound from the base of the harmony. That means the density of the sound is something absolutely remarkable, and that's rare in the United States. I think it has to do with the tradition, the roots, of this orchestra and also, of course, about the quality and the spirit of the musicians, which is really wonderful.
CB: Why were you interested in collaborating with MusicNOW and taking on a festival of contemporary music?
LL: One of the strengths of the orchestra is to have supported and commissioned and performed contemporary music from their very early age. Having given the American premiere Mahler Third, Mahler Fifth, Stravinsky coming to Cincinnati before he was considered a giant, having premiered (Aaron Copland's ) "Lincoln Portrait," having commissioned (Copland's) "Fanfare for a Common Man" and many other pieces and many more recent pieces. That's why I wanted to open my tenure as music director with eighth blackbird and Jennifer Higdon concerto piece. It shows that we should support, play, commission and perform contemporary music — and, of course, contemporary American music.
CB: What was it like collaborating with Bryce?
LL: Meeting Bryce was a wonderful. His French is perfect. Especially compared to my primitive English. (Laughs). I like his attitude in making music and experimentation. And any strong institution should be also a place of experimentation. Music is not something you put in a museum. It's alive. And then we should perform contemporary music like Classical music and perform Beethoven music, not forgetting that he only composed contemporary music. All the composers — Mozart, Brahms, Tchaikovsky, Bartok — composed contemporary music, so we have to continue it. He's very focused and concentrated, but on the other hand the spectrum was quite bright. I think we have arrived on wonderful programs — very challenging, but very exciting.
CB: What makes him unique as a composer?
LL: He knows how to make an orchestra sound. It's a very clear and precise writing but at the same time there is so much flexibility in the variations of colors written and the flow of the music. It's always quite exciting to study a piece and hear it. Having the privilege of working with the composer is something wonderful because there are so many questions I would like to ask of Beethoven and Tchaikovsky, and of course it's impossible. So being able to ask the composer and to hear his answers is just wonderful.
Bryce is someone who has great harmonic taste, and I think for the orchestra it's wonderful because you can express yourself much easier. I think he's very much like his music — a very welcoming man, a very open, very luminous person. I see that in his music, which is not always the case with composers. With him, I get the feeling he's one with his music.
CB: How has the orchestra responded to playing these new, sometimes challenging pieces?
LL: Any new piece you don't know what to expect. What I've found is that these musicians are very open-minded, they are very generous and positive in their attitude and are eager to try any new experience. It's a privilege to perform these two concerts of new music, but it's also very challenging, so you have to be very practical.
CB: And what's the experience been like for you?
LL: It's a great responsibility when you conduct a piece, but it's also a great privilege that today's major American composers are willing to write for us. To be sharing this experiment and experience in concert, to be a part of MusicNOW, is really something beautiful.
MusicNOW's 2014 festival begins tonight and continues tomorrow. Visit musicnowfestival.org for tickets and full programming details.
The inaugural Bunbury Music Festival — three days of top-shelf Alternative music at Cincinnati's riverfront Sawyer Point Park — starts TOMORROW! All this week, CityBeat's music blog has been featuring samples from some of our "sleeper picks" for the fest, artists who some may not be as familiar with as they are Weezer or Death Cab for Cutie or Jane's Addiction.
Our next "sleeper" is singer/songwriter (and frequent Cncy visitor) Tristen, performing Friday at 2:15 p.m. on the Bud Light Stage.
MidPoint Music Festival veteran Tristen returns to Cincinnati to play the first ever Bunbury Music Festival. From Chicago, Tristen moved to Nashville soon after college to join the Indie Folk music scene. Her debut album, Charlatans at the Garden Gate, was released in 2011.
Tristen is backed by The Ringers, who add an edge to her Folk Pop music. Tristen is very thoughtful in her approach to Pop music. She has studied what makes a good “hook” and this is reflected in songs such as “Baby Drugs” and “Eager for Your Love.” With lyrics that delve into the complexities of love, it’s clear that Tristen is an introspective soul as well as a fantastic songwriter and performer.
Here's Tristen's music video for "Baby Drugs."
MusicNOW kicked off last night with performances from Fleet Foxes’ frontdude Robin Pecknold, who apparently played a solo acoustic set of new material (I arrived just as he was finishing), and Joanna Newsom, whose intricate songs proved the perfect aesthetic match to the ornate Memorial Hall.