• Ironfest, the multi-act concert event started by friends of late local music booster “Iron” Mike Davidson to benefit his daughter, is set for its third annual event tonight and Saturday at the new Southgate House Revival in Newport. Each night features a staggering amount of solid local bands from a variety of genres.
Tonight, catch Mad Anthony, State Song, Switchblade Syndicate, The Shanks, Goddamn Gravity, The New Void, Billy Wallace and the Virginia Blues, Vito Emmanuel, Jeremy Pinnell and the 55’s, Arlo McKinley and the Lonesome Sound, Chiva Knievel, Total Dudes, A Juliet Bender, Smoke Signals, Rising Shotgun, DC Project and Dead August.
Performing for Night 2 tomorrow are The Dopamines, Moonbow, Honeyspiders, Red Soul Rising, Unsinkable Molly Brown, Another Tragedy, The Tammy Whynots, 500 Miles to Memphis, The Sound Museum, SHIVS, Kelly Steward and the Restless Kind, The Mudpies, Martin Luther and the Kings, The Perfect Children, Buenos Crotches, Sticky Honey, The Andyman Hopkins Band and Queen City Radio, a very promising new group featuring Dan Mecher, former frontman for Turnbull ACs and Denial, former 500 Miles to Memphis bassist Jeff Snyder, longtime 500 Miles frontman Ryan Malott and Kevin Finkelmeier of Pete Dressman and the Soul Unified Nation and Denial fame.
Tickets are just $5 each night and music starts at 7 p.m. Click here and here for more info.
• One of Cincinnati’s most popular bands, Rumpke Mountain Boys, celebrate the release of their new album with a series of release parties in the region, kicking off tonight at Inner Circle (the former Annie’s location). Following the Cincinnati date, the Boys will perform for their growing fan bases in Lexington, Ky., Bloomington, Ind., Columbus, Ohio, and Cleveland, Ohio. The group’s new official full-length is titled Trashgrass, the name the members have given their eclectic, jammy, sometime trippy brand of Bluegrass. The band has all the markings of a standard Bluegrass troupe — mandolin, banjo, upright bass, acoustic guitar and vocal harmonies — but the members’ varied influences (they cite Grateful Dead, Ralph Stanley, Tom Waits and Jimmy Cliff among their key inspirations) make the end result its own organic, spontaneous beast. The seven-time Cincinnati Entertainment Award winners for Best Bluegrass act have performed at numerous festivals, shared the stage with artists like Ralph Stanley, Keller Williams, Yonder Mountain String Band and Del McCoury, and Vince Herman — a pioneer of the Rumpkes’ jammy take on Bluegrass with Leftover Salmon — called them “a party waiting to happen.”
Rumpke Mountain Boys perform tonight with the excellent local Reggae crew The Cliftones. The show starts at 9 p.m. and admission is $10 (or $12 for those ages 18-20). Visit rumpke.ning.com for more on the band.
The Rumpkes are probably one of the more documented bands in the area thanks to their allowance/encouragement of fans to record their live shows. Here's a video from this past March of the group performing the Folk/Jazz/Blues standard "Make Me A Pallet on Your Floor" at ekoostik hookah's springtime music fest in central Ohio.
• Strong local Rock/Pop act Majestic Man celebrates the release of its debut full-length, Manatee, this Friday at Mayday in Northside. Local bands The FrontRunners and Plastic Inevitables open the free show at 10 p.m. Manatee is loaded with melodic, well-written songs, but the varied groove the band manipulates throughout the album is just as distinct and magnetic. Be it the Jazz slink of “Someday,” the dubby sway of “Bodysnatcher” or the angled Funk of “Age of No Reason,” the music is rhythmically fascinating. The dazzling guitar playing and superb vocals add cohesion to Manatee, an album that shows Majestic Man to be one of the more gifted newer groups in the Cincinnati area. To preview and/or purchase Manatee, visit majesticman.bandcamp.com. Here's the new album track "Spanish":
• This past spring, prolific artist Jon Langford came to Cincinnati to open an exhibit of his visual artwork and perform a free concert with his group Skull Orchard at Over-the-Rhine club MOTR Pub. At the time, Langford spoke to CityBeat contributor Steve Rosen about his range of artistic endeavors.
Just prior to the springtime Cincy visit, Langford had come off a Midwest tour with perhaps his best known band outside of his first one — British Punk legends, The Mekons — Waco Brothers, the AltCountry outfit he records with for Bloodshot Records. Langford must’ve enjoyed his time in Cincinnati because tonight he's bringing the Wacos to MOTR Pub for a 10 p.m. show, one of only a trio of appearances currently scheduled for the group. The Brothers are bringing with them Paul Burch, the Nashville singer/songwriter with whom the band collaborated on this year’s Great Chicago Fire LP. The Chicago band Cannonball is also on the bill.
Here's a fan-shot video of Burch and the Wacos from earlier this year.
It's looking like the historic Emery Theatre on the border of Over-the-Rhine and Downtown is back in business as a full-time functioning venue. Bands like Magnolia Mountain and Pop Empire have been using the Theatre to film music video projects and, next Saturday (April 28), the Emery hosts the "Rock This Town" benefit concert for CityLink, which helps resident "break the cycle of poverty" by providing employment training and other assistance. The event's music will be provided several groups of business people who can play instruments or sing (modeled on the "Suits That Rock" concerts that benefit the Carnegie Arts Center in Covington).
On April 27, the Emery will host a dual album release party/concert in honor of two new releases from the label Ol Kentuck, run by SubPop recording artist and Northern Kentucky native Daniel Martin Moore. One of the albums is a vinyl release of producer/guitarist/composer Ric Hordinski's Arthur's Garden (read more about the album here).
The other is the first release from a duo project consisting of Moore and singer Joan Shelley (pictured) titled Farthest Field. The event will also feature readings from authors Silas House and Marianne Worthington (who wrote one of the most engaging press releases for the album I think I've ever laid eyes on for the duo's debut; click the "Bio" pdf link on this page to read it).
It's a great time to check out the Emery circa 2012 because the concert is also free and open to the public. (Rock this Town's tickets range from $35-$100 — for a great cause, of course.)
Here are two video clips (shot by photographer Michael Wilson with help on the audio side from Pop Empire) promoting the concert, with music from Moore and Shelley's Farthest Field (officially available May 8).
Matt “Sledge” Waller, a former DJ for the late Indie/Alternative music powerhouse WOXY (dating back to its terrestrial days in Oxford, Ohio), has gotten back to playing music. Waller hosts a weekly two-hour radio show on the Internet channel party934.com, which also airs in its hometown of Hudson Valley, NY, on the 94.9 frequency.
A new track from The National leaked last week and it serves as a good mini-preview of the Cincinnati-bred group’s headlining appearance at National guitarist Bryce Dessner’s MusicNOW festival on May 15 at Music Hall. The track “Think You Can Wait” comes from the soundtrack to the upcoming film Win Win by director Tom McCarthy (The Station Agent, The Visitor). The song features guest vocals from pal/collaborator Sharon Van Etten, who is scheduled to open the band’s MusicNOW show (and, I would guess, perform “Wait” with the group).
Under Steve Kemple, music reference librarian in the Popular Library, downtown's Main Library has begun doing some fascinating free programming to highlight the depth of its music collection — and just music in general. It already has an Experimental Music at the Library series, featuring live events such as a band from Oakland (Horaflora) that plays grapefruit, electric toothbrushes and balloons. At 7 p.m. on March 20, Hadron Collider will pair psychedelic light projections with feedback and drone noises.
But coming up first, the spotlight is on another of Kemple's ongoing music programs at the Main Library — Listen to This! — for which an audience is invited to listen to and discuss albums from the Library's collection. Past sessions have been devoted to Iranian music and Marvin Gaye. Next Wednesday from 7-8:30 p.m., Listen to This! features the traditional music of North Korea. So far, Kemple has only found one relevant album in the collection — North Korean Folk Songs — but it's a good one. And the hunt is on for more.
No word if Dennis Rodman will attend with or without his new best friend, but you're sure to have a good time — and become well-versed on North Korean music — if you do. The program will be held in the first-floor Popular Music Lounge.
Kemple's creative programming was just written up in the Library Journal.
Go here for more information.
When Over the Rhine's new album, The Long Surrender, comes out early next year, it will have been 20 years since the beloved Cincinnati outfit released Till We Have Faces, OTR’s 1991 debut. In that time, OTR’s husband/wife braintrust — multi-instrumentalists and vocalists Linford Detweiler and Karin Bergquist — carved out one of the more impressive careers in Cincinnati music history, amassing a dedicated worldwide fanbase of passionate supporters. OTR’s unusually close-knit relationship with those fans has kept their base intact. It’s also how the duo was able to make The Long Surrender.
Singer/songwriter Kim Taylor is probably getting used to hearing her songs in films and TV shows. Perhaps the most licensed contemporary songwriter in Greater Cincinnati, Taylor’s songs have been used in numerous network television programs and several made-for-TV movies; most recently, Taylor’s “Build You Up” was used in the season premiere of CBS’s Flashpoint (which has used her music several times in the past), while the ABC Family original movie Cyberbully (which premiered July 17) included the same track.
But soon, Taylor (pictured, second from right, with her castmates) will find herself on the other side of the camera, signing on as one of the stars of director Matt Porterfield’s forthcoming indie film, I Used to Be Darker.
On Thursday, Feb. 7, local promotional company The Counter Rhythm Group will debut a new "trade show" event that will offer local musicians a chance to check out a wide range of "good and services" available to them in the Greater Cincinnati area.
The first "Locally Insourced: Cincinnati Music Industry Trade Show" will take place at Rohs Street Cafe's large Sanctuary room in Clifton Heights. The event is free and open to musicians of all ages.
The MidPoint Music Festival is a sponsor of the event and will be on-hand to offer early registration for those wishing to be considered for a showcase slot at 2013's MPMF, returning to the venues of Over-the-Rhine and Downtown once again in late September.
Other vendors displaying their services for local musicians will range from video production companies, designers and photographers to promotional companies, poster and t-shirt makers, CincyTicket and many, many others. Locally Insourced looks to be a great chance for artists to explore the many options available to them in their own backyard and help them steer their careers in whatever direction they'd like.
Click here for more on the event.
Rolling Stone has the first preview of Cincinnati-bred Funk superhero Bootsy Collins' anticipated forthcoming album, Tha Funk Capital of the World, which features a fascinating array of special guests and is slated for release April 26. The RS Web site is streaming the album's first single, "Don't Take My Funk," a groovy slice of bubbling Funk (you were expecting opera?) that has legendary Soul singer Bobby Womack on vocals and some guitar work from Bootsy's late brother and lifelong collaborator Catfish Collins.
Every year, a compilation featuring several of the artists performing at the MidPoint Music Festival is lovingly compiled to give an overview of some of the fest’s participants. MPMF10’s comp has been assembled and you can listen to it right here, right now. While the amount of already well-known acts performing at MPMF10 is something that makes the event exceptional this year, the comp reflects the high quality of the lesser-knowns as it’s made up of tracks by the superb up-and-comers performing at this year’s fest.