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by Mike Breen 06.06.2014
 
 
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Wussy Plays First, Last Local Show of the Summer Tonight

Wildly acclaimed rockers join Tigerlilies, Honey & Houston and School of Rock Mason for free MidPoint Indie Summer show on Fountain Square

Since being released nationally in early May, Cincinnati rockers Wussy’s amazing latest album Attica! has been scoring an insane amount of neon-glowing reviews from many high profile outlets. Pitchfork, Pop Matters and Spin, among many others, have all given the album high praise (Spin also recently named it one of the Top 50 album releases of the year so far, alongside long-players by Beck, Pharrell and The Afghan Whigs). The band’s new record was also the inspiration for a remarkable essay by Charles Taylor for The Los Angeles Review of Books.

Give a listen to the new album below, then hit “buy” to grab your own copy:


Wussy is playing its only local show until at least this fall tonight, as the group keeps busy on the road throughout the summer, crisscrossing the country in support of Attica! The band’s upward trajectory that has been kickstarted by the new album shows no signs of slowing down anytime soon.


Check out CityBeat's recent interview with Wussy here.


Wussy joins The Tigerlilies, Honey & Houston and students from the School of Rock Mason (check the clips below for samples of each) for a free show tonight on Fountain Square as part of the MidPoint Indie Summer series (grab your MidPoint Music Festival passes in person at the MPMF booth or sign up for a chance to win some). The show starts at 7 p.m.






 
 
by Staff 03.02.2010
 
 

MPMF Registration Now Open

Is it really that time again? It seems like just yesterday that we were jumping from one packed MPMF venue to another, checking out everyone from local favorites to national and international gems to local favorites turned (inter)national gems.

Yes, bands and artists the world over can now register to take part in the 2010 MidPoint Music Festival, a three-day (Sept. 23-25) downtown Cincinnati party that is rapidly becoming a highlight of the region’s musical landscape.

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by Mike Breen 09.28.2012
 
 
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MPMF.12 Day 1: Kick-Off Run Back For Touchdown

Opening night of the MidPoint Music Festial makes for best Thursday yet

Night 1 of the 2012 MidPoint Music Festival is in the books, a fantastic Thursday that has to be by far the best attended, best booked Thursday in the festival's 11-year history.

It was a rockin' night, and also a weird one. In a good way. I caught great sets by some top-notch Rock & Roll bands, like the excellently named Shark? — which the singer/guitarist kept alternately calling "Shark?" (as a question) and SharkWithAQuestionMark. It's the sound of a great Rock band raised on equal doses of Black Flag and The Beach Boys. I can't take credit for that wise observation — the singer/guitarist's ax had a Black Flag "four bars logo" sticker doctored to read "Beach Boys." I think. My eyes are shot. It could have said Bleck Flog. And I don't know who that is. Great songs, ’90s Indie guitars-meets-the-Ramones-grind-and-shine, all peppered with some great low-key humor. Deadpan Alley Indie Rock Punk Pop? Definitely a strong if fairly under-attended set at Cincinnati Club's basement venue. It was early.

Still, by this point, I'd been going for about four hours, catching a nice opening performance on the Washington Park stage by Bonesetters, whose music fits perfectly between Pomegranates and Andrew Bird — which works out great because they performed on the same lineup as Cincinnati's Poms and genuine "Indie Star" Andrew Bird. The Washington Park stage was one of the best aesthetically. The back drop of Music Hall right behind the big MPMF-trucked-in stage was majestic. The buildings and rich surroundings of Over-the-Rhine made the whole scene perfect — I especially dug the helix stage props hovering above the performers from the stage-top, which lit up as the sun dropped and provided a great visual with the giant glowing Music Hall art-glass window right behind it like the moon looking on in approval.

Bird drew a solid crow to the Washington Park field, some hypnotized by his unique and diverse sound — he had a band but sometimes it seemed like Bird was multi-tasking his brains out, playing violin, singing, playing with effects, hitting the xylophone, whistling like a Classically-trained bird, crooning all charming-like. It was lilting and mesmerizing at times, but there was also about 75% of the crowd that decided to talk throughout Bird's entire set. I guess it's somewhat fair — they were just multi-tasking, too. But this was slightly annoying because, although Bird's music rises to an Indie Pop strut at times, mostly his music is about spaciousness — sparse percussion, airy violin, ethereally noisy guitar cloud-bursts, pure Americana moments, those whistles and that swoony croon.

I got a great dose of classic "Indie Rock" from a pair of groups that were playing the local original music scene before "Indie Rock" ever entered our lexicon. Filament opened up festivities at MOTR Pub and sounded amazing — not just like the members hadn't stopped playing about 14 years ago (this was one of their first shows back), but like they hadn't stopped playing and got even tighter and better. The trio looked comfortable on stage together and mind-melded in their interplay. Sometimes certain people are just meant to play together. Looking forward to hearing more of Filament's angled, muscular, anxious Post Punk sound soon.

The great Fairmount Girls are 11 for 11 in MidPoint plays — the Cincy greats have played every MPMF. And every time I've seen them it's a highlight. The Fairmounts' sound is always such of colorful explosion of melodies and grooves (talk about two people meant to perform together — keyboardist Melissa Fairmount and drummer Dana Hamblen are the Everly Brothers of Indie Pop, their creative rapport seemingly so effortless and perfectly natural). Pat Hennessy (also of The Tigerlilies) and Randy Cheek (also of The Ready Stance) add greatly to the colorwheel, also giving the songs shadows and corners with their creative guitar parts (and, in Cheek's case, effected-out, Xmas-light-decorated trumpet backing). 

At one point in my Thursday adventures, I started to drag and found myself feeling like I needed something "weird" to snap me out of it. Or some crack. Luckily, I opted to — at that very moment — walk into Below Zero where I was greeted with what appeared to be a giant table-cloth monster with lights, dancing as a giant mass towards me. I SWEAR I didn't choose option "crack."

Turned out to be the last few songs from The Terror Pigeon Dance Revolt. I spent last night and this morning trying to wrap my head around the whole experience of TPDR and the following performer, Canada's Richard Aucoin. I'm still not sure I can explain.

There are a few artists finding increased success in Electronic/Dance music circles (and, due to the power/entertainment value of the performance, with people beyond that scene as well) who are putting the "show" back in "Hey, let's go check out a show." TPDR and Aucoin, as well as Dan Deacon and Girl Talk to an extent, are the most interactive artists in music right now, not only erasing the line between audience and performer, but disintegrating it to the point where the audience is part of the performance and the performer is part of the audience.

Both TPDR and Aucoin performed amongst the audience at Below Zero, constantly encouraging everyone to participate, move closer, squeeze in, huddle up, jump, chant. Aucoin worked with — and actually interacted with — synched-up video that included some hilarious clips ("previews") and funny shout-outs to Cincinnati, some of the other participating artists, MidPoint and other weird, funny shit. Aucoin sang the Electro anthems (from the floor to the top of the bar) over driving programmed backing and a propulsive live drummer. It was like a strange performance art/comedy/film/dance party, with Andrew W.K's. energy and party-starting-abilities and Flaming Lips-like carnival action — made all the more amazing taking place in a pretty small club space (made smaller by his constant insistence that everyone mush in around him as tight as possible).

The audience was enthralled and sucked in. (The above photo by Jesse Fox and the reactions on the people's faces are the perfect description of the show.)

I got a little more "weird" next door at the Emery Theatre, the restored historic theater just off Central Parkwkay that is shaping up to be — along with Washington Park — a crown jewel venue and a perfect fit for MidPoint. Though familiar with their music, I wasn't sure what to expect from Dirty Projectors, but it was a truly unique performance of Beefheart-ian R&B Folk Jazz Pop …  yeah, they're wonderfully hard to explain.The show was likewise. The Emery was packed for the Projectors's avant-garde outerspace jams, a glorious sight, the perfect site for it and a vision of the theater's promising future. (The National next week is even more must-see because it's at The Emery.)

The MidPoint Midway was fairly hopping once the sun went down. The Box Truck Carnival is fittingly bonkers this year. Trucks have been turned into an improv comedy club, magnet crafts station, old-school video game arcade and a Soul Train dance-off/silhouette peek-a-boo truck, which got funnier and drunker as the night went on. Check out those and the other trucks even if you don't have a ticket to the festival. There's also good food options (Washington Park had solid vendors as well) and a large stage that will feature "second play" surprise sets by artists playing elsewhere during the fest.

I ended my night perfectly, coming full circle and back to "The Rock." Turbo Fruits were firebombs of no bullshit Rock & Roll, intense and heavy, but also very melodic and engaging, especially on some of the off-the-path Psych Pop songs they slip into the grinding gears. Turbo Fruits were a reminder that Rock bands can put on a show — they were thoroughly entertaining without confetti canons and surper-groovy light shows. Not that there isn't place for both. And that place, apparently, is MidPoint.

Night 2, here we come.

Check out oodles of photos from Day 1 of MPMF.12 here.
 
 
by Deirdre Kaye 09.30.2013
Posted In: Live Music, MidPoint Music Festival, Reviews at 11:29 AM | Permalink | Comments (2)
 
 
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MPMF Day 3: Anchoring Down at the Taft

Great news, y’all! I made it through another MidPoint without getting raped or mugged. (Getting mugged might not be so bad, though. “No, officer, it was definitely not me who bought Duck Dynasty underwear at Walmart.”) I know you were concerned for my safety.

I did MPMF quite a bit differently than I have in years past and I have to say, I think it contributed to it being the best one yet for me.

First, I forwent going with friends. I like my friends in small doses and on a couch talking about TV and girlfriends/boyfriends. Trying to coordinate concert plans with them, though, has always been an ordeal. Some of us are more hipster than others.  Going it alone sometimes feels slightly sketchy, but mostly I think it helped my experience. I wasn’t forced to stand in any hot, cram packed rooms to see bands I was less-than-thrilled to see.

Second, I decided to spend my entire Saturday night in just one venue. I did this for a few reasons: 1) Everyone I wanted to see was in that venue; 2) Cheap parking close-by. Therefore, I spent my Saturday night either pacing around outside the Taft Theatre or swaying back and forth inside the Taft’s Ballroom.

And, ya know what? I had a damn good time.

The Taft is my favorite venue in town. Whether it’s in the seated portion or down in the basement, it just has an amazing vibe. I love those bright white bulb-lights out front around the marquee. It makes the whole place sparkle. It just looks like you could pick it up and sit it in the middle of Gatsby’s New York City. Downtown Cincy has plenty of art deco touches that I dearly love. However, nothing makes me feel more fancy and more ready for a special night than standing outside the Taft. In addition, the basement Ballroom, where all three of Saturday’s bands performed, has this comfortable, almost sexy darkness to it. You could get into a little bit of trouble in some of those shadowed corners. I wouldn’t judge you if you have. I might be disappointed you never invited me, though.

Bear’s Den opened the night and, since I’d seen them recently, I didn’t feel too bad when I spent the better part of their set outside on the phone. It gave me the chance to people watch, which is always a ton of fun at MidPoint. MPMF pulls in a jumbled assortment of people to tramp around downtown with their wristbands. I saw people my parents’ age, dressed rather fancifully, chat with security and then slip down into the basement. I also saw an insane amount of frat guys, plus one very drunk Reds fan and his seriously concerned girlfriend. (I still don’t know why she unleashed her concern to me. But I really hope she finds a new date for next year. Like, maybe someone who won’t put her life in danger?) Oh! And I saw one seriously fabulous drag queen. (I appreciate your use of neon, girlfriend.)

Despite missing London’s Bear’s Den, I know they rocked. Not just because I’ve seen them and I love them, but because they still had a line of fans waiting to meet them when the final act went on at midnight. I think Cincinnati fell in love on Saturday. I’m giddy for Bear’s Den and for Cincinnati. Good choice, my friends.

I caught Cincinnati’s Bad Veins, though. Of course, I’ve seen them before, but I never mind the chance to see them again. Those two boys can make a ton of noise. Even with a few sound/mixing issues, they still managed to keep the room enthralled. That may have had something to do with Ben Davis’ bellowing into the microphone or climbing to the top of the monitors. I have no musical talent whatsoever and my balance is minimal at best, but I was envious as he stood towering above me with his hands on the ceiling and an entire room of people staring up at him in awe. The Veins are a genuinely good band. Not “good for a local band,” but good enough to root for them to keep gaining fans across the country.

Later, I watched Davis stand in the back of the room talking to a couple people for a surprisingly long time. They seemed to devour everything he said. He has dangerous levels of charisma. It was fun to watch.

As much as I love Bad Veins and Bear’s Den, I’d spent all weekend eagerly awaiting Daughter’s performance. I’m not sure why, but I didn’t expect many people to show. I guess because I remember when “Daughter” was just Elena Tonra. I slinked my way pretty close to the stage and gaped at Tonra as she charmed the pants off everyone in the room. When it got stuffy a few songs in, I turned around and was speechless by the sheer amount of people that had suddenly come in behind me.

It makes sense, though. Jesus. Her voice is beautiful. If you were anywhere else in the city on Saturday night, you messed up. She sent heads to the shoulders of girlfriends and, shockingly enough, most cell phones managed to stay in purses and pockets. It’s not that she wasn’t worth capturing. It’s that she was too captivating for anyone to have any other thoughts other than keeping their eyes glued to her face and their ears filled with her voice. Oh. The bow across the electric guitar was a great (albeit not very new) approach, too. It added a nice eerie feel to Tonra’s already haunting voice.

As I left, I had big plans to reflect on the concerts and do a little pre-writing for this review while walking to my car. One of my favorite former co-workers waylaid me, though. So much for avoiding my friends. Cincinnati is too small for that. I didn’t mind too much; I got all the dirt on who had left and who (sadly) was still around.

Eventually, I said goodbye to my ex co-worker, wandered away from Taft Theatre’s bright lights and into the ever darkening street.  As I meandered, it occurred to me just how much of a feat MPMF is for us. Cincinnati may be a city, but we’re not a very big one. How do we manage to talk so many stellar bands into visiting us every year? How is it possible we have something as beautiful as the Taft? How do we produce such a bounty of awesome local bands?

My best friend likes to joke that Ohio has bred more astronauts than any other state. He says it’s because Ohio is awful and space was as far away as they could get. However, I think we’ve bred so many astronauts for the same reason we’ve spawned bands like Walk the Moon and Bad Veins and all of the other great acts playing MPMF and for the same reason we put on such an great festival. We’re small but mighty. We put our hearts into the things and the people we love. Even if they don’t deserve it. (I’m lookin’ at you, Bengals.)

 
 
by Mike Breen 08.20.2014
Posted In: MidPoint Music Festival, Live Music at 10:52 AM | Permalink | Comments (0)
 
 
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MidPoint Music Festival Announces Free Shows

Real Estate and others to perform on the free MidPoint Midway stage

Thanks to an assist from sponsor P&G, one of the more anticipated MidPoint Music Festival performances this year will be a special free “happy hour” concert. 

Brooklyn Indie Rock group Real Estate will perform on the Midway stage the Friday of the fest (Sept. 26) at 6 p.m. Cincinnati faves The Yugos will kick the special event off at 5 p.m., with Arkansas’ Knox Hamilton, Nashville’s Colony House and others playing after Real Estate.



The MidPoint Midway is the hub of various activities that runs along a blocked off portion of 12th Street in Over-the-Rhine (between Walnut and Vine streets). The strip has featured the popular “Box Truck Carnival” (the ArtWorks-helmed project will be replaced with a new project this year) and will again have lots of food and other cool/fun vendors. 


The Midway’s stage is free and open to music fans of all ages. On Thursday, Sept. 25, the outdoor stage will feature excellent local acts Automagik, Black Owls and Pike 27, plus Columbus, Ohio’s Indigo Wild. On Saturday, Sept. 27, the stage will host Cincinnati’s The Ready Stance, as well as Bailiff, Alex G, Low Cut Connie and Magnolia Sons. 


Music on the MidPoint Midway begins at 5 p.m. Sept. 25-26, and 6 p.m. on Sept. 27. 


For those who want to catch more than just the freebies, MPMF tickets are available here. The three-day, all-music-access passes are currently just $69; the price goes up to $79 after Sept. 1. 


 
 
by Staff 09.18.2011
 
 
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MidPoint VIP Passes, Ticket Giveaway Coming to End

Sales of MidPoint VIP Passes end tonight at midnight, as do all online ticket sales for MPMF.11. Go here to make your online purchases of VIP Passes ($125) and 3-day wristbands ($49); you'll receive your tickets in the mail before MidPoint begins on Thursday.

Meanwhile, Biore® Skincare's giveaway of 20 free pairs of 3-day wristbands ends tomorrow at 12 noon. Register to win here.

If you prefer to buy your 3-day wristbands in person, you still have two options: visit one of 19 local retail stores in Cincinnati and Northern Kentucky selling wristbands (full list is here) or stop by the MPMF.11 Ticket/Info Booth on the MidPoint Midway Thursday evening during the first night of MidPoint. You won't be able to buy a 3-day wristband at any MPMF.11 venue — only the Midway ticket booth — and you won't be able to buy one after Thursday night.

The MPMF.11 Ticket/Info Booth will also have 1-day wristbands for sale each night during the festival for $30. You won't be able to buy a 1-day wristband at any MPMF.11 venue — only the Midway ticket booth.

 
 
by 09.23.2010
 
 
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MidPoint Day 1: Odds & Ends

The 2010 MidPoint Music Festival is finally upon us. In fact, it actually kicks off at noon today on the outdoor plaza outside the Main Public Library at Ninth and Vine streets with local Americana/Roots favorites Magnolia Mountain. Should be a hot start to a long, action-packed weekend. Literally.

If you're looking for last-minute updates and answers to your questions, you can stop by the MidPoint World Headquarters across from the library at Garfield Suites Hotel (Vine Street and Garfield Place). They'll be open for business by noon today. The MidPoint web site is a good spot for daily schedules, venue details, maps, Metro shuttle bus info and everything else.

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by C.A. MacConnell 09.26.2011
 
 
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MPMF.11 Day 3: All in All, Savage

Lucky score — found a wicked parking spot on Court, and I wandered over to Below Zero for Brooklyn’s Bear Hands. Standing in front of the bar’s enormous red “Z” on the wall, singer Dylan Rau also played bass and keys. Backed by two guitars and drums, Rau’s voice had a strong Post-Punk, New Wave edge that shone with the band’s catchy, circular rhythm. He was charismatic, big-eyed, and easy on the eyes. There was a good reason that neon-heavy Below Zero became packed very quickly. This band was not one to miss, in my book. I wonder how Bear Hands felt about the disco balls inside? I bet there was some lovin’ going on there.

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by C.A. MacConnell 09.23.2011
Posted In: MidPoint Music Festival, Live Music, Reviews at 11:04 AM | Permalink | Comments (0)
 
 
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MPMF.11 Day 1: Bring It On

Everything was easy — parking, finding venues, moving from place to place. Easy street. Even the weather was easy — not too hot, not too cold, not even crisp yet. Clouds just hung out in the sky, slightly alive, so gray. Steel. 



When I literally jumped out of the car in front of SCPA, excited strange people started offering me donuts. I didn’t take one, but I considered it. Fuck, that was stupid, I should have. Free damn donut. “Glazed!” they yelled, “Glazed!” Shout out to hot Dot, the lady in pink with the donut tray.

Welcome to the randomness that is sometimes called Midpoint. Bring it on.



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by Mike Breen 07.31.2015
 
 
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MidPoint Music Festival Adds More Acts, Venues

The 14th annual MPMF schedule is now available

The 2015 edition of the MidPoint Music Festival (owned and operated by CityBeat) is less than two months away, returning to various venues in Over-the-Rhine and Downtown Sept. 25-27, and this morning organizers announced the release of the schedule and a few additional performers. 

New artists added to this year’s 14th annual event include The Besnard Lakes, Heaters, The Moth & The Flame, Alberta Cross, The Glazzies and Left & Right. A few more local acts — Mad Anthony, Bulletville and Culture Queer — were also added to the roster. Widely-acclaimed Cincy-area rockers Buffalo Killers will also perform at this year’s MidPoint. You can catch a preview when the group headlines a free show tonight on Fountain Square, part of the MidPoint Indie Summer series. The band is joined by Ohio Knife, Pop Goes the Evil and Go Go Buffalo for tonight’s 7 p.m. concert. 


The festival also announced new venues for this year’s fest. Woodward Theater and Maudie’s, plus an outdoor stage at the corner of 14th and Sycamore streets, join previous venues Washington Park, Taft Theatre’s Ballroom, The Drinkery, Mr. Pitiful’s, MOTR Pub, Christian Moerlein Brewery and Arnold’s to host this year’s 120-act lineup. 


Get a look at the schedule so far right here. Tickets are available here. And more info on today’s announcement can be found here. All details can be found at mpmf.com


 
 

 

 

 
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