Tristate hipsters' shopping selection has significantly decreased with the closing of Newport's Village Discount Outlet this week.
Are you watching the Grammys alone tonight? Wishing you had someone there with you to enjoy the performances and award presentations help make fun of any and everything that deserves to be? Whether you're solo snarking, hanging out with a few pals, throwing your own Grammy mega-party or at the ceremony in person (we hear Taylor Swift is a big citybeat.com fan), join me tonight at this very cyber spot for some hot live blogging action. And when those witty comments pop into your head (or you become outraged with something I've written), feel free to post some comments of your own. The show airs live on CBS at 8 p.m.; pre-show red carpet festivities are probably going on now on E! And you can watch the program (and pre-show activities) through the Grammys site or through the Grammys YouTube channel.
Below is a little "pre-game show," addressing some of the more interesting story-lines this year, the saddest of which began just last evening when superstar Whitney Houston was found dead in her Beverly Hills hotel room. Even though her tragic death occurred just over 24 hours before the Grammys were set to begin, Houston's shadow will loom large over the ceremony, if not overshadow it completely.
Last week, Cincinnati's stars-in-the-making Walk the Moon issued the first release under its deal with RCA Records. Though only three songs, the effort is illuminating and a hint of what's to come on the band's forthcoming, so-far-untitled RCA full-length debut (due to be released this May). The Indie Dance Pop foursome has seemingly been touring and doing business related tasks non-stop for at least the last year. Now that it has a release on RCA, that will only increase. The recording is called Anna Sun EP, named for the band's irresistible tune that (along with a stellar music video) helped initially generate much of the buzz they've received fairly consistently over the past year or so.The song "Anna Sun" is on the EP, but those who have i want! i want! (the group's stellar self-released LP containing the original track) might still want to listen. It's a new version of the catchy song, slicked up a bit for radio and seemingly (inexplicably) sped up.
If you're looking for your own 15 minutes of fame but find your skill sets are generally limited to things that are superfluous — or, in this case, possibly self-destructive — your best bet might be to take up one of these local eating challenges (these are the ones we know of — we bet there's a lot more of 'em) so you can achieve glory, superstar status and indigestion — right after you unbuckle your pants.
Everybody knows Cincinnati is obsessed with food, probably because there's a lot of it around here. Good food, that is. Whether you want to show off, naturally induce hibernation, experience a lifetime's worth of a particular dish in one sitting or just want a good story to tell, there are plenty of opportunities to make it happen with eating challenges around the city.
Cincinnati restaurants Adriatico’s and Eli’s BBQ got national recognition this week when they appeared on Urbanspoon’s top 100 “cheap eats” list. Urbanspoon chose these two eateries, as well as 98 more, from the million (yes, million) restaurants in their database.
Eli’s BBQ upgraded from a tent at Fountain Square and Findlay Market to a permanent home in the East End this year. They serve smoked meat and home-cooked sides. On Friday afternoons, you can bring your own drinks to accompany the pulled pork and macaroni and cheese on your plate. Eli’s offers hickory-smoked ribs, all-beef hotdogs, pulled pork sandwiches and more. For a longer rundown of Eli’s BBQ, check out CityBeat's review of the joint.
Adriatico’s brings New York style pizza to the Queen City. The pizzeria and sports bar is open after midnight each night, so you can get your late-night pizza fix after most places are closed. And since pizza isn't complete without beer, this place has plenty of it. With more than 40 beers on tap plus tons of craft bottled and canned beers, you’re able to mix and match pizzas and brews for the best combination for you. To keep up with Adriatico’s, check them out on Facebook.
Congratulations to Cincinnati’s cheap stops to fill up and leave full. Once you give these restaurants a try, check out more local spots because Cincinnati has a lot to offer when it comes to eating.
A lot has changed since Charlie Sheen played that kind of do-able police station junkie in Ferris Bueller's Day Off. He was recently the highest paid television actor, has the highest risk of contracting a completely new strain of Hepatitis and is probably going to be the highest actor Andrea Canning has ever interviewed, on a special edition of "20/20" Tuesday night.
After the more leisurely pace of the first day, which afforded me the opportunity to settle in for whole matches at a time, the second-day schedule presented quite a change right off the bat. As always, I find myself drawn to a few select players, in the early rounds, who don’t get the same level of attention as the top seeds but who might be sleepers.
Center Court launched with Venus Williams as a wild card facing the 12 seeded Maria Kirilenko (RUS). Williams, working her way back into form while recovering from illness, still seemed more than capable of handling Kirilenko and the first set, which she won 6-3, sent me off in search of other signs of life.
Court 9 played host to another American wild card, Sloane Stephens, who has attracted interest as a possible upstart in the Williams sisters mold. She’s a solid African-American player who has risen up through the U.S. system and has become one of the marketable role models for kids in the summer recreation center programs around the country.
Her match, against Tsvetana Pironkova (BUL), offered an up-close glimpse and she did not disappoint. Pironkova is a game competitor with second-week experience in the majors, but she lacks the power of the top players. She craftily uses finesse and movement to keep herself in points, but Stephens seized the opportunity and dispatched her handily (6-4, 6-1).
What was impressive about Stephens was the fact that she went in with a game plan and executed it flawlessly. She knew Pironkova’s weaknesses and attacked with power and pinpoint accuracy. Stephens looks strong and fit, although the comparisons to the Williams sisters seem forced. She’s not as tall as Venus or as strong as Serena. Physically, she’s a step removed from each of them, yet a good blend of their strengths. It remains to be seen if she will be able to harness her talents and catapult forward, but the potential is certainly there.
Back on Center Court, Venus was prepared to serve out the second set against Kirilenko, but a funny thing happened on the way to that forum. A few slips at net and erratic serving led to a tiebreak, which Kirilenko won (7-5) to force a third set.
The third was little more than a wake-up call for a snoozing Venus who definitely looked a bit more like an awakened giant. She took the match [6-3, 6-7 (7-5), 6-2] and enjoyed the full support and admiration of the fans on Center Court.
The fans would be on-hand to bolster the spirits of several others over the course of the day.
The second match on Center Court, between Andy Roddick and lucky loser Jeremy Chardy (FRA), appeared to be more red meat for the crowds. In the early going, Roddick used his booming serves to feed the frenzy, routinely registering aces in the 130-range before dropping the pace for a sneaky 110 mph kicker that completely froze his opponent.
Let’s forget, for a second, about all of the talk surrounding Gregg Gillis, a.k.a. Girl Talk (a.k.a. this week's CityBeat cover star). Certainly in an era of Internet piracy and intensely important discussions of fair use doctrine, Gillis is at the forefront of pushing boundaries, both musically and legally. And Gillis also sticks out like a wonderfully sore thumb to those at the Federal Communications Commission and the like, that would have artists censored or denied their right to perform in the way they say fit.
However, at a live Girl Talk show, none of this matters.
Keller's IGA, located at 319 Ludlow Ave. in Clifton, shut down Thursday citing tax issues. While the doors are still locked, it has been announced that the store's liquor license is no longer suspended.
Cliftonites have been shopping at IGA's Ludlow location since 1939. Nestled near Arlin's Bar and Esquire Theater, Keller's was one of the only grocery stores in walking distance from The University of Cincinnati and has been a staple for many students and locals, especially those on foot.
While there is a CVS Pharmacy and United Dairy Farmer's nearby, the closest full-service grocery stores are the Kroger stores on West Corry Street (1.5 miles away) and off Spring Grove Avenue (1.7 miles away). The absence of Keller's not only leaves locals with fewer shopping options, but leaves a gap in array of locally-owned businesses in the Gaslight District.
While many former Keller's shoppers will turn to new stores where they can purchase deli items and fresh produce, they will most likely have to forgo supporting a neighborhood store and resort to a larger chain. A sign on Keller's door urges patrons to do what they can to save this local business.
While I’m not quite a junkie, I am fairly addicted to the “33 1/3” book series from publisher Continuum. If you’ve yet to hear about the series, the books are each dedicated to one specific album that has gained some sort of notoriety in the music world. The records chosen are mostly cult favorites with a few influential blockbusters mixed in. Of the 60 books written so far (each by a different author), the series has covered Pet Sounds, Songs in the Key in Life, Exile on Main St. and Led Zeppelin II but also lower-selling but no less influential recordings by the Magnetic Fields, Belle & Sebastian, Guided By Voices, DJ Shadow and Sonic Youth. (For a great overview, pick up one of the two Greatest Hits volumes released by the publisher.)
The tomes vary in approach, with some offering strictly historical examinations, some more about the author’s personal relationship with the album and others a mix of both. Chicago-based writer and music industry vet Bob Gendron has written what will likely be the only Cincinnati-connected album in the series, telling the tale behind Gentlemen, the major-label debut and relative breakthrough album by The Afghan Whigs. I would argue that records by Over the Rhine and The Ass Ponys, among others, deserve the 33 1/3 treatment, but they’re likely not well known enough to pique the publisher’s interest. I’d also argue that my personal favorite Whigs’ album, Black Love, should get a book, but the chances of having two Whigs stories in the series are just as slim.
Gendron mostly plays historian, telling the story via research and numerous interviews with the prime players, including all of the Whigs (drummer Steve Earle included), Sub Pop employees (Gendron himself used to be one) and other friends and industry connections. He also does a fantastic job of recreating the state of the Whigs at the time, a band of tight friends on the brink of major success yet also inflicted with drug issues and internal and external squabbles.
The story of Gentlemen is bookended by the tale of the band’s beginnings and their breakup, all the way up through last year’s greatest hits album. There are a lot of interesting tidbits and revelations. Gendron gets singer/songwriter Greg Dulli to talk about his serious relationship with the mysterious “Kris,” the dissolution of which led to the album’s tortuous, heartbroken tone. Other fun facts: Dulli recorded several of the album’s lead vocal tracks in one night while flying on coke and trying to impress a girl; Steve Earle was booted for several reasons (alcohol abuse, meddling girlfriend, creative control issues, ego conflict); and labelmate Linda Ronstadt was allegedly furious about the album’s cover (depicting a young boy and girl lounging on a bed), apparently under the impression that it was a naked bellybutton away from being child porn. It was also interesting to read that one of the band’s main friends at Elektra Records was feeding information to the nasty, slanderous 'zine Fat Greg Dulli.
Gendron gets to about every detail of the album, from the cover art’s original inspiration and liner notes to the songs’ inspirations and recording. But he doesn’t just relay facts. He also talks about Gentlemen as an artistic statement, carefully dissecting and describing the individual songs’ and the general album’s mood, cause and effect. Not only does Gendron’s book offer the last word on Gentlemen, it also shows what a compelling story The Afghan Whigs’ entire career remains.
For Whigs fans or even just those who were around Cincinnati to witness the band’s rise from little underground touring unit to soulful, seductive Rock machine, the book is a fascinating remembrance. For those who’ve never even heard of the Afghan Whigs, the story is universal and dramatic enough to be read as a novel (save the music-critic-y song dissertations).
The story is so good, in fact, that it would be great to see Gendron expand it beyond the 113 pages of this book. As his Gentlemen proves, the Whigs are deserving of a long-form biography that tells the band’s complete story. Who knows? Maybe Gentlemen: The Movie isn’t totally out of the realm of possibility.
Too bad John Belushi isn't around to play Greg. And Jimmy Page is too old to play Rick McCollum.
— Mike Breen