Veteran singer/songwriter Maurice Mattei and his band The Tempers celebrate the release of their new CD, Mauled, this Saturday at The Redmoor in Mount Lookout. The show will feature an opening set by local Surf Rock band, Don’t Fear the Reverb, plus appearances by David Wolfenberger, Mike Helm, Brandon Dawson, Sharon Udoh and more.
Contemporary Arts Center has officially announced that Patti Smith will perform The Coral Sea with daughter/pianist Jesse Smith on May 17, in connection with her CAC exhibit, also called The Coral Sea, that opens the next day and features work not previously seen in the U.S.
At the concert, Smith will also play selected material from throughout her career.
The CAC website says that "The Coral Sea performance work found its beginnings from Smith’s 1997 book of the same name, her requiem to her dear friend Robert Mapplethorpe (who took the cover photo of Smith’s debut album, Horses, among his many other accomplishments). With music arranged and performed live by Kevin Shields — of heralded British shoegaze band My Bloody Valentine — two separate performances were held at London’s Queen Elizabeth Hall in June 2005 and September 2006. In 2008 those performances were released as a live album."
Mapplethorpe's own posthumous photography retrospective at CAC, 1990's The Perfect Moment, became a major controversy when cultural conservatives led by now-retired Sheriff Simon Leis tried to shut it down for obscenity. In a famous trial, a jury sided with the CAC. The concert venue and ticket information will be announced soon at www.contemporaryartscenter.org.
I first wrote about Smith's art show coming to the CAC in CityBeat last year here.
Attention ‘80s headbangers—and those misguided younger souls among our readership who are fascinated with ‘80s nostalgia: Thruster, Cincinnati’s “premier” metalhead ensemble from those glory days of perms on men and t-shirts with no sleeves, is getting the fancy reissue treatment for their 1987 record M.I.A.
I first started writing about the fine artists making music in Cincinnati in the early ’90s, just before The Afghan Whigs released their breakthrough Gentlemen album on Elektra Records. The timing of my unexpected entry into "music journalism" coincided with the unexpected rise of the Cincinnati music scene's national profile. Today, my pal David Pescovitz (who actually made my unintentional career as a writer/editor possible) sent me a YouTube clip that brought back a rush of memories from that time period. Below you can take a look for yourself at the MTV News piece about the Cincinnati scene, a weird and telling moment in contemporary Cincy music history.
Holidays are especially exciting times for children and, given the recent tragedy in Newtown, Conn., kids all over will likely be going to be getting a little extra love this season.
Zak Morgan knows kids. The Cincinnati-based singer/songwriter has already had an amazing career in children’s music, with his second self-financed album, When Bullfrogs Croak, earning numerous awards and acclaim, including a 2004 Grammy nomination for Best Musical Album for Children, a remarkable feat for an independent artist.
Morgan’s accomplishments and hard work (he notches over 200 shows a year for kids across the country) paid off with a contract with Universal Music’s kids’ music imprint, myKaZoo Music. His debut for the label, The Barber of the Beasts, came out in late October and would make a fantastic stocking-stuffer for the little ones this Christmas.
Like his previous releases, The Barber of the Beasts features artwork by famed local illustrator C.F. Payne and contains an extensive booklet of lyrics and drawings. The album also features some notable guests, from local musicians like Dan Dorff, Paul Patterson and Josh Seurkamp to nationally acclaimed artists like Robbie Fulks and locals Karin Bergquist (Over the Rhine) and the iconic Bootsy Collins.
But it’s Morgan’s magical stories and songs that are the focal point. There is a perfect formula for children’s music; like with kids’ films these days, many artists try to hard to make their albums “parent friendly” and tend to go overboard, while those who “dumb things down” tend to be the most annoying. Morgan’s gift is finding the perfect balance.
The Barber of the Beasts is for smart and imaginative kids and parents, seeming designed to be enjoyed together. Morgan is great with clever word play and he isn't afraid to drop a few “big words” (or at least unfamiliar words). That’s where the booklet’s excellent vocabulary guide comes in handy. Parents can go over words with their children, who will have not only been entertained by Zak’s fantastical storytelling, but will also learn something in the process.
Many of the tracks on Barber feature gorgeous chamber string arrangements, but there are also tunes like “Snow Day,” on which Morgan channels his inner Tom Waits (vocally), the shuffling, jazzy Pop cut “Swinging On A Star,” the Country-esque “Nancy Jane” and the great Bootsy collaboration, “The Case of the Dry Markers,” a swingin’, “spooky” Jazz struttin’ mystery with a Halloween vibe.
Here is the debut music video from the album for "The Case of the Dry Markers":
The songs and music are elegant and often downright majestic (particularly the ones with the spine-tingling string arrangements), while Morgan’s clever stories are loaded with a silliness that the young listeners will gleefully embrace.
I believe The Barber of the Beasts (which will specifically appeal to kids between around the ages of 1-8, but certainly fits the "fun for kids of all ages" bill) was released in time to make next year’s Grammy nominations. It will be a crime if it doesn’t make the cut. When it comes to children’s music, Zak is like the Bob Dylan of the genre — minus the curmudgeonly grumpiness, of course.
This Saturday at 1 p.m., Morgan and a host
of special guests will present the local release party for the album at
The Monastery recording studio (2601 Stanton Ave., Walnut Hills), the
performance/recording space owned and operated by producer/guitarist Ric
Hordinski (who also performed on, produced and co-wrote material on the album).
Tickets are available through brownpapertickets.com for $10 (or $20 for families of two-five people). Remaining tickets will be available at the door the day of the show for $15 (or $25 per family). Your ticket also includes food and admission to the post-show pizza party.
"ATTN: Biggest bummer post-summer? Our grand opening weekend has been postponed. This weekend’s shows have to be delayed due to a few last minute construction challenges.
We are completely committed to opening the right way to make your experience the best it can be. We just can't in good conscious present anything below the very best.
Says Morrella: “We are sorry to have to delay sharing this magical venue with the music fans of the area, but our first concern will always be to make sure that it is safe and ready for public occupation. The City of Newport, our wonderful construction crews and crew of volunteers have all been working very hard to make this happen. We thank them so much. We look forward to seeing everyone next weekend for CincyPunk Fest. We will announce rescheduled dates for these shows very soon.”
Anyone who had pre-purchased tickets for this weekend’s dates may be issued a refund through ticketfly.com or may hold on to their original tickets for the soon to be announced rescheduled dates"
The grand opening of the Southgate House Revival at 111 East Sixth Street in Newport, Kentucky scheduled tonight at 9 p.m. and The Newbees CD Release show scheduled for tomorrow night, Saturday, October 6 have been postponed. This weekend’s shows had to be delayed due to a few last minute construction challenges.
The 1866 property, the former Grace Methodist Episcopal Church, has been under a massive renovation since May that includes all new electrical, plumbing and HVAC systems, as well as roof repairs and new flooring.
“We set a very ambitious goal,” said Morrella Raleigh “and we were very, very close.” “We are sorry to have to delay sharing this magical venue with the music fans of the area, but our first concern will always be to make sure that it is safe and ready for public occupation.
The City of Newport, our wonderful construction crews and crew of volunteers have all been working very hard to make this happen. We thank them so much. We look forward to seeing everyone next weekend for CincyPunk Fest. We will announce rescheduled dates for these shows very soon.”
Fifteen years ago, if you heard about a young, new Ska/Reggae band releasing an album, you’d be forgiven for thinking the crew played some variation on so-called Third Wave Ska, the Punk-driven, Ska-tinged sound popularized by The Mighty Mighty Bosstones and others. But if you subscribe to the belief that music lovers and makers often turn to more pure forms of music in times of societal uncertainty (as some say is the case with the Indie Folk movement), The Newport Secret Six’s dedication to the earliest forms of Reggae and the authentic sound they come up with should be no surprise. There are no distorted guitar or gang-vocal shouts on Licking River Rocksteady. It’s simply a fantastic modern Reggae album bustling with energy, soul, personality and tradition.
Gas up the ol’ Tivo (that's how they run, right?) and set it for Jan. 23, when the Austin City Limits live music TV program (one of the best shows on television, especially for real music fans, and the longest-running one) airs its episode featuring Cincy-bred/Austin-based rockers The Heartless Bastards. Each hour-long show is split between two artists (unless ACL gets a big-wig like R.E.M. or Pearl Jam or, apparently, Them Crooked Vultures) — the Bastards' show will be shared with Neo Roots kings The Avett Brothers.
I befriended frontman Scott Wynn of The Panderers on MySpace a year and a half ago, not much expecting to be friends outside of that space. The bang, the clak, the lo-fi chemical makeup of his music flowed in my ears and captured my mind. I wanted these guys live on stage in front of me!
I reached out that spring to learn more, asking if there were any plans for a tour.
There is a pretty good chance you haven’t seen the members of Cincinnati’s powder-keg Freak Punk Soul Pop maniacs Foxy Shazam around town lately. That’s because the piano-driven band appears to tour more than stay home these days, ever since the release of its cult-favorite classic, Introducing Foxy, on the indie label Ferret Records back in early 2008.
Things are going to get any easier for the band anytime soon — besides its massive upcoming tour with Swedish new wavers The Sounds (which will take them to every inch of the country for the next seven weeks straight, including a local stop at Covington's Madison Theater on Nov. 3), it was recently announced that the group’s next album will be its first for major label Sire Records