Fresh off its 2014-2015 season announcement, Downtown’s Contemporary Arts Center adds a new promotion to its calendar of exhibits, performances and special events.
Night Museum gives visitors a chance to check out the CAC during evening hours every Thursday. From 5-9 p.m., guests can view the latest exhibit, shop the CAC Store, enjoy a cash bar and mingle with other art appreciators. Admission is $7.50; $5.50 for seniors, students and educators; and free for children under 5 and all members. Paid visitors can park for free Thursdays in July at the Central Parking Garage (36 E. Seventh Street).
This week's Night Museum coincides with a special event from One Night One Craft, the CAC's DIY workshop series. Chef Trinidad Mac-Auliffe of Raw Intervention will demonstrate cool recipes — literally — highlighting dishes prepared without heat. Munch on raw creations, then try making some of your own fro 6-8 p.m. One Night One Craft continues Mondays through July.
The CAC is
typically open until 6 p.m. Wednesday through Sunday. The museum is closed on
Tuesdays and offers free admission from 5-9 p.m. Mondays. Find more info here.
Heavy Hinges is a new-ish band featuring some faces likely familiar to dedicated local music fans. Guitarist Jeremy Singer and drummer Brian Williamson have played in numerous groups over the past two decades, while singer/guitarist Dylan Speeg and bassist Andrew Laudeman were members of long-running, super-diverse Cincinnati crew Buckra. Maya Banatwala is the relative newcomer in the band, but her soul-drenched co-lead vocals in the Hinges serve as the group’s secret weapon.
Heavy Hinges debut album, Mean Old City, shows signs of some of Buckra’s trademark sonic diversity, but it’s channeled in a more focused manner. Ultimately, Heavy Hinges is a great Rock & Roll band, but its sound is touched by influences from Blues, Pop, Funk and Soul to various other forms of American Roots music. Like Alabama Shakes, Heavy Hinges manages to sound remarkably vital and “of the now” — despite the obvious vintage inspirations — thanks to the sincerity and vigor poured into each note. Mean Old City bristles with a timelessness that has less to do with the classic genres flirted with throughout and more to do with the from-the-heart songwriting and playing.
Here’s a music video for Mean Old City track “Booze May Be Your Lover, Not Your Friend”:
Speeg and Banatwala make for great co-frontpeople, crisscrossing their melodies and harmonies sometimes like X’s Exene Cervenka and John Doe and other times like June and Johnny Cash, with each singer possessing a voice quite distinct from each other, yet still sounding like they were made for each other when they come together. Meanwhile, the rest of the band are flawless and perform with a similar soulfulness; Williamson and Laudeman are a jaw-droppingly great rhythm section, while Singer’s guitar leads and solos are as attention-grabbing as the singers’ powerful vocal one-two punch.
Heavy Hinges host a free release party for the new album Saturday at 10 p.m. at Northside Tavern with DAAP Girls. Read CityBeat's profile of Heavy Hinges from early this year when the band was nominated in the "Best New Artist" category at the Cincinnati Entertainment Awards.
Onion spoofs your news. Now, the folks behind the satire site (and frequent
IJCGE reference A.V. Club) are spoofing most people’s actual go-to source for
world happenings — BuzzFeed. ClickHole
has the whole BuzzFeed game down, from its font and design to its content: Click-bait headlines? Check. Obscurely themed lists and photos? Check. Quizzes to annoy the last shred of
living hell out of your Facebook friends? Yup! Will ClickHole keep up the gig
and continue to satirize the Internet for the foreseeable future or is this just
a limited launch sponsored by Jack Link's? One thing is for sure: Get ready
for plenty of confused old people and dumb teens posting the site
without any knowledge of the joke. Just check the cringe-worthy oblivious comments on its Facebook page!
That being said, BuzzFeed probably isn’t going anywhere any time soon, either. Who else is going to point out to me this hilarious goof from the music video for my teen romance anthem, “Dilemma” by Nelly and Kelly (Rowland)?
OK Go is known for their creative music videos. They also must hold Gob Bluth close to their hearts, because their latest offering is all about illusions!
Who wouldn’t love receiving a phone call from their favorite musician, movie star or public figure? Celebcalls.com charges a mere four bucks to have a star like Justin Bieber or NASCAR’s Tony Stewart record either a call or voicemail greeting for a loved one. Just pick your celebrity speaker, plug in a few details about your friend and a celebot spits out a greeting that I’m pretty sure is just real sound bites cut and pasted back together like a ransom letter for your cousin’s birthday. So thoughtful!
Biebz tweeted about the service, suggesting it as a Father’s Day gift. I don’t hate my dad, but if you do, other celebs include Dr. Phil McGraw, Mike Tyson, Snoop Dog and 16-year-old YA author and least interesting of the Kardashian Klan, Kylie Jenner, who’s next gig is an in-store appearance at a Pac Sun.
There’s an NWA biopic in the works, and the roles of Dr. Dre, Eazy E and Ice Cube have been cast. Straight Outta Compton will star theater actor Marcus Callender as Dre, newcomer Jason Mitchell as E, and O’Shea Jackson Jr. — Ice Cube’s son — playing his dad Cube.
R.I.P. IkeaHackers. The creator of the how-to blog that features alternate uses for Ikea furniture has received a cease and desist letter from the Swedish furnishing giants. By June 23, the site must devoid of all advertising space (which creator “Jules Yap” started selling when the popular site became a full-time job) or the site must relocate sans Ikea branding. It’s a pretty shitty move on Ikea’s part, considering the site is essentially a love letter to the mega-store and its hackable, mashable DIY products that probably inspired many to voyage to their local Ikea warehouse, drop some bucks and create some hacks of their own. Notable IkeaHacks include the EXPEDIT bar and the KNUFF transformable coffee table.
I’ll admit I’m a sucker for poppy music video recreations starring unlikely dudes, filmed in their basements. But the following vid is great in its own right because this scantily clad heavy-set gentleman werks better in his natural habitat than Britney does in an professional music video with an actual budget.
Brit is an icon, but I’d much rather pay to see this guy perform at Planet Hollywood Las Vegas.
The English language continues its decent into a hodgepodge of text message shorthand and cartoon images as Emoji releases 250 new symbols to the Emojipedia this July. Peep the whole list here (unfortunately you will have to settle for reading descriptions as the actual Emoji images aren’t available yet); highlights include a middle finger, a chipmunk, the Vulcan salute, a weightlifter and so so many office supplies.
The Game of Thrones finale simultaneously gave me life and sucked my soul away, so I’m feeling pretty fragile and won’t recap it. There are enough spoilers lurking across the Internet (including a major bomb about a particular character yet to be introduced…seriously, nothing is safe) — beware!
Riff-tastic Cincinnati Hard Rock foursome Lift the Medium has only been a band for a year, but you wouldn’t know it listening to its accomplished debut full-length, Mastermind. The band celebrates the release of its rock-solid album with a show Saturday at MVP Bar & Grill in Silverton. The 9 p.m. show also features performances by Livid and Life After This. Admission is $10; the first 50 fans through the door score a free copy of Mastermind.
Though a relatively new band, Lift the Medium’s members have extensive experience; singer/guitarist Joey Vasselet spent time in Rootbound, a melodic band that craftily incorporated influences from several different eras of Hard Rock, while bassist Justin Kennedy, singer/drummer Jake Bartone and singer/guitarist Joe Bartone were a part of Atlantis Becoming, a group known for its exploratory, progressive approach.
The band members’ backgrounds give a good sense of Lift the Medium’s style. The songs on Mastermind are craftily structured — the winding riffs and rhythms are constantly in motion, subtly recalling the more exploratory sounds of Atlantis Becoming. But there’s no meandering — every movement is in service to the song, resulting in a more passionate and pointed melodic impact. There is also a lot of diversity throughout Mastermind, but it’s molded into a cohesive and contemporary sound the group can call its own.
Lift the Medium can at times remind you of Grunge-era superstars like Alice in Chains or Soundgarden, but flashes of the classic ’70s/’80s Hard Rock/Metal perfected by the likes Aerosmith, Ozzy Osbourne or Iron Maiden also bubble to the surface. The delicately ingrained Prog touches lightly recall groups like Tool, but Mastermind also sounds like it would be perfectly at home on Rock radio next to contemporary acts like Shinedown and Seether. The production on Mastermind is remarkably crisp and muscular, making it even more radio-ready.
It’s no easy feat to incorporate such a variety of styles without sounding like Rock tourists/time travelers, but Lift the Medium’s sharp songwriting skills and impeccable chops help bring everything together without sacrificing its own distinct personality, allowing the variance to keep things sonically interesting from start to finish, but never allowing it to overshadow the strength of the songwriting. Cincinnati’s Rock radio stations (and likeminded ones across the country) should be all over Mastermind. It’s a crowd-pleaser that works on numerous levels.
Find more info about Lift the Medium (and hear some more song samples) here.
It smells like drying piss and old beer on the back deck of Northside’s The Comet. The air is filled with the dull thud of a concert beating up against the walls.
There are shows at The Comet every night and people piss and drink there every night, and John Hoffman and Dylan McCartney are there just about every night. Tonight they’re just here to get drunk, but usually they’re the center of attention.
Hoffman and McCartney are in emerging Cincinnati Punk band Sleeves. Hoffman calls the band’s sound American Apparel Punk. Their debut EP Sex is Stupid can be downloaded for free here. They’re a three-piece made up of Hoffman on lead guitar, McCartney on drums and Alex Collins on bass. Hoffman and McCartney both sing, and they both end up on the ground and sometimes injured by the end of their shows.
Cincinnati has an active Do-It-Yourself music scene and Hoffman and McCartney are major players in it. They organize and play shows and Hoffman even records, masters and puts together records for other bands.
Sleeves has played at The Comet, but most of the band’s shows aren’t held in traditional music venues but houses.
Residents all over the city are opening their basements, living rooms, decks and kitchens to musicians that want to do what they love wherever they can do it.
“I still remember the super visceral feeling I got from walking into my first house show,” Hoffman says. “It was just like ‘Where the hell am I? I’ve never seen anything cooler than this.’ I finally felt comfortable in a public space.”
From the outside, a house show looks uncomfortable. There are usually four or five terrifyingly big and tattooed guys stoically staring and bobbing their head to the music. Mosh pits break out constantly, and beer gets all over everyone no matter what, but it’s the closest thing to a bohemian utopia in Cincinnati — anything can happen.
“At one show, there was a point where everyone was crowd surfing just so they could tag the ceiling with spray paint,” Hoffman says. “It became a group effort where everyone was holding people up so they could tag the ceiling. That house was a wreck.”
“Suffice to say they probably didn’t get their deposit back,” McCartney added.
There’s no malice in these ways of destruction and these different looking people. They worked together to tag the ceiling — vandalism — but with teamwork, so it’s OK. The terrifying gentlemen are the first to help anyone up who gets knocked over. For every beer that’s dumped, 10 more are handed out. All the dirt, grunge and basement gunk are exactly what Cincinnati’s DIY bands need. The bands are good enough for big venues, but something is lost when people have to pay to get in, pay to drink and pay to eat and they can’t go outside for a cigarette and walk back in without getting hassled.
“My other band [Mardou] played at Bogart’s once and it was the worst show of my whole life,” McCartney says. “I’ve had shows which were one-twentieth the amount of people, at a house or something, and it was so much more fun to me. You connect to people at a show like that and they connect to you.”
House shows are intimate. There’s usually only an inch between you and the mic stand, but the intimacy comes from more than just close proximity. Certain houses become “venues” all on their own by regularly hosting shows — like The Outhouse in Clifton Heights and The Last House on the Left on Kirby Avenue in Northside. Communities form around these bands and houses, and people that feel like they didn’t fit in anywhere can find a home in someone else’s house. It’s an Island of Misfit Toys that serves Skyline chili.
“At the end of the day, I think it’s just an arts community — or a weirdos community,” Hoffman says.
Sleeves’ next show is Tuesday, June 24, in the basement of Lucy Blue Main Street location in Over-the-Rhine. Find details here.
Executive Director of the National Gay and Lesbian Task Force Rea Carey said the executive order will be a major step forward.
“Now millions of people will have the economic security they need to provide for their families,” Carey said in a press release. “This decision is good for LGBTQ people, good for our economy and good for America.”
The initiative was a campaign promise in 2008, and LGBTQ groups have pressured the president to issue the order for years.
Obama announced this decision before appearing at a Democratic gay-rights fundraiser on Tuesday and as greater protection stalls in Congress.
Employment Non-Discrimination Act, which would protect all American workers from discrimination based on sexual orientation or
gender identity passed the Senate in November but has since been halted in the
According to the Washington Post, 24 of the top 25 federal contractors have nondiscrimination policies towards sexual orientation, and 13 of those policies include gender identity. So while the executive order will cover 20 percent of the workforce, most are already protected.
Although many private employers offer protection, discrimination is still on the books in many states.
29 states, it is still legal for employers to discriminate on the basis of
sexual orientation; and in 32 states, gender identity is grounds for
Carey stressed the work that remains.
“Unfortunately, many of us who don't work for federal contractors will still lack workplace protections,” she said. “Now we must redouble our efforts for the urgent passage of state employment protections and strong federal legislation.”
Much has changed for the legendary Cincinnati live music venue the Blue Wisp Jazz Club over its 40-plus-year existence. Though it has consistently been the club for Jazz in Cincinnati over most of that period, the Blue Wisp has moved four different times over four decades. In its most recent locale at the corner of Race and Seventh streets downtown, the club owners also tried to attract more business by serving food and varying the types of music performed. But it wasn’t enough and the Blue Wisp has once again closed its doors (though various reports suggest it could find yet another new location in the future).
One thing that hadn’t changed at the Blue Wisp, at least since it began in 1980, is the Blue Wisp Big Band. The group of all-star local musicians has maintained one of the longest residency in the region, performing its skilled take on vintage Big Band Jazz like clockwork every Wednesday. The band is a Cincinnati institution.
When the Wisp shut down, the members of the Big Band were determined to not let their remarkable run end with a whimper. Instead, the Blue Wisp Big Band sought to continue its every-Wednesday residency at another venue. (In case you’re wondering, the group owns its moniker, so they can legally continue to use the “Blue Wisp” name.)
Veteran local Jazz pianist and Blue Wisp Big Band founding member Steve Schmidt says they’ve landed their new spot, Japp’s Annex on Main St. in Over-the-Rhine, and will pick up its Wednesday night shows beginning this week. Schmidt says the group will perform every Wednesday at Japp’s, at least through the end of July, when they’ll reassess the situation just to make sure it’s a good fit. The Big Band will again be playing two hour-long sets each Wednesday, the first starting at 8:30 p.m. The cover charge will be less than it was at the Wisp — just $5. (Parking is available in the lot on the corner of Main and Central Parkway, as well as in the garage behind the club on Sycamore.)
“We are excited about trying out this (Over-the-Rhine) spot and happy that the ownership and staff at Japp's is excited, too,” Schmidt says. “We are all thinking of ways to make it better for the customer and the band as we go along. The band wanted to start quickly, not to be dormant for too long.”
Several of the principal members of the Blue Wisp Big Band did a walkthrough several days ago to get a feel for the new space and were happy with what they saw (and felt).
“I got a very good feeling about the room,” Schmidt says, “both in terms of space — spacious yet intimate — and acoustics. I think the other guys felt the same way. (Founding BWBB anchor/drummer) John Von Ohlen rightly pointed out that there is a lot of wood — the floors and the large bar. As John said, in the fullest and most complimentary sense of the word, ‘It's a joint!’ It's what he had in mind when he formed the band and put it in the original Blue Wisp in O'Bryonville. He said he wanted a world-class big band in a beer tavern.”
“In a word,” Schmidt adds, “(the new space) has soul.”
Morning y'all! After a rough start (a bit more on that later), I'm here and ready to give you the news.
Two prosecutors from Hamilton County will lead the state’s investigation into the police shooting death of John Crawford III, Ohio Attorney General Mike DeWine announced yesterday.
Stacey DeGraffenreid and Mark Piepermeierand were appointed by the AG yesterday. Piepermeierand, of Sharonville, heads the Hamilton County Prosecutor’s office criminal division and has handled many high-profile cases in that capacity. He’s responsible for reviewing all police use-of-force issues in Hamilton County and has done so for the past 15 years.
Police shot Crawford inside a Beavercreek Walmart Aug. 6. Another customer called 911 when he saw Crawford with what he thought was an assault rifle. Officers arrived and demanded Crawford drop the weapon, which turned out to be a pellet gun from the store. When he didn’t comply immediately, officers shot him and he died. Crawford’s family, along with activists, have called for answers as to why he was shot.
• The state of Ohio has ordered embattled restaurant Mahogany’s closed after it didn’t follow state sales tax rules. The restaurant on The Banks has struggled to pay rent and loans owed to the city and was almost evicted in April. The restaurant was able to catch up on the rent but still owes more than $300,000 to the city in loans. Owner Liz Rogers has said that the restaurant has struggled after $80,000 was embezzled from the establishment and a rough winter kept business slow. Rogers has also pointed the finger toward someone in the city’s administration who she says has been leaking untrue information about the business. Mahogany’s can reopen after it pays back the undisclosed amount it owes the state in sales taxes.
• Think sky-high executive pay is kind of absurd? You’re not alone. Former Kroger CEO David Dillion said during a panel on management at the Aspen Ideas Summit last month that his paycheck for leading the company was “ludicrous." A video of that summit is just now trickling out, with Huffington Post covering the statement yesterday.
Dillion’s $13 million paycheck last year was actually below the $15 million average for CEOs in America, which makes his compensation “seem a little more responsible,” he said during the summit. “Still you’d argue, I think,” he continued, “it was pretty damn high.”
Dillion said his eight-figure pay package started out fairly reasonable but ballooned out of control as Kroger’s stock went up. That’s a terrible problem to have. That dang stock price, that dang paycheck, both just rising and rising and rising like the temperature needle on my poor struggling car as I sat in traffic this morning (yes, my car overheated on the way here and I’m bitter). There’s just nothing you can do about that. If only Dillion had like, RUN THE COMPANY or something, maybe he could have gotten that ludicrous pay rate under control. Oh, wait…
• Speaking of big ole billowy clouds o’ cash, former 20102 Republican presidential candidate Mitt Romney is on his way to Kentucky to help make it rain for Sen. Mitch McConnell, who is fighting a tough battle against his Democratic opponent Andrea Lundergan-Grimes. McConnell has been pulling out all the conservative A-listers to raise cash, a sign that he’s seriously worried he could lose his seat in what looks to be one of the most contentious and expensive Senate campaigns in history. It’s certainly the fight of his career, but the stakes go higher than that. Every seat matters come November, when Democrats will struggle to maintain their slim majority in the Senate. Should Republicans take enough seats, they’ll run both that chamber and the House, making President Obama’s last two years in office one big bummer.
• Another politician experiencing a big ole bummer right now is Texas Gov. Rick Perry, who was indicted a couple weeks back on some pretty serious felony charges involving abuse of power. It's a long, complicated story that involves a DUI (not Perry's), some backroom dealings, a possibly shady cancer research organization and more. So much more. Anyway, Perry's been kinda sailing through this whole thing, smirking in his mugshot and getting ice cream afterward, the whole deal. He's also played it well politically, refusing public money for his defense team of all-star attorneys. But he recently dropped a comment about that that is less than great PR. He's not turning down public money for his defense because it's the right thing to do, but "to keep folks from grousing about it," he said. The whole Texas-sized imbroglio (gotta love that word) has also hit Perry where it hurts: his holster.
• I usually try to end with some weird news to lighten the mood a lil, but this story is just crazy and sad and confusing. A shooting instructor in Arizona died Monday while teaching a 9-year-old girl how to shoot an uzi. The girl lost control of the semi-automatic weapon due to its recoil as she was firing, and the instructor was shot in the head. An investigation is ongoing to determine the exact sequence of events.
Eight finalists in ArtWorks' Big Pitch competition will each get a five-minute business-pitch session before a panel of judges and a live audience tomorrow night, starting at 6 p.m. at the American Sign Museum, 1330 Monmouth St. in Camp Washington. The judges will decide the $15,000 grand prize winner; the audience will pick a $5,000 winner. Two runners-up will receive professional services from Dinsmore & Shohl; Clark, Schaeffer, Hackett and Co.; and/or LPK. Seated tickets for this event are sold-out but standing-room tickets are still available at artworkscincinnati.org.
Check out the finalists:
The Canopy Crew, owner Django Kroner
Chocolats Latour, owner Shalini Latour
Golden Hour Moving Pictures, owner C. Jacqueline Wood
Heather Britt Dance Collective, owner Heather Britt
Madisono’s Gelato and Sorbet, owner Matt Madison
Modern Misfit Classic Genius, co-owner Cordario Collier
Noble Denim, owner Chris Sutton
Steam Whistle Letterpress and Design, owner Brian Stuparyk
Hey all. It's morning news, and I'm earlier than usual. I'm as surprised as you are.
The city of Cincinnati has announced it will cover medically necessary transgender surgery for employees under its insurance plan. A majority of city council signed a letter urging the change, which was then initiated by interim City Manager Scott Stiles. The city will be the first in Ohio to do so, joining only Berkeley, Calif., Portland, Ore., San Francisco and Seattle offering the benefit. A mental health professional will have to agree that the procedure is necessary for an employee before it is covered. The change will kick in next year and is a way for the city to stay competitive and attract the best job candidates possible, said Councilman Chris Seelbach. Many large companies, including P&G, offer transgender-inclusive benefits.
• Oops again. Duke Energy revised their estimates for the amount of diesel fuel it spilled into the Ohio River last week up to 9,000 gallons. The company previously reported it thought about 5,000 gallons had spilled when an oil transfer valve was left open Aug. 18 at the company’s New Richmond power plant. On the positive side, the cleanup of that spill is almost complete, and no adverse affects to wildlife or residents living along the river have been reported.
• A shifty fast-food sovereign looks to leave the country he rules for cold northern lands to save a few gold coins. Meanwhile, Ohio Sen. Sherrod Brown really wants you to grab a Frosty and a Crave Case this weekend in protest. Brown is up in arms about a proposed merger between Burger King and Canadian-based Tim Horton’s. The deal would create one of the world’s largest fast food conglomerates and see the king abdicating his burger throne in Miami, Florida for Canada. That part rankles Brown, who says the merger could well be a corporate inversion, or a move from the U.S. meant to evade corporate taxes. He’s encouraging his constituents to grab some grub from Ohio-based companies like Wendy’s or White Castle.
“Burger King’s decision to abandon the United States means consumers should turn to Wendy’s Old Fashioned Hamburgers or White Castle sliders,” Brown said in a press release that contained little hint anyone responsible was aware how hilarious that sounds. I’m going to avoid all this royal intrigue and continue to get my burgers from the grill outside of Avril-Bleh’s downtown.
• A national gun control group called Moms Demand Action for Gun Sense has started a petition asking Cincinnati-based Kroger to ban open carry in its stores. The group cites recent violence in the company’s stores, including a Georgia murder-suicide in June and another shooting incident in the same state that left two people injured. Kroger has said that the safety of its customers is important and that its policy is to follow prevailing state law. Open carry laws vary by state, with some states like Ohio placing few restrictions on your right to tote a deadly weapon around while you’re picking out breakfast cereal or cilantro for a nice homemade pico de gallo. Moms Demand Action received criticism recently when it was revealed the group received $50 million from noted gun control advocate and ex-New York City Mayor Michael Bloomberg, who, anonymous sources reveal, is not in fact a mom.
• A national Pew Research poll released yesterday found that Americans have very little faith in law enforcement’s ability to hold its officers accountable for misconduct, engage in good race-relations practices and use an appropriate level of force. This distrust held true for respondents of all races but was especially marked among those in the black community, where nine out of 10 respondents said the police do a “fair” to “poor” job. The poll comes as the police shooting of Mike Brown, an unarmed black teen in a St. Louis suburb, has set off a national debate over police conduct, especially as it relates to race.
• Finally, this new photography project by the New Orleans Times-Picayune is worth a look. You can slide between photos of New Orleans just after Hurricane Katrina and recent pics of what the same areas look like today to get a powerful look at how the city has — and in some places hasn’t, really — recovered from the disaster.
Heya. It's news time.
Got a few hundred thousand dollars sitting around? Want to be part of the
gentrification renaissance in Over-the-Rhine? Step up and make your pitch to 3CDC! The development corporation has announced it will open up the 33 city-owned properties for which it is the preferred developer to other developers who want to get in on the action in OTR. 3CDC will then make recommendations to the city on which plans for the properties around Findlay Market get the green light, based on financial feasibility, timeliness of renovation, parking considerations and whether hotdogs, tacos and pizza served at your proposed upscale but casual eatery are artisanal enough. Proponents of the process say it’s far more open than 3CDC’s development strategies thus far, while opponents of the development group’s preferred developer status say 3CDC still has too much power calling the shots in the neighborhood.
• As the streetcar gets closer to a reality in downtown and OTR, Northern Kentucky is now looking at how it can get on board. City leaders in Newport and Covington are talking about ways those cities can link up with Cincinnati’s streetcar. Covington Mayor Sherry Carran and Newport City Commissioner Beth Fennell have expressed support for the idea, saying the transit system could alleviate traffic problems and boost economic development there.
• While we’re talking Northern Kentucky, let’s talk about the Noah’s Ark theme park, called The Ark Encounter, being built in Grant County. The project has come under fire from Americans for the Separation of Church and State, a national advocacy group, because it has applied for tax credits despite possibly discriminatory hiring practices. Americans for Separation of Church and State points out that the park’s parent organization, Answers in Genesis, requires job applicants to sign a “statement of faith” that pledges allegiance to the group’s Christian values, including opposition to homosexuality and a belief in the literal truth of the bible. Americans for Separation of Church and state says that amounts to discriminatory hiring and should make the Ark project ineligible for the $73 million in tax incentives the state has approved for the project. Officials with The Ark Encounter say the park’s employment policies have yet to be written and that they will comply with all state and federal laws.
• Butler County Children Services employees have been on strike for the past week, fighting for a 3.5 percent pay increase each year for the next three years. The county is standing firm, however, and things have started getting acrimonious. The county claims union representatives for the Child Services workers have misrepresented work done by the county since the strike has happened by claiming that some 80 home visits have been missed in that time. Union officials deny any misrepresentation. They say they’ve been forced to strike by the county’s refusal to meet their demands and that work isn’t getting done. The county has hired a number of new personnel since the strike and say they’re handling the workload without the striking union members.
• Gov. John Kasich signaled last week that he will again turn down job-requirement waivers for food aid in all but 17 counties in the state. Last year, the governor’s office allowed just 16 counties to get the waivers, which the federal government issues in high-unemployment areas to exempt those seeking food stamps from work requirements. Without the waiver, food aid recipients are limited to three months of benefits before they must find a job or enter a state-funded work program. But both jobs and spots in these work programs have been difficult to find, leading to criticism of Kasich’s decision to turn down the waiver in most of Ohio’s counties from groups like the Ohio Association of Foodbanks and liberal think tanks like Ohio Policy Matters. Advocacy groups have filed a federal civil rights claim seeking to overturn the state’s decision and extend the waiver to all 88 Ohio counties.
• In national news, the funeral for Mike Brown, the 18-year-old shot and killed by police in Ferguson, Missouri, was held today. Brown’s family has asked protesters who have taken to the streets in the wake of his Aug. 9 shooting for a peaceful event. Ferguson has been on edge since the shooting, with everything from peaceful demonstrations to all-out rioting taking place. Civil rights attorney Al Sharpton, Rev. Jesse Jackson and the parents of Florida shooting victim Trayvon Martin all attended the memorial.
The Crown Jewels of Jazz Festival returns Friday and Saturday with an adjusted format. While last year’s fest was spread out across the Over-the-Rhine area, this year’s Crown Jewels is more streamlined, with free events concentrated in OTR’s Washington Park.
The fest kicks off Friday night with an 8 p.m. concert featuring unique and widely acclaimed Jazz singer Gregory Porter, as well as Cincinnati native Mandy Gaines (whose been busy performing throughout Europe and Asia).
Saturday at Washington Park, the fest kicks up again with Phil DeGreg, Baba Charles Miller and Kathy Wade (whose Learning Through Art, Inc. presents the Crown Jewels fest) performing and telling the story of Jazz (and other music) in a program called “Journeys: A Black Anthology of Music” at 4 p.m. At 5 p.m., “Piano Picnic in the Park” will showcase area pianists; DeGreg, Jim Connerly, Billy Larkin, Charles Ramsey III, Cheryl Renee, Steve Schmidt and Erwin Stuckey will each perform their two favorite Jazz numbers during the hour and a half performance.
Then it’s time to dance! The fest closes out at 8 p.m. with “Dancing Under the Stars” at the park’s bandstand, featuring music from the 18-piece Sound Body Jazz Orchestra and dancers/teachers from the Dare to Dance Ballroom Dance and Fitness Studio.
Given that it is presented by Learning Through Art, Inc., it is fitting that the Crown Jewels of Jazz fest will also include an educational program Saturday morning for high school musicians at the School for Creative and Performing Arts, just across the street from Washington Park’s 12th Street entrance. The CJ2 Jazz Camp, which will feature clinics, classes and more with many of Cincinnati’s top Jazz musicians and educators (including DeGreg, Stuckey, Jim Anderson, Marc Fields, Ted Karas, Mike Wade, Art Gore, Brent Gallaher and many others), begins at 8:30 a.m. There is a $35 fee per student.
For complete info on the Jazz Camp and all of the Crown Jewels of Jazz events, visit learningthroughart.com. And click here to read CityBeat's interview with Wade about the fest and her org's other work.
It's a gross rainy Friday, so grab some coffee and let's settle in with some news.
Two local organizations that help veterans experiencing homelessness will be getting a $1.5 million boost, Secretary of Veterans Affairs and former P&G head Bob McDonald announced yesterday. A program run by Ohio Valley Goodwill Industries in Woodlawn will get nearly $1 million in grant funding from the VA. The Rehabilitation Center Inc. serves seven counties in the Greater Cincinnati and Northern Kentucky region. The Talbert House in Walnut Hills, which serves veterans in Hamilton County, will get the other $500,000. The funding is part of more than $300 million in grants given out nationwide, nearly $9 million of which went to organizations in Ohio fighting homelessness among veterans.
• Is there anything more comforting than the knowledge your local police department is slowly becoming a paramilitary force? Recent revelations about the federal government’s program decommissioning military equipment into the hands of local law enforcement are mind-boggling and also darkly hilarious.
Even among my friends and family who are still afraid of living in urban areas, I would think fear of landmines in Cincinnati is pretty low, maybe non-existent. But that hasn’t stopped the Hamilton County law enforcement officials from receiving two land-mine detection kits from the program. Kenton County got a mine-resistant truck along with 44 pairs of night-vision goggles, 34 pieces of body armor and 22 assault rifles. Newport got a pretty awesome Humvee, though it’s not armor plated. Really important question here, guys — is that thing land-mine proof?
• Caesar’s Entertainment Corp., parent company to Cincinnati’s Horseshoe Casino, will pay the largest fine ever doled out by the Ohio Casino Control Commission. Caesars will pay a $200,000 fine for lack of financial transparency involving the company’s ongoing $23 billion debt restructuring efforts.
• Attorney General candidate David Pepper has received criticism recently for his legal record. Do records show he embezzled money? Took bribes? Sold drugs? No, no, I’m afraid it’s much darker. Pepper, it seems, is a serial illegal parker. Over the past 14 years, Pepper has paid more than $9,000 in parking fines, averaging 13 tickets a year, though the bulk occurred when he was County Commissioner from 2007 to 2009, according to an investigation by the Associated Press. That’s a lot of tickets, sure, but most of them are for parking at expired meters. Some are a bit more serious offenses — displaying expired plates. When you break it down, he’s been fined about $700 a year for all those offenses. Pepper’s campaign chalks the fines up to a busy schedule and a lot of late meetings. But his opponent Mike DeWine’s campaign says the number of offenses isn’t an accident and makes him unfit to be attorney general.
“Nearly everyone has made a mistake by forgetting to go back and feed a parking meter,” DeWine campaign spokesman Ryan Stubenrauch said. “But that Mr. Pepper racked up nearly $10,000 in fines shows a stunning disregard for basic traffic laws — particularly for someone running to be Ohio’s top law officer.”
Pepper’s campaign said it would rather have that smudge than allegations facing DeWine, which include accusations that the attorney general’s office has been engaged in pay-to-play practices, allegedly awarding lucrative legal contracts with the AG’s office to private firms that donate to DeWine’s campaign.
“[Pepper is] happy to debate old parking tickets versus Mike DeWine’s current practices as attorney general,” Pepper spokesman Peter Koltak said.
• Finally, things in Ferguson, Mo., seem to be calming down for the time being. Protests, some violent, have rocked the St. Louis suburb since the Aug. 9 shooting of Michael Brown, an unarmed black teenager. Lately, however, the protests have become somewhat more peaceful. Yesterday the state’s National Guard units withdrew from the city and the number of arrests police have made has been dropping. Investigations into the shooting are ongoing, as the Justice Department works with state and local law enforcement to try and determine what happened between Brown and officer Darren Wilson. Wilson says that Brown attacked him in his patrol car, though others say Wilson was the aggressor and that Brown was retreating when he was shot. An autopsy showed that Wilson shot Brown at least six times.
500 Miles to Memphis’ two most recent album releases are local classics that reside in two vastly different musical landscapes. Their 2007 album, Sunshine in a Shot Glass, offers 12 tracks of undiluted Country Punk. The album starts off with the band’s hit “All My Friends are Crazy” and doesn’t let up. The band’s followup, 2011’s We’ve Built Up to Nothing, took the Country Punk roots and drastically expanded on the concept. Influenced by The Beatles, the Cincinnati-based quintet added layer upon layer of instrumentation to craft an epic that radically expanded the groundwork laid in 2007.
Now, in 2014 the band is set to unleash Stand There and Bleed. With its latest release, 500 Miles to Memphis has pulled back and opted for a simpler, more straightforward group of songs. In doing so, the band has written its best album to date.
The band will host a listening party for the new album tonight (Thursday) at The Drinkery in Over-the-Rhine. The album will be played in its entirety at 9 p.m., then the group will play an acoustic set at 10 p.m. The event is free. (The official release date for Stand There and Bleed has yet to be announced.)
At its core, 500 Miles to Memphis has always been about vocalist/guitarist Ryan Malott telling the stories of his life. And with three years in between releases, Malott has plenty to talk about. Stand There and Bleed is Malott’s most personal output so far. We see a glimpse of tour life in “Medication,” the joys of marriage in “Takes Some Time” and the trials of addiction in “Easy Way Out.” Malott may have traded the bottle for coffee and a Playstation controller, but the struggle is ongoing. In fact, the best tracks on the album are the ones that document Malott’s missteps, but only because the album has so much hope, as well. There is a light at the end of the tunnel, and Malott is steadily working his way towards it.
Joining Malott is bassist/vocalist Noah Sugarman, drummer Kevin Hogle, guitarist/vocalist Aaron Whalen and lap steel guitarist David Rhodes Brown. This all-star lineup compliments Malott’s lyrics expertly. Gone are We Built Up to Nothing’s more eccentric instrument choices; 500 stripped away the excess to more fully focus on what it had in house. The result is an album that’s more consistent and true to 500’s vision as a whole. Malott is influenced by Country and Punk Rock in equal measure and these influences come across stronger than ever on Bleed, with each member adding their own touch on the theme. Hogle’s drumming is still some of the best in town; his musical ear enables him to mold his style to each and heighten the mood of all. Brown’s steel playing on Stand There and Bleed keeps the more Punk-based tracks grounded in 500’s roots and elevates the Country tracks to another level with effortlessly delivered solos. Finally, Whalen and Sugarman’s guitar and bass inject energy throughout the record that reinforces Stand There and Bleed’s straightforward, powerful delivery.
Malott’s vocal delivery has been honed and refined on Stand There and Bleed, as well. Malott is an unabashed fan of Green Day and comparisons to Billie Joe Armstrong in songs like “Bethel, OH” and “Abilene” are undeniable. Malott has also continued to inject large amounts of emotion into his vocals. He’s always been an expressive singer but the earnestness and pain in “You’ll Get Around” and “Alone” show a departure from We’ve Built Up to Nothing’s more polished vocals. Part of the recording process was breaking Malott of those good habits and getting him used to putting the feeling back into each take. What results is an album that’s a little rougher around the edges and much more emotionally captivating for the listener.
500 Miles to Memphis has been pushing its music forward for years, constantly hitting the road to share its take on Country Punk. The band has been virtuous to the genre and also bent it to an almost unrecognizable state. With Stand There and Bleed, the quintet has met somewhere in the middle. The band has trimmed the fat, focused on what each (incredibly talented) member brings to the table and built a record that is its most focused and honest to date.
The band has traveled way more than 500 miles to reach where they are now, but with albums like Stand There and Bleed carrying them, they have plenty more ahead of them.
If you’re like me, you passed work crews installing the first stretch of streetcar tracks in the Central Business District today. If you’re REALLY like me (clumsy), you almost fell off your bike trying to get a better look at the work. This is not recommended. The track work is happening right around between Central Parkway and Court Street along Walnut Street, where the city held a press conference this morning to talk about the progress. Councilman Kevin Flynn, who had been a swing vote during the battle over whether the streetcar would even happen last winter, called the latest progress “a milestone” and said he’s not giving up on some federal money to help operate the streetcar. A $5 million application for a federal grant completed by the city looks unlikely to be successful in its current form. That money would have funded operating costs for the streetcar for the next few years, according to city officials. Other private funds have shored up the transit project’s operating budget to some degree, but more funding is needed.
• While we’re talking about that little corner of the world, check this out. Some day, you may see a new Kroger near the spot where streetcar tracks are going in. A $50 million residential development is being planned for the corner of Central Parkway and Walnut Street. It will feature 200 apartments and 25,000 square feet of retail space. Rookwood Properties, based in Blue Ash, has approached the grocery chain about possibly filling some of that retail space. It’s all speculative for now, though. Kroger is looking to open a new location downtown but will not comment on specific locations, including the development on Walnut. I hope they hurry up, because I need a place close by to purchase all my Triscuits, Arizona Green Tea tall cans and ready-made boneless buffalo wings, which is pretty much my daily lunch these days.
• As we reported yesterday, the Women’s Med Center in Sharonville will cease providing abortions. The facility announced yesterday it will not appeal an Aug. 18 court ruling upholding earlier orders that the clinic close down its abortion services. The clinic will remain open to provide other services, specifically helping prepare women seeking abortions before they receive the procedures at the company’s Dayton clinic location.
• Lots of rumblings about shady dealing at Cincinnati's major airport after an the Kentucky State Auditor released a report Tuesday calling for a restructuring of CVG's board. The audit details high levels of inefficiency, nepotism and back-room dealing in the way the airport is run. CVG is among the most expensive airports in the country for passengers, and its board has been under fire for some time. The audit comes after a nine-month special investigation into its operation. Proposals for restructuring the board focus on making it more regional, folding in a representative chosen by Hamilton County Commissioners, the Ohio governor's office and the Cincinnati mayor's office.
• OK, so there are a lot of complaints about the suddenly ubiquitous ice bucket challenge, but the Cincinnati Archdiocese has a unique one. The trend has attempted to harness social media to raise money for the ALS Association. That part is great. The organization funds research to fight Lou Gehrig’s disease, a degenerative neurological disorder that eventually causes muscle paralysis and death. But a viral trend where people film themselves dumping super-cold water on themselves instead of giving money to charity and then challenge others to do the same as a kind of activism… seems a bit counterproductive. (Though, to be fair, the organization has said it’s gotten some $16 million in donations since the fad started).
Anyway, the Archdiocese has a different sort of problem with the challenge. They don’t mind the inane and narcissistic part. They’re upset about people giving money to the ALS Association, because the group funds research involving embryonic stem cells, the harvesting of which the church equates with abortion. Dump ice on yourself and post it on Vine all you want, the Archdiocese says, but god forbid you give any money to the group that’s trying to heal people.
"We appreciate the compassion that has caused so many people to engage in this," Archdiocese spokesman Dan Andriacco said. "But it's a well established moral principle that a good end is not enough. The means to that ends must be morally licit."
The Archdiocese has directed Catholics to send money to a catholic group that doesn’t use embryonic stem cells in its research instead.
• Remember Joe the Plumber? Of course you do! Ohio’s favorite native son first came to prominence during the 2008 presidential election when his shaky math about his small business (which he hadn’t even started yet) was picked up by the McCain campaign. Since that time, he's become a kind of pundit for the far right, writing books, appearing on talk shows and even running for Congress. He recently made national news by taking to Facebook and proposing HIS solution to the Ferguson unrest. His idea achieves a pretty impressive trifecta of being racist, classist and making absolutely no sense whatsoever. His post says “The best way to end the rioting and looting in Ferguson… Job Fair. They’ll scatter like cockroaches when the lights come on!” Great.
• Finally, speaking of working, this New Yorker piece on the trials of hourly workers in the age of employers’ push for maximum efficiency is a good read and very likely familiar for anyone who has ever had to work an ever-shifting schedule in retail, food or other service industries. Lots of interesting data and insights into the way the economy continues to shift in ways that are tough for working people.
Filmmaker/provocateur, humorist, art collector and all-around pop-cultural icon John Waters is coming to Cincinnati on Oct. 11 as part of the opening-week programming of the FotoFocus Biennial 2014. He will be at Memorial Hall, performing This Filthy World about his long, rewarding career. Additionally, Waters' photograph "Inga #3 (1994)" is part of a FotoFocus exhibition, Stills. The theme of FotoFocus is "Photography in Dialogue."
FotoFocus has released this (edited) list of other Memorial Hall events for its first week of programming:
Wednesday, October 8
Performance by Berlin-based filmmaker Martha Colburn, with a Cincinnati ensemble led by Tatiana Berman and the Constella Ensemble
Thursday, October 9: Photography in Dialogue
Film: Gerhard Richter Painting (2011)
Featured speakers: Gallerist Deborah Bell, New York; Gallerist Howard Greenberg, New York; Director and Chief Curator Raphaela Platow, Contemporary Arts Center, Cincinnati; Art Critic Richard B. Woodward, New York; and FotoFocus Artistic Director and Curator Kevin Moore.
Friday, October 10: Landscapes
Film: Somewhere to Disappear, with Alec Soth (2010)
Featured speakers: Curator and Art Dealer Damon Brandt, New York; Artist Elena Dorfman, Los Angeles; Artist Matthew Porter, New York; Artist David Benjamin Sherry, Los Angeles; Associate Curator Elizabeth Siegel, Art Institute of Chicago; Museum Director Alice Stites, 21c Museum Hotel; and FotoFocus Artistic Director and Curator Kevin Moore.
Keynote Speaker: Jeff L. Rosenheim, Curator in Charge, Department of Photographs, The Metropolitan Museum of Art, New York, on photography and the Civil War.
Saturday, October 11: Urbanscapes
Film: Bill Cunningham
Featured speakers: Architect José Garcia, Cincinnati; Curator Steven Matijcio, Contemporary Arts Center, Cincinnati; Photography Director Ivan Shaw, Vogue, New York; Associate Curator of Photography Brian Sholis, Cincinnati Art Museum; and FotoFocus Artistic Director and Curator Kevin Moore.
Sunday, October 12: Forum
Featuring presentations and panel discussions by local participants, such as Artists Jordan Tate and Aaron Cowan.
For complete details about the FotoFocus 2014 Biennial visit here.