Tomorrow is Record Store Day and local shops Everybody's Records, Mole's Record Exchange, Phil's Music and Memories and Shake It Records are all getting in on the action. If you're unfamiliar with "record stores," here's the Wikipedia page. If you're unfamiliar with Record Store Day, it's essentially an annual "holiday" where tons of artists and labels issue limited released goodies in an effort to get music lovers away from their computers and into independent retailers to buy their tunes. Here are a few of the things going on locally related to RSD.
• Everybody's Records in Pleasant Ridge is having a day's worth of live music going on for Record Store Day, as well as the usual deals and fun. Graham Weber, a former local now living in Austin, Texas, kicks things off at noon (he performs a show later tomorrow night at Neon's in OTR), followed by local acts The Newport Secret Six, Jack Logan and Midnight Riders, Strangetunge, The ClaZels and Playfully Yours. Chicago Soul/Funk band The Right Now (performing Saturday night at MOTR Pub in OTR) closes out Everybody's RSD (the live music part, at least) at 6 p.m.
• Phil's Music and Memories in Cold Spring, Ky., got a jump on the RSD action and has been offering deals since Wednesday (and continuing through Sunday) — 20 percent off used vinyl and 30 percent off used CD's and used DVDs. The store apparently has even better deals lined up for Saturday.
• Athens, Ohio-based Indie Roots band The Ridges are releasing a limited edition release and poster that will be available at most local indie retailers. The release, The Insomniac's Song (Live with The Sleepless Singers), features a special live version of the lead-off track from The Ridges self-titled debut album. The exclusive features a download card (encased in a 12-by-12 poster/packaging) that'll get you the live version of the song (with a choir of 20 singers from area bands like The Happy Maladies and Young Heirlooms, as well as Brian Olive Band vocalist Molly Sullivan), a video of that version and the studio version.
• Northside staple Shake It’s Record Store Day events have a lot of local music ties. The label arm of Shake It is issuing a special vinyl version of the debut album from the imprint’s franchise players, Wussy. The remaining copies of the colored-vinyl version of Funeral Dress (including a download card and special LP insert) go on sale via mail order or www.shakeitrecords.com on April 24. (Shake It is also again offering shoppers 10 percent off their entire purchases if they bring canned goods to donate to Churches Active In Northside’s food pantry.)
• Awesome local Indie duo Bad Veins is making its stunning sophomore album, The Mess We’ve Made, available at Shake It for RSD, ahead of its April 24 national street date. The band will perform a short set at the store at 5 p.m. before heading to Taft Theatre for the official release party Saturday night.
• At 7 p.m., potential “next big things,” Cincinnati’s Alt/Dance/Pop troupe Walk the Moon, will be at Shake It to perform a sort set. The band’s debut album for RCA Records now has an official release date — June 19 — but WtM is offering fans a special Record Store Day exclusive in the form of a 7-inch single (pictured) featuring the songs “Anna Sun” and the previously unreleased “Anyway I Can.”
• If you want a little warm-up to bridge the gap between 4/20 and 4/21 (advice: leave your bong at home), head to Northside Tavern on Friday for a special Record Store Day eve party hosted by Salina Underground, an Indie Rock radio show on WVQC (95.7 FM; www.wvqc.org). The free show is headlined by Brian Olive and his band, which recently announced a national tour kick-off at the Ballroom at the Taft for May 25. (Olive is also coming off some promo dates with the legendary Dr. John, on whose new Dan Auerbach-helmed album the local musician also appears). The 9 p.m. show will also feature Indie Rock group The Sweep and rootsy newcomers The Chance Brothers (releasing their debut album, Growing Concern, that night, as well).
• The downtown main branch of the Public Library is getting in on the Record Store Day action. A turntable will be set up for anyone to drop the needle and sample the library’s music catalog (including lots of locally produced tunes) and there will be free live music all afternoon. Experimental guitarist Pete Fosco performs at noon, Art Gore and the Jazz Knights play at 2 p.m.; and Jarrod Welling-Cann from local band The Sleeping Sea plays at 4 p.m.
• Downtown's Arnold's Bar and Grill is reaching out the Record Store Day revelers and, on Saturday, will be offering 10 percent off your bill if you bring in a receipt proving you bought something from a local, independent record store that day.
Click below for a list of many of the Record Store Day exclusives being made available (or here for your own complete copy).
The superb, now veteran local Indie Pop group The Minor Leagues are gearing up for the release of their new album, North College Hill. The album was recorded last summer with Sean Sullivan at The Butcher Shoppe, the Nashville studio owned by legendary singer/songwriter John Prine and Grammy-winning engineer Dave Ferguson (Johnny Cash, U2, Ryan Bingham), and was recently mastered by Michael Bond from the band's label, Datawaslost. The Minor Leagues recently made the album's first single — "Ghost Maps" b/w "Please Don't Throw My Love Away" — available as a free download from their new website (www.minorleaguesmusic.com).
Tonight at downtown club Main Event, three of Cincinnati’s best DJs will perform at a benefit to assist the musical pioneer who made their DJ careers possible. When news hit late last month that DJ Kool Herc was in the hospital, bleeding internally and enduring massive pain, many Hip Hop lovers with an understanding of the music’s origins and originators began plotting ways to help. Tonight’s event featuring Mista Rare Groove, Apryl Reign and DJ Pillo is one of several efforts across the continent (and probably globe) organized by appreciative fans to lessen the financial burden of Herc's mounting medical bills.
Over the years, Greater Cincinnati has been lucky to have at least a few radio stations dedicated to giving original, local music some airtime. While WEBN (yes, that WEBN) strongly supported local music in the ’70s/’80s, most substantial local airplay now comes courtesy of community and/or low-powered stations, plus the occasional, short-lived niche show from a huge corporate radio outlet.
At 88.9 FM (or 89.1 FM in Northern Kentucky), Class X Radio's diverse programming and lineup of shows include the longest-running local music program in the area — Kindred Sanction — which got its start on WAIF over 25 years ago (the station also incorporates local music into its other programming). The community radio station WVQC (Radio Free Queen City) is run through Media Bridges and features numerous shows that spotlight Cincy artists (listen online or at 95.7 FM). And Northern Kentucky's powerhouse public radio channel, WNKU (wnku.org or 89.7 FM) integrates local artist cuts into its normal playlist frequently.
This past April, 94.5 FM became Cincy Rock 94.5 … for a month. Owners Clear Channel threw a bone to local music after Northern Kentucky resident Josh Fields won a contest to program the channel until its May 1 conversion to a 24-hour FM simulcast of AM superstar, WLW.
This Sunday, in what will hopefully be a more permanent occupation of some FM airtime for local music, another Clear Channel outlet, The Project (at 100.7 FM and 106.3 FM), will launch what looks to be a great new program, CincyMusic Spotlight.
One of the few conglomo-stations to consistently play "Alternative" music in the city (it also plays the bigger local bands, like Foxy Shazam and Walk the Moon, on a regular basis), The Project will now delve into Greater Cincinnati's music scene head first every Sunday night at midnight. The program will be made available as a podcast at CincyMusic.com, which partnered with The Project for the new show (podcasts will also be available at CincinnatiProject.com). You can subscribe to the podcasts at both sites starting Sunday.
In a press release, the show is described as "a mix of the region's most talented musicians" and will also feature a "weekly recap of all the local music news from CincyMusic.com."
The program certainly has the right hosts in place. CincyMusic Spotlight will feature two local music/radio veterans — Venomous Valdez (who has done radio in the past, helped keep the MidPoint Music Festival running smoothly last year and currently works with local bands as a manager/road manger) and Joe Long (who helms the music blog Each Note Secure and was a former DJ on the late, great 97X/WOXY).
Tune in this Sunday night and be vocal in your support of the show so CincyMusic Spotlight stays on the air and proves wrong the seemingly conventional wisdom that there are no ratings or money in "local music."
A pair of interesting local package-tour concerts were announced today for Riverbend's summer season.
• On Saturday, July 6, Bob Dylan and his band are headlining the Americanarama Festival of Music when it comes to Riverbend Music Center. Dylan tours a lot, but making this jaunt extra special are the extra special guests — Wilco and My Morning Jacket. Other acts are to be added to round out the fest-like bill (show starts at 5:30 p.m.).
Tickets for Americanarama at Riverbend go on sale this Saturday at 10 a.m. through Ticketmaster. Tickets range from $30-$80; between April 27-28, fans can buy lawn tickets for the show for just $20 (plus all those sketchy ticket fees).
Read more about the tour here.
• For local fans of modern Hip Hop, mark your calendars for Aug. 11. That's when the second annual Hip Hop tour, Under the Influence of Music, will be coming to Riverbend. The show is headlined by Wiz Khalifa and A$AP Rocky and will also feature B.o.B., Trinidad Jame$, Joey Bada$$, Pro Era and Berner and more. The Cincinnati stop is the last on the tour, which always makes for a fun time for the performers (and, thus, the audience).
Tickets go on sale this Saturday at 10 a.m. through Ticketmaster. Click here if you'd like to RSVP for a chance to buy tickets early. Citi card members get access to presale tickets beginning tomorrow at 10 a.m. Riverbend is offering $15 "Early Bird" tickets through April 28. And here is some info on getting a jump on the public on-sale.
Here's an interview with the headliners about the tour.
On Thursday, Feb. 7, local promotional company The Counter Rhythm Group will debut a new "trade show" event that will offer local musicians a chance to check out a wide range of "good and services" available to them in the Greater Cincinnati area.
The first "Locally Insourced: Cincinnati Music Industry Trade Show" will take place at Rohs Street Cafe's large Sanctuary room in Clifton Heights. The event is free and open to musicians of all ages.
The MidPoint Music Festival is a sponsor of the event and will be on-hand to offer early registration for those wishing to be considered for a showcase slot at 2013's MPMF, returning to the venues of Over-the-Rhine and Downtown once again in late September.
Other vendors displaying their services for local musicians will range from video production companies, designers and photographers to promotional companies, poster and t-shirt makers, CincyTicket and many, many others. Locally Insourced looks to be a great chance for artists to explore the many options available to them in their own backyard and help them steer their careers in whatever direction they'd like.
Click here for more on the event.
Ian McLagan, who performs at Southgate House Revival on Wednesday, is a Rock and Roll Hall of Fame inductee. And for good reason.
In 1965, he replaced one Jimmy Weston as keyboard player in Small Faces, one of the two great Mod bands (the other was The Who) who captured the youthquake mood and sense of liberation that swept the Swinging London of the mid-1960s.
In Britain, Small Faces had hit after hit featuring vocalist/guitarist Steve Marriott — “Sha-La-La-La-Lee,” “All or Nothing,” “Tin Soldier,” “Lazy Sunday,” “Here Come the Nice,” “The Universal” and more. Their one U.S. hit, the psychedelicized “Itchycoo Park,” has been a Rock-radio staple from the day it hit the charts in 1967.
When Marriott departed, the remaining group members — McLagan, bassist Ronnie Lane and drummer Kenney Jones — decided to carry on by recruiting two members of The Jeff Beck Group, singer Rod Stewart and guitarist Ronnie Wood. Called Faces, they became one of Britain’s most successful bands of the early 1970s with their rough-hewn, pub-friendly style of rowdy-yet-tender acoustic-electric Rock. Among their classics are “Stay With Me,” “Cindy Incidentally” and “Ooh La La.”
With all the talent in that band, it didn’t stay together too long. Stewart’s concurrent solo career got too big, while Wood was wanted by The Rolling Stones and Jones by The Who. McLagan, whose vocal duties were limited in Small Faces and Faces (who were simultaneously inducted into the Rock Hall in 2012), became an in-demand session and touring keyboardist for Bonnie Raitt, Billy Bragg, Bob Dylan, The Rolling Stones and many others.
He also began occasionally releasing his own mostly small label albums, solo and with The Bump Band, that showcased his ruggedly naturalistic voice and songwriting talents. He has lived in Austin, Texas, since 1994, after moving to the U.S. from Britain and living in L.A. for 16 years.
At the time of his Austin move, Lane was also there. But the latter’s worsening multiple sclerosis soon prompted a move to less-humid Trinidad, Colo. In fact, Lane already was planning that move when McLagan told him he was coming to Austin. So their time together in the same town only lasted for one and a half months. Lane died in 1997.
McLagan’s solo career took a great leap forward with 2009’s Never Say Never, filled with sometimes-rueful, sometimes-redemptive songs, melodic and rhythmic, prompted by the loss of his wife, Kim, in an auto accident. The songs have some of the majesty of Paul McCartney’s “Maybe I’m Amazed,” another high point of early-1970s British Rock.
That album, in turn, inspired the label Yep Roc — home to still-vital veteran singer/songwriters like Nick Lowe, Dave Alvin and Robyn Hitchcock — to distribute his follow-up, this year’s fine United States. It’s been getting rave reviews and is helping McLagan finally emerge as a bandleader.
The album is bringing McLagan (with Bump Band bassist Jon Notarthomas) to Southgate House Revival in Newport Wednesday. As far as he can recall, this is his first show as a headliner in the Cincinnati area since his first solo album, Troublemaker, came out in 1979.
“This year I’ve toured as much as I have in last 10 years,” the affable, sunny-dispositioned McLagan says in a phone interview. “Now I have a record company that wants me to tour and that’s great.”
It’s also a little strange. McLagan, 69, is a member of British Rock & Roll royalty — of the same generation, and often friends with, those who have been arena-filling superstars for six decades and counting. Yet his Cincinnati area date is surprisingly low profile, with little advance publicity. (For a variety of reasons, Southgate House didn’t announce it until just two weeks before the show.)
It’s an odd situation. He’s been making music professionally for 50 years, yet is still establishing himself as a touring attraction.
“The funny thing is, if I’d made several albums in the 1960s and had some success, the people that like my albums now would have grown up liking them,” McLagan says. “I didn’t have that, and I realize I’m stumbling around this wonderful world trying to attract attention now.
“It’s pretty funny, really. But I just love what I do,” he says. “I am so blessed that all I’ve done in my professional life, since I was 17-18, is play music and somehow make a dollar here and there.”
One thing that remains constant in McLagan’s shows — in his psyche — is his love for his late wife. He met her when she was estranged from husband Keith Moon. He always performs several songs from Never Say Never.
“I sing to my wife; it helps me,” he confides. “She was my muse. I’ve written so many songs about her, to her, with references to her, and still do. She’s a big part of my life. We were together for 33 years. It actually does me good — she’s with me all that time in that way.”
Even though McLagan isn’t that famous as an individual, he was in groups whose records sold millions. So shouldn’t his royalties afford him such a cushion he can treat work like a hobby?
“Ha, ha, ha — you’re very funny,” he replies.
He explains Small Faces were on a modest salary that was paid by their manager, Don Arden, with knowledge of their Immediate record label’s head, Andrew Loog Oldham. They never got royalties during the band’s lifetime.
McLagan joined Small Faces in 1965 after original keyboardist Weston left following the group’s first British hit, “Watcha Gonna Do About It.” Although it wasn’t why original Small Faces keyboardist Weston left, he had been the only member of the original lineup who wasn’t actual small, height-wise.
McLagan, who was, had been gigging with more Blues-oriented groups, including one led by Boz Burrell (future King Crimson and Bad Company member).
“They got me because they read a review of a show I was in with another band that said I played Hammond organ and I was really good, and it had a photograph with my name under it," McLagan says. “But it wasn’t a photograph of me, it was of Boz Burrell. So when they saw me, they laughed and Steve picked me up because they hadn’t known I was short. How cool is that? They said, ‘He doesn’t look like his photograph but he looks all right.’ ”
Arden asked McLagan how much he was earning and he said five pounds (the British currency) a week, a very small sum. So he offered McLagan 30 pounds during probation and then an even split with the others.
“He was showing off,” McLagan says. “I was thinking, ‘Wow, I’m a millionaire.’ Eventually, I asked Ronnie Lane, ‘What’s going on? Am I still on probation?’ They knew nothing about it. We went up to the office and Ronnie said to Don, ‘Hey, Mac’s in the band, all right?’ My money went down to 20 pounds a week — that’s what they were getting! We never got anything other than 20 pounds a week for two years and then it was 50 pounds a week. Since 1997, we now get our royalties. Of course, Small Faces albums are not selling in the amount they were when we didn’t get paid, but we are at least getting something.
“But you know what? It didn’t fucking matter,” he continues. “I’m earning every day, Don Arden’s dead, Andrew and I have made up and we’re friends. The money’s gone so move on.”
As for the Faces, McLagan says their record label — Warner Bros. — does pay. But it’s been slow to release archival product. The four-disc Warner/Rhino retrospective Five Guys Walk into a Bar came out back in 2004.
“The Faces sell a little bit but Warner Bros. are such a bunch of idiots because they didn’t realize if we haven’t got records out we can’t make any money,” McLagan says. “It’s taken a while, but there should be a Faces live album … out next year.”
The album was recorded in the States during the Faces’ heyday.
“We’ve just discovered this recently,” McLagan says. “We recorded it and completely forgot about it. I heard a couple tracks and it sounds really good.”
McLagan then reveals an enticing possibility.
“Hopefully we’ll tour behind it,” he says. “Rod’s keen, I’m keen, Kenney’s keen and Ronnie Wood is keen, so I don’t see anything in the way of it.”
In the meantime, McLagan’s Wednesday show at Southgate House is a rare chance to see this great Rock & Roll musician in an intimate setting. (Click here for ticket info.)
Matt “Sledge” Waller, a former DJ for the late Indie/Alternative music powerhouse WOXY (dating back to its terrestrial days in Oxford, Ohio), has gotten back to playing music. Waller hosts a weekly two-hour radio show on the Internet channel party934.com, which also airs in its hometown of Hudson Valley, NY, on the 94.9 frequency.
The ongoing saga of locally-spawned music and broadcasting legacy WOXY continues and, once again, the station has been forced off the "air" (or Internet, as the case is) due to financial problems.
I may be imagining it (the eternal optimist that I am), but it seems like ever since the Southgate House locked its doors at the end of 2011, many in the local booking world stepped up their game instantly. Though it's only been just over a month, it certainly doesn't feel as if the Greater Cincinnati concert market has been gutted by the loss of that one great club. And with several spots slated to open later this year (new venues from the brains behind the Southgate and Mad Hatter, plus whatever happens to the actual Southgate House building), it only looks to be getting better.
More good news on that front came out at the start of this week. On Feb. 10, an unexpected, big-time venue entered the mix — or rather, increased its presence in it. Downtown’s gorgeous Taft Theatre already this year announced some concerts by more “mid-level” groups like Trampled By Turtles and JJ Grey & Mofro, cult faves and Southgate alumni. Now, the Taft and promoter Music & Events Management Inc. are opening a new venue-within-a-venue that will allow the Taft to book artists who have outgrown small clubs but aren't quite ready for the big room.
The Ballroom at the Taft — located in the theater’s lower level — was designed to be, according to the press release, “a showcase style club venue that will play host to a variety of live entertainment events spanning all types of styles and genres.”