One of Cincinnati's finest Indie acts, the brilliant Bad Veins, has split in two. Last night, BV's singer/songwriter/guitarist/keyboardist Benjamin Davis took to the group's website to announce that founding member, drummer Sebastien Schultz, has decided to "move on from his time with Bad Veins."
Schultz — previously the drummer for local Indie rockers Cathedrals — had been a member of Bad Veins since almost the very beginning; Davis' first Bad Veins show was a solo affair opening for late Cincy duo wil-o-ee. As the pair told me for a 2008 CityBeat cover story, Schutlz was at the show (though he left early) and joined shortly after. He's played on all of BV's releases, including the most recent LP, The Mess We've Made, and toured extensively with Davis for the past five-plus years.
Thankfully for BV fans, this is not the end of the group. "The show must go on!" Davis said in his website post, expressing excitement for Bad Veins' future:
"I’m going to use this opportunity to do something I’ve been thinking about for a while, and take Bad Veins in a bigger direction, adding others members, bass, keyboard etc. I’ve already received a number of offers from musicians to join but haven’t made any decisions yet. If anyone has any recommendations, hit me up! The plan is to get back on the road this spring!"
We had heard rumblings about the split prior to this past Sunday's Cincinnati Entertainment Awards. Davis ended up opening the show solo (with taped backing), closing his set with a great, orchestral version of The Muppets' "Rainbow Connection." (The CEA show was filmed and will be airing locally on cable; a special, limited-edition DVD will also be available — stay tuned.)
Bad Veins is booked to play an all-ages show presented by the Counter Rhythm Group on Feb. 16 at Rohs Street Cafe in Clifton Heights along with PUBLIC and The Ridges. More info is available here.
One of the most notable music venues in the region, Newport's historic Southgate House, has announced it will close its doors for good after a Dec. 31 show headlined by locally-based/internationally-acclaimed Punk band The Dopamines. A press release sent out Monday night (and a posting on the club's web site) announced that "after more than thirty years in continuous operation as a music and arts venue," the Southgate House will be shut down, though no reason was given.
Details on future plans were also vague; the release says owner Ross Raleigh is hoping to "relocate" the venue in 2012 and that more information would be available soon. The full press release — and an update — are below.
Lately, we’ve been ridin’ this down-home Folk/Americana/Indie wave in the Queen City music scene. Jake Speed. Wonky Tonk. Frontier Folk Nebraska. Wussy. Fairmount Girls. Gul'durnit, we love ‘em!
Maybe it’s our hospitable river-town tendency to have a big, open heart for such middle American tunesmithery. Maybe it started with our love for the Ass Ponys and their AltCountry ways back in the ‘90s. Who knows?
Nothin’ wrong with any of this, mind you. But I’d like to take a moment on this here blog to clue you into a small contingent of freaky, confrontational local bands from the past that were the furthest thing imaginable from such comparatively downright friendly musical acts.
Last night, the music of Cincinnati — past, present and future — was on glorious display at Covington's Madison Theater. Yes, we realize it's a little weird to have the Cincinnati Entertainment Awards (which celebrated its 13th birthday last night) in Kentucky. But the Madison provided a more casual "Rock & Roll" atmosphere than past years' events, so, just as airport developers did in the ’40s, we've decided to claim Covington as Cincinnati, at least for one night.
The "bar" ambiance (and lack of a smoking ban in Kentucky) kept everyone off the sidewalks and in the venue, though we're certain many woke up this morning with the old "my clothes and hair smell like smoke" complaints. Fear not: Official CEA2010 gasmasks and Hazmat suits are being produced as you read this.
The presentations on The History of Cincinnati Music that David (“Uncle Dave”) Lewis has been presenting at the Main Library over the last year or so have been so good — so enlightening and entertaining — that one wishes he could do it for much larger crowds at the Aronoff Center or Music Hall. Or as a professor at University of Cincinnati — he’d be great there. He combines his original research with recordings and archival film footage and still photographs (when available).
One of his presentations, about Homer Rodeheaver, whose Cincinnati-based publishing company and record label were pioneers of sacred music and who was also close to the famous 1920s preacher Billy Sunday, got a nod as Best Arts Lecture last year from CityBeat.
But because his presentations have been on Wednesday evenings, many haven’t been able to attend. But now there’s a second chance. The Main Library’s music librarian, Steven Kemple, has arranged for Lewis to present reprises of his past lectures at 3 p.m. on the last Saturday of each month in the Reading Garden.
It starts tomorrow with The Hymn Composers of Cincinnati: Philips, Bliss & Doane, and Lewis will have guest pianist Jeremy Stevenson with him. All lectures are free.
Looking ahead beyond tomorrow, here’s the 2015 schedule so far for Lewis’ Saturday encore presentations:
At the same time, Lewis is continuing with his new lectures on Wednesdays at 7 p.m. Here is the schedule for those to date:
Besides baseball, there are two things that I associate with GABP and the Reds — beer and music. Well, maybe there are three. Losing in the playoffs has seemingly snuck itself in there in the last week or so.
Whatever, I don’t want to talk about it.
Ever since I was a kid, my favorite baseball players' personalities have always matched their walk-on batting intros. (Adam Dunn’s intro, “For Whom the Bell Tolls” by Metallica, was badass, unless he struck out afterward, which was often the case.)
But as I got older and was able to drink at the games (legally anyway), I began to notice a trend in my beer buying regiment. I was buying more booze in the bottom-half of the innings than in the top-half and I had no idea why. But after some deliberation (a couple more beers), I finally figured it out. It was this team’s batting intros that drove me to the stands to go broke on $9 beers (thanks, guys!)
So, in lieu of thinking about my bank account, or the fact that we made history being the only team ever up 2-0 in a series and still, somehow, some way, found a way to lose three straight at home, here is a list of the Reds' starters walk-on songs, rated on a scale of how many beers it takes for me to enjoy them. Even though no amount of booze will ease the pain of that Game 5 loss, maybe making fun of these guys' music preferences will.
• Zack Cozart: “Too Close” – Alex Clare:
Alex Clare’s DupPop single “Too Close” (best known for soundtracking an Internet Explorer commercial) has risen on the pop charts at the same rate as Zack Cozart’s batting average over the past season. Coincidence? I think not.
But really, Zack? This is your walk-on song? This is what gets you pumped up? I mean, for God’s sake, the lyrics don’t make any sense. “I feel like I am just too close to love you”? It would make much more sense if the lyrics were, “I feel like I’m too just too drunk to do you.” That would be a song I could connect with.
Rating: 8 beers.
• Drew Stubbs: “Breakin’ a Sweat” – Skrillex and The Doors
There is no excuse for this. The whole thing sounds like Netzero fucked Jim Morrison and it’s just not OK. I honestly think this may be half the reason why Stubbs’ hitting had been so atrocious over the last season. Really though, if I had to hear this screeching dial-tone noise ringing throughout GABP every time I went up to bat, I wouldn’t be able to concentrate either.
Rating: 20 beers. Alcohol poisoning sounds better than this song.
• Brandon Phillips: “Turn Up” – 2 Chainz; “Turn On The Lights” – Future; “Everythang” – Young Jeezy; “Pop That” – French Montana; “Bandz a Make Her Dance” – Juicy J
All right, DatDude, what the hell? I understand wanting to switch it up during the game and maybe having two or even three songs tops. But five? In most games you don’t even get to the plate five times!
It’s OK, though. It’s worth it just to see all the old white people get uncomfortable when there is some Rap music blowing through the speakers at GAB.
Rating: 2 beers.
• Joey Votto: “Paint it Black” – The Rolling Stones
I like to picture Joey Votto sitting at home alone, crying, listening to this song and asking, “Why do I have to do everything?!?”
Seriously though, when you hear that thumping drum beat in the beginning of the song, you know fear strikes the heart of any opposing pitcher having to face Votto-matic.
Rating: Zero beers. No alcohol needed for this one.
• Ryan Ludwick: “Brass Monkey” – The Beastie Boys
While Phillips' newer Rap joints are a little too hood for the white people in the crowd, this is something they can relate, too. I wish Ludwick could bat twice in the order, not only because he’s a great hitter, but so I can see the drunk 40-something in front of me gyrate and giggle some more when this song comes on.
Rating: 2 beers. It’s a fantastic song but it is about drinking, so it only seems right to have a little bit of a buzz.
• Todd Frazier: “Come Fly With Me”/ “Fly Me To The Moon” – Frank Sinatra
Todd Frazier is a class act. His intro songs were chosen because they remind him of his grandparents (seriously dude — is there a bad bone in your body?). But honestly, who better than Old Blue Eyes to bring out the classiest Red since Sean Casey?
Rating: Zero beers. Maybe a “Daniels on ice, two fingers” though, in salute to Sinatra.
• Jay Bruce: “Everything I Do” – Timeflies
I don’t know who these guys are, but based on the 15-30 second judgment made when I heard it every time Bruce came up to bat, I’m not a fan. (Sidenote: I’m going to blame this song on that pop-fly he had in the ninth inning of Game 5. Thanks a lot, Timeflies — you ruined the season!)
Rating: 5 beers.
• Ryan Hannigan: “The Show Goes On” – Lupe Fiasco
I applaud Hannigan for throwing up a Lupe song as his walk-on. It’s cool that he listens to some good Hip Hop. But this song was quite possibly the worst choice he could have made. The sample of Modest Mouse’s “Float On” alone makes me want the “show” to stop and never go on again.
Rating: 5 beers.
• Scott Rolen: “Viva La Vida” – Coldplay
This might be the weirdest choice on the whole list. When you see Scott Rolen up to bat, he just looks pissed off. Like he’s Liam Neeson and the ball he’s about to smash just took his daughter and sold her into the sex trade.
But then you hear his walk-on music and it’s freakin’ Coldplay? I was expecting some AC/DC, even some Motorhead, but Coldplay? I would go on, maybe even make a “You know how I know you’re gay?” joke — but honestly I’m afraid of this guy. Even if he does listen to Coldplay.
Rating: 4 beers. After about four large drafts I’d be singing along. It’s just got that Pop-chant chorus that I can’t resist when intoxicated.
I wasn’t going to do any pitchers but this one was too hard to resist …
• Mike Leake: “Some Nights” – Fun
You know what would be fun, Mike? If “Some Nights” you’d stop choking and pitch to your full potential.
Rating: 6 beers.
(While we know up-to-bat music is irrelevant in Major League Baseball and cannot actually be blamed for the Reds blowing it in the playoffs, we'll offer our suggestions for new walk-on music this coming spring. Look for it in about six months. Leave your own suggestions in the comments.)
By pure coincidence, the Cincinnati USA Music Heritage Foundation is celebrating the 60th anniversary of the recording of legendary Bluegrass track "Foggy Mountain Breakdown" by Lester Flatt and Earl Scruggs in Cincinnati's Herzog recording studio on the same evening as Earl's grandson — former BR549 member and successful Indie/AltCountry singer/songwriter Chris Scruggs — is playing just across the river at Newport’s Southgate House.
The album artwork and tracklisting for Bad Veins debut — coming out on Dangerbird Records nationally on July 21 — has been posted on the band's label's Web site. The self-titled record will get a local release party on July 24 on Fountain Square.
It was another great celebration of the Greater Cincinnati music scene Sunday night at Covington’s Madison Theater, as CityBeat presented the Cincinnati Entertainment Awards for the 18th straight year. The eclecticism of our local music scene was on display via excellent performances by nominees Mad Anthony, The Cliftones, Young Heirlooms, Zebras in Public, The Whiskey Shambles, Buggs Tha Rocka, Dark Colour and Injecting Strangers. (Pick up a CityBeat Wednesday for more on the show itself and stay tuned for photos from the event)
Wussy emerged the big winner of the night, taking home the Album of the Year, Artist of the Year and Best Music Video CEAs, a nice capper to a breakthrough year that saw the band sell out shows across the country, score rave reviews from several high profile music press outlets and make its network TV debut on CBS This Morning.
Below is the full list of 2015 Cincinnati Entertainment Award winners:
World Music/Reggae: The Cliftones
Jazz: Blue Wisp Big Band
Singer/Songwriter: Molly Sullivan
Country: 90 Proof Twang
Punk/Pop Punk: The Dopamines
Indie/Alternative: The Yugos
Rock: Buffalo Killers
Electronic: Dream Tiger
Blues: The Whiskey Shambles
Bluegrass: Rumple Mountain Boys
Folk/Americana: The Tillers
Metal/Hard Rock: Electric Citizen
R&B/Funk/Soul: Under New Order
Hip Hop: Buggs Tha Rocka
Best Live Act: The Almighty Get Down
Best Music Video: Wussy’s “North Sea Girls” (directed by Rich Tarbell)
New Artist of the Year: Honeyspiders
Album of the Year: Wussy’s Attica!
Artist of the Year: Wussy