Some fine entertainment can be found onstage this weekend. Just opening is Cincinnati Shakespeare's production of The Hound of the Baskervilles, a clever, three-man rendition done in the style of The 39 Steps,
with actors taking on multiple roles and looking for moments of humor
and slapstick. In addition to using three fine actors from CSC's company
— Jeremy Dubin, Nick Rose and Brent Vimtrup — the show is being staged
by Michael Evan Haney, associate artistic director at the Cincinnati
Playhouse. A few years back he staged a similar version of Around the World in 80 Days
that was an entertaining delight. Haney is one of our finest local
directors, so you can expect this to be a production definitely worth
seeing. It opens tonight and runs through Aug. 12. Box office: 513-381-2273, x1.
In its final weekend onstage, Commonwealth Dinner Theatre's production of The Foreigner continues through Sunday. It's a daffy situation comedy about a shy Brit stuck at a fishing lodge in rural Georgia where there are a lot of nefarious goings-on. To help him cope, his friend tells the innkeeper that Charlie is a "foreigner" who doesn't speak English. That premise leads to all kinds of complications and a hilariously happy ending. This production is a laugh machine, but its star Roderick Justice is absolutely perfect in the role, giving it a funny physicality to match the comedic writing. Box office: 859-572-5464.
And if the weekend isn't enough for you, call up Know Theatre and make a reservation for Monday evening's quarterly dose of True Theatre. This time the theme for sincerely presented monologues is "true Grit." It will be an evening of storytelling, tales of perseverance, endurance and survival from everyday people. These programs are always fascinating because they're told with heartfelt honesty. I highly recommend attending; tickets are only $15. Box office: 513-300-5669.
Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.
The best theatrical entertainment onstage this weekend is
The Foreigner, presented by the Commonwealth Theatre Company at Northern
Kentucky University. I saw it a week ago (review here) and it's a winner — a
very funny play with a marvelously inventive performance by Roderick
Justice in the title role. He plays a painfully shy man who tries to
avoid social contact by posing as someone who doesn't speak English,
even though he's quite literate. The concept doesn't quite work out as
planned when his "cover" means that people have all kinds of revealing
conversations around him. The plot is hilarious, but it's Justice's
performance that makes it run like clockwork. It's part of a dinner
theater package — dinner at 6:30 most nights, show at 8:00 p.m. Tickets:
There's not a lot of theater right now, but if you're looking for great onstage entertainment right now, the World Choir Games have plenty to offer. I've been blogging about it for the past week, and you can read more here. Events and performances through Saturday evening. www.2012worldchoirgames.com.
Sunday winds up Ensemble Theatre Cincinnati’s revival of the Tony Award-winning musical next to normal. (Review here.) The story of a woman struggling with schizophrenia and how it affects her family is even better than it was back in September. The show uses the power of a brilliant Rock score to enhance the impact of this painful story. ETC has reassembled most of its superb cast from last fall, including Jessica Hendy in the central role. Her beleaguered husband is now played by Bruce Cromer, who you might know as Ebenezer Scrooge in the Playhouse’s annual A Christmas Carol. His character’s relationship with Hendy’s makes their struggles all the more deeply felt. Box office: 513-421-3555.
Last Sunday I had some good laughs at the classic comedy Arsenic and Old Lace on the Showboat Majestic. It’s an old chestnut (it was a hit in 1944), but it’s one of the funniest shows you’re likely to see, about a pair of off-kilter elderly maiden aunts who keep their rather normal nephew astonished and scrambling to keep them in line. The kind-hearted women take in boarders, quiet elderly men who are “all alone in the world,” and polish them off with elderberry wine laced with arsenic. They convince another nephew, who believes he’s Teddy Roosevelt, to bury them in the basement by telling him they’re Panama Canal works who are victims of yellow fever. A great show for the whole family. Box office: 513-241-6550.
Also winding up this weekend is Cincinnati Shakespeare Company’s production of The Complete Works of William Shakespeare (Abridged). This rambunctious show mentions of all the Bard’s works — although many are completely unrecognizable, thanks the three buffoonish guys who undertake the task. Order your tickets online where you’ll find an automatic buy-one, get-one offer. Website: www.cincyshakes.com.
Cincinnati Opera is offering Porgy & Bess for the first time ever, with a performances on Saturday evening (as well as July 6 and 8). (Preview here.) Is it an opera or a musical? Judge for yourself (and read about it in my Curtain Call column in next week’s issue of CityBeat). It’s at Music Hall, with lots of seats, but as always, a limited run. This is one you shouldn’t miss. I saw it Thursday night, and the leading performers are great: Measha Brueggergosman is a conflicted Bess, Jonathan Lemalu conveys Porgy’s dignified but depressed life, Gordon Hawkins is the brutal Crown, and Steven Cole steals the show as the animated, irreverent Sporting Life. And pay attention to the chorus — it’s a wonderful ensemble. Box office: 513-241-2742.
Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.
The excerpt competition, with performances evaluated by three adjudicators from elsewhere in Ohio, results in three productions being selected to go to the statewide event on Labor Day weekend. Selected this year were Arthur Miller’s The Crucible, presented by the Drama Workshop; the musical Avenue Q, presented by Showbiz Players; and the musical Rent, presented by Footlighters, Inc. An alternate is selected, too, in the event that some complication prevents one of the chosen productions from traveling to the state competition. The 2012 alternate is An Inspector Calls, presented by The Village Players.
Nineteen Cincinnati community theaters — all-volunteer groups that produce shows throughout the region — were honored with Orchid Awards at Saturday’s banquet, with recognition for individuals as well as elements of productions. Footlighters, which presents its shows at the Stained Glass Theater in Newport, had the show with the most awards: Rent picked up 26, including one for “overall performance quality.” Coming in second with 20 awards was Greater Hamilton Community Theater’s production of the musical Little Women. Footlighters, always a strong contender, also took third place (16 awards) with a production of the musical The Light in the Piazza. Rounding out the top 10 award-winning productions were Cole (15 awards; Mariemont Players); The 25th Annual Putnam County Spelling Bee (13, Greater Hamilton Community Theater); Titanic (12, Cincinnati Music Theatre); Over the River and Through the Woods (12, Mariemont Players); Same Time Next Year (12, Mariemont Players); Becky’s New Car (12, Middletown Lyric Theatre); and The Crucible (12, The Drama Workshop).
A final note: Mariemont Players, which produces six shows annually (most groups present three or four, at most) had the strongest overall showing, picking up a total of 68 Orchid recognitions.
If you can land a ticket for Ensemble Theatre Cincinnati’s revival of the Tony Award-winning musical next to normal, that’s what you should be doing this weekend. I saw it on Tuesday night, and it’s even better than it was last September. It’s the story of a woman struggling with schizophrenia and how it affects her family; that might not sound like the stuff that musicals are made of, but it uses the power of a brilliant Rock score to deliver the impact of this story. ETC has reassembled virtually all of its superb cast from last fall, including Jessica Hendy in the central role. Her beleaguered husband is now being played one of our area’s best actors, Bruce Cromer, and his relationship with Hendy makes their pain all the more deeply felt. It’s only around for one more week, so you should do your best to grab a ticket now. Box office: 513-421-3555.
ETC’s revival isn’t the only thing worth seeing this weekend. You might check out the classic comedy Arsenic and Old Lace on the Showboat Majestic. It’s an old chestnut (it was a hit in 1944), but it’s one of the funniest shows you’re likely to see, the tale of an off-kilter pair of elderly maiden aunts who keep their quite normal nephew astonished and scrambling to keep them in line. The kind-hearted women take in boarders, quiet elderly men who are “all alone in the world,” and polish them off with elderberry wine laced with arsenic. They convince their addled brother, who believes he’s Teddy Roosevelt, to bury them in the basement by telling him they’re victims of yellow fever who have been digging the Panama Canal. A great show for the whole family, with lots of comic twists. Box office: 513-241-6550.
You’ll also find a stage full of laughs at Cincinnati Shakespeare Company, which is producing The Complete Works of William Shakespeare (Abridged). You’ll witness mentions of all the Bard’s works — although many are completely unrecognizable, thanks the three buffoonish characters who undertake the task. The second act is a wild send-up of Hamlet that involves the audience. Order your tickets online, and there’s an automatic buy-one, get-one offer available. Website: www.cincyshakes.com.
Don’t forget to look in out-of-the-way places for good summer theater entertainment: At Highlands High School in Fort Thomas, Ky., you’ll find the Tony Award-winning musical The Producers, the first outing by C.A.S.T. (Commonwealth Artists Summer Theatre), the brainchild of Jason Burgess, a one-time directing intern at Ensemble Theatre who’s now an award-winning teacher at Highlands. The hilarious show about putting on a musical so bad that the guys doing it can abscond with all the investments will be onstage through July 1, with performances at the high school (2400 Memorial Parkway, Fort Thomas) on Friday and Saturday at 7:30 p.m. and Sunday matinees at 2 p.m. Tickets (only $10): www.showtix4u.com (or at the door).
Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.
Cincinnati Landmark Productions (CLP), operator of the Showboat Majestic and owner and operator of the Covedale Center for the Performing Arts, is looking to expand its entertainment empire with a new facility in East Price Hill, not far from the Primivista Restaurant. At a meeting today with the East Price Hill Improvement Association, representatives from CLP will present a proposal to build a new performing arts center in the Incline District.
plan is for a theater with approximately 250 seats that will be
programmed throughout the year. CLP estimates 112 evenings of
performances, including theatrical productions, a summer season,
concerts, comedy events and cabarets.
CLP recently marked the tenth anniversary of the Covedale Center, a onetime movie theater that the group acquired and renovated. The West Side fixture has seen stead growth in attendance over the decade since opening in 2002. In its first year, there were 804 subscribers; 3,600 are anticipated for the coming season. Season attendance in 2002-2003 was 13, 990; for 2011-2012 it grew to 35,300.
from CLP have already met with developers and leaders of the East Price
Hill Development Association for exploratory purposes. CLP’s executive
artistic director Tim Perrino says that both his organization and the
developers view the partnership as a win-win. The vacant parcel on
Matson Place has nearby parking and dining — as well as the spectacular
view that’s familiar to generations of diners at Primavista.
“The people we’ve talked to,” Perrino explains, “see the true value an arts center can bring to a neighborhood. The arts create neighborhood vibrancy, more pedestrians, good news stories, visitors from outside the neighborhood, more bar and restaurant patrons and improved neighborhood perception.
project is still a concept without a budget or plans, but it’s an
exciting prospect coming from an organization that clearly knows how to
connect with audiences.
The Showboat Majestic just opened a production of the classic comedy Arsenic and Old Lace. It won’t break any new ground, but it is one of the funniest shows you’re likely to see, the tale of an off-kilter set of relatives who keep their quite normal nephew astonished and scrambling to keep them in line. His aunts take in boarders, quiet elderly men who are alone in the world, and polish them off with elderberry wine laced with arsenic; they convince their addled brother, who believes he’s Teddy Roosevelt, to bury them in the basement by telling him they’re victims of yellow fever who have been working on digging the Panama Canal. There’s lots more, but you get the picture. Box office: 513-241-6550
Another stage full of laughs is available from Cincinnati Shakespeare Company in the form of The Complete Works of William Shakespeare (Abridged). It’s your chance to see at least a passing mention of all the Bard’s works — although many are completely unrecognizable, thanks the three buffoonish characters who undertake the task. The second act is a wild send-up of Hamlet that involves the audience. There’s never a dull moment, and the CSC actors seem to especially relish the task of poking fun at their usual fare. Box office: 513-381-2273, x1.
Summer is the season for lighter entertainment at the Commonwealth Dinner Theater, on campus at Northern Kentucky University. They’re offering Neil Simon’s Plaza Suite, a glimpse into the relationships of three couples that occupy the same suite at the Plaza Hotel in New York City. One couple is celebrating their 23rd wedding anniversary in the same room where they honeymooned; another is an oft-married Hollywood producer who’s hoping for an encounter; the third is a mother and father trying to coax their bride-to-be daughter out of the locked bathroom and downstairs to the impatient wedding guests. Box office: 859-572-5464
Since you only have two more nights to enjoy the final few productions, here's a rundown of everything we know:
Peruse CityBeat's Cincy Fringe hub here, where you'll find reviews of all 32 performances.
Check out the official Fringe Festival guide here, where you'll also find a schedule that includes Friday and Saturday night's final shows.
“Marching Through the 2012 Fringe,” CityBeat issue of June 6.
And here's a little something on Homegrown Theatre, a company created by native Cincinnatians and is performing The Doppelganger Cometh and Overtaketh at the Emery Theater tonight and Saturday night.
While it’s not part of the Fringe, Avenue Q, presented by Showbiz Players at Covington’s Carnegie Center, has the same zany vibe. It’s an X-rated musical with puppets that might visually remind you of Sesame Street — until they open their dirty mouths. The show was a surprise Tony Award winner several years back, and it promises lots of laughs for those who go. Through June 10. 859-957-1940.
If you want something more traditional, try Cincinnati Shakespeare Company’s production of The Merchant of Venice, one of Shakespeare’s most difficult plays. It’s officially categorized as a comedy because it has humorous and romantic elements. But the central story about a potentially fatal argument between a moneylender and a businessman is anything but amusing. CSC’s artistic director Brian Isaac Phillips takes on the role of the rapacious moneylender who has faced anti-Semitic discrimination for his entire life. Is Shylock a villain or a victim? Shakespeare gives him aspects of each, and CSC’s production does not tilt in either direction. You get to decide, and it won’t be easy. Box office: 513-381-2273, x1.
Be sure to consider downtown’s newest performance venue, Speakeasy Theatre, storefront space at 815 Race Street. Their inaugural production is Paul Baerman’s The Whistler, set in 1965 in an unnamed Southern city awash in racist attitudes. The Andy Griffith Show is in its fifth season, and the guy who whistles the theme (played here by local professional actor Michael G. Bath) is living off his royalties. But life gets more complicated when he meets an African-American trumpet player (played by Tony Davis) who shares his passion for music. The Whistler will be onstage through June 10. Box office: 513-861-7469
I haven’t seen the Showboat Majestic’s opening production of its 90th season (that’s right, the boat has been entertaining audiences for nine decades!), but Babes in Hollywood is another show that’s light and entertaining. It’s a revue of tunes made famous by Judy Garland and Mickey Rooney back in the 1930s and ’40s when they were happy-go-lucky adolescent stars. I did see the four-member cast do a number at last Monday’s LCT Awards event, and they have fine voices and a sense of style. I suspect this show will be popular with the grey-haired audience that frequents the Showboat, but I bet people of any age will have a good time watching. Box office: 513-241-6550.
If you want something a tad more profound, try Cincinnati Shakespeare Company’s production of The Merchant of Venice, one of Shakespeare’s most difficult plays. It’s officially categorized as a comedy because it has humorous and romantic elements. But the central story about a potentially fatal argument between a moneylender and a businessman is anything but amusing. CSC’s artistic director Brian Isaac Phillips takes on the role of the rapacious moneylender who has faced anti-Semitic discrimination for his entire life. Is Shylock a villain or a victim? Shakespeare gives him aspects of each, and CSC’s production does not tilt in either direction. You get to decide, and it won’t be easy. Review here. Box office: 513-381-2273, x1.
There’s a new theater downtown, just a few doors north of Cincinnati Shakespeare’s venue. They’re calling themselves Speakeasy Theatre, and they’re performing in a storefront space at 815 Race Street. Their inaugural production is Paul Baerman’s The Whistler. The show, directed by Tim Waldrip, is set in 1965 in an unnamed Southern city where a lot a racist attitudes are out in the open. The Andy Griffith Show is in its fifth season, and the guy who whistles that show’s theme (played here by local professional actor Michael G. Bath) is living off the royalties of his work. But life gets more complicated when he meets an African-American trumpet player (Tony Davis is taking on the role) who shares his passion for music. The show just opened on Thursday and I haven’t seen it, but it’s always good to give a new theater a try. The Whistler will be onstage through June 10. Box office: 513-861-7469.
There are several good productions onstage around town — check out CityBeat coverage of Hands on a Hardbody (a musical at ETC), The Great Gatsby (a classic American novel adapted for the stage at Cincy Shakes), Sherlock Holmes and the Adventure of the Suicide Club (a new adventure for the great detective at the Cincinnati Playhouse) and Tennessee Williams' prize-winning A Streetcar Named Desire (at the Covedale) — but if you've seen those, you have other choices for onstage entertainment. Here are three suggestions for shows a little more off the beaten path:
Sherlock Holmes and the Adventure of
the Suicide Club opened last night at the Cincinnati
Playhouse in the Park. It's a new adventure for the Victorian sleuth. How can
that be, you might ask, if you're a Sherlock fan — this isn't a familiar title.
That's because playwright Jeffrey Hatcher picked up Sir Arthur Conan Doyle's
memorable detective, a master of deductive observation, and plugged him into a
tale of mystery and intrigue conceived by Robert Louis Stevenson back in 1878.
No spoilers here, but I will tell you that the plot of this show requires
closely following a complex tale of both personal and political intrigue.
Hatcher has set the story in 1914, on the brink of the first World War, and the
state of international relations in Europe is woven into the tale. But there's
nothing dry about this story, and Steven Hauck's performance as Sherlock is
very satisfying: He brings a quirky physicality as well as a sharp wit to the
character that makes him very engaging. Fans of Sherlock will not be disappointed
by this show. Through Oct. 4. Tickets ($30-$85): 513-421-3888.
I attended the opening of The Great Gatsby at Cincinnati Shakespeare Company last week. In my review, I said, "the production gets the story and the era right," and I added that CSC's Justin McCombs "perfectly embodies" Nick Carraway, the honest narrator of this Jazz Age tale of nouveau riche Jay Gatsby and Daisy Buchanan, the one-time debutante who obsesses him. There's lots to like about this production, which captures the essence of lavish parties and the fast life of the Roaring Twenties. Cincy Shakes is committed to bringing classic literary works to the stage, and this production is a good example of how they get it done. Simon Levy's script hews close to F. Scott Fitzgerald's 1924 novel, and the company's actors bring life to the characters. Through Oct. 4. Tickets ($22-$36): 513-381-2273.
Everyone I've talked to about Hands on a Hardbody at Ensemble Theatre has been enthusiastic about the show that brings to life a contest to win a Nissan pickup truck by keeping one hand on it the longest. It's a true story (it was a 1997 documentary) and these feel like real people, down on their luck but dreaming what a difference that winning could make. The music is by Trey Anastasio (of Phish) and Amanda Green, and the script was written by Pulitzer Prize winner Doug Wright. ETC has staged memorable productions of his play I Am My Own Wife and his musical, Grey Gardens. But the real attraction is an excellent cast who make you believe in these people, struggling to stay away and outlast one another under the brutal sun beating down on the Texas parking lot of a Nissan dealership. It's a fine entertainment. Through Sept. 21. Tickets ($28-$44): 513-421-3555.
Just opened at the Covedale Center for the Performing Arts is a production of Tennessee Williams's great American play, A Streetcar Named Desire. It's about a woman who's down on her luck but unwilling to admit it. When genteel Blanche DuBois moves with her pragmatic sister and her brutal, blue-collar husband, Stanley Kowalski, is a rude awakening that goes downhill fast. Through Oct. 5. Tickets ($-$): 513-241-6550.
If you've become a fan of shows in the intimate Clifton
Performance Theatre, you might want to check out The Riverside, a
play written and directed by local theater artist Kevin Crowley. It's a story
set in a Cincinnati bar in 1989 as locals follow the saga of Pete Rose's demise
in baseball, the fall of the Berlin Wall and Tiananmen Square. But the bar
itself is changing, too, impacting the lives of the family that owns it as well
as its patrons.
Through Sept. 27. Tickets ($25): https://cpt.tixato.com/buy/.
If you'd like to go to the theater every evening for the next four days, there are plenty of options for you to consider as the 2014-2015 season is getting underway on stages all over town. Here are some good choices to consider:
Hands on a Hardbody opened on Wednesday at Ensemble Theatre Cincinnati, and CityBeat reviewer Stacy Sims called it "effervescent" and "offbeat" in her review, giving it a Critic's Pick. I was there, too, and couldn't agree more about the infectious, heartfelt joy coming from the big cast of 15. The show is based on a true story (the subject of a 1997 documentary) about people in a downtrodden Texas town who enter a contest to win a Nissan pickup truck by outlasting others who vow to keep one hand on the vehicle. The cherry-red truck is as much a character as any of the contestants, the physical embodiment of their hopes and dreams — which take the form of songs by Trey Anastasio (of Phish) and Amanda Green. The script by Pulitzer Prize winner Doug Wright treats these diverse, down-on-their-luck folks with dignity, and the performers (who often perform with the truck as their dance partner) bring every one of them to life in vivid ways. This one is a must-see, a great way to kick-off ETC's theater season. Through Sept. 21. Tickets ($28-$44): 513-421-3555The Great Gatsby kicks off Cincinnati Shakespeare Company's season tonight. You didn't know Shakespeare wrote it? Well, he didn't. This theater company focuses on the Bard, to be sure, but it frequently branches out to present stage versions of other classics, in this case an adaptation of F. Scott Fitzgerald's 1925 classic about a mysterious nouveau-riche millionaire who's obsessed with a one-time debutante. Set in the Jazz Age and inspired by lavish parties the high-flying Fitzgerald attended on the prosperous North Shore of Long Island, Gatsby is a story about the ups and downs of the American Dream. Simon Levy's script is the only one authorized by Fitzgerald's estate, and Cincy Shakes is presenting its regional premiere. (And here's a tip: on opening nights at 6 p.m., the theater offers ticket holders a complimentary catered meal, beer and wine.) Through Oct. 4. Tickets ($22-$36): 513-381-2273
Sherlock Holmes and the Adventure of the Suicide Club opens next Thursday at the Cincinnati Playhouse, but previews begin for the season opener this Saturday (through Wednesday). Tickets for these performances are discounted, and you'll be seeing a show that's pretty much ready to go. Jeffrey Hatcher's script should be lots of fun for fans of the Victorian sleuth. He's taken the character created by Sir Arthur Conan Doyle and dropped him into a tale conceived by another inventive writer, Robert Louis Stevenson, for a mash-up that will keep even Baker Street regulars guessing. Tickets: 513-421-3888
Serials! at Know Theatre, which has presented episodes of six Fringe-like shows at two-week intervals all summer long, culminates on Monday evening at 8 p.m. with finales of each tale. Who will win the ultimate fist fight with the Devil in Flesh Descending? How long can Luke really stay in his bedroom during The Funeral? Will we ever find out what's really happening in Mars vs. The Atom? These questions and more will be answered on Monday. Even if you've missed a few episodes, don't worry: Each 15-minute performance begins with a brief recap of the story so far. Zany and fun for anyone who's enjoyed the annual Cincinnati Fringe Festival. Tickets ($15): 513-300-5669
Finally, a tip for an eye-opening theater experience next weekend: On Sunday, Sept. 14, the Cincinnati area's first-ever South Asian Theater Festival happens in an all-day event at the Anderson Theater (7850 Five Mile Rd.). Five plays are scheduled to be presented, as well as panel discussions, seven hours of programming in all. The day begins at 12:30 p.m. and is set to conclude around 8 p.m. A limited number of tickets remain ($19-$29): SATFCincy.org
Not too many years ago August was a very quiet month on local stages. No longer. You have plenty of good choices this weekend.
The big show this weekend will be Lumenocity in Washington Park. If you were lucky enough to get a ticket, you'll be seeing some great images on Music Hall's facade with accompaniment by the Cincinnati Symphony. If you weren't so lucky, you can still enjoy the show via radio (WGUC), television, big screens (at Fountain Square and Riverbend, for free) or via live streaming at lumenocity2014.com.
If you paid attention to the local theater season just concluded, you will recall that Cincinnati Shakespeare Company completed a herculean task: During its 20-year existence, the classic theater has produced all 38 of Shakespeare's plays. This summer three of Cincy Shakes' best actors are repeating the feat — sort of — with a production of The Complete Works of William Shakespeare (Abridged), opening tonight. Jeremy Dubin, Justin McCombs and Nicholas Rose will be careening through the comedies, histories and tragedies digging props, wigs and ridiculous costumes out of a trunk. This is a perfect summer laugh-fest, and it's been a predictable hit in past seasons for Cincy Shakes, so tickets are sure to sell fast. Through Aug. 11. Tickets ($22-$35): 513-381-2273.
Summertime musicals are another great tradition, and Cincinnati Young People's Theatre has been presenting them with big casts of high school students for three decades. In fact, the just-opened production of Footloose at the Covedale Center for the Performing Arts is the 33rd summer show. It's the stage version of the popular 1984 movie musical, and it's a perfect vehicle for youthful energy focused on a group of high school kids — despite a repressive conservative atmosphere, kids in a small farming town just want to dance and have fun. With Tim Perrino at the helm, CYPT has steered more than 2,300 teens through entertaining shows, and this one will be another notch in his director's belt, providing experience for performers and techies alike. Through Aug. 3, you'll be able to come out and "Hear It for the Boy"! Tickets ($12-$16): 513-241-6559.
I wrote a CityBeat column a week ago about John Leo Muething, an ambitious young theater artistic who's staging a couple of shows this summer at the Art Academy's auditorium on Jackson Street in Over-the-Rhine. His second of three shows, repertory theatre, will be produced this weekend (Friday and Saturday at 7:30 p.m.). It's about a timid young playwright who approaches a veteran director about his new play. With Shakespeare's Hamlet echoing throughout, things get wilder and wilder. This show was a hit at the Edinburgh Fringe for two years, and its original production is still touring in England; this is its U.S. premiere. Tickets ($10) at the door.
The Commonwealth Theatre Company's Route 66 winds up its run at Northern Kentucky University this weekend on Sunday. It's the tale of a band headed for the West Coast in the 1960s stopping at juke joints, diners, cheap motels and curio shops along one of America's legendary highways. Wes Carman, Roderick Justice, Dain Alan Paige and Joshua Steele play The Chicago Avenue Band. Dinner and the show ($30): 859-572-5464.
If Monday evening arrives and you're still yearning for something entertaining onstage, you can't go wrong with the next quarterly installment of TrueTheatre. This time around it's trueBLOOD, with the warning that if you cringe easily, this might not be the show for you. Whether it's stories that make your blood run cold — or just run — you can be sure that there will be first-person tales of memorable experiences. Great fun with a lively audience. One night only, Monday evening at 7:30 p.m. at Know Theatre. Tickets ($15, only a few left): 513-300-5669.
The Commonwealth Theatre Company's production of Route 66 continues its dinner-theater run at Northern Kentucky University. It's about a band traveling from Chicago to the West Coast in the 1960s along one of America's most legendary highways. Along the way, they meet a lot of colorful characters and see a lot of America. Wes Carman, Roderick Justice, Dain Alan Paige and Joshua Steele make up "The Chicago Avenue Band," who make stops at juke joints, diners, cheap motels and curio shops in this coming of age story. Through July 27. Dinner and the show ($30): 859-572-5464.
Last Saturday evening I ended up at Highlands High School in Fort Thomas to see teacher Jason Burgess's production of The Addams Family featuring a herd of high school kids from all over Greater Cincinnati and Northern Kentucky. It's a perfect musical for the program Burgess has created (C.A.S.T, the Commonwealth Artists Summer Theatre), bringing together a ton of students who are in love with theater. Surrounding the central characters in The Addams Family, nicely portrayed by Aaron Schilling as Gomez, Lindsey Gwen Franxman as Morticia and Harrison Swayne as Uncle Fester, are 18 ghostly "ancestors." Each one is costumed (designer Laura Martin) from various periods with a clearly evident character; together they sing and dance as a coherent company. (Amy Burgess served as the production's choreographer, and Alex Gartner is the music director — in creepy makeup.) Through Sunday at 2 p.m. General admission ($10) at the door or online via www.showtix4u.com.
Monday evening at 8 p.m. brings the third installment of Serials! at Know Theatre (1120 Jackson St., Over-the-Rhine). It's a wacky summer-long set of a half-dozen episodic plays by local playwrights. So far we have seen meat falling from the sky, an NSA spook monitoring a contentious couple, a kid refusing to go to a funeral, a philosophical fetus, a suicidal pair competing over techniques and more. Each 10-15 minute episode is preceded by a clever recap to catch you up, even if it's your first time there. Rest assured there are cliffhangers — not to mention Know's well-stocked Underground Bar. Admission is $15. Tickets: 513-300-5669.
I saw Cincinnati Opera's production of Silent Night on Thursday evening. It's the regional premiere of a work that won the 2011 Pulitzer Prize for music, and our local opera is doing a bang-up job of presenting it. And "bang-up" is the operative term: This opera is set during some of the darkest days of World War I, and the opening segment of the production reproduces the violent and deadly combat between troops from England (actually a regiment from Scotland), France and Germany. You're not likely to see a more gripping onstage representation of battle than what's happening at Music Hall. Before Thursday's performance I listened to composer Kevin Puts and librettist Mark Campbell talk about how to "musicalize" such a scene: Their research included studying the opening sequence of the Saving Private Ryan, the graphic, Academy Award-winning film of the D-Day invasion during World War II. It's a powerfully real scene, a perfect opening to the moving tale of soldiers pitted as enemies who found common ground in one another's humanity on Christmas Eve 1914. You can get good seats for the concluding performance on Saturday evening (7:30 p.m.) for $30-$45 by calling the Opera's box office: 513-241-2742.
Area high school students are the talent in onstage for Commonwealth Artists Summer Theatre (C.A.S.T.) at Highlands High School (2400 Memorial Pkwy., Fort Thomas). Starting tonight is a two-week run (July 11-20) of The Addams Family, a Broadway musical based on cartoonist Charles Addams' bizarre and beloved family of characters. The group is headed up by Fort Thomas theater instructor Jason Burgess, who has assembled theater kids from the Greater Cincinnati and Northern Kentucky who are eager to develop their skills in performance and production. Tickets: $10 (http://www.showtix4u.com) or at the door.
Tony Award-winning musical next to normal, about a
woman with bipolar disorder, gets not one but two productions by
Cincinnati-area community theaters: Sunset Players on the West Side and
Paradise Players for East Side siders. You can choose between them tonight. The
venerable Sunset Players, which presents shows at the Dunham Arts Center (in
the Dunham Recreation Complex, 4320 Guerley Rd., Price Hill), has performances
through July 26,
mostly at 8 p.m.
Tickets ($14-$16): 513-588-4988. Meanwhile,
Paradise Players, a newish group offering summer productions at McNicholas High
School's Jeanne Spurlock Theatre (6536 Beechmont Ave.), is presenting its
rendition of the show this weekend only, tonight at 7:30 p.m. and Saturday at
2:30 and 7:30 p.m. Tickets: $15 (http://mcnhs.seatyourself.biz
Cincinnati stages were pretty quiet over the Independence Day weekend, but this week they start waking up and getting ready for more. Tonight at 8 p.m. is the second installment of Serials! at Know Theatre. You can see six fresh, 10-minute episodes of brand-new plays by local playwrights — Trey Tatum, Chris Wesselman, Jon Kovach, Ben Dudley, Michael Hall and the team of Lauren Hynek and Elizabeth Martin — and featuring lots of Cincinnati-area actors. New artistic director Andrew Hungerford calls it a "theater party" offering cold beer, air-conditioning and world-premiere stories in Know's Underground bar (1120 Jackson St., Over-the-Rhine). Even if you missed the "pilots" on June 23, you'll get caught up with a recap before each episode. I had a blast watching these tantalizing tidbits two weeks ago, and I suspect tickets will become harder to get as the summer progresses. (Subsequent performances on July 21, Aug. 11 and 25 and Sept. 8.) Tickets ($15): 513-300-5669.
There's a great array of theater this weekend, no matter what you like. That's a good thing, because local theater, like baseball, takes a kind of midsummer break (no All-Star Game onstage anywhere, however). So get out and see something this weekend, then enjoy the fireworks and picnics next. Here are some suggestions: