My first and foremost recommendation for the weekend is Blue Man Group.
(Review here.) It's a performance experience unlike much of anything else you've
probably ever experienced in a theater — raucous music, zany humor,
eye-popping technology and infectiously fun engagement with the
audience. Amazingly, it's done without spoken words — the guys mime
(well, kind of, it's actually more like they're mute in the style of
Harpo Marx, with a lot of staring and double-takes), although they're
backed up by awesome video that does offer some instruction (and laughs)
for the literate. As I've said before, it's hard to describe but easy
to enjoy. This is Blue Man Group's first time in Cincinnati, presented
by Broadway Across America; the Aronoff Center might never be the same.
(Through Oct. 28) Box office: 800-982-2787.
Last night I enjoyed opening night for the thoroughly authentic and charming production of Neil Simon's Brighton Beach Memoirs at the Cincinnati Playhouse in the Park. It's the story of a Jewish family in Brooklyn in the 1930s, but thanks to Simon's witty, heartfelt recollections of his own youth, it has a feeling of universality. The narrator is Eugene Morris Jerome (who's a stand-in for Simon himself), and actor Ryan DeLuca conveys the joys and pangs of adolescence and puberty with feeling and hilarity. He frequently addresses the audience about his interactions with his grouchy parents and his woebegon aunt, his worldly brother, his pampered cousins — he's documenting them for something he'll write when he's older, a novel or perhaps a play! And that play is the one onstage at the Playhouse, the first Neil Simon script ever presented there in more than 50 seasons. (Through Nov. 10.) Box office: 513-421-3888.
Continuing productions of the comedy Mrs. Mannerly at Ensemble Theatre Cincinnati (513-421-3555) and Shakespeare's romantic tragedy Romeo & Juliet at Cincinnati Shakespeare Company (513-381-2273, x1) have been positively reviewed and appreciated by audiences. This weekend also marks the opening of Cincy Shakes' staging of Shakespeare's bloody history of the Roman emperor Titus Andronicus, staged with tongue in cheek (and in a pie) for the Halloween season. It happens on the nights when the R&J cast takes a breather.
You might also consider two special events: New Edgecliff Theatre's annual one-night fundraiser, Sweet Suspense Theatre, a presentation in the style of a radio play, happens on Saturday evening. This year the production, a new adaptation of Oscar Wilde's story of The Canterville Ghost, is being presented at the Cincinnati Art Museum — and includes an extended intermission with lots of goodies from local bakeries and restaurants. (Tickets: 888-588-0177). You might also want to check in with the Playhouse about ticket availability for Post Secret on Monday evening; the one-night presentation of a piece based on an anonymous "true confessions" website is rumored to be sold out, but there might be a waiting list if you call the box office. (513-421-3888)
Work a little harder and see something unexpected. That's my theme for this weekend. Theater shouldn't always make you laugh or even smile. Sometimes a playwright sets out to make you uncomfortable or to portray characters who are thoroughly unlikeable. Harold Pinter (pictured) did that a generation ago, and Adam Rapp does it today. Pinter's Ashes to Ashes gets a quick production on Saturday and Sunday evenings at Hebrew Union College.
It's a good weekend for local theater, with two confirmed choices and a fascinating new production with a lot of potential. Both shows that opened a week ago — End Days at Ensemble Theatre of Cincinnati and Gee's Bend at Cincinnati Playhouse — have been recommended by the Acclaims judging panel that considered them, and both have received nominations for performers and other aspects.
Sondheim created the tale of the “Demon Barber of Fleet Street” with the notion that he wanted it to scare people, and it’s done just that for three decades. It’s a great show in the run-up to Halloween — what with Sweeney’s collaboration with Mrs. Lovett to turn his victims into meat pies — and that’s surely what Footlighters, Inc., had in mind when they scheduled it. (It opens tonight and continues through Oct. 24.)
The holiday weekend is not when most people think about theater-going, but I can recommend a good choice or two if you prefer being indoors to celebrating the kick-off of summer: The Cincinnati Playhouse's production of Marry Me a Little is a quick entertainment (only a bit more than an hour long), a good choice if you're busy with other things like Taste of Cincinnati.
The 2010 Cincy Fringe Festival has three days/nights left, and tickets are going fast for the final performances of the more critically-acclaimed shows. CityBeat's review crew has now posted reviews of 27 of Fringe's 29 productions, with the final two coming later today on our Fringe micro-site.
It's funny how one or two words can convey many different meanings. Take the word Mauritius. If you know your geography, it's an island in the Indian Ocean east of Africa. If you're a stamp collector, it's one of the first places in the world where postage stamps were issued — and it's where some of the rarest stamps originated, today worth millions of dollars.
If you're Cincinnati-born playwright Theresa Rebeck, it's an inspiration for an edgy comic drama about two half-sisters and some eager stamp experts fighting over a stamp collection. And if you're a theatergoer, Mauritius, the title of Rebeck's play, means you'll be lining up to see Ensemble Theatre's latest production. It's a great script, profane and funny, yet also insightful and sad about how human nature works — or doesn't.
I know it's Christmas and not Easter, but don't let that stop you from seeing Jesus Christ Superstar at The Carnegie Center in Covington. It's a faithful reproduction of Andrew Lloyd Webber's first big hit (back in 1971), a Rock opera that retells the story of the last days of Christ, leading up to his crucifixion.
This production features energetic choreography and some solid individual performances, especially Roderick Justice as Judas. He's played the role before, when he was a student at Northern Kentucky University (he was nominated for a 2004 CEA for the role), and he's part of a cast that includes several others who were in that NKU staging, directed by theater program chair Ken Jones.
I've been away for two weeks — including seeing some great theater in Denver — but it's good to be back in Cincinnati. There's lots of great theater going on for you to see. This is the final weekend for Ensemble Theatre's well-received production of August Wilson's Gem of the Ocean. (Read my review here.) A performance was added earlier this week to meet audience demand, but I suspect tickets are still scarce.
If you can get a ticket this weekend for Hair at UC's College-Conservatory of Music, that's the show to see this weekend. It's an intentional trip down memory lane — if your memory goes back 40 years. (The show that turned the world of Broadway upside down in the late 1960s is being presented as part of the celebration of the 40th anniversary of CCM's musical theater program.) If not, and you want a taste of what all the shouting was about in 1969, Corbett Auditorium is the place to be.