Two items of importance came down the wire recently relating to upcoming concerts in Cincinnati.
• This summer's three-day Bunbury Music Festival along the riverfront previously announced headliners for each day (Jane's Addiction, Death Cab for Cutie and Weezer) and today organizers gave us three more names. The Airborne Toxic Event is now set to play July 13 before Jane's, Manchester Orchestra will play July 14 and Gym Class Heroes (pictured) is set for the closing day of the fest, July 15. From a purely commercial standpoint, this thing is going to be huge. Each act announced so far is top-tier enough to headline its own large show and all receive regular airplay on "Modern Rock" radio (if not Top 40). I'd get your tickets early if you are hoping to attend. Passes for the inaugural Bunbury fest are $46 for one day or $93 for all three days. Click here to purchase.
• If you don't have tickets for The Black Keys show at U.S. Bank Arena this Friday, start thinking about cyber scalpers (sorry, "online ticket brokers") because the show has officially sold out. Friday's concert is the first date on the Keys' first ever headlining arena tour, which includes a few other sold-out shows along the route, including a Madison Square Garden one that sold every ticket in 15 minutes. I think that officially makes them "Arena Rock" stars. And damn popular ones at that. Not bad for a little Blues/Rock duo from Akron, Ohio.
It's looking like the historic Emery Theatre on the border of Over-the-Rhine and Downtown is back in business as a full-time functioning venue. Bands like Magnolia Mountain and Pop Empire have been using the Theatre to film music video projects and, next Saturday (April 28), the Emery hosts the "Rock This Town" benefit concert for CityLink, which helps resident "break the cycle of poverty" by providing employment training and other assistance. The event's music will be provided several groups of business people who can play instruments or sing (modeled on the "Suits That Rock" concerts that benefit the Carnegie Arts Center in Covington).
On April 27, the Emery will host a dual album release party/concert in honor of two new releases from the label Ol Kentuck, run by SubPop recording artist and Northern Kentucky native Daniel Martin Moore. One of the albums is a vinyl release of producer/guitarist/composer Ric Hordinski's Arthur's Garden (read more about the album here).
The other is the first release from a duo project consisting of Moore and singer Joan Shelley (pictured) titled Farthest Field. The event will also feature readings from authors Silas House and Marianne Worthington (who wrote one of the most engaging press releases for the album I think I've ever laid eyes on for the duo's debut; click the "Bio" pdf link on this page to read it).
It's a great time to check out the Emery circa 2012 because the concert is also free and open to the public. (Rock this Town's tickets range from $35-$100 — for a great cause, of course.)
Here are two video clips (shot by photographer Michael Wilson with help on the audio side from Pop Empire) promoting the concert, with music from Moore and Shelley's Farthest Field (officially available May 8).
Matt “Sledge” Waller, a former DJ for the late Indie/Alternative music powerhouse WOXY (dating back to its terrestrial days in Oxford, Ohio), has gotten back to playing music. Waller hosts a weekly two-hour radio show on the Internet channel party934.com, which also airs in its hometown of Hudson Valley, NY, on the 94.9 frequency.
A new track from The National leaked last week and it serves as a good mini-preview of the Cincinnati-bred group’s headlining appearance at National guitarist Bryce Dessner’s MusicNOW festival on May 15 at Music Hall. The track “Think You Can Wait” comes from the soundtrack to the upcoming film Win Win by director Tom McCarthy (The Station Agent, The Visitor). The song features guest vocals from pal/collaborator Sharon Van Etten, who is scheduled to open the band’s MusicNOW show (and, I would guess, perform “Wait” with the group).
Under Steve Kemple, music reference librarian in the Popular Library, downtown's Main Library has begun doing some fascinating free programming to highlight the depth of its music collection — and just music in general. It already has an Experimental Music at the Library series, featuring live events such as a band from Oakland (Horaflora) that plays grapefruit, electric toothbrushes and balloons. At 7 p.m. on March 20, Hadron Collider will pair psychedelic light projections with feedback and drone noises.
But coming up first, the spotlight is on another of Kemple's ongoing music programs at the Main Library — Listen to This! — for which an audience is invited to listen to and discuss albums from the Library's collection. Past sessions have been devoted to Iranian music and Marvin Gaye. Next Wednesday from 7-8:30 p.m., Listen to This! features the traditional music of North Korea. So far, Kemple has only found one relevant album in the collection — North Korean Folk Songs — but it's a good one. And the hunt is on for more.
No word if Dennis Rodman will attend with or without his new best friend, but you're sure to have a good time — and become well-versed on North Korean music — if you do. The program will be held in the first-floor Popular Music Lounge.
Kemple's creative programming was just written up in the Library Journal.
Go here for more information.
When Over the Rhine's new album, The Long Surrender, comes out early next year, it will have been 20 years since the beloved Cincinnati outfit released Till We Have Faces, OTR’s 1991 debut. In that time, OTR’s husband/wife braintrust — multi-instrumentalists and vocalists Linford Detweiler and Karin Bergquist — carved out one of the more impressive careers in Cincinnati music history, amassing a dedicated worldwide fanbase of passionate supporters. OTR’s unusually close-knit relationship with those fans has kept their base intact. It’s also how the duo was able to make The Long Surrender.
Singer/songwriter Kim Taylor is probably getting used to hearing her songs in films and TV shows. Perhaps the most licensed contemporary songwriter in Greater Cincinnati, Taylor’s songs have been used in numerous network television programs and several made-for-TV movies; most recently, Taylor’s “Build You Up” was used in the season premiere of CBS’s Flashpoint (which has used her music several times in the past), while the ABC Family original movie Cyberbully (which premiered July 17) included the same track.
But soon, Taylor (pictured, second from right, with her castmates) will find herself on the other side of the camera, signing on as one of the stars of director Matt Porterfield’s forthcoming indie film, I Used to Be Darker.
On Thursday, Feb. 7, local promotional company The Counter Rhythm Group will debut a new "trade show" event that will offer local musicians a chance to check out a wide range of "good and services" available to them in the Greater Cincinnati area.
The first "Locally Insourced: Cincinnati Music Industry Trade Show" will take place at Rohs Street Cafe's large Sanctuary room in Clifton Heights. The event is free and open to musicians of all ages.
The MidPoint Music Festival is a sponsor of the event and will be on-hand to offer early registration for those wishing to be considered for a showcase slot at 2013's MPMF, returning to the venues of Over-the-Rhine and Downtown once again in late September.
Other vendors displaying their services for local musicians will range from video production companies, designers and photographers to promotional companies, poster and t-shirt makers, CincyTicket and many, many others. Locally Insourced looks to be a great chance for artists to explore the many options available to them in their own backyard and help them steer their careers in whatever direction they'd like.
Click here for more on the event.
Rolling Stone has the first preview of Cincinnati-bred Funk superhero Bootsy Collins' anticipated forthcoming album, Tha Funk Capital of the World, which features a fascinating array of special guests and is slated for release April 26. The RS Web site is streaming the album's first single, "Don't Take My Funk," a groovy slice of bubbling Funk (you were expecting opera?) that has legendary Soul singer Bobby Womack on vocals and some guitar work from Bootsy's late brother and lifelong collaborator Catfish Collins.
Every year, a compilation featuring several of the artists performing at the MidPoint Music Festival is lovingly compiled to give an overview of some of the fest’s participants. MPMF10’s comp has been assembled and you can listen to it right here, right now. While the amount of already well-known acts performing at MPMF10 is something that makes the event exceptional this year, the comp reflects the high quality of the lesser-knowns as it’s made up of tracks by the superb up-and-comers performing at this year’s fest.