A lot has changed since Charlie Sheen played that kind of do-able police station junkie in Ferris Bueller's Day Off. He was recently the highest paid television actor, has the highest risk of contracting a completely new strain of Hepatitis and is probably going to be the highest actor Andrea Canning has ever interviewed, on a special edition of "20/20" Tuesday night.
Cage The Elephant is a young five-piece from Bowling Green, KY, Matt Shultz (vocals), Brad Shultz (guitar), Daniel Tichenor (bass), Lincoln Parish (guitar) and Jared Champion (drums). They accumulated 80 songs worth of ideas during a 2-year period touring around the globe and living abroad in England supporting their eponymous debut album. As they began sorting through their arsenal of songs, they returned to Kentucky to record album two.
We had the good fortune of catching up with members Lincoln Parish and Daniel Tichenor prior to a performance at the 2010 Voodoo Festival in New Orleans. They are currently promoting the upcoming album, Thank You Happy Birthday, to be released January 11, 2011, and their new single Shake Me Down.
CityBeat: I appreciate you guys taking the time to talk to me. I was interested in you guys because I’m from Clarksville, Tennessee which is very close to your hometown of Bowling Green.
Lincoln Parish: Yeah an hour away.
CB: The local connection. I know you guys have the new album coming out soon, Thank You Happy Birthday. What’s the story behind the title?
Parish: There’s not one I don’t think.
Daniel Tichenor: Not one. We just couldn’t… I just think titles at times are… I don’t think they’re really necessary.
Parish: I hate titles.
CB: But your last one was self-titled.
Parish: It’s one thing if you’re doing a concept album.
Tichenor: But we were asked to come up with a title. So…
CB: Was it somebody’s birthday?
Parish: There’s gonna be a picture of a cupcake on the front of the album cover.
CB: Like Cake?
Parish: We don’t know yet but it will be my proposed idea.
CB: You guys have been touring with STP right?
Parish: Yeah we did for about a month.
CB: Were you guys there when Scott fell off the stage in Cincinnati?
Parish: Yeah we were. I didn’t see it.
CB: That was a crazy night. That stage is really
high. It’s like six feet tall. I think that usually the speakers are
right up on the stage and he’ll jump on them and go out and sing.
Parish: Yeah, they usually build a platform but I think they didn’t think he was going to go over that far. And he did. He expected it to be there and it wasn’t. He kept singing though.
CB: He did. I talked to the security people the
next week and they talked about pulling him out of the wires and they
said he was pretty beat up. They said he sang the whole time. The band
didn’t even miss a beat. I think if you’re lead singer fell off you
guys might look for him right?
Tichenor: The thing is when you’re playing you’re really not paying attention. If somebody… If something happened to someone in the band you really don’t know.
CB: You really wouldn’t notice for a while?
Parish: I’ve fallen off a couple times.
Tichenor: Yeah, Lincoln has fallen off and I didn’t even know he fell off.
CB: You just keep going. I guess the only person who can’t fall off is really the drummer.
Parish: If he falls off, we’ve got big problems.
CB: Have you guys been here just today? Were you here yesterday?
Parish: We got in yesterday afternoon.
CB: Did you catch any of the shows?
Tichenor: We had rehearsal.
Parish: We had rehearsal. We haven’t played in a couple weeks.
CB: What’s your favorite track on the new album and why?
Parish: Mine’s probably Indie Kids.
Tichenor: And why?
Parish: I don’t know. I just like it. There are a lot of different elements I like about it. But it’s got a cool vibe.
CB: Do you guys write most of the music?
Both: Yeah we write all of it. We write together.
CB: And you do it together in the same room? I know a lot of bands write separately then they come together to put it all together.
Parish: I mean sometimes there might be an idea that starts off where there’s one person who has a guitar rift or a melody idea or something but usually…
CB: You’re all together.
Parish: It’s all collective.
The band actually locked themselves away in a remote Kentucky cabin and, after just two weeks, emerged with Thank You, Happy Birthday, a set of songs that blasts through your speakers with ferocity.
CB: So you’re still friends.
Parish: Yeah for the most part.
Tichenor: I think my favorite song would be our first single that we’re going to release. It’s called Shake Me Down. The reason I like it is because I’m kind of glad it’s going to be our first single because when it comes out people are going to be really surprised.
Parish: It’s a lot of growth.
CB: So how is it different? I loved the first album In One Ear…
Parish: Maturity and growth.
Tichenor: It sounds a lot different. I mean you can still tell it’s us.
CB: Do you guys have any ballads?
Tichenor: There’s quite a few. It’s all singing harmonies and…
Parish: It’s singing, harmonies and reverb. I love reverb.
Tichenor: The first album was more talky. This one’s singier.
Parish: Well there are some songs on this new record that are a lot heavier than the first record. Then there are some songs that are a lot softer.
Tichenor: It’s a big mix.
Although Cage The Elephant has sold more records than most recent bands on their debuts, they have engaged in indulgences that took them off track and battled their share of demons and creative doubts. Their adversities forced them to take a fresh approach with their new album, and their lives.
CB: So when you guys are touring, what do you miss about home? You guys live in Kentucky when you’re not touring, right?
Tichenor: I miss my bed.
Parish: It’s like the simple things.
Tichenor: Bed and some isolation. Sometimes you just want to do your own thing.
Parish: It’s kind of cool to have a little bit of stability for a little bit. Day to day kind of stuff.
CB: I hear that a lot from people. They just like
doing their laundry and doing normal things they can do at home versus
on the road where everything is hard. You have to find logistically
where we are going to eat. Are we washing our clothes in the sink today?
Tichenor: You have to get in your car and drive with stuff like that.
CB: So how long have you guys lived in Nashville?
Parish: I’ve been there for about a year and half.
Tichenor: Two years.
CB: Which part of town do you live in?
Parish: I live in West End.
Tichenor: I’m in Germantown. It’s cool. It’s nice. It has that small town vibe.
CB: People are nice but there’s tons of music.
Doesn’t it blow you away with all the talented musicians that are there
that are never going to make it? It’s kind of depressing. They are
Parish: I have a friend who works at Trader Joe’s now on the side. He was in a band called Warrior Soul. After he quit Warrior Soul, he went on to write an album with the guy from Ministry and went on to do a lot of other stuff. But he’s working at Trader Joe’s now.
CB: Do you guys play locally there a lot?
Parish: We haven’t played Nashville in over a year.
Tichenor: Our booking agent is very selective of when we play. You don’t want to overdo it.
Parish: There was one point and time where we played Nashville like every weekend for a while.
CB: I think it depends on where you’re at and what
you’re doing and promoting. If you weren’t playing music, what would
you be doing?
Tichenor: I worked at Lowe’s. So I’d still probably be working at Lowe’s and hating life.
Parish: I don’t really know what I would be doing.
Tichenor: I think it’s cause we started so young. There’s no telling what we would do.
Parish: I don’t know. I really don’t
CB: This is all you ever wanted to do?
Parish: It’s hard to even like imagine not doing music. Even if the band was to break up now I still feel like I would do something in music.
Tichenor: At least try. There’s somebody you can always play with.
Parish: I think if you really love it, you’ll always do it no matter what.
CB: So how do you define success?
Tichenor: If you’re content with the happenings of your life then you could be considered a success. There’s stuff from the outside that could be considered success, but if you’re not happy at the end of the day then what’s the point of doing it. That’s the way I see it.
CB: Most people don’t say money, fame, or fortune. It’s usually about family or just being happy or love playing music.
Parish: If you’re happy and content with what you’re doing, that’s success to me.
CB: Obviously the record’s coming out…
Parish: January 11th
CB: Are you going to support it with a tour? Do you have anything line up yet?
Tichenor: We don’t really know what we’re doing after it comes out. It’s kind of up in the air right now.
Parish: We’re definitely going to be promoting it.
CB: I’m hoping you guys come through Cincinnati and are at Rock on the Range next year?
Parish: Hopefully, we’ll get back over to Europe right when it comes out.
CB: You guys lived there for a while right?
CB: Did you like it?
Tichenor: London… I liked it. It’s a different pace. It was all new to us.
Parish: At the time it was kind of weird. We didn’t really know what to think about it. But now looking back, I miss it a lot.
CB: It’s uncomfortable a little bit. You’re out of the country. But when you get back and you reflect on it…
Tichenor: It’s good life experience.
Parish: But then you miss the little stuff. The kebab shops.
CB: Exactly, I miss the accent from London. I think they have the best accent.
Parish: I have an English wife.
CB: So that was your souvenir from the trip?
Tichenor: It’s so weird. I had a girlfriend from England and you get so used to that accent.
CB: I don’t have a huge southern accent but a lot
of people who aren’t from the U.S. think the southern accent is similar
to the English accent.
Parish: Every time we go to Chicago, for some reason in Chicago everybody thinks we sound so southern but I guess we do have the accent maybe.
CB: A teeny bit. Any guilty pleasures?
Tichenor: Peanut butter and jelly sandwiches
CB: That’s not too guilty
Parish: I think he likes that Bulletproof song by LaRoux. I don’t mind that song either.
Tichenor: There you go. That’s our guilty pleasure, LaRoux.
CB: Is there anything else you guys want to say or promote? You talked about the first single. When’s it going to hit the radio?
Tichenor: Shake Me Down in a couple weeks around Thanksgiving time.
CB: I’ve been listening to your other stuff for so long. I’m ready. I’m sure you guys are ready to play something new right?
Parish: The first album was like four years ago.
CB: Are we going to hear new stuff today?
Parish: Yeah, we are actually going to play the new single tonight.
CB: I look forward to it. Thank you so much.
When the band played Voodoo Fest later that day after my interview on the main stage they proved to be one of the highlights of the day. Lead singer Matt Schultz was electric and did more stage diving than I had seen in a long time into their devoted legions of fans. At one point he even climbed up the scaffolding surrounding the sound booth and dove directly into the crowd. His Superman stunts and the band’s rebellious sing along lyrics got everyone excited for the second day of Voodoo Fest.
Don’t forget to checkout their new album, Thank You Happy Birthday, in stores January 11.
It's true: Arch-conservative Cincinnati Enquirer columnist Peter Bronson has been laid off.
Earlier today, Bronson posted a message on his blog, Bronson Is Always Right, bidding farewell to his readers. It was posted under the headline, "Unemployment Statistics Increase -- Including Me." The item was posted at 4:54 p.m. but appears to have been later scrubbed from the Web site by newspaper management.
The FTC says it wants $37.5 million from Trudeau to compensate consumers of another diet book he authored. It was a best seller called Natural Cures “They” Don’t Want You Know About. Trudeau says he doesn’t have the money to pay the fine and court documents describe him as being hounded by the government. In Cincinnati federal court, Global Information Network, which goes by the acronym GIN, contends its assets should not be targeted by the subpoena because Trudeau “is not, and never has been, an owner, manager, officer or director of GIN.” But the judge said the bank records were “relevant to determining whether Trudeau has used GIN to conceal his assets.”
The FTC said there is evidence showing that the offshore company has significant financial ties with Trudeau and his wife. It cited emails and money transfers, including $261,000 in checks from GIN that went into accounts controlled by Trudeau. The government said they were Fifth Third bank accounts.
Trudeau was banned from doing infomercials that made false claims in 2004. He settled charges he misrepresented a product called “Coral Calcium Supreme,” which was based on Japanese coral and could cure cancer, heart disease, high blood pressure, lupus and other illnesses. The FTC called him a “prolific marketer” who specialized in health benefit infomercials. When he settled the case, Trudeau did not admit guilt. “This ban is meant to shut down an infomercial empire that has misled America n consumers for years. Other habitual false advertisers should take a lesson, mend your ways or face serious consequences.”
In her decision, Dlott said the Fifth Third accounts were needed in the government’s quest for the $37.5 million Trudeau owes for the consumer fraud fine: “The FTC has provided sufficient evidence establishing GIN’s bank account records are relevant to its investigation into Trudeau’s undisclosed assets and are sought for good cause.”
Dennis Yost, the lead singer for the group Classic IV (known best for its indelible hit “Spooky”), passed away in Hamilton early Sunday morning. Though not a Cincinnati native, he had lived here for several years and was embraced by the local music community.
In a stark turnabout from the company’s previous position involving the incident, Cintas Corp. has settled a lawsuit filed by the wife of an employee who was burned to death in an industrial dryer at an Oklahoma facility.
When Eleazar Torres-Gomez was killed at the Cintas laundry near Tulsa, Okla., in March 2007, the company took no responsibility and blamed him for his death. Further, Cintas initially tried to block Torres-Gomez’s family from claiming workers compensation benefits.
After previously teasing its inaugural lineup by announcing performers like Jane’s Addiction, Weezer, Death Cab for Cutie, Airborne Toxic Event, Manchester Orchestra and Gym Class Heroes, the Bunbury Music Festival today announced most of the remaining acts for the July 13-15 festival along the riverfront at Yeatman's Cove/Sawyer Point. There will reportedly be over 100 acts on six stages over the three days, so more acts will be announced.
Here's who's playing:
Friday, July 13
: Jane’s Addiction,
Airborne Toxic Event, Minus the Bear, O.A.R., Foxy Shazam, Ra Ra Riot
, LP, Matt Pryor, Reverend Peyton’s Big Damn Band, Ponderosa,
All Get Out
, The Minor Leagues, Lauren Mann, She Does Is Magic, Bo & the Locomotive, Tristen and Pet Clinic.
Saturday, July 14: Weezer, Gym Class Heroes, Manchester Orchestra, Grouplove, RJD2, Dan Deacon, Jukebox the Ghost, The Bright Light Social Hour, Kevin Devine, The Silent Comedy, Graffiti 6, 1,2,3, Secret Music , Messerly & Ewing, 500 Miles To Memphis, The Lions Rampant, Jeremy Pinnell & the 55’s, Wheels on Fire and Hotfox.
Sunday, July 15 : Death Cab for Cutie, City and Colour, Motion City Soundtrack, Guided By Voices , Margot & The Nuclear So & So’s, Good Old War, Lights, Will Hoge, Maps & Atlases, YAWN, Now, Now , Wussy, The Seedy Seeds and The Tillers.
Tickets are $46 for one day or $93 for a three-day pass. Click here for more details.
The Doobie Brothers have been entertaining audiences across the world for more than 40 years. In 2010 the band released World Gone Crazy, their first album in a decade. They continue to be an inspiration with their recordings and their rigorous tour schedule.
CityBeat caught up with guitarist and vocalist Tom Johnston by phone this week. Johnston discussed the changes the band has seen through 40 years of Rock n Roll and what guides the creative process of the band. They will be performing at Riverbend at the PNC Pavilion this Sunday alongside Chicago.
CityBeat: You guys have been touring on the road for over 30 years. Do you ever get tired of just being on the road?
Tom Johnston: You get tired of travelling. You don’t ever get tired of playing. The playing part is what makes you come out here in the first place. I think Keith put it the best, Keith Knudsen, “You get paid for all the time it takes to get to the town and then you play for nothing.”
CB: You have seen music change over the years in recordings from albums to 8-Tracks to tapes to CDs to MP3s and iPods. Do you think it sounds better or worse today, the classic analog vs. digital question?
TJ: If you have hearing like mine, it really doesn’t make any difference. There is basically the school of thought that digital recordings aren’t as warm as analog. I can’t really tell you the difference when I am listening to it. Maybe if I did a mix there would maybe be a difference in analog that I could tell the difference. They have really come a long way with digital recording. They have ways of mixing digital recordings now so it sounds more like analog. Some people still buy albums if you can get them. People are still putting albums out. In fact, this last album we put out, World Gone Crazy, there was over 14,000 actual albums put out with the CDs, and by that I mean actual vinyl records for the people that want to hear it in analog.
CB: How many guitars do you have and what is your favorite to play?
TJ: Oh boy. I’ve got a lot of guitars. Basically, everything I use on the road is PRS and that is what I play live. I use two basic guitars live that I trade off and I have a Martin acoustic that I play as well live. It is pretty much all about Paul Reed Smith right now. At home I have a Stratocaster and I have some older guitars I have had for a long time, an old Les Paul, an old 335, a couple Strats and a Telecaster. But live and when I am out on the road, it is strictly Paul Reed Smith.
CB: When you began and wrote the early hits and songs for the band like “Rockin’ Down the Highway”, what were your early inspirations?
TJ: My inspirations at the time of writing a song like that had pretty much been put in place from playing since I was 12 on the guitar and picking up singing when I was 15. Most of my early stuff came from Blues and R&B and Rock & Roll by the guy I consider the King of Rock & Roll, that was Little Richard and people like Jerry Lee Lewis. Later on, that changed, I got into Hendrix and Cream and quite a few other people I am not going to be able to think of right now. David Mason albums, old Fleetwood Mac albums, you know from the ’70s, just a lot of stuff going on then. As far as players, Albert, Freddie and B.B. King were huge in my guitar playing. I call them the Three Kings, that’s basically how a lot of people refer to them. There are a lot of singers that influenced me. James Brown was definitely one of them.
CB: Have you had a single issue or incident that has ever changed the way you approach music?
TJ: If I ever did, I am not really sure when it was. I know the first time I ever watched, one of the few times I actually got to watch, James Brown live was 1962 in Fresno and that was pretty much a life altering event, musically. I had never seen anything like that. It just blew me out of the water. I couldn’t believe someone could work that hard that consistently and put on just an incredible show. That was a big event in my life.
CB: Over the years, you have had some health ailments with your voice and other things. How do you stay healthy on the road now?
TJ: I take care of myself. Back in the old days it was the Rock & Roll lifestyle, that wasn’t really healthy. But the biggest sideline I ever had was stomach ulcers which I developed in high school but it fully bloomed when I was out on the road in 1975 when I actually had to leave the tour. That is really the only health issue I ever had, but it was a bad one.
CB: Do you consider yourself or does the band consider themselves spiritual in any way and did it ever play a factor in your music or writing?
TJ: To be honest with you, no — at least not in the secular way of any specific religion. It’s not that we are not a religious band, it is just everybody has their beliefs about the world and mankind and how we got here I suppose but it is certainly nothing we would talk about.
CB: After all these years, I assumed you guys would talk about everything.
TJ: We talk about a lot of stuff but that isn’t one that pops up. Actually it popped up this morning. I was just giving my views on Buddhism and thinking it was a little more realistic since it is based on mankind’s shallow man as opposed to strictly about a specific deity and things having to be done a certain way. But those are just opinions and I don’t really follow it that closely; I don’t think anybody in the band does, to be honest with you.
CB: Do you guys take on different leadership roles within the band?
TJ: Yeah, to a point. It is basically when we are recording. When we are playing, it kind of happens naturally. Recording it is pretty much whoever writes the tune will be leading if you will, but other people come up with ideas for the tune so it is pretty much always a group effort.
CB: Are there any current Rock bands or new Rock bands on the scene right now you would like to collaborate with or work with?
TJ: I think John Mayer is an incredible guitar player. I really enjoy his work. Another one is Bruno Mars — I think he is extremely prolific as a song writer and pretty amazing. There is a band called Mannish Boy, which is a Blues group. I really like those guys. They are new. Most people aren’t going to know them. They aren’t Pop or anything like that. They are simply a Blues band but they are really, really good. There are more, I just can’t think of them right now. There are more people I think are really good out there that would be fun to get in the studio with. It would be fun to work with Christina Aguilera or Cee Lo Green. It would be fun to work with anyone from Maroon 5. We recently worked with Luke Bryan for that TV show on CMT called Crossroads and we had a ball doing that.
CB: I love Luke Bryan and his music. He has kind of blown up recently.
TJ: He is a good guy. He is a really good guy. We had a lot of fun doing that show. Everybody was just having a lot of fun.
CB: Do you have any creative outlets or hobbies outside of playing music?
TJ: It’s outside of the band in a sense but I write music for a hobby. I love writing. I do it all the time. I have a little studio at home. A lot of the stuff I write would never be used by this band. I am starting to branch out and write with other people now too, which is something I haven’t done as much. I have always kind of just written my own songs. I have started taking the steps to go out and write with some other writers who are very prolific and very much involved with the Pop scene or the Country scene or whatever else. I just really started doing that before we came out on this tour. When we finish this tour this year, I will go back to doing that some more. It was fun. It was a new place to go. It is exciting to get in and work with someone else because they help you find a lot of stuff you don’t know you have and I think you do the same for that person. You come up with songs that you would never come up with if you were just sitting there by yourself.
CB: Do you use social media outlets like Facebook and Twitter to stay connected to your fans?
TJ: There is Facebook and Twitter and all that stuff on our website. I don’t do any of that stuff. For whatever reason it hasn’t called me. I don’t have any need to be in touch with people or stay in the limelight or find out what is going on. I am kind of a private guy and I would like to keep it that way rather than blast it all over the universe. I don’t belong to Facebook. I know tons of people who do it and that’s great. From a business point of view, it is a really smart way to go. From a website point of view, it is a really good tool for getting your music out there, events out there, where you are going to be, maybe even staying in touch with other musicians, things like that but mostly I do that on the phone. Twitter, I have never even used Twitter. I know people do it all the time but I have never gotten involved with it.
CB: I still use a telephone because I prefer to talk to people.
TJ: It is alive and well in the younger generation. That’s how they communicate.
CB: My last question is do you have any fond Cincinnati memories over the years?
TJ: Yeah, playing at Riverfront Stadium, playing at where we are going to be playing this Sunday which is right on the river, Riverbend. We have played there lots of times. I was just talking to a gentleman a little bit ago about playing in Blue Ash the last time and a tornado came through and shut the show down and we never got a chance to go out and finish it. We have been playing Cincinnati since we started so we are talking 40 years of playing Cincinnati.
CB: We look forward to seeing you on Sunday.
TJ: Thank you very much. We are looking forward to being there and it will be a gas as always. This show with Chicago has pretty much been sold out everywhere we have gone. The crowds have been great and it is a good combination. The two bands, we get together at the end and do an encore of everybody in both bands playing at the same time and it is pretty powerful.
“Black Wednesday” has become “Black Thursday.”
Layoffs continued for a second day at The Gannett Co.’s newspaper holdings, including The Cincinnati Enquirer. Because The Enquirer is so notoriously tight-lipped about the names or job titles of staffers who are let go, CityBeat is slowly confirming names from various sources and cobbling together a more complete list.