Singer/songwriter/multi-instrumentalist Brian Olive — who came into the Cincinnati music scene from nearby southwestern Indiana with his former band The Greenhornes in the ’90s — is set to release his second solo effort, Two of Everything, early next month. The album is being issued June 7 by the Alive Naturalsound imprint, which issued Olive’s 2009 debut. Click the arrow above to hear the new LP track “Left Side Rock. Olive’s touring for the album begins next week in the south (Texas, Florida, etc.), leading up to his special appearance at the massive Bonnaroo music fest in Tennessee, where he’ll join the legendary Dr. John as part of an all-star jam session.
A slick new Web site has been launched for Powerhouse Factories, that gem of a design firm in Newport, Ky., that has done commercial work for Duke Energy and P&G, but is best known for its fantastic poster art for concerts both in the Tri-State and around the country. In honor of the new site, Powerhouse is offering a 10% discount on orders from its online store, which has poster prints as well as cool Powerhouse T-shirts, hoodies, tote bags and even beer koozies.
Set your VCRs or Tivos (or whatever it is you crazy kids are using these days to record TV shows) for 11:35 p.m. tonight, as the Cincinnati-birthed Heartless Bastards make their network television debut on Late Show with David Letterman.
Invitations to the performers chosen from online music submissions are set to begin rolling out soon, but today, the first artists coming to Cincy for this September’s MidPoint Music Festival were announced. Below are the initial 20 national artists booked for the fest, which runs Sept. 22-24 in various venues in Downtown and Over-the-Rhine, as well as a few more acts for the MidPoint Indie Summer series on Fountain Square.
Area label Sol Records is taking pre-orders now for the Dallas Moore Band’s next release, Hank To Thank, culled from the locally-based Country crew’s sessions one year ago with longtime Willie Nelson guitarist Jody Payne at the site of Cincinnati’s Herzog studios where Hank Williams laid down some of his early, big hits.
The Afghan Whigs first show in America in 13 years takes place Sept. 22 in Asbury Park, NJ, heading up a killer lineup at the I'll Be Your Mirror fest, presented by All Tomorrow's Parties. The fest is being curated by ATP and the Whigs' frontman Greg Dulli, whose first selections for the other acts on the bill was released last week. Dulli's picks: comedian Louis C.K., The Roots, Jose Gonzalez, Mark Lanegan, The Dirty Three, The Antlers, The Dirtbombs, Sharon Van Etten, Emeralds, Vetiver, Quinton and Miss Pussy Cat, Charles Bradley, Reigning Sound, a DJ set from The Roots' ?uestlove and Scrawl, the Whigs' Columbus-based pals (might Scrawl singer Marcy Mays reprise her vocal turn on the Whigs' classic, "My Curse"?). The show will also feature bands like Autolux, Hot Snakes and The Make-Up, part of the lineup chosen by ATP.
Greg Dulli gave Spin an interview and a little insight into the band's decision to get back together. In the interview, Dulli jokes about doing a set of all new songs at the reunion shows ("Oh, we're playing all new material," he says. "No old songs, just new stuff we’ve come up with. Wouldn’t that be amazing?") and says he finally got the bug to reunite after hanging out with bassist John Curley (who still lives in Cincy) and guitarist Rick McCullom (who is in Minneapolis). He also said when they first got together to rehearse, right before Thanksgiving last year, "the hair on the back of my neck stood up."
Read the full Spin interview here.
The article says Dulli was "cagey" about revealing
whether or not the band would do any other shows in the U.S. (the band is
doing four dates in Europe beginning with the May 27 I'll Be Your
Mirror festival in London). But in another just-published interview — with the great music site The Quietus — Dulli said the band will probably do "at least" another 20 shows in addition to the five announced. (Fingers-crossed, Cincinnatians!)
Check out The Quietus interview here.
The Afghan Whigs' also have a spiffy new website with lots of archival videos, a cool "This Date in Whigs History"-type feed and a lot of other info on the band. Visit the site here.
UPDATE: This morning, the Whigs site announced that the band has added six more shows to their reunion itinerary — all in Europe. But that means still 14 or so more to go, right?
The lineup for this summer's MidPoint Indie Summer series — every-Friday free concerts on Fountain Square — features another strong mix of solid national headliners (many are MidPoint Music Festival alumni) from as far away as Australia and Timbuktu and local favorites. Stay tuned for additions and updates.
Friday, June 1: The Bright Light Social Hour (Austin Tex.); Buffalo Killers; The Kickaways
Friday, June 8: The Dynamites (Nashville); Khaira Arby and her Band (Timbuktu, Mali, Africa); The Pinstripes
Friday, June 15: The Seedy Seeds; Wymond Miles (of The Fresh & Onlys, San Francisco); Belle Histoire
Friday, June 22: Art vs Science (Australia); You You're Awesome; Shadowraptr
Friday, June 29: psychodots (openers TBA)
Friday, July 6: Lydia Loveless (Columbus); Patrick Sweany (Nashville); The Ready Stance
Friday, July 13: Seabird; The Harlequins; Jon Drake and The Shakes (Chicago)
Friday, July 20: Ha Ha Tonka (Springfield, Mo.); Izzy and the Catastrophics (New York); The Ridges (Athens, Ohio)
Friday, July 27: Orgone (Los Angeles); The Cliftones; Eclipse
Friday, Aug. 3: Bear Hands (Brooklyn); Lightning Love (Ann Arbor, Mich.); Fort Lean (Brooklyn)
Friday, Aug. 10: Budos Band (New York); Kansas City Bible Company (Nashville); Sidewalk Chalk (Chicago)
Friday, Aug. 17: Class Actress (Brooklyn)
Friday Aug. 31: Wussy; R.Ring
The MidPoint Indie Summer concerts start at 7 p.m. each Friday this summer. Music lovers of all ages are welcome to attend.
Holidays are especially exciting times for children and, given the recent tragedy in Newtown, Conn., kids all over will likely be going to be getting a little extra love this season.
Zak Morgan knows kids. The Cincinnati-based singer/songwriter has already had an amazing career in children’s music, with his second self-financed album, When Bullfrogs Croak, earning numerous awards and acclaim, including a 2004 Grammy nomination for Best Musical Album for Children, a remarkable feat for an independent artist.
Morgan’s accomplishments and hard work (he notches over 200 shows a year for kids across the country) paid off with a contract with Universal Music’s kids’ music imprint, myKaZoo Music. His debut for the label, The Barber of the Beasts, came out in late October and would make a fantastic stocking-stuffer for the little ones this Christmas.
Like his previous releases, The Barber of the Beasts features artwork by famed local illustrator C.F. Payne and contains an extensive booklet of lyrics and drawings. The album also features some notable guests, from local musicians like Dan Dorff, Paul Patterson and Josh Seurkamp to nationally acclaimed artists like Robbie Fulks and locals Karin Bergquist (Over the Rhine) and the iconic Bootsy Collins.
But it’s Morgan’s magical stories and songs that are the focal point. There is a perfect formula for children’s music; like with kids’ films these days, many artists try to hard to make their albums “parent friendly” and tend to go overboard, while those who “dumb things down” tend to be the most annoying. Morgan’s gift is finding the perfect balance.
The Barber of the Beasts is for smart and imaginative kids and parents, seeming designed to be enjoyed together. Morgan is great with clever word play and he isn't afraid to drop a few “big words” (or at least unfamiliar words). That’s where the booklet’s excellent vocabulary guide comes in handy. Parents can go over words with their children, who will have not only been entertained by Zak’s fantastical storytelling, but will also learn something in the process.
Many of the tracks on Barber feature gorgeous chamber string arrangements, but there are also tunes like “Snow Day,” on which Morgan channels his inner Tom Waits (vocally), the shuffling, jazzy Pop cut “Swinging On A Star,” the Country-esque “Nancy Jane” and the great Bootsy collaboration, “The Case of the Dry Markers,” a swingin’, “spooky” Jazz struttin’ mystery with a Halloween vibe.
Here is the debut music video from the album for "The Case of the Dry Markers":
The songs and music are elegant and often downright majestic (particularly the ones with the spine-tingling string arrangements), while Morgan’s clever stories are loaded with a silliness that the young listeners will gleefully embrace.
I believe The Barber of the Beasts (which will specifically appeal to kids between around the ages of 1-8, but certainly fits the "fun for kids of all ages" bill) was released in time to make next year’s Grammy nominations. It will be a crime if it doesn’t make the cut. When it comes to children’s music, Zak is like the Bob Dylan of the genre — minus the curmudgeonly grumpiness, of course.
This Saturday at 1 p.m., Morgan and a host
of special guests will present the local release party for the album at
The Monastery recording studio (2601 Stanton Ave., Walnut Hills), the
performance/recording space owned and operated by producer/guitarist Ric
Hordinski (who also performed on, produced and co-wrote material on the album).
Tickets are available through brownpapertickets.com for $10 (or $20 for families of two-five people). Remaining tickets will be available at the door the day of the show for $15 (or $25 per family). Your ticket also includes food and admission to the post-show pizza party.
Later this month, successful Cincinnati singer/songwriter Kim Taylor will be headed to Park City, Utah, but not as part of any kind of concert tour. Taylor will be attending the annual Sundance Film Festival, one of the world's most prestigious film events, along with the other actors and participants from the new movie, I Used to Be Darker. The film was co-written and directed by Matt Porterfield, whose previous work, Putty Hill, drew scores of rave reviews.
Despite it being her first foray into acting, Taylor has a leading role in the film, playing a musician named Kim whose marriage and relationship are falling apart just as her troubled niece shows up on her doorstep looking for a place to crash. Taylor's husband in the film is played by Ned Oldham, brother of cult music star Will Oldham and also a musician (along with solo work, he's the singer for the bands The Anomoanon and Old Calf).
Taylor knew the film's screenwriter, Amy Belk, from when she attended college in the ’90s in her home state of Florida.
"I met Kim Taylor in the ‘90s when we were both teenagers at Bible college in Florida, shortly before I got kicked out and she flunked out," Belk writes in the press materials for IUTBD. "She is the only person I still know from that strange, balmy with a chance of fire-and-brimstone time. I’ve followed her music career through the years, and shared her songs with Matt (Porterfield) when we started writing. He fell for them like I knew he would, particularly 'Days Like This' and 'American Child.' Even before Matt met Kim and had her read for the role, her music and grace informed the story we were crafting. In many ways, Kim was Kim from the start."
Taylor performs "Days Like This" (which was covered by Over the Rhine on their The Long Surrender album) and "American Child" (from her album Little Miracle) in the film. She and Oldham will be featured on the movie's soundtrack alongside tracks from several acts based in Baltimore, Porterfield's current hometown, including The Entrance Band, Dope Body and Dustin Wong.
I Used To Be Darker premieres at Sundance on Jan. 19 and screens multiple times throughout the fest. Click here for more on the film. Here's the trailer:
through her website here. Give it a listen below:
Taylor has completed her new album, Love's A Dog, which will include the Darker Mix version of "American Child." The album is tentatively scheduled for release in February or March.