Singer/songwriter Kim Taylor is probably getting used to hearing her songs in films and TV shows. Perhaps the most licensed contemporary songwriter in Greater Cincinnati, Taylor’s songs have been used in numerous network television programs and several made-for-TV movies; most recently, Taylor’s “Build You Up” was used in the season premiere of CBS’s Flashpoint (which has used her music several times in the past), while the ABC Family original movie Cyberbully (which premiered July 17) included the same track.
But soon, Taylor (pictured, second from right, with her castmates) will find herself on the other side of the camera, signing on as one of the stars of director Matt Porterfield’s forthcoming indie film, I Used to Be Darker.
Under Steve Kemple, music reference librarian in the Popular Library, downtown's Main Library has begun doing some fascinating free programming to highlight the depth of its music collection — and just music in general. It already has an Experimental Music at the Library series, featuring live events such as a band from Oakland (Horaflora) that plays grapefruit, electric toothbrushes and balloons. At 7 p.m. on March 20, Hadron Collider will pair psychedelic light projections with feedback and drone noises.
But coming up first, the spotlight is on another of Kemple's ongoing music programs at the Main Library — Listen to This! — for which an audience is invited to listen to and discuss albums from the Library's collection. Past sessions have been devoted to Iranian music and Marvin Gaye. Next Wednesday from 7-8:30 p.m., Listen to This! features the traditional music of North Korea. So far, Kemple has only found one relevant album in the collection — North Korean Folk Songs — but it's a good one. And the hunt is on for more.
No word if Dennis Rodman will attend with or without his new best friend, but you're sure to have a good time — and become well-versed on North Korean music — if you do. The program will be held in the first-floor Popular Music Lounge.
Kemple's creative programming was just written up in the Library Journal.
Go here for more information.
The superb, now veteran local Indie Pop group The Minor Leagues are gearing up for the release of their new album, North College Hill. The album was recorded last summer with Sean Sullivan at The Butcher Shoppe, the Nashville studio owned by legendary singer/songwriter John Prine and Grammy-winning engineer Dave Ferguson (Johnny Cash, U2, Ryan Bingham), and was recently mastered by Michael Bond from the band's label, Datawaslost. The Minor Leagues recently made the album's first single — "Ghost Maps" b/w "Please Don't Throw My Love Away" — available as a free download from their new website (www.minorleaguesmusic.com).
The New York Times published a story in the paper's arts section today about the history of Cincinnati-based King Records and those around town who have made it their mission to put the once-vital label back in the spotlight. The story mentions everyone from old-school King artists James Brown, Charlie Feathers and Nina Simone to current-day champions John Cranley, Elliott Ruther and Brian Powers.
RJ Smith, the author of the piece entitled "Rocking Cincinnati's R&B Cradle," was on hand for the King Records memorial back in mid-November, as well as the Cincinnati Entertainment Awards, presented by the good peeps at CityBeat, later that night.
Last night, Jane Smith, singer for the Cincinnati area band Belle Histoire, appeared as a contestant on the NBC singing competition, The Voice. None of the judges "turned around" (the show's sign of approval, but, really, isn't it rude not to look at someone singing for you?), but Smith earned some fans with the appearance.
Lyndsey Parker, who covers the show for Yahoo's music blog, was one such fan, writing, "Whyyyyyyy didn't any of the judges spin for this awesome girl? Biggest Voice fail of this season so far, for real. Obviously the judges could not see how adorable Jane was, with her perfect Marlo Thomas hair-flip, sweet Keane-painting eyes, and Zooey 101 style…but surely they must have heard the potential in this Belle Histoire frontwoman's throaty performance of Florence + The Machine's 'You Got The Love.' I don't understand why no one turned, since they'd turned for less impressive singers this season. Of course, the four coaches who rejected Jane then spent 10 minutes annoyingly gushing about how great she was, which only made me wish there was such a thing as a Do-Over Round on The Voice. Le sigh. If only Cee Lo Green hadn't sat out Season 4. I have a feeling Cee Lo would have totally hit his button for Jane."
Click here to read more about Smith and her on-the-rise Indie Pop Rock band Belle Histoire, then check out the band's music video for "My Dear," from the group's debut album Dreamers, below. And click here to listen to the first single from Jane's solo project Decker, "Swing," which was released to iTunes today.
On Thursday, Feb. 7, local promotional company The Counter Rhythm Group will debut a new "trade show" event that will offer local musicians a chance to check out a wide range of "good and services" available to them in the Greater Cincinnati area.
The first "Locally Insourced: Cincinnati Music Industry Trade Show" will take place at Rohs Street Cafe's large Sanctuary room in Clifton Heights. The event is free and open to musicians of all ages.
The MidPoint Music Festival is a sponsor of the event and will be on-hand to offer early registration for those wishing to be considered for a showcase slot at 2013's MPMF, returning to the venues of Over-the-Rhine and Downtown once again in late September.
Other vendors displaying their services for local musicians will range from video production companies, designers and photographers to promotional companies, poster and t-shirt makers, CincyTicket and many, many others. Locally Insourced looks to be a great chance for artists to explore the many options available to them in their own backyard and help them steer their careers in whatever direction they'd like.
Click here for more on the event.
Much has changed for the legendary Cincinnati live music venue the Blue Wisp Jazz Club over its 40-plus-year existence. Though it has consistently been the club for Jazz in Cincinnati over most of that period, the Blue Wisp has moved four different times over four decades. In its most recent locale at the corner of Race and Seventh streets downtown, the club owners also tried to attract more business by serving food and varying the types of music performed. But it wasn’t enough and the Blue Wisp has once again closed its doors (though various reports suggest it could find yet another new location in the future).
One thing that hadn’t changed at the Blue Wisp, at least since it began in 1980, is the Blue Wisp Big Band. The group of all-star local musicians has maintained one of the longest residency in the region, performing its skilled take on vintage Big Band Jazz like clockwork every Wednesday. The band is a Cincinnati institution.
When the Wisp shut down, the members of the Big Band were determined to not let their remarkable run end with a whimper. Instead, the Blue Wisp Big Band sought to continue its every-Wednesday residency at another venue. (In case you’re wondering, the group owns its moniker, so they can legally continue to use the “Blue Wisp” name.)
Veteran local Jazz pianist and Blue Wisp Big Band founding member Steve Schmidt says they’ve landed their new spot, Japp’s Annex on Main St. in Over-the-Rhine, and will pick up its Wednesday night shows beginning this week. Schmidt says the group will perform every Wednesday at Japp’s, at least through the end of July, when they’ll reassess the situation just to make sure it’s a good fit. The Big Band will again be playing two hour-long sets each Wednesday, the first starting at 8:30 p.m. The cover charge will be less than it was at the Wisp — just $5. (Parking is available in the lot on the corner of Main and Central Parkway, as well as in the garage behind the club on Sycamore.)
“We are excited about trying out this (Over-the-Rhine) spot and happy that the ownership and staff at Japp's is excited, too,” Schmidt says. “We are all thinking of ways to make it better for the customer and the band as we go along. The band wanted to start quickly, not to be dormant for too long.”
Several of the principal members of the Blue Wisp Big Band did a walkthrough several days ago to get a feel for the new space and were happy with what they saw (and felt).
“I got a very good feeling about the room,” Schmidt says, “both in terms of space — spacious yet intimate — and acoustics. I think the other guys felt the same way. (Founding BWBB anchor/drummer) John Von Ohlen rightly pointed out that there is a lot of wood — the floors and the large bar. As John said, in the fullest and most complimentary sense of the word, ‘It's a joint!’ It's what he had in mind when he formed the band and put it in the original Blue Wisp in O'Bryonville. He said he wanted a world-class big band in a beer tavern.”
“In a word,” Schmidt adds, “(the new space) has soul.”
Matt “Sledge” Waller, a former DJ for the late Indie/Alternative music powerhouse WOXY (dating back to its terrestrial days in Oxford, Ohio), has gotten back to playing music. Waller hosts a weekly two-hour radio show on the Internet channel party934.com, which also airs in its hometown of Hudson Valley, NY, on the 94.9 frequency.
Indie Pop trio The Seedy Seeds are nearing the end of its first tour leg in support of the new album Verb Noun, which took the band coast-to-coast, wrapping up Friday in Columbus, Ohio. Local fans will have a few chances to see them in April — April 21 they do a free show at the Cincinnati Zoo with The Tillers and they'll join Walk the Moon April 28 at 20th Century Theatre in Oakley — or you can check out the band's new video for the album's lush Indie Pop title track below. The band has also offered up a free stream of their "Friends of The Seedy Seeds" project, featuring several musician pals covering tunes from Verb Noun.
When Over the Rhine's new album, The Long Surrender, comes out early next year, it will have been 20 years since the beloved Cincinnati outfit released Till We Have Faces, OTR’s 1991 debut. In that time, OTR’s husband/wife braintrust — multi-instrumentalists and vocalists Linford Detweiler and Karin Bergquist — carved out one of the more impressive careers in Cincinnati music history, amassing a dedicated worldwide fanbase of passionate supporters. OTR’s unusually close-knit relationship with those fans has kept their base intact. It’s also how the duo was able to make The Long Surrender.