“When I began thinking about my 20 years here, I didn’t just want to have a party. I wanted to celebrate what I love about the city and the things that make it so unique. Since it’s the home of the first professional baseball team, throwing out a first pitch went to the top of the list," de Cavel says in a recent press release. “I am honored that the Cincinnati Reds invited me to take part of a very American, very Cincinnati tradition."
Before the game, de Cavel will be at the Moerlein Lagerhouse at the Banks (115 Joe Nuxhall Way, Downtown) to tap a keg of namesake beer — JeanRo Beer — that Christian Moerlein created in his honor. At 11 a.m., de Cavel will tap the limited-edition summer Hefeweizen. According to the aforementioned press release, "Beer, like baseball, is part of Cincinnati’s heritage and Jean-Robert wanted to have some fun with the brew and with his name. Much like his approach to food, the Hefeweizen has a contemporary twist on a classic profile."
For more about Jean-Robert and where to find JeanRo Beer, visit jrtable.com. Jean-Robert’s Table will be closed for lunch so that the staff can enjoy the game.
Local MC Puck has unleashed a great new track, “Weekend Warrior,” along with a solid accompanying music video (which includes a guest appearance from Cincy Hip Hop duo Those Guys). The young Hip Hop artist shows the positive effect and influence of Kanye West’s recent experimental work (and there’s even a Kanye nod in the background during the video). It’s a powerful listen/look:
Click here for more on Puck and below to download the new track for free:
You can catch Puck live on June 21 for free on Fountain Square as part of the "Beats by Self Diploma" concert series.
This idyllic and very productive farm doesn't earn a penny.
Welcome to the Giving Fields in Melbourne, Ky., a 10-acre farm operated by the Freestore Foodbank growing fresh produce for people who can’t afford to buy food.
"The people we feed are at high risk for diabetes and heart disease," says Jennifer Steele, director of community partnerships for the Freestore Foodbank. "We want to serve more fresh fruits and vegetables and fewer highly salted, highly sugared processed foods.”
Five years ago, less than 10 percent of the food the Freestore distributed was fresh; most was canned or boxed. Now, 40 percent of the Freestore's food is fresh or frozen, Steele says.
At the Giving Fields, farm manager Molly Jordan grows produce specifically for the Freestore’s food pantry and soup kitchen partners in Northern Kentucky."Our food goes to Northern Kentucky because the need is greater there," Steele says.
It’s easy to see why, since state laws make fresh food less available to Kentucky charities.
In Ohio, the Agricultural Clearance Program sets aside $17 million a year for Ohio farmers to sell surplus or blemished food to food banks. A similar initiative in Kentucky, still in its infancy, allocates only $600,000 for food banks to receive surplus produce annually.
At the same time, the number of Kentucky residents who depend on food donations is increasing. The Kentucky Association of Food Banks reported that 620,100 people now rely on food banks, an 84-percent increase from 2006.
The Giving Fields harvests fruits and vegetables for 117,000 meals in Northern Kentucky each season. Food pantries and soup kitchens receive the produce the day it is picked.
"The Kentucky Department of Agriculture also gives out recipe cards at food pantries so people can learn how to prepare the food we grow," Jordan says.
The farm relies on more than 1,000 volunteers — civic organizations, corporate teams, church groups and others — who work there each year. Jordan alternates rows of crops with wide strips of grass so volunteers can move easily throughout the fields. She also cultivates plants in tall wooden beds so people with limited mobility and senior citizens can weed and harvest, too.
At 10 acres, the Giving Fields is one of the largest food bank farms in the country, according to Feeding America, a nationwide network of U.S. food banks.
The Freestore funds operational costs for the farm, collaborating with Doug and Sheila Bray of Wilder, who own the land, and the UK Cooperative Extension Office. The Giving Fields is now in its fourth growing season.
To volunteer at the Giving Fields, call the Freestore Foodbank at 513-482-7557 or email Tawanda Rollins at firstname.lastname@example.org.
ON THE CITY ROOTS CALENDAR
June 7: Gardening for Pollinators Workshop
Honeybees, which are crucial to the production of local fruits and vegetables, are vanishing. Greenacres offers a workshop to learn how to attract butterflies, bumblebees, honeybees and other pollinators to your yard from 10 a.m. to noon at Greenacres Old Church, 8680 Spooky Hollow Road. $15. green-acres.org.
June 9: Garden Basics Class
Pest control, plant disease, watering and water conservation and other seasonal topics will be reviewed in this class offered by horticulturist Bennett Dowling at the Civic Garden Center from 6-8 p.m., 2715 Reading Road. $10; free to Civic Garden Center volunteers. civicgardencenter.org.
June 17: Foraged Foods Dinner
As part of its farm-to-table dinner series, Carriage House Farm features wild and foraged foods from the farm collected by botanist Abby Artemisia and prepared by Nuvo on Greenup. Artemisia will be on hand to talk about local foraging. Dinner begins at 6:30 p.m. at Carriage House Farm, 10251 Miami View Road in North Bend; $125 for dinner, drinks, tax and tip. Tickets available at nuvoatgreenup.com.
June 28: Medicinal and Edible Plant Workshop
Using plants for food and medicine connects us with our ancestors, say Wes and Diantha Duren of Marvin's Organic Gardens. Their workshop at the Civic Garden Center introduces useful plants to grow in home gardens and shows how to blend herbs to make tinctures and teas. From 10 a.m.-2 p.m. at the Civic Garden Center, 2715 Reading Road. $30; registration required by June 15. civicgardencenter.org.
Steven Kemple, who was featured last year in CityBeat’s Cool Issue for his innovative programming as the Main Library’s music librarian, runs a monthly Listen to This! session there at which the group (it’s open to anyone) hears in new ways selections from the Public Library of Cincinnati and Hamilton County’s vast collection of recordings.
The sessions have been inspired, sometimes wittily so — North Korean music when Dennis Rodman visited that country, for instance. Or timely — when all of the underappreciated singer Harry Nilsson’s albums were reissued a while back, Kemple scheduled a Nilsson marathon.
But even by his high standards, the most recent Listen to This! was brilliant. Using a computer program, Kemple randomly selected 14 LPs — vinyl albums — from the collection. Then, on a portable record player, he played selections/excerpts from each — accompanied by group discussion. The informal name for the presentation was “Record Roulette.”
Those present consistently found unexpected connections in the different recordings, and also made serious and insightful observations. Even when you might think they would treat something like a joke — during an excerpt from The Speechphone Method, for instance, on which speech specialist Hazel P. Brown read pronunciations of words.
One person noticed how the way we say certain words has changed since this record’s 1959 release. And careful listening to Brown’s list-reading of words began a long conversation, not quite an argument, about whether she had a slight New England accent that softened some "R"s.
The evening started with the album Ballads by Niles, from the traditionalist balladic Folk singer and Kentucky native John Jacob Niles (who studied at the Cincinnati Conservatory of Music — now University of Cincinnati College-Conservatory of Music). The late Niles, popular in the 1950s, doesn’t get much airplay these days and several in the group weren’t familiar with him. Especially jarring, at first, was the high voice — it made some think of Tiny Tim — as he started singing “Mattie Groves.” But as it became clearer that Niles was using different voices to portray different characters, and that he had an operatic, storytelling approach to folk music, he impressed all present. This was a real find.
The other records from which we heard excerpts were:
·Songs of Corsica featuring Martha Angelia (It prompted a discussion about the Corsican language.)
·The Trial of the Cantonsville Nine by Daniel Berrigan, S.J. (This was a play based on an act of disobedience in 1968 — the burning of Selective Service-related files — by Catholic activists to protest to Vietnam War. Berrigan, a Jesuit priest, was one of the nine. That was a long time — the younger members of the listening group weren’t familiar with it.)
·“March from the River Kwai” by Mitch Miller & His Orchestra, from The 50’s Greatest Hits (The whistling prompted a suggestion for a night of whistling songs.)
·Africa: Ceremonial & Folk Music (We discovered the wrong record had been in the jacket for who-knows-how-many-years — we heard the jazzy track “Americanization of Ooga Booga” by South African trumpeter Hugh Masekela.)
·Classical Russian Poetry read in Russian by Yevgeny Yevtushenko and English by Morris Carnovsky
·“April Come She Will” from Collected Works of Simon & Garfunkel, the closest to rock ‘n’ roll the night got.
·From the seventh realm, a Modernist classical work from the 1920s by Arthur Fickenscher for piano and string quartet (This unfamiliar work, from an unfamiliar composer who pioneered microtonal music, was moving – and had us wondering how many other 20th century composers are out there waiting for rediscovery.)
·Pianist Ronald Smith on a 1977 recording of Twelve Studies in All the Minor Keys, Opus 39, by 19th century French pianist and composer Charles Alkan
·The Best of John Williams (Hoping to hear Star Wars, we discovered this John Williams is the classical guitarist, not the film composer. Entertaining nonetheless.)
·In the Matter of J. Robert Oppenheimer, performed by the Repertory Theater of Lincoln Center under the direction of Jules Irving (Interestingly, the computer picked two plays about political trials of post-war American leftists. Oppenheimer, one of the chief architects of the A-bomb, was persecuted in the 1950s during the height of McCarthyism for wanting international control of the bomb. From what we heard, the 1964 play had interesting and unusual multimedia aspects, possibly a precursor to the John Adams opera Doctor Atomic.
We were ready to end with some silly pop by now, maybe the Chipmunks or Weird Al Yankovic, but instead the computer chose for us Three Short Operas by Bizet and Romberg’s The Student Prince from a Readers Digest collection, Treasury of Great Operettas.
Afterwards, we discussed it’d be great to have these “Record Roulette” vinyl sessions on a regularly scheduled basis, maybe every other month, so they could build the larger following they deserve.
Kemple posts information on a Facebook event page.
Meanwhile, his remaining June events at the Main Library — at 7 p.m. — are a lecture next Wednesday, June 11, by noted Cincinnati musicologist David Lewis on Mamie Smith, the famed Cincinnati-born singer of early 20th century Blues and Jazz; a multi-act Experimental Music at the Library session on June 18 with headliner Wrest, a free jazz trio with percussionist Ben Bennett , saxophonist Jack Wright and bassist Evan Lipson; and on June 25 another Listen to This! session.
Protesting illegal firings, low wages and erratic scheduling, Walmart workers are taking a stand this afternoon in Cincinnati by walking off their jobs.
Workers will protest outside the Walmart on Ferguson Road at 4:30 p.m. this afternoon with Hamilton County Commissioner Todd Portune, according to a press release sent out this morning.
Today’s strike is part of a larger strike movement happening in 20 cities across the country this week, leading up to the annual shareholder meeting.
The meeting is this Friday and hundreds of worker shareholders are making the trip to Arkansas as part of a union-backed workers group called OUR Walmart. They plan to request a living wage and family-sustaining jobs, calling for the new CEO Doug McMillion to “take the company in a new direction,” the press release said.
A typical Walmart worker is paid less than $25,000 a year. According to the Bureau of Labor Statistics, the average retail worker makes only $21,000 per year and cashiers even less.
Walmart employees say they have to rely on food stamps while their company received $7.8 billion in tax breaks and subsidies in 2013.
OUR Walmart advocates for a $25,000 base salary for all employees.
“A minimum $25,000 salary at Walmart would not only help families, it would boost job creation, consumer spending, and the company’s bottom-line,” the press release said.
The major employer is currently on trial for worker rights violations involving firing workers who went on strike last year at the company’s annual shareholder meeting.
The country’s largest and most profitable corporation is also tightening its belt; Walmart took $740 million out of its cost structure in the past year because its operating income grew faster than sales.
Walmart has had to make some changes lately in response to worker’s claims.
In March, the pregnancy policy was updated after an OUR Walmart campaign, allowing for more accommodations for pregnant women.
In April, the retailer changed its internal scheduling system, making it easier for part-time workers to pick up extra shifts online.
FX biker drama Sons of Anarchy will embark in its final ride this fall, after a game-changing penultimate season. The show has featured a few guest stars from the music world, including Henry Rollins and Dave Navarro. Next on that list is a surprising name — Marilyn Manson.
Manson will play a recurring role in the final season: Ron Tully, a white supremacist behind bars who could prove to be a useful player for Jax. Hello, nightmares!
It turns out Manson is far from the heartless characters he portrays on stage or screen — he reportedly picked up the role as a tribute to his dad, who is a big fan of the show.
“Sons has been such a big part of my life, as well as my father’s,” he told Variety. “So I was determined to make him proud by being involved in what will probably be remembered as the most amazing piece of television cinema. After all, the very heart of SOA is about that relationship.” Aww, Marilyn!
Marilyn Manson is not, for the record, Paul from The Wonder Years. We now know this as fact because the cast of the family classic recently reunited to promote a Wonder Years DVD set coming soon. We all know Winnie (Danica McKellar) went on to become a super hot mega genius and Kevin (Fred Savage) is still involved with show business (he's been a director and producer on Always Sunny and lots of other comedies), but what ever happened to Paul?
As you can see, grown-up Paul (Josh Saviano) looks nothing like Manson today. But I guess we never have seen them in the same place at the same time…
While we’re taking a walk down memory lane, O-Town is the latest early-‘00s boy band to reunite, though at least 15 women will be upset to discover Ashley Parker Angel, “The Cute One,” is no longer a part of the band. If you recall, the band was formed as part of 2000's Making the Band, a show that acknowledged the inauthentic, assembly-line nature of manufacturing boy bands while also...manufacturing a boy band. O-Town was assembled by Lou Pearlman, the manager behind the Backstreet Boys, *NSync, LFO, Aaron Carter and other Pop acts of the 1990s and early 2000s.
Fun Fact: Pearlman was sued by every band/performer he worked with
except one, and is now serving a 25-year sentence for charges of conspiracy,
money laundering and making false statements during a bankruptcy proceeding.
Tennis star Serena Williams
“crashed” a wedding last week, because I guess being asked to take a photo with
a bride and groom constitutes wedding crashing.
It would be a fun memory to run into a celeb on your big day, but I don’t know if I’d really want my new spouse to get an eyeful of this right after committing eternally to me. Oh well, you know what they say: If you choose to get married on a public beach, you just might get crashed by a bangin' pro tennis player in animal print. (Also: Are leotards the new swimsuits?)
The Bottle Boys are a Danish performance group that use bottles in various ways to play songs. Their latest cover, of Michael Jackson’s “Billie Jean,” is going viral. Check it out.
The crew has competed on Britain’s Got Talent using beer bottles, water jugs and other containers to recreate popular songs.
Two badass babes have signed on to the upcoming Star Wars Episode VII. Lupita N’yongo — Academy Award-winning actress from 12 Years a Slave and People’s “Most Beautiful” person of the year — and Gwendoline Christie — better known as Brienne of Tarth from Game of Thrones — are both slated to star in the latest Star Wars chapter, along with 600 other amazing actors.
Also in movie news: From Edward to Indy? Robert Pattinson will likely take the role of Indiana Jokes for the next reboot.
Now, here’s Chance
The Rapper performing the theme song to my favorite educational cartoon, Arthur, at Sasquatch! Music Festival:
(Thanks for the tip, Brooke!)
Old embraced new in a powerful way when Cincinnati’s oldest art institution, the Cincinnati Art Museum, purchased a new piece from local, contemporary artist Courttney Cooper this week.
"Cincinnati Map" is now part of the museum’s permanent collection and skillfully depicts the buildings, streets, and roadways that make our city one Cooper never tires of drawing. A piecemeal of 8.5-by-11-inch repurposed papers, "Cincinnati Map" is a Bic pen line rendition of downtown Cincinnati that Cooper worked on for a year and brought to life by memory alone.
"Courttney Cooper is one of the most ambitious and compelling artists working in Cincinnati,“ says Matt Distel, CAM adjunct curator of contemporary art. “His work not only speaks to Cincinnati but also addresses more universal concepts about how people experience their environment.”
Grown out of Northside’s Visionaries + Voices studio and gallery, "Cincinnati Map" was shown in Cooper’s first museum show at the Cincinnati Art Museum last year and will now be exhibited there as curatorial opportunities for it emerge.
Visual Arts Exhibition Season:
Memory Palace (Sept. 12, 2014-Feb.16,
Curated by Steven Matijcio
On the occasion of the CAC's 75th anniversary, this exhibition will present memory as soft, malleable clay. Rather than renewing the supposed fixity of facts, Memory Palace will revel in remembering as a creative act: highlighting the way our recollections shift actual histories into imperfect, obstructed, quintessentially human legacies.
Confirmed artists for this landmark exhibition include Louise Bourgeois, Spencer Finch, Mike Kelley, William Kentridge, Guillermo Kuitca, Jun Nguyen- Hatsushiba, Hans Op de Beeck, Dennis Oppenheim, Katrin Sigurdardottir and others to be announced. The CAC's extended community will also contribute to this project as we gather your stories in a variety of formats, from video interviews to forensic sketches. In turn, the CAC is commissioning reconfigurations of the organization's unofficial archives by artists like MK Guth, Nina Katchadourian and Kerry Tribe. This effort culminates in the CAC Lobby, where artist Pam Kravetz will orchestrate community-centric projects including a television show, carnivalesque games and a monumental memory quilt.
Taiyo Onorato and
Nico Krebs: Blockbuster (Sept. 12,
Curated by Kevin Moore
The Swiss-born, Berlin-based duo Taiyo Onorato and Nico Krebs respond with humor and wit to various traditions of modernist architecture, documentary photography and the heroic travelogue. By pecking at such constructions, the artists reveal a more whimsical, ironic and subjective vision of the structures and technologies that shape the ways we see and live. And while much of their practice is photographic, the artists' engagement with other media — film, sculpture, sound — sheds the artifice of objectivity to celebrate eccentric reconstructions of the world around us. This is the first major museum exhibition for Onorato and Krebs in the United States, presented by FotoFocus.
Duke Riley and
Frohawk Two Feathers: Based on a True
Story (Oct. 10, 2014-March 22, 2015)
Curated by Steven Matijcio
History's once unquestionable integrity has eroded over time, with as much fiction, interpretation and imagination revealed in the pages of our esteemed libraries as actual facts and events. Twisting fact, fantasy and fabrication into an outsider's view of western civilization, this exhibition brings together two artists who have turned historical fiction into a habitual calling. Boston-born Duke Riley marries what he calls "populist myth" and "reinvented historical obscurities" with field research, participatory craft and museological display. Chicago-born, Los Angeles-based Frohawk Two Feathers is an artist, historian, and self-described "myth-maker" who re-imagines 18th century colonial history through a fictive cast of slaves, revolutionaries, militiamen and aristocrats.
Anne Lindberg and
Saskia Olde Wolbers: Unmade (Oct. 10,
2014-March 22, 2015)
Curated by Steven Matijcio
Artists Anne Lindberg and Saskia Olde Wolbers dissolve the familiarity that accumulates with time, habit and space. Lindberg pushes drawing on and off the page, obsessively inscribing lines that evade both resolution and definition. Dutch-born, London-based Wolbers orchestrates a cinematic fantasy with equal enigma. By submerging handmade sets into water and coaxing narratives to masquerade as reality, she melts the seemingly digital polish of her films with painterly contingency. The ensuing dialogue between the artist's works softens the geometry of the gallery space, obscuring hard lines and sharp corners to float towards a mysterious horizon.
Daniel Arsham: Erasing The Present (March 20-Aug. 16,
Curated by Steven Matijcio
The work of prodigious Cleveland-born artist Daniel Arsham is said to "make architecture do all the things it shouldn't." Blurring the lines between theatre and hallucination, some of his best-known works appear to melt the solidity of gallery walls, such that they appear to be dripping, folding, oozing or absorbing furniture. In more recent years he has begun to cast aging media devices — including cameras, film projectors and microphones — from granulated materials like volcanic ash, sand, crystal and crushed glass. This is the first large-scale Ohio exhibition for Arsham, who became widely known (at the age of 25) when asked to design a stage set for the legendary Merce Cunningham.
Albano Afonso: Self-Portrait As Light (March 20-Aug.
Co-Curated by Steven Matijcio and Alice Grey Stites
For Brazilian artist Albano Afonso light is the elusive, but no less essential element that makes painting, photography, film and vision itself possible. Through photographs, installations, projections and luminous objects he gives light a sculptural presence, and measures its ability to both elucidate and obscure. Such affect is spoken through the language of art history, as Afonso reformulates time-honored traditions of portraiture, still life, vanitas and landscape. This will be Afonso's first major exhibition in the United States, and it will extend across the CAC and 21c Museum Hotel.
James Lee Byars and
Matt Morris: the perfect kiss (QQ)* (April
17-Sept. 13, 2015)
Curated by Matt Morris
Throughout his life, American artist James Lee Byars (1932-97) framed his work with elusive notions of questioning and perfection. Both his enduring marriage and his flirtatiousness with German artist Josef Beuys (whom he sent lyrical letters and objects) serve as fodder for an exhibition that is both art and exchange. the perfect kiss (QQ)* is both a curatorial and creative undertaking for Morris, who will develop an installation of works by Byars in conjunction with a number of his own artistic interventions. The exhibition's title references a 1974 artwork by Byars, while also speaking to the 25th anniversary of Robert Mapplethorpe's exhibition The Perfect Moment.
Titus Kaphar: The Vesper Project (April 17 – Sept.
Co-Curated by Titus Kaphar and Steven Matijcio
Marrying appropriation, archaeology and iconoclasm, Kaphar's work sifts through the racial politics of art history. The Vesper Project is a massive sculptural statement in which his paintings are woven into the walls of a 19th century American house. It is the culmination of a five-year engagement with the lost storylines of the Vespers, a 19th century family who "passed" as a white family in New England even as their mixed heritage made them "Negro" in the eyes of the law. In this project, the members of this family and their histories are intertwined with Kaphar's autobiographical details, posing broader cultural questions of identity and truth.
Taylor Mac: An Abridged Concert of The History of
Political Popular Music (1939 – now) (September 2014)
Taylor Mac (who prefers the pronoun ‘judy’) is a “ragingly original and bracingly radical [and] best cabaret performer” from New York (TimeOut). The Obie Award-winning playwright, actor, and singer-songwriter transforms into a bedazzled creature who leads us into a decidedly personal history of music, ideas, and ways of being — in a hilarious and healing performance ritual. Mac delves deep into the history of political music for this performance, the latest in judy’s series of concerts exploring the last 240 years of popular songs in America. Funny and moving with a sweet, powerful voice, judy has the bantering skills of a veteran drag artist.
Ben Frost: A U R O R A live (October, 2014)
Ben Frost’s music is about contrast, influenced as much by classical minimalism as by punk rock and metal. It has a visceral presence, felt as much as heard. Muscular yet cerebral, ambient yet urgent, Frost’s compositions merge guitar-based textures, musique concrète samples, and building-shaking amplified electronics into sweeping digital soundscapes. A U R O R A is the Australian producer’s fifth album. The music leads the audience towards a bleak place filled with synthetic forms, decaying objects and metals devoid of emotion, exploring blinding luminescent alchemy; not with benign heavenly beauty but through decimating magnetic force. In 2010 he was awarded the music protégé in The Rolex Mentor and Protégé Arts Initiative and spent two years learning from and working with music producer, theorist, and composer, Brian Eno. Last year Frost debuted his first opera, The Wasp Factory, based on the Iain Banks novel and produced “The Enclave,” a multi-channel video and sound installation that premiered at the Venice Biennale.
Nils Frahm with Dawn of Midi (November 17, 2014)
Since his early childhood, Nils Frahm has been immersed in music, particularly in the styles of classical pianists before him as well as contemporary composers. Today Frahm works as an accomplished composer and producer from his Berlin-based Durton Studio. His unconventional approach to an age-old instrument, played contemplatively and intimately, has won him many fans around the world. Frahm displays an incredibly developed sense of control and restraint in his work, catching the ear of many fans. The recognition of his immense talent has been steadily growing thanks to his previous solo piano works, include Wintermusik (2009) and The Bells (2009), and Felt (2011). Last year, he returned with the celebrated new album Spaces, a collection of pieces that perfectly expresses Frahm’s love for experimentation and answers the call from his fans for a record that truly reflects what they have witnessed during his concerts.