Southwestern Ohio native Greg Dulli and his band The Twilight Singers can cross "Play Letterman" off of the To Do list of promo duties for the group's new album, Dynamite Steps. Just as they did on Jimmy Kimmel's late-night show in February, the band played the elegant rocker "On the Corner" on The Late Show last night. The single also has a new accompanying music video (watch both below). Letterman — a notoriously big lover of music both new and classic — appears to be a Twilights fan, calling them a "wonderful Rock & Roll band" in his intro and seeming genuinely pumped up when he shook hands with each member after the song (if you've watched Dave long enough, you can tell when he truly loves the musical acts that appear on his show and when he couldn't care less about them).
It's looking like the historic Emery Theatre on the border of Over-the-Rhine and Downtown is back in business as a full-time functioning venue. Bands like Magnolia Mountain and Pop Empire have been using the Theatre to film music video projects and, next Saturday (April 28), the Emery hosts the "Rock This Town" benefit concert for CityLink, which helps resident "break the cycle of poverty" by providing employment training and other assistance. The event's music will be provided several groups of business people who can play instruments or sing (modeled on the "Suits That Rock" concerts that benefit the Carnegie Arts Center in Covington).
On April 27, the Emery will host a dual album release party/concert in honor of two new releases from the label Ol Kentuck, run by SubPop recording artist and Northern Kentucky native Daniel Martin Moore. One of the albums is a vinyl release of producer/guitarist/composer Ric Hordinski's Arthur's Garden (read more about the album here).
The other is the first release from a duo project consisting of Moore and singer Joan Shelley (pictured) titled Farthest Field. The event will also feature readings from authors Silas House and Marianne Worthington (who wrote one of the most engaging press releases for the album I think I've ever laid eyes on for the duo's debut; click the "Bio" pdf link on this page to read it).
It's a great time to check out the Emery circa 2012 because the concert is also free and open to the public. (Rock this Town's tickets range from $35-$100 — for a great cause, of course.)
Here are two video clips (shot by photographer Michael Wilson with help on the audio side from Pop Empire) promoting the concert, with music from Moore and Shelley's Farthest Field (officially available May 8).
The ongoing saga of locally-spawned music and broadcasting legacy WOXY continues and, once again, the station has been forced off the "air" (or Internet, as the case is) due to financial problems.
Last night, Jane Smith, singer for the Cincinnati area band Belle Histoire, appeared as a contestant on the NBC singing competition, The Voice. None of the judges "turned around" (the show's sign of approval, but, really, isn't it rude not to look at someone singing for you?), but Smith earned some fans with the appearance.
Lyndsey Parker, who covers the show for Yahoo's music blog, was one such fan, writing, "Whyyyyyyy didn't any of the judges spin for this awesome girl? Biggest Voice fail of this season so far, for real. Obviously the judges could not see how adorable Jane was, with her perfect Marlo Thomas hair-flip, sweet Keane-painting eyes, and Zooey 101 style…but surely they must have heard the potential in this Belle Histoire frontwoman's throaty performance of Florence + The Machine's 'You Got The Love.' I don't understand why no one turned, since they'd turned for less impressive singers this season. Of course, the four coaches who rejected Jane then spent 10 minutes annoyingly gushing about how great she was, which only made me wish there was such a thing as a Do-Over Round on The Voice. Le sigh. If only Cee Lo Green hadn't sat out Season 4. I have a feeling Cee Lo would have totally hit his button for Jane."
Click here to read more about Smith and her on-the-rise Indie Pop Rock band Belle Histoire, then check out the band's music video for "My Dear," from the group's debut album Dreamers, below. And click here to listen to the first single from Jane's solo project Decker, "Swing," which was released to iTunes today.
The superb, now veteran local Indie Pop group The Minor Leagues are gearing up for the release of their new album, North College Hill. The album was recorded last summer with Sean Sullivan at The Butcher Shoppe, the Nashville studio owned by legendary singer/songwriter John Prine and Grammy-winning engineer Dave Ferguson (Johnny Cash, U2, Ryan Bingham), and was recently mastered by Michael Bond from the band's label, Datawaslost. The Minor Leagues recently made the album's first single — "Ghost Maps" b/w "Please Don't Throw My Love Away" — available as a free download from their new website (www.minorleaguesmusic.com).
On Thursday, Feb. 7, local promotional company The Counter Rhythm Group will debut a new "trade show" event that will offer local musicians a chance to check out a wide range of "good and services" available to them in the Greater Cincinnati area.
The first "Locally Insourced: Cincinnati Music Industry Trade Show" will take place at Rohs Street Cafe's large Sanctuary room in Clifton Heights. The event is free and open to musicians of all ages.
The MidPoint Music Festival is a sponsor of the event and will be on-hand to offer early registration for those wishing to be considered for a showcase slot at 2013's MPMF, returning to the venues of Over-the-Rhine and Downtown once again in late September.
Other vendors displaying their services for local musicians will range from video production companies, designers and photographers to promotional companies, poster and t-shirt makers, CincyTicket and many, many others. Locally Insourced looks to be a great chance for artists to explore the many options available to them in their own backyard and help them steer their careers in whatever direction they'd like.
Click here for more on the event.
Cincy rockers Wussy have stepped up their game in terms of touring and promotions big time. It was previously announced that the group would join Cincy legends The Afghan Whigs on their upcoming U.S. tour run. Now, immediately following those (mostly sold out) dates, Wussy is set to join another local favorite, Heartless Bastards (now based in Austin, Tex.), for several shows on that band's fall tour.
Wussy is the confirmed support act on Bastards dates in Houston, New Orleans, Nashville, Athens, Ga., Saxapahaw, NC, and Washington D.C.
Wussy and Heartless Bastards are also hooking up on vinyl, participating in the series of singles tributing the songs of Soul/R&B songwriter Eddie Hinton. The Afghan Whigs' Greg Dulli recorded the first single in The Dangerous Highway Series of 7-inch singles (taking on "Hard Luck Guy” and “Cover Me"), while Drive-By Truckers did Vol. 2. Due next month, Vol. 3 features Wussy doing "Breakfast in Bed" on one side and the Bastards doing "Got Down Last Saturday Night" on the flip. At the same time as the split single, Shake It is also releasing Vol. 4 featuring Cincy's Buffalo Killers, with two tracks produced by Dan Auerbach of the Black Keys. (Besides buying them in Shake It's Northside shoppe, the releases will also be available through Shake It via mail order; click here to browse the catalog.)
Before the Whigs and Bastards dates, Wussy headlines next Friday's free MidPoint Indie Summer Series on Fountain Square (the last of the season), then the band's Chuck Cleaver and Lisa Walker will be doing several dates as a duo in the U.K. (from Sept. 17-Oct. 1). The band's first album to be released overseas, Buckeye (on the Damnably Records imprint), came out in July in the U.K. and features a compilation of Wussy songs from the group's five albums (including the acoustic rendition of Funeral Dress). Buckeye has been scoring Wussy some remarkable press; the BBC reviewed the record and said, "Wussy are certainly a band with an incredibly rich past and, undoubtedly, an equally rich future."
The New York Times published a story in the paper's arts section today about the history of Cincinnati-based King Records and those around town who have made it their mission to put the once-vital label back in the spotlight. The story mentions everyone from old-school King artists James Brown, Charlie Feathers and Nina Simone to current-day champions John Cranley, Elliott Ruther and Brian Powers.
RJ Smith, the author of the piece entitled "Rocking Cincinnati's R&B Cradle," was on hand for the King Records memorial back in mid-November, as well as the Cincinnati Entertainment Awards, presented by the good peeps at CityBeat, later that night.
This weekend, the Cincy Blues Fest — presented annually by the Cincy Blues Society — returns for its 21st year, a remarkable accomplishment for a music festival of any sort. The festival kicks off tonight and continues tomorrow at Sawyer Point along the riverfront.
The weekend features two main stage acts with serious ties to Cincinnati’s Blues past. Educator, author, DJ, singer and harmonica player Steven Tracy returns to Cincy to play the main stage on tonight at 7 p.m. with his band the Crawling Kingsnakes. A Walnut Hills High School graduate, Tracy worked with local Blues icons like Pigmeat Jarrett and Big Joe Duskin, becoming a part of the scene he’d later dig deeper into in the 1993 book, Going to Cincinnati: A History of the Blues in the Queen City. His writing career is extensive — Tracy has written dozens of album liner notes and edited/wrote/intro-ed several other books on a variety of subjects. Today, Tracy is a professor of Afro-American Studies at University of Massachusetts Amherst.
Saturday at 6 p.m. on the fest’s main stage, Stacy Mitchhart and his band are slated to perform. Mitchhart grew up in Cincinnati and spent time playing music on the East and West Coasts before returning to his hometown in the early 1990s and forming Stacy Mitchhart and Blues-U-Can-Use, a staple on the local Blues scene for a few years. After a move to Nashville, Tenn., in the mid-’90s, Mitchhart’s musical career really took off. His albums have been widely acclaimed and done well commercially — his 2011 release, Live from B.B. King’s, debuted at No. 6 on the Billboard Blues charts — and he’s received high-praise for his showmanship and remarkable Blues voice. In 2008, Mitchhart was the subject of the well-received documentary NashVegas Blues.
Here is tonight's main stage schedule:
5:45-6:45 p.m. Dave Muskett
7:00-8:15 p.m. Steve Tracy & the Crawling Kingsnakes
8:30-10 p.m. Reba Russell Band
10:15-11:45 p.m. Watermelon Slim & the Workers
And here's the lineup for the Main Stage tomorrow:
4:15-4:45 p.m. Blues in the Schools (BITS) Band
5-5:45 p.m. The Juice
6-7 p.m. Stacy Mitchhart Band
7:15-8:30 p.m. Nikki Hill
8:45-10:00 p.m. Honey Island Swamp Band
10:15-11:45 p.m. Ana Popovic (all the way from Serbia!)
Some of the coolest things at the Cincy Blues Fest can be found on the “specialty” stages — a “specialty” of the fest — which this year includes a “Women of the Blues” stage on Friday, headlined by national act EG Knight and also featuring locals Rio & The Ramblers, The Juice and Tempted Souls Band.
Here is the "Women of the Blues" stage ((aka the Arches stage) schedule for tonight :
5:45-7 p.m. Rio & the Ramblers
7:15-8:30 p.m. The Juice
8:45-10:00 p.m. Tempted Souls Band
10:15-11:45 p.m. EG Kight
Saturday sees the return of the “Boogie Woogie Hall of Fame Piano Stage,” featuring an international cast of top-shelf Boogie Woogie pianists, including local favorite Ricky Nye and former locals (now Florida-based) Liz Pennock & Dr. Blues. The house band for the Boogie Woogie stage is Johnny Vidacovich (drums), George Bedard (guitar) and Chris Douglas (bass).
Saturday's Boogie Woogie Piano Hall of Fame stage (aka Arches stage) lineup:
4:30 p.m. Ben Levin
5 p.m. Ari Borger
5:40 p.m. Ricky Nye
6:20 p.m. Liz Pennock & Dr. Blues
7:10 p.m. Bruce Katz
7:50 p.m. Al Hill
8:30 p.m. Axel Zwingenberger & Lila Ammons
9:10 p.m. Joshua Paxton
10 p.m. David Vest
10:40 p.m. Bob Seeley
11:20 p.m. Chris Conz
The Blues Fest again presents the St. Vincent De Paul Local Stage on both days of the event, always an excellent snapshot of the current local Blues scene.
Friday's St. Vincent De Paul Local Stage schedule:
5:45-6:45 p.m. Thomas Long & Blue Sacrifice
7-8 p.m. Noah Wotherspoon Band
8:15-9:15 p.m. Ralph & the Rhythm Hounds
9:30-10:30 p.m. Brad Hatfield Band
10:45 p.m.-12 a.m. G Miles & the Hitmen
Saturday's St. Vincent De Paul Local Stage lineup:
4:30-5:30 p.m. The Blue Birds Big Band
5:45-6:45 p.m. Jay Jesse Johnson Band
7-8 p.m. The SoulFixers
8:15-9:15 p.m. Doug Hart Band
9:30-10:30 p.m. Chuck Brisbin & the Tuna Project
10:45 p.m.-12 a.m. Leroy Ellington Blues Band
Here is a map of the Blues Fest grounds:
Tickets are $15 for Friday, $20 for Saturday or $25 for a
two-day pass (tickets can be purchased at the gates or here). Visit
cincybluesfest.org for everything else you need to know about the
When Over the Rhine's new album, The Long Surrender, comes out early next year, it will have been 20 years since the beloved Cincinnati outfit released Till We Have Faces, OTR’s 1991 debut. In that time, OTR’s husband/wife braintrust — multi-instrumentalists and vocalists Linford Detweiler and Karin Bergquist — carved out one of the more impressive careers in Cincinnati music history, amassing a dedicated worldwide fanbase of passionate supporters. OTR’s unusually close-knit relationship with those fans has kept their base intact. It’s also how the duo was able to make The Long Surrender.