Editor's Note: Brian Penick of local music promotions company The Counter Rhythm Group is guest blogging for CityBeat monthly to provide a behind-the-scenes look at his journey to release his interactive industry guidebook, Musicians’ Desk Reference.
We are very much in the trenches right now! Keeping afloat amongst a sea of deadlines is a feat in and of itself. And while we typically do not doubt ourselves here at The Counter Rhythm Group, we are quite impressed to bear witness the amount of information being processed within the schedule we have upheld.
This past week I did something that I never thought I would do with Musicians’ Desk Reference — I printed it out! Well, part of it at least. I was simply amazed at the amount of pages and text that printed, so much that I had to refill the printer several times with new reams of paper and even with new ink cartridges.
Through several stages of copy editing and revisions we are finally starting to show how massive this project really is. I knew somewhat early on that it was going to be a wealth of information and documentation (as demonstrated by my inability to stick to the five-page limit set by my high school teachers), but this is far beyond what I imagined.
The interesting thing about all of this — beyond the content — is the fact that the entire workload is customizable to the user. If an artist wants to check every item on a list to recall all potential information, they could be in for several nights’ worth of preparation and work. However, the opposite is also true, as we have built MDR to allow both the beginner and the full-time touring musician to grab a single doc on the go with minimal effort. Maybe I have just been staring at the same set of screens for too long, but it still seems impressive after working on it for over two years!
The rest of the month will see us continually chopping away at content and revisions, plus document sign-offs and content uploads. We are also starting to work out some specifics for the national release and promotional campaigns, which is enough excitement to keep me going like a kid on the night before Christmas morning.
Every day that this project gets closer to release, the potential impact seems to grow exponentially and that is reward enough keep us awake and help pull us through all of these longs days and late nights.
I am going to make this my shortest blog entry yet, because there is still so much work to do. Unfortunately, I have had to remove myself from much of the live music world that I enjoy so very much over the past few months. While this trend will likely continue through most of the summer for me, I hope that you all are able to get out and support the local music scene.
We are very fortunate to live in this city with all of its talent and available venues. While you may not be able to contribute as much to the music industry and independent artists around here as you would like to, a simple start is to go see a show, buy a piece of merch and tell an artist “thank you” for doing what they do. The music industry is not an easy place to find success. We are trying to create a platform that informs and eases the process, but it cannot move forward without the support and contribution from the fans.
Thank you for reading – now go see some live music!
These artists will join previously announced MPMF.13 performers like The Breeders, The Head and The Heart, Warpaint, Shuggie Otis, Youth Lagoon, Cody ChesnuTT and many others. Visit MPMF.com and follow MPMF’s social media accounts for the latest artist additions and other MPMF news.
Tickets for 2013’s MidPoint Music
Festival are available now at mpmf.cincyticket.com, where you can
purchase three-day passes for only $69, the music fest bargain of the
EdenSong, the long-running summer concert series presented by the Queen City Balladeers, kicks off this Friday in Eden Park, but not in its usual outdoor spot at the Seasongood Pavilion.
For the 2013 series, EdenSong is moving just up the hill and indoors — inside the Cincinnati Art Museum, to be exact. The series — now dubbed ArtSong — runs every Friday through Aug. 2 and, as usual, features an excellent collection of primarily local Americana/Roots music performers.
The concerts will take place in the museum’s Fath Auditorium. Seating is more limited, so organizers advise arriving earlier than the 8 p.m. start time. Attendees are asked to enter the museum’s Dewitt entrance on the side of the building, in lieu of using the front doors.
The EdenSong concerts remain free (donations are, of course, welcome) and there is free parking on the museum grounds. This Friday's opening concert features the impressive lineup of Shiny & the Spoon, Ma Crow & the Lady Slippers, Lisa Biales, Anachrorhythms and Bob Kotz.
For the July 19 show, you can catch Ricky Nye, Wild Carrot & the Roots Band, Jim’s Red Pants, Steve Bonafel & One Iota and Ellie Fabe. The lineup for July 26 features Anna & Milovan, Red Cedars, Silver Arm, Greg Schaber and Calamity Rain. And for the Aug. 2 closer, you'll be able to see/hear The Rattlesnakin' Daddies, Bromwell-Diehl Band, the Hertz Brothers, Ann & Phil Case and John Ford.
For more info, visit queencityballadeers.org.
In the late ’70s, Punk Rock and New Wave were blossoming in New York City. But those genre tags were just a convenient labeling device, a catch-all that didn’t take into consideration all of the varied influences artists were bringing with them under that umbrella of Punk or New Wave. Bands would drag things like Rockabilly or Disco into their audio realm and craft their own new sound out of it, with barely any fans blinking an eye, let alone screaming, “That’s not Punk!”
Cincinnati trio Animal Circles bring that sort of kitchen-sink approach into their compositions, craftily blending together Surf Rock, Punk, Roots/Folk/Country sounds, Rockabilly and other styles into their own distinctive sonic smoothie. With the access people have to every type of music these days, it’s a wonder why every band doesn’t have Animal Circles’ sense of eclectic wonderment.
The band celebrates the release of its debut album, Eva Lee, Saturday at Northside Tavern. The free show also features Bloomington, Ind., rockers Thee Open Sex and local Black Sabbath tribute, Druid Piss.
Animal Circles’ variety and sense of dynamics make Eva Lee a thoroughly entertaining from start to finish. From the full-throttle burner “Brooks and Then Done,” with its speeding-out-of-control-train shuffle and rumbling Surf guitar licks (a consistent on the record) to the anxious, Jack-White-goes-to-the-beach vibe of “Squid Attack” to the vintage Country-flavored rocker “Southern Bell,” the band keeps your interest, not just with its unique ingredients, but also its strong sense of songwriting and melody.
The “Surfin’ Space Cowboy” approach has the potential to get old fast, so it’s to AC’s great credit that Eva Lee is such a consistently compelling listen. This is no novelty act.
Here is the Eva Lee track "Life on the Bonzai Pipeline."
The Eli Young Band brings a taste of Red Dirt music to the forefront of Country music. The band has an upbeat and distinct sound that has caught on quickly on a national scale. EYB saw mild success through the years touring on Jet Black and Jealous and hit a major stride with its most recent album, Life At Best, featuring the hits “Even If It Breaks Your Heart” and ACM "Song of the Year," “Crazy Girl.”
The Eli Young Band has now reached a new height, opening Kenny Chesney’s current tour (which is hitting mostly stadiums). CityBeat was able to catch up with band drummer Chris Thompson to get the band’s feeling on its new found success and life on tour with Kenny. The tour comes to Cincy tonight at Riverbend Music Center for a sold-out stop (the tour moves to Crew Stadium in Columbus on Saturday night). It is truly the most impressive tour in Country music.
CityBeat: How did the tour come about with Kenny Chesney?
Chris Thompson: A lot of people don’t know this but Kenny is really involved in who he picks to go on tour with him. In a lot of other tours, a record label will put someone on the bill or management will partner up with other management to find a tour that works with that kind of artist, but Kenny is super hands-on.
Two years ago at the Academy of Country Music Awards, we were nominated for "Song of the Year" and so was Kenny, and we actually beat him, we won the category. I guess shortly after, there was a text going around from Kenny to his management, “Who are these guys that beat me?” and “I want to find out more about them.” He started getting into our music and shortly after we got the phone call that we were invited to go out on tour with him.
It’s just a huge honor. Like I was saying, he hand picks the folks that are out here on the road with him. It’s the biggest tour in Country music and we are just happy to be here.
CB: I was there the night you guys won the "Song of the Year" award. I was so happy for you guys. I know you have worked very hard over the years. What was the highlight of CMA for the band this year in Nashville?
CT: We were only there for a couple hours really. We flew in that morning and did a signing for two or three hours and then had a couple meetings. Then, we were out of town.
We have been going to CMA Music Fest for seven or eight years now. Back in the day we would stay for three or four days and play a show or two and be able to hang and meet as many people as we could. It seems like more and more nowadays, especially with the tours we have been on and our headlining tours, we are only able to get in for a day and get out.
It is always fun to do the signings because you meet people from all over the country and from all over the world really who love Country music. They are so excited to meet you. They are die hard fans. They bring pictures from five years ago when we met. It’s just cool that Country music does that. We are the only genre of music that has anything like that where fans can go and interact directly with the artists and have one-on-one face time with them.
CB: Tell me a little bit about “Drunk Last Night,” the new single.
CT: I think “Drunk Last Night” is a lyric we can all relate to. When we all first heard the song, we were like, “Yes, this is a song for us."
A lot of people hear a title and automatically think it’s a drinking song. We went through some of that with “Crazy Girl.” A lot of people saw the title and went “Oh, I know what this song is about,” and I think they were wrong.
I think people will find this is not the standard drinking song. It is all about, I hate to sum it up as drunk dialing, but it is kind of like the thought of doing that and alcohol feeding that desire a little bit more than in daily life.
It is also a song that we went in the studio and recorded (and) as soon as we finished the session, we could go out and play (it) live right now because it’s a great track, it’s rocking, it’s in our wheelhouse and we actually did. We started playing it at the very beginning of the Chesney tour before it was even picked as a single. The crowd really seemed to dig it and now here it is, going to be a single. Good stuff.
CB: Do you guys know or do you have a feeling when you have a hit or when you hear a hit presented to you?
CT: Yeah. I think sometimes you hear a song, sometimes people say the song gives them chills and they know that’s the one. Sometimes you get that feeling in your gut. When you hear a song sometimes, you write a lyric and you feel that, it is almost like that feeling of falling in love. Your chest kind of swells.
When multiple people feel that way at the same spot or for the same song, then I don’t know if anybody can guarantee a hit, but you know that it is at least a lyric or a song that people can relate to and I think typically good songs are universal in that sort of way.
CB: I loved your “The Cuss Jar” video — I could buy a house if I implemented that process. I wanted to know if you had bought anything fun with the money?
CT: No, actually I think that era ended. The jar got too full and I think we used that jar for laundry money one day when we stopped somewhere on the road and had a few days off and emptied the whole thing for band and crew’s laundry. Then we got too lazy to keep up with it.
CB: What has been your craziest tour story recently?
CT: I think playing Cowboys Stadium in Dallas on the Chesney tour was probably the craziest thing because we are from Dallas and we have played every tiny bar around the stadium. To just get up on stage at the biggest stadium in America was totally wild. All of our families were there; it was craziness.
CB: That’s such a special moment, I am sure you have plenty of those all the time. Do you do anything special yourself to keep the tour memories? Do you take photos or journals? Some bands blog or journal and do things to keep it fresh.
CT: Yeah, we have been fortunate on this tour, since the beginning of this year, we have had a guy out on the road with us that has started doing social media. Mainly he is taking pictures. Since January, this whole thing has been documented and we really appreciate that.
It is definitely hard for us to get good photos when we are on stage playing, when we are really in the moment, because we are playing, so he is out there doing that. This is the biggest tour we have ever done and just the momentum that this year is building, we are just happy about that.
CB: What does a typical day look like for you?
CT: On the Chesney tour when we are doing stadiums like we are doing today, we will go out and do a tailgating event, at 1 or so in the afternoon, we will all get into some golf carts and we will go out to where all the fans are tailgating and they will bombard us with jello shots and beer bongs and the local foods they have.
We hang out with them for an hour or two then we will start doing radio events where we will play a couple songs acoustic, sitting on our bus or backstage for various winners. Then we will do a meet and greet for about 60-100 people. Then, we will grab a bite to eat around then. Then we hit the stage and rock out for about an hour.
After that, we will go hang out with some radio folks or some friend that are in town and wind down about the time Kenny hits the stage so we can watch him. It’s pretty cool. It’s pretty unreal.
CB: If you could trade places for anyone for about a month, who would it be?
CT: Right now it feels like we are living the dream. I think the four of us are really happy with what is going on in our careers right now. We have had some national success. It feels like we have broken out of being a regional band and it feels like we are on the cusp of something more than that. It’s a great time for Eli Young Band and it is important for us to enjoy this. I probably wouldn’t want to trade places with anyone right now.
CB: What can the fans look for from you guys tonight in Cincinnati?
CT: We try to always bring a high-energy show. We were playing a show last night and there was this older gentleman almost in front row sitting in his chair arms crossed and it looked like he wasn’t really enjoying himself. About halfway through our set he leaned over to his wife and he points at us and he goes, “Those guys are workin’ up there.” Then he smiled real big.
We want to bring that energy. We want to get on stage and have a good time and fire up the crowd. We go on right after Kacey Musgraves. Kacey is real cool and laidback and all that when she does her thing and it’s great. Then we get to come in and kick the audience in the butt a little bit.
During our set we have some new music in there and some cover songs I think gets the crowd up and clapping. After that Eric (Church) comes up and burns it down. Then Kenny Chesney comes out and the place goes nuts.
The cross-country “Kings of the Mic” tour is technically an old-school Hip Hop exhibition, but the packaging of these particular artists — most of whom have been and remain vital and relevant today — makes it much more than just a 21st century version of an “oldies” revue.
And the fact that the three headlining artists’ classic music still sounds so vital today makes it more than just some nostalgia trip.
Headliner LL Cool J was one of Rap’s first superstars and, thanks in part to his acting/hosting career (and also his album releases), he remains a superstar to this day. Public Enemy’s smart, socially and sonically progressive sound remains as fresh today as it did when the group released 1988’s It Takes a Nation of Millions to Hold Us Back — one of the greatest albums ever made. Like P.E., De La Soul has remained artistically inventive and the trio’s influence is often underestimated. Rounded out by a pair of even earlier influential performers — Doug E. Fresh and Slick Rick — the Kings of the Mic tour’s stop at Riverbend tonight is not just a history lesson, but the best party to start off your summer right.
Tonight's concert starts at 6:30 p.m. and tickets range from $18.50-$84.50.
• Bluesy, soulful British rockers Leogun return to Cincinnati tonight. The trio — which was scheduled to appear at Cincinnati's MidPoint Music Festival last year but had to cancel due to work visa issues — was influenced by the pure Rock sounds of artists like Jack White and Queens of the Stone Age. But it was an Eagles of Death Metal concert that kickstarted Leogun's career into overdrive. Singer/guitarist Tommy Smith talked his way backstage at the band's London show in 2009, where he met a guy who introduced him to Elton John's Rocket Music Management. The threesome quickly inked a deal with Rocket and then with Yamaha's record label.
The band is digging in hard in the States and touring on a consistent basis behind its just-released debut album. Catch Leogun tonight for free at MOTR Pub in Over-the-Rhine at 10 p.m. Here is the band's first single, "Let's Be Friends."
• Tonight on Fountain Square is your chance to be a part of a Guinness World Record, as the weekly "Salsa on the Square" event invites dancers far and wide to come out and help set the bar for "Most Salsa Dancers" higher. The event starts at 7 p.m. (instructors are always on hand so don't worry about your lack of Salsa skills) and live music is provided by Grupo Tumbao. Click here for more details.
Here are even more live music options in Greater Cincinnati for tonight.
Red is a Christian Rock band that has ascended into the mainstream alongside Rock acts like Papa Roach and Korn. The band members let their faith creep into their music and their message, but do not let it define them. Earlier this year Red released its fourth studio album, Release the Panic. The album debuted in the Top 10 of the Billboard album chart, showing their strength as a national act (Red's previous release, Until We Have Faces, debuted at No. 2 in 2011).
CityBeat recently caught up with Anthony Armstrong, the band’s guitar player, who spoke about the band’s inspirations and vision for the future of Rock music. Red is playing on Friday at King’s Island in Cincinnati for Spirit Song 2013, which runs Thursday-Saturday and features some of the biggest names in Contemporary Christian music.
CityBeat: I saw you guys at (Columbus, Ohio, Hard Rock fest) Rock on the Range. What was your favorite Rock on the Range moment this year?
Anthony Armstrong: That’s a tough one. You know what is really sad, our good buddies Sevendust played right before us and we didn’t get to see their set so I was really disappointed. Papa Roach put on an incredible show every single time they take the stage, so I would say they are up there as one of the best. It was cool to see Bush. That was really cool to feel like I was in high school and to see those guys doing their thing. When they started playing “Come Down” I felt like I was right there back watching. There was an old movie from the ‘90s called Fear with Reese Witherspoon and Mark Wahlberg, and I think Bush was the entire soundtrack to that movie. I just felt like I was back in the ‘90s and high school listening to Bush records. It was cool.
CB: You guys play Christian music and are a Christian band. Is it ever hard to be on tour or at these festivals in this non-Christian atmosphere?
AA: It’s never for us. I think media outlets and sources, even in interviews like this, people are so curious about that. They ask the question because they want to understand and know the answer to how we deal with that. For us, we don’t see it any different than if we are playing a Christian show. We are all just people in general. You are going to see crazy stuff happen at those shows too. We like to hangout and we like to have a good time. We don’t get too out of control. We hang out with all these guys. We love these guys and they love us. We just show them we aren’t any different than them because we love God and we believe in God. We don’t feel like it should be something that draws a line or creates a wall that we can’t get past. It is just what we believe. There are plenty of guys up on those stages in all the different bands that believe different stuff. I say come see one of our shows. We are going to do exactly what those bands do just as good if not better. We aim high and we really try not to focus on that kind of stuff. It just complicates things. We are just a Rock band.
CB: I have seen you tour three times over the years and you never look any different or sound any different than the other bands. It is just a different message through the words.
AA: Yeah, that’s the thing with the message. We are not going in there with some sort of agenda. We are not going into these shows with some sort of recruiting mentality. We are just going to play some Rock songs. Wherever these songs reach, wherever they are in their life, if these songs inspire them, then we did our job. That’s all we care about doing. We’ve done many of the things people standing in the crowd are doing. We know they don’t work out for us. We know they are bad for us. We know the one thing that works for us is our faith. A lot of people want to hold you over the coals for it because they think it’s lame; they think it’s cheesy and you are not hardcore if you believe in God. I know more crazy, jacked-up people that believe in God than I know that don’t believe in God. We are the ones that are here because we need God because we can’t get out of our own way. A lot of the guys that turn to God and live that lifestyle were at that point. Brian (“Head” Welch) from Korn is a perfect example of that. The guy was literally on his death bed constantly getting high. He reached out and said, “If you are real I want to know. I want you to show it to me.” And God did that for him. That was just a cool story for him to hear.
CB: I know you tour a lot over the years. Do you take time out to write as a band or do you write when you are on the road?
AA: We write so much it’s ridiculous. It’s a love-hate relationship. It takes more love than anything. It’s really cool. We just released a record. We probably won’t really start diving into writing until about January or February of 2014. We usually put records out about every two and a half years. That’s about the time you start digging into the new stuff. You take this first part of a new record release to key in on the new songs and translate and see how everything goes, start paying attention to what is going on in the world. You start collecting the inspiration you need to write another record. That’s one of the things we’ve always focused on.
CB: One of my favorite songs that you guys have was your first single, “Perfect Life” — could you tell me the story behind that song?
AA: Yeah, we were out in L.A. with our new producer, we had never used him before, his name was Howard Benson. We had three records with the same guy that we still love. We will probably do another record with Rob Graves. It was just a transition for us. We wanted to try something new. We were out there in the Hollywood hills hanging out at Howard’s huge house. You could probably fit our tour bus in there three times. We were hanging out on his back patio talking about the record and what we were about to do. He said, “Check this out guys,” and we look out and there is Kim Kardashian in the compound in front of us. We started talking about that TV show and that transitioned into what it is really like out in Hollywood and what the media projects as what life really is on the Jersey Shore and all this other stuff. What life is all about when you can have these things and be this glamorous and have this lifestyle. This is the perfect life. This is what you want. This is what you can attain. We were like, “This is complete bull. You can be happy no matter what you are doing” It’s about chasing down the things people think are important. The perfect life is projected to us in a certain way. For us we are saying, find out for yourself. What is the perfect life for you? It shouldn’t be what other people do. It should be what you do.
CB: Is it hard being on the road with your brother?
AA: No, it’s not. It’s amazing. It’s really cool because in a band, when you have a band of four individuals, when you have a fight or an argument it gets pretty awkward. Randy and I are like the unofficial leaders of Red. We take care of everything from the administration to the music. I am really involved with the writing side of things. Randy is really involved in managing our affairs. When something goes down, Randy and I can usually sort it out between the two of us. We will discuss things together as a band and a group of guys. Ultimately, Randy and I can bounce things off each other and get a little heated but the guys just know we are brothers and that’s the way brothers are. We have been competitive towards each other our whole lives and now we are in a rock band together. We have never been separated. We have always been together. We went to college together. We roomed together for four years. We might as well have dated the same girls. It was just wild. I love the dynamic. They say never mix business with family, and I haven’t really experienced it being a bad thing with me and Randy being in the band together.
CB: I hear also that you cause the occasional accident over the years on stage. Any new accidents lately? I am personally surprised Michael doesn’t hurt himself more jumping around the way he does.
AA: We are more afraid of the fire now. We are pretty scared of getting burned. We have had a couple near accidents. If you get too close to the flames, it singes all the hair off your arms. Nothing has been like it used to be with injuries. I hit Michael in the head twice, sent him to the hospital once. I opened his eye and had seven staples in his head with my guitar. My brother has hit me in the face with his bass guitar and cut my eye wide open. Rock & Roll.
CB: What is your favorite guitar to play?
AA: I have a custom 24 PRS that I named Vegas after my Bulldog. It was my first PRS guitar they made for me and only me. I have a love affair with that guitar.
CB: A lot of people right now are saying that Rock is dead and Rock music is dying, that Country is the new thing selling out the stadium, it’s the new Rock. Do you believe that?
AA: I don’t believe it because when I went to Rock on the Range and I saw it is alive and well. I don’t believe that Rock & Roll has its act together. We live in Nashville, Tenn. We see the CMA Awards and the CMT Awards. You see how it is such a different animal. It would be really cool to see Rock get its act together and have that sort of Rock N Roll Awards. The MTV Awards used to be about Rock. We don’t have anything specific to us. We don’t have anything specific to Rock Music in general. It’s the Grammys or we are part of something. I would love to see that sort of thing happen. Other than that, I don’t think in a million years the world would be livable without Rock N Roll. It’s something in Rock music makes you feel. It gets you fired up and people love that feeling. It’s like drugs.
CB: What current music is inspiring you guys or you personally?
AA: There is such great music right now. In Rock N Roll right now, I’d say, we are big Muse fans. We have always been huge Sevendust fans. When we first moved here, I think I had to buy their record three times because I listened to it over and over and over. We are inspired by not just the music. We get out on the road with these guys and see what kind of guys they are. They work their tails off. We are all scratching for our place and hoping things just work out and it is just cool to see other bands doing things we do.
CB: I am sure you guys are going to have a great set here in Cincinnati at Kings Island.
AA: They won’t let us use fire this weekend.
CB: I have seen your show with fire and without fire and it is always good.
AA: We consider it icing on the cake, another cool thing. We want to be able to stand alone without it. When we can use it, we use a lot of it. What is funny, Rock on the Range, this summer when we play festivals, we do 28 points of flames, 28 different nozzles of fire. It’s just fire but it is so much fun. It is such a cool thing.
CB: After that show, are you going back on tour this summer?
AA: Yeah. Right now, the summer is chalked full of festivals. We will play festival dates and it is really cool for us because we play the big late night stages where we can do the pyro and stuff. After that we will get into the fall and have a couple tour options but we are not allowed to talk about the yet because they haven’t been announced. We are going overseas. We are going to Europe for three weeks right before Thanksgiving. We have some stuff happening.
Singer/songwriter/musician Joe Hedges — known for work with his band July for Kings, as well as some great solo ventures — is collaborating with visual artist Jiemei Lin tonight at downtown’s Contemporary Arts Center as part of the museum’s series, "The Living Room." (Hedges is also a visual artist, creating paintings, web art and installations.)
The twosome’s project, “Scroll Improvisation,” features Hedges creating music on the fly with a mix of live and recorded material, while Lin crafts a large “scroll drawing” on the floor. According to the press release, “The piece will investigate the function and history of narrative Chinese scrolls in a contemporary fashion while exploring the idea of the western living room as a venue for improvisational ambient and Folk music.” (Lin is a native of China.)
More from the CAC: "In the west, the living room has long been a venue for intimate performances of music for family and friends using inexpensive hand-held instruments. Traditional Chinese living rooms contain a scroll featuring calligraphy and painting. Both western acoustic music and eastern paper scrolls tell stories, reinforce family identities and values. Scroll Improvisation investigates the relationship of music and art, narrative quality of Chinese scrolls, notation and recording, cultural identity and control."
Monday’s special performance begins at 8 p.m. and is free and open to the public. For more information, visit contemporaryartscenter.org.