For several years Joshua Jeremian seemed to be onstage everywhere in Cincinnati. He was a regular in opera productions at UC’s College-Conservatory of Music, where he was pursuing a master’s degree and then an artist’s diploma (additional graduate-level training) as an opera singer. But he was glad to find performing opportunities with many Cincinnati perfroming arts institutions. In 2005 he played a pair of princes in Ensemble Theatre of Cincinnati’s holiday musical, Sleeping Beauty. (In fact, the big-voiced baritone was nominated for a 2006 Cincinnati Entertainment Award for his performance at ETC.)
The Cincinnati Symphony Orchestra (CSO) launched its new seven-week initiative, “One City, One Symphony” earlier this month. The goal of the program is to get the CSO engaged with people of all walks of life through nine listening parties across the region. “One City, One Symphony” concludes with three concerts Nov. 15, 17 and 18 at Music Hall featuring A Survivor From Warsaw by Arnold Shoenburg and Beethoven’s Ninth Symphony.
The Jewish Foundation of Cincinnati and The Carol Ann and Ralph V. Haile, Jr./U.S. Bank Foundation host the free listening parties across Greater Cincinnati and Northern Kentucky. These parties are a chance for the public to interact with CSO musicians and conductors while listening and discussing the music from Schoenburg and Beethoven.
“I already feel a strong connection with our audiences, the supportive community and of course the incredible musicians of the CSO, and I am looking forward to deepening this relationship in the coming months and years," Music Director Louis Langrée said in a press release.
If you haven’t attended a listening party yet, there are still several more chances to meet the players and discuss the music around town.
Tonight, Anderson High School welcomes CSO timpanist Patrick Schleker to host a listening party from 7-8:30 p.m.
To attend one of these performances or learn more about the CSO and One City, One Symphony, click here.
The rest of the listening parties are as scheduled:
Thursday, Nov. 1, 7-8:30 p.m. at the Xavier University’s Bellarmine Chapel. This performance is hosted by CSO violinist Sylvia Samis and XU Director of Interfaith Community Engagement Abie Ingber.
Thursday, Nov. 8, 6-7:30 p.m. at Coffee Emporium. Associate Conductor Robert Treviño hosts.
Tuesday, Nov. 13, 2-3:30 p.m. at Mayerson Jewish Community Center. Again hosted by Sylvia Samis and Abie Ingber.
We are building an art production studio. No big deal you say? Well what if I told you it was compiled from two groups of teenagers, still nothing special? Okay, they are young people who are incarcerated and those recently released from incarceration. Yes, in jail and on parole. Now what do you say? That’s what I thought.
I am an artist who is part of a team spearheading a new project - Inside Out Studios – a pilot program conceived by Stephen Canneto and Eliah Thomas of ArtSafe in Columbus, Ohio. We have embarked on a 17-week journey to guide youth - to develop skills both artistic and business, to improve focus and self-worth, to increase self-discovery and community while designing and creating art that will earn income for them.
Through it all I am learning. Learning about choices, incarceration, what makes us unique and similar, how the same circumstances can put each of us on different paths, how getting caught can be a good thing. I am reminded with every coming together that these young people, not unlike us, are smart and creative and loving and curious and passionate and opinionated and original. Check back over the next several weeks for updates and revelations and get to know them as I do. It is challenging and joyful and full of the wonderful stuff of life.
For more information about ArtSafe and its programs visit Artsafe.org
ArtSafe - Art for a Child's Safe America Foundation (ArtSafe) is a not-for-profit organization established to provide opportunities for communities to use the arts to create safe, nurturing environments for children, youth and adults. ArtSafe creates, develops, and implements programs that promote productivity, positive outlook, and a sense of community through encouraging participants to discover, value, and use their innate talents and individual interests. Creating programs and products that provide meaningful alternatives to violence is ArtSafe's highest priority.
Remember: The One Who Says It Can’t Be Done Should Not Interrupt The One Doing It
It's easy to spend time writing about exciting new developments in our local theater scene. But who got things started?
It could be argued that F. Paul Rutledge was the guy who laid the foundation. He passed away a week ago at the age of 91. Rutledge was a theater pioneer in Cincinnati, and many people who shaped what we have today were inspired by him.
I spent two-and-a-half hours watching the Acclaim Awards last night — 150 minutes with no intermission. Thanks to affable hosts Charlie Clarke and Mark Hardy (the well-dressed “scoundrels” of Dirty Rotten Scoundrels last September at The Carnegie), there was a lot of humor, but I put an emphasis on “a lot” as in “maybe too much.”
As I’ve written previously, the Acclaims offer some solid recognition of many of the things that constitute our local theater scene. But the awards program itself lacks discipline: If this had been a stage production at one of our local theaters, I wouldn't be the only critic saying, “Nice work, but it needs a lot of trimming.” And some thoughtfulness.
Cincinnati Art Museum has just released attendance figures for the recently closed Wedded Perfection: Two Centuries of the Wedding Gown, and it was a blockbuster. The exhibit, which ran Oct. 9-Jan. 30, drew 63,176 visitors, making it the biggest CAM exhibit since Petra: The Lost City of Stone drew 62,203 people in the 2004-2005 season.
8 is the real-life story about two loving same-sex couples
living in California who want to get married but can't because in 2008 Proposition 8
took away the right for LGBT couples to marry in California.
Just like these couples, gay-rights
activists have been fighting for same-sex marriages across America for more than a
decade. Some progress has been made as gay marriage is now legal in nine states
and the District of Columbia, but many California residents feel left
out and are eager to resume same-sex marriage in their state.
After being engrossed with all the drama of the courtroom and seeing
how the case affects the plaintiffs in 8, tune back into
reality as the U.S. Supreme Court is likely to announce a decision about
Proposition 8 today.
Presuming that reports about Disney's High School Musical wouldn't interest CityBeat's readers, I've not previously written about that popular phenomenon, driven by repeated airing on the Disney Channel. And I'm still not certain that it's of that much interest to anyone who regularly reads this blog.
But I went to see High School Musical 2 on Feb. 28, presented by the Children's Theatre of Cincinnati (CTC) at the Taft Theatre. I imagined a show that would appeal to kids, and my expectations were reinforced by the hordes of moms and dads escorting little ones into the Taft. But what I saw onstage surprised me.
The best choice, for my money, is Keith Glover’s Thunder Knocking on the Door at the Cincinnati Playhouse in the Park, a revival of sorts from 1999 — but thoroughly and creatively reimagined for the final mainstage production of Ed Stern’s final season leading the Tony Award-winning theater. It’s a musical about the Blues and it features an emotional Blues score, mostly by Keb’ Mo’, to tell the story of the power of love and music — and blues guitar players. It’s presented with panache, including technology and design that are all about 2012. Through May 20. Box office: 513-421-3888.
If you loved the Doo-Wop silliness of The Marvelous Wonderettes, a hit from 2010 at Ensemble Theatre Cincinnati, then you’re likely to have a good time at Life Could Be A Dream, Roger Bean’s sequel to the story of some bubbly girls who bond around teen hits from the ’50s and ’60s. This time is boys, and that’s most of the difference. As in the two Wonderette shows, Dream is shot through with adolescent angst, in this case around a local radio station contest that could “make them famous.” It’s an excuse for more than two dozen tunes from the same era that are shaped to the story. So it’s a familiar formula, but ETC has a talented cast who make it a lot of fun. (Through May 20.) Box office: 513-421-3555.
Another show that totally mastered the art of wedging familiar tunes into an implausible story is Mamma Mia, and you can catch a touring production of that one at the Aronoff Center through Sunday. The cast of this tour has a lot of youthful energy and several mature characters who have fun reminiscing about their disco days. Box office: 800-982-2787.
Bloody Bloody Andrew Jackson will have its final performance on May 12. If you haven’t yet seen this youthful mix of political commentary, driving Rock, history, humor and sober observations about the will of the people, you’d better go this weekend. (The longer you wait the less likely you are to get a ticket — the final weekend is selling fast.) Not many musicals begin with the cast flipping the bird at the audience, but then not many musicals are like this one, spinning a tale of America’s seventh president to in-your-face Indie Rock tunes. This is Bloody Bloody’s first professional regional production. I gave it a Critic’s Pick. Box office: 513-300-5669.
You have plenty of time to see The Second City 2: Less Pride – More Pork, since the Cincinnati Playhouse plans to keep it on the Shelterhouse Stage until July 1 (at least), but I predict you’ll enjoy it whenever you go. It’s a notch up from the first iteration of the show that set box-office records for the Mount Adams theater a year-and-a-half ago. Lots of hilarious fun-poking at … us. And the clever cast uniquely tailors every performance to the audience that shows up. Box office: 513-421-3888.
Know Theatre’s production of the recent off-Broadway and Broadway Rock musical hit, I was thoroughly entertained by Joseph and the Amazing Technicolor Dreamcoat last week at the Covedale. It has a cast of strong singers who do a fine job with the amusing score, stuffed with musical parodies — Calypso, Blues, County, Bubblegum Pop and more — and they’re having an infectious good time. Keep an eye out for the Pharaoh; he’s really the King! Through May 13. Box office: 513-241-6550.
Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.