On this date in 1963, right after signing their deal with Decca Records, The Rolling Stones entered London’s Olympic Sound Studios to track its first single, a cover of Chuck Berry's "Come On." The single came out in the U.K. on June 7 and went to No. 21 on the U.K. charts, allowing them to begin playing shows outside of London. The band's singles steadily performed better in the U.K. — the second one, "I Wanna Be Your Man" (a Beatles cover) made it to No. 12 and their cover of Buddy Holly's "Not Fade Away" went to No. 3 (it was their first U.S. chart single, as well, reaching No. 48). In early 1964, the band had its first No. 1 single (in the U.K.) with another cover, Bobby and Shirley Womack's "It's All Over Now."
The first original song by the Stones to make it to No. 1 didn't come until 1965's "The Last Time." Later in ’65 the Stones released the following tune, which signaled the coming of a legendary, enduring band — it reached No. 1 in countries across the globe. Over 50 years after forming, the Stones are still rocking. They ended up doing pretty OK for themselves.
A 50th anniversary tour is currently said to be in the works; reports are that the band has been rehearsing in New York and New Jersey for … something (details have not yet been publicly released). Keith Richards told Rolling Stone their aiming to hit the road next year.
Mick Jagger is hosting Saturday Night Live on May 19 for the show's season finale. He'll also be the musical guest. But with whom will he perform? Maybe those New York-area rehearsals will result in a full Stones performance on SNL? All four members of the Stones were present (along with Don Was on bass). They reportedly rehearsed just a few songs, including "Miss You" and "Jumping Jack Flash."
But Jagger's most recent release was with the "supergroup" SuperHeavy, featuring Joss Stone, Dave Stewart, A. R. Rahman and Damian Marley. Perhaps that's who will play?
My money's on either a solo performance backed by SNL's band or the full Stones. Though if The Rolling Stones are performing on Saturday Night Live, you'd think NBC would be very, very eager to promote that. We'll see.
One thing of which I'm fairly certain — wanna bet Jimmy Fallon makes another cameo on SNL May 19?
Click on for Born This Day featuring Donovan, Bono, Craig Mack and Sid Vicious.
On this date in 1962, a pre-performance speech by legendary conductor Leonard Bernstein, seen by some as an attack on guest pianist — the almost equally as legendary Glenn Gould — caused quite a stir in the Classical music world. The concert was to feature Gould performing Brahms' "First Piano Concerto," but apparently the pianist and music director (Bernstein) disagreed on how it was to be performed. The New York Philharmonic concert came towards the end of the orchestra's final season at Carnegie Hall.
The disagreement was largely over tempo — Gould felt the composition should be played very slowly. Before the intermission, the orchestra played selections by Carl Nielsen. Fearful that Gould would not even show up (he was notorious for last-minute cancellations), Bernstein had the Philharmonic prepared to play Brahms' First Symphony just in case. Gould showed, but to prepare the audience for the unorthodox performance, Bernstein took to the podium and delivered the controversial introduction/disclaimer/diss. (Bernstein delivered the same speech at a preview performance the night before.)
Don't be frightened. Mr. Gould is here. He will appear in a moment. I'm not, um, as you know, in the habit of speaking on any concert except the Thursday night previews, but a curious situation has arisen, which merits, I think, a word or two. You are about to hear a rather, shall we say, unorthodox performance of the Brahms D Minor Concerto, a performance distinctly different from any I've ever heard, or even dreamt of for that matter, in its remarkably broad tempi and its frequent departures from Brahms' dynamic indications. I cannot say I am in total agreement with Mr. Gould's conception and this raises the interesting question: "What am I doing conducting it?" I'm conducting it because Mr. Gould is so valid and serious an artist that I must take seriously anything he conceives in good faith and his conception is interesting enough so that I feel you should hear it, too.
But the age old question still remains: "In a concerto, who is the boss; the soloist or the conductor?" The answer is, of course, sometimes one, sometimes the other, depending on the people involved. But almost always, the two manage to get together by persuasion or charm or even threats to achieve a unified performance. I have only once before in my life had to submit to a soloist's wholly new and incompatible concept and that was the last time I accompanied Mr. Gould. But, but this time the discrepancies between our views are so great that I feel I must make this small disclaimer. Then why, to repeat the question, am I conducting it? Why do I not make a minor scandal — get a substitute soloist, or let an assistant conduct? Because I am fascinated, glad to have the chance for a new look at this much-played work; Because, what's more, there are moments in Mr. Gould's performance that emerge with astonishing freshness and conviction. Thirdly, because we can all learn something from this extraordinary artist, who is a thinking performer, and finally because there is in music what Dimitri Mitropoulos used to call "the sportive element", that factor of curiosity, adventure, experiment, and I can assure you that it has been an adventure this week collaborating with Mr. Gould on this Brahms concerto and it's in this spirit of adventure that we now present it to you
Many critics wrote about the intro and viewed it as the conductor's way of saying, "If this sucks, it's his fault." And many took Gould to task for his interpretation of the music (though some musicologists later said Gould's version was a correct reading of the material). Gould, for his part, said he enjoyed the performance and liked that it caused some in the audience to boo. Columbia had planned to release a recording of the performance but backed off given the controversy. Bootlegs spread like wildfire and Sony Classical, years later (in 1998), released the recording with Bernstein's remarks in tact. In the liner notes, Gould is quoted as saying, "Soloists and conductors disagree all the time. Why should this be hidden from the public, especially if both parties still give their all?" Bernstein also didn't seem too bothered by the controversy and he never stopped praising Gould's unique talent.
Here's a clip of Bernstein and Gould getting along just fine in 1960, performing Bach's "Piano Concerto No. 1 in D Minor."
Click on for Born This Day featuring Warren Haynes, Gerry Mulligan, Merle Haggard and Cobra Starship's Alex Suarez.
Tonight's allegedly the "busiest bar night of the year," so if you like to hang out at places that are really packed, this is your jam. If you like to hear live music when you go out, you're also in luck, as a lot of the top acts seek out lucrative Wednesday-before-Turkey-Day gigs because of the aforementioned packed-ness.
If you want that live music to be (primarily) original, here are a few recommendations.
• Troy, Ohio-spawned Miss May I (whose singer, Levi Benton, recently moved to Cincinnati) is headlining the Alternative Press tour, which conveniently brings the increasingly popular "Metalcore" band back to their homeland just in time for Thanksgiving. The band's most recent release, At Heart (on Rise Records), came out this summer and was greeted with the best reviews of MMI's career and a No. 32 debut on the Billboard Top 200 chart.
The thrashy, melodic MMI headlines tonight at Bogart's in Corryville on a bill that also features The Ghost Inside, Like Moths to Flames, The Amity Affliction and Glass Cloud. Doors open at 6 p.m. and tickets to the all-ages show are $20.
Read CityBeat's interview with Benton here then check out Miss May I's most recent music video, for At Heart track "Day By Day."
• Vintage Rock & Roll stylist Chris Isaak makes his way to downtown Cincinnati tonight for an 8 p.m. show at the Taft Theatre. Tickets range from $29.50-$59.50. Isaak's going to have to play the show then hop on a plane quickly — he's slated to perform in the annual Macy's Thanksgiving Parade in New York City. (Click here to read CityBeat's full preview of the show.)
Isaak recently issued a live DVD based on his 2011 double-disc release Beyond the Sun (his first for the Vanguard label). The album was a collection of cover songs originally recorded by artists on Memphis' seminal Sun Records (from Johnny Cash and Jerry Lee Lewis to Carl Perkins and, of course, Elvis), a fitting tribute given Isaak's similar approach and sound. The new Chris Isaak Live! Beyond the Sun DVD is a concert flick featuring several songs from the Sun album, as well as some of his big hits. Expect to hear a similar set list tonight. Here's an Isaak original from the DVD, "Live It Up."
• The songcraft experts and flawless musicians of veteran Cincy Pop/Rock band The Newbees host an album release party tonight at Newport's Southgate House Revival. The release show was originally intended to be the second show at the new club (brought to you by the owners/operators of the old, beloved Southgate House across from Newport on the Levee) but a late code inspection held the grand opening up for a week. The Newbs are celebrating their LP Modern Vintage, a patchwork of musical styles and mercilessly catchy songs. Click here for a full review of the album.
The Newbees are joined tonight by The Turkeys, Chaselounge, Honey & Houston, Les Whorenettes, Shiny Old Soul, See You in the Funnies, Sundae Drives and Dave Hawkins. Tickets are $12 at the door (or $14 for those ages 18-20). Showtime is 9 p.m. Here's the Beatles-esque new album track "Up All Night":
• There are also plenty of other local original groups performing tonight. Among the highlights: Reggae/Rock crew The Ohms and soulful, rocking power trio Tattered Roots (which is celebrating its one-year anniversary) join together at Stanley's Pub in Columbia Tusculum. … Rootsy rockers Alone at 3 a.m. are playing a freebie at The Comet in Northside with Jacob Tippey and Matt Wood. … Electronic improvisers Skeetones hold down the party at The Mad Frog in Corryville, joined by guests The B.E.A.T. and Bassface. … Two former members of The Greenhornes — Brian Olive and Eric Stein — perform a free show at Northside Tavern with their current bands, The Brian Olive Band and Stein's Grotesque Brooms. … Rocket-fueled Indie/Blues/Roots/Rock trio The Sundresses headline tonight's free offering at MOTR Pub in Over-the-Rhine, joined by Detroit foursome Jeecy and the Jungle. … And two of the city's best modern rockers — Ohio Knife and State Song — perform a free show at Mayday in Northside (see poster above).
Music Tonight: When CityBeat contributing writer Gregory Gaston was in New Orleans earlier this summer, while roaming around the city, he happened to overhear some people talking about how AltCountry/Roots Rock forefather and current Americana music adventurer and Renaissance man Steve Earle had been murdered. Greg was stunned — not only is he a fan of Earle’s music, he was also due to interview the singer/songwriter in advance of his concert tonight at Oakley’s 20th Century Theater. As Greg writes in his article on Earle for last week’s CityBeat, he was so taken aback that he approached the people who’d “reported” Earle’s unfortunate passing. Suffice to say, Earle’s not dead yet and will be performing in Cincy tonight with his band, The Dukes (and Duchesses). (The concert recently sold out, so good luck finding a spare ticket.) Earle’s character on the HBO series Treme won’t be making any public appearances anytime soon, though.
On this day in 1987, the Beastie Boys' debut LP Licensed to Ill became the first Rap/Hip Hop album to reach No. 1 on the Billboard album charts. Though the band members today seem embarrassed by some of the ridiculousness evident all over the album (including, no doubt, the Wiffle Ball Bat-assisted sexual assault references), it could have been worse for the now-enlightened MCs, who originally wanted to title the record, Don't Be a Faggot. Columbia refused to release anything by that name so the group was eventually convinced to go with something a little less … dumb.
In 1999, Beastie Adam Horovitz wrote a letter to Time Out New York apologizing for their youthful indiscretions on that first album, saying he wanted to "formally apologize to the entire gay and lesbian community for the shitty and ignorant things we said on our first record. There are no excuses. But time has healed our stupidity. … We hope that you’ll accept this long overdue apology."
The Boys' still perform bits of Ill, but with some careful self-editing. Here they are doing "Brass Monkey" at Madison Square Garden a few years back.
But what we really wanna know is … when does Tom Carvel get his even-longer overdue apology?
Born This Day: Musical movers and shakers sharing a March 7 birthday include celebrated French composer Maurice Ravel (1875); legendary Jazz sideman and producer, late drummer Lee Young (1917); one of the greatest frontmen in Rock & Roll history, J. Geils Band's Peter Wolf (1946); the man who played one of the most recognizable organ solos in Rock on "Whiter Shade of Pale," Procol Harum's Matthew Fischer (1946); Pop/Dance music performer Taylor Dane (1962); singer/songwriter for Louisville based Hard Rock crew Tantric, Hugo Ferreira (1974); and multi-instrumentalist with Funk/R&B/Rock & Roll legends The Isley Brothers, Ernie Eisley (1952).
Ernie Eisley was born in Cincinnati 60 years ago and he joined his brothers' group when he was old enough, playing bass on the band's "comeback" hit, the funky "It's Your Thing," in 1969. His bros — led by Ronald Isley — were already hugely successful, selling a million copies of their 1959 single "Shout," not to mention "This Old Heart of Mine" and "Twist and Shout," which, of course, became one of the group's biggest songs thanks to a cover version by a little British band called The Beatles.
When Ernie teamed up with his brothers, they became more of a "band" than a "vocal group," and enjoyed a long string of hits for which Ernie was crucial (either as songwriter or player), including "Fight the Power," "Between the Sheets" and a reworked version of their older tune "That Lady," this time featuring an amazing Rock guitar lead from Ernie.
The group split in the ’80s — Ernie found success with Isley-Jasper-Isley, the group formed with brother Marvin and his brother-in-law — and joined forces again in 1991; littlest bro Marvin retired in 1997 (and passed away two years ago), leaving only Ernie and Ronald. In 2001, the Isleys hit the charts with "Contagious," which made them the only group to have a Top 100 hit in six decades in a row (from the ’50s-’00s). The Isleys were inducted in the Rock and Roll Hall of Fame — a no-brainer, really — in 1992. While Ronald embraced being embraced by contemporary R&B and Hip Hop artists from R. Kelly to Tupac Shakur (and spent some time in the jail for tax evasion in more recent years), Ernie retreated from the spotlight somewhat, working with community groups and schools in St. Louis, where he now lives. But he still hits the road from time to time with Ronald and has continued to work as a solo artist.
Ernie has also participated in the "Experience Hendrix" tribute tours of the past few years. It's fitting — Hendrix played guitar with the Isleys when Ernie was 11 years old, even living with the Isley family in New Jersey for a couple of years before becoming hugely successful on his own.
Here's a fantastic archival video from Soul Train featuring The Isleys performing "That Lady."
The Van's Warped Tour might not be the most financially successful summer package tour of all time (the promoter and performers work together to keep an ego-free environment and low ticket prices), but it's hard to argue that it is not the most successful overall, especially in terms of longevity. Now in its 18th year, Kevin Lyman's eclectic traveling festival has outlived all of the roving music events that sprouted up around the same time (from Lollapalooza to Lilith Fair) by creating a "customer friendly" experience that's also very "artist friendly."
The tour's 2012 finale is this weekend in Portland, but before shutting things down for the summer, the fest makes its annual stop at Cincinnati's Riverbend today. Doors open at 11 a.m. and music kicks off shortly after. The show ends around 9 p.m. Tickets at the box office will cost ya $42 (about a dime a band, by my estimation).
Click here for more local show details, including info on how you can "Skip the Line" and walk right into the venue.
The set-times for each act are decided just prior to the gates opening; if you're going, look for the giant inflatable Warped logoed amp to see when your favorites are playing. I also highly recommend grabbing the official Warped Tour app.
Be sure to support our local music scene reps — The Few The Fallen, Heres To The Heroes and Let It Happen will play the Ernie Ball Stage. Check out Let It Happen's recent video for "Bridges" from the great release, It Hurts, But It's Worth It.
Here is who's playing where (via Riverbend's site). (Welsh rockers Lostprophets are also on the bill, though not listed on Riverbend's site; all info is subject to change.)
MAIN STAGE: Taking Back Sunday, All Time Low, New Found Glory, Streetlight Manifesto, Yellowcard, Piece The Veil, Four Year Strong, Of Mice and Men, We The Kings, Breathe Carolina, Miss May I, Falling In Reverse, Blood On The Dance
TBD STAGE: Every Time I Die, Mayday Parade, blessthefall, Chelsea Grin, For Today, Memphis May Fire, Motionless In White, Rise To Remain, Sleeping With Sirens, The Ghost Inside, Vampires Everywhere!, Title Fight
TILLY’S STAGE: Senses Fail, Vanna, Polar Bear Club, We Are The Crowd, Man Overboard, A Loss For Words, Funeral Party, I Fight Dragons, Machine Gun Kelly, Oh No Fiasco
TBD STAGE: Echo Movement, G-Eazy, Stepdad, The Constellations, Ballyhoo!, Champagne, T. Mills, Tomorrows Bad Seeds, Mod Sun, The Green, Amyst
ERNIE BALL STAGE: iwrestledabearonce, Born Of Osiris, Chunk! No Captain, Fireworks, Transit, Cold Forty Three, The Scissors, The Few The Fallen, Here's To The Heroes and Let It Happen.
KEVIN SAYS STAGE: Make Do And Mend, Matt Toka, Tonight Alive, Skip The Foreplay, Sick of Sarah, Mighty Mongo, Captain Capa, I Call Fives, Hostage Calm, The Silver Comet, Twin Atlantic, The Darlings, Dead Sara
ACOUSTIC BASEMENT: A Loss For Words, Koji, Brian Marquis, Rocky Votolato, Transit Owen Plant, Anthony Raneri
• Instrumental Avant Metal veterans Earth bring their adventurous, spontaneous Dronecore to downtown tonight for a hypnosis session at the Ballroom at the Taft Theatre. Showtime is 8:30 pm. Stebmo, Earth collaborator and progressive Jazz pianist/multi-instrumentalist/composer Steve Moore, and psychedelic, noisy Doom duo Eagle Twin open the show. Tickets are $15.
Guitarist Dylan Carlson gave birth to Earth in Olympia, Wash., circa 1990, and remains the only original member in a band that has seen numerous lineup and stylistic shifts. The group put a pair of albums out on Sub Pop during the "Grunge Revolution" (which they had little in common with), got booted from the label briefly and then welcomed back for three more albums. While Earth's aggressively experimental sound didn't quite fit the Grunge buzz, the group actually used the genre's concept of "slowed down Hard Rock and Metal" and took it to the extreme, decelerating even more and replacing Grunge's Punk and Garage influence with inspiration from avant grade composers and musicians and Carlson's singular vision.
Earth didn't survive the ’90s but returned in the early ’00s to start a run that has included several releases for Southern Lord Records, a haven for "Metal" artists on the more experimental side of the music. Earth's latest release is the improvised Angels of Darkness, Demons of Light II, the follow-up to part I (and actually recorded at the same time) which has been praised for its gradual, natural exploration of different tones and approaches. Earth's trippy, glacial sound on Demons of Light II is infused with evocative cello and smoky atmospherics and often sounds like a new slant on modern Jazz, something Mingus might have come up with had he been into Black Sabbath.
Here's Demons II track "The Corascene Dog":
• Acclaimed by both fellow artists, critics and her dedicated fan base, Iris Dement has been one of the more compelling singers in the Americana movement since she put out her first album in 1992; her mesmerizing voice has a timeless soul that recalls the best early Country female vocalists. Dement's sound has evolved and taken detours over time. After two straight-forward Country/Folk Pop LPs, the 1996 album The Way I Should showcased a Rock vibe and some serious political commentary. She followed that up by collaborating with John Prine on his In Spite of Ourselves album, which scored her a Grammy nomination, but Dement took a break from music after that.
In 2004, Dement returned with her first album in eight years, Lifeline, released on her own label after her Warner Brothers contract expired. But Lifeline was primarily a collection of centuries'-old Gospel covers. This year, Dement released Sing the Delta, her first album of new material in 16 years. The songs harken back to that purity of her first couple of albums, but also shows how Dement has matured as a composer and performing. She writes with more confidence and has become an even better lyricist, creating an album that is mournful, poignant and poetic.
Dement performs tonight at the 20th Century Theatre in Oakley with The Tillers, one of Cincy's finest Folk acts who are coming off of a successful release party for their recent live album. Showtime is 8 p.m. and tickets are $25-$30. Here's DeMent's "Go On Ahead and Go Home" from Delta.
• Milwaukee-based Psych rockers Moss Folk perform a free show tonight at MOTR Pub in Over-the-Rhine with like-minded locals Children of the Emerald Fire. Showtime is 10 p.m.
Formed in Michigan in the mid-’00s by founder Andrew James Shelp, Moss Folk entrancingly collages influences into a sound that draws from a wide range of music that could fall into the "Psychedelic" category. You'll hear elements of Kraut Rock, Pink Floyd, World music, Tangerine Dream and Spacemen 3 mingling in Moss Folk's ambient, hypnotic melange and the band has been known to match the lysergic sonics with fitting visuals (from video projections to cameos by various non-musical performing artists).
Here's a live clip of Moss Folk:
Like every Friday, a great place to start your evening is Fountain Square, as the free MidPoint Indie Summer concert series continues with headliner Lydia Loveless. Loveless is an Ohio native who performed fairly regularly in the Cincinnati area (and elsewhere around the region) before she caught the attention of AltCountry/Modern Roots music institution Bloodshot Records with her natural blend of classic Country influences and more contemporary Rock flavors. Her debut for the label, Indestructible Machine was released last year and Loveless was one of the more buzzed-about names at last year's MidPoint Music Festival (even making the cover of CityBeat the week of the event. Loveless is currently working on new material.
Northern Ohio Roots/Blues artist Patrick Sweany and Cincinnati rockers The Ready Stance (check out our recent interview here) warm things up for Loveless starting at 7 p.m.
• Christopher Dexter Greenspan — better known as Bay Area Electronic artist oOoOO — brings his spectral beats and melodies to Northside's Mayday tonight for a 9 p.m. show with guests Fogger and Skeleton Hands. Admission is $12.
Greenspan's hypnotic, slanted mix of Chillwave and ethereal Trip Hop — at times sounding a little like Icelandic electronic act múm or a ghostly, gauzy version of M83 — was most recently showcased on oOoOO's second EP, Our Loving Is Hurting Us, which includes spacey vocals from singer Butterclock (as well as Greenspan's own voice, which delivers melodies slathered in a glaze of effects).
Here's the new EP track "Break Yr Heart."
• Former local musician GD Mills once again brings his raucous Minneapolis Garage Punk group Fuck Knights back to his former stomping grounds, performing a free show tonight at MOTR Pub with Muddy Udders, Children of the Emerald Fire and Martin Luther and the Kings. Showtime is 10 p.m.
How are Fuck Nights like Batman? Click here to find out.
Here's a clip of the Knights playing live last year (that's Mills singing and playing drums).
If you were hoping to walk up and buy tickets to check out tonight's show at the Taft Theatre featuring the Grammy-winning Tedeschi Trucks Band, skip the box office and "walk up" to a scalper because the Taft just sent out a press release announcing the show as a sell out. (Read what our Brian Baker had to say about the group here.)
If you do have tickets to tonight's 8 p.m. show (doors open at 7 p.m.), be sure to arrive on time to catch opener Shannon Whitworth (pictured). After a self-made Americana debut, the singer/songwriter's career began in earnest in 2009 when she went into the studio with producer Neilson Hubbard (who has worked with a slew of singer/songwriters, including Glen Philips, Garrison Starr and his pal Matthew Ryan). The two emerged with Water Bound, a lovely, eclectic album that touched on Blues, Jazz, Roots music and Rock.
Whitworth has a new album due this year in which she collaborates with Band of Horses' bassist Bill Reynolds (who has done behind the scenes work for The Avett Bros. and Lissie), so the evolution of Ms. Whitworth should be interesting to continue to watch.
Here's a clip of Whitworth performing live:
• Jazz trumpeter Scott Belck performs tonight at the Blue Wisp. Belck is the Director of Jazz Studies at University of Cincinnati's College-Conservatory of Music, where he succeeded retiring longtime department head Rick Van Matre a couple of years ago. Read our interview from last year with Belck here. For tonight's 7:30 performance at the Blue Wisp, Belck is joined by locals Rusty Holloway, Phil DeGreg and Jim Leslie. Admission is $5.
• The 2012 Tunes & Blooms music series at the Cincinnati Zoo concludes tonight with a 6 p.m. concert featuring Folk Rock crew The Turkeys and Americana ensemble Jake Speed & the Freddies. Admission is free but it costs $8 to park in a zoo lot. It might rain. Bring a hat.
Here's a clip from a documentary about late local outsider artist Raymond Thunder-Sky featuring Speed's song, "Raymond Thunder-Sky," especially audible towards the end. Looks and sounds like a great project.
Click here for more of tonight's live music events.