Last night, the music of Cincinnati — past, present and future — was on glorious display at Covington's Madison Theater. Yes, we realize it's a little weird to have the Cincinnati Entertainment Awards (which celebrated its 13th birthday last night) in Kentucky. But the Madison provided a more casual "Rock & Roll" atmosphere than past years' events, so, just as airport developers did in the ’40s, we've decided to claim Covington as Cincinnati, at least for one night.
The "bar" ambiance (and lack of a smoking ban in Kentucky) kept everyone off the sidewalks and in the venue, though we're certain many woke up this morning with the old "my clothes and hair smell like smoke" complaints. Fear not: Official CEA2010 gasmasks and Hazmat suits are being produced as you read this.
No, by "Local MTV," we don't mean some new reality show featuring pregnant 16-year-olds entering rehab for their crack addiction, hoarding and narrow interior design skills. That "M" once stood for music (or so we're told) and today we are offering you a look at a couple of local musical acts that recently produced music videos — Dance Rock band Walk the Moon and Hip Hop's Trademark Aaron. Like audio recordings, it's become easier to make quality films (and music videos) with little money, as these clips show.
Lately, we’ve been ridin’ this down-home Folk/Americana/Indie wave in the Queen City music scene. Jake Speed. Wonky Tonk. Frontier Folk Nebraska. Wussy. Fairmount Girls. Gul'durnit, we love ‘em!
Maybe it’s our hospitable river-town tendency to have a big, open heart for such middle American tunesmithery. Maybe it started with our love for the Ass Ponys and their AltCountry ways back in the ‘90s. Who knows?
Nothin’ wrong with any of this, mind you. But I’d like to take a moment on this here blog to clue you into a small contingent of freaky, confrontational local bands from the past that were the furthest thing imaginable from such comparatively downright friendly musical acts.
The members of Kentucky's Black Stone Cherry take pride in their closeness. They are still just four guys rocking out and living their dream. BSC's just-released third studio album, Between the Devil and the Deep Blue Sea, reached the Top 30 in the Billboard 200 and the group is currently on the Carnival of Madness tour with Alter Bridge, Theory of a Deadman, and Emphatic. The tour hits Dayton's X-Fest, at the Montgomery County Fairgrounds, this Sunday (click here for concert details). CityBeat recently spoke with Black Stone Cherry lead singer Chris Robertson in depth about the band and the personal issues he has dealt with over the past few years.
As CityBeat’s Assistant Music Editor for the past three months, I’m the person behind most of the music listings—those microscopic items printed in the middle of the newspaper every week. With the assistance of Real Actual Music Editor Mike Breen and a crazy little interface called Zipscene, I make them appear there and on the Web site.
This morning I was in the car listening to the radio, growing restless with NPR’s downer economic news. I decided to check in on the Pop music world and surfed between a couple of Top 40 stations. I stopped on “Love Lockdown,” the new single from Kanye West.
It’s a pretty interesting and unique track, with some great beats and killer melodies. But the most noticeable aspect of the recording is the sound of Kanye’s voice. And that sound is anything but unique in today’s mainstream music.
Besides baseball, there are two things that I associate with GABP and the Reds — beer and music. Well, maybe there are three. Losing in the playoffs has seemingly snuck itself in there in the last week or so.
Whatever, I don’t want to talk about it.
Ever since I was a kid, my favorite baseball players' personalities have always matched their walk-on batting intros. (Adam Dunn’s intro, “For Whom the Bell Tolls” by Metallica, was badass, unless he struck out afterward, which was often the case.)
But as I got older and was able to drink at the games (legally anyway), I began to notice a trend in my beer buying regiment. I was buying more booze in the bottom-half of the innings than in the top-half and I had no idea why. But after some deliberation (a couple more beers), I finally figured it out. It was this team’s batting intros that drove me to the stands to go broke on $9 beers (thanks, guys!)
So, in lieu of thinking about my bank account, or the fact that we made history being the only team ever up 2-0 in a series and still, somehow, some way, found a way to lose three straight at home, here is a list of the Reds' starters walk-on songs, rated on a scale of how many beers it takes for me to enjoy them. Even though no amount of booze will ease the pain of that Game 5 loss, maybe making fun of these guys' music preferences will.
• Zack Cozart: “Too Close” – Alex Clare:
Alex Clare’s DupPop single “Too Close” (best known for soundtracking an Internet Explorer commercial) has risen on the pop charts at the same rate as Zack Cozart’s batting average over the past season. Coincidence? I think not.
But really, Zack? This is your walk-on song? This is what gets you pumped up? I mean, for God’s sake, the lyrics don’t make any sense. “I feel like I am just too close to love you”? It would make much more sense if the lyrics were, “I feel like I’m too just too drunk to do you.” That would be a song I could connect with.
Rating: 8 beers.
• Drew Stubbs: “Breakin’ a Sweat” – Skrillex and The Doors
There is no excuse for this. The whole thing sounds like Netzero fucked Jim Morrison and it’s just not OK. I honestly think this may be half the reason why Stubbs’ hitting had been so atrocious over the last season. Really though, if I had to hear this screeching dial-tone noise ringing throughout GABP every time I went up to bat, I wouldn’t be able to concentrate either.
Rating: 20 beers. Alcohol poisoning sounds better than this song.
• Brandon Phillips: “Turn Up” – 2 Chainz; “Turn On The Lights” – Future; “Everythang” – Young Jeezy; “Pop That” – French Montana; “Bandz a Make Her Dance” – Juicy J
All right, DatDude, what the hell? I understand wanting to switch it up during the game and maybe having two or even three songs tops. But five? In most games you don’t even get to the plate five times!
It’s OK, though. It’s worth it just to see all the old white people get uncomfortable when there is some Rap music blowing through the speakers at GAB.
Rating: 2 beers.
• Joey Votto: “Paint it Black” – The Rolling Stones
I like to picture Joey Votto sitting at home alone, crying, listening to this song and asking, “Why do I have to do everything?!?”
Seriously though, when you hear that thumping drum beat in the beginning of the song, you know fear strikes the heart of any opposing pitcher having to face Votto-matic.
Rating: Zero beers. No alcohol needed for this one.
• Ryan Ludwick: “Brass Monkey” – The Beastie Boys
While Phillips' newer Rap joints are a little too hood for the white people in the crowd, this is something they can relate, too. I wish Ludwick could bat twice in the order, not only because he’s a great hitter, but so I can see the drunk 40-something in front of me gyrate and giggle some more when this song comes on.
Rating: 2 beers. It’s a fantastic song but it is about drinking, so it only seems right to have a little bit of a buzz.
• Todd Frazier: “Come Fly With Me”/ “Fly Me To The Moon” – Frank Sinatra
Todd Frazier is a class act. His intro songs were chosen because they remind him of his grandparents (seriously dude — is there a bad bone in your body?). But honestly, who better than Old Blue Eyes to bring out the classiest Red since Sean Casey?
Rating: Zero beers. Maybe a “Daniels on ice, two fingers” though, in salute to Sinatra.
• Jay Bruce: “Everything I Do” – Timeflies
I don’t know who these guys are, but based on the 15-30 second judgment made when I heard it every time Bruce came up to bat, I’m not a fan. (Sidenote: I’m going to blame this song on that pop-fly he had in the ninth inning of Game 5. Thanks a lot, Timeflies — you ruined the season!)
Rating: 5 beers.
• Ryan Hannigan: “The Show Goes On” – Lupe Fiasco
I applaud Hannigan for throwing up a Lupe song as his walk-on. It’s cool that he listens to some good Hip Hop. But this song was quite possibly the worst choice he could have made. The sample of Modest Mouse’s “Float On” alone makes me want the “show” to stop and never go on again.
Rating: 5 beers.
• Scott Rolen: “Viva La Vida” – Coldplay
This might be the weirdest choice on the whole list. When you see Scott Rolen up to bat, he just looks pissed off. Like he’s Liam Neeson and the ball he’s about to smash just took his daughter and sold her into the sex trade.
But then you hear his walk-on music and it’s freakin’ Coldplay? I was expecting some AC/DC, even some Motorhead, but Coldplay? I would go on, maybe even make a “You know how I know you’re gay?” joke — but honestly I’m afraid of this guy. Even if he does listen to Coldplay.
Rating: 4 beers. After about four large drafts I’d be singing along. It’s just got that Pop-chant chorus that I can’t resist when intoxicated.
I wasn’t going to do any pitchers but this one was too hard to resist …
• Mike Leake: “Some Nights” – Fun
You know what would be fun, Mike? If “Some Nights” you’d stop choking and pitch to your full potential.
Rating: 6 beers.
(While we know up-to-bat music is irrelevant in Major League Baseball and cannot actually be blamed for the Reds blowing it in the playoffs, we'll offer our suggestions for new walk-on music this coming spring. Look for it in about six months. Leave your own suggestions in the comments.)
We caught up with guitarist Josh Rand at UPROAR festival in the fall to discuss the band’s current album and their upcoming tours.
Cincinnati's summer concert schedule got a lot cooler this morning, as organizers announced some of the performers at this year's inaugural Bunbury Music Festival, which will go down July 13-15 across six stages along the riverfront at Yeatman's Cove and Sawyer Point. Bunbury founder Bill Donabedian (who co-founded CItyBeat's MidPoint Music Festival and helped turn Fountain Square into a legitimate live music outlet) had been saying he was on the hunt for several big time headliners for the event; today, we found out he was successful, with iconic AltMusic bands Weezer, Jane's Addiction and Death Cab for Cutie confirmed as main stage anchors. Jane's is schedule for opening night, July 13, Weezer headlines July 14 and Death Cab will cap the fest off July 15. According to the press release, there will be plenty more performer announcements to come, with plans to feature around 100 acts total at the fest. Stay tuned — a full lineup is expected to be unveiled next month.
Securing the heavyweight headliners and announcing them enables Bunbury (being billed as "affordable, fun, tech savvy, and eco-friendly") to put tickets for the fest on sale. You can get them starting today through the Bunbury site here. One-day tickets are $46 and three-day passes are available for $93.
As Donabedian's work with MidPoint and Fountain Square would suggest, local music will also be a big part of Bunbury.
“The Bunbury Music Festival will feature the best of our local Indie bands with national and regional bands that fans may have seen at other great festivals and concert venues,” Donabedian said in a statement. “Fans should think of this as an authentic music experience.”
Bunbury's announcement is just the latest in a string of positive news concerning the live local music landscape of Greater Cincinnati, which seemed in potentially dire condition by the end of last year following the closing of Newport concert venue the Southgate House and other clubs.
Turns out the sky isn't falling. In fact, the future's so bright, I hope Bunbury has vendors on-site to sell shades.