Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.
The Whipping Man is drawing big audiences for Ensemble Theatre of Cincinnati. In fact, they’ve added several performances extending the closing date from Feb. 12 to Feb. 18. It’s the story of Simon, a dedicated former slave who remains in a ruined mansion in 1865 Richmond in the days just after the Civil War. Caleb, the wounded son of his former master, stumbles in (desperately needing some horrendous surgery) and then does John, another former slave, a young man raised side by side with Caleb. The slave-owning family was Jewish, and it’s almost time for Passover, which they must celebrate with limited means. It’s a powerful show about freedom and responsibility with a plot that will keep you guessing. As I noted recently in this week's Curtain Call column, director D. Lynn Meyers gets the most from her cast, especially Ken Early as Simon. This one is a must-see. Box office: 513-421-3555
Each week in Stage Door I offer theater tips for the weekend, sometimes with a few pieces of theater news.
The Whipping Man opened on Wednesday at Ensemble Theatre of Cincinnati. The show made a big splash at Manhattan Theatre Club in New York last spring with Andre Braugher in the central role of Simon, a dedicated former slave who remains in a ruined mansion in 1865 Richmond in the days just after the Civil War. Caleb, the wounded son of his former master stumbles in (desperately needing some horrendous surgery) and then John, another former slave, a young man raised side by side with Caleb. The slave-owning family was Jewish, and it’s almost time for Passover, which they decide to celebrate. It’s a powerful show about freedom and responsibility with some jaw-dropping plot twists. Director D. Lynn Meyers gets the most from her cast. This one is a must-see. Onstage through Feb. 12.
Cincinnati Shakespeare Company announced today (Merry Christmas!) that it will add a performance to its season with the regional premiere of Vern Thiessen’s Shakespeare’s Will. Veteran Cincinnati actress and CSC Ensemble member Sherman Fracher will take on 10 performances of the one-woman show, Jan. 21-Feb. 5, 2012. (The production will run concurrently with Henry VIII: All is True.) CSC’s producing artistic director, Brian Isaac Phillips, is staging the piece.
If you’re thinking of submitting a production for the 2012 Cincy Fringe Festival, now is the time to solidify your thoughts and get your application in to Know Theatre, the Fringe’s organizer. Friday Dec. 16 is the absolutely final day to do so. Follow this link for details, but don’t dally — this is a firm deadline.
The Fringe typically offers about 35 productions during its two-week run, May 30-June 9, 2012, this year. The Fringe is a juried festival that employs a selection committee composed of local artistic directors, actors, writers and producers to select which acts will be included. They study the sample material submitted with applications, then make recommendations based on several key factors:
Among the eight winners announced for the 2012 Governor’s Awards for the Arts in Ohio are several Cincinnatians. Cincinnati Playhouse in the Park Producing Artistic Director Ed Stern, who retires at the end of the current theater season, and Executive Director Buzz Ward have been named the recipient of the year’s recognition in the field of Arts Administration. Louise D. Nippert will be honored in the category of Arts Patron.
I’ve extolled the virtues of White Christmas at the Covedale Center in my CityBeat review, but I’m not the only one who feels that way. The judging panel from the League of Cincinnati Theatres (LCT) has chimed in with an award for Dan Doerger, playing the role of Phil Davis, originated in the 1954 film by Danny Kaye. I would have also recognized Rick Kramer, playing Doerger’s song-and-dance partner, Bob Wallace (played by Bing Crosby in the movie). The LCT panelists cited the “marvelous chemistry” between the two of them. Doerger, who dances as well as he sings and acts, was seen recently in Covedale productions of Singin’ in the Rain and Annie Get Your Gun. White Christmas continues through Dec. 23.
Let's give credit where credit is due. The League of Cincinnati Theatres award process moved quickly (if incompletely) on recognizing the Cincinnati Playhouse production of Always … Patsy Cline, which opened just a week ago today. The judging panel singled out costume designer Gordon DeVinney for his work. A panel member commented, “If you look at images of Pasty online, these ‘looks’ are incredibly authentic and evoke her persona in a startling and effective combination of era and personality.” DeVinney is the Playhouse’s costume shop manager; he has designed more than 30 productions for the Playhouse.