There isn't a huge stylistic gap between Steve Earle and John Hiatt, so it makes sense that they would make a good tour package (one that hits the Taft Theatre tonight for an 8 p.m. show). They're both moderately successful Americana artists with slavishly loyal fan bases and solid bodies of work over long careers (Hiatt having the earlier ’70s start).
To the curious mind, the billing begs the point: What else do Earle and Hiatt have in common?
• They both began their careers as staff songwriters and launched performing careers after one of their songs became a hit for someone else (Johnny Lee for Earle, Three Dog Night for Hiatt).
• They've both been covered extensively by other artists, Earle by Travis Tritt, Robert Earl Keen and others, and Hiatt by Bonnie Raitt, Rosanne Cash, Willie Nelson, Bob Dylan and many more.
• They both signed with Epic Records for their first deal; Earle never recorded for them, while Hiatt did two Epic albums which sold poorly and expedited his release.
• Their second contracts were both with MCA; Earle had a pretty decent run with the label, including his 1988 hit Copperhead Road, while Hiatt's was a repeat of his Epic experience.
• They've both been nominated for Grammys, but Earle has a commanding lead with 14 nods and three wins, while Hiatt has been nominated twice with no mantle bling to show for it yet.
• They've both been married multiple times, but again Earle has the lead with seven marriages; Hiatt has only had three.
• Both have successfully dealt with substance issues.
• Both are balding; Hiatt has the lead here with more hair, but Earle compensates with a ZZ Toppish beard.
• Both will kick your ass in the live setting, so bring an extra ass.
Here's a clip for Hiatt's "Damn This Down," off his latest LP, Dirty Jeans and Mudslide Hymns.
And here is part of a documentary filmed during Earle's sessions for I'll Never Get Out of This World Alive (also the name of his novel and, yes, both are based on the Hank Williams tune, which he covers on the album as a bonus track. The novel is centered around Williams mysterious "doctor" who traveled with the singer until his death, then disappeared).
The summer music festival season is winding down, but area fans of Americana/Folk/Roots music of varying stripes have a big one to look forward to this weekend, as the fifth annual Whispering Beard Folk Festival returns to the Old Mill Campground in nearby Friendship, Ind., starting in just a few hours.
Founded in 2008, Whispering Beard has showcased both the old and new guard of Americana, mixing legends, contemporary favorites and lots of Greater Cincinnati area artists. This year is no exception; in fact, it may be the best lineup yet. Check the full rundown of performers below, as well as video clips from each day's headliners.
11:30 a.m. Easy Tom Eby
12:20 p.m. Red Cedards
1:10 p.m. Ben Knight
2 p.m. Arlo McKinley and the Lonesome Sound
2:50 p.m. Rattlesnakin' Daddies
3:45 Kentucky Struts
4:40 p.m. Sassy Molasses
5:35 p.m. Al Scorch
6:30 p.m. Frontier Folk Nebraska
7:30 p.m. Charlie Parr
8:30 p.m. Pokey LaFarge and the South City 3
9:30 p.m. Whiskey Bent Valley Boys
10:30 p.m. Langhorne Slim
11:30 a.m. Jive Creek Ramblers
12:20 p.m. Billy Catfish
1:10 p.m. Terminal Union
2 p.m. My Brother the Bear
2:50 p.m. Shiny & the Spoon
3:45 p.m. Jeremy Pinnell & the 55s
4:40 p.m. Josh Eagle and the Harvest City
5:35 p.m. Henhouse Prowlers
6:30 p.m. Bloodroots Barter
7:25 p.m. Chicago Farmer
8:20 p.m. Caitlin Rose
9:20 p.m. The Tillers
10:20 p.m. Justin Townes Earle
11 a.m. Rabbit Hash String Band
11:50 a.m. The Blue Rock Boys
12:40 p.m. Mt. Pleasant String Band
1:30 p.m. Ma Crow and the Lady Slippers
2:25 p.m. Uncle Mike Carr
3:20 p.m. Magnolia Mountain
4:20 p.m. Ramblin' Jack Elliott (check out CityBeat's interview with the Folk legend here)
Weekend passes are $70 (it’s $40 for just Friday and Saturday and $20 for just Sunday). All-weekend on-site camping costs $40 or you can camp off-site for free (while spaces last).
Old Mill Campground is about an hour west of downtown Cincinnati. Here's a map from Fountain Square to Friendship.
View Larger Map
For complete info on this year’s Whispering Beard Folk Festival, visit www.whisperingbeard.com.
If you were hoping to walk up and buy tickets to check out tonight's show at the Taft Theatre featuring the Grammy-winning Tedeschi Trucks Band, skip the box office and "walk up" to a scalper because the Taft just sent out a press release announcing the show as a sell out. (Read what our Brian Baker had to say about the group here.)
If you do have tickets to tonight's 8 p.m. show (doors open at 7 p.m.), be sure to arrive on time to catch opener Shannon Whitworth (pictured). After a self-made Americana debut, the singer/songwriter's career began in earnest in 2009 when she went into the studio with producer Neilson Hubbard (who has worked with a slew of singer/songwriters, including Glen Philips, Garrison Starr and his pal Matthew Ryan). The two emerged with Water Bound, a lovely, eclectic album that touched on Blues, Jazz, Roots music and Rock.
Whitworth has a new album due this year in which she collaborates with Band of Horses' bassist Bill Reynolds (who has done behind the scenes work for The Avett Bros. and Lissie), so the evolution of Ms. Whitworth should be interesting to continue to watch.
Here's a clip of Whitworth performing live:
• Jazz trumpeter Scott Belck performs tonight at the Blue Wisp. Belck is the Director of Jazz Studies at University of Cincinnati's College-Conservatory of Music, where he succeeded retiring longtime department head Rick Van Matre a couple of years ago. Read our interview from last year with Belck here. For tonight's 7:30 performance at the Blue Wisp, Belck is joined by locals Rusty Holloway, Phil DeGreg and Jim Leslie. Admission is $5.
• The 2012 Tunes & Blooms music series at the Cincinnati Zoo concludes tonight with a 6 p.m. concert featuring Folk Rock crew The Turkeys and Americana ensemble Jake Speed & the Freddies. Admission is free but it costs $8 to park in a zoo lot. It might rain. Bring a hat.
Here's a clip from a documentary about late local outsider artist Raymond Thunder-Sky featuring Speed's song, "Raymond Thunder-Sky," especially audible towards the end. Looks and sounds like a great project.
Click here for more of tonight's live music events.
Cincinnati homeboys Walk the Moon have been tearing up the road since the release of their self-titled debut for RCA Records earlier this year, not to mention making the promo rounds all over the television dial (from the late-night chat shows to various appearances on VH1 and an MTV Unplugged set). The band is currently touring Europe with the band fun. ("We Are Young") and this morning they debuted the music video for their latest single, "Tightrope."
The video is Walk the Moon's first since the stellar DIY clip for "Anna Sun," which was made even before the RCA deal was in place and continues to draw massive hits online. If you watch even a few minutes of TV a week, chances are you've already heard part of "Tightrope." The track is used in commercials for the HP Envy 4 Ultrabook.
When Walk the Moon wraps up its current European jaunt, they'll perform a homecoming show Nov. 1 at the Madison Theater in Covington. The show is also the second anniversary of The Counter Rhythm Group, the locally-based music promo group that has worked with WTM, as well as local bands like Wussy, R. Ring and Alone at 3AM. Tickets for the Nov. 1 show are $16 and apparently moving very fast (i.e. it will sell out). Fellow local-gone-national Indie act Bad Veins opens the show. WTM hits the road for a North American headlining tour soon after the Madison show.
Here's Walk the Moon's new clip.
And here's the HP commercial featuring a bit of the tune.
Chuck Prophet has more Rock cred than any one man should have a right to claim. His eight-year run in Green on Red in the ’80s resulted in some of the most influential sounds to emanate from Southern California’s Paisley Underground scene and his subsequent solo catalog has notched an impressive level of critical acclaim over the past 22 years. In that time, the names he’s worked with — as collaborator, producer, hired gun, pal — reads like a who’s who of contemporary musical accomplishment: Warren Zevon, Aimee Mann, Jim Dickinson, Lucinda Williams, Jonathan Richman, Kelly Willis, Jules Shear, Alejandro Escovedo and a good many more lesser but no less important lights.
Prophet’s recent work has been some of his most viscerally satisfying, beginning with 2007’s wide-ranging Soap and Water, his 2008 collaboration with Escovedo on his Real Animal album, and Prophet’s 2009 political Rock statement, ¡Let Freedom Ring! For his latest solo jaunt, Temple Beautiful, Prophet maintained a healthy power level while injecting a concept into the proceedings, namely making every song on Temple Beautiful about his longtime San Francisco home.
The album springs to life with “Play That Song Again,” a bouncy slice of ’70s Pop/Rock, followed by “Castro Halloween,” an insistent Pop anthem with the ring of the casual greatness of George Harrison’s best solo work and the bluster it would have had if he’d ever installed Tom Petty behind the glass to produce it. The title track, a tribute to the Punk club that occupied the space once held by Jim Jones’ People’s Temple before they decamped to their infamous digs in Guyana, is a blaring blast of Rock and Soul that pounds like The Ramones on a couple of bottles of cough syrup and swings like T. Rex with more garage and less glam, “Willie Mays is Up at Bat” sounds like Warren Zevon channeling Bob Dylan circa “Watching the River Flow,” and “I Felt Like Jesus” swaggers and nods with Surf Rock reverb and Roots Rock twang.
Five years ago, Chuck Prophet was trying to decide if he had anything left to say in a musical context, but Temple Beautiful finds him eleven albums deep in his solo career and sounding as energized and inspired as he was when he dropped his debut back in 1990; long may he do this, or any other damn thing his infinitely talented mind can conceive in a studio.
Detroit producers/Electro musicians Ryan Spencer and Adam Pressley formed its new project Jamaican Queens last year, following the demise of their previous band, Prussia. The pair bonded over a mutual love for Hip Hop production, something that would find itself central to Jamaican Queens winding sound. Together less than a year, the twosome's single "Kids Get Away" introduced the newcomers with a sound that blends EDM, Hip Hop sounds and rhythms and a somewhat psychedelic brand of Indie Pop.
The band calls its music "Trap Pop," a reference to the Trap style of Hip Hop that is something of a successor to the old Southern Crunk style. Still, you won't mistake Jamaican Queens' music for T.I.'s — JQ's unpredictable, fluttering style recalls MGMT's last two albums had the Electronic aspects of their music been more prominent.
Jamaican Queens' first full-length, Wormfood, is due in February and was mixed by Christopher Lazlo Koltay, a former Cincinnati musician who has been enjoying a successful engineering/production career in Detroit the past several years, working with artists like The Dirtbombs and Akron/Family. Here's the song that has garnered the band the most attention so far, "Kids Get Away."
Music Tonight: The Outlaw Country movement that emerged in the late ’60s showcased, as the name suggests, a renegade sound that didn’t pretty up Country for a Pop audience, instead keeping everything down and dirty, building a bridge between Country and Southern Rock that fed into the “AltCountry” trend of the past 20 or so years. That honest, raw approach has also been translated in modern times by artists whose rebellious side includes a hankering for muscular Heavy Metal. Beginning with David Allan Coe and Pantera’s co-mingling, Hank Williams III has furthered the metallic side of Country in clubs across the world, mixing hard rockin’ songs with more traditional Country, all delivered with the same timeless Punk Rock spirit. Hank III’s guitar tech/tourmate Bob Wayne is another Heavy Outlaw purveyor and tonight he brings his ruckus (and his Outlaw Carnies) to the Southgate House’s Parlour for a 9 p.m. show. Tickets are $10 at the door. Here’s a clip of Wayne kickin’ up dust to a shuffling beat and banjo to get you in the mood (NSFW, primarily for language).
I’m not going to pretend I knew what synesthesia meant before listening to former Cincinnati/current Columbus-based Hip Hop artist Ill Poetic’s latest release, Synesthesia: The Yellow Movement. But after diving into the seven-song EP (and looking up the title on dictionary.com), I discovered that synesthesia is something like a music-induced hallucination where the afflicted see music as colors, which is the perfect description the album has on its listeners.
In the short amount of time it takes to get through this EP (just under 24 minutes), Ill Po takes the listener on a funky, soulful trip through his creative process. On the first track, “Be Cool,” Po is kind of like Samuel L. Jackson in the diner scene of Pulp Fiction (without the Jheri curl), urging everyone from politicians to status rappers to just chill the fuck out and re-birth the cool like Miles Davis.
“Be Cool” then melts into a laid-back Soul cut, the highlight track “On My Way,” which features crooner CJ the Cynic. It’s probably just the producer in him, but Ill Poetic lets CJ take the reins of “On My Way” for almost the first two minutes before he brings his spoken-word lyrical styling to the production, which is reminiscent of early Kanye or Eryka Badu with, dare I say, an added dose of creativity.
The wait for Po's words is well worth it, however, when he spits that “Ghostface is my real estate agent." Again, I really don’t know what this means, but the sheer image of calling Sibcy Cline or Century 21 and getting Ghostface Killah on the other end of the receiver is pure imagery gold.
On the sixth track and first single off the EP, “Gone,” the song cleverly describes Po’s struggle to leave Cincinnati and pursue his dreams (his every body part attempting to convince his brain to dip-out), while the Jazz-style production makes the listener want to roll-up and take a road trip with this song on repeat.
The best part about this album, though, is when Ill says “You don’t have to be cool to listen to this; you don’t have to listen to this to be cool.” So for all the nerds, dorks, dweebs and losers out there looking for new music, have no fear. You don’t have to be cool to listen to this and listening to Ill Poetic won’t make you cool. But it surely couldn’t hurt.
Click below to preview and purchase Synesthesia: The Yellow Movement. For more on Ill Poetic, visit his official site here.
Music Tonight: It's a fittingly slow Monday for concerts, as touring bands gradually make their way back to the road after the Thanksgiving weekend. But that doesn't mean there's no live music in the area tonight. You can dance the Mondays away, Salsa-style, at The Mad Frog in Corryville, as Latin ensemble Tropicoso continues its long-running Monday night residency. Or you can enjoy some yummy, spicy grub and check out Gypsy Jazz kings The Faux Frenchmen at Allyn's Cafe in Columbia-Tusculum, one of the quartet's regular gigs. One residency that is coming to an end is Slack Panther's Monday night showcase at MOTR Pub in Over-the-Rhine. The new local Indie Rock crew has been the club's November "House Band," so their every-Monday concludes tonight. The foursome — whose Facebook description claims "post-grunge neo wave" as the band's genre — released the eight-song Love Space Desire Forever Love Heartache Longing Cincinnati this year. It's available at the popular rate of "name your price" on the Slack Panther Bandcamp site here. Below, give a listen to the track "Brightest Star." The band performs two sets at MOTR tonight, starting at 10 p.m. The show is free.