The excerpt competition, with performances evaluated by three adjudicators from elsewhere in Ohio, results in three productions being selected to go to the statewide event on Labor Day weekend. Selected this year were Arthur Miller’s The Crucible, presented by the Drama Workshop; the musical Avenue Q, presented by Showbiz Players; and the musical Rent, presented by Footlighters, Inc. An alternate is selected, too, in the event that some complication prevents one of the chosen productions from traveling to the state competition. The 2012 alternate is An Inspector Calls, presented by The Village Players.
Nineteen Cincinnati community theaters — all-volunteer groups that produce shows throughout the region — were honored with Orchid Awards at Saturday’s banquet, with recognition for individuals as well as elements of productions. Footlighters, which presents its shows at the Stained Glass Theater in Newport, had the show with the most awards: Rent picked up 26, including one for “overall performance quality.” Coming in second with 20 awards was Greater Hamilton Community Theater’s production of the musical Little Women. Footlighters, always a strong contender, also took third place (16 awards) with a production of the musical The Light in the Piazza. Rounding out the top 10 award-winning productions were Cole (15 awards; Mariemont Players); The 25th Annual Putnam County Spelling Bee (13, Greater Hamilton Community Theater); Titanic (12, Cincinnati Music Theatre); Over the River and Through the Woods (12, Mariemont Players); Same Time Next Year (12, Mariemont Players); Becky’s New Car (12, Middletown Lyric Theatre); and The Crucible (12, The Drama Workshop).
A final note: Mariemont Players, which produces six shows annually (most groups present three or four, at most) had the strongest overall showing, picking up a total of 68 Orchid recognitions.
If you can land a ticket for Ensemble Theatre Cincinnati’s revival of the Tony Award-winning musical next to normal, that’s what you should be doing this weekend. I saw it on Tuesday night, and it’s even better than it was last September. It’s the story of a woman struggling with schizophrenia and how it affects her family; that might not sound like the stuff that musicals are made of, but it uses the power of a brilliant Rock score to deliver the impact of this story. ETC has reassembled virtually all of its superb cast from last fall, including Jessica Hendy in the central role. Her beleaguered husband is now being played one of our area’s best actors, Bruce Cromer, and his relationship with Hendy makes their pain all the more deeply felt. It’s only around for one more week, so you should do your best to grab a ticket now. Box office: 513-421-3555.
ETC’s revival isn’t the only thing worth seeing this weekend. You might check out the classic comedy Arsenic and Old Lace on the Showboat Majestic. It’s an old chestnut (it was a hit in 1944), but it’s one of the funniest shows you’re likely to see, the tale of an off-kilter pair of elderly maiden aunts who keep their quite normal nephew astonished and scrambling to keep them in line. The kind-hearted women take in boarders, quiet elderly men who are “all alone in the world,” and polish them off with elderberry wine laced with arsenic. They convince their addled brother, who believes he’s Teddy Roosevelt, to bury them in the basement by telling him they’re victims of yellow fever who have been digging the Panama Canal. A great show for the whole family, with lots of comic twists. Box office: 513-241-6550.
You’ll also find a stage full of laughs at Cincinnati Shakespeare Company, which is producing The Complete Works of William Shakespeare (Abridged). You’ll witness mentions of all the Bard’s works — although many are completely unrecognizable, thanks the three buffoonish characters who undertake the task. The second act is a wild send-up of Hamlet that involves the audience. Order your tickets online, and there’s an automatic buy-one, get-one offer available. Website: www.cincyshakes.com.
Don’t forget to look in out-of-the-way places for good summer theater entertainment: At Highlands High School in Fort Thomas, Ky., you’ll find the Tony Award-winning musical The Producers, the first outing by C.A.S.T. (Commonwealth Artists Summer Theatre), the brainchild of Jason Burgess, a one-time directing intern at Ensemble Theatre who’s now an award-winning teacher at Highlands. The hilarious show about putting on a musical so bad that the guys doing it can abscond with all the investments will be onstage through July 1, with performances at the high school (2400 Memorial Parkway, Fort Thomas) on Friday and Saturday at 7:30 p.m. and Sunday matinees at 2 p.m. Tickets (only $10): www.showtix4u.com (or at the door).
Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.
Cincinnati Landmark Productions (CLP), operator of the Showboat Majestic and owner and operator of the Covedale Center for the Performing Arts, is looking to expand its entertainment empire with a new facility in East Price Hill, not far from the Primivista Restaurant. At a meeting today with the East Price Hill Improvement Association, representatives from CLP will present a proposal to build a new performing arts center in the Incline District.
plan is for a theater with approximately 250 seats that will be
programmed throughout the year. CLP estimates 112 evenings of
performances, including theatrical productions, a summer season,
concerts, comedy events and cabarets.
CLP recently marked the tenth anniversary of the Covedale Center, a onetime movie theater that the group acquired and renovated. The West Side fixture has seen stead growth in attendance over the decade since opening in 2002. In its first year, there were 804 subscribers; 3,600 are anticipated for the coming season. Season attendance in 2002-2003 was 13, 990; for 2011-2012 it grew to 35,300.
from CLP have already met with developers and leaders of the East Price
Hill Development Association for exploratory purposes. CLP’s executive
artistic director Tim Perrino says that both his organization and the
developers view the partnership as a win-win. The vacant parcel on
Matson Place has nearby parking and dining — as well as the spectacular
view that’s familiar to generations of diners at Primavista.
“The people we’ve talked to,” Perrino explains, “see the true value an arts center can bring to a neighborhood. The arts create neighborhood vibrancy, more pedestrians, good news stories, visitors from outside the neighborhood, more bar and restaurant patrons and improved neighborhood perception.
project is still a concept without a budget or plans, but it’s an
exciting prospect coming from an organization that clearly knows how to
connect with audiences.
The Showboat Majestic just opened a production of the classic comedy Arsenic and Old Lace. It won’t break any new ground, but it is one of the funniest shows you’re likely to see, the tale of an off-kilter set of relatives who keep their quite normal nephew astonished and scrambling to keep them in line. His aunts take in boarders, quiet elderly men who are alone in the world, and polish them off with elderberry wine laced with arsenic; they convince their addled brother, who believes he’s Teddy Roosevelt, to bury them in the basement by telling him they’re victims of yellow fever who have been working on digging the Panama Canal. There’s lots more, but you get the picture. Box office: 513-241-6550
Another stage full of laughs is available from Cincinnati Shakespeare Company in the form of The Complete Works of William Shakespeare (Abridged). It’s your chance to see at least a passing mention of all the Bard’s works — although many are completely unrecognizable, thanks the three buffoonish characters who undertake the task. The second act is a wild send-up of Hamlet that involves the audience. There’s never a dull moment, and the CSC actors seem to especially relish the task of poking fun at their usual fare. Box office: 513-381-2273, x1.
Summer is the season for lighter entertainment at the Commonwealth Dinner Theater, on campus at Northern Kentucky University. They’re offering Neil Simon’s Plaza Suite, a glimpse into the relationships of three couples that occupy the same suite at the Plaza Hotel in New York City. One couple is celebrating their 23rd wedding anniversary in the same room where they honeymooned; another is an oft-married Hollywood producer who’s hoping for an encounter; the third is a mother and father trying to coax their bride-to-be daughter out of the locked bathroom and downstairs to the impatient wedding guests. Box office: 859-572-5464
Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.
Since you only have two more nights to enjoy the final few productions, here's a rundown of everything we know:
Peruse CityBeat's Cincy Fringe hub here, where you'll find reviews of all 32 performances.
Check out the official Fringe Festival guide here, where you'll also find a schedule that includes Friday and Saturday night's final shows.
“Marching Through the 2012 Fringe,” CityBeat issue of June 6.
And here's a little something on Homegrown Theatre, a company created by native Cincinnatians and is performing The Doppelganger Cometh and Overtaketh at the Emery Theater tonight and Saturday night.
While it’s not part of the Fringe, Avenue Q, presented by Showbiz Players at Covington’s Carnegie Center, has the same zany vibe. It’s an X-rated musical with puppets that might visually remind you of Sesame Street — until they open their dirty mouths. The show was a surprise Tony Award winner several years back, and it promises lots of laughs for those who go. Through June 10. 859-957-1940.
If you want something more traditional, try Cincinnati Shakespeare Company’s production of The Merchant of Venice, one of Shakespeare’s most difficult plays. It’s officially categorized as a comedy because it has humorous and romantic elements. But the central story about a potentially fatal argument between a moneylender and a businessman is anything but amusing. CSC’s artistic director Brian Isaac Phillips takes on the role of the rapacious moneylender who has faced anti-Semitic discrimination for his entire life. Is Shylock a villain or a victim? Shakespeare gives him aspects of each, and CSC’s production does not tilt in either direction. You get to decide, and it won’t be easy. Box office: 513-381-2273, x1.
Be sure to consider downtown’s newest performance venue, Speakeasy Theatre, storefront space at 815 Race Street. Their inaugural production is Paul Baerman’s The Whistler, set in 1965 in an unnamed Southern city awash in racist attitudes. The Andy Griffith Show is in its fifth season, and the guy who whistles the theme (played here by local professional actor Michael G. Bath) is living off his royalties. But life gets more complicated when he meets an African-American trumpet player (played by Tony Davis) who shares his passion for music. The Whistler will be onstage through June 10. Box office: 513-861-7469
Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.
I haven’t seen the Showboat Majestic’s opening production of its 90th season (that’s right, the boat has been entertaining audiences for nine decades!), but Babes in Hollywood is another show that’s light and entertaining. It’s a revue of tunes made famous by Judy Garland and Mickey Rooney back in the 1930s and ’40s when they were happy-go-lucky adolescent stars. I did see the four-member cast do a number at last Monday’s LCT Awards event, and they have fine voices and a sense of style. I suspect this show will be popular with the grey-haired audience that frequents the Showboat, but I bet people of any age will have a good time watching. Box office: 513-241-6550.
If you want something a tad more profound, try Cincinnati Shakespeare Company’s production of The Merchant of Venice, one of Shakespeare’s most difficult plays. It’s officially categorized as a comedy because it has humorous and romantic elements. But the central story about a potentially fatal argument between a moneylender and a businessman is anything but amusing. CSC’s artistic director Brian Isaac Phillips takes on the role of the rapacious moneylender who has faced anti-Semitic discrimination for his entire life. Is Shylock a villain or a victim? Shakespeare gives him aspects of each, and CSC’s production does not tilt in either direction. You get to decide, and it won’t be easy. Review here. Box office: 513-381-2273, x1.
There’s a new theater downtown, just a few doors north of Cincinnati Shakespeare’s venue. They’re calling themselves Speakeasy Theatre, and they’re performing in a storefront space at 815 Race Street. Their inaugural production is Paul Baerman’s The Whistler. The show, directed by Tim Waldrip, is set in 1965 in an unnamed Southern city where a lot a racist attitudes are out in the open. The Andy Griffith Show is in its fifth season, and the guy who whistles that show’s theme (played here by local professional actor Michael G. Bath) is living off the royalties of his work. But life gets more complicated when he meets an African-American trumpet player (Tony Davis is taking on the role) who shares his passion for music. The show just opened on Thursday and I haven’t seen it, but it’s always good to give a new theater a try. The Whistler will be onstage through June 10. Box office: 513-861-7469.
If I were you, I’d to my best to catch a performance of Titanic:
The Musical before it closes on Saturday at the Aronoff
Center’s Jarson-Kaplan Theater. The show puts you in the midst of
dozens of characters as they board the ship, overflowing with great
expectations — of success, of escaping poverty, of new life in
America, of achieving dreams. You get to know them, and then you see
the tragedy that comes their way after the tragic collision with an
iceberg in April 1912. Maury Yeston’s score is all about choral
singing, and Cincinnati Music Theatre, one of our most ambitious
community theaters, makes it work with an impressive physical
production and great voices. Full review: here. Tickets: 513-621-2787.
I’m pleased to tell you that Cincinnati Shakespeare Company has done a fine job with its production of The Merchant of Venice, one of Shakespeare’s most difficult plays. It’s officially categorized as a comedy because it has humorous and romantic elements. But the central story about a potentially fatal argument between a moneylender and a businessman is anything but amusing. CSC’s artistic director Brian Isaac Phillips takes on the role of the rapacious moneylender who has faced anti-Semitic discrimination for his entire life. Is Shylock a villain or a victim? Shakespeare gives him aspects of each, and CSC’s production, directed by Jeremy Dubin does not tilt in either direction. It’s up to you to decide, and that’s how this show works best. Full review: here. Box office: 513-381-2273, x1.
Life Could Be A Dream, Roger Bean’s sequel to The Marvelous Wonderettes and a show ful of teen hits from the ’50s and ’60s, concludes its successful run at Ensemble Theatre Cincinnati this weekend. This time it’s boys, and that’s most of the difference. As in the two Wonderette shows, Dream is shot through with adolescent angst, this time around a local radio station contest that could “make them famous.” Audiences seem to have loved this excuse for two dozen tunes from the era, and ETC is keeping its cast busy to the very end, adding an extra finale on Sunday evening at 6 p.m. Box office: 513-421-3555.
This is also the final weekend for you to get down with the Blues in the Cincinnati Playhouse in the Park’s production of Thunder Knocking on the Door. The show, a hit for the Playhouse in 1999 has been thoroughly and creatively reimagined. The musical — with emotional tunes mostly by Keb’ Mo’ — tells the story of the power of love, music and Blues guitar players. It’s presented with panache, including technology and design that are all about 2012. Through Sunday. Full review: here. Box office: 513-421-3888.
I was at the Tuesday night opening of a one-week run of the tour of the 25th anniversary production of Les Misérables. You might be saying, “I’ve seen that before — more than once.” But this is a new version — no more turntable or pirouetting barricades. Now we have some startling video that let’s you see the rebellious students marching in the streets of Paris and Jean Valjean carrying Marius through the sewers. The tour has great voices in all the roles; the volume was amped up beyond my hearing threshold, but it’s a powerful show — after all these years. Through Sunday at the Aronoff Center. Tickets: 800-982-2787.
Here’s a tip if you want something that’s new(ish): The Light in the Piazza was a Tony Award winner in 2005, and it’s being staged by one of the most reliable community theaters in the Cincinnati area, Footlighters Inc., at its Stained Glass Theatre in Newport. It’s a romantic love story set in Italy in 1953, told with sophisticated music, sometimes operatic performances. In June 2006, just before it closed, it was broadcast on the PBS Live from Lincoln Center series, drawing more than two million viewers. That many can’t make it to Newport (it runs through May 19), but if you’re interested, Footlighters is offering a “buy one, get one” deal for its 2 p.m. matinee this Sunday, May 13. Tickets: 859-652-3849.
If you resonate with the Blues, I recommend that you head to the Cincinnati Playhouse in the Park for Keith Glover’s Thunder Knocking on the Door. It’s a revival of sorts from 1999 — but thoroughly and creatively reimagined for the Eden Park’s last mainstage production of Ed Stern’s final season leading the Tony Award-winning theater. The musical — with emotional tunes mostly by Keb’ Mo’ — tells the story of the power of love, music and Blues guitar players. It’s presented with panache, including technology and design that are all about 2012. Through May 20. Box office: 513-421-3888.
The Doo-Wop silliness of The Marvelous Wonderettes, a hit from 2010 at Ensemble Theatre Cincinnati, is brought to life again with Life Could Be A Dream, Roger Bean’s sequel to the story of some bubbly girls who bond around teen hits from the ’50s and ’60s. This time it’s boys, and that’s most of the difference. As in the two Wonderette shows, Dream is shot through with adolescent angst, this time around a local radio station contest that could “make them famous.” It’s an excuse for two dozen tunes from the era, a familiar formula. But ETC’s talented cast makes it a lot of fun. (Through May 20.) Box office: 513-421-3555.
This weekend is your final chance to see Know Theatre’s production of Bloody Bloody Andrew Jackson. (Final performance is Saturday.) It’s a youthful mix of political commentary, driving Rock, history, humor and sober observations about America’s seventh president — played as a Rock hero. I gave it a Critic’s Pick. Call the box office to see if there are any cancellations: 513-300-5669.
The best choice, for my money, is Keith Glover’s Thunder Knocking on the Door at the Cincinnati Playhouse in the Park, a revival of sorts from 1999 — but thoroughly and creatively reimagined for the final mainstage production of Ed Stern’s final season leading the Tony Award-winning theater. It’s a musical about the Blues and it features an emotional Blues score, mostly by Keb’ Mo’, to tell the story of the power of love and music — and blues guitar players. It’s presented with panache, including technology and design that are all about 2012. Through May 20. Box office: 513-421-3888.
If you loved the Doo-Wop silliness of The Marvelous Wonderettes, a hit from 2010 at Ensemble Theatre Cincinnati, then you’re likely to have a good time at Life Could Be A Dream, Roger Bean’s sequel to the story of some bubbly girls who bond around teen hits from the ’50s and ’60s. This time is boys, and that’s most of the difference. As in the two Wonderette shows, Dream is shot through with adolescent angst, in this case around a local radio station contest that could “make them famous.” It’s an excuse for more than two dozen tunes from the same era that are shaped to the story. So it’s a familiar formula, but ETC has a talented cast who make it a lot of fun. (Through May 20.) Box office: 513-421-3555.
Another show that totally mastered the art of wedging familiar tunes into an implausible story is Mamma Mia, and you can catch a touring production of that one at the Aronoff Center through Sunday. The cast of this tour has a lot of youthful energy and several mature characters who have fun reminiscing about their disco days. Box office: 800-982-2787.
Bloody Bloody Andrew Jackson will have its final performance on May 12. If you haven’t yet seen this youthful mix of political commentary, driving Rock, history, humor and sober observations about the will of the people, you’d better go this weekend. (The longer you wait the less likely you are to get a ticket — the final weekend is selling fast.) Not many musicals begin with the cast flipping the bird at the audience, but then not many musicals are like this one, spinning a tale of America’s seventh president to in-your-face Indie Rock tunes. This is Bloody Bloody’s first professional regional production. I gave it a Critic’s Pick. Box office: 513-300-5669.
You have plenty of time to see The Second City 2: Less Pride – More Pork, since the Cincinnati Playhouse plans to keep it on the Shelterhouse Stage until July 1 (at least), but I predict you’ll enjoy it whenever you go. It’s a notch up from the first iteration of the show that set box-office records for the Mount Adams theater a year-and-a-half ago. Lots of hilarious fun-poking at … us. And the clever cast uniquely tailors every performance to the audience that shows up. Box office: 513-421-3888.
Know Theatre’s production of the recent off-Broadway and Broadway Rock musical hit, I was thoroughly entertained by Joseph and the Amazing Technicolor Dreamcoat last week at the Covedale. It has a cast of strong singers who do a fine job with the amusing score, stuffed with musical parodies — Calypso, Blues, County, Bubblegum Pop and more — and they’re having an infectious good time. Keep an eye out for the Pharaoh; he’s really the King! Through May 13. Box office: 513-241-6550.
Not too many years ago August was a very quiet month on local stages. No longer. You have plenty of good choices this weekend.
The big show this weekend will be Lumenocity in Washington Park. If you were lucky enough to get a ticket, you'll be seeing some great images on Music Hall's facade with accompaniment by the Cincinnati Symphony. If you weren't so lucky, you can still enjoy the show via radio (WGUC), television, big screens (at Fountain Square and Riverbend, for free) or via live streaming at lumenocity2014.com.
If you paid attention to the local theater season just concluded, you will recall that Cincinnati Shakespeare Company completed a herculean task: During its 20-year existence, the classic theater has produced all 38 of Shakespeare's plays. This summer three of Cincy Shakes' best actors are repeating the feat — sort of — with a production of The Complete Works of William Shakespeare (Abridged), opening tonight. Jeremy Dubin, Justin McCombs and Nicholas Rose will be careening through the comedies, histories and tragedies digging props, wigs and ridiculous costumes out of a trunk. This is a perfect summer laugh-fest, and it's been a predictable hit in past seasons for Cincy Shakes, so tickets are sure to sell fast. Through Aug. 11. Tickets ($22-$35): 513-381-2273.
Summertime musicals are another great tradition, and Cincinnati Young People's Theatre has been presenting them with big casts of high school students for three decades. In fact, the just-opened production of Footloose at the Covedale Center for the Performing Arts is the 33rd summer show. It's the stage version of the popular 1984 movie musical, and it's a perfect vehicle for youthful energy focused on a group of high school kids — despite a repressive conservative atmosphere, kids in a small farming town just want to dance and have fun. With Tim Perrino at the helm, CYPT has steered more than 2,300 teens through entertaining shows, and this one will be another notch in his director's belt, providing experience for performers and techies alike. Through Aug. 3, you'll be able to come out and "Hear It for the Boy"! Tickets ($12-$16): 513-241-6559.
I wrote a CityBeat column a week ago about John Leo Muething, an ambitious young theater artistic who's staging a couple of shows this summer at the Art Academy's auditorium on Jackson Street in Over-the-Rhine. His second of three shows, repertory theatre, will be produced this weekend (Friday and Saturday at 7:30 p.m.). It's about a timid young playwright who approaches a veteran director about his new play. With Shakespeare's Hamlet echoing throughout, things get wilder and wilder. This show was a hit at the Edinburgh Fringe for two years, and its original production is still touring in England; this is its U.S. premiere. Tickets ($10) at the door.
The Commonwealth Theatre Company's Route 66 winds up its run at Northern Kentucky University this weekend on Sunday. It's the tale of a band headed for the West Coast in the 1960s stopping at juke joints, diners, cheap motels and curio shops along one of America's legendary highways. Wes Carman, Roderick Justice, Dain Alan Paige and Joshua Steele play The Chicago Avenue Band. Dinner and the show ($30): 859-572-5464.
If Monday evening arrives and you're still yearning for something entertaining onstage, you can't go wrong with the next quarterly installment of TrueTheatre. This time around it's trueBLOOD, with the warning that if you cringe easily, this might not be the show for you. Whether it's stories that make your blood run cold — or just run — you can be sure that there will be first-person tales of memorable experiences. Great fun with a lively audience. One night only, Monday evening at 7:30 p.m. at Know Theatre. Tickets ($15, only a few left): 513-300-5669.
The Commonwealth Theatre Company's production of Route 66 continues its dinner-theater run at Northern Kentucky University. It's about a band traveling from Chicago to the West Coast in the 1960s along one of America's most legendary highways. Along the way, they meet a lot of colorful characters and see a lot of America. Wes Carman, Roderick Justice, Dain Alan Paige and Joshua Steele make up "The Chicago Avenue Band," who make stops at juke joints, diners, cheap motels and curio shops in this coming of age story. Through July 27. Dinner and the show ($30): 859-572-5464.
Last Saturday evening I ended up at Highlands High School in Fort Thomas to see teacher Jason Burgess's production of The Addams Family featuring a herd of high school kids from all over Greater Cincinnati and Northern Kentucky. It's a perfect musical for the program Burgess has created (C.A.S.T, the Commonwealth Artists Summer Theatre), bringing together a ton of students who are in love with theater. Surrounding the central characters in The Addams Family, nicely portrayed by Aaron Schilling as Gomez, Lindsey Gwen Franxman as Morticia and Harrison Swayne as Uncle Fester, are 18 ghostly "ancestors." Each one is costumed (designer Laura Martin) from various periods with a clearly evident character; together they sing and dance as a coherent company. (Amy Burgess served as the production's choreographer, and Alex Gartner is the music director — in creepy makeup.) Through Sunday at 2 p.m. General admission ($10) at the door or online via www.showtix4u.com.
Monday evening at 8 p.m. brings the third installment of Serials! at Know Theatre (1120 Jackson St., Over-the-Rhine). It's a wacky summer-long set of a half-dozen episodic plays by local playwrights. So far we have seen meat falling from the sky, an NSA spook monitoring a contentious couple, a kid refusing to go to a funeral, a philosophical fetus, a suicidal pair competing over techniques and more. Each 10-15 minute episode is preceded by a clever recap to catch you up, even if it's your first time there. Rest assured there are cliffhangers — not to mention Know's well-stocked Underground Bar. Admission is $15. Tickets: 513-300-5669.
I saw Cincinnati Opera's production of Silent Night on Thursday evening. It's the regional premiere of a work that won the 2011 Pulitzer Prize for music, and our local opera is doing a bang-up job of presenting it. And "bang-up" is the operative term: This opera is set during some of the darkest days of World War I, and the opening segment of the production reproduces the violent and deadly combat between troops from England (actually a regiment from Scotland), France and Germany. You're not likely to see a more gripping onstage representation of battle than what's happening at Music Hall. Before Thursday's performance I listened to composer Kevin Puts and librettist Mark Campbell talk about how to "musicalize" such a scene: Their research included studying the opening sequence of the Saving Private Ryan, the graphic, Academy Award-winning film of the D-Day invasion during World War II. It's a powerfully real scene, a perfect opening to the moving tale of soldiers pitted as enemies who found common ground in one another's humanity on Christmas Eve 1914. You can get good seats for the concluding performance on Saturday evening (7:30 p.m.) for $30-$45 by calling the Opera's box office: 513-241-2742.
Area high school students are the talent in onstage for Commonwealth Artists Summer Theatre (C.A.S.T.) at Highlands High School (2400 Memorial Pkwy., Fort Thomas). Starting tonight is a two-week run (July 11-20) of The Addams Family, a Broadway musical based on cartoonist Charles Addams' bizarre and beloved family of characters. The group is headed up by Fort Thomas theater instructor Jason Burgess, who has assembled theater kids from the Greater Cincinnati and Northern Kentucky who are eager to develop their skills in performance and production. Tickets: $10 (http://www.showtix4u.com) or at the door.
Tony Award-winning musical next to normal, about a
woman with bipolar disorder, gets not one but two productions by
Cincinnati-area community theaters: Sunset Players on the West Side and
Paradise Players for East Side siders. You can choose between them tonight. The
venerable Sunset Players, which presents shows at the Dunham Arts Center (in
the Dunham Recreation Complex, 4320 Guerley Rd., Price Hill), has performances
through July 26,
mostly at 8 p.m.
Tickets ($14-$16): 513-588-4988. Meanwhile,
Paradise Players, a newish group offering summer productions at McNicholas High
School's Jeanne Spurlock Theatre (6536 Beechmont Ave.), is presenting its
rendition of the show this weekend only, tonight at 7:30 p.m. and Saturday at
2:30 and 7:30 p.m. Tickets: $15 (http://mcnhs.seatyourself.biz
Cincinnati stages were pretty quiet over the Independence Day weekend, but this week they start waking up and getting ready for more. Tonight at 8 p.m. is the second installment of Serials! at Know Theatre. You can see six fresh, 10-minute episodes of brand-new plays by local playwrights — Trey Tatum, Chris Wesselman, Jon Kovach, Ben Dudley, Michael Hall and the team of Lauren Hynek and Elizabeth Martin — and featuring lots of Cincinnati-area actors. New artistic director Andrew Hungerford calls it a "theater party" offering cold beer, air-conditioning and world-premiere stories in Know's Underground bar (1120 Jackson St., Over-the-Rhine). Even if you missed the "pilots" on June 23, you'll get caught up with a recap before each episode. I had a blast watching these tantalizing tidbits two weeks ago, and I suspect tickets will become harder to get as the summer progresses. (Subsequent performances on July 21, Aug. 11 and 25 and Sept. 8.) Tickets ($15): 513-300-5669.
There's a great array of theater this weekend, no matter what you like. That's a good thing, because local theater, like baseball, takes a kind of midsummer break (no All-Star Game onstage anywhere, however). So get out and see something this weekend, then enjoy the fireworks and picnics next. Here are some suggestions:
Probably the most entertaining thing onstage right now is Private Lives at Cincinnati Shakespeare. It's been selling so well that 2 p.m. matinee performances have been added this Saturday and June 28. (It closes on June 29.) It's the story of honeymoons going bad when a feisty divorced couple decide to reunite rather than stick with their new spouses — when they find themselves coincidentally in adjacent hotel rooms in Southern France. (CityBeat review here.) Cleverly staged by Ensemble Theatre's Lynn Meyers, using four of Cincy Shakes best actors. Of course it's all improbable and overdone, but that's a Noël Coward play for you — witty, silly and lots of fun. Tickets ($22-$31): 513-381-2273.
Just two more days of the Cincinnati Fringe Festival, so here are a few recommendations for great shows you can still catch. (Look for reviews of these performances on CityBeat's Fringe page here.) Many Fringe performances are sold-out, so check in advance to be sure seats are still available: cincyfringe.com.
If it's fun you're seeking, you might want to stop by the Carnegie in Covington, where Showbiz Players is presenting Spamalot. It opens tonight and runs through June 8. You probably know that this very amusing musical (it won three 2005 Tony Awards, including best musical) is "lovingly ripped off" from Monty Python and the Holy Grail. If you can repeat lines from that 1975 cult hit, then this is surely the show for you. Tickets ($21.50-$24.50): 859-957-1940
Although it's not part of the Fringe, Marc Bamuthi Joseph's red, black & GREEN: a blues surely could be. The hybrid performance work leads audiences through four seasons in four cities: summer in Chicago, fall in Houston, winter in Harlem and spring in Oakland. Memories, hallucinations, dreams and lamentations are set in shotgun houses and subway cars, on park benches and in father-son conversations. I haven't seen it, but people I know have raved about the power of the work, which ranges from hilarious to poignantly sad. Joseph is a spoken-word poet, and his work is meant to be a conversation starter about sustainability and community building. It's being presented on Friday and Saturday evening by the Contemporary Arts Center at the Aronoff's Jarson-Kaplan Theater. Tickets ($18 for CAC members, $23 for everyone else): 513-621-2787
This is the final weekend for The North Pool at the Cincinnati Playhouse. (CityBeat review here.) Rajiv Joseph's anxiety-filled drama is a sparring match between a hard-nosed vice principal who thinks he knows something and a student, the son of Middle Eastern immigrants, who has things he wants to keep to himself — but it's not what the school official thinks. In fact, they both have secrets that are slowly, painfully revealed. Great script, great actors. This one is definitely worth catching. Tickets ($25 for students; $30-$75 for others): 513-421-3888