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by Nick Swartsell 05.26.2015 67 days ago
Posted In: News at 10:01 AM | Permalink | Comments (0)
 
 
annman_otr_washingtonparkmusichall_jf01

Morning News and Stuff

OTR home prices head toward $1 million; Kasich cuts bargaining rights for home health and childcare workers; DOJ settlement with Cleveland police imminent

Good morning y’all. I’m back from vacation and ready to give you all the news and stuff you can handle. In case you’re wondering, my time off involved a jaunt to Chicago for a concert where audience members were encouraged to divide into two huge groups and run at each other high-fiving, trips to five Pilsen Mexican restaurants and a long night/early morning in a private karaoke room where they keep up the bootleg music videos, Red Bull, beer and Drake tracks until you die (I abstained from the beer and the Drake, but did drink way too much Red Bull). Then I came back to Cincinnati and promptly got sicker than I’ve been in a long time. Fun stuff.

Anyway, let’s do this news thing. Home prices in Over-the-Rhine are getting higher and higher, but you probably already knew that. What you maybe didn’t know is how close the neighborhood is getting to million-dollar homes. Recently, a condo on Central Parkway sold for $850,000, the Cincinnati Enquirer reports. That’s roughly 4,250 nights in a private karaoke room in Chicago’s Chinatown, or, you know, 2,125 months (177 years) in an affordable apartment that costs $400 a month. While that huge figure is something of an outlier, the neighborhood is certainly heating up. The average sale price for single family homes in the neighborhood was hovering around $220,000 in 2010. These days, it’s nearly twice that at $427,000. Those developing high-selling properties in the neighborhood say that there’s more to the story than the big numbers and that they’ve put in tons of investment to bring the properties up to their current condition. Of course, the rise in values also raises questions about affordability in the historically low-income neighborhood. The amount of affordable housing in OTR has dwindled in recent years, though new additions could help that situation. Over the Rhine Community Housing, for example, just finished its Beasley Place building on Republic Street, which will provide 13 new units of subsidized housing in the neighborhood.

• Will a major federal lab end up in uptown Cincinnati? It’s a good possibility. The National Institute of Occupational Safety and Health is looking to consolidate two labs it currently runs in the city and is at least considering the possibility of building its new $110 million facility near the University of Cincinnati. NIOSH Director John Howard told the Cincinnati Business Courier recently that proximity to UC is a big consideration. Should NIOSH decide to build uptown, the development could play into a bigger push by area leaders to create an “innovation corridor” near the site of the new I-71 interchange along Reading Road and Martin Luther King, Jr. Blvd. in Avondale and Walnut Hills. Uptown or no, NIOSH would like to keep the proposed 350,000-square-foot building within the I-275 loop, it says, in part because of public transit considerations.

• Speaking of public transit, don’t look to Ohio to start spending more on it anytime soon. The state legislature has dismissed suggestions that the state spend more on public transportation as it crafts the next two-year budget. Legislators in the GOP-dominated state house have brushed aside a $1 million study by the Ohio Department of Transportation calling for more spending on buses, rail and other forms of public transit. That study highlighted the growing need for public transit among the state’s low income and elderly, as well as the increasing popularity of a less car-dependent lifestyle among young professionals Ohio would like to attract. Currently, Ohio ranks 37th in per-capita spending on transit, despite being the nation’s 7th most populous state. The study recommended a $2.5 million boost in transit spending in the next year alone, part of a much larger boost over time. Even Gov. John Kasich, a vocal opponent of most transit spending, put an extra $1 million in his suggested budget for transit next year. But no go, the legislature says.

• While we’re talking about Kasich, let’s touch on his recent move cutting collective bargaining rights for home health care workers and in-home childcare workers. These workers aren’t state employees but contract with the state for some work. In 2007, then-Gov. Ted Strickland handed down an executive order giving those workers collective bargaining rights, which allowed them to receive health insurance from state worker unions among other benefits. Kasich promised to rescind that executive order during his successful run for governor against Strickland, but has held off until now, he says, to preserve the workers’ access to insurance. Now, the governor says the Affordable Care Act means that the workers don’t need unions to get health care, and that as contractors they shouldn’t be given bargaining rights. Kasich has long been a foe of collective bargaining — after taking office in 2008, he worked to end collective bargaining rights for all state employees. Voters later struck down his efforts in a state-wide referendum. Democrats and union representatives have cried foul at Kasich’s latest move.

“It’s a sad day when those who care for our children, our seniors and Ohioans with disabilities — and who simply want to be able to make ends meet while providing that invaluable service — become the target of a cynical political attack," Ohio Democratic Chairman David Pepper said in a statement.

• Finally, the big story today is happening in Cleveland, where questions about police use of force are swirling. Just days after courts dismissed manslaughter charges against Cleveland Police Officer Michael Brelo, a settlement between the city and the federal government looks imminent. In 2010, Brelo, who is white, fired 15 rounds into the windshield of a car, killing unarmed Timothy Russell and Malissa Williams, both black, after a police chase that started when a backfire from the car was mistaken for a gunshot. That incident, as well as many others, were highlighted in a nearly two-year investigation by the DOJ into the department’s use of force. That investigation found what the DOJ calls systemic problems with the department’s use of force and the way it reports and disciplines officers who may have used force improperly.

U.S. attorneys are holding meetings with various stakeholders in the city today and are expected to soon announce a settlement between the city’s police department and the U.S. Department of Justice. The expected consent decree would put CPD under federal oversight and bring about big reforms for the department, which continues to draw controversy. Last year, an officer with the department shot and killed 12-year-old Tamir Rice while the child played with a toy pistol. Charges against that officer are pending.

 
 
by Zack Hatfield 05.22.2015 71 days ago
Posted In: Film at 11:15 AM | Permalink | Comments (0)
 
 
the joke

Foreign Film Friday: The Joke (1969)

This weekly series discusses the cultural and artistic implications of a selected foreign film.

A couple of weeks ago, I noticed a new Milan Kundera short story in The New Yorker. One of my favorite authors, I was intrigued to learn Kundera was releasing his tenth novel — the first in 15 years — later this year (in English; it was previously released in French). Though I enjoy reading Kundera’s work, the Czech author is known for taking umbrage at his books’ English translations. I began to wonder how he felt about his novels that have been translated onscreen, to film. 

Some quick Googling revealed he had served as either screenwriter or consultant on the only adaptations of his works, 1988's Unbearable Lightness of Being and 1969's The Joke, films that bookend the communist regime in the Czech Republic. Disappointed with Unbearable Lightness of Being, an American film starring Daniel Day-Lewis, I turned to The Joke. A film by auteur Jaromil Jireš at the crest of the Czech New Wave movement, its political tides swept the country during the end of the Prague Spring, a brief elision in the Soviet regime where democracy seemed attainable for a fleeting moment. 

I wasn’t disappointed. Not surprisingly, The Joke is inherently political, but its lofty themes of freedom thinly veil a more nuanced, personal narrative of intimacy and revenge. Told in effective jumps from the past and present, the film follows Ludvík, a man who sends a sarcastic jest in the mail to his romantic interest, Markéta, mocking Trotsky. The letter is read by his university comrades in the Party and they sentence him to six years in prison and the army, where he becomes the butt of his own joke. 

Jump to the present: Ludvík attempts to get revenge by seducing Helena, the wife of one of his betrayers from the Party years ago. The film unsnarls with an arid humor as Ludvík’s pessimistic outlook is upended by revelatory moments, often soundtracked by the film’s traditional music. The polyphonic chapters of Kundera’s novel are traded here for colliding tonalities between now and then, as the helixing of the visual tenses instill a sense of upheaval, of never truly being able to escape the past.

Cinematographer Jan Curík frames the imagery with a monochrome staccato to complement the frenetic visual grammar, and Jireš intercuts archival footage with the action to suggest the reality of the atmosphere. Voiceovers are capitalized on frequently, and add a dimension of helplessness that was shown in the book through multiple points of view. As Ludvík narrates his fruitless schemes, there’s a false sense of omniscience, even though it becomes clear that he has no control over his destiny. Jirês captures Kundera’s inimitable brand of existential romance, and Josef Somr plays the protagonist with an understated brilliance and ennui. Trying to convince Helena of his love, the godless Ludvík tells her, “It’s as strong as fate.” 

Kundera has suggested in interviews that all of his novels could have been titled The Joke or Unbearable Lightness of Being, and I found that true in this case, even though there is a clear heaviness to the causes and effects, in and outside the screen. Jireš was exiled after the movie was banned, and was pressured to erase The Joke from his filmography, a film whose weightlessnesses arrive in the form of old Folk songs, a practice that allows the characters to never forget their heritage. Cinema was Jireš’s way to remember, and his second film survives, thankfully, for us. 

It was alleged, in 2009, that Kundera was an informant for the Chezch secret police as a student, and turned over a Western spy who served 14 years after almost facing a death sentence. Whether or not this is true, it intensifies the texture of sin and ambiguity within the film, which Kundera co-wrote. Maybe it was a type of catharsis, a way to cope with his guilt. Or maybe it is the film’s final joke, leaving no one to have the last laugh. 


THE JOKE is currently screening on hulu plus as part of their Criterion Collection. hulu.com.

 
 
by Steven Rosen 05.22.2015 71 days ago
Posted In: Visual Art at 09:48 AM | Permalink | Comments (0)
 
 
peggy crawford candid with raphaela-2

CAC Announces the Death of Founding Member Peggy Crawford

The Contemporary Art Center today announced that founding member Peggy Crawford died on April 18 in Santa Fe, N.M., where she had been living. She was one of three women who founded the CAC's precursor, the Modern Art Society, in 1939. She was able to come to the CAC last September to celebrate its 75th anniversary — an exhibition of her photography was part of the observance.

Here are excerpts from the CAC press release:

Contemporary Arts Center Director Raphaela Platow fondly recalled the impact that Peggy Crawford made on so many: "Mrs. Crawford’s life is an inspiration to me. As a young woman she was one of the three women founders of the Contemporary Arts Center (called Modern Art Society at the time), an institution she initiated, against all odds, in a moment in time when the Great Depression was still shaking the world and the second World War was about to erupt. It is so easy not to do something, to shy away from a great idea because of the many obstacles and hurdles in the way, a lack of resources, or fear of failure. But Peggy Crawford and her two companion co-founders created the Modern Art Society in 1939 because their lives urged them to do it. Mrs. Crawford applied the same passion, tenacity, and energy to her different life pursuits and I feel lucky that I had the opportunity to meet her and to spend time in her presence."

Born in 1917, Peggy Frank graduated from Smith College. In 1939, along with Betty Rauh and Rita Rentschler, she founded the Modern Art Society in Cincinnati, Ohio, which would become the Contemporary Arts Center.

The three founders had little  or no formal museum experience. For a year, their "office" consisted of a portable typewriter set up in a living room. At the start, the society had staunch backers and hard workers, but they had very little money and had only a borrowed gallery space in the basement of the Cincinnati Art Museum.

During the first year, the founders raised $5,000 to produce six exhibitions, each with a catalogue. Their first exhibition, Modern Paintings from Cincinnati (Nov.-Dec. 1939) showed their early commitment to showcasing up-and-coming local artists. 

The fledgling Modern Art Society mounted new and often controversial exhibitions, published catalogues, encouraged local artists and helped promote contemporary art collections and education. Between 1940 and 1951, the Modern Art Society exhibited such artists as Pablo Picasso (1940), George Grosz, Paul Klee and Alexander Calder (1942), Fernand Leger (1944), Rufino Tamayo (1947), Jean Arp (1949) and other new artists in abstraction, Surrealism, modern architecture and contemporary design. One of the highlights of this time was the Cincinnati showing of Picasso’s "Guernica" in 1940 because it represented the first and only time the important work was shown in the Midwest.

Peggy Frank married Ralston Crawford, a painter and photographer, who preceded her in death.

She is survived by two sons, Neelon (Susan Hill), and John, along with a stepson, Robert (Eldrid Crawford).

A memorial service was held at Kingston Retirement Center in Santa Fe, New Mexico. April 30, 2015.

 
 
by Staff 05.22.2015 71 days ago
Posted In: Drinking, Events, Fun, Comedy, Culture, Concerts, Holidays, Life, Movies, Music at 09:24 AM | Permalink | Comments (0)
 
 
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Your Weekend To Do List (5/22-5/25)

Taste of Cincinnati. The May Festival. Memorial Day Weekend.

The big party this weekend is Taste of Cincinnati, but there are plenty of other options if you don't want to spend your entire weekend gorging. Check out the May Festival, Memorial Day Weekend at Spring Grove cemetery, plenty of live music, live theater and more.

FRIDAY
Celebrate the power of the voice with THE MAY FESTIVAL
The May Festival, one of the oldest and most prestigious choral festivals in the Western Hemisphere, kicks off its 2015 showcase at Music Hall with Haydn’s “The Creation” on Friday and works by Handel and Vaughn Williams on Saturday. A special May Festival Youth Chorus/May Festival Chorus performance takes place Sunday at Covington, Ky.’s Cathedral Basilica of the Assumption. Renowned guest vocalists will be joining each performance, with pre-concert festivities before Music Hall performances, including al fresco food trucks, lobby recitals, drink specials and more. The May Festival continues through May 30. $12-$125; subscriptions available. More details at mayfestival.com.


Mamma Mia!
Photo: Universal Pictures
Bring a blanket for MOVIES IN THE VINEYARD
You can pop corks or corn at Vinoklet Winery’s vineyard, which is hosting three outdoor movie nights this summer. On Friday, get your Streep on when they show Mamma Mia! on the silver screen amid the sprawling acres of the award-winning vineyard. And hey, if ABBA isn’t your thing, you can catch later flicks in June and July with Under the Tuscan Sun and Phantom of the Opera, respectively. Bring a blanket or a lawn chair, but no outside coolers, drinks or food; picnic snacks, beer and wine will be for sale. 7 p.m. Friday; film starts at dusk. Free. 11069 Colerain Ave., Colerain, vinokletwines.com.

The Cavalcaders
Photo: Pat Conley
Erin go Bragh with the ACTING IRISH INTERNATIONAL THEATRE FESTIVAL
Irish theater is top of mind locally, what with the warm-hearted Outside Mullingar continuing at Ensemble Theatre and this week an international festival of Irish acting. Catch daily performances of full-length Irish plays produced by companies from the U.S., Canada and Ireland — including our own Irish American Theater Company of Cincinnati, which is hosting the 22nd annual festival at its 200-seat theater. George Heslin, founder and artistic director of New York City’s Origin Theatre Company, critiques each day’s production and presents awards for directing, acting and production during a brunch on Sunday morning at downtown’s Millennium Hotel. Through May 23. $17-$22. Irish Heritage Center of Greater Cincinnati, 3905 Eastern Ave., East End, 513-533-0100, irishcenterofcincinnati.com.

Circle Mirror Transformation
Photo: Sandy Underwood
Learn and laugh with CIRCLE MIRROR TRANSFORMATION 
Annie Baker’s Circle Mirror Transformation is a deceptively simple play — on the surface, it’s a comedy about five people enrolled in a community center class about learning how to act. They work their way through six weeks of exercises intended to reduce their inhibitions and open them to being more expressive and comfortable onstage. None seem bound for onstage careers, although one says she’s worked as an actress and another, a high school student, aspires to be one. But they do learn a lot — about themselves and each other. In fact, they learn how to act on the broader stage of life in this award-winning play that’s closing the Cincinnati Playhouse in the Park’s current season. Circle Mirror Transformation, presented by the Cincinnati Playhouse in the Park, is onstage through June 7. cincyplay.com

Steve Katz
Rock with Blood, Sweat & Tears' STEVE KATZ at the Southgate House Revival
According to Publishers Weekly, Steve Katz’s new memoir Blood, Sweat, and My Rock ’n’ Roll Years: Is Steve Katz a Rock Star? has maybe the most spectacular revelation yet of any Rock memoir. Katz was a guitarist with two successful Rock bands in the 1960s, The Blues Project and Blood, Sweat & Tears, and he went on in the 1970s to produce Lou Reed’s classic live album, Rock n Roll Animal. Katz says one of the stereo feeds of the audience track for Reed’s Animal concert at New York’s Academy of Music was lost, so there was only mono sound. That wouldn’t work, so the engineer went through his archives and found an audience track from a concert by the ultra-square John Denver. (Both were RCA recording artists at the time.) Steve Katz plays Newport's Southgate House Revival on Friday. Tickets/more info here.

SATURDAY
Taste of Cincinnati
Photo: Provided
Gorge yourself at TASTE OF CINCINNATI
It’s no secret the food scene in the Queen City rivals that of major U.S. metropolises — a few OpenTable award winners, some James Beard Award semifinalists and even a AAA Five-Diamond restaurant call Cincinnati home. And from Saturday to Monday, your favorite Cincy foodstuffs will be in one location at the Taste of Cincinnati, the nation’s longest running culinary arts fest in the heart of downtown. Want to chase LaRosa’s with a donut grilled cheese from Tom+Chee? And then follow that up with a Thai basil/lime ice pop from streetpops? At Taste, you can, and you should. This year there will even be a Food Truck Alley on North Broadway off of Sixth. I recommend fasting until then. 11 a.m.-midnight Saturday and Sunday; 11 a.m.-9 p.m. Monday. Free. Fifth Street, between Vine and Sentinel streets, Downtown, tasteofcincinnati.com.

Outside Mullingar at Playhouse in the Park
Photo: Mikki Schaffner
Catch the extended OUTSIDE MULLINGAR at the Ensemble Theatre 
Count on John Patrick Shanley for compelling storytelling: His Pulitzer Prize-winning drama Doubt explored the power of innuendo; his Academy Award-winning movie Moonstruck was a romantic comedy. His play Outside Mullingar lands squarely between those extremes, connecting with his family’s roots in rural Ireland for a tale of identity, heritage and love. It’s sure to be a winning production with a cast featuring Dale Hodges, Joneal and Jen Joplin (yes, they’re father and daughter) and Brian Isaac Phillips, directed by former Playhouse artistic director Ed Stern. This show is likely to be a hot ticket: It’s already been extended by a week. Through May 30. $40-$44 adult; $25 student; $18 senior/children. Ensemble Theatre Cincinnati, 1127 Vine St., Over-the-Rhine, 513-421-3555, ensemblecincinnati.org.

Ian Bagg
Photo: Provided
Laugh with IAN BAGG
Ian Bagg had dreams of playing pro hockey, but switched to comedy because he grew tired of getting knocked around the ice by players he describes as decidedly more talented than him. Fortunately, he had a knack for humor. “It’s so much fun being on a [hockey] team and hanging out,” he says. “I think that’s where I got my comedy chops: chirping at everyone from the bench and in the locker room and having a great time.” Fellow hockey fan Dave Coulier told CityBeat a very similar story a few months back. Oddly, Bagg and Coulier have never met. “You’d think if there’s anyone I would know, it’s a guy that does comedy and plays hockey,” he says. Thursday-Sunday. $10-$20. Funny Bone on the Levee, Newport, Ky., funnyboneonthelevee.com.

The Cincinnati Boxing Story
Watch the premiere THE CINCINNATI BOXING STORY
The world premiere of The Cincinnati Boxing Story screens at Taft Information Technology High School on Ezzard Charles Drive in the West End on Saturday. Mark Sweeney’s film explores how Cincinnati is a boxing town that has long produced great fighters — most notably Ezzard Charles himself — and examines our boxing history with past and present champions and their supporters. 6 p.m. Saturday. $15. 420 Ezzard Charles Drive, West End, facebook.com/sweeneynowvideo.

Celebrate art all day with the ART SPACE IS YOUR SPACE artist in residence at Wave Pool gallery
Wave Pool gallery’s first artist in residence, Georgia-based artist and filmmaker Erin Colleen Johnson, organized several events Saturday that seek to investigate the intersection of race, class, migration, agriculture and environmental justice, all through the lens of soil. A groundbreaking ceremony for Camp Washington’s Urban Farm (3220 Colerain Ave.) involves setting personal intentions with a ceremonial shovel. Later at the gallery, David Singleton, executive director of the Ohio Justice and Policy Center, will talk about his work to eliminate racism within the criminal justice system, and Johnson herself will give a live performative video lecture called Providence Canyon. Groundbreaking 11 a.m.; Gallery events start at 6 p.m. Saturday. Free. 2940 Colerain Ave., Camp Washington, wavepoolgallery.org.

SUNDAY
Unlocking the Gates of Auschwitz 70 Years Later
Photo: CHHE Collection
Remember history with UNLOCKING THE GATES OF AUSCHWITZ
The Freedom Center’s current Unlocking the Gates of Auschwitz 70 Years Later exhibit weaves together rare artifacts, photographs and the personal stories of Holocaust survivors Werner Coppel and Bella Ouziel to explore their journey and how life and the power of the human spirit continued in the face of the horrors of Auschwitz. Also on view are artifacts on loan from the United States Holocaust Memorial Museum, Hebrew Union College and more. A closing reception May 27 features a conversation with Coppel and Ouziel, as well as special recognition of area liberators and veterans to commemorate the end of World War II. Through May 27. $14 adults; $12 seniors; $10 children. The National Underground Railroad Freedom Center, 50 E. Freedom Way, The Banks, Downtown, freedomcenter.org.

Ohhh and ahhh over ZOO BABIES
Celebrate the newest arrivals at the Cincinnati Zoo & Botanical Garden during the entire month of May, where you'll find the cutest baby faces from all over the globe. Follow the six-foot-tall pink and blue stork statues displayed throughout the zoo to lead you to baby African lions, penguin chicks, bonobo monkeys, a whole litter of African painted dogs and more, as their big eyes, miniature sizes and playful personalities melt your heart. Through May. Park admission $18 adults; $12 children and seniors. 3400 Vine St., Avondale, 513-281-4700, cincinnatizoo.org.

MONDAY
Memorial Day Weekend at Spring Grove
Photo: Provided
Celebrate MEMORIAL DAY AT SPRING GROVE
Between kicking off Memorial Day weekend with the Ohio Military band performing in the Rose Garden Gazebo, a veterans tribute and a historical Patriots and Pioneers walking tour of the cemetery, Spring Grove has the entire weekend jam-packed with activities. On Monday, the Sons of Union Veterans of the Civil War and the 6th Ohio Volunteer Infantry will perform an 1860s Grand Army of the Republic ritual and shower flower petals on the graves of union soldiers interred in Spring Grove, followed by a living history presentation by President Abraham Lincoln (or a man dressed like him) and a Civil War walking tour. Thursday-Monday. Free. 4521 Spring Grove Ave., Spring Grove Village, 513-681-7526, springgrove.org.

Over the Rhine
Photo: Provided
Raise a barn with OVER THE RHINE
Barns and farms have played an important role in the history of Over the Rhine, married couple Linford Detweiler and Karin Bergquist’s internationally acclaimed, 25-year-old Cincinnati band. The couple met in a restored barn while in college in Canton, Ohio. For the past decade, the twosome has lived in and worked out of a brick farmhouse in Highland County on land they’ve dubbed “Nowhere Farm.” And now Detweiler and Bergquist are restoring a 140-year-old barn in Clinton County (in the village of Martinsville) and transforming it into a performing arts center with a recording studio called Nowhere Else.  As with Over the Rhine’s past two albums, Detweiler and Bergquist are turning to their loyal fanbase to help fund the new facility. The band is offering a variety of perks for donations. Among the perks (starting at the $100 level) are tickets to special preview concerts at Nowhere Else this weekend (the couple is hoping to have the facility fully ready to open by early October). The full six-piece band is performing special “Barn Raising Concerts” on Saturday (which is sold out), Sunday (7 p.m.) and Monday (3 p.m.). Over the Rhine will be debuting new songs at the concerts, which will be filmed and recorded for a forthcoming live album and DVD project. The release can be pre-ordered as part of the fundraising campaign. Visit at overtherhine.com/barnraising for full details.

Veterans and military get in free at BUTTERFLIES OF THE PHILIPPINES
As Cincinnati welcomes spring, the Krohn Conservatory welcomes the colorful and exotic butterflies of the Philippines. For 12 weeks, Krohn will transform into a majestic tribute to the Southeast Asian island country, capturing its stunning natural beauty and Filipino culture. The showroom will be a tropical paradise of free-flying butterflies soaring among waterfalls and bold volcanic murals. A rainforest under glass, the conservatory will be filled with more than 3,500 beautiful plant species, such as ornate orchids, brilliant bromeliads, delicate anthuriums and dramatic dracaenas, providing a backdrop close to home for the native butterflies to flutter. Free for active military and veterans on Memorial Day. Through June 21. $7 adult; $4 children; free ages 4 and younger. 1501 Eden Park Drive, Mount Adams, cincinnatiparks.com.



 
 
by Rick Pender 05.22.2015 71 days ago
Posted In: Theater at 08:55 AM | Permalink | Comments (0)
 
 
cappies recipients

Stage Door: Theater Critics of the Future?

There’s lots happening on Cincinnati stages this weekend — including excellent productions of Circle Mirror Transformation at the Cincinnati Playhouse and Outside Mullingar at Ensemble Theatre. The Cincinnati Fringe Festival is right around the corner. But I want to use this week’s Stage Door to highlight a glimpse of the future. Tonight the CAPPIE AWARDS will celebrate productions and performers from area high schools with a festive event at the Aronoff Center’s Procter & Gamble Hall.

Among the students being recognized are critics. That’s right: As part of the Cappies, teens from high schools visit other schools to critique performances. I have the privilege of handing out awards to the outstanding team of students from one particular high school. Starting last year, another recognition was added, sponsored by CityBeat, identifying the outstanding single critique written over the course of the year.

I received a half-dozen essays deemed by Cappies organizers to be the best pieces written during the 2014-2015 school year. (I did not know the names of the critics or their high schools when I was picking the winner.) At tonight’s ceremony, I’ll announce one I believe to be the best. You can read all of the reviews I considered in today’s blog, below. In addition to taking home a dandy trophy, the winner is invited to review a FringeNext show, one of three high school productions presented at the Cincy Fringe next week.

I urge you to read what these insightful young people have written about productions at other schools. It’s possible that someday one of these promising writers will be writing about shows and helping theater fans decide what to see onstage in Greater Cincinnati.


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.



West Side Story at Cincinnati Hills Christian Academy

REVIEWED BY COLE HANKINS, Loveland High School

Amidst a fearsome gang war, two lovers are forever torn apart by the pull of a pistol’s trigger. And as a girl mourns her horrible loss, she extends two hands, one to each side. In the left hand, a Jet; in the right, a Shark, two groups sworn enemies, now holding hands united under common loss. It is with this heart-wrenching image of solidarity that Cincinnati Hills Christian Academy’s production of West Side Story leaves its audience, and with this image that its excellence finally hits home.

An American theatrical classic, West Side Story takes place in New York City, where two local teenage gangs — the Caucasian “Jets” and Puerto Rican “Sharks” — are amidst a territorial dispute. Jets leader Riff plans to challenge the Sharks and leader Bernardo to a rumble in order to settle the issue. However, the plot thickens when fellow Jet Tony meets Bernardo’s sister Maria, and the two quickly fall in love. The result is ultimately a situation spun far out of control, a vengeful gunshot separating the lovers forever, and grave consequences to a merciless feud.

Fittingly, CHCA’s production started with a bang in “Prologue,” where the Jets’ and Sharks’ choreographic and combat execution splendidly set the tone for the action to come. The Jets were particularly sharp in songs such as “Jet Song” and the lighthearted character number “Gee, Officer Krupke.” Other show highlights included the upbeat, toe-tapping song “America,” and “Tonight,” where both Jets and Sharks alike came together for a powerful prelude to the action-packed “The Rumble.”

As headliner Tony, actor Will Ellis’s performance was defined by pristine tenor vocals and a captivating vibrato, mastering his character’s higher range. In solo songs like “Maria,” Ellis never shied away from the spotlight, boldly owning critical character moments. Opposite of Ellis, Allie Kuroff’s operatic soprano was equally impressive as the lovely Maria, clearly acting her finest in the show’s riveting finale. Both Ellis and Kuroff played their roles with a unique tenderness, providing an interesting presentation of two classic characters.

Likewise, actress Merrie Drees brought a thrilling flair to the flashy, spunky Anita. Drees’s powerfully sassy vocals proved phenomenal, and her ability to balance great comedic timing in earlier scenes with compelling emotion later on was marvelous, a dynamic lacking in other characters. As the charismatic Riff, Gabe Hoyer also crafted an extraordinary performance. Hoyer featured a mesmerizing gravity to his presence that added an unmistakable charm to Riff, making his Act I death one of the musical’s most tragic moments.

Tasked with a very challenging musical score, the CHCA Orchestra played fabulously. Despite drowning out certain vocalists at times, the pit kept accompaniment clean, crisp, and well polished throughout. Equally crisp and well polished was manager Kaitlyn Nickol’s stage crew, making scene changes promptly and effortlessly and contributing to the show’s timely pacing.

Doing justice to one of the most beloved musicals of all time is undoubtedly a daunting task. Yet as the lights faded on that aforementioned scene of unity, the cast of Cincinnati Hills Christian Academy’s recent production of West Side Story had accomplished exactly this. In a wildly successful effort, these talented performers honored not only the endearing charm of this theatrical legend, but also its strikingly poignant message.

 

A Midsummer Night’s Dream at Larry A. Ryle High School

REVIEWED BY ELEANOR CONNIFF, Highlands High School

Although written nearly 400 years ago, the works of William Shakespeare are still revered today as some of the most influential in all of Western literature. The Bard's plays are usually an essential component of any English course. The classic tales are still performed often by actors and theatre companies alike. It is difficult to imagine something as old as the publication of Shakespeare's First Folio in 1623 continuing to remain relevant and entertaining to audiences. In A Midsummer Night's Dream, performed by Larry A. Ryle High School, students brought life to the timeless classic and gave a performance that stayed true to the tradition of Shakespeare with unique and original twists.

The story of A Midsummer Night's Dream centers around a love triangle, or rather, rectangle, between Hermia and Lysander, two star-crossed lovers; Demetrius, who loves Hermia, although unrequited; and Helena, who loves Demetrius. When Puck, a mischievous fairy from the woods, accidentally casts a spell on the two young men, he reverses their affections, causing both to fall in love with Helena. Chaos ensues as Puck attempts to reverse the mistaken spell and keep peace within both the fairy and the lovers' world.

In Larry A. Ryle's production of this classic story, the students met the challenge of Shakespeare with eagerness and understanding of the style, far beyond the years of most high school students. The production also paired the original Shakespearean text with 1950s style costumes, props, and characters in order to portray a commentary on the time period's stratified nature and to modernize the theme of unrequited love.

Under the pressures of a four-way love triangle, Willow Davis's portrayal of Helena stood out among the leading roles of the show as her characterization and poise set her apart. Helena’s nagging but endearing nature allowed the audience to laugh at her melodramatic soliloquies while also sympathizing with her broken heart. Samuel Greenhill stood out in his portrayal of Demetrius as well, creating a character that was both likable and antagonistic and keeping him true to the attitudes of the time period.

Of course, it is impossible to forget Macy Bates’s performance as the mischievous Puck. The youthful energy that she brought to the role was extremely refreshing and played well into her comedic timing, keeping the audience laughing again and again.

From a technical aspect, the show was extremely fine-tuned. Albert Harris's lighting was absolutely stunning, with a purposeful contrast in the lighting of the fairy world versus that of the real world. This choice, while subtle, was extremely impactful, as the set's minimalist style made the setting of the story extremely ambiguous and versatile, with the shift in lighting as the main indicator of shifting worlds.

Love and mischief are the same now as they were in the 1950s, and the same in the 1950s as they were in Shakespeare's time. Larry A. Ryle High School's production of A Midsummer Night's Dream portrayed these themes in a fresh and unique way, while also paying homage to the tradition of William Shakespeare.

 

Beauty and the Beast at McAuley High School

REVIEWED BY SAMANTHA TIMMERS, Scott High School

It’s not every day you see a humanoid clock charging at foes with a silver fork. Nor is it every day that an audience finds themselves yet again floored by a performance they've seen on the screen a hundred times before. Yet in this heartwarming rendition of Beauty and the Beast, McAuley High School charmed both adult and child once again through their humor and talent.

This stage rendition, written by Alan Menken, Howard Ashman, Tim Rice, and Linda Wolverton, is actually an adaptation of an adaptation. The Oscar-winning movie version with which the world is familiar came out in 1991, the inspiration stemming from the 1756 fairy tale by Jeanne-Marie Leprince de Beaumont. In this third version, a beautiful and bookish Belle becomes the only hope for a long-forgotten castle staff and Prince, who are slowly becoming inanimate objects as a result of a spell caused by the Prince’s vanity. But can Belle learn to love a Beast who can barely learn to love anyone else?

Overall, McAuley created a magnificent performance that was filled with magic and surprises. The cast was bouncing with energy from start to finish, and their vocal quality was solid amongst all actors. The technical crew skillfully created a lively atmosphere that resonated with audience members, phenomenally recreating classic scenes. With glittering costumes and whimsical choreography, Beauty and the Beast did not disappoint.

Danielle Mouch was extraordinary in her performance as Belle. Her vocal quality was pristine and clear, effortlessly reaching every note as well as maintaining her character’s spunky yet thoughtful personality. Gregory Miller, a well-established actor in Cincinnati high school theater, outdid expectations in his performance as the Beast. Though he might have had hair and tusks masking his face, his powerful yet perfectly controlled voice said more than facial expressions ever could.

Audience favorites included the actors playing Lumière and Cogsworth. AJ Keith’s (Cogsworth) dry humor was expertly delivered and well received, his deadpans flawless and his mannerisms appropriate for the endearing yet bossy character. Benjamin Burton seemed to be made for the role of Lumière: his French accent was spot-on (and maintained throughout the length of the show), and his eye for comedy was terrific—all it took was a few suggestive hip movements to send the audience into uncontrollable laughter.

The crew provided dazzling effects for the show. The lighting was of almost professional quality, with a highlight being the mystical, Northern Lights-sequel brilliance that occurred during the Beast’s transformation. While the costumes seemed to closely follow the movie adaptation, they were of high quality and were well constructed and designed. The choreography flowed seamlessly, from the Mob’s parade around the auditorium to the Wolves’ deathly yet entrancing dance. Overall, McAuley’s crew was a force to be reckoned with, achieving seemingly magical transitions and mirages.

In this tale as old as time, McAuley High School enchanted youth and elderly alike with its whimsy personality and spellbinding characters, reminding everyone not to be deceived by appearances; there “may be something there that wasn't there before.”


The Mourner’s Bench at the School for Creative and Performing Arts

REVIEWED BY SARAH MORGAN, Mariemont High School

A single gunshot can end a life, create irreversible emotional damage, and shatter even the closest of relationships in an instant. The School for Creative and Performing Arts’ dark, poignant, and haunting performance of The Mourners’ Bench explored the crippling emotional aftermath of a deplorable tragedy.

The first act opened up to an intense argument between siblings Bobby (Bradley Mingo) and Melissa (Nina Walker). Twenty years after they witnessed their father shoot their mother, Evelyn, in a murder-suicide, Bobby and Melissa have still not healed. While Melissa has attempted to move on with her life, marrying a nice man and bearing two children, Bobby is trapped in a state of perpetual dependency, turning to alcohol and eventually buying the childhood house in which the tragedy occurred. Mingo and Walker perfectly captured the essence of a tumultuous sibling relationship, from emotionally depleting shouting matches to interrupting one another mid-sentence. The two were able to adroitly deal with dark themes, including murder, rape, and suicide, by presenting an air of deep gravity and maturity to their lines.

Act Two, set immediately after Evelyn’s funeral, featured her sisters Caroline (Mallory Kraus) and Wilma (Danielle Brockmann) bickering about the future of their niece and nephew. Kraus and Brockmann both give performances rife with emotion, utilizing familiar body language to heighten the intimacy of their conversation. The timing of their dialogue was natural and seemed completely organic, inviting the viewer into their quarrel. Brockmann approached her role as Wilma with a gentle softness, providing a foil for Kraus’s seemingly callous, unemotional Caroline. The scene ended touchingly, with Kraus playing the piano while Brockmann watched, a testament to the boundless power of redemption.

Act Three centered around elderly, married couple Joe (Cameron Baker) and Sarah (Maggie Hoffecker). They moved into Bobby and Melissa’s childhood home immediately after the tragedy and become inextricably tangled in the history of the house they have purchased. The tenderness between Hoffecker and Baker truly reflected that of a couple on the brink of death; while just sitting next to each other on a couch, they seem comfortable and at ease, with no trace of awkwardness. By the end of the scene, sniffling could be heard throughout the theater as the pair gazed out of a window, contemplating life’s transience.

SCPA’s theater was a room with seating on all four sides, providing an intimate view of the stage and connecting the audience to the characters. The set was sparse: a living room furnished with an unadorned couch and a dilapidated piano. The simpleness of the set allowed the raw emotion of the actors to shine through, creating a memorable performance.

All in all, SCPA’s production of The Mourners’ Bench was an evocative and haunting testament to the power of loss, recovery, and redemption.

 

Sweeney Todd at Taylor High School

REVIEWED BY MADISON LUKEN, St. Ursula Academy 

A trip to the barber never seemed so dangerous than in Taylor High School’s production of Sweeney Todd, where deceit leads to a menagerie of questionable pies, ineffective Italian barbers and a tempest of revenge, violence and tragedy.

An ordinary barber, husband and young father, Benjamin Barker has his world turned upside down when he is thrown in jail on a trumped-up charge that costs him his wife and daughter. Escaping prison, Barker renames himself Sweeney Todd and moves back into his shop on Fleet Street when he discovers the suicide of his wife Lucy. Out for blood, he teams up with the pie baker below his flat, Mrs. Lovett, to take revenge on the ones responsible — Judge Turpin and Beadle Bamford. Leaving a trail of deception, misery and gore in his wake, Sweeney Todd becomes the demon barber of Fleet Street in this haunting musical thriller.

From the smoke that billowed from Mrs. Lovett’s pie shop to the synchronization of the company in “Pirelli’s Miracle Elixir,” the unwavering commitment of both the cast and crew of this show did not go unnoticed in both details and central events. Every aspect of the show came together to create a product of suspense, drama, and overall beauty as an elaborate set, apt lighting and emotional vocals blended with the energy of everyone on and off stage.

Despite the incredible amount of music and its difficulty, the leads of the show, Sweeney Todd and Mrs. Lovett, performed by Antonio Ortiz and Annie Gerth respectively, conquered the tumultuous trials of Steven Sondheim almost flawlessly. In addition to this vocal aptitude, Gerth was able to portray the comedic elements of Lovett through her accent and equally strong acting propensity. Reciprocated by Ortiz, the two radiated a brilliant, psychotic chemistry that was always present, especially in songs such as “A Little Priest.”

A buttress to the leading couple, the ensemble floated eerily onto the stage relentlessly, booming out “The Ballad of Sweeney Todd” and “City on Fire” without wavering. Additionally appearing repeatedly, the Beggar Woman, played by Eliana Batsakis, brought further skill to light both vocally and in her physical acting as she drifted across the stage, crawling in the shadows of London, cackling manically and uttering desperate warnings until she met her demise.

Behind the scenes, this show demanded both sets and costumes reflective of the dark, dirty setting of 19th-century London. In both areas, demands were met, as buildings faded into darkness under a smoky pall and windows appeared cracked in places like Fogg’s Asylum while their inhabitants skulked about in ripped clothes with faces scorched with the grime of the streets. The crew was also able to create credible deaths with their use of stage blood.

Altogether, Taylor’s production was consistent and energetic in every scene of the show, creating a thrilling and gripping story through its performers and behind-the-scenes crew. It was ultimately well deserving of the standing ovation it received.


Once Upon a Mattress at Ursuline Academy

REVIEWED BY CARISSA SAFFIRO, Cincinnati Christian Schools

From childhood one is taught that princesses are the immaculately beautiful creatures that epitomize all that is grace and beauty. Who could imagine that the next princess of a medieval land would be an uncouth and unruly woman from the swamps? Ursuline Academy’s recent production of Once Upon a Mattress explores what happens when an ill-mannered yet charming woman steps — or rather swims — into court looking for a prince.

Written in the 1950s, Once Upon a Mattress is a musical comedy adapted from Hans Christian Anderson’s fairy tale “The Princess and the Pea.” The musical was written by Jay Thompson, Marshall Barer, and Dean Fuller with lyrics and music by Marshall Barer and Mary Rodgers, respectively. The show features Princess Winnifred of the swamplands who comes to marry Dauntless the Drab, despite all the women before her who have been turned down by his tyrannical mother. Following the classic tale, the queen puts a pea under twenty mattresses to determine whether Winnifred is a true princess.

With intricate music and challenging characters, the leads of Once Upon a Mattress certainly had their work cut out for them. The ludicrously uncouth yet lovable Princess Winnifred was played by Kennedy Carstens. From the moment she stepped on the stage the audience was in the palm of her hand and her vocal performance was unequalled by any cast member in the show. CJ Allen had the challenge of playing the role of Dauntless the Drab and chose to play this arguably flat character with a charming and comedic twist. The audience’s narrator and another lead actor in the show was the Minstrel, played by Arjun Sheth. Sheth not only brought the audience through the show with a confidence and charisma, but also had the vocal range required for the role.

King Sextimus the Silent, played by Michael Viox, was another leading force in the show, although because of an old curse he was unable to speak for most of the musical. However, his inability to communicate with words in no way inhibited his connection with the audience or his stage presence. His counterpart and friend, the Jester, played by Claire Westover, played alongside Viox with excellent chemistry but also showed a deeper side of her character as well as impressive tapping ability in her song “Very Soft Shoes.” Carmen Carigan must also be commended for her performance as the Wizard. Although in a smaller part, Carigan has the ability to leave the audience clapping and laughing hysterically every time she stepped off stage.

The most unique thing about Ursuline, however, is the wealth of talent in their dancers. The dancing chorus was always together whether they were doing ballet or tap. With dancers such as Keely Wissel on point and other incredible soloists such as Caroline Nymberg, the dancers stood out as one of the highlights of the show.

The technical aspects of the show seemed to move effortlessly. There were few to no microphone errors, although the cast was working with fifteen wireless mikes, and the lighting was flawless. Arguably the most unique and ingenious part of the show was the costuming. Almost completely student-made, the costumes were imaginative and well put together. In the chorus, each lady’s costume had a corresponding knight’s costume, just one example of the color and brightness of the show.

The costumes, actors, and dancers certainly mirrored the fun, bright, and slightly unconventional style of this production and brought the audience for an enjoyable ride.

 
 
by Josh Elstro 05.21.2015 72 days ago
Posted In: Live Music, Festivals at 10:20 AM | Permalink | Comments (0)
 
 
shakyknees

Shaky Knees Festival: No Puns Necessary

Despite some limitations, Atlanta's Shaky Knees offered an enjoyable music fest experience

I'm swirling a 24 oz. PBR tall-boy around 2 a.m. at a bar fashioned from an old church in a neighborhood I can't quite figure out. Is it up-and-coming like our own Over-the-Rhine? Or are we "on the wrong side of the tracks"? I don't really care at this point. I've already gotten drunk once today and spent 12 hours in the burning southern sun. I just want a bed.

There are 20-somethings in rompers, board shorts and woven sandals hunting for a festival after-party lined up around the block waiting for over an hour to sit on picnic benches and drink crummy beers together at a 300% markup over buying them at a gas station. We are only inside because someone among some newly found friends has sweet-talked the back door guy. Point is, I'm bored and ready for bed. I engage a fellow Cincinnatian at this bar after awkwardly sitting in silence for the past 30 minutes. Someone points to an open garage door leading to an abandoned courtyard where a bonfire is burning and shadowy figures have been shuffling in and out of all night. Oh man … I've been to these parties back home. They often end in way more cocaine than I'm comfortable being around or racially tense fights. But it’s the path I have to take to find out where I can sleep, so I throw my hood up to go as unnoticed as possible and dive in.

"If you high as fuck and you having a good time say yeah!"


"YEAH!!"


"If you drunk as fuck and you having a good time say yeah!”

"YEAH!!"

A track starts playing a familiar synth line. Everyone in the rundown rock yard throws their hands up in unison and screams, "I DONT FUCK WIT' YOU!!" Big Sean's breakup anthem blares over the PA. Yes! I'm so down with this. The fact that I'm in dirty soccer shorts and an Against Me! hoodie doesn't matter. The fact that I'm not from here doesn't matter. My age doesn't matter. My race doesn't matter. We all dance and sing along together until the cops show up. Forget the kids waiting in line to drink bad beer on park benches hoping to get laid; this is the most live party I've been to in a long while and nothing like it has ever happened back home.

But this isn't home, it's Atlanta. And it's the best part of Shaky Knees festival. I had headed to the unofficial
capital of the South two days
earlier with wildly different expectations. I was nervous, expecting an endlessly
expansive metropolis like
Chicago or New York where you
could get lost for days just
searching for a legal parking spot
and shouldn’t expect to find a place to rest your head for less than $100 per night.

Instead I was greeted by a uniquely diverse, affordable and welcoming city that didn’t feel much more overbearing than Nashville or our own city. A welcoming attitude of southern charm and hospitality was the cherry on top of every restaurant and bar we’d visit.

Before I go on I feel it should be pointed out that while fully qualified to review a music festival, I fall into a not so primary target demo for festival promoters. Yes I’m white and middle class, but, more importantly, I’m 29. Not young enough to save up my graduation money and go on a road trip with my gal pals for the “party of the summer.” Not late enough in my 30s, with kids of my own old enough to either stay home alone or come with as I check out whatever ’80s Alt band has dusted themselves off to play in the twilight hours of each day in the name of collecting a paycheck. Most of my demographic is too busy being spit up on at all hours of the night by their newborns to afford spending three days drinking in the sun and being blasted by unhealthy decibel levels. But, alas, here I am.

That all being said, my only real complaint with Shaky Knees was its lack of diversity. It is in the Hip Hop capital of the south (several jokes were made asking locals if Outkast are the “presidents of Atlanta”), but it failed to feature a single Hip Hop or R&B act. There was a small representation of Delta music with Preservation Hall Jazz Band and Trombone Shorty dotting the schedule early Sunday afternoon (which I unfortunately missed as my attendance was unplanned and last minute, so I had to spend Sunday driving home for work). Every band I saw was just white guys with guitars. Not that there’s anything wrong with some of that, but I didn’t see a single other act that had more than one token female or person of color (the exception being Tennis, which had one extra woman on keys tucked in the back of the stage).

Atlanta’s location provides for an amazing opportunity to unite a wide array of music lovers from all over the country. I met travelers from places as far as New York, Miami, Fla., and Nashville, Tenn. It has a stronger African-American middle class than most of the Midwest, as I experienced amongst its nightlife and food scene, and yet the culture of the festival was still focused primarily on a white, suburban, Indie Rock or Folk crowd, which is a shame. Some minor lineup tweaks could make all the difference for an otherwise amazing festival.

Enough of that. We’re here to talk about performances, so let’s party …

DAY 1
Jukebox the Ghost While assessing the lay of the land we settled into our first full set with the Piano Rock trio. My friend, who knows my taste well enough to know I’d instantly
want to judge
them, insisted I
give it a chance. It took a minute,
but with interlude
banter like, "This
is a party song
about breaking
up," or "This is the
dumbest song
ever written,"
these guys are
just having too
much fun to not
want to join in. I
mean, come on
— they closed with
a cover of
Queen’s "Don’t Stop Me Now" (yeah, they really had the balls to do that!) knowing full well their younger fan base would be totally lost and they didn’t give a single fuck. Kudos guys. You will do just fine in this world so long as your hairlines stay in tact.

Tennis I was merely nodding appreciatively through most of their set. Then lead singer Alaina Moore, whose neckline plunged all the way to the top of her high-waisted jeans with nothing but some hard working gravity protecting her from indecent exposure charges, introduced the song “Marathon.” One of the band’s older songs, it’s a solid straight up Doo Wop tune. (Now we’re talkin’!) I was pulled in for just a moment. But then all I could do is re-Imagine them as the opening band in the dance in Back to the Future with this same look and style. Marty never even gets the chance to rip through “Johnny B Goode.” The scene would already be too wild for Hill Valley circa 1955 to handle. There are riots in the streets! Marty disappears from the family photo and his existence fades into obscurity. Fin.

Wavves “Finally ‘the youths’ are partying!” I spent a good chunk of this set under the bright sun on searing black top thinking, “There’s gonna be some seriously dehydrated kids in sweaty ironic tees later.” Wavves’ first record was the only thing that swayed me to let my guard down and learn to accept the lo-fi revolution. Plus, “King of the Beach” is a total jam. But something just isn’t right about the energy of this young crowd. It’s like the Warped Tour of my youth for a new generation that doesn't have a George Bush to rally against and vent their angst toward. There’s a wave of aggressive indulgence in the pile of sweaty bodies that’s directed at nothing in particular and I’m too old or out of touch to understand it. Mostly I was thinking Hedonismbot from Futurama would fit right in crowd surfing over this pit. “Oh my!” Wavves new song was on point, though, perhaps suggesting a move away from the low-fi fuzz that covered up the simplicity of their previous work to something a little more richly melodic.

Manchester Orchestra I had to give this band a chance as my roommate texted me from back home insisting I check it out. I trust her. So I go. And, yeah, it’s heavy and I like that, but I’m not sure I get it yet. There are these glimmers of sing-along anthem glory, but in my 30-45 minute blind taste test of them I didn’t get enough of that flavor to crave seconds. Maybe some more research before they visit us for Bunbury next month will bring me around.

The Mountain Goats “AND HARD TIMES ARE WHEN A MAN HAS WORKED AT A JOB 30 YEARS AND THEY KICK HIM IN THE BUTT AND SAY: HEY, A COMPUTER HAS TOOK YOUR PLACE, DADDY. THAT’S HARD TIMES!” This is part of the epic, booming three-minute intro that sets the stage for The Mountain Goats’ show, a voiceover shouting a challenge to the Macho Man Randy Savage daring him to a fight in the ring across an empty stage. It gets you properly amped for what’s to follow. You can feel John Darnielle and his gang carry that energy right onto the stage with them as it ends and the crowd erupts. Don’t make the mistake of lumping these guys in with the dusters “just out for a paycheck” I mentioned earlier based on their age. You will rarely see someone look so happy to sing songs he wrote 20 years ago with as much conviction as Darnielle. His stage presence oozes “I’m a professional, but I’m having a blast!” And the crowd responds, “Alright John. Then I am too!” That presence is so strong he still wins over crowds with brand new songs despite already having a discography over 15 full-lengths deep. What's that streaming down my face as they close out with “No Children,” the hauntingly triumphant ode to the end of the ugliest relationship you’ve ever heard? It’s … it’s just a really heavy bead of sweat! It's hot out here damn it! Leave me alone!

Mastodon At this point in the day I just can’t take standing up anymore. Another minor issue with Shaky Knees overall was the food options. The ratio of local food trucks to festivalgoers yielded unbearably long lines for anyone hoping to catch some of the later acts of the day. Beer however was in ample supply, so I grabbed one to sip on while catching the most Metal moment of the weekend from a hill a hundred or so yards out from the main stage. Metalheads I trust recommend Mastodon and, yeah, they were fine with me too. Only problem is they fell just short of what I’m looking
for in their songwriting, a craft often overlooked
by Metal bands in my opinion. And so I spent
most of their set wishing I was watching Ghost
instead and checking my phone for any news of
their next release. We should expect that in
August.

Pixies Kim Deal purists be damned. Her current replacement did just fine and sounded spot-on like the records to me. While expecting those aging rockers coming out to collect a paycheck I’ve been talking about, there was still a dash of magic left. Or maybe it’s just that little flutter I get when a song starts up that I’ve been listening to for 15 or so years, like “Here Comes Your Man,” with no expectation of ever hearing live because, to be honest, it was a little loose at times. Okay. Really loose. Like, Frank Black stopped in the middle of a song and said, “That was my fault. I went to the chorus too soon,” and went on to the next one loose. Makes you feel a little bummed for folks who shelled out full price for a pass just because they’re so stoked to see their favorite band. So yeah, maybe my nostalgia high is wearing off now that I’m reflecting back and realizing Kim’s replacement was honestly the most engaging part of the set.

The Strokes Lead singer Julian Casablancas isn’t exactly the king of charisma. Hell, he’s not even the dunce in the corner of Charisma 101, which makes it really hard to accept this band as a headliner. His attempts at on-stage banter made for some of the most uncomfortable moments of the weekend. Tie that in with his cracking voice straining to push out the words “How long must I wait” before it just gave out during the first song of their encore, “Vision of Division.” Their set became downright unbearable at times. Unfortunately, on top of this, “Reptilia” is the only song I really care for and they opened with it. So I was over it quick. The crowd didn’t seem to care though. They all still went nuts when the song that sounds exactly like “Last Night” but isn’t it came on halfway through their set.

And so, in my constant battle of jaded cynicism vs. the fact that I do genuinely love live music, I’d say day one ended in a draw. On to round two!

Day 2
Kevin Devine We raced back to the festival grounds to catch this set, but I wasn’t quite awake enough yet and needed to finish my coconut water to get things going. But Kevin didn’t care. His high energy set was better than anticipated and got me back in the game. He’s got the Indie/Emo “slow burn, build and release” pattern down and I’m totally ready to go up and down for the ride. Definitely keep an ear out for him.

Mariachi El Bronx Exactly what it sounds like. It’s Los Angeles hardcore band The Bronx … playing mariachi. I honestly resisted them for years as my friends raved and I assumed it was just another silly novelty crossover band. But they’re such great players that they managed to transcend the novelty and throw one hell of a party. Unfortunately, The Bronx gang seemed to draw the short end of the stick for the entire festival as this set was early on the main stage where the bass in the mix was for a much larger headlining crowd and it ruined the whole balance of the band. I had to leave halfway through as my body couldn’t handle the blasting waves of low end. But their bass player sure sounded great!

Speedy Ortiz “I think Squidbillies is here right?” lead singer Sadie Dupuis says between songs with minimal irony or facetiousness in her voice. And it’s this feeling of off beat intimacy the band tries to interject into the mid-afternoon, sun-drenched crowd that draws me in. It helps me understand why others are drawn to them, while my aging ears struggle to get hip to it. Dupuis voice and melodies, along with everyone else’s performances, are great, their style of off-the-beaten-path harmonic and chord structure however have never really set in for me. It kind of killed off my mariachi buzz and I stepped out halfway through to plan the rest of my day in some shade.

Viet Cong I went into this thinking the tough as nails name meant I was about to see a bratty and loud Punk band, which I was kind of stoked about. But the droning bass and synth is all good too! Makes me want to get in the world’s angriest space shuttle and fly to the moon. As they droned the last two chords of their final song back and forth for nearly three minutes I found myself wanting to shout, “Just take off damn it!” These guys would be equally good for when you're drunk alone at 4 a.m. again and your Joy Division records are just too far out of reach, plus you need a little extra edge to encourage you to break a few things!

Metz If you wish The Hives were still a hard touring band, these guys will get you half way there. Plus they’re a lil’ heavier to boot. That being said, the riffs could be a little catchier for my taste, but they still deliver enough to keep me hanging on and start snooping around for their records next time I’m out. Plus, you’ve got to love a band that you know is making somebody in Canada say, "You know that quiet guy in accounting? Yeah he TOTALLY shreds on the weekends!" Probably also worth mentioning here that these guys will be tearing up the Woodward Theater with Viet Cong on July 21st and it’s definitely going to be worth being there.

FIDLAR Plain and simple: This is why I love Punk. Just look at the dumb, unbridled joy on the faces of this sea of kids bouncing up and down in unison. There’s a certain “it” factor that the best live acts have regardless of technical difficulty or skill required to accurately perform their songs which I’ve never been able to put my finger. (FIDLAR said it best during their own set: “That’s right guys, all you need is three chords!”) This band definitely has it. The fact that I’m getting too old and responsible to honestly relate to their lyrics doesn’t matter. I think cocaine is childish and immature and I think drinking cheap beer is a waste of calories … but goddamn. I just can’t help but scream along in unison with these kids and share their same dumb, shit-eating grin. They are rescheduling their recently cancelled show at Thompson House. Keep an eye out for the new date and be prepared to lose your goddamn mind.

The Bronx And this is why I love hardcore! This is one of the tightest performances I saw up to this point despite unfortunately having the smallest crowd. No frills, just solid playing and tight execution. I had tried getting into them on record a few years back and something didn't click. Now it does. Time to go back and start working on picking up some change on the dance floor again.

Neutral Milk Hotel Yep. There's still too much ex-girlfriend attachment to this band for me to really enjoy it. Plus, they played at the time of day where no matter how close you want to get, you bottleneck at a point in the crowd that’s too far away to really feel a part of the set. “Maybe I should see if the Bronx is still playing? Why did I leave!? If one more person near me gushes over how cool using a saw as instrument is heads might roll …” Also the flock of blond college-age girls flocking out of the crowd after “In the Aeroplane Over the Sea” was played early in the set was amazing. Am I being too cynical? Whatever. Jeff Mangum’s voice is still on point after all these years. Still worth it.

Wilco At this point that bottleneck was just too far away to really get into what was happening on stage, which bummed me out because I had to miss Wilco’s show in Cincy a few days earlier. The drunk people next to me were almost as loud as the reverberations distantly ringing on the stage. But hey — they’re still cranking out the hits and they're still Wilco, so you gotta love it. But I was a little too buzzed and nervous about not getting a good spot and running into this same situation for the Avetts, so I dipped out a little early.

The Avett Brothers “Effortless.” People challenge me all the time to explain why I believe these guys are objectively one of the best live musical acts in music right now and this is the only word I can ever seem to muster. The level of focus, mastery and attention to
detail that goes into the
performance this crew puts on
night after night should be
obvious to anyone who’s so
much as taken a single guitar or
voice lesson. The love, passion, joy, and energy they
infuse into every song, whether
it’s a sing-along anthem like
“Kick Drum Heart” or a soft
ballad like “The Ballad of Love
and Hate,” makes the whole act
seem more effortless every time
I see them. Whether it’s Seth’s
improvisational riffing on their
already perfect vocal lines or
Scott’s conviction and sincerity
when telling the crowd he needs their help singing along with something, I truly believe they would win over any true music fan who is willing to let go and be taken by the power of one of their sets. No other band refracts as much love for what they’re doing on stage back to an audience quite like the Avetts. Their headlining set at Bunbury will be their first performance in Cincinnati since 2008. Do not miss it.

Whoa. What a ride. The fact that I’m having trouble wrapping this up despite the fact that I missed a whole day of the festival is a testament to just how much Shaky Knees has to offer music lovers. I’m having trouble keeping the two-day experience I had from unraveling into a full novella and am now forcing myself to shut up. Despite its limitations, there is still enough diversity to keep most fans of semi-independent Rock or Alternative on their toes. (No. It was not hard to resist a “shaky knees” pun here.) But when you attend next year, don’t let your time adjusting to the southern sun tap all of your energy for experiencing the city’s culture and nightlife. As much as I love Cincinnati, I think we have much to learn from this gem down South and I look forward to returning soon.

— Josh Elstro

 
 
by Danny Cross 05.20.2015 73 days ago
at 09:46 AM | Permalink | Comments (0)
 
 
loretta_lynch2

Morning News & Stuff

U.S. AG visits Cincy, city budget still light on human services funding, Reds stadium probably won't catch fire again

U.S. Attorney General Loretta Lynch visited Cincinnati yesterday on a tour of cities implementing innovative police practices. During a roundtable event at the National Underground Railroad Freedom Center, Lynch said Cincinnati’s approach is a model for other cities to follow.

Via The Enquirer:

"This is a place that has been through difficult times," Lynch said, referring to the city's riots 14 years ago, which led to a lawsuit and accusations of racial profiling by police. "Cincinnati exemplifies the fact that a city is a living thing — and it is comprised of all residents of a community."

 Cincinnati has long underfunded human services, at least according to its own goal of using 1.5 percent of the city budget for things like programs to end homelessness, provide job training and offer support for victims of crime. It doesn’t look like the city will get back to that rate any time soon, and City Councilman Chris Seelbach yesterday questioned why City Manager Harry Black’s budget doesn’t include $3 million council unanimously agreed in November to use to reduce homelessness and help boost gainful employment.

Here’s some context via the Business Courier:

It has been longstanding city council practice to direct the city manager what to put in the budget by a motion backed by a majority of council members, so Black's statement appears to permanently alter a standing way of doing business at City Hall. It also increases the tension between Black, Cranley and City Council, particularly majority Democrats, over their governing relationship.

With funding allocated for a mayoral priority but not one supported by all council members, Seelbach said it raised concerns over Black’s independence and whether he reports to Cranley or Cranley and all nine council members.

“It strikes me as very strange,” Seelbach said. “It seems like a symptom of that.”

“So noted,” Black said. 

 City pools are set to open this week, but six out of the city’s 25 might not open on time because they’re facing a shortage of 65 lifeguards. The Enquirer today noted why the pools are important to low-income children, many of whom receive free lunch and take advantage of having something to do other than the bad stuff kids get into when they’re bored (my words). 

 Social justice activists planned to call on Major League Baseball this morning to speak out on racial injustice, specifically police brutality and what the group calls “blatant disrespect of African Americans in Ohio’s justice system.” The press conference scheduled for 11 a.m. today will include Bishop Bobby Hilton of Word of Deliverance, Pastor Damon Lynch III of New Prospect Baptist Church, Pastor Chris Beard of Peoples Church and Rev. Alan Dicken of Carthage Christian Church.

 WCPO Digital’s series on marijuana continued today looks at what Ohio can expect business-wise if and when the state legalizes pot. WCPO sent two reporters who probably can’t pass a drug test anymore to Colorado to report on the industry and a family who moved there from the Cincinnati area so their daughter who suffers from seizures would have access to medical marijuana.

 The Reds say the stadium smoke stack that caught on fire last weekend will be fully operable by the time the team returns from its current road trip. Firefighters climbed two ladders to put out the fire in one of the “PNC Power Stacks” during a game against the San Francisco Giants last weekend. A few sections of fans were evacuated but the game was never delayed. The Reds got whooped all weekend so the fire was actually a pleasant distraction and ended up on Sportscenter and stuff.

 Apparently there are lines out the door at a new chicken finger restaurant in West Chester called Raising Cane’s and its owners are going to open more stores, potentially one downtown.

 The Federal Trade Commission filed a lawsuit yesterday against a collection of cancer charities it says misused millions of dollars in donations. Sounds like someone’s going to be in serious trouble for it. Worth a read from the Los Angeles Times to hear about the various members of the James Reynolds Sr. allegedly involved.  

In reality, officials say, millions of dollars raised by four “sham charities” lined the pockets of the groups’ founders and their family members, paying for cars, luxury cruises, and all-expense paid trips to Disney World for charity board members.

The 148-page fraud lawsuit accuses the charities of ripping off donors nationwide to the tune of $187 million from 2008 to 2012 in a scheme one federal official called “egregious” and “appalling.”

 Twenty-one-thousand gallons of oil is now sitting in the ocean instead of being burned into the air by automobiles. The U.S. Coast Guard says it has formed a four-mile slick along the central California coastline.  

 In good California news, Los Angeles City Council approved raising the city’s minimum wage to a nation-high $15 an hour by 2020.

 Documents recovered during the raid that killed Osama bin Laden? Sure.

 Five global banks to pay $5 billion fine and plead guilty to criminal charges after an investigation into whether traders at the banks “colluded to move foreign currency rates in directions to benefit their own positions.” OK.

 Scientists say a snake ancestor had little toes even though it slithered.

 
 
by Staff 05.18.2015 75 days ago
Posted In: Leftovers, Cocktails, Brunch, Beer, local restaurant at 12:11 PM | Permalink | Comments (0)
 
 
bistro grace ceviche

Leftovers: What We Ate This Weekend

ReUse-apalooza! Brunch at The Palace. Waffles with gelato. Cheese coneys by a flaming smokestack at GABP.

Each week CityBeat staffers, dining writers and the occasional intern tell you what they ate this weekend. We're not always proud — or trendy — but we definitely spend at least some money on food. 

Ilene Ross: Friday night’s ReUse-apalooza! at Building Value in Northside gave me the opportunity to do one of my favorite things for dinner: graze. Northside’s proliferation of tasty restaurants is the perfect place for progressive noshing, and an event like this is the perfect way to sample most of them in a compact setting. Some of my favorites were the ceviche from Bistro Grace, the chiles rellenos from Django Western Taco, the kale and white bean dip from Park + Vine and pierogies from Babushka Pierogies (neither from Northside, but I’m not that picky), and then dessert goodies from Happy Chicks Bakery and Grateful Grahams.

Colleen McCroskey: You either wholeheartedly agree with me or think I’m insane, but I am 110 percent convinced that cheese coneys from Great American Ball Park taste LIGHT YEARS better than coneys from a regular Skyline, so I treated myself to two of them this past Friday night when we played (read: lost to) the Giants. The cheese is lighter and fluffier and the flavors of the chili seem more complex and nuanced somehow. I washed down all that deliciousness with a vodka-spiked slushie. I also happened to be sitting right next to the smoke stack that caught fire so the black billowing smoke added some nice ambience to my own personal coney-fest.

Jesse Fox: I've been on a mission to eat better and minimize my portion size the past couple weeks, but this weekend I took a break from that. This started on Saturday when I went out with my friend Erica to use up a gift card I had from Moerlein Lager House. Knowing that we had a whopping $50 of free money we decided to go wild (for two broke girls) and order a couple margaritas, an appetizer (calamari) and an entree that was more than $7. Erica went with the herb-crusted salmon and I chose their crispy balsamic tofu. After that we went up to Clifton where my band was having a house-show and finished the night out with some Bud Light Razberitas and a few PBRs.  

Katie Holocher: I, no joke, literally ate Dewey's all weekend. A calzone Friday night, those leftovers on Saturday and then another pie on Sunday. Same order every time — banana peppers and pepperoni (or BPPep as we call it in our house), with extra sides of their ranch. Furthermore, I had a delicious lemon cake, that was as equally adorably decorated, at a baby shower, made by a local gal named Sara Kenny. She calls herself the Baking Actor but I was talking to my friend who knows her and it sounds like she's getting more away from the acting side so that she can get more into the baking side. 

Sarah Urmston: This past Saturday, OTR was buzzing with action — a 5k, the City Flea, store grand openings and more; every restaurant seemed to be flooded to their very brim. I gratefully remembered The Taste of Belgium (one of my favorite breakfast places in Cincinnati) had another location off of Short Vine, not too far from the one in OTR. Our scheduled 2-hour wait turned into no wait at all as my buddies and I gathered around a high-top for some their famous waffles. Switching it up from the usual chicken and waffles I get, I ordered the Waffogato: a Belgian waffle topped with vanilla bean gelato alongside a shot of rich espresso to dip, pour or do with whatever your heart desires. It was the perfect blend of cold and hot together, with a sweet-meets-bitter taste. It was the best way to wake up and begin a Saturday.  

Casey Arnold: My boyfriend Brian and I were traveling around the suburbs checking out yard sales on Saturday when we both were hit with some painful hunger. We remembered that there was a Mexican restaurant pretty close to where we were in Maderia called Chuy's. Neither of us had ever been there or heard of it. It seemed a little gimmicky at first: hubcaps hanging from the ceiling, T-shirts for sale and general flair on the walls. When the fresh salsa came (where was our red slime?) we were pleasantly surprised. I had the bean and cheese burrito with creamy jalapeno sauce. It was delicious, but we both swore that the sauce was just ranch dressing. Brian had the stacked enchiladas which were blue corn tortillas sandwiching shredded chicken. Everything was fresh, different and so much better than an average Mexican restaurant. I posted about it on my Facebook and my Austin, Texas-transplant friends started commenting about how surprised they were that the chain made it all the way up to Cincinnati and raving about their favorite dishes. I realize I've been spending too much time downtown. 

Garin Pirnia: On Sunday, my friend and I brunched at The Palace restaurant inside The Cincinnatian Hotel. In March, they introduced Saturday and Sunday brunch (11 a.m.-2 p.m.). The restaurant wasn’t crowded or loud, so you could actually carry on a conversation. Besides their brunch menu, you can also order off their breakfast and lunch menus, so there were a lot of options such as challah bread pudding, and chicken and cornbread waffles. I had their eggs Benedict (arugula, grilled tomato, poached egg on English muffin, avocado mousse, hollandaise sauce). The eggs were a little overcooked but otherwise were good. My friend ordered the steak and eggs flatbread, which came with coffee-cured bacon. We also indulged in home fries, which were the right amount of crispy and pillow-y. The best part of their brunch menu is the inventive collection of bloody marys: a spicy lobster and shrimp gazpacho bloody that came with fresh-shaved horseradish mixed in, and chunks of lobster and shrimp on a skewer. I mean, lobster in a bloody! They also offer a Southwestern bloody (avocado, cumin, cilantro), and a Korean (kimchee, soy, ginger). You can order the bloodys singularly ($8-$11) or by the pitcher, but we refrained from doing that (maybe next time). They also make blueberry mimosas and housemade strawberry sodas. If you like a fancy (and boozy) brunch with affordable prices and food served atop white table cloths, then you need to go.
 
 
by Steven Rosen 05.18.2015 75 days ago
Posted In: Film at 09:34 AM | Permalink | Comments (0)
 
 
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Cincinnati-Filmed 'Carol' Receives Outstanding Reviews

Considered an Oscar contender, film is in competition at Cannes

The Cincinnati-filmed Carol premiered over the weekend at the Cannes Film Festival and received sterling, outstanding reviews that called it an instant Oscar contender and the most important high-profile gay drama to come out of American cinema since 2005's Brokeback Mountain. The film is in competition at Cannes.

Based on Patricia Highsmith's 1952 novel The Price of Salt and directed by Todd Haynes (Far From Heaven, I'm Not There), it features Cate Blanchett as an socialite who falls in love with a younger department-store clerk (Rooney Mara) in Manhattan. The film was shot here last year, using sites in Over-the-Rhine, Cheviot and other locales as stand-ins for a New York of old.


At Variety, the most important publication chronicling the entertainment business, critic Justin Chang said the film "should have little trouble translating critical plaudits, especially for Cate Blanchett's incandescent lead performance, into significant year-end attention.​" Variety also revealed that the distributor, Weinstein Co., has set a Dec. 18 release date for Carol, a prime opening weekend for any film with Academy Award intentions.

Here is a link to the full Variety review.

Meanwhile, at indieWire — the most influential website for the independent-film industry (Carol was produced independent of the big Hollywood studios), Eric Kohn also gave a strong rave to the film.


"Carol funnels (themes) into a nuanced tale of mutual attraction that reflects a filmmaker and cast operating at the height of their powers, rendering complex circumstances in strikingly personal terms," he said.


Besides Haynes, the only other U.S. director with a new film in competition at Cannes is Gus Van Sant, whose The Sea of Trees stars Matthew McConaughey and Ken Watanabe as two men who meet in Japan's "Suicide Forest."​ Its premiere was no so well-received — it was booed by the audience.
 
 
by Staff 05.15.2015 78 days ago
Posted In: Drinking, Fun, Concerts, Culture, Arts, Music, Movies, Life, Performances at 10:55 AM | Permalink | Comments (0)
 
 
music1_interpol_photo_eliot_lee_hazel

Your Weekend To Do List (5/15-5/17)

Maifest, an Italian festival, The Breakfast Club turns 30, Carol Ann's Carousel opens, The City Flea and more

Lots of things to do this weekend, from festivals and craft beer drinking to arts and film screenings. Plus, The City Flea, Carol Ann's Carousel and new OTR shop Idlewild open.

FRIDAY
Head to Bogart's for INTERPOL
Interpol’s 2002 debut Turn on the Bright Lights seemed to arrive out of nowhere, a visceral, uncommonly mature effort that channeled not only a host of Post Punk staples but also a distinct post-9/11 desolation. It was, in fact, the product of the band’s founder, guitarist and driving force Daniel Kessler’s long-simmering vision, one he formed through years of writing and playing live around New York City with frontman Paul Banks, bassist Carlos Dengler and drummer Sam Fogarino, who was the last (essential ingredient) to join the band in 2000. Thirteen years after that stirring debut, Interpol is still kicking — minus Dengler, who left after recording the band’s self-titled fourth album in 2010; Banks now serves as the group’s bassist — and still delivering its melancholic, angular brand of Indie Rock. Interpol performs at Bogart's Friday. Tickets/more info here

Maifest
Photo: Matthew Andrews Photography
Get your drink on at MAIFEST in MainStrasse
Based on the German tradition of welcoming the first spring wines, the 36th annual Maifest fills six city blocks of historic MainStrasse with food, beer and wine, and works by more than 75 artisans and craftsmen. There will also be entertainment by top local bands — 500 Miles to Memphis, Young Heirlooms, Ricky Nye and more — in the craft beer garden, with a special Kinderplatz area with rides for children and a Braxton Brewery light display at the Clock Tower Friday and Saturday night. Don’t miss the popular street chalk-drawing contest Saturday. 5-11:30 p.m. Friday; Noon-11:30 p.m. Saturday; Noon-9 p.m. Sunday. Free. MainStrasse, Sixth Street, Covington, Ky., mainstrasse.org.

The Breakfast Club
Photo: Universal Pictures
Break out the acid wash and pleated pants for a screening of THE BREAKFAST CLUB
Revisit your favorite brain, athlete, basket case, princess and criminal Friday when The Breakfast Club’s Brat Pack returns to the silver screen at the Esquire Theatre in honor of its 30th birthday. John Hughes’ high school bildungsroman might not be completely timeless, but it’s the movie’s cliché moments that make it so enduring. Forgo popcorn for Pixy Stix and don’t forget to bring your acid wash jeans and “Members Only” jackets — prizes will be given for the best ’80s costume. 10:30 p.m. Friday. $9.75. Esquire Theatre, 320 Ludlow Ave., Clifton, esquiretheatre.com.

CincItalia Festival
Binge on lasagna in a mini piazza the CINCITALIA FESTIVAL
The CincItalia festival celebrates all things Italy. You’ll find main dishes with lots of authentic Italian flavor like stromboli, lasagna, grilled spiedini and more, complete with a wide selection of wine and beer and cooking demonstrations. Visit the ladies of La Societa Fuscaldese Femminile to try their famous cannoli or enjoy lively music and a glass of vino in the mini piazza, with fountain and Tivoli lights. 6 p.m.-midnight Friday; 3 p.m.-midnight Saturday; 1-9 p.m. Sunday. Free. Harvest Home Park Fairgrounds, 3961 North Bend Road, Cheviot, cincitalia.org.

MadTree Brewing Company
Photo: Jillian Tellep
Have some beer on a paint palette at ARTS & CRAFTS
Organized by a handful of sophomore graphic design students at the University of Cincinnati’s DAAP (and with sponsorship from Modern Makers, a multidisciplinary arts collaborative), Arts & Crafts involves the consumption of local craft beer and the exhibition of up-and-coming artists — with accompanying food trucks and live music. With the expressed intent of supporting local breweries and artists in an effort to nurture the arts in the Clifton community, organizers enlisted UC students to participate as well as breweries MadTree, Rhinegeist and more. 7-9 p.m. Friday. Free. Niehoff Urban Studio, 2728 Vine St., Corryville, artsandcrafts.beer.

Put in your pin curls for CINCY SWING FEST
Put in your pin curls and break out the saddle shoes for the second annual Cincy Swing Fest. Can’t Lindy Hop? No problem. Cincy LX/Swingallery will be on hand to provide complementary dance instruction to live music from Swing Band The Makeshifts. Classic cocktails available, plus pin-up makeovers from Retrocentric. 6-10 p.m. Friday. Free. Fountain Square, Fifth and Vine streets, Downtown, myfountainsquare.com.

SATURDAY
Run the OTR 5K and then head to THE CITY FLEA for an after party
The ninth annual OTR 5k run/walk kicks off summer in the city a little early. The race begins and ends in Washington Park, with a course that takes you through historic Over-the-Rhine. Dogs and strollers welcome. Register online or in person. 10 a.m.; afterparty celebration until 4 p.m. Saturday. $30. Washington Park, 1230 Elm St., Over-the-Rhine, otrchamber.com

Curated monthly urban flea market The City Flea launches a new season Saturday at Washington Park. Keep your dollars local and support small business by shopping from hundreds of area vendors, selling everything from handmade goods and vintage finds to artisan eats and organic beauty products. Food trucks flank the park and drinks will be available from the concession stand. This month’s flea is also home to the OTR 5k afterparty. 10 a.m.-4 p.m. Saturday. Free. 1230 Elm St., Over-the-Rhine, thecityflea.com.

Ride for free at the CAROL ANN CAROUSEL opening celebration
The public is invited to a ribbon-cutting ceremony for Carol Ann's Carousel at Smale Park on the Riverfront. Following the ceremony, the carousel will open with free rides from 1-7 p.m. Tickets will be handed out on a first come, first serve basis. Other festivities include face painters, jugglers, magicians, food carts, music and more. Ride one of 44 adorable characters — horses, frogs, elephants and more. $2 a ride after Saturday. 11 a.m. Free. North of Mehring Way at the Pichler Fountains, Downtown, cincinnatiparks.com.

Pixies
Photo: Jay Blakesberg
PIXIES play the Horseshoe Casino
History will always chiefly remember Kurt Cobain as a creator of music, not a consumer. But the Nirvana leader was also an avid advocate for his favorite groups and most cherished influences. In the posthumously released Journals, he documented his 50 favorite records. Most telling of all was his inclusion of Pixies’ Surfer Rosa in spot No. 2. That’s significant because Nirvana’s biggest hit owes a great debt to the group. Since reuniting in 2004 to tour and occasionally record (last year’s Indie Cindy was Pixies’ first album since 1991’s Trompe le Monde), the band has evolved into more of an elder statesman outfit (minus original bassist/singer Kim Deal, replaced on the group’s current tour by Paz Lenchantin, who’s worked with acts like A Perfect Circle and Zwan), showing only rare glimpses of the brilliant provocateurs of their youth. But it’s not as if the band has much more to prove; its unimpeachable impact was cemented long ago. Pixies play The Shoe at Horseshoe Casino Saturday. Tickets/more info here.

Dress as a stormtrooper at the LIBRARY COMIC CON
Move over, San Diego. The Public Library of Cincinnati and Hamilton County’s third annual Comic Con proves you can immerse yourself in countless comic book universes locally. The five-hour festival has expanded to offer a host of events, including trivia, guest panels from local cartoonists, drawing contests and a superhero training camp for kids. Have a Wonder Woman ensemble, an Iron Man outfit or suit of armor for which you haven’t yet found a socially acceptable occasion? All ages can dress up as their favorite characters to win prizes. Noon-5 p.m. Saturday. Free. Main Library, 800 Vine St., Downtown, cincinnatilibrary.org/news/2015/comiccon.

Shop at IDLEWILD, Article's new women's boutique in OTR
Over-the-Rhine men's shop Article's sister store, Idlewild, opens Saturday. Brands sold at the store include Imogene and Willie, a Nashville, Tenn.-based denim company, and Free People. The shop will also feature garments from New York designers Steven Alan and Emerson Fry, as well as accessories from a pair of Portland, Ore.-based designers Another Feather and Mazama. 11 a.m. Free. 1232 Vine St., Over-the-Rhine, facebook.com/articlemenswear.

Three Days of Rain
Photo: Untethered Theater Company
Get immersed in THREE DAYS OF RAIN at the Clifton Performance Theatre
Richard Greenberg’s Three Days of Rain is a mystery that unfolds in reverse. In Act I it’s 1995 as three adult children of two iconic New York City architects ponder the current state of their lives and what motivated their parents three decades earlier. Their conclusions, based on memory and a recently found laconic journal, make sense, but when Act II pushes back to 1960, almost everything they have hypothesized proves to be wrong. As is often the case, life was much more complicated. Continues through May 23. $25. Clifton Performance Theatre, 404 Ludlow Ave., Clifton, cliftonperformancetheatre.com.

Waite’s painting “Old School Boys Pool” is based on a swimming pool at the old School for Creative and Performing Arts. 
Check out paintings of abandoned sites in THE CINCINNATI SERIES
In his The Cincinnati Series of 29 paintings depicting depopulated city sites, Peter Waite — a Connecticut-based artist — neither celebrates nor dismisses what he sees. Rather, he just tells it like it is. His artwork is at Carl Solway Gallery in the West End through Aug. 1. If he finds something architecturally interesting to him that is also conventionally beautiful, like the suspension bridge or Union Terminal or downtown’s Isaac M. Wise Temple, he acknowledges and presents it. But if it’s something that interests him because it’s abandoned and decrepit, or it no longer serves its original use, he presents that, too. The Cincinnati Series continues at Carl Solway Gallery through Aug. 1. More info: solwaygallery.com.

SUNDAY
Price Hill Thrill
Photo: Steven Rosen
Tour the arts in Price Hill with PRICE HILL THRILL
Sunday there will be a tour of art studios and galleries in Price Hill, sponsored by the Weston Gallery. The event begins and ends at the Dunham Arts Center in the Dunham Recreation Complex and includes food, drink and entertainment by Comet Bluegrass All-Stars at a 5-7 p.m. closing reception. 2-7 p.m. Sunday. $35. 1945 Dunham Way, West Price Hill, westonartgallery.com.

Tommy Davidson
Photo: Provided
Laugh at SHAQ'S ALL STAR COMEDY JAM
Shaquille O’Neal’s All Star Comedy Jam is coming to town — get excited. Now lower the bar two notches because Shaq will not actually be there. … But raise the bar up again because comedian and actor DeRay Davis is hosting and he was on an episode of Empire. Other featured comedians include Tommy Davidson (pictured), Tony Roberts, Michael Blackson and Red Grant. Research some of their stuff on YouTube and check out the gig. The comedy franchise has featured some of the top urban comedians in the country and has been televised annually since 2009. 7:30 p.m. Sunday. $45.25-$92.25. Aronoff Center, 650 Walnut St., Downtown, cincinnatiarts.org.

Henry V
Photo: J. Sheldon Photo
Catch a matinee of a different Game of Thrones with HENRY V at Cincy Shakes
If you’re a fan of Game of Thrones, you might want to tune in to Cincinnati Shakespeare Company, which is working its way through the real thing presenting Shakespeare’s eight history plays in chronological order over the span of five years. Up next is Henry V, in which the profligate Prince Hal has succeeded his bellicose father and sobered up to the bad state of affairs in England. He rallies the troops and his loyal partisans by declaring war on France. Against great resistance, using powerful speeches he pulls the kingdom together. Justin McCombs continues in this fascinating role. Through May 30. $14-$36. 719 Race St., Downtown, 513-381-2273, cincyshakes.com.

Quiet Company
Photo: Leah Muse
Austin, Texas' QUIET COMPANY play the Southgate House
With an instantly, insistently catchy Indie Pop/Rock sound that has drawn comparisons to the likes of Weezer and Death Cab for Cutie, Austin, Texas’ Quiet Company has seen its national profile rise considerably with the release of each new album, including this year’s excellent Transgressor. The group (which features former Cincinnatian and CityBeat employee Matt Parmenter on bass) is already a dominant force in its hometown scene. In its nearly decade-long history, Quiet Company has scored 12 Austin Music Awards, including Best Rock Band at the 2015 ceremony. But the acclaim isn’t limited to Austin — Time, Paste, The New York Times and numerous other national outlets have heaped praise on Quiet Company, and the group’s fanbase continues to grow thanks to regular touring and an explosive live show. 8 p.m. Sunday. $10; $12 day of. Southgate House Revival, 111 E. Sixth St., Newport, Ky., southgatehouse.com.


 
 

 

 

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by Maija Zummo 07.31.2015 43 hours ago
 
 
todo_jerry-seinfeld_photo-provided

Your Weekend To Do List (7/17-7/19)

Seinfeld, Wet Hot American Summer, a pork and whiskey festival, rescheduled Paddlefest, Wild for Pets and more

FRIDAY

COMEDY: JERRY SEINFELD AT THE ARONOFF

Yada, yada, yada, y’all. Jerry Seinfeld, comedy icon and everybody’s favorite sitcom star who helmed a TV show about nothing, is coming to Cincinnati to perform his signature stand-up at the Aronoff for one night only, drawing on his uncanny ability to find sharp humor in ordinary observations. Feel free to break out your urban sombrero and/or puffy pirate shirt. Due to demand, Seinfeld will be performing two back-to-back sets. 7 and 9:30 p.m. Friday. $49-$150. Aronoff Center, 650 Walnut St., Downtown, cincinnatiarts.org.

Bike Night
Photo: Provided

EVENT: GOODS PRESENTS BIKE NIGHT
Adventure is out there, and it turns out it’s closer than you’d think. GOODS on Main, a thematic retail store currently serving up “Adventure,” is calling all bike-curious folks to come together on Final Friday and celebrate everything that runs on two wheels. Whether it’s bikes, mopeds, scooters, café racers or cruisers, GOODS digs it just as much as you do. Bites from Tiger Dumpling Co. and local beer will be provided, as well as T-shirts created exclusively for Bike Night. 5-10 p.m. Friday. Free. 1300 Main St., Over-the-Rhine, facebook.com/goodsonmain.

Shakespeare in the Park
Photo: Provided
ONSTAGE: SHAKESPEARE IN THE PARK
Make your midsummer night a dream and experience the Bard in the great outdoors this summer as Cincinnati Shakespeare Company stages Romeo & Juliet and A Midsummer Night’s Dream throughout Tristate parks. The full-length plays shalt show at Washington Park, President’s Park, Linden Grove Cemetery and 20 others. All productions are free, beginning with Romeo & Juliet on July 31 at Seasongood Pavilion in Eden Park. Doth go — all the world’s a stage, but an actual stage is even better, especially when it’s in a park. Through Sept. 4; shows start at 7 p.m. unless otherwise noted. Free. Various locations, cincyshakes.com.

ART: LIKENESS AT 1305 GALLERY
For Main Street’s Final Friday at 1305 Gallery, photographer and installation artist Molly Donnermeyer — who also runs Live(In) Gallery in Brighton — and poet/visual artist Sidney Cherie Hilley joined forces to create an exhibition entitled Likeness, in which they investigate themes related to one’s internal relationship to their external physical realities. For Main Street’s Final Friday at 1305 Gallery, photographer and installation artist Molly Donnermeyer — who also runs Live(In) Gallery in Brighton — and poet/visual artist Sidney Cherie Hilley joined forces to create an exhibition entitled Likeness, in which they investigate themes related to one’s internal relationship to their external physical realities. 6-11 p.m. Friday. Free. 1305 Main St., Over-the-Rhine, facebook.com/1305Gallery.

ONSTAGE: HUNDRED DAYS
Fasten your seat belt — here comes the 2015-2016 theater season. Know Theatre gets bragging rights for being first out of the local theater gate with Hundred Days, a Rock & Roll show it played a significant part in developing. The Folk Rock odyssey was created by and features the husband-and-wife duo of Shaun and Abigail Bengson. It premiered at Z Space in San Francisco in February 2014.Hundred Days is the story of Sarah and Will, who fall in love only to have their time together cut tragically short by a fatal illness. Their romantic, defiant response to their fate: Compress the 60 years they had envisioned together into the 100 days they have left. Kate E. Ryan assembled the script for this powerful piece, which is an unconventional musical, Indie Rock opera and tragic romance. Read more about Hundred Days here. Hundred Days runs at Know Theatre July 24 to Aug. 22. knowtheatre.com.

TV: WET HOT AMERICAN SUMMER: FIRST DAY OF CAMP

Contrary to earlier reports, the Wet Hot prequel series premieres this week. Tune in to discover what Coop, Katie, Andy, Beth, Gene and the rest of the Camp Firewood crew were up to before that final day of camp depicted in the 2001 original flick. Premieres on Netflix.



SATURDAY
Swear and Shake
Photo: via Facebook
EVENT: THE PORKOPOLIS PIG & WHISKEY FESTIVAL
Saturday, CityBeat is partnering with Horseshoe Casino to bring all of the Queen City’s best barbecue offerings to one place for a day of pork, beer and whiskey at the inaugural Porkopolis Pig & Whiskey Festival. Restaurants, including Eli’s, Velvet Smoke, Barrio Tequileria and Huit Craft BBQ, will be featured, along with more than 40 varieties of bourbon, scotch and whiskey, with master distillers and a whiskey chatter area for education and sampling. Grub to the sounds of live Bluegrass and Americana bands playing at the top of every hour, with local and national acts including Young Heirlooms, Magnolia Mountain and headliners Swear and Shake. Proceeds benefit the Bow Tie Foundation. 11 a.m.- 9 p.m. Saturday. Free; food and liquor prices vary. 1000 Broadway St., Pendelton, citybeat.com

EVENT: SALMON SWIM OF OTR
The Salmon Shorts of OTR is basically a Facebook page dedicated to posting photos of people in salmon-colored shorts in Over-the-Rhine, poking a bit of fun at the preppy clientele who now visit the gentrified bars and restaurants of the urban neighborhood. Salmon shorts: good for golfing as well as drinking at Rhinegeist. Saturday’s Salmon Swim features a pub crawl to Taft’s Ale House, Washington Park Platform, Lachey’s and Neons, where those with wristbands receive drink specials and other treats, like oysters on the half shell from Anchor OTR at Neons, plus live entertainment from Cincinnati songstress Jess Lamb. Proceeds benefit the Greater Cincinnati Homeless Coalition. Obviously, you are encouraged to wear salmon shorts. 4-8 p.m. Saturday. $5 wristbands. Salmon Shorts of OTR is searchable on Facebook.

Wild About Pets Festival
Photo: Steve Ziegelmeyer
EVENT: WILD ABOUT PETS AT JUNGLE JIM'S
Jungle Jim’s is known by many as an amusement park for food — a well-deserved moniker — but on Saturday it will turn into an amusement park for pets during their Wild About Pets Festival. More than 20 vendors will be offering free samples and coupons for their wares, and several pet experts (like a trainer, holistic vet and groomer) will be on site to answer any questions you may have about the health and wellness of your furry friends. They’re also featuring face painting, a petting zoo, pet and people caricatures, and cat and dog toy making, in addition to dozens of animals available for adoption. Cats, dogs and birds are welcome — but maybe keep your pet Komodo dragon at home. 11 a.m.-5 p.m. Saturday. $4; $1 children. Jungle Jim’s, 5440 Dixie Highway, Fairfield, junglejims.com/wildforpets.

Meridith Benson and Martin Roosaare in 'Giselle'
Photo: Rich Sofranko 
DANCE: DE LA DANCE COMPANY 10TH ANNIVERSARY
Aside from those who become marketable marquee stars, it’s not all that common for dancers to find a sustainable living in their art form. Or long-term romance. Or family. It’s a hard-knock life, being a dancer.  But through talent, hard work and astute planning, Meridith Benson, former Cincinnati Ballet and Joffrey Ballet of Chicago principal, and Mario de la Nuez, former Cincinnati Ballet dancer and Artistic Director of Ballet Theater of Chicago, have made a dream come true. Read more about the couple here. De la Dance Company celebrates its 10th anniversary with an open house Saturday at de la Arts Place. More info: deladancecompany.org; delaartsplace.com. 

MUSIC: LEBANON BLUES FESTIVAL
Sometimes the cure to the summertime blues is, well, more Blues. The Lebanon Blues Festival has just the thing, offering a free event with eight Blues bands, food, a car and motorcycle show, and a deluxe beer garden at their historic downtown location. After listening to some slow-burning Blues from bands like Brown Street Breakdown and Donahoe, Sowders & Cole, you can speed it up with the Red Hot Blues Run, a 5k, 10k and 15k for kids and adults. The run isn’t free, but proceeds will go toward the city’s parks. 11 a.m.-11 p.m. Saturday. Free. Downtown Lebanon, lebanonbluesfestival.org.

Rich Robinson
Photo: Alysse Gafjken
MUSIC: RICH ROBINSON
Rich Robinson formed The Black Crowes when he was 17 with his older brother Chris, launching a group that would become a foundational band of “modern Classic Rock” radio (listen to almost any Classic Rock outlet for an hour and you will most definitely hear a Crowes song). Though the band has broken up before, Robinson announced at the start of this year that the Crowes were done for good (later statements by his longtime bandmates confirmed the assertion). But the guitarist/songwriter isn’t done with music — in 2014, he released his third solo album, the widely acclaimed The Ceaseless Sight. The album has the same rootsy swagger as some of the Crowes’ best work (and is indicative of how integral Rich was to the band’s sound), but it also showcases the artist’s lesser-known talents as a solid singer and strong lyricist. Robinson has toured previously with a full-on backing band, but his visit to our area this weekend is a part of his “(mostly) acoustic” tour. The show will be just Robinson and one of a handful of vintage guitars he’s bringing with him, performing songs from his three solo releases, as well as a few covers — maybe some Bob Dylan and definitely some vintage Folk Blues. 9 p.m. Saturday. $15; $20 day of show. Southgate House Revival (Sanctuary), 111 E. Sixth St., Newport, Ky., southgatehouse.com. 

SUNDAY
Global Water Dances
Photo: Provided
EVENT: GLOBAL WATER DANCES AT PADDLEFEST
A safe, clean, accessible and sustainable water supply is essential for communities around the world. Global Water Dances-Cincinnati showcases the vision and choreography of legendary Fanchon Shur, an Ohio Governor's Woman of the Year, set to original World Beat music composed by event director Shari Lauter, MEd. Dancers and musicians pay homage to the Ohio River as a historic gateway to freedom from slavery, and Cincinnati's source of drinking water, with a call from children to safeguard water for future generations. Occurring amid rescheduled Paddlefest activities — canceled in June because of high water — the performance takes place along the Serpentine Wall, with a backdrop of hundreds of Paddlefest kayakers viewing from the river. The Paddle the Ohio River Paddle canoe and kayak race begins at 7:30 a.m. Sunday at Coney Island (last boat leaves at 9 a.m.). The race ends at Yeatman’s Cove with a finish-line festival until 1:30 p.m., which includes the Global Water Dances performance. Global Water Dances: 11 a.m. Sunday. Free. Serpentine Wall, Sawyer Point, 705 E. Pete Rose Way, Downtown, facebook.com/globalwaterdances-cincinnati, ohioriverpaddlefest.org/paddlefest.

MainStrasse Village Classic Car Show
EVENT: MAINSTRASSE VILLAGE CLASSIC CAR SHOW
Drive back in time to MainStrasse Village for their 13th-annual Classic Car Show. Hot Rods, customs and classics will be parked along the tree-lined streets and walkways of the village and Goebel Park, filling an already scenic route with even more of a historic view. Whether you’re a lover of cars or simply like a vintage product, pop into or check out the neighborhood’s eclectic shops, businesses, pubs, and eateries. 9 a.m.-4 p.m. Sunday. Free. MainStrasse Village, Sixth St., Covington, Ky., mainstrasse.org.

Mike Stanley
Photo: Provided
COMEDY: MIKE STANLEY
“My parents were always really good about not censoring things,” says comedian Mike Stanley. “So I grew up watching a lot of stand-up comedy and I always knew it was something I could do.” Today he splits time between L.A. and his hometown of Detroit. “I would never get a hair transplant or plugs,” he tells an audience. “There’s always a recurring theme on all those hair-transplant commercials. As soon as those guys get new hair, they for some reason jump on a Jet Ski. Like you need hair to ride a Jet Ski. Like if you were balding and on vacation and tried to rent a Jet Ski the guy behind the counter would say, ‘No.’ ” Thursday-Sunday. $8-$14. Go Bananas, 8410 Market Place Lane, Montgomery, gobananascomedy.com.






 
 
by Nick Swartsell 07.31.2015 43 hours ago
Posted In: News at 10:05 AM | Permalink | Comments (0)
 
 
weed

Morning News and Stuff

3CDC announces plans for former City Gospel Mission in OTR; UC officers reports contradicted by video; get ready for the GOP swarm in Ohio

Good morning all. Here’s the news today.

The Cincinnati Center City Development Corporation has announced its plans for the site of the former City Gospel Mission in Over-the-Rhine. The non-profit social service agency, which had occupied the spot on Elm and Magnolia Streets since 1927, recently moved to a new facility in Queensgate. That move was part of the city’s Homelessness to Homes plan, which created five new shelters in places like Queensgate and Mount Auburn. Those facilities are larger and more up-to-date than the older buildings occupied by organizations like City Gospel and the Drop Inn Center, but aren’t in Over-the-Rhine and aren’t as close to downtown. City Gospel’s historic church won’t be torn down, but another, more recent building next to it will be demolished to make room for three townhomes 3CDC wants to build. The developer purchased the property from City Gospel earlier this month for $750,000.

• The city has settled a civil wrongful death lawsuit with the estate of David "Bones" Hebert. Hebert was shot and killed by Cincinnati Police Sgt. Andrew Mitchell in 2011 after officers responded to a 911 call alleging an intoxicated man was robbed by Hebert and assaulted with a pirate sword. Hebert was located sitting on a sidewalk on Chase Avenue in Northside about 10 minutes later. During subsequent questioning, officers say Hebert drew a knife and moved toward an investigating officer, causing Mitchell to believe the officer’s life was in danger. Mitchell shot Hebert twice, killing him. Initial investigations cleared Mitchell of wrongdoing, but other reviews found he acted outside of police protocol, getting too close to Hebert and not formulating a plan for engaging him. Friends of Hebert have since made efforts to clear his name, saying he was a non-violent person caught in the wrong place at the wrong time.

Paul Carmack who is administrator of Hebert's estate in Cincinnati, made a statement about the settlement on social media yesterday.

"Today the Family has reached an agreement w/ the City of Cincinnati to settle the pending lawsuit in the death of Bones. In the days to come a statement will be released on behalf of the city & the estate to clarify Bones name and show that he did not attack anyone on the night in question. This statement is why this lawsuit was undertaken. Without this statement there would be no settlement. Bones wasn't the attempted cop killer he was painted as nor did he attempt suicide by cop. Bones was in the wrong place, at the wrong time, in front of the wrong people. Today's events allow Mr. & Mrs. Hebert to bury their son as the fun loving, care free spirit we all knew and love to this day."


• More information is coming out about the other officers who responded to the University of Cincinnati police shooting death of 43-year-old Samuel Dubose. Two officers who were at the scene of that shooting and made statements supporting officer Ray Tensing, who shot Dubose, have been suspended as an investigation into their statements continues. At least one of those officers, Phillip Kidd, was also involved in the 2010 taser death of a mentally ill man named Kelly Brinson. Kidd and fellow UC officer Eric Weibel, who wrote the police report about the Dubose shooting, were defendants in a wrongful death lawsuit over Brinson’s death in UC police custody. Weibel’s police report about the Dubose shooting quotes Kidd saying that officer Tensing was dragged by Dubose’s car. But body camera footage of the incident shows that Tensing was never dragged by the car before shooting Dubose. Kidd could face criminal charges for the apparently false statements.


• Tensing has pleaded not guilty a murder charge and is out on a $1 million bond. He’s also suing to get his job back. Meanwhile, the Cincinnati Enquirer has published some, uh, interesting pieces around the Dubose shooting, including a first-person article in which a reporter who never met Dubose visits his grave and another where a baseball coach from Tensing’s teenage years vouches for the officer, saying he’s “not a monster.”

• The tragic shooting of a four-year-old in Avondale seems to have sparked renewed tensions between Cincinnati Police Chief Jeffrey Blackwell and Cincinnati City Manager Harry Black. The unidentified girl was sitting outside when she was struck by a stray bullet from a drive by near Reading Road. She’s currently hospitalized in critical condition, and doctors say it’s unknown if she will survive. Black told media on the scene that he takes such incidents into account when judging the chief’s performance. As city manager, Black has hiring and firing power for the position. A spike in shootings earlier this summer and documents drafted by the city detailing the chief’s potential exit created speculation that Blackwell might be forced out of his position. Black said last night that while overall crime is down, he considers the level of shootings in the city unacceptable, and that he holds Blackwell accountable.

"It's ridiculous and it's not acceptable and it will not be allowed to continue," he said. "I told the chief tonight we are going after them. That is my expectation and that is how I'm going to be how I evaluate his effectiveness as chief."

• In a final push, marijuana legalization effort ResponsibleOhio made its extended deadline to turn in extra signatures for a petition drive to get a state constitutional amendment making weed legal on the November ballot. The group, which missed the required 300,000 signatures last time around by about 30,000, turned in another 95,000 to the state yesterday at the buzzer. The state will now review those signatures, and if enough are valid, the measure will go before voters. ResponsibleOhio proposes legalizing marijuana and creating 10 commercial grow sites owned by the group’s investors. Small amounts of private cultivation would also be allowed under the amendment.

• Finally, prepare thyself for the swarm: As this New York Times piece details, the Republican Party is focusing in on Ohio in a big way. Next week is the first GOP 2016 presidential primary debate in Cleveland, and the party is hoping to use the event to stoke its base in a big way. And that’s just the start. Expect activists, political operatives, and many, many people in red bowties and blue blazers (sorry to my Republican friends. But you really do look dashing in the Tucker Carlson getup) descending upon the heart of it all. Can’t wait for that. One brilliant thing someone has done: a number of billboards around the debate venue in Cleveland will carry messages about unarmed black citizens killed by police, including 12-year-old Tamir Rice, who was shot by police while playing with a toy pistol in a park.

That's it for me. Get out and check out that big full moon tonight, and for the love of god, have a good weekend my friends. Find something thrilling. Hang out with folks you love. It's been an intense week.

 
 
by Rick Pender 07.31.2015 44 hours ago
Posted In: Theater at 09:07 AM | Permalink | Comments (0)
 
 
stage door 7-31 - hundred days at know theatre - id - abigail bengson -  photo by daniel r. winters (1)

Stage Door

Make ’em Laugh: Midsummer Theater

On Wednesday evening I took a bunch of kids (four elementary-school-age nieces and a nephew in town for a visit) to see a bunch of kids (high schoolers, average age 16) in Hairspray, this summers’ Cincinnati Young People’s Theatre production at the Covedale Center. The verdict: “We loved it.” One of them said, “They did more singing than talking.” (A good thing, in her opinion.) And one even got the message of black and white teens breaking color barriers and just being teens. So the story from 1962 still makes some sense. The CYPT performers come from 33 schools across Greater Cincinnati. It’s a big undertaking to get that so many performers (I counted 70 in the program) working together, plus several more backstage. Tim Perrino has been doing this for 34 years, so he knows how to get the best out of teen performers, and there are some standouts in this cast — especially Julie Deye and Gabe Schenker as the ebullient but fair-minded plus-sized teen and her lumpy mom. The kids are all right! Performances continue through Sunday at 7:30 p.m. Tickets: 513-241-6550

The most dazzling show onstage right now is Hundred Days, a Folk Rock Opera, at Know Theatre. It’s 75 minutes of great music written and performed by the dynamic duo of Abigail and Shaun Bengson, backed by five talented musicians and singers. But it’s also a fine piece of theater — a love affair cut short by a fatal illness that’s met head-on with clarity and joy to celebrate what might have been 60 wonderful years in just “100 days.” Great concept, great execution. I gave it a Critic’s Pick in my CityBeat review.

You’ll get a lot of laughs out of Cincinnati Shakespeare’s performance of The Complete History of America (Abridged), largely thanks to the comic talents of actors Justin McCombs, Miranda McGee and Geoffrey Barnes. Even if the script  — by the comic trio who originated The Complete Works of William Shakespeare (Abridged) — strains a little too hard to be hilarious, playing fast and loose with America’s past, these three know how to turn every scene into a good laugh. Things occasionally fall flat and a few elements are borderline tasteless, but before you know it they’re off and running again with another gag, joke, pratfall, misunderstanding or just tossing a bucket of water. All in good fun; it’s not very profound nor is it intended to be. Here’s my CityBeat review. Through Aug. 15. Tickets: 513-381-2273

If you like your Shakespeare a bit more traditional — but perhaps just a little funny — some of Cincy Shakes' troupe begins their FREE Shakespeare in the Park tour this weekend. Throughout August they’ll be offering performances in parks across Greater Cincinnati and beyond using a handful of young actors handling multiple roles in two-hour reductions of plays by Shakespeare. This weekend you have three chances to see A Midsummer Night’s Dream — at Eden Park’s Seasongood Pavilion on Friday at 7 p.m., at the Harry Whiting Brown Lawn in Glendale on Saturday at 7 p.m. and in Washington Park on Sunday at 6 p.m.

If you haven’t tuned in yet for the third iteration of Serials! at Know Theatre, you might want to show up on Monday evening at 7:30 p.m. Each of five plays will have the third of five 15-minute installments; the trick this time out is that the playwrights trade places with each biweekly event, so stories definitely veer off in unexpected and unplanned directions. Don’t worry about catching up — there’s a quick preview as each piece starts. But even more, these are just zany stories, made all the zanier by the format. You’ll have fun watching even if you can’t quite figure out what’s going on. Tickets: 513-300-5669

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Mike Breen 07.31.2015 44 hours ago
 
 
mpmf15_logo-altstacked-red

MidPoint Music Festival Adds More Acts, Venues

The 14th annual MPMF schedule is now available

The 2015 edition of the MidPoint Music Festival (owned and operated by CityBeat) is less than two months away, returning to various venues in Over-the-Rhine and Downtown Sept. 25-27, and this morning organizers announced the release of the schedule and a few additional performers. 

New artists added to this year’s 14th annual event include The Besnard Lakes, Heaters, The Moth & The Flame, Alberta Cross, The Glazzies and Left & Right. A few more local acts — Mad Anthony, Bulletville and Culture Queer — were also added to the roster. Widely-acclaimed Cincy-area rockers Buffalo Killers will also perform at this year’s MidPoint. You can catch a preview when the group headlines a free show tonight on Fountain Square, part of the MidPoint Indie Summer series. The band is joined by Ohio Knife, Pop Goes the Evil and Go Go Buffalo for tonight’s 7 p.m. concert. 


The festival also announced new venues for this year’s fest. Woodward Theater and Maudie’s, plus an outdoor stage at the corner of 14th and Sycamore streets, join previous venues Washington Park, Taft Theatre’s Ballroom, The Drinkery, Mr. Pitiful’s, MOTR Pub, Christian Moerlein Brewery and Arnold’s to host this year’s 120-act lineup. 


Get a look at the schedule so far right here. Tickets are available here. And more info on today’s announcement can be found here. All details can be found at mpmf.com


 
 
by Steven Rosen 07.30.2015 63 hours ago
Posted In: Movies, Film at 02:28 PM | Permalink | Comments (0)
 
 
10359559_301827826688119_1222340496431250986_n

Carol Release Date Moves Up

Indiewire is reporting today that the Weinstein Company, distributor of Todd Haynes’ Cincinnati-shot drama Carol, will move up its theatrical release date to Nov. 20 from the originally planned Dec. 18. It will start out in limited release and then go wider.

That means the company believes the adult-oriented film, starring Cate Blanchett and Rooney Mara, not only will be an Oscar contender but will also be a holiday-season hit along the lines of another film it distributed this way in 2014, The Imitation Game.

Indiewire reports Carol will face the youth-oriented The Hunger Games: Mockingjay – Part 2 on its limited-release opening weekend, “but should benefit from an earlier start than was originally planned.”

 
 
by Sarah Urmston 07.30.2015 63 hours ago
Posted In: Playlist at 02:06 PM | Permalink | Comments (0)
 
 
throw it back

Your Weekend Playlist: Throwing it Back

Even if you weren’t around for Mick Jagger when he became a Rock & Roll legend, or to hear Jimi Hendrix’s “All Along the Watchtower” at Woodstock Music Festival, you still most likely know about it. The '60s and '70s were two of the most influential music decades of all time — a time we still appreciate this many years later, and will continue to during the years to come.

Much of my appreciation for music today comes from what I’ve heard from the past. (Thank you, Mom and Dad.) Knowing where you are often relies on knowing where you came from — a totally cheesy saying that is completely relevant to the development of music as much as your own life.

But seriously.

John Mayer’s biggest influence was Blues guitarist Stevie Ray Vaughan. Kings of Leon was inspired by Neil Young, CCR and The Allman Brothers Band. Justin Vernon (Bon Iver) was fascinated with the lyrics of Bob Dylan, believing his voice paired as a good sound with his words.

Almost every great artist can root back to what inspires them, and sometimes we overlook that little detail which makes them our favorite contemporary musician.

This playlist is filled with just a handful of my favorite artists I wish I could travel back in time to see with my own eyeballs. But cranking up the volume extra loud and dancing in my kitchen will have to do for now.

Led Zeppelin because Robert Plant is the man. And for crying out loud, why NOT?

Pink Floyd because everyone needs a little dose of psychedelic. Or a lot of it.

The Rolling Stones because Mick Jagger has been kicking ass since he was 15 years old. 

Creedence Clearwater Revival because you may have seen the rain, but who will stop it?

Elton John because he’s my favorite human being that ever lived. “Tiny Dancer” makes me want to be Penny Lane from Almost Famous, singing my heart out on a bus with a band and their groupies. (But that’s just me).

Tom Petty And The Heartbreakers because they’re the perfect blend of driving in the summer and smoking weed in your basement.

*Notice there are no Beatles on here. Sure, they began the “British Invasion” after breaking into the U.S. music scene in 1963, causing one of the wildest movements in music history. However, they get enough credit almost everywhere else and don’t necessarily fit into the Rock & Roll I’ve chosen for this playlist.


 

 
 
by Natalie Krebs 07.30.2015 65 hours ago
at 12:08 PM | Permalink | Comments (0)
 
 
change

Afternoon News and Stuff

Tensing pleads not guilty; ResponsibleOhio faces more problems; Kasich's super PAC raises more than $11 million

Hey everyone! As you probably know, there's lots going on in the city. So our morning news has morphed into the afternoon news! Here's a rundown of the today's top stories.

Former UC police officer Ray Tensing's has pleaded not guilty to the July 19 fatal shooting of Samuel DuBose. Tensing's bond has been set at $1 million by Hamilton County Common Pleas Judge Megan Shanahan. Yesterday, Tensing was indicted by a grand jury for the murder of DuBose during a traffic stop in Mount Auburn. Hamilton County Prosecutor Joe Deters also finally released the body camera footage of the incident at a news conference. DuBose's family and their attorney, Mark O'Mara, stated they don't believe the bond was set high enough while Tensing's attorney, Stew Mathews, said he's going to try to get his client out of jail by next Thursday if he can post the required 10 percent of the bond money. Last night, the group Black Lives Matter held a peaceful protest through the streets of the city in response to the indictment. Beginning around 6:30 p.m. several hundred people marched from the Hamilton County Courthouse down to the District 1 Police Station. The story has made national headlines as the latest incident in a recent string of police shootings. 

ResponsibleOhio is facing more problems with their petition to create a constitutional amendment legalizing marijuana on the ballot. Ohio Secretary of State John Husted announced today that he is appointing a special investigator to look into possible election fraud on the political action committee's part. The group could face felony fraud charges if differences are found between the number of petitions and signatures of registered voters ResponsibleOhio says they have collected and the number submitted to Husted's office. Lawyers for the group accused Husted of using intimidation tactics to kill the petition. They were told 10 days ago that they were nearly 30,000 signatures short of putting the measure on the Nov. 3 ballot. They have until today to collect and submit the remaining signatures. The $20 million effort would legalize the drug for those 21 and over. The group's petition has faced criticism for potentially creating a monopoly on the industry by only allowing 10 marijuana farms around the state.

Governor and presidential hopeful John Kasich's super PAC, New Day for America, has raised more than $11 million between the end of April and the end of June. According to tax filings, more than $600,000 was raised in one day in June by two donors. Kasich announced his presidential run on July 21, and while it's early in the race, Kasich seems to need the support. A recent Quinnipiac poll put Kasich in eighth place for the Republican nomination tied with Texas Sen. Ted Cruz. Leading the poll was Donald Trump, Wisconsin Gov. Scott Walker and Florida Gov. Jeb Bush.

In response to the body camera footage which helped to indict former UC police officer Ray Tensing, Rep. Kevin Boyce (D-Columbus) says he will continue to work on legislation to require all Ohio police officers to wear body cameras. Boyce says he hopes to have the legislation done by September or October, when the House returns to session. The Cincinnati Police Department has long had body cameras in the works, and in a press conference on the shooting yesterday, Cincinnati Police Chief Jeffrey Blackwell said that body cameras were on the way for the department but did not say specifically when they would go into effect.

That's it for today! Email me at nkrebs@citybeat.com or tweet me for story tips!
 
 
by Nick Swartsell 07.30.2015 68 hours ago
Posted In: News, Police at 08:51 AM | Permalink | Comments (0)
 
 
change

Photos: Response to Samuel Dubose Shooting Indictment

Hundreds took to the streets in peaceful remembrance of Dubose and to protest his death

Hamilton County Prosecutor Joe Deters yesterday announced that University of Cincinnati police officer Ray Tensing has been indicted by a grand jury on murder charges for the shooting death of 43-year-old Cincinnati resident Samuel Dubose. Deters also released body camera footage of the shooting at a news conference yesterday.

Hundreds took to the steps of the Hamilton County Courthouse, and later to the streets of downtown, following the announcement. Tensing was arraigned on those charges this morning. He plead not guilty and is being held on a $1 million bond.


Audrey Dubose speaks to reporters immediately after the announcement of an indictment for officer Ray Tensing in the shooting death of her son Samuel Dubose.
Photo: Nick Swartsell
Body camera footage shown to reporters at a news conference shows Ray Tensing shooting Samuel Dubose within minutes of a routine traffic stop.

Hundreds rallied in the pouring rain at the Hamilton County Courthouse following the grand jury's decision to indict officer Ray Tensing for the murder of Samuel Dubose.
Photo: Nick Swartsell
Cincinnati Police Chief Jeffrey Blackwell speaks with a protester outside the Hamilton County Courthouse. CPD investigated the Dubose shooting. Tensing was a University of Cincinnati officer.
Photo: Nick Swartsell
Samuel Dubose's son, Samuel Vincent Ramone Dubose, speaks to protesters outside the Hamilton County Courthouse.
Photo: Nick Swartsell

Organizer Alexander Shelton speaks to protesters during a rally remembering Samuel Dubose.
Photo: Nick Swartsell

Protesters kneel in the middle of Central Parkway during a march remembering Samuel Dubose.
Photo: Nick Swartsell

Protesters march outside the Hamilton County Courthouse
Natalie Krebs
A protester marches away from the Cincinnati District 1 police station.
Natalie Krebs
Protesters proceed down Central Parkway during a march remembering Samuel Dubose
Photo: Nick Swartsell

Marchers participate in a prayer following a rally remembering Samuel Dubose.
Photo: Nick Swartsell

Protesters hold hands in prayer outside the Hamilton County Courthouse
Natalie Krebs

 


 
 
by Danny Cross and Nick Swartsell 07.29.2015 3 days ago
at 12:40 PM | Permalink | Comments (0)
 
 
dubose

Grand Jury Indicts Officer in Death of Samuel Dubose

Hamilton County prosecutor: Tensing purposely killed Dubose

Hamilton County Prosecutor Joe Deters today announced that a grand jury has indicted University of Cincinnati Police Officer Ray Tensing for the killing of Samuel Dubose during a traffic stop on July 19. Tensing will be arrested and charged with murder. If convicted, he will face life in prison.

Deters had harsh words for Tensing, calling his shooting of Dubose “the most asinine act I’ve ever seen a police officer make” and stating that Tensing should never have been a cop in the first place. 


Deters repeatedly told members of the media that he could not speak candidly about his feelings, at one point calling the traffic stop itself “chicken crap.” Deters said he was shocked by the video and sad for the community.

“I couldn't believe it,” Deters said of the body cam footage. “I just could not believe it.”


WARNING: GRAPHIC FOOTAGE


Officials played a portion of Tensing’s body cam video at the press conference. The entire video will be made available, Deters said.

Deters’ description of the encounter sharply contradicts Tensing’s story. 

"This does not happen in the United States," Deters said. "People don't get shot for a traffic stop. ... He was simply rolling away."

During the press conference, Deters referenced a latter portion of the video showing officers after Tensing shot Dubose discussing what had happened. Deters expressed skepticism toward some of Tensing’s comments after the incident, including his arm being caught in the car. Police will investigate collusion with other officers, Deters said.

“He said he got his arm stuck in the steering wheel,” Deters said. “You just have to watch it.”

“I think he was making an excuse for a purposeful killing of another person,” Deters added. “That’s what I think.”

Tensing’s initial explanation was that Dubose started to drive off during a traffic stop in Mount Auburn over a missing license plate, nearly running him over. Tensing says he was then forced to shoot Dubose in the head because he was being dragged by the car and his life was in danger. Tensing said he suffered minor injuries when he fell to the ground as Dubose’s car rolled away.

Dubose's family said they were thankful for the grand jury's decision.

"I thank God that everything is being uncovered," said Audrey Dubose, Samuel's mother. "This one did not go unsolved and hidden."

Audrey Dubose pledged to continue fighting against police injustice, calling for body cameras for all police departments. She said many others have died at the hands of police unnecessarily.

"My son was killed by cop unjustly," she said. "I gotta know many more are killed unjustly. I'm going to be on the battlefield for them."

City leaders delayed a scheduled a news conference at 2 p.m. in order to let the Dubose family speak after Deters. Officials praised the grand jury's decision, saying that the city simply wanted truth about the incident to come out. Mayor John Cranley called for demonstrators to remain peaceful if they took to the streets. City Manager Harry Black said the Cincinnati Police Department will soon get body cameras similar to the one that played a pivotal role in the Dubose shooting investigation. University of Cincinnati President Santa Ono, meanwhile, revealed that Tensing had been fired from the University of Cincinnati Police Department. He also responded to an earlier suggestion from Deters, who said the school should disband its police force and let CPD patrol campus. Ono said the school has not yet considered that option.

More than 500 people including Mayor John Cranley, City Manager Harry Black and State Sen. Cecil Thomas attended Dubose’s funeral services at Church of the Living God in Avondale yesterday, where the father, musician and entrepreneur was laid to rest. His mother and other family members remembered him as a kind and loving man who nevertheless had a deep, sometimes complicated independent streak. Dubose was buried at Landmark Memorial Gardens in Evendale.

Until today, Deters had declined to release video footage, a decision that caused protests. Deters said the protests did not affect his decision to finally release the footage. He lauded the protesters for being peaceful and praised the Dubose family.

City Manager Black had been briefed on the video and called it “a bad situation,” saying, “someone has died who did not necessarily have to die.” Mayor Cranley met with the Dubose family this morning.

Tensing, 25, hasn’t had major disciplinary actions on his record and his superiors have spoken highly of him. He started at UC last year after serving with the Green Hills Police Department, where he started as a part-time officer in 2011. Tensing has retained Stew Matthews, a Cincinnati attorney, for his defense.

During the press conference, Deters called for the disbanding of the University of Cincinnati police department. He said he has spoken with UC’s president and Cincinnati police about disbanding the unit, replacing it with CPD.

“I just don’t think a university should be in a policing business,” Deters said. “I just don’t. I think CPD should be doing the entire campus.”

Black Lives Matter has scheduled a rally for 6:30 p.m. at the Hamilton County Prosecutor’s Office.

 
 
by Nick Swartsell 07.29.2015 3 days ago
Posted In: News at 09:52 AM | Permalink | Comments (0)
 
 
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Morning News and Stuff

Deters to release Dubose shooting footage today; hotel on Purple People Bridge stalled; Boehner in trouble with House conservatives again

Good morning all. Here’s the news today. The biggest story is the possible release of a grand jury decision and/or body camera footage in the case of Samuel Dubose.

Hamilton County Prosecutor Joe Deters has scheduled a 1 p.m. news conference about the death of Dubose at the hands of University of Cincinnati police officer Ray Tensing July 19. Deters has confirmed he will release the body camera footage of the shooting today, and may announce the results of a grand jury probe into that shooting. The University of Cincinnati will shut down at 11 a.m. in preparation for Deter’s announcement, suggesting something major will be divulged at the event. City leaders have scheduled a response news conference at 2 p.m.

""The University of Cincinnati will cancel all classes on the Uptown and Medical campuses at 11:00 a.m. today including all classes in session at that time," a UC e-mail to employees and students said. "Offices on these campuses also will close at 11:00 a.m. This decision is made with an abundance of caution in anticipation of today’s announcement of the Hamilton County grand jury’s decision regarding the July 19 officer-involved shooting of Samuel Dubose and the release of the officer’s body camera video. We realize this is a challenging time for our university community."

Questions continue over Dubose’s death. Tensing’s story is that Dubose started to drive off during a traffic stop in Mount Auburn over a missing license plate, nearly running him over. Tensing says he was then forced to shoot Dubose in the head because he was being dragged by the car and his life was in danger. Tensing suffered minor injuries when he fell to the ground as Dubose’s car rolled away. But Dubose’s family and some activists have expressed skepticism about that chain of events.

Yesterday was the funeral for Dubose. More than 500 people including Mayor John Cranley, City Manager Harry Black and State Sen Cecil Thomas attended the services at Church of the Living God in Avondale where the father, musician and entrepreneur was laid to rest. His mother Audrey Dubose and other family members remembered him as a kind and loving man who nevertheless had a deep, sometimes complicated independent streak. Some friends knew him as the man who started the Ruthless Riders, a black motorcycle club, and as a talented rapper and producer. The service and its immediate aftermath were at times somber, but devoid of anger. Family, friends and faith leaders called for answers to Dubose’s death, but also stressed they did not want to see violence or unrest in the wake of his killing. Dubose was buried at Landmark Memorial Gardens in Evendale.

Thus far, the prosecutor has declined to release video footage for the time being as his office presents evidence to a grand jury, causing protests. The grand jury could decide to indict Tensing on charges ranging from aggravated murder, which carries a potential death sentence, to negligent homicide, a misdemeanor. City Manager Harry Black has been briefed on that video and has called it “a bad situation,” saying that, “someone has been died who did not necessarily have to die.” Tensing, 25, hasn’t had major disciplinary actions on his record and his superiors have spoken highly of him. He started at UC last year after serving with the Green Hills Police Department, where he started as a part-time officer in 2011. Tensing has retained Stew Matthews, a Cincinnati attorney, for his defense in the event he is indicted.

Other news, real quick-like:

A $100 million hotel project on the Purple People Bridge between Newport and Cincinnati is likely off the table indefinitely, according to developers. In 2010, DW Real Estate made plans to build a 90-room hotel at the center of the 2,600 foot bridge. But disagreements about parking have kept the plan from moving forward. Developers say without the parking, the hotel is a no-go.

• Some Ohio state legislators are calling for the resignation of Ohio Schools Superintendent Richard Ross following the revelation that some Ohio charter schools aren't being held to proper state standards. You can read more about the controversy here. It's been a tough month for charter schools. Earlier this summer, it was revealed that a high-ranking Ohio Department of Education official responsible for holding charter sponsor organizations accountable had omitted a number of low grades for online charter schools because it would mask better performance from other schools. That official has since resigned.

• Looks like House Speaker John Boehner is once again in trouble with the more raucous members of his party. U.S. Rep. Mark Meadows of North Carolina has filed a motion in the House to remove Boehner from his powerful perch as speaker. It's not the first time a cadre of conservative GOPers has come at our spray-tanned hometown hero with torches and pitchforks, and it's unlikely the move will gain enough support to  shake Boehner from his post. But it's a reminder that his control over the fractious House is tenuous and best, and that deep friction continues between the staunchly conservative tea party wing of the GOP and more traditional Republicans.


 
 
 
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