such indecency by individuals who are likely afflicted by mental health and
substance abuse problems is obviously of intense public interest (if anyone
poops anywhere near CityBeat, we
goddam sure want to know about it), this stellar roundup of arrests nearly took
a backseat to the drama that unfolded in Indian Hill the night before — Robert
S. Castellini, the 46-year-old son of Reds owner Bob Castellini, and his wife
Deanna were arrested and charged with domestic violence for fighting in front
of their children.
Crime reporter Kimball Perry was all over the story, as he
has a long history of detailing the crayest of the cray in Hamilton County
courtrooms, reporting on Monday that both Robert and Deanna went in front of a
judge that morning and how court documents described "visible scratch
marks around the neck of Ms. Castellini” and Robert having "visible
scratches around his neck and shoulder.
Despite such drama and intrigue — three Castellinis work in the Reds front office and Robert’s lawyer is Hamilton County GOP chairman Alex Triantafilou — The Enquirer appears to have pulled the story from its website as of Tuesday afternoon. Here’s what comes up when you go through Google and click on Perry’s story, titled “Reds' owners' son, daughter-in-law arrested”:Fortunately for those who for so long have turned to The Enquirer for awesome stories about (mostly poor) people's problems, you can still find the cached page:
As Fairness and Accuracy In Reporting (FAIR) wrote in 2001: “The Idaho Statesman has a curious definition of 'fact checking.' The business editor of the Gannett-owned daily, Jim Bartimo, resigned when he was told that a story he had worked on about Micron Technologies, the area's largest employer, had to be sent for pre-publication 'review'... to Micron Technologies.”
Previously The Statesman's business news practices were examined by The Washington Post's Howard Kurtz, in articles from January and February 2000. Kurtz's article revealed that The Statesman reporter covering the Micron beat was married to a Micron employee.
When Kurtz asked Washburn about the paper's Micron coverage and whether it was afraid to be too critical, she replied, “It's not that it has anything to do with their being the biggest employer. What we write can affect a lot of people in this community. It can affect the stock price.”
WKRC Local 12 also reported the arrests on Monday, and its video and online version are still live here.
Robert S. Castellini is due back in court Aug. 18, and
Deanna’s case is scheduled to continue Aug. 21, not that anyone really gives a
shit. If Perry’s article miraculously reappears this story will be updated.
Some critics of Republican presidential hopeful Rick Santorum said video footage of a speech at a campaign event shows him starting to utter a racial slur while referring to President Obama, then cutting himself off mid-word.
While speaking to a group of supporters in Wisconsin on Tuesday, Santorum said, “We know what the candidate, Barack Obama, was like. The anti-war, government nig--, uh…” before stopping abruptly, then adding, “America was, uh, a source for division around the world. And that what we were doing was wrong. We needed to pull out and we needed to pull back.”
Although the uncompleted word sure sounds like it began with “nig” and what Santorum said next in the sentence didn’t flow naturally with the other words, a campaign spokesman today denied that the uncompleted word was “nigger.”
In January Santorum told a crowd of supporters in Iowa that he didn’t “want to make black people’s lives better by giving them other people’s money.”
Here is the clip of Tuesday’s speech. The remark causing controversy is spoken around the 34:30 mark. You can decide for yourself.
In a stark turnabout from the company’s previous position involving the incident, Cintas Corp. has settled a lawsuit filed by the wife of an employee who was burned to death in an industrial dryer at an Oklahoma facility.
When Eleazar Torres-Gomez was killed at the Cintas laundry near Tulsa, Okla., in March 2007, the company took no responsibility and blamed him for his death. Further, Cintas initially tried to block Torres-Gomez’s family from claiming workers compensation benefits.
Are you watching the Grammys alone tonight? Wishing you had someone there with you to enjoy the performances and award presentations help make fun of any and everything that deserves to be? Whether you're solo snarking, hanging out with a few pals, throwing your own Grammy mega-party or at the ceremony in person (we hear Taylor Swift is a big citybeat.com fan), join me tonight at this very cyber spot for some hot live blogging action. And when those witty comments pop into your head (or you become outraged with something I've written), feel free to post some comments of your own. The show airs live on CBS at 8 p.m.; pre-show red carpet festivities are probably going on now on E! And you can watch the program (and pre-show activities) through the Grammys site or through the Grammys YouTube channel.
Below is a little "pre-game show," addressing some of the more interesting story-lines this year, the saddest of which began just last evening when superstar Whitney Houston was found dead in her Beverly Hills hotel room. Even though her tragic death occurred just over 24 hours before the Grammys were set to begin, Houston's shadow will loom large over the ceremony, if not overshadow it completely.
The Doobie Brothers have been entertaining audiences across the world for more than 40 years. In 2010 the band released World Gone Crazy, their first album in a decade. They continue to be an inspiration with their recordings and their rigorous tour schedule.
CityBeat caught up with guitarist and vocalist Tom Johnston by phone this week. Johnston discussed the changes the band has seen through 40 years of Rock n Roll and what guides the creative process of the band. They will be performing at Riverbend at the PNC Pavilion this Sunday alongside Chicago.
CityBeat: You guys have been touring on the road for over 30 years. Do you ever get tired of just being on the road?
Tom Johnston: You get tired of travelling. You don’t ever get tired of playing. The playing part is what makes you come out here in the first place. I think Keith put it the best, Keith Knudsen, “You get paid for all the time it takes to get to the town and then you play for nothing.”
CB: You have seen music change over the years in recordings from albums to 8-Tracks to tapes to CDs to MP3s and iPods. Do you think it sounds better or worse today, the classic analog vs. digital question?
TJ: If you have hearing like mine, it really doesn’t make any difference. There is basically the school of thought that digital recordings aren’t as warm as analog. I can’t really tell you the difference when I am listening to it. Maybe if I did a mix there would maybe be a difference in analog that I could tell the difference. They have really come a long way with digital recording. They have ways of mixing digital recordings now so it sounds more like analog. Some people still buy albums if you can get them. People are still putting albums out. In fact, this last album we put out, World Gone Crazy, there was over 14,000 actual albums put out with the CDs, and by that I mean actual vinyl records for the people that want to hear it in analog.
CB: How many guitars do you have and what is your favorite to play?
TJ: Oh boy. I’ve got a lot of guitars. Basically, everything I use on the road is PRS and that is what I play live. I use two basic guitars live that I trade off and I have a Martin acoustic that I play as well live. It is pretty much all about Paul Reed Smith right now. At home I have a Stratocaster and I have some older guitars I have had for a long time, an old Les Paul, an old 335, a couple Strats and a Telecaster. But live and when I am out on the road, it is strictly Paul Reed Smith.
CB: When you began and wrote the early hits and songs for the band like “Rockin’ Down the Highway”, what were your early inspirations?
TJ: My inspirations at the time of writing a song like that had pretty much been put in place from playing since I was 12 on the guitar and picking up singing when I was 15. Most of my early stuff came from Blues and R&B and Rock & Roll by the guy I consider the King of Rock & Roll, that was Little Richard and people like Jerry Lee Lewis. Later on, that changed, I got into Hendrix and Cream and quite a few other people I am not going to be able to think of right now. David Mason albums, old Fleetwood Mac albums, you know from the ’70s, just a lot of stuff going on then. As far as players, Albert, Freddie and B.B. King were huge in my guitar playing. I call them the Three Kings, that’s basically how a lot of people refer to them. There are a lot of singers that influenced me. James Brown was definitely one of them.
CB: Have you had a single issue or incident that has ever changed the way you approach music?
TJ: If I ever did, I am not really sure when it was. I know the first time I ever watched, one of the few times I actually got to watch, James Brown live was 1962 in Fresno and that was pretty much a life altering event, musically. I had never seen anything like that. It just blew me out of the water. I couldn’t believe someone could work that hard that consistently and put on just an incredible show. That was a big event in my life.
CB: Over the years, you have had some health ailments with your voice and other things. How do you stay healthy on the road now?
TJ: I take care of myself. Back in the old days it was the Rock & Roll lifestyle, that wasn’t really healthy. But the biggest sideline I ever had was stomach ulcers which I developed in high school but it fully bloomed when I was out on the road in 1975 when I actually had to leave the tour. That is really the only health issue I ever had, but it was a bad one.
CB: Do you consider yourself or does the band consider themselves spiritual in any way and did it ever play a factor in your music or writing?
TJ: To be honest with you, no — at least not in the secular way of any specific religion. It’s not that we are not a religious band, it is just everybody has their beliefs about the world and mankind and how we got here I suppose but it is certainly nothing we would talk about.
CB: After all these years, I assumed you guys would talk about everything.
TJ: We talk about a lot of stuff but that isn’t one that pops up. Actually it popped up this morning. I was just giving my views on Buddhism and thinking it was a little more realistic since it is based on mankind’s shallow man as opposed to strictly about a specific deity and things having to be done a certain way. But those are just opinions and I don’t really follow it that closely; I don’t think anybody in the band does, to be honest with you.
CB: Do you guys take on different leadership roles within the band?
TJ: Yeah, to a point. It is basically when we are recording. When we are playing, it kind of happens naturally. Recording it is pretty much whoever writes the tune will be leading if you will, but other people come up with ideas for the tune so it is pretty much always a group effort.
CB: Are there any current Rock bands or new Rock bands on the scene right now you would like to collaborate with or work with?
TJ: I think John Mayer is an incredible guitar player. I really enjoy his work. Another one is Bruno Mars — I think he is extremely prolific as a song writer and pretty amazing. There is a band called Mannish Boy, which is a Blues group. I really like those guys. They are new. Most people aren’t going to know them. They aren’t Pop or anything like that. They are simply a Blues band but they are really, really good. There are more, I just can’t think of them right now. There are more people I think are really good out there that would be fun to get in the studio with. It would be fun to work with Christina Aguilera or Cee Lo Green. It would be fun to work with anyone from Maroon 5. We recently worked with Luke Bryan for that TV show on CMT called Crossroads and we had a ball doing that.
CB: I love Luke Bryan and his music. He has kind of blown up recently.
TJ: He is a good guy. He is a really good guy. We had a lot of fun doing that show. Everybody was just having a lot of fun.
CB: Do you have any creative outlets or hobbies outside of playing music?
TJ: It’s outside of the band in a sense but I write music for a hobby. I love writing. I do it all the time. I have a little studio at home. A lot of the stuff I write would never be used by this band. I am starting to branch out and write with other people now too, which is something I haven’t done as much. I have always kind of just written my own songs. I have started taking the steps to go out and write with some other writers who are very prolific and very much involved with the Pop scene or the Country scene or whatever else. I just really started doing that before we came out on this tour. When we finish this tour this year, I will go back to doing that some more. It was fun. It was a new place to go. It is exciting to get in and work with someone else because they help you find a lot of stuff you don’t know you have and I think you do the same for that person. You come up with songs that you would never come up with if you were just sitting there by yourself.
CB: Do you use social media outlets like Facebook and Twitter to stay connected to your fans?
TJ: There is Facebook and Twitter and all that stuff on our website. I don’t do any of that stuff. For whatever reason it hasn’t called me. I don’t have any need to be in touch with people or stay in the limelight or find out what is going on. I am kind of a private guy and I would like to keep it that way rather than blast it all over the universe. I don’t belong to Facebook. I know tons of people who do it and that’s great. From a business point of view, it is a really smart way to go. From a website point of view, it is a really good tool for getting your music out there, events out there, where you are going to be, maybe even staying in touch with other musicians, things like that but mostly I do that on the phone. Twitter, I have never even used Twitter. I know people do it all the time but I have never gotten involved with it.
CB: I still use a telephone because I prefer to talk to people.
TJ: It is alive and well in the younger generation. That’s how they communicate.
CB: My last question is do you have any fond Cincinnati memories over the years?
TJ: Yeah, playing at Riverfront Stadium, playing at where we are going to be playing this Sunday which is right on the river, Riverbend. We have played there lots of times. I was just talking to a gentleman a little bit ago about playing in Blue Ash the last time and a tornado came through and shut the show down and we never got a chance to go out and finish it. We have been playing Cincinnati since we started so we are talking 40 years of playing Cincinnati.
CB: We look forward to seeing you on Sunday.
TJ: Thank you very much. We are looking forward to being there and it will be a gas as always. This show with Chicago has pretty much been sold out everywhere we have gone. The crowds have been great and it is a good combination. The two bands, we get together at the end and do an encore of everybody in both bands playing at the same time and it is pretty powerful.
Cincinnati restaurants Adriatico’s and Eli’s BBQ got national recognition this week when they appeared on Urbanspoon’s top 100 “cheap eats” list. Urbanspoon chose these two eateries, as well as 98 more, from the million (yes, million) restaurants in their database.
Eli’s BBQ upgraded from a tent at Fountain Square and Findlay Market to a permanent home in the East End this year. They serve smoked meat and home-cooked sides. On Friday afternoons, you can bring your own drinks to accompany the pulled pork and macaroni and cheese on your plate. Eli’s offers hickory-smoked ribs, all-beef hotdogs, pulled pork sandwiches and more. For a longer rundown of Eli’s BBQ, check out CityBeat's review of the joint.
Adriatico’s brings New York style pizza to the Queen City. The pizzeria and sports bar is open after midnight each night, so you can get your late-night pizza fix after most places are closed. And since pizza isn't complete without beer, this place has plenty of it. With more than 40 beers on tap plus tons of craft bottled and canned beers, you’re able to mix and match pizzas and brews for the best combination for you. To keep up with Adriatico’s, check them out on Facebook.
Congratulations to Cincinnati’s cheap stops to fill up and leave full. Once you give these restaurants a try, check out more local spots because Cincinnati has a lot to offer when it comes to eating.
Last month, the Ohio High School Athletic Association declared her ineligible for the current basketball season. It says her family’s move into the suburban school district was not for “bona fide” reasons; it was solely to play basketball. A lawsuit filed by Paige’s mother, Vivian Watkins, contends Withrow High School opposed the transfer and filed an inaccurate complaint that led to the ban. OHSAA has not yet filed its formal response in the case. Court officials told CityBeat its lawyer has been in touch with the judge and indicated it will fight to keep Paige from playing high school hoops.
The 18-year-old Paige is a 5-foot-7 guard who is one of Cincinnati’s top female athletes. A post-high school college scholarship might be hanging in the balance of the court case. She was all-conference for the past three seasons in the Cincinnati Metro Athletic Conference, the league which includes most of the city’s public urban high schools. (Clark Montessori and Walnut Hills are the two city schools that are in different leagues). Three years worth of Paige’s stats are available by clicking here.
Hamilton County Common Pleas Judge Robert Ruehlman has scheduled a Dec. 4 hearing on a request for a temporary injunction that would lift the OHSAA ban and allow Paige to play. The basketball player’s mom — who is acting as her own lawyer in the case — says legitimate family issues led to the move outside the city. The mom contends the OHSAA has refused to consider evidence showing her daughter transferred to Winton Woods because the mom’s marriage broke down and she moved into a suburban apartment with her two children.
“Mrs. Watkins looked for apartments that would fit her budget and a decent community to reside in,” the mom wrote in the lawsuit against the OHSAA. “She looked all over and finally found a place in May of 2012. Since Alexxus was moving with her it would have been hard to transport Alexxus back and forth to Withrow High School, so it was decided that Alexxus would attend Winton Woods High School which is closer to Alexxus place of residence.”
The state rule is designed to hamper schools from recruiting star athletes to pump up their sports programs. In the past, there have been allegations that players enrolled in schools where they did not actually reside, or had temporarily “moved” in order to improve a team.North College Hill was dogged for years over rumors it recruited O.J. Mayo and Bill Walker for its state championship hoops teams. Both are now in the NBA: Walker plays for the New York Knicks and Mayo is with the Memphis Grizzlies.
Keller's IGA, located at 319 Ludlow Ave. in Clifton, shut down Thursday citing tax issues. While the doors are still locked, it has been announced that the store's liquor license is no longer suspended.
Cliftonites have been shopping at IGA's Ludlow location since 1939. Nestled near Arlin's Bar and Esquire Theater, Keller's was one of the only grocery stores in walking distance from The University of Cincinnati and has been a staple for many students and locals, especially those on foot.
While there is a CVS Pharmacy and United Dairy Farmer's nearby, the closest full-service grocery stores are the Kroger stores on West Corry Street (1.5 miles away) and off Spring Grove Avenue (1.7 miles away). The absence of Keller's not only leaves locals with fewer shopping options, but leaves a gap in array of locally-owned businesses in the Gaslight District.
While many former Keller's shoppers will turn to new stores where they can purchase deli items and fresh produce, they will most likely have to forgo supporting a neighborhood store and resort to a larger chain. A sign on Keller's door urges patrons to do what they can to save this local business.
Those not in the know often knock Cincinnati for a dilapidated arts scene, as if a conservative political climate results in a conservative cultural one. Those who have read CityBeat over the years hopefully know that this is a myth. Cincinnati's arts and music scene is often right on time, if not a few steps ahead. Tonight's tribute to the Ludlow Garage (and Rick Bird's feature this week on the late ’60s/early ’70s venue) is just one example that bucks any misconception that Cincinnati is, always was and will always be a backwards, messed-up city with, say it with me now, "nothing to do."
Last week, Cincinnati's stars-in-the-making Walk the Moon issued the first release under its deal with RCA Records. Though only three songs, the effort is illuminating and a hint of what's to come on the band's forthcoming, so-far-untitled RCA full-length debut (due to be released this May). The Indie Dance Pop foursome has seemingly been touring and doing business related tasks non-stop for at least the last year. Now that it has a release on RCA, that will only increase. The recording is called Anna Sun EP, named for the band's irresistible tune that (along with a stellar music video) helped initially generate much of the buzz they've received fairly consistently over the past year or so.The song "Anna Sun" is on the EP, but those who have i want! i want! (the group's stellar self-released LP containing the original track) might still want to listen. It's a new version of the catchy song, slicked up a bit for radio and seemingly (inexplicably) sped up.