A slick new Web site has been launched for Powerhouse Factories, that gem of a design firm in Newport, Ky., that has done commercial work for Duke Energy and P&G, but is best known for its fantastic poster art for concerts both in the Tri-State and around the country. In honor of the new site, Powerhouse is offering a 10% discount on orders from its online store, which has poster prints as well as cool Powerhouse T-shirts, hoodies, tote bags and even beer koozies.
The Afghan Whigs first show in America in 13 years takes place Sept. 22 in Asbury Park, NJ, heading up a killer lineup at the I'll Be Your Mirror fest, presented by All Tomorrow's Parties. The fest is being curated by ATP and the Whigs' frontman Greg Dulli, whose first selections for the other acts on the bill was released last week. Dulli's picks: comedian Louis C.K., The Roots, Jose Gonzalez, Mark Lanegan, The Dirty Three, The Antlers, The Dirtbombs, Sharon Van Etten, Emeralds, Vetiver, Quinton and Miss Pussy Cat, Charles Bradley, Reigning Sound, a DJ set from The Roots' ?uestlove and Scrawl, the Whigs' Columbus-based pals (might Scrawl singer Marcy Mays reprise her vocal turn on the Whigs' classic, "My Curse"?). The show will also feature bands like Autolux, Hot Snakes and The Make-Up, part of the lineup chosen by ATP.
Greg Dulli gave Spin an interview and a little insight into the band's decision to get back together. In the interview, Dulli jokes about doing a set of all new songs at the reunion shows ("Oh, we're playing all new material," he says. "No old songs, just new stuff we’ve come up with. Wouldn’t that be amazing?") and says he finally got the bug to reunite after hanging out with bassist John Curley (who still lives in Cincy) and guitarist Rick McCullom (who is in Minneapolis). He also said when they first got together to rehearse, right before Thanksgiving last year, "the hair on the back of my neck stood up."
Read the full Spin interview here.
The article says Dulli was "cagey" about revealing
whether or not the band would do any other shows in the U.S. (the band is
doing four dates in Europe beginning with the May 27 I'll Be Your
Mirror festival in London). But in another just-published interview — with the great music site The Quietus — Dulli said the band will probably do "at least" another 20 shows in addition to the five announced. (Fingers-crossed, Cincinnatians!)
Check out The Quietus interview here.
The Afghan Whigs' also have a spiffy new website with lots of archival videos, a cool "This Date in Whigs History"-type feed and a lot of other info on the band. Visit the site here.
UPDATE: This morning, the Whigs site announced that the band has added six more shows to their reunion itinerary — all in Europe. But that means still 14 or so more to go, right?
Later this month, successful Cincinnati singer/songwriter Kim Taylor will be headed to Park City, Utah, but not as part of any kind of concert tour. Taylor will be attending the annual Sundance Film Festival, one of the world's most prestigious film events, along with the other actors and participants from the new movie, I Used to Be Darker. The film was co-written and directed by Matt Porterfield, whose previous work, Putty Hill, drew scores of rave reviews.
Despite it being her first foray into acting, Taylor has a leading role in the film, playing a musician named Kim whose marriage and relationship are falling apart just as her troubled niece shows up on her doorstep looking for a place to crash. Taylor's husband in the film is played by Ned Oldham, brother of cult music star Will Oldham and also a musician (along with solo work, he's the singer for the bands The Anomoanon and Old Calf).
Taylor knew the film's screenwriter, Amy Belk, from when she attended college in the ’90s in her home state of Florida.
"I met Kim Taylor in the ‘90s when we were both teenagers at Bible college in Florida, shortly before I got kicked out and she flunked out," Belk writes in the press materials for IUTBD. "She is the only person I still know from that strange, balmy with a chance of fire-and-brimstone time. I’ve followed her music career through the years, and shared her songs with Matt (Porterfield) when we started writing. He fell for them like I knew he would, particularly 'Days Like This' and 'American Child.' Even before Matt met Kim and had her read for the role, her music and grace informed the story we were crafting. In many ways, Kim was Kim from the start."
Taylor performs "Days Like This" (which was covered by Over the Rhine on their The Long Surrender album) and "American Child" (from her album Little Miracle) in the film. She and Oldham will be featured on the movie's soundtrack alongside tracks from several acts based in Baltimore, Porterfield's current hometown, including The Entrance Band, Dope Body and Dustin Wong.
I Used To Be Darker premieres at Sundance on Jan. 19 and screens multiple times throughout the fest. Click here for more on the film. Here's the trailer:
through her website here. Give it a listen below:
Taylor has completed her new album, Love's A Dog, which will include the Darker Mix version of "American Child." The album is tentatively scheduled for release in February or March.
Fifteen years ago, if you heard about a young, new Ska/Reggae band releasing an album, you’d be forgiven for thinking the crew played some variation on so-called Third Wave Ska, the Punk-driven, Ska-tinged sound popularized by The Mighty Mighty Bosstones and others. But if you subscribe to the belief that music lovers and makers often turn to more pure forms of music in times of societal uncertainty (as some say is the case with the Indie Folk movement), The Newport Secret Six’s dedication to the earliest forms of Reggae and the authentic sound they come up with should be no surprise. There are no distorted guitar or gang-vocal shouts on Licking River Rocksteady. It’s simply a fantastic modern Reggae album bustling with energy, soul, personality and tradition.
Florence, Ky., Hip Hop artist Trademark Aaron has released a stellar new music video for his track, "Faith," which will be included on his next EP, For the People.
The track — featuring a great vocal hook sung by Koren Jackson —keeps in line with Trademark Aaron's overall positive approach heard on previous releases like the full-length, Prelude to Greatness (which you can download for free here). But it's hardly cheery. The song is about keeping hope when everything around you looks bleak and the music video visuals masterfully mirror that concept. Directed by Dan Gotti, the clip is one of the best you'll see by a "local act" — it's highly professional looking, often resembling something from a movie.
You can check out more of Aaron's videos at his YouTube page and keep an eye on TrademarkAaron.com and his official Facebook page for show dates and info on the release of the For the People EP. For even more, you can also read CityBeat's interview with Trademark Aaron from last year.
I befriended frontman Scott Wynn of The Panderers on MySpace a year and a half ago, not much expecting to be friends outside of that space. The bang, the clak, the lo-fi chemical makeup of his music flowed in my ears and captured my mind. I wanted these guys live on stage in front of me!
I reached out that spring to learn more, asking if there were any plans for a tour.
Gas up the ol’ Tivo (that's how they run, right?) and set it for Jan. 23, when the Austin City Limits live music TV program (one of the best shows on television, especially for real music fans, and the longest-running one) airs its episode featuring Cincy-bred/Austin-based rockers The Heartless Bastards. Each hour-long show is split between two artists (unless ACL gets a big-wig like R.E.M. or Pearl Jam or, apparently, Them Crooked Vultures) — the Bastards' show will be shared with Neo Roots kings The Avett Brothers.
The lineup for this summer's MidPoint Indie Summer series — every-Friday free concerts on Fountain Square — features another strong mix of solid national headliners (many are MidPoint Music Festival alumni) from as far away as Australia and Timbuktu and local favorites. Stay tuned for additions and updates.
Friday, June 1: The Bright Light Social Hour (Austin Tex.); Buffalo Killers; The Kickaways
Friday, June 8: The Dynamites (Nashville); Khaira Arby and her Band (Timbuktu, Mali, Africa); The Pinstripes
Friday, June 15: The Seedy Seeds; Wymond Miles (of The Fresh & Onlys, San Francisco); Belle Histoire
Friday, June 22: Art vs Science (Australia); You You're Awesome; Shadowraptr
Friday, June 29: psychodots (openers TBA)
Friday, July 6: Lydia Loveless (Columbus); Patrick Sweany (Nashville); The Ready Stance
Friday, July 13: Seabird; The Harlequins; Jon Drake and The Shakes (Chicago)
Friday, July 20: Ha Ha Tonka (Springfield, Mo.); Izzy and the Catastrophics (New York); The Ridges (Athens, Ohio)
Friday, July 27: Orgone (Los Angeles); The Cliftones; Eclipse
Friday, Aug. 3: Bear Hands (Brooklyn); Lightning Love (Ann Arbor, Mich.); Fort Lean (Brooklyn)
Friday, Aug. 10: Budos Band (New York); Kansas City Bible Company (Nashville); Sidewalk Chalk (Chicago)
Friday, Aug. 17: Class Actress (Brooklyn)
Friday Aug. 31: Wussy; R.Ring
The MidPoint Indie Summer concerts start at 7 p.m. each Friday this summer. Music lovers of all ages are welcome to attend.
It was the keen eye of photographer and close friend Chuck Madden who first caught the clues on Walk The Moon's Facebook page that seemed to indicate the band would be doing something special for their fans at Bonnaroo this weekend.
On little more than a hunch Chuck insisted that we check out "Kaleidoscope Space Tribe" at 3 p.m. on the Sonic Stage. Sure enough, at five past the hour WTM bounded out on stage and proceeded to artfully bash through a 30 minute set of Talking Heads songs including "Girlfriend Is Better," "Burning Down The House," "Psycho Killer" and more. Considering the huge crowd they played to just two nights ago in the Other Tent, this performance was an ultra rare treat for the clever and faithful two or three hundred fans who figured it out.
Dwight Yoakam seemed mildly irritated at Saturday's 4 p.m. press conference. Perhaps sensing that the Bonnaroo press corps might be too young to know his story, Yoakam quickly sketched a casual crash course on his career dating back to the ’80s. Rather unexpectedly, Dwight struck up a rapport with fellow panelist, comedian Reggie Watts, as the two of them discussed their mutual love of Hee Haw.
Dwight's 7 p.m. performance in That Tent began with an eight-song medley during which the band never paused for a breath, rocking through one continuous segue that included the songs "Please Please Baby," "Little Sister," "Streets Of Bakersfield" and Buck Owens' classic, "Act Naturally."