Formed in 1978, Classic Punk band Social Distortion reached the height of its fame in the late ’80s and early ’90s. The band has seven studio albums beginning with its iconic Mommy’s Little Monster. Although there has been over a dozen ex-Social D members, the group — known as a touring juggernaut (sometimes at the expense of making new music) — has maintained a lineup that has been fairly consistent for the past decade.
CityBeat caught up with rhythm guitarist Jonny “2 Bags” Wickersham in anticipation of Social D's current tour. The group performs at Bogart’s on Saturday (Oct. 13) night and will surely wow fans new and old.
CityBeat: I know Mike (Ness) has said in the past we won’t have to wait seven or eight years for a new Social D record. Are you guys working on new music right now? How is that coming along?
Jonny Wickersham: In a perfect situation we would love to get a record out sooner than we have been putting them out. I don’t know that it looks like it will happen real soon. We have been really busy touring the last couple of years. As far as new material there are always new songs in the works. We will work on them at sound checks and rehearsals. When it comes time to get serious to put a record together, the songs that stick in our minds are the ones that are the best stuff and they typically make the record. We will finish it up. We will see. Conceivably we can get together and start really getting serious in the beginning of next year and have a record to follow shortly after that. It has to feel right. I have always felt it is a good thing not to rush records. I know that people like to see a record come out on a certain schedule with bands, but it is also good to evolve a little bit as people and as a band in between albums.
CB: You spend most of the time as a touring band on the road. Do you ever write down the tour stories or keep mementos from the tour to remember them all?
JW: I have never been a big journal keeper or anything like that. I don’t. Certain stories definitely do stick in your mind but not really.
CB: What current music or music you are listening to right now is currently inspiring you?
JW: You know what a really great record is, the new Hot Water Music Record, have you heard that?
JW: I have been listening to a lot of that in my car.
CB: Good driving music?
JW: Oh yeah. It is such a great album. It really is good. I also like the Drive By Truckers a lot. I don’t listen to a lot of new music to be honest. I listen to a lot of old Blues and stuff and old Rock N Roll.
CB: From your standpoint, what are the characteristics that make a good Social D song?
JW: I would have to say a good riff and a good lyric that is poppin'. You can’t go wrong with a good lyric. You can try to stretch that a bit, not just stay with our formula as a band. We have a different division of sounds with the band. We are not trying to re-invent sound in an extreme manner or anything but it is good to try to mix it up. I am hoping in the future, in the stuff coming up, we can do that and re-visit some of the earlier stuff.
CB: We are heading into a critical election year. Ohio is a crazy place to be during this whole thing. Do you guys have any political views or support for any of the candidates?
JW: Well, I am going to vote for Obama and hope for the best.
CB: What is the worst job you have ever had?
JW: I don’t know. I had a job at the Orange County jail once a long time ago. We had to cut the bunks down from three bunks to two and carry them all out to the loading dock and get them out of the jail. Any job where you are locked up is not a great job. I had so many jobs growing up. I started working in construction fields at a really young age because where I come from that is just what you did when you got to the age of going out to get a job, try to get a construction trade. I have also worked at Carl’s Jr. and Burger King as a teenager and neither one of those jobs lasted more than a couple weeks. I have worked as a stagehand. I have worked in an Art Department building sets for film production. Those are cool jobs. I really liked the Art Department work. Any job that anybody could have at this point is a good job is kind of how I feel. I definitely never want to think I am beyond any kind of work. You never know what is going to happen in life. There are times where being able to get any job is critical for you.
CB: Do you have any scars?
JW: I have a scar on my upper leg. When I was a little kid, me and a couple friends built this bicycle Motocross track on a dirt lot by our house in our neighborhood. We went out and worked really hard with shovels and built this really cool track and the enemy kids down the street, who were our nemesis, came over one day when we weren’t there and totally ruined our track, kicked in all our berms and jumps and trashed it. So we went down the street where they had built this really shitty tree fort that was like three stories tall off the ground into the tree. We went up there and we started hammering at it, we brought sledgehammers over and we started bashing in their tree fort. The stupid thing on our part was that we started on the bottom and climbed up to the next level and up to the next level. We were breaking this tree fort apart and we were way up at the top and the thing collapsed. I fell and my leg got clipped up on a nail. It ripped my leg open so I have a scar. I have a bunch of other scars too.
CB: What is the last thing you do before you go to sleep?
JW: Well it depends. Turn out the television if I have been watching the television. I don’t always watch TV at night. Sometimes I do. If I am on the bus on the tour, I listen to music on my iPod. The last thing I do is turn that on and I usually fall asleep listening to a record. Then I have to wake up and pull the headphones off and fall back asleep. If I’m reading a book, close the book and turn out the light. It can be one of many different things.
Howdy folks! It’s your loyal, intrepid Bonnaroo correspondent Ric Hickey. Once again I am pleased and honored to be covering the big festival for CityBeat. We’ve been on-site for barely four hours and already this is shaping up to be one of the best Bonnaroo experiences that I have ever enjoyed.
The local music scene lost one of its veteran players this past weekend. Larry Malott — also a veteran of the Vietnam War — suffered a brain aneurysm last Wednesday from which he never recovered.
A gifted bassist, Malott (who was 65) was the low-end anchor of hard-working, popular local Blues band Them Bones. Along with regular gigs with the group around town (and beyond — the band has toured in Europe and represented Cincinnati at 2010's International Blues Challenge in Memphis, Tenn., placing an impressive third overall), Malott and Them Bones were also the anchor of the long-running Sunday night Blues jams at Newport club, Mansion Hill Tavern, hosting the weekly event since 2001. Many local musicians gathered this past Sunday at the open jam to pay their respects to Malott. Judging by the outpouring of grief and appreciation on social media the past few days, Malott was not only a great bass player and dedicated Blues supporter, he was also something of a mentor to other local musicians and incredibly supportive of his fellow artists.
Visit Malott's Facebook page to leave a message for his family and for info on upcoming funeral services (a public tribute appears to also be in the works). His family is asking that, in lieu of flowers, supporters make a donation to their favorite charity and/or one of the following ones — Sophie's Angel Run, Cincinnati Shriners Burns Hospital, Down Syndrome Association and/or Blues in the Schools.
In discussions on Hard Rock and Heavy Metal, the phrase “veteran rockers” basically means “old dudes with electric guitars” (or “badasses turned corporate vacuoles turned money-hungry corpses in makeup writhing around on a stage” if we’re talking about Aerosmith), but as long as they’re playin’ it loud and proud, age ain’t nothin’ but a number, right?
Kinda like Thruster, The Mighty Swine never fully grew out of those leather-clad and poodle-headed ‘80s Metal days of yore, a time when the guitars ran wild and so did the groupies and the V.D.
One of the bands on my MPMF.11 itinerary is The Ridges, a Chamber/Folk/Indie/Pop ensemble from Athens, Ohio. They have interesting instrumentation (cello, trumpet, accordion, etc.) and their songs are remarkably infectious. Read what I wrote about them in the MidPoint guide here. The group just sent us an MPMF promo video in advance of their performance Thursday at the Cincinnati Club (9 p.m., followed by The Sundresses and Those Darlins) and have graciously allowed us to "world premiere" it right here. The clip features The Ridges — who played the MidPoint Indie Summer Series in August on Fountain Square — performing acoustically outside of its MPMF venue. You can check out some more music by The Ridges here. Enjoy!
Music Tonight: Music legend Paul Simon brings his tour behind the recent full-length, So Beautiful or So What, to The Bank of Kentucky Center on Northern Kentucky University's campus in Highland Heights for a 7:30 p.m. concert. The tour also happens to coincide with the even-more-recently-released retrospective compilation, Songwriter, a nice reminder of just how many iconic tunes Simon has crafted, classics like "Bridge Over Troubled Water," "Still Crazy After All These Years," "The Sound of Silence," "Graceland" and "The Boxer," to name just a few. (Simon's first four solo albums were also reissued this year.) When Simon's current tour ends early next month, the singer/songwriter will turn his focus to next year's touring plans — a jaunt celebrating the 25th anniversary of his genre-defying smash hit Graceland (an anniversary "box set" — featuring a documentary and the usual array of B-side and outtakes — will also be released). Opening up the show in Northern Ky. tonight is progressive Bluegrass troupe Punch Brothers. The group was formed by mandolinist Chris Thile after his band Nickel Creek called it quits and also features musicians who have worked with Leftover Salmon, Jerry Douglas, Tony Trischka and other modern Bluegrass big-timers. Ticket prices range from about $54 up to around $86. Click here for more. Below, to get warmed up for what will surely be a calm, orderly shopping experience on Black Friday (right?), check out "Getting Ready for Christmas Day," a holiday tune on Simon's new record.
If you're attending this evening's rally/concert Vote Early, Rock Late on Fountain Square featuring Cincy natives The National and Dayton's The Breeders, here is the schedule of events:
Cincinnati Mayor Mark Mallory will kick things off with a few words at 5 p.m. The Breeders are scheduled to take the stage at 5:15 p.m. (maybe they should change the event's name to "Vote Early, Rock Somewhat Early As Well"). Following The Breeders will be more speeches, leading up to some thoughts from actress Natalie Portman at 7 p.m. The National is to take the stage at 7:20 p.m., and the event ends at 9 p.m. (hopefully that means a nice long set from the local boys done good). I anticipate that the band's performance of "Mr. November," their usual set-closer, will be utterly transcendent.
Check the blogs tomorrow for a full report from the show and photos.
Head to the official site for the event at vote-ohio.net for full details on the rally. Today's concert is free, but donations for the Obama campaign will happily be accepted. You can also donate through the site. And shuttles will take you to the Hamilton County Board of Elections if you want to go ahead and vote now.
Alligator recording artists JJ Grey and Mofro perform a FREE show tonight in the grand ballroom of the Southgate House. Go here to read the unexpurgated version (including videos and interview outtakes) of our feature story on Mr. Grey and Co. and go here for more show details.
John 5 has seen almost everything in Rock music. He's toured with David Lee Roth, Marilyn Manson and Rob Zombie (with whom he's currently rockin') and been credited on songs from a wide range of artists — from Saliva to Salt n Pepa to k.d. lang to an upcoming collaboration with Rod Stewart. The guitarist has gained the reputation as a musical genius and one of the most action-packed guitarists in the world. He has just released his sixth solo album, God Told Me To, which mixes acoustic Spanish guitar along with Metal riffs.
CityBeat caught up with the guitar player to talk about the new album and some of the darker aspects of what goes into his writing, as well as the lighter aspects help put him to sleep every night. John 5 will take the stage with headliner Rob Zombie this Sunday at Rock on the Range in Columbus.
CityBeat: Can you tell us about the name of your album, God Told Me To?
John 5: The name, it is funny because … I am from Michigan, I am from Grosse Pointe. I was upper class growing up there. I was brought up in a really nice environment and home and I remember the night before I was leaving for California to really give it my shot saying, “I am going to try this. I am going to try to be this musician type of thing.” I remember I was saying my little prayer. I never wished to be a “rock star.” I just wanted to be a working musician. My dreams didn’t even go past a session player or a working musician. It was too far beyond my dreams. That’s kind of what the title means, that kind of thing, but also you can look at in the negative way, like when someone does a horrific murder, they always say, “Oh, God told me to.”
CB: I have read a lot of discussion in your recent interviews about serial killers and even the song “Night Stalker” being written about Richard Ramirez. Do you have an interest in serial killers and the history and stories behind them?
J5: I think it is interesting to me about how the mind works and how someone is wired, how their mind works, how it is completely OK to do these things, which I could never even think of doing something like that. It was always so interesting to read about this or watch documentaries. It is so odd for something like that to happen, so I have always had this little fascination with it — not that I am pro-for that kind of thing or anything but it is just very interesting to see something like that.
CB: I got a copy of the album and have been listening to it today. I love the acoustic Spanish-style versions on some of the songs. I know you are a lifelong learner. Did you take specific lessons around Flamenco or Spanish-style guitar lessons?
J5: Yes, I have always tried to learn, it is what keeps me sane. I love to learn and I started doing a lot of studying of Spanish-style music and really started getting into it and how it is just a completely different form of guitar playing. It is just like if you started speaking in a different language like Japanese or something. It is something that you have to study and work at a lot. That is what I enjoy because I love the guitar so much. Yes, I did a lot of studying and research on that.
CB: What current music is inspiring me right now?
J5: What current music is inspiring? You know what, and this will be a surprise, but I usually am very honest. I have had a little epiphany and this is very shocking. I was watching some movie or something like that and a N.W.A. song was on and I am no fan of Rap music, I really am not because I like the guitar. So I heard this N.W.A. song, I think it was “Gangsta Gangsta,” and I was like, “This is really, really, really good.” It was eye-opening to me and I appreciate it now. I was pretty taken back by it. I would have to say N.W.A. (is a current inspiration), which I can’t believe I am saying but it is the truth.
CB: There are a lot of bands right now collaborating outside their genres. Korn has collaborated with Skrillex and trying to create a lot of different sounds which would traditionally maybe not be in Metal music.
J5: Sure, and I think it is very important for that to happen because of the fact music has to always evolve and if it doesn’t, it has failed. It is good that it is evolving.