Dynamic, Maryland-based Rock band Clutch has been grinding across the world for over 20 years. In that time, the band has seen great success across 10 studio albums and has had songs featured across different forms of media, from television to movies to video games.
Clutch is performing at Columbus, Ohio's Rock on the Range fest as the final act on the Jagermeister Stage this Saturday at 5:45 p.m. CityBeat was able to get some time with Dan Maines, the band’s bass player, to preview the show and talk about the longevity and progression of an independent Rock band. Click here for full info on this weekend's Rock on the Range.
CityBeat: What has been the highlight or best touring moment of the last year?
Dan Maines: Highlight? We had a really good show in London last European run. We did a good show at the Coco. London is one of those cities for us that has grown quite a bit. Just within the last year the clubs we have played have doubled in size. The last show we had there was probably around 1,500 people, but that was by far the biggest headlining London show that we have had. We are getting ready to go back there next month and we are going to be playing a different club that has a capacity of about 2,300 people and it looks like that show may sell out. We have been having some really good luck and some great shows all over the place. It has been a really, really good year for us touring.
CB: Do you feel the Rock scene is bigger in Europe than it is here in the U.S.? Do you feel like the fans are more engaged with Rock music today?
DM: I do feel like just your straight-ahead Rock & Roll band is doing better nowadays than 10 years ago. I don’t really have an explanation for it. We have been doing this for 20 years now and we really haven’t changed the formula much, but, for whatever reason, the past few years things have picked up for us and I think people are tired of going to see a band they have heard on the radio and they like a song and then they go to a show and the band never delivers. People are tired of that mentality. They want to see good music. They want to see a band that can pull off on stage what they put down on tape in a studio.
CB: It’s tough when you show up and it doesn’t sound the same. It is fantastic when bands deliver live and I think that is what really grows the audience over time.
CB: Your band has been together with same lineup for over 20 years. It is like a marriage. What is the secret to keeping the band together?
DM: I think we all have the same personalities.
There is not an ego with any band members and we all have similar goals (for) what this band is all about. We are not one of these bands that is
ever going to cater to other people’s expectations. We just do what we
want to do. We just write songs we want to write. We are a band that
really enjoys playing shows. We really enjoy going on the road and
touring. That is one thing that breaks down a lot of bands for the most
Touring is not an easy thing to do. You have to go for it. I have seen a lot of good bands who just couldn’t stick together because of the stresses of touring, which are overwhelming for one person or another. We have always been eager to play as many shows as we can. Without that mentality, we probably wouldn’t have lasted as long as we have. We aren’t the kind of band that is surviving on a particular song we wrote that gets played on the radio. We are a traveling band. I don’t really have a secret recipe for keeping the band together. We are just very fortunate to have been able to do it and we will continue to do what we do.
CB: Is it still fun for you to be on the road?
DM: It is still fun. Playing shows is easily more enjoyable to us than being in a studio. Even when we are at home and writing the material, that is always a good time, but you are eager to play the material for an audience and that is what we exist to do.
CB: What makes you laugh the hardest when you are on the road?
DM: I don’t know, maybe seeing people who might be seeing us for the first time and get caught up in the moment and try to sing along with Neil without actually knowing the words. Sometimes it can be as simple as what snacks our road manager decides to get for the dressing room.
CB: Where do you think you will be in 15 more years?
DM: Hopefully doing the same thing and not really paying attention to how many years have passed. Doing what we are doing but on a larger scale and going to places we haven’t gone yet.
CB: Who knows where you will be going by then, maybe outer space.
DM: Hopefully it will be something more local, like South America.
CB: What is the name of the first band you were in?
DM: Oh, that’s embarrassing.
CB: Oh, I want to hear.
DM: I guess the first band was called Moral Minority and that was myself with a couple other members of what became Clutch, but that was the high school incarnation of my first band and it was probably six or eight months later when Clutch was formed.
CB: Were your parents supportive?
DM: Always. They never really gave me a hard time about it. They never really laid down a lot of expectations to whether they wanted me to go in one direction or another, and they have always been very supportive of the band. Obviously now, but even way back in the beginning when we were traveling in a van getting stranded in cities on the other side of the country and figuring out ways to get back home. They never once said, “Maybe you should consider doing something else,” and I really appreciated that.
CB: What bands are currently influencing you?
DM: I have been listening to a lot of Galactic lately. You know what I have been listening to, I don’t know how recent it is, but Public Enemy still makes records and it came as a surprise to me that they are still doing it. What is more surprising is they are still making great records.
CB: I photographed Public Enemy last Sunday. Flavor Flav still jumped six feet in the air across the stage. It was unbelievable. Not only are they making records, they are touring and killing it. It was crazy. That is what everybody should aspire to do. You guys have your own record label. What are the challenges of releasing your own music?
DM: We have tried to keep the challenges down to a
minimum from the very beginning and just try to make it strictly an
outlet for Clutch music. Nowadays, it is not that difficult to take this
DIY approach to putting out music. Recording costs have come down a lot
and the overall costs of promoting and marketing a record have gone down
a lot because you have tools like the internet, where you can do so many
things for such a low amount of money that the actual costs of
producing a record, manufacturing and distributing it is not that high.
It is just being in a position that we are luckily in where we have relationships with people who kind of help fill in the blanks in areas where we are not experts. It has worked out well for us over the last five years, putting out a couple live CDs and two studio CDs. Who knows what could happen in the future? It could come to a point where it goes beyond the scope of Clutch. Right now it is just putting out Clutch related material. We have also put out side projects for various members of the band. We have John-Paul, who has been working with a band from Sweden called King Hobo, and hopefully those guys will have something that we can put out on the label. We have tried not to get overambitious with the releases and taking it very slowly.
CB: What can the fans expect at Rock on the Range next weekend?
DM: Four bearded men playing Rock music. We will be playing a lot of material off The Earth Rocker. I think on this tour we have been playing, on average, six songs out of 16 off the new record. We probably won’t be playing 16 songs at Rock on the Range. We will probably have a shorter set, so it is harder to predict what we will be playing. We are definitely going to be playing. It will be a heavily Earth Rocker loaded set for sure, and some of the classics thrown in as well.
CB: You guys change your set list every show, right?
DM: We try to. We have this system. We actually take turns writing the set list. Last night was Neil’s night, so tonight would be Tim’s night. It is something we can do that keeps things less monotonous and kind of keeps us on our toes and makes the sets more enjoyable for us, which is going to be more enjoyable for everybody else watching.
CB: If you could trade places with anybody for a month who would it be and why?
DM: That’s a tough one. Maybe George Porter Jr., the bass player (from New Orleans Funk legends, The Meters). He is a huge influence on me and just definitely a hero. It would be nice to spend some time in his brain and steal something.
CB: Do you play any other instruments?
DM: No, I barely play bass.
The inaugural Bunbury Music Festival — three days of top-shelf Alternative music at Cincinnati's riverfront Sawyer Point Park — starts TOMORROW! All this week, CityBeat's music blog has been featuring samples from some of our "sleeper picks" for the fest, artists who some may not be as familiar with as they are Weezer or Death Cab for Cutie or Jane's Addiction.
Our next "sleeper" is singer/songwriter (and frequent Cncy visitor) Tristen, performing Friday at 2:15 p.m. on the Bud Light Stage.
MidPoint Music Festival veteran Tristen returns to Cincinnati to play the first ever Bunbury Music Festival. From Chicago, Tristen moved to Nashville soon after college to join the Indie Folk music scene. Her debut album, Charlatans at the Garden Gate, was released in 2011.
Tristen is backed by The Ringers, who add an edge to her Folk Pop music. Tristen is very thoughtful in her approach to Pop music. She has studied what makes a good “hook” and this is reflected in songs such as “Baby Drugs” and “Eager for Your Love.” With lyrics that delve into the complexities of love, it’s clear that Tristen is an introspective soul as well as a fantastic songwriter and performer.
Here's Tristen's music video for "Baby Drugs."
Friday's Bonnaroo festivities started with great promise, as we were treated to a surprise performance by Jack Johnson in the press tent. Johnson is a last-minute fill-in for headliners Mumford and Sons, who had to cancel because their bass player had a medical procedure to fix a blood clot in his brain earlier this week. Warmth and humility emanated from Johnson as he debuted two brand new songs accompanied by ALO's Zach Gill on accordion.
An hour later Trixie Whitley slithered on to the Which Stage in a long black gown and proceeded to mesmerize the mid-day crowd with her hypnotic and soulful swamp Rock. There were moments during her set when she sang with such power and pathos it literally knocked the wind out of me. The crowd was so awed by Whitley's performance they stood in a stunned silence so quiet that at times you could hear shutters clicking in the photo pit.
I don't think Chuck and I stopped laughing once during a spontaneous and hilarious 15 minutes we spent chatting with Daniel, Thomas and new drummer Johnny Colorado of the Futurebirds. We barely had time to catch our breath and regain our composure before a 4 p.m. press conference that featured comedians Michael Che and Mike Birbiglia, as well as Jason Isbell and Jazz Fusion guitar legend John McLaughlin.
Around the festival grounds today we've heard remarkable performances by Jason Isbell and 400 Unit, Nashville's Alanna Royale and Trombone Shorty.
Coming up later tonight: Wilco, Paul McCartney, ZZ Top and many more.
The inaugural Bunbury Music Festival — three days of top-shelf Alternative music at Cincinnati's riverfront Sawyer Point Park — is just four days away. All this week, CityBeat's music blog will be featuring samples from some of our "sleeper picks" for the fest, artists who some may not be as familiar with as they are Weezer, Death Cab for Cutie or Jane's Addiction.
Our first "sleeper" is 1,2,3, performing Saturday at 2:15 p.m. on the Bud Light Stage.
Pittsburgh duo 1,2,3 (they go “full band” for live shows) took off fairly quickly, earning accolades in the U.K. that led to live shows abroad, all within a year of forming. One listen to the band’s debut LP for Frenchkiss Records, last year’s New Heaven, should make it clear why — 1,2,3’s songs hook listeners instantly with an uncanny sense of melody that suggests a lifetime of absorbing the magical Pop of the masters, from Bacharach and Nilsson to The Kinks and of Montreal. Add in Nic Snyder’s soulful and elastic voice and a dynamic backdrop of odd atmospherics, off-kilter beats and unexpected sounds and you have one of the more perfectly original Pop bands in America today.
Here's the band's music video for the track "Work":
MidPoint Music Festival headliners Cut Copy yesterday dropped a new video, "Blink and You'll Miss a Revolution," from the band's recently released full-length Zonoscope. The clip uses Planet of the Apes-esque dudes in a way that's both amusing and crafty — way better than most of the videos MTV used to play back when it was a music channel. And it's a nice primer for the Aussies stop here next week.
Oh, and here's what I wrote when Zonoscope was released back in March — notice the bit about them not touring here:
"Not as dancey as the the first two CC records, Zonoscope is a spacier, more laid-back grower that reveals frontguy Dan Whitford's lyrical acumen (the big beats and thick synths used to push his words to the background). I'm curious to hear how this sounds live. Unfortunately, CC's current tour does not feature a Cincy stop — though the band is slated to play the Pitchfork Music Festival July 17 in Chicago. Road trip!"
The inaugural Bunbury Music Festival — three days of top-shelf Alternative music at Cincinnati's riverfront Sawyer Point Park — is just three days away. All this week, CityBeat's music blog will be featuring samples from some of our "sleeper picks" for the fest, artists who some may not be as familiar with as they are Weezer or Death Cab for Cutie or Jane's Addiction.
Our next "sleeper" is Alberta Cross, performing Saturday at 1:30 p.m. on the Globili Stage.
Alberta Cross is the brainchild of guitarist/vocalist Petter Ericson Stakee and bassist/vocalist Terry Wolfers, British expatriates now based in Brooklyn. The duo, fleshed out by a variety of rotating personnel, started the band six years ago and quickly secured some impressive gigs; in 2008, the band opened for Oasis on its massive UK tour and, in 2009, the year of their full-length debut Broken Side of Time, Alberta Cross played the festival trifecta: Coachella, Bonnaroo and Lollapalooza.
Stakee’s tremulous voice has been favorably compared to Jim James and Neil Young, a perfect complement to the band’s expansive Pop/Rock vibe that suggests a confluence of The Verve, Smashing Pumpkins and Brian Wilson. Songs of Patience, the anticipated sophomore album from Alberta Cross (the band’s name is an as-yet unrevealed anagram), will be released next week; advance notice hints that it could be among the year’s best.
Click here for the full stream of Songs of Patience (via Rolling Stone) or check out the album's first track, "Magnolia," below.
Though eclectic enough to be considered “AltCountry,” Terminal Union captures the heart and soul of vintage Country on Making Arrangements. What puts Terminal Union ahead of many of their peers — and makes these songs so riveting — is the emotional weight the frontmen inject into the writing and performances. Being able to make an immediate emotional connection with listeners is not something you can learn; it's innate.
On the song "Magnificent Sounds," the group pays tribute to another pair of artists who also came off as instinctively talented and able to bring a soul-stirring levity to practically every note played, seemingly effortlessly — Miles Davis and Townes Van Zandt. Veteran local musician Michael "Mad Dog" Mavridoglou provides some bonus passion with his warm Jazz trumpet riffs on the track, which somehow sounds completely at home in the band's Country/Roots context.
Elsewhere, highlight tracks like “Comeback Kid” and “Devil’s in the Details” have the power of Steve Earle in peak form, while the piano-buoyed “One of the Ones” and “I Fell You” are wonderfully composed ballads that defy genre classifications — they are simply amazing, timeless songs.
Preview a pair of songs from Making Arrangements below. Visit terminalunion.com for more on the band and see them live this Saturday at Newport's York Street Cafe, where the group will be participating in the One More Girl on a Stage benefit show.
We are barely halfway into this thing and Bonnaroo's memorable performances and highlights already seem too good to be true. In addition to 12 stages featuring live music for 18 hours a day for four days straight, the assembled press are privy to gut busting scenes of spontaneous hilarity in Bonnaroo press conferences twice daily.
Without fail, these press conferences will feature provocative observations from the panelists about their respective Bonnaroo experiences. But more often than not they will degrade into an impromptu exchange of silly quips, wacky tales from the road, and dirty jokes. Friday was no exception.
After setting the bar obscenely low for the 1pm press conference with multiple references to sex acts taking place on and off stage, it was the affable Matt + Kim who stuck around for nearly 45 minutes afterwards, smiling broadly, Happily answering more questions and posing for photographs.
The press conference itself was a chaotic and ramshackle riot that teetered on the brink of peep-show perversion for the duration. Perhaps this was no surprise as its schizophrenic panel included TV star Ed Helms and classic rocker John Oates alongside the eager upstarts Matt + Kim, Nicki Bluhm and Michael Angelakos from Passion Pit. Aside from a brief description of Oates' charity work, the discussion was a lighthearted group improvisation on the pros and cons of playing big festivals.
Helms is doing double duty at this year's Bonnaroo, presenting a comedy revue in the festival's comedy tent and hosting a Bluegrass jam on one of its main stages. Asked why he loves the banjo, Helms sighed, "I believe that banjos are very irritating and that's why banjos and comedians get along."
"Hey Ed," a smirking Oates chimed in, "Do you know why there's no banjos on Star Trek?"
"No John. Why is that?"
"Because it's the future."
Later in the day there was a 4 p.m. press conference that featured some very insightful exchanges between country rocker Jason Isbell and Jazz Fusion guitar legend John McLaughlin (pictured). The Bonnaroo crowd warmly embraced McLaughlin's evening performance in That Tent, causing the master musician to grin from ear to ear from the first notes of his set to the very last.
Though they started 30 minutes late, Rock icons ZZ Top performed a smoking midnight set in This Tent to a capacity crowd who sang along to nearly every song in the bands hit-laden set.
The CincyPunk Fest got its start in 2003, organized as an offshoot of Adam Rosing’s CincyPunk website. Since then, Rosing and the festival have raised tens of thousands of dollars for area charities and presented an increasingly eclectic lineup for its increasingly large audience.
The festival returns tonight and tomorrow, utilizing the three stages at the Southgate House Revival in Newport, Ky., and featuring 35 performers, many from the Greater Cincinnati area, but also some top-notch national acts, like Diarrhea Planet and Pissed Jeans.
After a decade, it probably doesn’t need to be repeated, but just to reiterate – Cincy Punk Fest is not a Punk Rock festival. The lineup includes everything from Indie Rock to Americana/Folk to Soul to straight-up Rock & Roll, with a handful of acts you could legitimately label as Punk. It reminds me of the CBGB's "Punk" movement of the ’70s, when bands like Television, The Ramones, Talking Heads and Blondie were all lumped together under the genre tag, though they really couldn't have been more different, sonically. Like fest performers Frontier Folk Nebraska (who are neither Folk nor from Nebraska), CincyPunk Festival (which also isn’t in Cincy) has established itself and doesn't appear to be in any hurry to change its name to reflect the increasingly diverse lineups. Which is kinda Punk, so it all works out.
Tickets to CincyPunk Fest XII are $15 per night; advanced tickets are available here and here. The proceeds this year are being donated to the Save Our Shelter Dogs Rescue in Northern Kentucky. Music starts at 8 p.m. both nights. The event is open to fans 18 and up.
Below are Friday and Saturday's lineups:
And here are a few clips that give a good sense of the variety that can be found at the festival.