Dumb Starbucks, we hardly knew you!
The “parody” coffee shop, which mimicked the real Starbucks' name, logo, menu (Dumb Frappuccino, Dumb Espresso, served in Dumb Tall, Dumb Grande or Dumb Venti), everything — even font — opened in L.A. Friday only to be shut down by the Los Angeles Health Department Monday. Forbes posted Dumb Starbucks’ “frequently asked questions,” which explains that by adding the word “dumb,” it’s protected by parody law. Therefore the “coffee shop” was actually recognized as an art gallery and the coffee, art. Guests, who lined up out the door and around the strip mall where Dumb Starbucks set up shop, were treated to friendly service and free coffee and pastries (there were even CDs for sale at checkout, including a “Dumb” Norah Jones album). The real Starbucks acknowledged the parody shop, explaining the two had no connection and they were pursuing legal action.
Word about the stunt (which it obviously was, dummies) spread across the Internet via various comedians’ Twitters, so some it was no surprise that a comic was at the helm. Nathan Fielder, deadpan genius with the Comedy Central show in which he “helps” struggling business by offering ridiculous ideas (among other meta satirical “pranks”), revealed himself as the owner with this video:
Now I really can’t wait for the next season of Nathan For You.
Some big changes are happening to NBC’s long-running late-night shows, and you can read all about them in this week’s TV column. After some sad goodbyes (Jay Leno’s final episode of Tonight, Jimmy Fallon’s last time hosting Late Night and Seth Meyer’s final Weekend Update segment), there’s a lot to look forward to. Fallon brings house band The Roots and announcer/sidekick Steve Higgins with him — hopefully the same goes for all the celebrity drinking games and generally bizarre bits and skits. Like this gem:
As for Late Night, Seth Meyers starts his run Monday, Feb. 17 and in a total surprise announcement, Meyer’s old SNL buddy and modern comedic god Fred Armisen will be the show’s band leader.
The Olympics have taken over NBC (miss you, Parks and Rec) and oh, what a hot mess they’ve been! Plumbing problems and strange bathroom setups in the Sochi hotels, the Olympic rings mega-fail during the opening ceremony, the fact that it’s actually too warm for any of these damn outdoor winter sports — the list goes on. C’mon, Russia, you can’t even get winter right? At least we’ll always have this:
I'm not ashamed to admit VH1's Couples Therapy is one of my favorite shows on right now. With The Real L Word disappearing without a trace, I am finally able to get my Whitney-Sada fix (the couple is featured on Therapy), plus Jon Gosselin is apparently dating another mega-bitch and "Teen Mom" Farrah Abraham is equally intriguing and frustrating and alienesque. But the true star of the show is Ghostface Killah's girl, Kelsey Nykole...'s hair.
Remember Celebrity Death Match? The MTV claymation classic pitted musicians, actors and other famous people in pop culture or the news against each other in an over-the-top gruesome fight to the death. Showdowns included Marilyn Manson v. Charles Manson, Mariah Carey v. Jim Carrey (featuring Drew Carey) and Lil’ Kim v. Little Richard. Well, a few years after its 1998 debut, Fox presented a toned-down real-life version with Celebrity Boxing, which went down as one of TV Guide’s worst shows of all time. Has-beens like Danny Bonaduce and Barry Williams (of The Partridge Family and The Brady Bunch, respectively) took to the ring in what usually just a really sad battle. Only two episodes aired. So how do you take a bad idea like Celebrity Boxing to another level of shame? Add in the man at the center of one of the most controversial murder trials in recent years!
George Zimmerman was set to box rapper DMX in a televised match, but
both DMX and boxing promoter Damon Feldman have backed out, presumably after
thinking about it for three seconds. The fight is still on for now and will be
broadcast from a secret location this March, Zimmerman just needs an opponent.
In completely unrelated news, Brooklyn Nine-Nine co-stars Andy Samberg and Chelsea Peretti used to be childhood friends.
Cincinnati Hip Hop MC Santino Corleon’s latest music video, “Night Still Young,” is one of the five music videos by emerging artists currently featured in MTVu.com’s “The Freshmen” competition. If the 2013 Cincinnati Entertainment Awards nominee beats out the other nominees in the weekly contest, the clip will be put into “on-air rotation” on MTV’s television networks.
Click here to check out the clip on MTVu.com and to vote now (and repeatedly — there appears to be no voting limits). Voting ends this Friday at 2 p.m.
The track “Night Still Young” is featured on Corleon’s most recent mixtape, Keep the Change, which is available for free download here. Below is the audio for “Night Still Young.”
It was quite a treat for area fans of (forgive the term) Alternative Rock as Arctic Monkeys rolled into Covington’s Madison Theater again this past Monday night. As one of the millennium’s most influential acts, the band from the English Midlands can normally be found playing arenas and large theaters, or headlining festivals throughout their homeland and the rest of Europe. Yet, they managed to schedule Covington on this tour, knowing they would easily be able put butts in the seats (even though there are few seats in the venue), which indeed they did.
The sold-out but well behaved crowd witnessed the band flawlessly execute a 20-song set, that was heavy on new tracks, but still filled with “hits.” They got right down to business opening with “Do I Wanna Know?” before powering into “Brianstorm” and “Don’t Sit Down ‘Cause I Moved Your Chair.” Lead singer Alex Turner’s banter with the audience focused mostly on the correct pronunciation of “Covington.” He eventually adopted a passable American accent and assured the crowd that a good time was going to be had. That statement was not inaccurate.
The band’s energy steadily increased, tempered only by Turner’s occasional breaks to comb back his hair — which the audience seemed to love. Their main set ended with the perfectly arranged trifecta of “I Wanna Be Yours,” “Fluorescent Adolescent,” and “505.” The encore was similarly paced, ending with fan-favorite “R U Mine?”
A pleasant surprise was opening act The Orwells. There’s been some heat on this Chicago-based quartet since the Arcs hand-picked them as their support act, and because of their very well-received appearance on The Late Show with David Letterman a few weeks back. Lead singer Mario Cuomo’s vacant yet engaging style captured the crowd’s attention, many dancing and bopping along to the band’s Post Punk stylings. Hope to see them back.
Mayor John Cranley says his parking plan intends to alleviate Cincinnati’s ongoing budget woes by increasing parking revenue, but the plan will need approval from a majority of City Council to become law. The plan wouldn’t increase parking meter rates downtown, but it would increase neighborhood rates by 25 cents to 75 cents an hour. The plan would also increase enforcement at parking meters, which could lead to more tickets, and extend enforcement hours to 9 p.m. around the University of Cincinnati, Short Vine in Corryville, Over-the-Rhine and downtown. But the plan would not give control of the city’s parking meter rates and hours to outside entities, like the parking privatization plan did. Cranley plans to send the proposal to the Neighborhood Committee, with a full council vote possible in two weeks.
An Ohio House committee yesterday cleared a pair of controversial election bills that would reduce the state’s early voting period by one week — effectively eliminating a “Golden Week” in which voters can register and vote at the same time — and restrict counties’ abilities to mail out absentee ballot applications. The bills wouldn’t go into effect until after the May 6 primary. Democrats say the bills are blatant attempts at voter suppression, but Republicans, some of whom acknowledge they politically benefit from reduced access to voting, say the reform is necessary to eliminate voting disparities between urban and rural counties. The bills still need approval from the Republican-controlled Ohio House and Republican Gov. John Kasich to become law.
A bill placing age requirements on electronic cigarettes
yesterday passed an Ohio Senate committee. Critics of the bill argue it
doesn’t go far enough because it puts e-cigarettes in a different
category than tobacco, which exempts e-cigarettes from higher taxes and
stricter regulations even though they contain addictive substances and
potential health risks. Kasich and the rest of the legislature need to OK the proposal before it becomes law.
Cincinnati Children’s Hospital Medical Center reopened three school-based health clinics closed after Neighborhood Health Care’s abrupt shutdown.
A poll worker in Avondale allegedly voted twice, according to the Hamilton County Board of Elections.
The Ohio Department of Education plans to increase the number of weeks schools can administer state tests to alleviate time concerns brought on by excessive snow days.
Meanwhile, the Ohio House plans to vote on a bill that would let schools take on more snow days this year.
A Christian university located south of Columbus gets public dollars to teach “biblical truth,” an Akron Beacon Journal investigation found. And the school’s president and lobbyist just happen to sit on the Ohio Board of Education.
NBC correspondent Tom Brokaw revealed he has cancer.
RoboCop isn’t that far off from firstname.lastname@example.org.
A federal court in Cincinnati could soon decide whether
married same-sex parents should be recognized by Ohio on their
children’s birth certificates. Civil rights attorney Alphonse
Gerhardstein filed the lawsuit on behalf of four same-sex couples who
married outside the state and an adoption agency that helped one of the
couples adopt a child in Ohio. The lawsuit argues leaving one parent
unnamed perpetuates harmful social stigmas and potentially endangers a
child’s life by making it more difficult for a parent to get his child
help in case of emergencies. Although opponents of LGBT rights argue allowing gay couples to adopt hurts children, the research suggests widespread discrimination and same-sex parents’ limited rights are the real threats to gay couples’ sons and daughters.
Mayor John Cranley is crafting a new plan to upgrade Cincinnati’s parking system while retaining local control. Under the drafted plan analyzed by The Business Courier, the Greater Cincinnati Port Authority would issue $25 million in bonds backed by parking revenues. To pay for the new costs, parking meter rates in neighborhoods — but not downtown — would increase by 25 cents per hour to 75 cents per hour, and the city would hire more officers to increase enforcement. The new parking meters would take credit card payments, but smartphone payments currently aren’t in the plan.
A revised version of the Ohio House’s fracking tax bill increases the severance tax on oil and gas companies but cuts the income tax more and directs funding to areas most affected by the state’s oil and gas boom. Fracking is a drilling technique in which millions of gallons of water, sand and chemicals are pumped underground to unlock oil and gas reserves. Following its widespread adoption, the United States, including Ohio, began pumping out natural gas at record levels. But critics worry the technique could pollute and contaminate surrounding air and water resources. CityBeat covered fracking in greater detail here.
As a result of the harsh winter, Cincinnati’s winter shelter for the homeless has been extra busy this year. Some City Council members appear to be considering a more standardized funding plan for the shelter, which traditionally relies largely on private funding.
The Cincinnati Reds Opening Day Parade will take a slight detour this year to avoid streetcar construction.
No surprise here: Ohio is among the worst states for funding transit projects.
Cincinnati, Columbus and Cleveland want to know what it would take to host the 2016 Republican National Convention, which will name the GOP’s presidential candidate.
Fixing food deserts alone won’t make people eat healthier, a new study found.
A Los Angeles newscaster mixed up Samuel L. Jackson with Laurence Fishburne.
Astronomers say they found the oldest known star in the universe. At more than 13 billion years old, the star is about three times the age of the Sun.email@example.com.
A federal court in Cincinnati could get another chance to advance LGBT rights if it takes up a lawsuit filed Monday that calls on Ohio to recognize the names of married same-sex parents on their adopted children’s birth certificates.
Civil rights attorney Alphonse Gerhardstein filed the lawsuit on behalf of four same-sex couples who married outside the state and an adoption agency that helped one of the couples adopt a child in Ohio.
“Birth certificates are the primary identity document in our society,” Gerhardstein’s firm explained in a statement. “Birth certificates tell the child, ‘these adults are your parents,’ and tell the community that these adults and children are a family. Medical care, access to schools, travel and release of information are all easily accomplished with birth certificates and are constantly burdened without accurate birth certificates. Forcing families to accept incorrect birth certificates imposes life-long harms and is a direct attack on family dignity.”
Although opponents of LGBT rights contend that allowing same-sex couples to adopt could hurt children, the research suggests otherwise.
A Boston University meta-analysis released in March found “children's well-being is affected much more by their relationships with their parents, their parents’ sense of competence and security, and the presence of social and economic support for the family than by the gender or the sexual orientation of their parents.” Possibly harmful factors found in the study instead include widespread discrimination and the parents’ limited rights, neither of which can be blamed on same-sex couples.
The complaint filed Monday comes on the heels of recent rulings that advanced same-sex rights in Ohio and across the country.
U.S. District Court Judge Timothy Black on Dec. 23 cited constitutional grounds to force state officials to recognize same-sex marriages on death certificates. That case came about after a same-sex couple in Cincinnati filed for recognition. The Republican-controlled state government, defended by Attorney General Mike DeWine, is appealing the ruling.
That ruling followed a June 26 decision from the U.S. Supreme Court that effectively struck down the federal Defense of Marriage Act and requires the federal government to recognize some same-sex marriages.
In enforcing the ruling, President Barack Obama’s administration on Monday plans to grant sweeping equal protections to married same-sex couples around the country, even those who reside in states where same-sex marriage remains illegal. The Justice Department’s decision applies to courthouse proceedings, prison visits and the compensation of public safety officers’ surviving spouses, among other areas.
At the state level, FreedomOhio is working to get same-sex marriage on the ballot this year. The campaign is facing some resistance from other LGBT groups, but FreedomOhio says it already has the petition signatures required to put the issue to a vote in November.
The full complaint:
EDITH IS PREGNANT AND SHE’S KEEPING THE BABY, PEOPLE. But her significant other, Michael Gregson, is still mysteriously missing. If he ends up dead, the Grantham spawn will officially be cursed with forever losing their loved ones in freak accidents.
Robert “went to America” (aka filming The Monuments Men) while Rose sat
in a canoe with Jack Ross, the only reoccurring black male character. This
plot-line feels very forced to me. Instead of focusing on the romance of her
whirlwind relationship, the show focuses more on the scandal of it all.
The Dowager Countess fell ill with
bronchitis, and her frenemy/nemesis Isobel Crawley nursed her back to health.
While Violet ran a fever and cursed at her caretaker, Isobel smirked at the
fact that she will be able to say she saved Violet’s life. By the end of this
week’s show, they were playing cards like old friends.
Lady Mary — who has never let a speck of dirt touch her porcelain skin — had a mud fight with Charles Blake. Since every man she interacts with is a potential suitor, this was an interesting scene. Because Blake is actively trying to dismember her estate farm by farm, he is not exactly her friend. Although, this could create some perfectly awkward sexual tension. They share a special moment — and by which I mean they looked at each other five seconds longer than normal — until they were interrupted by Ivy.
Not too much is happening downstairs this week, but the servants take part in their usual hijinks.
While Daisy and Ivy bickered over Alfred’s return visit, Mrs. Hughes and Carson tried to keep the hormones at bay. Which never works.
Anna’s rapist, Mr. Green, ominously returned to Downton just as pompous as ever. His comments to Mrs. Hughes blaming Anna for the assault were eerie and uncomfortable. Mr. Bates has confirmed his suspicions about who attacked and raped his wife after he sees Anna reaction to Mr. Green’s presence.
We are all scared as to what he will do next.
“I’m married, I know everything.” – Lady Mary
Mayor John Cranley yesterday announced a plan to add another recruit class to the Cincinnati Fire Department and effectively eliminate brownouts, but it remains unclear how the class will be paid for in the long-term. The Fire Department applied for a federal grant that would cover the costs for two years, but the city would need to pay for the new firefighters’ salaries after that. To some City Council members, the proposal, along with other plans to add more police recruits and fund a jobs program for the long-term unemployed, raises questions about what will get cut in the budget to pay for the new costs.
Gov. John Kasich’s administration has led an aggressive effort to shut down abortion clinics around the state, and a clinic in Sharonville, Ohio, could be the next to close after the administration denied a request that would have allowed the clinic to stay open without an emergency patient transfer agreement. The process has apparently involved high-ranking officials in the Ohio Department of Health, which one regulator says is unusual. The threat to the Sharonville clinic follows the passage of several new anti-abortion regulations through the latest state budget, but state officials say the new regulations were unnecessary to deny the Sharonville clinic’s request to stay open.
Unions broadly support Democratic gubernatorial candidate Ed FitzGerald’s campaign, but at least one union-funded group, Affiliated Construction Trades (ACT) Ohio, seems to be throwing its weight behind Kasich, a Republican. The surprising revelation shows not every union group has kept a grudge against Kasich and other Republicans after they tried to limit public employees’ collective bargaining rights through Senate Bill 5 in 2011. ACT Ohio says its support for Kasich is related to jobs, particularly Kasich’s support for infrastructure projects. The jobs market actually stagnated after Kasich took office, which some political scientists say could cost Kasich his re-election bid even though economists say the governor isn’t to blame.
Talk of tolls continues threatening the $2.65 billion Brent Spence Bridge project as opposition from Northern Kentuckians remains strong. Ohio and Kentucky officials insist tolls are necessary to replace the supposedly dangerous bridge because the federal government doesn’t seem willing to pick up the tab.
Ohio gas prices keep rising.
A Dayton University student froze to death after falling asleep outside, with alcohol a possible factor.
Airplane pilots often head to the wrong airport, according to new reports.
Watch people tightrope walk between hot air firstname.lastname@example.org.
There are several good theater choices south of the Ohio River this weekend.
The theater (and dance) program at Northern Kentucky University presents a truly varied array of programming — this season has included a play by Orson Welles, the legendary musical South Pacific, Shakespeare's As You Like It and more. The academic year's final production Monty Python's Spamalot, opened last evening, and it seems to be a perfect vehicle for a lot of onstage clowning. (In case you haven't been tuned in, the show is subtitled "A musical lovingly ripped off from the motion picture Monty Python and the Holy Grail," and many of the show's most hilarious moments are reproduced wholesale onstage.) But clowning can be serious work, and if you catch NKU's production, pay attention to the choreography (the work of NKU grad Roderick Justice) which is complex, amusing and very well executed by the cast of 25. Director Ken Jones keeps things moving; the actors get into the tomfoolery from start to finish, especially Kat Moser as the diva who's the Lady of the Lake and Bradley Goren as long-suffering Patsy (he's the one who clicks the coconut shells to simulate King Arthur riding on horseback, among other amusing moments). The show is a fine entertainment, if you're a fan of the low but articulate humor of the Python troupe. Through April 27. Tickets ($8-$14): 859-572-5464.
Comedy of an entirely different sort is available at another Kentucky venue, the Carnegie in Covington, where Mary Chase's 1945 Pulitzer Prize winner Harvey is available through April 27. This is a piece of gentle humor from the past, about a slightly off-kilter guy who sees a six-foot-plus rabbit — he calls it a "pooka" — named Harvey, much to the dismay of several family members who are embarrassed by his behavior. Their efforts to get him committed to a local asylum go awry to much merriment and a message about being, well, gentle and sweet. This is good, old-fashioned fun. Tickets: 859-957-1940.
If you prefer a well-written contemporary drama, this weekend is your last chance to see A Delicate Ship at the Cincinnati Playhouse. Anna Ziegler's new show (this is its world premiere) is a memory play that explores an unexpected chain of events triggered by a love triangle. It's beautifully staged by Michael Evan Haney with a cast of three actors who are just right for each of their roles. I gave this one a Critic's Pick when it opened; it's as good as anything I saw recently at the much-respected Humana Festival of New American Plays at Actors Theatre of Louisville. Tickets ($30-$80): 513-421-3888.
Comedian Rajiv Satyal was born and bred in Cincinnati — Fairfield to be exact. He’s gone from being an intern on Capitol Hill to brand manager at Procter & Gamble to full-time comedian living in Los Angeles. Satyal has worked with Dave Chappelle, Kevin James, Tim (the tool man) Allen, Kevin Nealon and Russell Peters. Heard of the University of Cincinnati’s Bearcast? He named the school’s radio station-turned-media group. He runs a consulting business called StandPoint Agency and is a regular at all the L.A. comedy clubs, but he got his start at Montgomery’s Go Bananas. Satyal’s unique way of viewing the world continually draws in more fans. He refers to himself as the funny Indian, but he’s really just a funny — and nice — dude from Ohio. Satyal performs his first one-man show No Man’s Land Saturday to a sold-out audience at the Aronoff Center, and he squeezed CityBeat into his schedule for a quick rundown of all things Rajiv.
CityBeat: Since you’re from Cincinnati I have to ask, what high school did you go to?
Rajiv Satyal: Totally fine, a very Cincinnati question, but I went to Fairfield High School and I got an undergrad at the University of Cincinnati in materials engineering.
CB: I read that you worked on Capitol Hill, what did you do there?
RS: I was at the University of Cincinnati at the time and I went out to Capitol Hill to be an intern for a representative, Steve Chabot. So I just worked in the office and it was for fun, I got to live in DC and explore that town and did whatever tasks around the office, but it was mostly getting the feel of Washington.
CB: Do you have a funny family or what sparked your interest in comedy?
RS: Actually I have two brothers and, well, two parents, and everybody has a sense of humor. It was a super fun household to grow up in. We were all pretty positively reinforced, we weren’t really a tough crowd, like, we definitely encouraged each other to say funny things and we laughed a lot. I know a lot of comedians’ families would be like, you know, “boo” or whatever when they told a joke and were a tough crowd, but we were a really good crowd for each other and just kind of encouraged each other to be funny. My brothers and I never really fought a lot growing up, which is so strange, but we all got a long and we had a good time.
(Check out Rajiv’s dad going Bollywood last Monday on The Bob & Tom Show here.)
CB: Does Cincinnati or growing up here inspire any of your stand-ups?
RS: Oh, definitely. I feel like growing up in Ohio, it made me kind of more of an everyman being able to relate to people in the heartland of the country and people who grew up on the coast. I think people on the coast have their own sensibility, but it’s hard to know what works inland. A lot of comedians are like virgins; they knock it out on the coast, but when they come inland they die. I feel like being from the Midwest gives me an advantage.
CB: What inspired you to pursue comedy seriously?
RS: When I turned 30 I really flipped out, I was like, ‘Man, I’ve lived in Ohio my whole life and I need to do something different.’ So I left Procter & Gamble and moved to Los Angeles, I was a brand manager at P&G Water for only about 3 months and then I jumped shipped and went into it [comedy] full-time. I guess I felt like I really enjoyed speaking in front of people and I love being funny and those two things lend themselves well to being a famous comic, ya know.
CB: So basically just turning 30 did it for you?
RS: Yeah, I felt like life’s too short and, you know, why do something you don’t want to do? Why not go for it. I guess I thought when I turned 30 I felt like, “Man, I don’t want to turn 40 and watch TV and go, ‘Man I could have done that.’” I think given all the privileges, if I don’t try it…I’m born in the United States, I’m American, I have all these opportunities, it’s the land of opportunity, you got to self-actualize, man, go for it.
CB: How has your comedy evolved from where you first started to now?
RS: I would say that just getting deeper. As comedians do it longer and longer you start to go from jokes to more of a point of view. You start to realize what makes you funny. You have these weird beliefs and you stand out a little bit. You don’t really have to do jokes anymore, you just tell people what you think and they think it’s funny because they are like, ‘Wow, that’s a weird way to look at it.’ Being able to make people laugh at the way you look at the world, I think that’s kind of cool.
CB: Do you have any stories about opening up for or working with various comedians?
RS: I actually opened up Dave Chappelle’s very first show when he came back from Africa in 2005, so that was really cool. I had opened up for him at the University of Cincinnati in 2000 before I even started doing stand-up — I started doing stand-up in 2002. So people in the student senate and student government and programming board at UC were like, ‘Hey, you’re a funny guy, you’ve done a little bit of stand-up, would you want to do?’ So I opened for Dave Chappelle at UC and got booed off the stage in front of all these people. Then five years later I opened Dave Chappelle’s first show when he comes back from Africa and I did really well, I killed and it was really redeeming.
CB: Did he remember you from 2000?
RS: Yeah, he did actually, that’s what’s crazy about it — that he remembered that. It’s funny. He was really encouraging and complimentary. I talked to him for two hours by myself that night in 2005, after we were done, just he and I were in the room and for two hours we were just talking about politics and religion and the world…I know that he was happy that I stuck with it and everything.
CB: Who would you like to work with in the future that you haven’t worked with?
RS: I would like to work with Bill Burr. He is not an extremely well-known person, but he is a genius and he is from Boston. I think it would be awesome to work with Louis C. K., of course, he is like the biggest guy in comedy right now. I mean, I don’t know, I think Jerry Seinfeld would be pretty awesome. I love Ricky Gervais, I’m a big fan of Ricky Gervais, a guy from England. Chris Rock, I love Chris Rock. I actually met Chris Rock when he performed at Ohio State and I told him someday I am going to open for him and he goes, ‘That would be something man, you never know.’ So I have to make good of my promise. I told him one day I was going to open for him, so I better do.
CB: What kind of topics or themes can audiences expect from No Man’s Land?
RS: It’s mostly about dating and relationships. The central questions of the show are: Why am I single and how would you define manhood in modern society? So I’m a single, 38-year-old man out there trying to figure out the evolution of manhood and what does it mean now, how does the definition of manhood change and I try to define it. It’s not a show about men versus women, it’s a show about men versus guys.
CB: What do you miss most about living in Cincinnati?
RS: Well my family, obviously, my family and my friends. I have a really good friend who lives in Seattle, but he is thinking about moving back here and the only reason is his family; it’s not for the weather, it’s not for a better job and it’s not for anything else other than the fact that his family is here. I think family is a big thing.
CB: I feel like if I moved away I would miss three-ways too much.
RS: I do miss Cincinnati food. I love LaRosa’s, I love Graeters’, I love Skyline and I do love Cincinnati food. You know, there is something about the Midwest. The people are super nice and, you know, just walking down the street you can say hi and the person will say hi back or the person will initiate or whatever — that doesn’t really happen in L.A. as much, at all, and people are not as nearly as friendly as they are here.
CB: What advice do you have for people who are trying to break into the business?
RS: I think they should just start. They need to start…The Internet is such an opportunity to reach the people you want to reach. I think it’s possible more than ever to go down to the local comedy club and enter the open mic night and start. Get to know the people and get up and do it. Write material, start a group up that supports each other. It is difficult, but you know there is a way in. Comedy is more accessible than ever.
Get a glimpse of some of Satyal’s funny stuff here.
This evening at its Jackson Street headquarters in Over-the-Rhine, Know Theatre of Cincinnati revealed the lineup for the 11th annual Cincinnati Fringe Festival to a crowd of nearly 100 enthusiastic supporters and performers. The two-week festival begins Tuesday, May 27, with the CityBeat Fringe Kick-Off Party; it winds up 12 days later on Saturday, June 7, having presented 32 productions — 17 plays, two musicals, seven solo performers, and six dance presentations. In addition, there will be four FringeNext productions (selected from 11 applicants — a record number), featuring original material produced and performed by local students from the School for Creative and Performing Arts, Newport Central Catholic High School, St. Xavier High School and Highlands High School.
Performance Gallery is kind of the alpha and omega of the Cincinnati Fringe: They’ve been in all 11 festivals, including the 2008 hit show fricative. Producer Eric Vosmeier calls them the inspiration for much of what the Fringe is about: They were doing “fringe-like” work before the festival began, and they’ve returned annually with work that pushes the envelope. This time they’ll offer Heist, about three crooks of questionable ability. Vosmeier also cited Pones Inc., the dance-based company that returns for the seventh time with Traffick, a piece of audience engagement that explores issues of human trafficking. Vosmeier says, “This is the kind of work the Fringe was built to exhibit.”
“We had a great mix of new producers and returning favorites in the applicant pool,” Vosmeier says. “The word continues to spread about our Cincinnati Fringe Festival, which has a national reputation for being the most artist-friendly festival. We’ve worked very hard on this over the years, and I believe that we’ve created something special for our artists and for our region.”
The Cincinnati Fringe differs from festivals elsewhere in that productions are screened and handpicked by a committee of local theater artists. Drawing from a large pool of applicants, comparable to last year’s record-breaking number, this yielded a balanced mix of local vs. out-of-town producers: 15 from Greater Cincinnati and 18 from beyond. The latter number includes three international shows, the most ever for the festival: Around Dark Matter, a Holocaust memory piece by Mica Dvir, is from Tel Aviv, Israel; A Brief History of Beer by Wish Experience from London, a company that has performed at festivals from Edinburgh to Adelaide; and Prefer Not to Say, an interactive piece by blueDragonfly Productions, another U.K. group, the presenter of And All the Rest is Junk Mail a year ago.
For Wednesday evening’s announcement event, members of the Fringe staff mentioned the shows they were most looking forward to. They named:
· An Unauthorized Autobiography of Benny Hill by Four Humors Theater (Minneapolis), the creative minds behind such past Festival favorites as Lolita: A Three Man Show, Bombus and Berylline and Harold. This will be their sixth consecutive Cincinnati Fringe appearance.
· Blogging Behind Bars by Unity Productions, creators of two past Fringe hits, The Wave and Nothing. This time it’s a true story about a young, nonviolent criminal who wrote a blog while incarcerated in a maximum-security prison.
· Papa Squat’s Store of Sorts by solo artist Paul Strickland from Indianapolis, whose Ain’t True and Uncle False was a “Pick of the Fringe” last year. His new show is a music-filled memorial for a guy who “once filled the emptiness in Big-Fib Cul-de-sac with his insightful songs.”
· Something Something New Vagina by Rebecca Kling, a transgender artist and educator from Chicago with a follow-up show to her 2012 production, Beneath Her Skin.
· The Ultimate Stimulus by Felipe Ossa, a Brooklyn-based playwright and a new artist to the Cincy Fringe, is presented in the form of a TED Talk that argues for concubinage as a way to address the problem of income inequality.
The festival is also a chance for Cincinnati’s local theater companies to show off. Clifton Performance Theatre will present Sarge, a piece by Kevin Crowley about the wife of discredited Penn State assistant football coach Jerry Sandusky. Untethered Theatre has prepared Where Edward Went, a new play by Ben Dudley and Adam Sievering about a screenwriter’s effort to make a documentary about Edward, the late fiancé of Elyse, a painter. They don’t quite agree about the portrait. New Edgecliff Theatre will offer TRAGEDY: a tragedy, described as “one of the funniest apocalypses of our time.” And Ensemble Theatre Cincinnati’s intern company always offers a fine showcase of young talent. This year it’s two one-act plays: Sheila Callaghan’s Crumble (Lay Me Down, Justin Timberlake) and Itamar Moses’s Authorial Intent.
In addition to the productions offered nightly, artists, audience members, staff and volunteers flock nightly at Know Theatre’s Underground and headquarters for the Fringe Bar Series, with a reasonably priced bar, some free food inside and offerings for purchase from food wagons on Jackson Street. Each evening after the Channel Fringe Hard Hitting Action News Update, everyone has a chance to be a performer with activities such as the Fringe Olympics, Fringe-A-Oke, Fringe Prom, Segway Night and the Night Without Technology. This year the Bar Series night adds Fringetoberfest, an evening of German-inspired food and brews from local craft beer creators.
Vosmeier expects the festival to attract more than 8,000 visitors this year. If you’re someone who tries to see as much as possible, your best bet is a “Full Frontal” Fringe pass ($200) providing access to every event in the festival. Know also offers “Voyeur” passes ($60) good for six shows of your choice. If you can only make it once, a “One Night Stand” pass ($25) is available — admission to any two performances in an evening plus one drink at Know’s Underground bar. Single tickets to Fringe shows continue to be priced at $12; they’ll go on sale in mid-May.
There will be lots more — and the lineup can change. Hey, it’s the Fringe, so be ready for anything. You’ll find details on all these shows and more at cincyfringe.com.
The Contemporary Arts Center marks its 75th anniversary with the launch of its newly redesigned website, contemporaryartscenter.org.
By adding a timeline and a list of exhibits dating back to 1939, the updated site highlights some of the museum’s most notable attractions through videos and interactive learning. The historical timeline depicts an honest look at what Cincinnati was like in 1939 and displays the iconic artists that put the CAC on the map. In 1940, Picasso’s Guernica toured the Midwest for its first and only time and made a pit stop in Cincinnati. In 1963, the Pop art show An American Viewpoint was one of the first exhibitions of its kind. And in 1990, nearly 81,000 people visited the Robert Mapplethorpe exhibition.
Along with the illustrated timeline and videos, the CAC site also offers lesson plans, exhibit brochures, audio files and slideshows about past exhibits. New features like online ticket admission and family visitor information have been added. After 75 years and hundreds of amazing artists, the Contemporary Arts Center has proven it’s still the coolest place in Cincinnati to spark your creativity and become inspired.
FORM, a Cleveland-based creative services firm, designed the visual layout of the site.
Dining Out For Life is an annual event to raise funds for licensed AIDS service agencies in 60 cities across the nation. Started in 1991 by ActionAIDS in Philadelphia, today more than 3,000 restaurants donate a portion of their proceeds from one day to the aforementioned service agencies; more than $4 million is raised each year which goes directly to the agencies (except for a $1,150 licensing fee).
Cincinnati's Dining Out For Life event benefits Caracole, a nonprofit that provides housing and supportive services to individuals and families living with HIV/AIDS in eight counties across Southwest Ohio. Caracole currently serves more than 1,400 clients and their families.
Area restaurants participating include Arnold's Bar & Grill (donating 25 percent); Below Zero Lounge (donating 100 percent); Blue Jay Restaurant (donating 25 percent); Green Dog Cafe (donating 25 percent); Kitchen 452 (donating 25 percent); Tom+Chee (donating 25 percent); and more. Find a full list of participating restaurants and how much they're donating here.
Dining Out For Life is easy. Just follow three steps:
If you would like to participate or would like more information, please contact Megan Green, Caracole Community Investment Coordinator, at 513-619-1483 or at email@example.com.
Senior prom is a special
milestone for many American teens, but even traditions as old as school dances
change over time. Intimate one-on-one dates have given way to group dates and attending as friends. Flip-flops and cutout cocktail dresses replaced the overdone evening
look for many girls. And now a southern-fried specialty is getting in the prom
game. Kentucky Fried Chicken — What? Yes. — partnered with Louisville florists to create the chicken corsage. For $20, Louisville residents can purchase a corsage from Nanz and Kraft Florists that includes a $5 gift card to KFC, where folks can then go buy the perfect piece of chicken. It can only be assumed that after prom, girls will press the greasy chicken bone between their yearbook pages, just like their moms did with their corsages when they were young.
It’s confirmed: Stephen Colbert will take over the Late Show desk once David Letterman retires sometime in 2015. That’ll mean no more Colbert Report and, likely, the end of the host’s faux-servative character. Start the countdown to the announcement of a new reality show following Letterman, Leno (and, let’s just be honest — Craig Ferguson and Conan O’Brien) around Ex-Host Island. Move over, old people! Slightly younger people are takin' yer jerbs!
In the contemporary classic Mean Girls, Lindsay Lohan’s Cady describes Halloween as, “the one night a year when a girl can dress like a total slut and no other girls can say anything about it.” Well, Coachella must be kind of like Halloween for celebrities, except instead of wearing lingerie and some form of animal ears, they throw on the most jumbled assortment of terrible fashion fads. Not sure about the new cream-colored designer jumpsuit you purchased? Try it out in the middle of the desert! Want to channel Woodstock without ever having been to, read about or seen a photo of Woodstock? Grab a Native American headdress and wear that shit to Coachella. The fest is HQ for floral head wreaths, jorts and combat boots (often all worn at once), and for some reason I cannot pull myself away from the celeb photos of this mess. It’s like someone made a slot machine with various teenagers’ style blogs on Tumblr and everyone going to Coachella must take a spin to determine their outfit.
“Ooh, I got a bindi, a latex bra, a crocheted duster and gladiator sandals!” Just look at these famous attendees, capped off with Koachella Kweenz Kylie and Kendall Jenner.
But seriously, you need to see this video that’s (probably) of Leonardo DiCaprio Coachin’ it up (people say that, right?) at an MGMT performance, which makes me feel weird and old.
And since I brought up Lindsay, the supposedly sober starlet was supposedly washing down all that Coachella dust and glitter with vodka this weekend. The reports come days after the latest episode of her Oprah docu-series, in which she admits to drinking alcohol after her latest stint in rehab. Also, there were a lot of emo scenes of Lindsay filming herself crying. Get it together, girl. OPRAH WILL CUSS AT YOU AGAIN. And everyone knows if Oprah has to cuss at you twice, you will spontaneously burst into flames.
Celebrispawn in the media is quite the hot topic as of late, particularly thanks to Dax Sheppard and Kristen Bell vs. Papz (this will definitely be a court case our children will study in history class). But what about fake famous babies — fair game? OK! Leslie Knope is pregnant! Pawnee's upcoming addition will be the Prince George of fictional TV comedy births. Which is to say, a very big deal. Parks and Rec's Leslie and Ben will be the best parents ever. I think I speak for fans everywhere by saying we can't wait for his or her first playdate with the world’s most attractive child, Ann and Chris’ little Oliver.
Sunday was an epic night for television with the final Mad Men premiere (sort of) and a crazy-ass episode of Game of Thrones. These two are great popular, critically-acclaimed dramas, but they’re on complete opposite ends of the style spectrum. Mad Men’s seventh season debut was gradual and calculated (as always), giving viewers a chance to fill in the blanks between Season Six and now, speculate on what’s to come and read into every little detail. And by detail, I mean Pete’s California Ken Doll look, which was #flawless. Ratings were way down Sunday — the lowest-rated premiere since the second season's in 2008. Some attribute the drop to a lackluster episode, but the truth is probably that everyone was too busy losing their shit over this week’s Game of Thrones to get into the cool Mad Men mood.
Without giving too much away (and because I spoiled “the incident” for myself since I can’t stay off the damn Internet — so I know it sucks), Thrones fans who hadn’t already read the books were treated to a truly righteous, bubbly, bloody scene this week that totally flips the script for many of our favorite characters. Can’t these people get through one wedding without having to immediately plan a funeral?
New movie trailers to hit
the Interwebz: bestseller-turned-likely blockbuster Gone Girl;
two red band previews for 22 Jump Street (The
starring Cameron Diaz and a manorexic Jason Segel, a comedy that’s exactly what
you think it’s about; and Jon Favreau’s take on the foodie world, Chef.
The first good sign that consistent warmth is on its way is the announcement of the lineup for this year’s MidPoint Indie Summer series at downtown’s Fountain Square. The concerts are part of the Square’s free PNC Summer Music Series, which showcases different types of music (played mostly by local acts) five days a week. (The lineups for the every-Thursday Salsa on the Square shows have also been announced; visit myfountainsquare.com for details.)
The eclectic, free Indie Summer shows take place every Friday throughout the summer. This year’s lineup is perhaps the series’ strongest yet, with some higher profile national touring acts and the usual array of top-notch local talent.
Here’s the full rundown of Indie Summer shows so far (a few slots are still to be announced):
• August 15: The Nightbeast (a co-headliner will be announced in July)
The Indie Summer series is sponsored by the MidPoint Music Festival, CityBeat’s popular annual music extravaganza, which returns to the clubs and venues of Downtown and Over-the-Rhine Sept. 25-27. (Though all MPMF-worthy, the acts are booked through Fountain Square, not by MidPoint.) There will be a MidPoint booth on Fountain Square every Friday where music fans can find the latest MPMF info and purchase tickets to the three-day festival.
A limited amount of discounted early-bird passes for this year’s MPMF are available now at mpmf.cincyticket.com. Nail down your three-day tickets (or VIP Experience tickets) before the prices increase. And be sure to stay tuned to mpmf.com and the fest's various social media accounts for the latest updates.