Hey all! Hope your weekend was grand and you did something fun to kick off bike month if you’re into that kind of thing. I am, and I spent some of my weekend biking — for a news story. You’ll find out more about that Wednesday though.
Anyway, here’s what’s up in the news. After a $10 million donation by American Financial Group and Edyth Linder, wife of AFG founder Carl Linder Jr., Music Hall is just $10 million short of the $125 million required for much-needed renovations. The historic Cincinnati landmark, built in 1878, hasn’t seen major work in 40 years and needs interior updates to its acoustics and seating, among other work. Also helping get closer to the goal, businessman Harry Fath and his wife Linda have pledged to boost their donation toward the renovation project from $2 million to $4 million. That’s all huge news for the building, which was cut last summer from a proposed sales tax increase that is currently funding renovation work on Union Terminal in the West End.
• Two top administrators at the School for Creative and Performing Arts will be leaving their posts, Cincinnati Public Schools Superintendent Mary Ronan announced Friday afternoon. Principal Steve Brokamp and Artistic Director Dr. Isadore Rudnick are both being reassigned at the direction of an oversight board for the school. The move comes as CPS searches for an executive director for the magnet school, a hire suggested by an outside consultancy group brought in to assess the school’s management. Students aren’t happy that Rudnick is leaving, protesting outside the building on Central Parkway today and taking to social media with the hashtag #reinstaterudnick.
• As Cincinnati gets more attention from national media outlets for the new restaurants, bars and other attractions springing up downtown and in Over-the-Rhine, more folks have visited our fair city. Specifically, and astounding 24 million folks visited the Queen City in 2013, spending $4.4 billion, according to a new study released by regional tourism groups The Cincinnati USA Convention and Visitor’s Bureau, meetNKY and the Cincinnati USA Regional Tourism Network. That’s a boost of 4 percent per year since 2009. All that money put nearly half a billion dollars into the coffers of the state of Ohio and local governments.
• Here’s a pretty incredible New York Times breakdown of social mobility by county. The interactive map is built on a study by Harvard economists that looks at social mobility in terms of how much income a child will make by age 26 as a function of what county they grow up in. The more likely a low-income child in an area is to add to their household income as they grow up, the more income mobility that area offers. The results: Hamilton County is worse than roughly 75 percent of counties in the United States.
Poor children in Hamilton County can statistically expect to lose $810 from their household income. That’s not evenly distributed, though: Poor males will actually do better over time to the tune of $700, while poor females will do much, much worse — statistically, they can expect to be down almost $2,700 by age 26. Nearby Warren County, however, is much different. There, children can expect to see their household incomes rise by $2,500 by the time they’re 26, and that rise is nearly equal among males and females. The study uses reams of data for every county across the country to paint a big picture of what income mobility looks like in America. The New York Times story is especially neat because not only does it map every county, but it will anticipate, based on your location, which county you’re interested in seeing. When I pulled up the story, it already knew to go straight to Hamilton County. Impressive.
• Finally, the ranks of Republicans officially running for president swelled today as Dr. Ben Carson announced his candidacy. Carson, a renowned and history-making neurosurgeon, has become something of a conservative celebrity in recent years and has garnered millions in funds for his campaign already. Much has been made of the fact that Carson is African American. Conservatives, including Hamilton County GOP Chair Alex Triantafilou, have touted Carson’s campaign as a sign that the GOP is a diverse and accepting party despite "stereotypes" to the contrary. Despite the fanfare, however, many Republicans including Carson himself acknowledge he’s a long-shot. He has little political experience and polls show him trailing other contenders such as former Florida governor Jeb Bush, U.S. Sen. Rand Paul, Wisconsin Governor Scott Walker and former Arkansas Governor Mike Huckabee. A particular Carson weakness: his tendency to say pretty inflammatory things, including claiming that legalized same-sex marriage will lead to legalized bestiality and calling Obamacare the worst thing to happen in America since slavery. Youch.
That’s it for me. Tweet or email news tips and/or your favorite summer bike routes. I can’t wait to get out and ride some more.
While other Cincinnati theaters hustle to get their seasons announced in order to ramp up subscription sales, Ensemble Theatre Cincinnati has built enough faith with its audiences that they'll start signing up sight unseen. Artistic Director Lynn Meyers tells regulars that they'll be pleased, and they take her at her word; she adds that if they aren't happy with the shows she picks, they can have their money back. No one asks for it.
Of course, ETC presents shows that haven't appeared elsewhere in our region yet, typically premieres that have only recently been onstage in New York City. And they're given productions with great acting and beautiful design so well assembled that many shows have extended runs. (That's happening with the show concluding the current season, John Patrick Shanley's Outside Mullingar, which opens on Wednesday with a stellar cast that includes local stage veteran Dale Hodges and Cincy Shakes Artistic Director Brian Phillips. ETC has announced it will run a week longer than initially indicated, now closing on May 30.)
For its 30th season, ETC has assembled three regional premieres and a revival of a musical it staged to great acclaim in 1999, with a TBA slot (March 22-April 10, 2016) that's likely to bring another show that's been a recent Broadway or off-Broadway hit. Here's the lineup announced over the weekend:
Luna Gale (Sept. 8-27, 2015) by Rebecca Gilman: The show recently received the Harold and Mimi Steinberg/American Theatre Critics Association New Play Award, and it was considered by many to be a strong contender for the Pulitzer Prize in drama. It portrays the moral dilemma facing a social worker with a crushing caseload and personal baggage. She must decide whether to leave a child with neglectful drug addict parents or place her with a grandmother who is a religious zealot. It's a complex and disturbing work about faith and forgiveness that doesn't offer easy answers for the lifelong after-effects of abuse. Its first production was in January 2014 at the Chicago's Goodman Theatre. It's slated for productions at Cleveland Playhouse and Actors Theatre of Louisville in the coming season, but ETC's happens first.
Buyer and Cellar (Oct. 13-Nov. 1, 2015) by Jonathan Tollins: The one-many comedy was a big New York hit in 2013, telling the story of an out-of-work actor who takes on the odd job of playing shopkeeper for Barbra Streisand in the basement of her lavish Malibu estate. It's a fanciful imagining of what one does with decades of memories and acres of memorabilia. Performing the piece will be Nick Cearley, a Cincinnati native who has appeared at ETC in next to normal and The Great American Trailer Park Musical.
Cinderella (Dec. 2-Jan. 3, 2016) by Joe McDonough, David Kisor and Fitz Patton: ETC's holiday show is a remount of its contemporary take on the classic fairy tale that demonstrates that being smart can be truly beautiful.
Grounded (Jan. 26-Feb. 14, 2016) by George Brant: It's another solo show, described by one critic as "ardently humane," about a woman who's an ace pilot reassigned to operate a remote-controlled drone from a windowless trailer near Las Vegas. It's a hit at New York City's Public Theater right now featuring Anne Hathaway in a production directed by Julie Taymor. Hunting terrorists by day and returning to her family at night, the boundaries begin to blur between the desert where she lives and the one she patrols half a world away in Iraq.
Violet (May 3-22, 2016). Jeanine Tesori's musical won the Drama Critics Circle Award and the Lucille Award for best musical when it premiered off-Broadway in 1997. It was a local award winner, too, but not seen by many who have come to love ETC's offerings. The score features American Roots tunes as well as Folk and Gospel styles. Violet's story is set in the 1960s; she is a young woman disfigured in a childhood accident who dreams of a miraculous transformation through the power of faith provided by a televangelist. It was one of ETC's best early productions, and it's a great choice to cap off a celebration of three decades of fine theater.
Subscriptions are currently available. Call 513-421-3555 for information.
Christopher Durang's witty comedy Vanya and Sonya and Masha and Spike opened last night at the Cincinnati Playhouse. If that title makes you think of Russian playwright Anton Chekhov, well, that's part of the playwright's comic plan. But his script reassembles some of those wry comic elements with a few modern twists. The three characters with Chekhovian names are siblings with wildly divergent perspectives; "Spike" stirs things up by being more physical than intellectual. You don't have to know any theater history to have a good time with this play, especially when Vanya launches into a 10-minute rant about what's wrong with the modern world — referencing everything from postage stamps and technology to global warming and a lot of TV from the 1950s. It's hilarious. This show is being staged at theaters all over America this season. For more about Durang, read my Curtain Call column. Through May 23. Tickets: 513-421-3888
The Covedale Center has carved our a meaningful niche in the local theater scene with staging Golden Age musicals, and they're opening one of the best this weekend, Rodgers and Hammerstein's The Sound of Music. It was the final show by the pair who created Oklahoma, South Pacific, Carousel and The King and I. Thanks to the movie featuring Julie Andrews, I don't really have to tell you what it's about. But I should mention that the stage version has a bit more of a socio-political edge to it: Two of my favorite numbers (that didn't make it into the film) are "No Way to Stop It" and "How Can Love Survive?" — pay attention to them for some sassy songwriting. The show is onstage at the West Side theater through May 24; tickets: 513-241-6550
Several worthwhile productions are finishing their runs this weekend with Sunday performances. That includes the searing psychological and political drama Death and the Maiden by Diogenes Theatre Company, featuring Annie Fitzpatrick, Michael G. Bath and Giles Davies at the Aronoff's Jarson-Kaplan Theater. Tickets: 513-621-2787 … Cincinnati Shakespeare is winding up its staging of the great comedy of love and combat, The Taming of the Shrew. (Read my review here). Tickets: 513-381-2273 … And if you've ever struggled to connect with a play by the Bard, you might enjoy John Murrell's Taking Shakespeare at Dayton's Human Race Theater Company. The latter is about a disillusioned college professor asked to tutor her dean's son through a freshman class in Shakespeare. The subject is Othello, and their wrangling helps them learn more about one another. It's some fine acting, with Jon Kovach, seen frequently on Cincinnati stages, as the opinionated but drifting young man. Tickets: 937-228-3630
Tribute albums are typically divided into three categories. They’re either a) bankable artists covering high profile subjects (or, infrequently, famously known cult figures); b) cool/respected artists covering cool/respected artists; or c) some weird hybrid of the first two.
Two recently released tributes fall squarely in the second category, with Avett Brothers frontman Seth Avett and rising Americana/Rock vocalist Jessica Lea Mayfield taking a quietly beautiful stroll through a sampling of Elliott Smith's exquisite catalog on Sing Elliott Smith, and Frames frontman and solo artist in his own right Glen Hansard honoring his great hero and friend Jason Molina on It Was Triumph We Once Proposed: Songs of Jason Molina, which was available last month.
There are odd connections between the two projects. In the general point of interest sense, both are posthumous tributes. Smith died in 2003, apparently by his own hand, and Molina succumbed in 2013 after a long battle with alcoholism. And on a more personal level, by the sheerest of coincidences, I've interviewed both of the subjects of these two tributes.
Back in 2000, I spoke with Smith while he was still touring on Figure 8, which had come out earlier that year. And in 2003, I was assigned a feature on Songs: Ohia, fronted and braintrusted by Molina, who had just finished an album he titled The Magnolia Electric Co., which marked the end of Songs: Ohia and the shift to the band named after his new album. Both were fascinating and heartfelt conversations with artists who were amazingly self aware but not at all self absorbed, quietly brilliant songwriters who had an almost pathological need to extract their musical impulses from the dark well of their ultimately troubled souls.
Hansard — who came to prominence as the voice, guitarist and primary songwriter for Irish Rock band The Frames before establishing a side project (Swell Season) and solo career and hitting semi-big with the movie Once and his soundtrack, featuring the Academy Award-winning hit "Falling Slowly" — was so inspired by Molina's deeply emotional and confessional songcraft that the first fan letter he ever sent to a fellow artist was to Molina. Back in 2005, two years after I'd interviewed Molina, I had the rare opportunity to witness the pair's personal and professional bond firsthand.
At my second South by Southwest experience, I followed former The Onion music editor Stephen Thompson to see a Frames appearance at one of Austin's innumerable daytime parties. Stephen was a huge Frames fan and the band knew him well; he had done enough to help expose the band to American audiences that they thanked him in the liner notes to Burn the Maps.
When we arrived at the venue, the band members were wandering through the crowd just prior to their set and Stephen made a beeline for them. He introduced me to The Frames, but there was a dark, diminutive and somewhat familiar presence in the circle who was clearly with the band but not as a member. Glen Hansard spoke up, in his pudding thick Irish brogue, and said, "This is Jason Molina."
I shook his hand and reminded him of our phone conversation and the Rockpile feature two years previous. He greeted me warmly and we talked about what we'd seen at the festival to that point and what we hoped to see going forward. We spent a good 10 minutes in this convivial manner, right up until The Frames took the stage and were announced. After that, his unwavering focus was on the band; he watched and listened as though he was occupying the front pew in church during a sermon he knew for an absolute fact would change his life for the better. He stood in rapt attention, soaking in every word, every note and every nuance and with good reason — The Frames were a mesmerizing live force back then.
At the set's conclusion, Molina immediately swiveled toward me and we exchanged jaw-dropped exclamations of disbelief. Within a few minutes, Hansard made his way to Molina's side and the two began critiquing the performance, Hansard pointing out the flaws and Molina categorically dismissing them. I laughingly thought to myself as I headed to the door and the next party, I'll bet their roles will be diametrically reversed when Magnolia Electric Co., the band that Songs: Ohia had morphed into, plays later this week and Hansard is the fan in the front row. It reminded me of something Molina had said regarding the fact that he was already thinking past the album he had just finished.
"I can do better," he said without hesitation. "My next one, I'm already sweating it. Since the day I walked out of the studio, I've been working on the next one. I don't feel like this one failed, but I'm still looking for the better one."
I thought about Hansard's face as it must have looked while he watched Molina's appearance in Austin, Texas, a decade ago, and imagined the sadder but equally beatific visage he must have exhibited in the studio as he was translating the five tracks that comprise It Was Triumph We Once Proposed. This brief and beautifully executed EP serves a similar purpose as Hansard's distant but never forgotten fan letter, as he pays loving tribute to his long personal friendship with Molina and to the work that first illuminated his immense talents to the world.
Hansard assembled a group of longtime Songs: Ohia/Magnolia Electric Co. collaborators/friends to record a heartbreaking quintet of Molina compositions, all Songs: Ohia tracks and all lending themselves perfectly to Hansard's passionate and sensitively wrought translation. Molina often worked at the creative intersection of Leonard Cohen and Neil Young, and Hansard taps into that shivery vibe with a true fan's boundless devotion and a true friend's immeasurable grief. On the one-two punch of the powerfully poignant "Being in Love" and the achingly beautiful "Hold On, Magnolia," Hansard illuminates the raw, wrenching wisdom of lines like, ”We are proof that the heart is a risky fuel to burn," and the prescient "You might be holding the last light I see before the dark finally gets ahold of me." And just like Molina's life and amazing musical output, Hansard's It Was Triumph We Once Proposed is both immensely satisfying and far too short.
The other contender for Most Amazing and Deserved Tribute of the Year is Seth Avett and Jessica Lea Mayfield's Sing Elliott Smith, a (relatively) spare and loving bow to one of this generation's most insightful and contemplative songwriters. After his shredding turn with Portland’s Heatmiser, Smith turned down the volume for his home-recorded solo debut, Roman Candle, which was followed by his equally nuanced eponymous sophomore album and then the jewel in his crown, 1998's Either/Or, which director Gus Van Zant cherry-picked for his soundtrack to his masterpiece Good Will Hunting. Smith scored an Academy Award nomination for his song "Miss Misery," and the success of the soundtrack and his almost uncomfortably vulnerable performance at the Oscars vaulted him into a spotlight that he never actively pursued.
By the time of our 2000 interview, Smith had managed to come to uneasy terms with the maelstrom of fame that resulted from Good Will Hunting and Either/Or's tangential success. It had required him to think about his work in pedestrian ways, to explain it in a fashion that would be understandable to people with little understanding.
But through it all, Smith remained true to his own process, trusting that, regardless of outside opinions, expectations or interests, he continued to create the kind of music he wanted to hear in the manner that he wanted to create it. And he knew that, no matter how much anyone involved in his career wanted him to pull Either/Or 2 out of his magician's hat, the only thing that would truly satisfy his artistic nature would be to create what came out of him organically, without being conjured or forced.
"I don't think it was on my mind," Smith said about making the Beatlesque Figure 8 in the wake of major-label debut XO, Either/Or and Good Will Hunting. "I was just making up songs the way I always do. I mean, it was never going to sell millions of copies, so there wasn't that kind of pressure."
That may well be why Sing Elliott Smith is so incredibly successful as a tribute. Smith's songbook is among the most revered in contemporary music and the acclaim that has been lavished on Avett and Mayfield since their debuts is both effusive and deserved. Given all that, there's little risk involved at any level of this project.
The blending of the two principals' voices was the only unknown and that particular question mark is definitely straightened into a boldface exclamation point with Avett and Mayfield's brilliant opening duet on Either/Or's "Between the Bars." Avett's stylistic path from Punk provocateur to rootsy Americana troubadour to genre melding alchemist is a pretty fair match to Smith's own journey, and Mayfield's weary optimism lines up well with Smith's gloomy hopefulness. Together, Avett and Mayfield are the perfect translators for Smith's hushed (and not so hushed) odes to the anguish and bittersweet joy of love and modern life and they coalesce almost effortlessly on brilliant lines like, "Nothing's gonna drag me down/To a death that's not worth cheating."
It's moments like that one from "Baby Britain" that make Sing Elliott Smith resonate so clearly from start to finish. It's particularly poignant when Mayfield takes the lead on "A Fond Farewell" — from the album Smith was working on at the time of his death, released posthumously as From a Basement on the Hill — and she sings words that seem so startlingly prescient coming so close to Smith's sad end; "A little less than a happy heart/A little less than a suicide/The only thing that you really tried/This is not my life, it's just a fond farewell to a friend/It's not what I'm like, it's just a fond farewell to a friend/Who couldn't get things right."
Avett and Mayfield offer a broad core sample of Smith's amazing catalog (only 1995's self-titled sophomore album isn't represented), and the pair's affinity for and love of their subject's work is evident in every trembling note and emotional lyric. At almost 37 minutes, Sing Elliott Smith is a full album but it feels impossibly short and is over well before the listener is ready for it to be done. If ever there was a release that warranted the often-dreaded subtitle of Volume 2, it would be Sing Elliott Smith.
It seems only proper that the final words in this piece should be reserved for the subjects of these two tributes. First, an interesting comment from Jason Molina about his songwriting process led to a philosophical statement about his musical belief system.
"I almost write the music at the same time I'm trying to think of who could best put this onto tape, and that goes right down to the engineer," he noted. "Maybe it's a cowardly way to work because I don't take all of the burden onto myself, but ego should never be part of the music."
And finally, Elliott Smith addressed the media's tendency to label him as "melancholy," which morphed into an explanation of the simple reality that labels have tried to manipulate and contradict throughout their long and checkered histories.
"As soon as someone calls you a songwriter, you automatically get the melancholy tag," Smith admitted. “Also, 'Why aren't you playing dance music?' and 'Why are your songs so sad?' They're just clichés. If it wasn't those, it would be different ones. You can't always expect people to relate. There are all kinds of people, and some people understand each other and some people don't. NSYNC sells nine million records, so there's nine million people that can relate, and I'm not one of them. So even if you sell millions and millions of albums, there's always going to be somebody who doesn't get it. If you want to be creative and do what you do, it's going to be kind of idiosyncratic."
Long live the idiosyncratic artist, and the memories of those who left us way before their creative dreams were fulfilled.
Northside’s Urban Artifact Brewing opened its doors last week, hoping to push the envelope by displaying a finessed brand and aesthetic by reinvigorating old styles of beer and celebrating local artists of all genres. Residing in a renovated church, the brewery is collaborating with restaurant Meatball Kitchen and has big plans for the future as a destination to hear live music.
“We love Northside and we love the neighborhood, so that was at the top of our list from the beginning,” says Scott Hand, who opened the brewery with partners Brett Kollmann Baker, Scott Hunter and Dominic Marino. Hand, a DAAP graduate, was working as an architect in Chicago when he and Marino, a musician and artist, began talking about opening a brewery. Knowing the financial restrictions they would face as a new business in the Windy City, the duo relocated to Cincinnati to begin the project.
Hand was familiar with the process of reconstructing an old space, so when St. Pius X on Blue Rock Street, formerly home to Queen City Cookies’ bakery, became available, the team thought it was the perfect fit for their vision. Originally, Hand and Marino had planned to open Greyscale Cincinnati, a multi-use performing arts facility and craft brewery in the former Jackson Brewery on Mohawk Street in Over-the-Rhine. But plans and funding change, and the Northside church’s sanctuary, gymnasium, next door rectory and other open spaces have now become Urban Artifact, a brewery and event space still focused on blending music (their music label retains the Greyscale Cincinnati name) and unique beer, but with an additional spotlight on good food, design and elevated branding.
“Because of branding, we made a point to reuse a lot of the church and what was already there,” Hand says. “This is a lot harder than just gutting it and starting from scratch. Most breweries are in warehouses or large rooms; our brand and beers come together for a unique experience.” In the final renovation, the team highlighted the church’s historic features, like its stained glass and old columns. They’ve also kept the radiators and reincorporated the 1940s maple floors they plied up from the gymnasium, now home to brewing equipment and fermenters, as finishes in the main church building’s lower-level taproom.
Featuring old things while incorporating contemporary necessities was crucial for Urban Artifact. Most of their beer styles, which utilize wild yeast, bacteria and other captured local cultures, are from the Prohibition days — brewers Hunter and Baker both have backgrounds in chemical engineering. Hand’s favorites are the Maize, a Kentucky Common-style beer, and Harrow Gose, a bready beer of German origin. “The Gose is the most enjoyable for me, and it’s a light beer so I can have two or three without feeling bad about it,” he jokes. The brewery will also focus on experimental wild and tart ales, listing the ale’s pH and other information in the taproom to add an educational element to the experience, and will have local Skinny Pig Kombucha on tap as a non-beer fermented alternative.
The brewery also partnered with Meatball Kitchen, leasing part of rectory’s first floor to become the restaurant’s second location. Food runners will unify the two buildings and make Meatball Kitchen available to everyone. (Currently, Meatball Kitchen is set up in a corner of the taproom until the restaurant renovations are complete.) Hand says the partnership was a natural fit due to their similar aesthetics.
“[Meatball Kitchen’s] Short Vine location has a similar feel — old wood, exposed pipes and things. The menu really identifies with our beers as well,” he says. “I think they are redesigning and making little changes to their menu to make our collaboration more cohesive.”
The brewery’s lower level, which can hold about 200 people, is separated into two parts — the taproom and a listening lounge — in addition to a beer garden outside. Every Wednesday, the listening lounge will feature Cincinnati Jazz institution the Blue Wisp Big Band, which features brewery partner Marino on trombone. The band has been performing every Wednesday night since 1980, but lost their home last year when the Blue Wisp Jazz Club closed. Hand says the “Cincinnati cultural icon” will be at Urban Artifact indefinitely.
In terms of other live music, the brewery scored Soul/R&B/Funk band The Almighty Get Down for their opening night last Friday and World-Fusion band Baoku last Saturday. While powerhouse local bands are flocking to Urban Artifact, they are still looking to book less established, up-and-coming local bands of any genre for other nights. (Hand encourages interested bands to contact Marino at email@example.com.)
The four partners are working hard to have a successful first week of business, but Hand has big plans for the future. The lower level renovation is complete, but the main floor sanctuary is phase two. As a music enthusiast with an architectural background, Hand’s main passion is acoustics. His goal in the next couple of years is to create a “formal but flexible” space for ticketed events, live theater, receptions and eventually big-ticketed performers in the sanctuary.
“I do not want it be your typical standing space,” he says. “It will not be the environment where you blast bands to the loudest decibel and come out with your ears ringing.”
Hand says performers would have the opportunity to record their live shows for personal use or redistribution. He hopes creating the ideal acoustic space will attract larger name performers.
Urban Artifact, whose motto is “Wild culture” for their beers and their brand, focuses on creating a unique product, building promising partnerships and including local artists and culture in their brewery. “We have identified what we’re best at and we do it well, but the best thing is that we come together in the end and figure out how to get things accomplished best as a team,” Hand says. “I think we are pushing the envelope for what a finessed brewing aesthetic is and how that affects the overall experience.”
Urban Artifact is located at 1660 Blue Rock St., Northside. Hours are 4 p.m.-midnight Monday-Thursday; 4 p.m.-1:30 a.m. Friday; noon-1:30 a.m. Saturday and noon-midnight Sunday. For more information, visit artifactbeer.com.
Stuff to do for athletes, aesthetes and people who love celebrating spring produce.
Party pre-marathon with the FLYING PIG WEEKEND
On your mark, get set and go to the 17th annual Flying Pig Marathon. Come and see thousands of runners and walkers of all skill levels take part in this beloved race (a Boston Marathon qualifier). Stand on the sidelines and cheer or register and take part in a course that travels along the streets of Cincinnati, Covington, Newport, Mariemont, Fairfax and Columbia Township. Along with the marathon, the Flying Pig weekend features a series of events.
See a full list of events and prices online. Marathon starts 6:30 a.m. Sunday; marathon registration is $115. flyingpigmarathon.com.
Buy some CHEAP AAART
Local artist and curator Paul Coors (an Art Academy of Cincinnati grad and co-founder of former OTR art space Publico) will exhibit and host a silent auction — with assigned low starting figures and minimum raises — of his own artwork made within the past 10 years on Friday and Saturday at his Brighton loft/exhibition space, The Ice Cream Factory. True to Coors’ legacy of engaging musical acts in his art shows, friends of the artist will DJ over the course of both evenings including Bridget Battle (Tweens), Chris Burgan (Platter Party Records), Jordan Bronk and Sebastian Botzow (the DJ duo behind the monthly Fogger set at Rakes End), Floyd From Ohio Johnson (of Ohio Against the World fame) and Yoni Wolf (WHY?). 5-11 p.m. Friday and Saturday. Free; all ages. The Ice Cream Factory, 2133 Central Ave., Brighton, paulcoors.co.
Celebrate the 50th anniversary of the SOUND OF MUSIC with a live performance
Rodgers and Hammerstein’s great musical theater collaboration — The Sound of Music — has been in the news recently, celebrating the Academy Award-winning movie’s 50th anniversary. If you’d like to dig further into the past (56 years ago it won five Tony Awards in its Broadway debut), you’ll find it onstage at the Covedale Center. It’s the story of a young woman who fails at becoming a nun. But she loves to sing and that wins over a motherless family and their stern father. It’s been a winner since 1959, and it’s sure to please audiences in this production staged by Ed Cohen and Dee Anne Bryll. Through May 24. $21-$24. Covedale Center for the Performing Arts, 4990 Glenway Ave., Western Hills, 513-241-6550, cincinnatilandmarkproductions.com.
Get drunk on mint juleps at Neons' DERBY DAY SOIREE
The Kentucky Derby takes a two-minute race and turns it into a weekend of festivities throughout Louisville — drinking signature cocktails, exclusive parties and many out-of-town celebrity guests in elaborate millinery. But why should Louisvillians have all the fun? Neons is gathering Cincinnatians together to craft derby hats, sip on three different kinds of juleps (in 2015 official Kentucky Derby glasses) and watch the race in their second annual Derby Day Soirée. The event also features live music from the OTR Bluegrass Band featuring members of the Comet Bluegrass All-Stars. 2 p.m. Saturday. Free. Neons, 208 E. 12th St., Over-the-Rhine, neons-unplugged.com.
Wear a fancy hat to the WILDER EP release party at the Southgate House
Americana/Country group Wilder was formed last year by singer/songwriters Kelly Thomas and Randy Steffen after their previous projects had come to an end (Thomas’ Fabulous Pickups and Steffen’s Sleepin’ Dogs). Building into a full band and establishing a presence on the local club scene, Wilder is now set to release its debut EP with a special show Saturday at Southgate House Revival. Falling on the same day as the Kentucky Derby, the 9 p.m. show will have a derby theme (Wear wild hats! Drink mint juleps!). Arlo McKinley & the Lonesome Sound, Mad Anthony and Danny Mecher and the Home Demos are also on the bill. Admission is $5 (or $7 if you’d like a copy of the EP on CD). 111 E. Sixth St., Newport, Ky., southgatehouse.com.
Celebrate spring at Gorman Heritage Farm with SAVOR THE SEASON
The phrase “farm-to-table” gets a literal translation at Gorman Heritage Farm’s annual Savor the Season celebration Saturday. This epicurean adventure, in partnership with Slow Food Cincinnati, focuses on reveling in spring’s bounty from the 122-acre working farm and farms around the area. Top local chefs — including Jose Salazar of Salazar, Allison Hines of Butcher Betties, Todd Kelly of Orchids, Ryan Santos of Please and more — will be offering tasting samples of dishes that highlight seasonal produce, and chef Julie Francis of Nectar and Lance Bowman of Japp’s will be creating cocktail and food pairings. Don’t miss the “Raid the Garden” competition (CityBeat dining writer Anne Mitchell will be one of the judges), where chefs enter into a Chopped-style food competition. The event also includes food trucks and vendors, music from DJ Mowgli and garden/farm workshops, like composting 101, chickens in your backyard, beekeeping and more. 11:30 a.m.-7 p.m. Saturday. $25-$35; $10 for Raid the Garden only. 10052 Reading Road, Evendale, 513-563-6663, gormanfarm.org.
Party on Fountain Square for the CINCY-CINCO FIESTA ON FOUNTAIN SQUARE
Celebrate Cinco de Mayo with the Fiesta on Fountain Square. This authentic Latino festival is designed to share all aspects of Latin American culture, values and traditions with the Cincinnati community in a fun, family-oriented event. Live entertainment throughout the weekend includes performances from Latin band Tropicoso, Cincinnati Balia Dance Academy, Mariachi Zelaya and more, plus food from the likes of La Mexicana, Cuban Pete and Empanadas Caribe. A special children's area will provide free games, crafts, prizes and other activities. All proceeds benefit Tristate charities in support of the Hispanic population. Noon-11 p.m. Saturday; Noon-7 p.m. Sunday. Free. Fountain Square, Fifth and Vine streets, Downtown, cincicinco.com.
Buy some rocks at the GEOFAIR
The 50th annual GeoFair is Cincinnati’s largest gem, mineral, fossil and jewelry show. This year’s theme is “American Mineral and Fossil Treasures,” with displays containing private, university and museum-quality specimens, along with vendors and wholesalers, a swap area and free fossil, meteorite, mineral and gemstone identification. Demonstrations include gold panning, geode cracking and gemstone polishing. Children younger than 12 will receive free mineral and fossil specimens upon entry. 10 a.m.-6 p.m. Saturday; 11 a.m.-5 p.m. Sunday. $9 adults; $3 kids; free for uniformed scouts. Sharonville Convention Center, 11355 Chester Road, Sharonville, geofair.com.
Make cooing noises at ZOO BABIES
Celebrate the newest arrivals at the Cincinnati Zoo & Botanical Garden during the entire month of May, where you'll find the cutest baby faces from all over the globe. Follow the six-foot-tall pink and blue stork statues displayed throughout the zoo to lead you to baby African lions, penguin chicks, bonobo monkeys, a whole litter of African painted dogs and more, as their big eyes, miniature sizes and playful personalities melt your heart. Through May. Park admission $18 adults; $12 children and seniors. 3400 Vine St., Avondale, 513-281-4700, cincinnatizoo.org.
Take in a lightly staged matinee of THE MUSIC MAN
As Hugh Jackman declared in his 2009 Oscars performance, “The musical is back!” Musicals and movie-musicals have lodged themselves in the mainstream consciousness though film productions like Les Miserables (in which the aforementioned Jackman starred) and Into The Woods (an Oscar-nominated adaptation of the Sondheim classic) and various frequent Broadway touring productions, like those at the Aronoff Center. Cincinnati Pops Orchestra conductor John Morris Russell is giving us another angle through which to experience a classic musical, resurrected this weekend. The Pops’ semi-staged performance of 1957’s The Music Man features Broadway veterans Will Chase and Betsy Wolfe in leading roles, plus hundreds of local artists from Playhouse in the Park, CCM’s musical theater department, May Festival Chorus and more. 8 p.m. Friday and Saturday; 2 p.m. Sunday. $20-$103. Music Hall, 1241 Elm St., Over-the-Rhine, cincinnatisymphony.org.
Laugh at VANYA AND SONIA AND MASHA AND SPIKE
Vanya, Sonia and Masha are mismatched siblings, named by academic parents who had a yen for community theater. Now late in middle age, Vanya and Sonia continue to live in rural eastern Pennsylvania on the family’s farm with a few cherry trees. (Durang constantly drops reminders of Chekhov, dollops of amusement for anyone who recognizes them.) Their lives have some angst and ennui, but they aren’t doing anything about it. Through May 23. Cincinnati Playhouse in the Park, 962 Mt. Adams Circle, Mount Adams, cincyplay.com.
Grab a coffee at the CAC's new lobby and check out REMEMBER THE FUTURE
Blah concrete no longer dominates the Contemporary Arts Center lobby. A mere decade after its opening, the harsh environment needed a change. “We wanted the lobby to be the movie trailer for what’s upstairs,” says CAC curator Steven Matijcio. Architect Zaha Hadid’s vision of an “urban carpet” that draws visitors from the sidewalk has been realized with a colorful mural blanketing the walls, lights on the concrete pillars and the welcome desk front and center. A neon sign over the entrance reads “Contagious,” reflecting the vibe enjoyed at the café and in conversations on comfortable couches. Even though they resemble thunderclouds, chandeliers by Cincinnati sculptor Matt Kotlarczyk perk up an overcast day. The CAC needed to seize control of space, time and light.
Upstairs Daniel Arsham’s Remember the Future is anchored by a gray mountain of hundreds upon hundreds of pop culture artifacts cast from volcanic ash, obsidian, quartz and glacial rock. Yet colorful, not-so-distant memories stir as the viewer circles the heap and notices boom boxes, video game controllers, keyboards, cameras, turntables, guitars, film reels and videotapes. 10-4 p.m. $7.50 adults; $5.50 educators/students/seniors. 44 E. Sixth St., Downtown, contemporaryartscenter.org.
Good morning y’all. Like yesterday, I’m once again groggy this morning, but for different reasons that have everything to do with the news. So let’s talk about that.
Last night a group of about 300 gathered outside the Hamilton County Courthouse to protest inequities in the nation’s justice system and to express solidarity with Baltimore, where civil unrest has broken out after the April 18 death of 25-year-old Freddie Gray. Gray died from injuries he sustained while in police custody. The rally and subsequent march through downtown and Over-the-Rhine, which drew more than 100, were peaceful and lasted about four hours. No one was arrested, though there were a few tense moments as protesters tried to enter a highway on-ramp and the Horseshoe Casino. Cincinnati Police Chief Jeffery Blackwell was present at the protest last night, and this morning appeared on CNN touting the city’s protest response protocols, which have been adopted by the U.S. Justice Department as an example of how police should respond to such rallies.
Update: Gray's death has been ruled a homicide and the six Baltimore police officers involved will be charged. Officer Caesar Goodson, the van driver, will be charged with second-degree murder, Baltimore State Attorney Marylin Mosby announced today. Other officers involved in Gray's arrest will face lesser charges.
“I heard your call for 'No justice, no peace,' ” Mosby said at a news conference. “Your peace is severely needed as I work to deliver justice for this young man.”
• Drug overdose deaths in Ohio have hit record numbers, according to a report released yesterday by the Ohio Department of Health. In 2013, 2,210 people died of overdoses in the state, a 10 percent increase in a year. It’s especially grim here in the Greater Cincinnati area: About 440, or 20 percent, of those deaths happened in Southwestern Ohio’s Hamilton, Butler, Clermont and Warren Counties. Here in Hamilton County, deaths have increased 30 percent since last year, according to the report. More than 40 percent of those deaths statewide were caused by heroin overdoses, by far the biggest single cause of drug overdoses in the state. Heroin overdose deaths have spike sharply in the last four years, overtaking cocaine overdoses in 2012 as the leading cause of overdose death.
• Yesterday I told you about how the Cincinnati Enquirer swapped out a headline on a news article about a murder in OTR while taking criticism for its handling of that story. Several high-profile Cincinnatians have since called out the Enquirer for coverage they call sensationalist. You can read more about that, and CityBeat editor Danny Cross’ analysis, here.
• We all have needs. I maybe need to get around to buying a car eventually. Cincinnati needs better public transit. Ohio Gov. John Kasich and other top officials need $9.6 million worth of small aircraft to hop around the state in. The state has purchased two Beechcraft airplanes for officials to use on state business. State officials say the planes are needed replacements for older aircraft with rising maintenance costs. One of the shiny new planes holds nine passengers, the other six, and in case you’re wondering, yes, they do have all the necessary modern avionics equipment on board, including an entertainment center and the oh-so-vital wine bottle chillers because god knows you can’t drink room-temperature white wine while you’re floating somewhere above Youngstown on official state business.
• Speaking of Kasich, his profile is rising as he continues to kinda sorta run for president. I read this pretty long Atlantic article about him yesterday. The piece literally calls him a jerk and make him sound a little like he has attention deficit disorder. But the in-depth Atlantic piece also talks about his strengths, including his energy and his sometimes-gruff but sometimes-endearing plainspoken ways. Some other magazines and national publications have taken a closer look at Kasich over the past week or so, including conservative mag the National Review, which thinks his bid is a no-go. I’d tell you more about their article, but talking about the National Review makes my soul hurt so let’s just stop there, shall we?
• Speaking of the 2016 presidential race, Cincinnati’s uh, favorite (?) son Larry Flynt has endorsed Hillary Clinton for president. Good thing for Clinton? Bad thing for Clinton? Unclear. Flynt says he’s mostly behind Clinton because she has the best chance of winning and she’ll be able to appoint two or three Supreme Court justices, bringing the nation’s highest court under a decidedly liberal sway. Flynt was an ardent supporter of Clinton’s husband, former president Bill Clinton. He doesn’t have any illusions that Hillary is about to take him on the campaign trail with her, though.
“I’m sure that Hillary doesn’t necessarily approve of everything I do,” he told Bloomberg Politics.
More than 300 gathered outside the Hamilton County Courthouse today
to protest racial disparities in the justice system and express
solidarity with Baltimore. More than a week of unrest has gripped
that city after 25-year-old Freddie Gray died in police custody there April 18. Gray
sustained severe spinal injuries while riding in a police van, slipped into a coma and died from his injuries.
The Cincinnati rally was the latest of several that have taken place downtown in the last year after the shooting death of unarmed teen Mike Brown by white officer Darren Wilson brought national attention to the issue of racially-charged police-involved deaths.
After the rally, a crowd of more than 100 marched down Central Parkway,
through Over-the-Rhine, and to the Cincinnati Police Department District
1 headquarters on Ezzard Charles Drive. From there, a smaller group of
about 40 took a zig-zagging route past City Hall and Fountain Square.
That group had a couple tense standoffs with police at the eastern end
of Fifth Street near a highway onramp and in front of the Horseshoe
Casino. All told, the protest lasted about four hours, winding down
about 10 pm.
The protests were peaceful and did not result in any arrests, police said, though one protester was briefly detained on Vine Street and issued a citation for jaywalking.
Activist group Black Lives Matter Cincinnati organized the rally. Among
attendees were long-time activist Iris Roley, who was a key participant
in forging Cincinnati’s collaborative agreement which arose from civil
unrest here14 years ago. That unrest was sparked by the 2001 shooting
death of unarmed black man Timothy Thomas, the 16th person of color shot
by Cincinnati Police over the course of a few years. Also in attendance
were State Senator Cecil Thomas, police officer and Over-the-Rhine
transit activist Derek Bauman, Cincinnati Police Chief Jeffery Blackwell
and others active in the community.
Many attendees said they were concerned about wider disparities in the justice system beyond police actions.
“We’re to remember,” said co-organizer Rashida
Manuel. “We’re here to remember Freddie Gray. We’re here to remember
Maya Hall, the black trans woman who was killed in Baltimore last month.
We’re here to remember Mike Brown, we’re here to remember John
Crawford, and so many others I can’t possibly name. We’re here to
remember Timothy Thomas. We’re here because we’re tired.”
Documentaries about photographers have the difficulty of making still photographs hold our interest in a medium that is about — obviously — moving pictures. The contemplation and meditation that successful still photographs elicit tend to get lost when your eyes and brain are trying to keep up with something traveling at 35 frames per second. It's like trying to admire an elegant home from a speeding train.
A recent (and very good) film about a photographer, Finding Vivian Maier, solved that problem by turning the story of why she was so overlooked in her lifetime into a mystery.
The current film The Salt of the Earth, about the questing, humanistic Brazilian-born photographer Sebastiao Salgado and directed by Wim Wenders with Salgado's son, Juliano, may be the best documentary about a photographer ever.
Salgado deserves it, too — his years-long, book-length projects chronicling the hardships humans endure in their search for work (Workers) and safety from war and famine (Migrations), as well as his elegiac images of the earth itself (Genesis), mark him as one of history's most important photographers. And he's still active at age 71.
Mariemont Theatre has just announced the film will be held over for a second week, starting tomorrow (Friday).
The Salt of the Earth accomplishes its profundity by beautifully melding the best traits of film — tracking shots, close-ups, essayist commentary and interviews presented as monologues, color cinematography, music — with deep feeling for the subject and his work. Wenders presents Salgado's monumental black-and-white photographs superbly. He slowly shifts between them and his own filmmaking. It deserved the recent Academy Award nomination it received.
Wenders is the German director of some classic narrative films (Wings of Desire, Paris, Texas) who, with his documentaries Pina and Buena Vista Social Club, showed he could find inventive and life-affirming ways to depict on film the work of other artists he respects.
Wenders in The Salt of the Earth can be solemn when it's called for — Salgado's work at times makes you wonder if the human race is doomed to cruelty to hardship. But it's also optimistic, as when chronicling how Salgado has restored to health his parched, dying family farm in Brazil.
We're fortunate that the Mariemont has elected to hold this film for a second week. I saw it last Monday and the crowd was small, so many of its intended audience might not yet be aware of it. It really deserves to be seen on a big screen. and it's rewarding for all those who take film and photography seriously.
Just before we turned the corner from 12th onto Main, gunshots popped off behind us. We turned around and saw some dude running south on Sycamore. We bolted onto Main and jumped into a storefront doorway until things calmed down, called the police and then continued on our way. I followed up and found out that the man we saw running away neither died nor killed anyone.
It was a scene that has grown less common in recent years in the area, as the push of development has moved much of the drug dealing and related violence outward into other neighborhoods. In January WCPO reported that violent crime in OTR was down 74 percent since 2004, in part due to development and evolving policing tactics.
Such facts didn't deter The Enquirer from freaking the hell out yesterday when one of its reporters witnessed a shooting in front of a bunch of popular OTR restaurants. Reporter Emilie Eaton was on the same block when 30-year-old Gregory Douglas was shot around 9 a.m. near Vine and Mercer streets, fled a short distance then collapsed and died. Police today issued a warrant for the arrest of Darnell Higgins for the murder.
It's been a sad day for a lot of people: families and friends of the deceased and the accused; those who witnessed such violence up close.
It’s also a sad day to consider the
state of local media, considering the response we've seen so far to The Enquirer's collection of coverage. It started with the reporter's first-person account of witnessing the shooting. Then came a news story questioning the neighborhood's safety, for some reason quoting the Hamilton County Republican chairman and a lone neighborhood resident saying he didn't feel safe these days. Soon afterward, a more formed version of the story was updated online — this time the headline tried to cleverly play on the word "dead" (“Gunfire in OTR brings
morning to a dead stop”). The headline was later changed, “After fatal shooting, no easy answer in OTR," though the insensitive quip lives on in the story's URL.
decision to frame Douglas’ death as a question of whether or not OTR is
safe for those of us unaccustomed to witnessing violence is generating the type of
online debate (/clicks) the "newsroom of the future" was meant to induce. It has also been heavily criticized.
Here’s former Cincinnati mayor Charlie Luken on Facebook:
Here’s Derek Bauman, an OTR and mass transit advocate/suburban police officer, who wondered on Twitter why the first source in an early version of the “Is OTR safe yet” story quoted the county GOP chair before anyone else. Alex Triantafilou’s take? “There is more work to be done to make our city as safe as the suburbs."
Eaton's first-person story was published just hours after the shooting occurred. "A stray bullet could have easily missed the victim and hit me," she wrote. "The gunman could have come around the corner for me. I'm lucky to be writing this story right now."
The story elicited strong response from readers, but perhaps not the kind the Enquirer was picturing. About 20 wrote comments questioning the appropriateness of the piece, many along the lines of this:
As writers molded dispatches from the
scene into The Enquirer’s larger
collection of reporting on the incident, debate continued on social
media. Enquirer writer John Faherty took to the comment section of Eaton's article to defend her.
Those of us in the media don’t enjoy criticizing each others' work, and we realize most people in the industry are dedicated and passionate. We respect colleagues at other media companies, especially when their dedication to the craft is evident.
Eaton clearly had a shitty morning. Her decision to immediately get back to doing her job is admirable.
Unfortunately, the collection of work to which she contributed was misguided, made worse by the classlessness with which Enquirer editors showed along the way. Publishing right-wing digs at inner-city neighborhoods has been a longstanding tradition at The Enquirer. Using a play on the word "dead" in a news story about a murder is the type of move that would get a college newspaper in trouble. It shouldn't be OK at any self-respecting daily.
There's no way to tell which “content coach” might have shaped yesterday’s coverage. Any number of web editors could have written such an offensive headline — the newsroom of the future isn't set up to catch these things. Newsroom morale has been known to be low at Gannett papers across the country, and many of us actually feel bad for the many talented people struggling to produce quality work under such restrictive guidelines.
Ultimately, reporting that might have culminated in an articulation of how opposite worlds intertwine in front of our eyes every day instead became a question of whether it's smart to eat and shop near poor people.
Later versions of the story noted that the lunch rush on Vine Street continued as usual just hours later, suggesting that maybe the question of whether or not Vine Street is safe had already been answered.
"I'm not worried about it," said Mike Georgitan, a general manager at Pontiac BBQ on Vine Street. "It might affect lunch today – maybe," he shrugged. "But then it will pick back up."A person is dead, and the cycle of poverty, crime, drugs and violence that gripped Over-the-Rhine long before a Japanese gastropub opened at 15th and Vine is still occurring all over this city. The Enquirer would be wise to demonstrate an understanding of these forces rather than following the path of least resistance to Internet debate.
There’s a lot to celebrate this year, folks. After Supreme Court officially legalized same-sex marriage nationwide, the feeling of freedom is especially felt in the LGBTQ community and the rest of those filled with joy for all the love in this ever-changing country. On June 25, history was made. And as July 4 approaches, it’s only acceptable to get a little crazy. We wouldn’t be Americans if we didn’t.
Whatever your plans are, you can’t forget your Fourth of July essentials: fireworks, beer, picnic grub and music. GOOD music. Although our speakers will mostly be filled with the classics by Bruce Springsteen and Tom Petty (nothing wrong with that), this doesn’t mean we have to sacrifice the contemporary jams we love so much for one day.
Check out and hang out to this modern, Mellencamp-free playlist for your day of kicking back and celebrating all the perks of being a damn proud American.
My Morning Jacket
My favorite band of all time. Be sure to avoid their album Circuital, though. (Too deep/spacey for the Fourth). I went with anything from Z, It Still Moves and Evil Urges, where their experimentation outside of their Rock-meets-Country roots stays at a minimum.
Ryan Adams & The Cardinals
The collaboration between these two artists seems to work in the best way possible, especially because it perks our buddy Ryan Adams up a bit. Still following through with his Alternative Country vibes, Adams’ voice we all know and love is given a more upbeat tempo to jam along to while you drink your beer in the grass.
Trampled by Turtles
Bluegrass and Folk with a crazy-ass banjo blended with that old violin sound. If Old Crow Medicine Show and Avett Brothers had a baby, this is it. They can go fast, they can go slow. Whatever your preference, it’s all Folk all the time.
As many films as “The Underdog” has been featured in, I still imagine it working in a Sandlot soundtrack. Doesn’t exist, but I can’t help but envision Smalls hitting that Babe Ruth ball when it comes on. If you can wrap your brain around that the same way I do, you’d understand why the rest of Spoon had to be on this playlist. Play ball!
These guys immediately make me want to take off my shoes, run through the grass and jump into a creek. That’s why I can only listen to them in the summer. (Kidding, but you get the idea.) Their Folky, earthy tunes are ideal for the Fourth. Hopefully you’re near a creek!
The Flaming Lips
Ridiculously weird with the best intentions. This holiday can get weird, so embrace it and throw these guys on there. Less Folky than the other stuff, but it still works. I promise.
People totally underestimate these guys. I saw them live last summer, dancing around stage in their fedoras and denim flannels like the happiest people on the fucking planet. Singing songs about their hometown in South Carolina and this sweet, sweet country we live it — how could you not put these songs on your list?
Have a great weekend, folks. ‘MURICA.
With the Fourth of July falling on a weekend, most theaters will be dark, and all the hubbub around the All-Star Game means that most of them will wait until the dust settles at Great American Ball Park before they crank things up again. But if you’re jonesing for some good summer theater and you haven’t seen Cincinnati Shakespeare’s hilarious One Man, Two Guvnors, it has performances on Friday at 7:30 p.m. and Sunday at 2 p.m. Be forewarned that both are sold out, but if you want to try your luck with the regional premiere of this excellent situation comedy about a hapless guy with two bosses, show up at the theater 719 Race St., Downtown 30 minutes before the performance and ask to join the waiting list. Box Office: 513-381-2273
While you’re waiting for the fireworks on Saturday, you might consider what theater you’ll see over the next week or so. Of particular interest is The 1st Cincinnati One-Minute Play Festival that will be presented at Know Theater at 8 p.m. on July 11 and 2 p.m. and 8 p.m. on July 12. It’s a collaboration between Know and One-Minute Play Festival (aka #1MPF). In nearly 20 cities #1MPF partners with local companies to present brief works by local writers. They are given a prompt that asks them to consider the world around them, their community and all the ways in which they view and engage with the world, and to write and submit moments that could only happen at this time and in this place. It’s a great chance to check out local talent in the form of brand-new one-minute plays by Linnea Bond, John Bromels, Michael Burnham, Nick Carmine, Kevin Crowley, Bekka Eaton, Kate Fine, Brian Griffin, Mike Hall, Becca Howell, Alan Jozwiak, David Loehr, Robert Macke, Erica MacDonald, Joe McDonough, Eric Pfeffinger, Maggie Lou Rader, Alison Rampa, Brant Russell, Paul Shortt, Stacy Sims, Andy Simpson, Nathan Singer, Jim Stark, Paul Strickland, Trey Tatum, Eileen Tull, Chris Wesselman, Torie Wiggins and Alison Vodnoy Wolf. It’s also a showcase for local directors including Michael Burnham, Ed Cohen, Katie Lupica, Regina Pugh, Brant Russell, Carrington Rowe and Torie Wiggins. Tickets ($20): 513-300-5669. Part of the proceeds will benefit new play development at Know Theatre.
In the mood for more locally generated material? Check out the premiere of Is This Really Happening Right Now? – A Series of Vignettes, developed and presented by Good People Theatre on July 9, 10 and 11 at 8 p.m.. They’re performing at Simple Space, located in Over-the-Rhine at 16 E. 13th St., just a block or so north of Know Theatre. Four original pieces by Mollie J. Amburgey and Will Bonfiglio are about friendships and relationships — one takes place on a blind date, one in a coffee shop, one via Tinder and one in a Laundromat. Tickets $20: http://goodpeopletheatre.ticketleap.com/CincyPremiere
What’s up Cincy? No morning news tomorrow so I can chase down sources for a longer piece I’m working on. I’ll also be pre-gaming patriotism in preparation for the Fourth. But let me give you a brief rundown of a few things happening around town and beyond before I go.
Locally-based Macy’s Department Stores dumped the Trump yesterday. Presumptive GOP presidential candidate and long-running punchline Donald Trump said some choice words about immigrants during his campaign announcement, which has inflamed a firestorm of controversy. Trump suggested that folks from Mexico are criminals and etc., etc., all the tired crap you hear from people who no one should be listening to. As a result, Macy’s has announced it will no longer carry Trump’s menswear line, breaking the hearts of I’m sure dozens of Cincinnati-area males who aspire to the Donald’s dizzying levels of douche-baggery. Trump released a statement on Instagram (of course) saying that the split was his idea and that Macy's is only a small portion of the brisk business he does selling ties that look like something a used car salesman would wear to a bachelor party.
• So is this kinda slimy? The vendors who usually sell you your pre-game Reds shirts, foam fingers, socks, underwear, and what-have-you won’t be allowed to do so during the MLB All-Star Game. As a condition of landing the big game, the city had to agree to limit the sale of merchandise between July 8 and July 15 in an area about a mile around the ballpark. Ticket sellers will also be prohibited from selling in the area during the All-Star Game period. Sellers will still be allowed to vend peanuts and water, however, a concession the city was able to wring from MLB. Some vendors aren’t happy about the arrangement, saying it will cut them out of one of the biggest potential money-making events in the city.
• Another state budget note: One of the provisions in the new financial plan has the state of Ohio dropping its relationship with Partnership for Assessment of Readiness for College and Careers, the company that was administering standardized tests for Ohio schools. The so-called PARCC test rollout, which has been associated with the new federal Common Core educational standards, has been marked by criticism and tech problems. Next year, the Ohio Department of Education will go with another company, the American Institutes for Research, which already develops some public school tests for Ohio. The change won’t affect the state’s implementation of Common Core, state officials say, though lawmakers have called for less overall testing time for students.
• Ever wonder why Ohio works the way it does politically? Here’s a pretty good breakdown of gerrymandering, or the process of redrawing electoral districts for political advantage. The data shows the way in which parties can arrange districts to win more seats than they get votes. Both parties are guilty of the practice, but in Ohio, it’s Republicans who generally benefit. And that benefit has grown over time. In the period between 1982 and 1990, Republican congressional candidates got 49 percent of the popular vote and subsequently occupied 49 percent of Ohio’s seats in Congress. Fast forward to the time between 2012 and now. Republican congressional candidates get about 55 percent of the popular vote in the state, but occupy 75 percent of the state’s available congressional seats. But a recent U.S. Supreme Court decision allowing citizen panels instead of state lawmakers to draw those districts could mean changes for the way the district-drawing process is handled, putting it in the hands of regular citizens instead of politicians.
• So. You may be wondering what the difference is between a Gov. John Kasich presidential run and the campaign fortunes of say, New Jersey Gov. Chris Christie. Both are kind of scraping the bottom of the barrel right now when it comes to polls and shots at winning the GOP nod. But this pretty excellent analysis of the race, and of the positions GOP guvs running for office find themselves in, brings in some good points, showing that Kasich isn’t as badly-positioned as one might imagine compared to a candidate like Christie or Louisiana Gov. Bobby Jindal. It’s an interesting look at the politics behind governors running for president, and also kind of a window into how big of a mess the Republican field for the presidential nomination is right now.
That’s it for me! I hope your holiday weekend is great. Tweet at me, e-mail, you know the drill.
It’s always weird when a celebrity agrees to do a local morning news show, especially when the local channel’s city has nothing to do with the star or whatever they’re promoting (a TV show, movie or product). Morning Show All-Star Tracy Morgan knows how to do the that local live TV circuit right, but most others just leave us wondering, “Why did your manager make you do this?”. Such is the case for Workaholics and Dope star Blake Anderson.Doesn’t everybody know never to wake Blake up before noon and expect him to conduct a family-friendly interview and not just completely fuck shit up on in live TV? (It's like feeding a Gremlin after midnight!) Fox 19’s Frank Marzullo didn’t. He recently interviewed Blake via satellite, and between having a bagel v. donut debate, Blake dozing off and barely skirting around F-bombs, the segment was cut before they even really got to talk about the movie (which, it bears repeating, has nothing to do with Cincinnati or a Fox morning audience). Blame it on the Golden State Warriors!
Note to NPR: If you’ve got a Kardashian on the program (in this case Kim on Wait Wait…Don’t Tell Me!) snobby nerds will revolt!
Did you hear about the
young Florida boys
who identified a house fire, called 911 and entered the burning home to rescue two
babies? Amazing. Brave. Heroic. But they’re just not as fearless as Tyra Banks,
who changed millions of lives recently when she posted a makeup-free,
non-filtered photo of herself on Instagram. You so strong, Ty Ty Baby!
Ever want to look up a movie or show by name and find which streaming services have it? Problem solved.
Can I Stream.It? lets you search for films and TV shows and tells you
if it's available for streaming, digital rental, purchase, etc. and
where to find it. The future is now!
Wet Hot American Summer’s Netflix series prequel debuts later this month, and we finally have a trailer!
Sessy math: Chris Pratt +
Chris Evans = Chris Hemsworth
Fake documentaries are all the rage right now. OK, there’s like two premiering on TV this summer but it’s definitely worth noticing. First up: Andy Samberg and Kit Harington (dream threeway, right?) star as professional tennis players in the hilarious looking sport mockumentary 7 Days in Hell. Harrington is presumably pretty stoked to star in an HBO feature that’s light and funny not so murdery and full of spoilers (#thenightismurderyandfullofspoilers). Let’s not even speak of that other show he’s on…
Coming up later this summer
on IFC is Documentary Now!, a faux
music documentary starring Bill Hader and Fred Armisen. Keep it coming, funny dudez.
Thanks to Facebook, you know some of your embarrassing homophobic extended family and former classmates may equate gay pride parades with terrorism, but CNN actually thought they spotted an ISIS flag during New York Pride. But it wasn’t ISIS ... It was dildos.
It was an epic Pride Week as the Supreme Court legalized same-sex marriage in all 50 states last Friday! Cheers to love, equality and Saturday Night Live for pulling this skit from the archives. Because, face it, we all really might need some Xanax for gay summer weddings.
Hey hey all! Hope your week is going well as we speed toward what I’m sure is going to be an awesome July 4 weekend. Before we get to news, I wanted to welcome our new staff writer and news reporter Natalie Krebs, who starts today. Natalie comes to us after working in the Texas Senate. She has a master's in journalism from the University of Texas and also completed the prestigious News21 program at Arizona State University. She’s done work for great investigative magazine the Texas Observer and other publications, and we’re super-excited to have her here. You’ll be seeing her byline start popping up in the next couple weeks.
On to news. A new report in the Washington Post says that local law enforcement agencies seized more than $11,000 from a young black man at CVG airport last year under federal asset-forfeiture laws. Those laws allow agencies to seize money associated with drug trafficking or other major crimes. Drug Enforcement Agency task force members took the money from Charles Clarke despite the fact that they didn’t find any drugs, guns or other illegal substances on him. Clarke, who smokes marijuana occasionally, reportedly had the smell of the drug on his belongings at the time, which was enough along with his one-way ticket and inability to account for the money’s source for cops to stop him and seize his stuff.
The airport’s police force and the Covington Police Department were the two agencies involved in the seizure, but a total of 11 local agencies want a piece of the money, including the Cincinnati Police Department. That’s due to the way DEA task forces are set up and the way they disperse asset forfeiture money. The agency defends the practice, saying it helps fund vital local law enforcement efforts across the country. The Post’s story is a pretty incredible read and definitely something worth knowing about.
• In lighter-hearted news: Soon, the enormous, 20-story ghost of a 19th century man will visit downtown Cincinnati every night. Oh, sorry, didn’t mean to alarm you. The giant specter will be the image of a vintage Cincinnati Red Stockings player, which will be projected onto Carew Tower in the evenings to celebrate the upcoming Major League Baseball All-Star Game. Festivities around the game will take place July 10-14. The haunting… err, I mean… celebration starts tonight with a ceremony at 9:30 p.m. After that, the display will be up every night at that time until 5 a.m. through July 15.
• On to state stuff. Gov. John Kasich used his line-item veto power to cut up the state Senate’s budget yesterday, nixing 44 provisions from the financial plan as he signed it into law. Among those provisions, he cut $78 million from public education funding by eliminating a pay-back for schools that once received money from what was called the tangible personal property tax. That tax has since been eliminated, but lawmakers have carved out the reimbursement to assure that schools continue to get adequate levels of funding. Local schools like Princeton and Mason received millions from the TPP funds and have protested their elimination. Kasich and the Ohio Board of Education say they haven’t nailed down which schools will see decreases in funding from the move. Kasich has argued that the TPP money mostly went to schools in high-income areas that could afford to provide more local support and that the money from the program could be better used to support low-income districts. Kasich tried to adjust the state-funding formula in his version of the budget, but that attempt was punted by state legislators.
• Among the things Kasich didn’t veto yesterday: new abortion restrictions slipped into the budget last-minute. You can read all about that situation in this week’s feature news story. Here’s a little preview: Those regulations could threaten Cincinnati’s last clinic that provides abortions.
• One thing the legislature and governor didn’t tackle in the flurry of legislative activity: charter school reform. As we’ve discussed in past articles, there are calls for the reform of Ohio’s charter school system on both sides of the aisle. But it won’t happen just yet. Lawmakers have tabled efforts at reform of the system until September. Lawmakers cite major changes to a controversial bill that would have adjusted the charter system, saying they need more time than the rapidly approaching summer break allows them. Critics of charters say lack of accountability and big issues with use of funds, testing and attendance records show that the charter system in the state needs to be reworked.
• It’s a big day for statewide news. Ahead of today’s deadline, marijuana legalization group ResponsibleOhio yesterday delivered nearly 700,000 signatures to Secretary of State Jon Husted. If enough signatures are valid and the initiative makes it onto the ballot, voters will decide whether to green-light the group’s constitutional amendment creating 10 legalized marijuana grow sites around the state run by ResponsibleOhio investors. Possession of marijuana would be legal for anyone over 21, and licenses would be issued for sale of the drug. No other commercial growers would be permitted, however, a detail that has created controversy. Meanwhile, state lawmakers have introduced their own ballot proposal that would make it much tougher for such so-called constitutional monopolies to pass. That law would more than likely invalidate ResponsibleOhio’s amendment. Voters will have a strange and potentially confusing choice at the ballots come November.
• Here’s an interesting read on U.S. Sen. Rob Portman as he runs for re-election. Portman’s taking a shellacking in the polls right now against his presumed Democratic challenger, former Ohio Gov. Ted Strickland. Despite being the incumbent in a state with a Republican governor, Portman is down six points to Strickland in two recent polls. Strickland still has to make it through a Democratic primary, where he faces Cincinnati City Councilman P.G. Sittenfeld, but he’s opened up a comfortable lead against the young councilman. He’ll also have to contend with Portman’s formidable $8 million campaign war chest, the largest of any GOP Senate candidate seeking 2016 reelection. The above article explores the reasons why Portman is floundering right now in his race — reasons that may be beyond his campaign’s control.
I’m out! Tweet at me about all the fun stuff to do this July 4. Or, you know, email me your boring news tips. I love em.
Morning Star, the new opera by composer Ricky Ian
Gordon and librettist William Hoffman, had its world premiere last night before
a near-capacity audience in the School for Creative and Performing Arts’ Corbett
Theater. Based on a 1940 play by Sylvia Regan, the story follows a Jewish
immigrant family in the early decades of the 20th century. Think of
it as a follow-up to the Tevye family from Fiddler
on the Roof coming to America and having to abandon all that tradition.
Morning Star was originally
commissioned by Lyric Opera of Chicago and the Goodman Theater but was dropped
when artistic differences killed the collaboration. In 2012, Opera Fusion: New
Works offered Gordon and Hoffman the opportunity to rework Morning Star. The final result is light-years from what was heard
in workshops, but to paraphrase a line from the opera, the story abides.
Gordon writes beautifully for the voice and his score has moments of dramatic
intensity, playfulness and heartbreaking beauty. He’s a favorite among American
singers, so it’s not surprising how great the singing is — but that’s also
thanks to Ron Daniel’s staging.
Daniels also guided the shaping of the piece, strengthening the drama and
developing characters. But there are still problems with the libretto. Many of
Hoffman’s images and lines are poetic but much of the rhymed verses are more
distracting than descriptive. But when he nails it, the words and music are a
The Triangle Shirtwaist fire in Manhattan serves as a framing device and a
looming presence. On March 25, 1911, the Triangle erupted in flames, killing
146 workers — mostly young immigrant women who were trapped by locked doors,
non-functioning elevators and broken fire escapes.
The opera’s prologue is a brilliant evocation of the public viewing of the
victims in the factory, which took place during a torrential downpour. Against
a background of images from that day, singers clad in raincoats and holding
black umbrellas recite accounts of what took place as the music swirls into a
The Triangle Shirtwaist fire serves as a framing device and a looming presence.
In March 1911, the Triangle erupted in flames, killing 146 workers, mostly
young immigrant women, who were trapped by locked doors, non-functioning
elevators, and broken fire escapes.
The opera’s prologue is a brilliant evocation of the public viewing of the
victims in the factory, which took place during a torrential downpour. Against
a background of images from that day, singers clad in raincoats and holding
black umbrellas recite accounts of what took place as the music swirls into a
Widow Becky Felderman presides over her family of three teenaged daughters and
a young son. Like many immigrant families, the Feldermans have a border, Aaron,
who happens to come from the same village and is a friend of the family. He
also happens to be in love with Becky.
It’s a terrific cast made up of some of the best American voices out there. Jeanine
De Bique stole the show as Pearl with a velvety, lyric mezzo that elevated her
aria “I See Colors” into a showpiece. Soprano Twyla Robinson’s Becky has a
sweetness tempered by determination and she’ll break your heart when she sings
“The Family Abides.” The daughters get
powerful performances from Elizabeth Zharoff, Jennifer Zetlan and Elizabeth
Andrew Bidlack sings the title song with great style. Andrew Lovato is a
sensitive and sympathetic Harry Engel, the unhappy husband of Sadie Felderman.
Morgan Smith is an amazing baritone and I wish that Aaron’s character had more
depth, but Smith makes it his own and it’s worth hearing.
Riccardo Hernandez’s scenic design incorporates the Triangle factory and
Wendall K. Harrington’s projections are used to great effect, particularly in
the prologue and in the final ensemble in which the fire claims its victims.
Is it perfect? No. But it’s got staying power, a score with a lot of memorable
music, and this production features voices you should hear. Bravo to Cincinnati
Opera and Opera Fusion: New Works for fostering this project.
Good morning all. Here’s what’s going on today in Cincinnati.
If you were wondering what all the traffic was about downtown this morning (I was) this probably had something to do with it. The Hamilton County Courthouse was evacuated around 8:20 a.m. due to a suspicious suitcase that was flagged by bomb sniffing dogs there. The perimeter around the courthouse was cleared and a bomb unit and federal anti-terrorism personnel were dispatched to the scene. No word yet on what the item in the suitcase turned out to be.
• Guess what I have for you… it’s… you guessed it. More streetcar drama. The Amalgamated Transit Union, which represents employees for the Southwest Regional Ohio Transit Authority, has announced it will file a lawsuit against SORTA and the city of Cincinnati to try and prevent them from accepting a bid that wouldn’t use union employees to operate the transit project.
According to the union, Cincinnati City Council must direct SORTA on which bid to select. Some members of Council supported a more expensive pro-union bid that cost $4.7 million to the non-union’s $4 million in the first year of operations, but couldn’t reach an agreement to recommend that bid during voting. The union-friendly contract comes in about $500,000 over budget for the city, which has caused conservatives on council to balk at the option. Democrat Wendell Young also voted against the pro-union deal, sinking it the last time it came before council, because he worried the $2 million from the city’s general fund Mayor John Cranley agreed to use toward the project wouldn’t be enough and that a shortfall would cause reduction in service for the streetcar.
Without an agreement, council punted the decision to SORTA, which says it has no choice but to choose the less-expensive option. The ATU is seeking an injunction in Hamilton County Common Pleas Court to force council to make the decision, saying that is what is required under the language of a motion about streetcar operations council passed last year. A separate operations and maintenance agreement between SORTA and the city makes no mention of such a stipulation, however.
• Seven projects in Cincinnati representing more than $61 million in development will receive Ohio Historic Preservation Tax Credits, the state announced today. Among those projects is the revamp of the Baldwin building on Gilbert Avenue in Walnut Hills. The historic former piano factory will be converted from office space into market-rate apartments by Cincinnati-based Neyer Properties. Neyer will receive $4.8 million in tax credits on the $39 million project.
• New affordable housing for seniors is coming to Northside. Episcopal Retirement Homes is building the 56-unit, $10 million development at Knowlton and Mad Anthony streets, one of 10 the group is doing in Greater Cincinnati. The Northside development will be LEED certified and handicap accessible. Cincinnati City Council’s Budget and Finance Committee approved tax exemptions on the development yesterday and full council is expected to approve them tomorrow.
• Gov. John Kasich today is expected to sign into law the state’s $71 billion biennial budget drawn up by state lawmakers. Kasich didn’t get a lot of what he wanted in the budget — sweeping tax cuts for businesses and high-earners, taxes on oil and gas fracking, his revamp of the state’s educational funding formula — but the state legislature’s budget is still plenty conservative, ushering in its own big income tax cuts. And Kasich will have a bit of revenge as he vetoes some items in the state house’s budget, though it’s unclear what he will slash with the veto pen.
Abortion advocates hope against hope he’ll cut out some of the most restrictive abortion laws in the country, which conservative lawmakers slid into the budget at the last minute earlier this month. Those include a stipulation that clinics’ partner hospitals must be within 20 miles of the abortion provider and a tweak to the rules over how clinics without agreements with local hospitals are licensed. You can read in-depth about those rule changes and what they mean for Cincinnati and the state in tomorrow’s CityBeat print edition. Kasich is much more likely to veto items that limit his executive authority, including an attempt to close out a method Kasich used to expand Medicaid in the state over lawmakers’ objections. Kasich is ushering in the state’s budget even as he has his eye on bigger things: He’ll announce his run for president in Columbus July 21.
• Finally, this is a story that is probably most interesting to journalists, but here we go anyway. The city of McKinney, Texas, where police officer Eric Casebolt resigned earlier this month after he was shown on video pointing a gun at teenage pool party goers and slamming a teenaged girl to the ground, is charging journalists almost $80,000 for access to public records about Casebolt. Gawker Media has requested all official emails about Casebolt’s 10-year career as well as his personnel file. McKinney officials say that the city’s emails predating 2014 aren’t searchable and that they’ll have to hire a computer programmer to retrieve them, thus the huge expense.
Hello all. I hope your weekend was great and you got to spend some time soaking up the victorious vibes at the pride parade Saturday following Friday’s historic Supreme Court decision. It was indeed epic.
But now it’s Monday, so let’s talk about news for a minute. You may have seen the news about Bree Newsome, the woman who climbed up a flagpole in front of the South Carolina State House and took down a confederate flag flying there. It turns out she has a pretty strong local connection. Newsome’s father, Clarence Newsome, is the president of the National Underground Railroad Freedom Center here in Cincinnati. The elder Newsome hasn’t commented publicly on his daughter’s actions. Bree Newsome and another activist were arrested immediately after removing the flag. She is currently out on bond and is charged with defacing a state monument. That misdemeanor has a maximum penalty of three years in jail and a $5,000 fine. Newsome’s actions come as debate rages about whether the banner should come down from state buildings there after the horrific shooting of nine black churchgoers in Charleston. The gunman, Dylann Roof, prominently displayed confederate flags on his car and other belongings and was a supporter of white supremacist causes. Roof’s act of violence has been followed by a spate of arsons against black churches in the South.
• Here’s a lighter story. You can now get a lil tipsy while pedaling around the city. No, I’m not talking about the old whiskey in the water bottle trick some local cyclists swear by, though that one is especially useful in dulling the pain of Cincinnati's hills. Recently-passed legislation allows passengers on so-called Pedal Wagons, which have been carrying people around downtown Cincinnati since 2012, to sip on some adult bevs while they ride. It used to be you had to pedal those 15-passenger wagons sober. But don’t worry. Those partaking only provide the pedal power, not the steering and navigation. A sober nerd… err, driver… does all that.
• Back to that historic same-sex marriage decision for a couple beats. Boone County will continue issuing marriage licenses today following a halt after the SCOTUS decision Friday. County officials said they had questions about the law for the Kentucky attorney general and would cease issuing the licenses until they were answered. But since those answers could take a while, and since it looks pretty bad to clam up and stop issuing licenses to everyone just because gay folks suddenly have the same rights as straight ones, the county clerk’s office has resumed granting the licenses as it waits for clarification.
• More overt in their opposition to the SCOTUS decision: a dozen or so marchers in the pride parade, who carried signs about eternal damnation and the like, along with conservative groups like Greater Cincinnati-based Citizens for Community Values and the Ohio Christian Alliance. The latter group released a statement Friday warning that the country is "heading into a moral unknown" and that states' rights are being trampled by the ruling.
• Meanwhile, some economists expect that newly-legal same-sex marriage will pump millions of dollars in economic activity into Ohio. Nearly 10,000 same-sex couples are expected to marry over the next three years — half of the state’s total number of same-sex couples — according to a study by economic researchers Regionomics LLC. That could bring an extra $127 million to the state’s economy, creating 930 new jobs in the first year. And that’s just the money spent on the weddings. Other factors weren’t accounted for, including the benefit of keeping young people in the state who won’t have to leave to marry their partners. The study isn’t the end-all, be-all on the matter, of course, and it should be noted pro-marriage equality group Freedom to Marry commissioned the report. The study estimates that about 1,000 same-sex couples in Hamilton County will marry over the next three years, bringing in about $8 million in economic activity.
• Well, it’s kind of official. Ohio Gov. John Kasich has taken the next step in a dance rivaled in complexity and ambiguity by only the dating rituals of Millennials. Kasich's campaign staff has announced that he will announce July 21 that he’s going to run for the GOP’s nomination to run for president in 2016. Got all that? Basically, the pre-announcement shows that Kasich is serious and settled about his bid and will be mobilizing support for what is certain to be an uphill battle winning over GOP primary voters. It's basically Kasich 2 a.m. texting all those voters he's been flirting with to say, "Wut's up?" He’s got a lot of work ahead of him in wooing those voters though: polls show him catching about 1 percent of the primary vote right now, well behind front runners like Wisconsin Gov. Scott Walker, former Florida Gov. Jeb Bush and U.S. Sen. Marco Rubio, also from Florida.
That's it for me today. Tweet or e-mail me with any news tips or rainy-day bike commuting tips that don't involve rye whiskey in my water bottle. I need 'em.