It sounds a little like an episode of a zany sitcom: a tea partying conservative from Kentucky and a classic California liberal team up to clean up some roads.
Sen. Rand Paul, R-Ky., announced Jan. 29 that he and Sen. Barbara Boxer, D-Calif., would introduce a bill seeking to shore up the nation’s federal Highway Trust Fund. The announcement comes as fights over what to do about the nation’s looming infrastructure needs hit close to home.
The federal fund that helps pay for highway, bridge and transit projects could face insolvency this year if Congress doesn’t find new sources of money for infrastructure. In Greater Cincinnati and Northern Kentucky, local and state officials are currently wrangling over the $2.6 billion Brent Spence Bridge replacement project. The bridge is more than 50 years old and carries 160,000 cars a day — four times more than it was designed to hold. Cincinnati’s 83-year-old Western Hills Viaduct will also need to be replaced in the next decade at a cost of $240 million. Studies by engineers have found that both bridges are structurally obsolete, though not immediately unsafe. Federal funds could go a long way toward making those projects reality.
"I am pleased to be working with Senator Boxer on a bipartisan solution to a tax and highway spending problem,” Paul said in a statement. “The interstate highway system is of vital importance to our economy. All across the country, bridges and roads are deficient and in need of replacement.”
Paul and Boxer’s bill proposes what is, in effect, a corporate tax cut: lowering the U.S. repatriation rate, or tax rate for foreign earnings, in order to incentivize U.S. companies to bring money back into the U.S. economy from foreign tax shelters. The proposed law would allow companies to voluntarily repatriate some of the estimated $2 trillion in off-shore corporate profits at a discounted tax rate of 6.5 percent. The program would require companies use that repatriated money to help build the economy. The money must be used for hiring or research and development, for instance, instead of executive raises. Taxes from the repatriated funds would go into the federal Highway Trust Fund for roads, bridges and other transit projects.
Paul did not mention regional projects like the Brent Spence Bridge specifically in statements about the proposal, though he has been active in the past in working to secure funding for replacing the bridge. It’s unclear if and when such projects would see a benefit from the bill, or exactly how much money it would raise should it pass into law.
A U.S. Chamber of Commerce study conducted on a similar proposal in 2013 found that the move could boost America’s economy by more than $400 billion, according to a white paper released by the senators. President Barack Obama put a similar plan in his budget proposal, which he unveiled Feb. 2.
There are other proposals for shoring up infrastructure funds, both on the national level and here in the Tristate. Some in Congress have called for raising the gas tax, which currently helps pay for federal road and bridge maintenance. The rate hasn’t been raised since the early 1990s. But congressional Republicans, led by House Speaker John Boehner, have signaled they won’t support an increase.
On the state level, Ohio Gov. John Kasich and Kentucky Gov. Steve Beshear have drafted their own plans for replacing the Brent Spence Bridge here. The two say the project can’t wait much longer — they cite an estimate by engineers saying that the project gets $7 million more expensive every month — and that the federal government won’t come to the rescue any time soon. Their proposal involves a public-private partnership that would necessitate tolls, however, something that has caused bipartisan consternation in Northern Kentucky. Many officials there are dead set against tolls, which they say will hurt workers and businesses. That’s tipped Northern Kentucky United, an anti-toll group, toward Paul’s idea.
“There are details yet to be worked out, but the similarities between what the President has suggested and the bipartisan proposal out of the Senate gives us good reason to be optimistic,” said Marisa McNee of Northern Kentucky United. “There is simply no reason to continue a rush to toll the Brent Spence Bridge when the White House and Congress appear to be moving towards an agreement on the Highway Trust Fund.”
Kasich, on the other hand, likened counting on funds from the federal government to waiting on the tooth fairy in a news conference last week on his proposal.
Paul and Boxer are a surprising team. Paul, a tea party favorite and potential candidate for the 2016 Republican presidential nomination, usually takes highly conservative, libertarian stances on policy and spending matters. Boxer, on the other hand, is one of the chamber’s most liberal members. In her 32-year career in Congress, first as a representative and then as a senator, she fought for tighter gun control, more environmental protection measures and pro-choice causes. Boxer, who is 74, announced last month that she will not seek re-election.
“I hope this proposal will jumpstart negotiations on addressing the shortfall in the Highway Trust Fund, which is already creating uncertainty that is bad for businesses, bad for workers and bad for the economy,” Boxer said in a statement about the bill. “I will also be working … on other proposals to pay for rebuilding our nation's aging transportation infrastructure."
For many Cincinnati natives, seeing Jess Lamb perform her audition in Kansas City for the American Idol judges was the first time they had ever heard her powerful and emotive voice or seen her honest, determined spirit. But for anyone who has their ears to the ground in Cincinnati’s local music scene (or has drunkenly wandered into Japps on a Tuesday night) knew that Lamb was more than ready for the limelight. Lamb has been performing all across town for years and has consistently turned heads with her stable of classics and originals, paired with her pronounced and technical work on the keys. (In 2013, Lamb was nominated for an R&B/Funk/Soul Cincinnati Entertainment Award and performed at that year’s ceremony, a mini-clip of which was used in her initial biographical segment on Idol.)
But a rise in local and national exposure brings a great deal of opportunities and challenges tied together. And it is those opportunities and challenges that my series of posts following Lamb’s experience will reflect upon. Lamb is an indie artist to the core; she writes and records with many different projects beyond her solo work. She plays all around town in the hopes of steadily increasing her visibility. But how does an artist used to local coverage deal with the sudden influx in national attention? What effect will American Idol have on local attendance or the reception at her shows? Will there be any long term changes or will this ultimately be a flash-in-the-pan experience for Lamb? These are the types of questions that will be explored as the show carries on.
Of course, to answer where Lamb will be going, it helps to know how she even became a part of American Idol. It all happened by chance.
“I went to Columbus for what they call the ‘Bus Tour.’ Basically you go down there and stand in front of executive producers of the show. From there, they just call you and tell you where to go next. You’re just playing the waiting game after that,” Lamb says.
Lamb and her friend’s spontaneous trip to Columbus led to the next stage of the journey — performing for Keith Urban, Jennifer Lopez and Harry Connick Jr. (one of Lamb’s musical idols).
There was a month in between both auditions, leaving plenty of time to think and speculate. After the audition in Kansas City and the announcement of her participation on the show, Lamb has been speaking to the media while still finding time for her day job and performing at night.
With “Hollywood Week,” featuring the singers who made it past the initial auditions, approaching, Lamb’s Amercan Idol adventure is just about to truly take off. Here at home, she’s already seen a change in her local reception.
“I’ve felt a lot of support from the people that I look up to. Frankly, I’m shocked at the support. I’m shocked that a lot of people see where I’m going with this,” Lamb says.
After her audition aired, Lamb played a show in West Chester, where she was greeted by an entirely different type of crowd than the Main Street district mainstays. Instead of young people buying her shots, she was met by a group of older women who brought her flowers.
The crowds aren’t just growing at her shows either; her online presence has grown as well. American Idol fans have flocked to Lamb’s Facebook, Instagram, email box and Reverbnation page. So many, in fact, that Lamb is having a hard time keeping up with all the attention.
“There’s been so much [growth] on social media, so many great emails. I’m trying to respond to every email and I have to take hours out of every day to do it and it’s amazing, I love it,” Lamb says.
In many ways, that excitement is indicative of Lamb and her Idol journey thus far. It’s been a whirlwind of activity that is guaranteed to grow as the show progresses. But she has taken it all in stride and is taking every opportunity the show has provided her. We’ll just have to tune in to see what other opportunities arise in the coming weeks.
The Hollywood Week episodes of American Idol air locally this Wednesday and Thursday on Fox 19.
Good morning all. Here’s what’s up in the news today:
City Manager Harry Black today announced that Thomas B. Corey will be the head of the city’s recently created Department of Economic Inclusion. The department is charged with increasing the availability of city contracts for women and minority owned businesses in the city. Corey is another former Baltimore official tapped by Black to lead a city department here. He was most recently The City of Baltimore Law Department’s Chief Solicitor. He will start Feb. 9.
• Average rents are going up in Greater Cincinnati, according to a survey commissioned by real estate company CBRE Cincinnati. Some of that is due to pricey new apartments in hot parts of town — the average rent on a newly-constructed apartment is over $1,000 a month in Cincinnati. But part of it is also swelling demand across all income brackets for apartments, according to the survey. You could blame pesky Millennials and our aversion to homeownership, but it seems like demand for rental units is going up across the board.
While we’re talking about rent, as we’ve reported more than a few times, Cincinnati’s affordable housing supply is stretched to the limit. There’s currently a 5,000-person waiting list to get a Section 8 voucher for one of the 11,000 units that accept them in the region. This Cincinnati Enquirer story questions whether that’s in part because Cincinnati Metropolitan Housing Authority’s inspection standards have gotten too strict. The number of units that have failed such inspections has risen over the past couple years as CMHA started enforcing more stringent requirements on landlords. Some of the violations seem trivial — mismatched paint, hinges that need replaced — but others detailed in the story are serious, including windows that don’t open and mold problems. The story quotes one woman who actually had to move out of her home, and it was due to mold in the house. The Enquirer teased this story over the weekend with the provocative headline “Which County Agency is Leaving Residents Homeless?” But affordable housing advocates and neighborhood boosters have actually cheered the new standards. The story doesn’t mention a big piece of context: the abysmal conditions at some Section 8 rental units over the past few years. While reporting for this story published over the summer, CityBeat ran across truly shocking municipal code violations at Section 8 properties in Price Hill, for instance. These included sewage in rental unit basements, tenants without heat and water, doors that didn’t open and other major violations.
• Anti-toll groups in Northern Kentucky are fired up about statements Gov. John Kasich made last week regarding the Brent Spence Bridge. Kasich suggested that opponents of a plan to build a new bridge along one of America’s busiest shipping routes have their “heads in the sand.” That didn’t sit too well with the bipartisan group of lawmakers, businessmen and others who have come together to oppose the possibility of tolls for a new bridge. The group started a strongly-worded online petition that more than 2,000 supporters have signed so far. Kasich's plan, offered with Kentucky Gov. Steve Beshear, would create tolls to help fund the $2.8 billion project, but would also give a 50 percent discount to daily commuters and work to keep the price as low as possible. Opponents say tolls are unacceptable and that the states should reach out to the federal government for money to fund a more modest bridge update.
"On Wednesday, Gov. Kasich stood at a press conference – in a building that once housed companies he personally recruited away from Kentucky – and insulted Northern Kentucky and our elected leaders," it says. "If he cannot control himself, he should stay out of Kentucky."
• Ohio Gov. John Kasich has proposed funding in his recent budget that would create a new community health program aimed at reducing the state’s infant mortality rate, which is among the worst in the nation. The plan would fund community organizations to connect women in low-income areas with prenatal medical care available through Medicaid. Cincinnati's infant mortality rate is especially bad; the city has the second-highest rate of infant death in the nation.
• Ohio has announced it will delay all six executions it had scheduled in 2015 as it searches for new sources for execution drugs. The announcement comes after the state halted its two-drug execution method last month due to questions about its efficacy. Last year, an execution carried out with the two-drug method took almost half an hour, and the inmate involved was heard gasping for breath.
• The United Steelworkers Union yesterday launched one of the largest national labor strikes in recent memory. USW, which is seeking higher wages and better safety measures, called for nearly 4,000 employees who work in several oil refineries across the country to abstain from work until new labor contracts are signed with several major oil companies, including Exxon Mobil Corp. and Chevron Corp. Experts say it could drive up gas prices as refinery capacity is limited. It’s the largest walkout since 1980, when USW held a three-month strike. News reports indicate that workers in other refineries may also join in the walkout.
THE BLACK & BROWN COMEDY GET DOWN: The Black & Brown Comedy Get Down is an all-headliner tour of who’s who in today’s comic scene: Mike Epps, Cedric the Entertainer, George Lopez, Charlie Murphy, D.L. Hughley and Eddie Griffin. 8 p.m. Friday, Jan. 30. $49.75-$65.75. U.S. Bank Arena, 100 Broadway St., Downtown, usbankarena.com.
SIGNATURE SERIES BLUES & BREWS AT MEMORIAL HALL: Season two of Memorial Hall’s Signature Series Blues & Brews features a performance from internationally renowned Tennessee Blues band The Ori Naftaly Band, plus food from Eli's BBQ and The Phoenix and Rhinegeist beers. 6:30 p.m. Friday, Jan. 30. $47-$57. Memorial Hall, 1225 Elm St., Over-the-Rhine, cincinnatimemorialhall.com.
BEEFSTEAK CLUB DINNER: Bockfest's Beefsteak Club Dinner's misleading name derives from an elite club that has formed annually since 1896, in which prominent Cincinnatians gather to pair beer and beef in the ambience of a brewery. This year’s event will be held on the third floor of the Hudepohl Brewery bottling building and feature roasted goat and pig (with sides and dessert) instead of steak. 6.30 p.m. Saturday, Jan. 31. $50 single dinner ticket. Hudepohl Brewery, E. McMicken Ave., Over-the-Rhine, bockfest.com.
CINCINNATI WORLD CINEMA OSCAR SHORTS PRESENTATION: Cincinnati World Cinema hosts two days of screenings to bring you the five short documentary films nominated for this year’s Academy Award in Documentary Short Subject, plus two additional Oscar short-list films. The nominees offer an astonishing degree of diversity in respect to genre, narrative and style, capturing the full spectrum of documentary filmmaking in ways that, in some years, is lacking in the main feature categories. 4 and 7 p.m. Saturday, Jan. 31; 1 and 4 p.m. Sunday, Feb. 1. $10; $12 at the door. The Carnegie, 1028 Scott Blvd., Covington, Ky., cincyworldcinema.org.
SUPERJAM 2015: Though it’s (obviously) wintertime, organizers of SuperJam 2015 will create an outdoor music festival atmosphere indoors at Tori’s Station in Fairfield on Saturday. The all-day show features an eclectic array of some of the area’s best bands, including reigning Bluegrass Cincinnati Entertainment Award winners Rumpke Mountain Boys, plus Rising Smoke, Peridoni, Sassafraz, The Almighty Get Down (which just won the Best Live Act CEA), Tropidelic and Elementree Livity Project. 1:30 p.m. Saturday, Jan. 31. $30. Tori’s Station, 74 Donald Drive, Fairfield, superjam2015.com.
THE HISTORY OF CINCINNATI MUSIC: The presentations on The History of Cincinnati Music that David (“Uncle Dave”) Lewis has been presenting at the Main Library over the last year or so have been so good — so enlightening and entertaining — that one wishes he could do it for much larger crowds at the Aronoff Center or Music Hall. But because his presentations have been on Wednesday evenings, many haven’t been able to attend. But now there’s a second chance. The Main Library’s music librarian, Steven Kemple, has arranged for Lewis to present reprises of his past lectures at 3 p.m. on the last Saturday of each month in the Reading Garden. It starts tomorrow with The Hymn Composers of Cincinnati: Philips, Bliss & Doane, and Lewis will have guest pianist Jeremy Stevenson with him. All lectures are free.
THE OTHER PLACE AT ENSEMBLE THEATRE: Sharr White’s troubling, engrossing and sometimes humorous drama The Other Place debuted on Broadway a year ago; Ensemble Theatre’s D. Lynn Meyers is staging its regional premiere, featuring veteran actress Regina Pugh as the enigmatic Juliana Smithton, a scientist renowned for her expertise in pharmaceuticals. She’s highly respected as a professional, but she’s becoming unhinged as a result of divorce and being estranged from her daughter. Through Feb. 15. $18-$44. Ensemble Theatre Cincinnati, 1127 Vine St., Over-the-Rhine, 513-421-3555, ensemblecincinnati.org.
The presentations on The History of Cincinnati Music that David (“Uncle Dave”) Lewis has been presenting at the Main Library over the last year or so have been so good — so enlightening and entertaining — that one wishes he could do it for much larger crowds at the Aronoff Center or Music Hall. Or as a professor at University of Cincinnati — he’d be great there. He combines his original research with recordings and archival film footage and still photographs (when available).
One of his presentations, about Homer Rodeheaver, whose Cincinnati-based publishing company and record label were pioneers of sacred music and who was also close to the famous 1920s preacher Billy Sunday, got a nod as Best Arts Lecture last year from CityBeat.
But because his presentations have been on Wednesday evenings, many haven’t been able to attend. But now there’s a second chance. The Main Library’s music librarian, Steven Kemple, has arranged for Lewis to present reprises of his past lectures at 3 p.m. on the last Saturday of each month in the Reading Garden.
It starts tomorrow with The Hymn Composers of Cincinnati: Philips, Bliss & Doane, and Lewis will have guest pianist Jeremy Stevenson with him. All lectures are free.
Looking ahead beyond tomorrow, here’s the 2015 schedule so far for Lewis’ Saturday encore presentations:
At the same time, Lewis is continuing with his new lectures on Wednesdays at 7 p.m. Here is the schedule for those to date:
Good morning! I’ll be brief in my news update this morning, since I’m also keeping an eye on today’s White House task force on 21st century policing taking place at the University of Cincinnati today and tomorrow. You can live stream the event here. Anyway, here are a few bits of news floating around today:
The director of Cincinnati’s emergency medical service is asking for more money to respond to the region’s ongoing heroin crisis, saying that the crisis is getting worse every month in the city. One of the big costs the city’s emergency responders are encountering is Narcan, a drug used to treat heroin overdoses. The drug is costly, and the number of overdoses keeps climbing. EMS District Chief Cedric Robinson says seven overdoses a day happen in Cincinnati and that the number is climbing. The city’s expenditures on Narcan have nearly tripled in the past year. In 2013, the city spent about $21,000 on the drug. In 2014, that jumped to $60,000.
• Will some parts of the Greater Cincinnati area fail new, more stringent federal air quality standards? It seems like a possibility. The region barely passed current air quality tests last year, and several counties, including Hamilton, Butler, Warren, Clermont and Campbell Counties, failed in 2013. Standards from the Environmental Protection Agency could get tougher by next fall, meaning that the region could be subject to new oversight from the agency. Hamilton County exceeded guidelines for ozone, one of the pollutants measured by the EPA, on only four days last year under the old standards. Under proposed new standards, it would have gone over the limit by more than 20. Environmental groups like the Sierra Club are cheering the new rules — they’ll be better for residents’ health, saving millions in healthcare costs. But businesses say the costs of compliance will be high. They’re lobbying against the new standards, of course.
• Now that he’s officially announced he’s running for U.S. Senate, Councilman P.G. Sittenfeld has started staffing up, tapping former Battleground Texas Democratic strategist Ramsey Reid as his campaign manager. Before his stint working to try and turn deeply Republican Texas purple, Reid was also a big part of President Barack Obama’s 2012 reelection campaign. He’s also working with two political strategy firms: a firm led by Obama campaign veterans called 270 Strategies; and Devine Mulvey Longabaugh, which helped him win his council seat.
While Sittenfeld gears up for what may be a tough Democratic primary, his potential Republican opponent incumbent Sen. Rob Portman is also powering up his campaign. Portman has chosen high-profile Republican strategist Corry Bliss to manage his campaign. Bliss was last called in to turn around Kansas Republican Sen. Pat Roberts’ last Senate campaign after he came under a strong primary challenge that threatened to unseat him.
• Gov. John Kasich has called for eliminating Ohio’s income tax for small businesses, a move that looks likely to bum out conservatives and progressives alike. The staunch conservatives in Ohio’s state House love the idea of cutting taxes, of course, but aren’t down with Kasich’s plan to, you know, actually pay for those tax cuts by increasing taxes on cigarettes and oil. They say that’s not a tax cut and that they want the state spending less money in general, even after the state’s budget has been slashed to the bone over the last few years. Progressives, on the other hand, say past income tax cuts have been deeply regressive. A 2013 cut paid for by boosting the state’s sales tax a quarter percent shifted the tax burden toward Ohio’s lowest earners, progressives say, and Kasich’s new proposal would further shift that burden. Under Kasich’s plan, almost all businesses run as sole proprietorships, or businesses owned by a single person who reports business profits as personal income, would not need to file state income tax. A business would be exempt from the income tax so long as its sales are under $2 million.
• Finally, if Bill Gates told you to be afraid of computers, would you listen? Gates revealed that he’s very worried about the potential threat artificial intelligence, or AI, could pose to humanity in coming decades. Gates revealed his concerns in response to a question he received during a Reddit "Ask me Anything" session. During his AMA, Gates also expressed optimism about the near future when it comes to computing. He envisions robots able to pick produce and do other mundane tasks flawlessly. It’s when the robots get smarter, he says, that we have to worry. His concern echoes that of other technology magnates like Tesla founder Elon Musk, who called AI “summoning the demon” at a symposium in October. I feel like I’m summoning the demon every time I open Microsoft Word, which is a nightmarishly vexing program, but that’s a whole other subject Gates should be addressing.
Umphrey’s McGee is one of the most popular bands in America on the Jam Band scene. Its sound can attract an eclectic audience with hints of Rock, Jazz and R&B and the well-rounded, phenomenal musicians in the lineup. The band has been touring nationally for over 15 years and is a staple on the summer festival scene. Umphrey’s have produced eight studio records; its most recent offering, Similar Skin, was released in the middle of last year.
CityBeat caught up with keyboard player Joel Cummins and discussed the changes over the years on the road and the fun and challenge of making every show a unique experience for the audience. The band plays the big room at the Taft Theater tonight at 8 p.m.; TAUK opens.
CityBeat: Your band is so famous for having ever-changing set lists. How do you determine what you are going to play each night?
Joel Cummins: We use a lot of different ways to figure out what to play. One of the main ones we use now is a website called allthings.umphreys.com, developed by a friend that has a complete tour history and everything we have played. It is a really interesting and interactive site that the fans can use to see what they haven’t seen us play before. We use it to look back and see what we have played in certain markets or make sure we do something different and don’t repeat the same thing. It is a really useful tool.
As far as making the set list, I will compile a history of whatever it is that we have played and whoever is feeling it that day will pick songs and make a set list for that night. It’s interesting — one of the things that makes it fun for the fans is that any combination of the six of us can write a set list, we try to mix it up throughout the tour so it is staying fresh for us and the fans every day. And now that we have about 180 original tunes, we have quite a few to choose from every day. So it is nice to be able to play for five or six days in a row and not have to repeat a song.
CB: I am just amazed that you can remember that many songs over that period. It is very impressive.
JC: You get to a point where you learn a song and as you are thinking about it and connecting the thoughts to the hands … after a while it becomes muscle memory. I think the only reason we are able to do this is because we made sure we play all these songs at a minimum once every couple months so you still remember it and we know how to play them. When we do different covers, one or two every show, we may only play those once or twice a year so that is something where we will run those entire songs the day of the shows and pick what we want to do to get it back. Thank God for muscle memory or we’d be in big trouble otherwise.
CB: You guys have been together for almost 20 years now. Have you experienced multi-generational fans yet?
JC: We have. It is a pretty cool thing. There are a lot of things I never expected to hear when we were talking to fans. Certainly one of those things is finding parents and their kids who are both fans, finding all these people that have said they make great friends at the shows and (travel) around the country to see each other, maybe somebody met their husband or their wife at a show. Those personal connections and stories that have happened with the band because of our music I think are one of the main things that keep me looking forward to the shows because I know that there are a lot of people out there that this means a lot to. It’s an engaging thing musically, but it has become a really cool social event bringing people together. Our fans, more than most bands, like to have a good time but they are there for the music. You go to our shows, you are going to meet some friendly, hopefully intelligent people. Our fans aren’t starting fights or getting crazy. It is cool to see the community develop as it has. It is something I never imagined that would happen.
CB: I (photograph) a lot of different genres of music and talk to a lot of different people. The Jam Band music scene seems to be a little more collaborative and supportive group with each other. You have collaborated with a ton of artists over the years. Do you have any favorite collaborations you have done? How do you go about choosing who you are going to work with next?
JC: I think some of that sense of community emanated from the festival scene. It is interesting because it is a shared thing with the bands as well as the fans. One of the things I do is Jam Cruise; I have done 11 of the 12 of them. I know all the artists like family. It’s cool to have these bonds develop and I think because of the style of music we play, because it is more collaborative and there are a lot of good musicians on the scene, it encourages the idea of collaboration.
If I had to name one as my favorite, we actually just got to play three concerts in New York with Joshua Redman, who is this really talented, really adventurous sax player. He has won Grammys and played with the best of the best, and the fact that he still wants to come back and play with us every once in a while is a really great challenge for us and really engaging to do. I think we have one of the most extreme varieties of styles in our music. As a result, we either play with people like Josh, who are in the Jazz scene, or someone like Mavis Staples, who is obviously a legendary R&B singer. We are friends with Huey Lewis, who is one of the most amazing guys out there in the music business, (and we’ve played more) current things like something Electronic with STS9 or something acoustic with Yonder Mountain String Band. I think we are lucky that we are in the time we are because bands used to be more closed off and competitive with other acts out there. It is a lot more fun when you can be friends with people and make music together.
CB: You lost your original drummer, Mike Mirro, last year.
JC: Yeah, inevitably things come up (about him) all the time. Most of the time it’s funny things that he said or jokes that have carried on. Most recently, we did a holiday show with some members of the band in Chicago. He actually has a charity now in his name, the Michael A. Mirro fund for Neuroscience Studies. We were able to give a pretty sizable chunk of money to that. It is good to have his presence pop up in daily conversations, but even more than that, the charitable aspect of trying to contribute to studies that help people who have the challenges like Mike had. We miss him dearly and he was a close personal friend, so even though he wasn’t with us in the band anymore (when he passed away), we had collaborated a bunch of times since he left the band. It was a really horrible, tragic loss.
CB: The festival lineups are being announced really early this year. Can you tell me what you look most forward to with the festival performances? What do you think is one of your greatest festival moments?
JC: I think the artist camaraderie is a really exciting thing with festivals. We have been lucky to play so many great festivals. One of our favorite annual ones we always do is Summer Camp in Illinois and that is something we co-headline with moe. and they always have other great headlining artists. Steve Miller Band is going to play this year. Widespread Panic is going to come back. There are a lot of great artist always at that one.
As far as career defining festivals for us, I’d have to go with Bonnaroo. We played the first one. Up to that point we had been playing at clubs in Cincinnati like Ripley’s, and maybe the Southgate House. We got asked to be a part of that first Bonnaroo. We were nervous because we got like a 5 p.m. Friday slot. We were wondering if anyone was even going to be there yet. We ended up playing in front of 10,000 people that day, a completely jam-packed tent. It was in 2002, and that was our first moment where maybe people knew who we were on a national scene. That is something I will always remember.
CB: You mentioned some bars you played in Cincinnati over the years. Do you have any favorite Cincinnati moments or memories?
JC: There are lots, to be honest. One of the early ones I’ll never forget. We played the last night at Ripley’s before it closed with our buddies Ray’s Music Exchange, a great Cincinnati band. That was kind of an emotional and cool night. That was the first night of us going out on a tour on the East Coast and Ray’s was headed out to the West Coast. I also remember probably just three or four years ago, one of my favorite things we did (was when) we played at Moonlite Gardens and Mad Dog, who is Ray’s former trumpet player, put together a horn section for us. We did a little back and forth competition, playing songs back and forth, and we had the horns up in the balcony and we were on stage and it was just one of those cool unique moments that hasn’t happened before. People are always trying to come up with fun things like that to do. You never know with Cincinnati because there are guys looking to get some kicks out once in a while and do something interesting and out of the box.
The Taft is one of our favorite rooms to play. I think we have only played there twice before. It is exciting to come into one of your favorite rooms and play for a sold-out crowd.
For some musicians, their 9-to-5 is little more than a means to an end. Pizza and guitar strings don’t pay for themselves, after all. Others take pride in their work, both on stage and in the “real world,” but view them as two parts of a whole.
But for Jess Lamb, her twin identities as a musician and teacher are deeply intertwined. She works hard in both professional avenues and has put a large amount of effort into maintaining them, even during her post-American Idol influx of activities. It’s a balancing act with some unexpected complications that she is still learning to walk gracefully. But for Lamb, there is no other choice.
“I think that the public has seen me as a teacher and I don’t want my name to be tainted by this other persona, this other career, this other life. So I don’t want to be slosh drunk. I don’t want to be like Jim Morrison in my experimenting with life. But at the same time there’s a whole other vibe with playing in venues, playing in bars and it is very different from the teacher thing,” Lamb explains.
Before Idol, Lamb’s work as a musician and an ESL teacher were more easily separated. Nowadays, with the added exposure that Idol has brought to her and her late-night performances around town, she has had to go to greater lengths to protect the sanctity of both. A shot of Jameson may not be thrown back with the same careless abandon as a few months prior and photo ops are utterly devoid of the counter-cultural staples of, say, a middle finger or devil horns. This isn’t to say that Lamb was or is a reckless partier at night and a quiet bookworm during the day.
Rather, what happens at night can bleed into the daylight hours and her work in one aspect of life can’t compromise the other. She has to take into account who her new audience members may be and how they learned of Lamb. Being a teacher requires maintaining professionalism at all times. When a teacher is shown on national television, keeping that even-headed mentality all day and all night becomes even more important.
Considering all the time that Lamb has spent on her music after her Idol run, some may wonder why she doesn’t put the teaching on hold for the time being. Between the Idol recaps she does regularly for Fox 19 since leaving the show, the myriad interviews, the residencies at Japps in Over-the-Rhine and Jags in West Chester (as well as other shows), the studio work and all the other opportunities that have arisen, finding time for teaching is pretty much impossible at this point. In fact, Lamb has cut down her teaching work to roughly four hours a week, doing basic lesson planning and similar activities. But she still carves out time for her teaching for a very important purpose.
“I don’t do it for the money, it’s not sustaining me. I do it for my spirit. It’s for something that feels important, I don’t know that what I’m doing all the time feels important,” Lamb says.
She views being a teacher and an entertainer as two professions with two different contributions to society. Music and teaching both give something back to the community at large, but she feels that teaching impacts the public on a much larger scale. While singing in a smoky bar reaches a small amount of people, teaching has a much larger reach.
Ultimately, Lamb is a musician and teacher in equal measure. At this point, the music is taking more of her time, but she is determined to not let it take all of it.
“I don’t want to cancel out one or the other with a teacher persona that’s too square or a Rock star persona that’s too crazy and unstable,” Lamb says.
For Lamb, finding a mix of her two professions and passions is an ever-present struggle. When Idol rocketed her music to the forefront, she has had to constantly work to balance it out with activities that are equally as fulfilling. It hasn’t been an easy process by any means but one that she sees as absolutely necessary.
Just don’t be offended if she turns down a shot of whiskey next time you run into her in the Main St. district.
Nick Grever is checking in periodically with Cincinnati-based American Idol contest Jess Lamb about her post-Idol life. Check out previous "Beyond Idol Chatter" posts here. Visit jesslamb.com for music, show dates and more.
Good morning y’all. It’s the end of the week and the sun is out. Those are both good enough reasons to keep this news update short, so just the facts for you today.
Starting on a somber note, officials continue to investigate the death of Cincinnati firefighter Daryl Gordon, who fell down an elevator shaft while responding to a fire at an apartment building in Madisonville yesterday. Gordon was a 30-year veteran of the department. Two other firefighters and four residents where hurt in the blaze, which broke out early yesterday morning. Investigators are still trying to piece together exactly what happened to Gordon.
• Will you be able to walk around The Banks with an open beer in time for the Major League Baseball All Star Game in July? It’s looking increasingly possible. The Ohio House passed a bill allowing the creation of so-called “open container districts” this week. The proposed law could allow cities to designate specific areas where people can drink a cold one right out on the sidewalk. But the timeline is tight for would-be All Star Game revelers. The bill still has to go to through the state Senate and get Gov. John Kasich’s autograph. After that, the city could rush through designations for specific districts but would have to wait 30 days for them to take effect. The race is on.
• Three men who have wrongfully spent the past 18 years in prison may soon walk free thanks to efforts by the Ohio Innocence Project, which is based at University of Cincinnati’s College of Law. The Innocence Project announced yesterday that a Cuyahoga County Judge has thrown out the convictions of Derrick Wheatt, Laurese Glover and Eugene Johnson based on new evidence. The three will be released on bond and get a new trial. Their incarceration stems from the 1995 murder of Clifton Hudson, Jr. in Cleveland. Wheatt, Glover and Johnson who were nearby, were eventually arrested for the crime and convicted on the testimony of a single 14-year-old eyewitness. That witness later recanted her testimony and other evidence surfaced casting doubt that the three had a role in the crime.
• Ever been in a situation where you have to spend extended amounts of time the same room with someone who is competing with you for the affections of your crush? That’s probably how former Ohio Gov. Ted Strickland and Cincinnati City Councilman P.G. Sittenfeld will feel tonight when both attend and speak at the Ohio Democratic Party’s annual dinner. The two are currently going head to head in the party’s primary for the chance to take on incumbent Republican U.S. Senator Rob Portman. Making things especially uncomfortable is the fact that Sittenfeld had signaled he wouldn’t continue with campaign if Strickland entered the race. But the city councilman gained some good fundraising momentum and has decided to stay in the contest. Most of the higher-ups in the Democratic party have backed his more experienced foe, but Sittenfeld has said he’s in it to win it. I really hope someone seated them at the same table.
• I mentioned a couple days ago that the Ohio House was mulling a fetal heartbeat bill that would ban abortions as early as six weeks into a pregnancy. That bill has now passed the House thanks in part to local state representatives Jonathan Dever of Madeira and Paul Zeltwanger of Mason, who both voted for the proposed law. The bill will now make its way to the state Senate, where it faces skepticism from some moderate Republicans. They say the bill wouldn't survive an inevitable legal challenge. Some supporters of the measure, however, say bring it on — they see the ensuing legal battle as a way to challenge the Supreme Court's Roe v. Wade decision prohibiting abortion bans.
• Let's jaunt next door to the great state of Indiana where Republican Gov. Mike Pence signed into law yesterday a measure that prohibits the government from restricting religious freedom unless absolutely necessary. Critics of that bill say it could allow businesses to refuse service to people, including LGBT individuals, based on the business owner's religious beliefs. Pence says the bill will do no such thing, but that hasn't stopped backlash from forming. A number of businesses, including the NCAA, and even some religious groups have expressed reservations about the law, which takes effect in July. OK, let's leave Indiana now.
• News is happening in national politics. So much news. Well, really, political quasi-news that probably doesn’t actually make a difference but that we should pay attention to anyway because politicians are technically our employees and they haven’t really done that great of a job lately. One of the more interesting, and probably meaningless, stories on that front right now is that powerful Republicans in key primary states are saying that U.S. Sen. Ted Cruz of Texas, who is so far the only presidential candidate to officially announce his campaign, has no chance of winning. A poll of 100 influential Republicans in Iowa and New Hampshire found that not one thought Cruz had a chance at the nomination, let alone prevailing in the general election. That’s important because those states are big in the primary game. Winning them signals to other delegates and funders around the rest of the country that you’re a serious contender.
• The other big story in national politics is that the most powerful, and many would say infamous, Democrat in the Senate will retire after his current term. Sen. Harry Reid, who is currently the Senate minority leader, has been a thorn in the side of nearly every Republican in Congress. Reid is a bare-knuckle brawler of a legislator who pulled out just as many nasty tricks during his time as Senate majority leader as his counterpart in the House, Republican John Boehner has. Reid’s 10-year turn as majority leader ended last November when Republicans took control of the Senate, but he’s continued to be a force there. The 75-year-old’s term ends next year. Republicans are rejoicing, seeing a rare opportunity to take Reid’s seat as one of Nevada’s two Senators.
Carol, the drama about a romance between a younger and older woman in 1950s New York that was filmed in Cincinnati last spring, may have its premiere in May at the prestigious Cannes Film Festival in France.
Variety, which closely follows the film industry, yesterday published a speculative report about what may be appearing at this years Cannes, the world's most important film festival. It said, in part:
"Looking to represent North America in competition are [Todd] Haynes’ Carol, a 1950s lesbian love story starring Cate Blanchett and Rooney Mara, and [Denis] Villeneuve’s Sicario, a south-of-the-border crime drama starring Emily Blunt, Benicio Del Toro and Josh Brolin. Slots may also be reserved in the official selection for Jeff Nichols’ Midnight Special, a science-fiction chase thriller starring Adam Driver and Michael Shannon, and Gus Van Sant’s The Sea of Trees, a suicide drama starring Matthew McConaughey and Ken Watanabe."
Based on a novel The Price of Salt by Patricia Highsmith, Carol has impeccable credentials for Cannes. The director is Todd Haynes (Far From Heaven, I'm Not There), a producer is Christine Vachon, and it stars Oscar-winner Cate Blanchett and Oscar-nominee Rooney Mara. The film came here with the assistance of the Greater Cincinnati and North Kentucky Film Commission.
This year's Cannes Festival occurs May 13-24. The full official-selection lineup will be announced April 16.
Two shows on local stages are dealing with top-of-mind issues of race and urban living, one at the Cincinnati Playhouse, the other at Ensemble Theatre.
Last evening the Playhouse opened its production of Tracey Scott Wilson's Buzzer. Wilson is a playwright who's not afraid to get at prickly issues of contemporary life (read more here), and that's what she does in this piece that could be set in Cincinnati's Over-the-Rhine. (It's actually in New York City, but that doesn't make it less relevant.) Jackson returns to his onetime childhood neighborhood, once neglected and now trendy; he's black, girlfriend Suzy is white, and so is Jackson's troubled friend Don, out of rehab yet again and needing a place to stay. Their triangle is a toxic mix with a troubled past that's exacerbated by life in a neighborhood where black and white relations are strained. The Playhouse is offering talkbacks after each performance to discuss issues raised, and there will be a panel discussion focused on OTR's housing challenges here in Cincinnati on Saturday evening at 6 p.m. My take: This show is more about personal relationships that aren't entirely honest, even though there is constant conversation about "no secrets." The actors in this tense drama are vividly real, unpredictable and vulnerable; you'll feel like they're people you know. (Through April 19.) Tickets: 513-421-3888
The second show that's heating up conversations about race is ETC's staging of Dominic Morisseau's award-winning play, Detroit ’67 (reviewed here). While the story has a historical setting — the story of family aspirations and disappointments unfolds against the backdrop of the Motor City's race riots almost 50 years ago — it almost feels ripped from current news stories about unrest stemming from police brutality in Ferguson, Mo. Five actors portray some colorful and occasionally humorous characters from the era involving the family dynamic between a brother and sister who differ about making ends meet in a challenging environment. Motown tunes from the ’60s are the soundtrack for a story that's often painful but ultimately hopeful. (Through April 5.) Tickets: 513-421-3555
Know Theatre opens Hearts Like Fists tonight at its Jackson Street stage in Over-the-Rhine. Adam Szymkowicz's comic-book-inspired action adventure has some fine local actors as the Crimefighters, female superheroes who are out to stop Dr. X, on a mission to murder happy couples in their sleep using a deadly serum that goes straight to the heart. When the show was staged in New York in 2012, the New York Times called the show's comic hybrid of parody and punches "madcap" and "hysterical." That's what Know will be striving for, through April 25. Tickets: 513-300-5669
If you are interested in seeing actors, singers and dancers who are on their way to professional careers, you might want to catch Senior Showcases from the drama and musical theater programs at UC's College-Conservatory of Music. The drama majors, readying their piece for trips to Los Angeles (for potential TV work) and New York City, will perform today at 2 and 7 p.m. at Patricia Corbett Theatre. (Admission is free.) The triple threats graduating from the musical theater program offer their showcase twice on Saturday at 4 and 8 p.m. as they prepare to shine for Broadway producers and casting agents in New York next week. Admission is free but reservations are required: 513-556-4183.
Planning ahead? The popular touring production of The Lion King returns to Cincinnati where it's been a big hit twice, in 2003 and 2007. The magnificent musical about good overcoming evil and youth finding maturity opens on Tuesday for a four-week run at the Aronoff Center. (Through April 26.) Tickets: 513-621-2787
Music! Plays! Events with alcohol! Acrobats and Classical music! Gorilla suits!
FRIDAY 27MUSIC: SEBADOH
ONSTAGE: CIRQUE MECHANICSThe Cincinnati Pops presents Cirque Mechanics, an innovative show featuring aerialists, trapeze artists and contortionists performing alongside orchestral favorites from composers like Tchaikovsky, Strauss, Copland, Ravel and more. In a press release, conductor John Morris Russell describes it as a mix between Cirque du Soleil and the steampunk scene, with a huge titanium infrastructure placed before the orchestra that serves as the canvas for the entertainment. Additional fire performers, jugglers and magicians will also be at the event. 8 p.m. Friday and Saturday; 2 p.m. Sunday. $25-$99; $10 children. Music Hall, 1241 Elm St., Over-the-Rhine, cincinnatisymphony.org.
EVENT: ART AFTER DARK AT THE CINCINNATI ART MUSUEM
The theme of this art-meets-cocktail-party event is “Cherry Blossom Bash.” Check out the museum’s Japanese art collection with hourly docent-led tours, and enjoy live music from The Happy Maladies (6:30 p.m.) in the Great Hall. Sushi and drinks available for purchase. 5-9 p.m. Free. Cincinnati Art Museum, 953 Eden Park Drive, Eden Park, cincinnatiartmuseum.org.
ONSTAGE: PETER AND THE STARCATCHERIn Rick Elice’s loopy script (based on Dave Barry and Ridley Pearson’s novel about Peter Pan’s backstory), wordplay abounds, sometimes blowing by faster than the typhoon that comes upon ships on the way to Rundoon with three orphan boys to be sold into slavery. But this ensemble cast can manage wind speed as they narrate and perform the hilarious show — sometimes individually, sometimes together — but even more so as they race through delirious reinvention of the fairytale. Everything is performed both obviously and imaginatively, from levitating (at the close end of a seesaw plank) to a storm at sea to flying (with just the suggestion of motion, no wires — no “real” taking flight). Amusing costumes, a star field of 200 incandescent light bulbs and buckets of stage magic make it possible. Peter and the Starcatcher continues through April 4. $30-$85. Cincinnati Playhouse in the Park, 962 Mt. Adams Circle, Mount Adams, cincyplay.com.
Streets don’t get much meaner than those of Belfast back in 1971 as the British army all but occupied the territory, caught up in what amounted to terroristic street fights between Catholics and Protestants with few truly innocent bystanders in the middle. Everyone took sides, no matter how reluctantly. Gary Hook (Jack O’Connell), an anonymous soldier in the British army, trains hard but is no standout. Hook looks for all intents and purposes like a young Liam Neeson or a baby-faced soldier-boy of few words (think Clint Eastwood) who is simply waiting for the opportunity to prove himself in the theater of battle. And he certainly gets his chance when his unit, under the command of a rather green lieutenant (Sam Reid), receives orders to back up local police in a neighborhood search for weapons. Opens Friday. Read full review here.
SATURDAY 28EVENT: OVER THE MOON VINTAGE MARKET Rustic vases, crocheted tops, paint-chipped mirror frames and more will flood the Over the Moon Vintage Market this weekend. Shop a variety of vendors as you peruse various booth displays for vintage and urban goods, including primitives, furniture, garden items, artisan jewelry and unique feminine and bohemian style clothing. 4-9 p.m. Friday; 9 a.m.-4 p.m. Saturday. Free. Agner Hall at Lawrenceburg Fairgrounds, U.S. 50 and Hollywood Blvd., Lawrenceburg, Ind., facebook.com/overthemoonvintagemarket.
MUSIC: ELLIOTT BROOD WITH YOUNG HEIRLOOMS
When a band’s sound gets tagged as “Death Country,” you know something special is afoot. And Canadian trio Elliott Brood lives up to its advance billing in every conceivable way. Utilizing guitar, banjo, ukulele, bass pedals, kazoo, harmonica, keyboards, percussion and a sampler in acoustic and electric contexts, Elliott Brood has reimagined rootsy Country, Bluegrass and Folk in a twangy and bracing manner that suggests Old 97’s and legitimately deserves the designation of Canadiana.The trio’s latest triumph is Work and Love, released late last year to rapturous reviews, many of which cited it as the trio’s best album to date. No need to plan a long trip to see Elliott Brood; the best of the Great White North is coming your way. Free. MOTR Pub, 1345 Main St., Over-the-Rhine, motrpub.com.
EVENT: POP-UP CINCY CONCEPT CAMP
POP-UP CINCY, a monthly pop-up organization founded by local artist and designer Catherine Richards, invites creative thinkers and makers to participate in the second Concept Camp at an unused storefront in Corryville. Participants will brainstorm with peers from various sectors about effective ways to take their ideas from concept to completion in this one-day event. The space will feature an “idea wall” to pin project outlines and receive feedback from participants, as well as the opportunity to connect with those whose skillsets might help accelerate your plan. Work session: 1-4:30 p.m. (sign-up required); celebration: 5-7 p.m. Free. 3501 Burnet Ave., Corryville, facebook.com/popup.cincy.
CLASS: HOW TO BUILD A RAIN BARREL
Spring is slowly showing itself as the winter and its accursed snow melt away. As you plan to plant petunias, sunflowers, vegetables and more, consider the task of watering and the best practices to save money, go green and store water for a hot summer so your plants (and your wallet) won’t suffer. The Civic Garden Center hosts a DIY class on how to build and use your own rain barrel to collect free rain water to use for the garden. 1:30-3 p.m. Saturday. $10; free for Civic Garden Center volunteers. 2715 Reading Road, Avondale, civicgardencenter.org.
COMEDY: DC BENNY
Like his peers Jimmy Shubert and Rocky LaPorte, D.C. Benny is a talented veteran comic who received a nice boost by competing on last season’s Last Comic Standing. Well-known in the New York and L.A. comedy scenes, Benny has also written and performed extensively for various TV projects. He also functions as the producer and head writer for Jim Breuer Unleashed on Sirius/XM satellite radio. On stage he mixes jokes with storytelling, peppering them with several original characters. Showtimes Thursday-Sunday. $15-$17. Funny Bone on the Levee, Newport on the Levee, Newport, Ky., funnyboneonthelevee.com.
ONSTAGE: DETROIT ’67
Detroit ’67, making its regional premiere at Ensemble Theatre Cincinnati this month, is not something to smile about — but it might be possible to feel good about the “tryin’,” even though 48 years later the backdrop of this story feels eerily familiar, perhaps leading us to ask if America will ever rise above such racially driven conflicts. The details behind the story of Chelle (Zina Camblin) and Lank (Bryant Bentley), a sister and brother hoping to build a secure future, are this: In late July 1967, more than 10,000 citizens of Detroit rioted. Police had raided a blind pig — an unauthorized after-hours hangout very much like the one Chelle and Lank have established in their family’s basement — where more than 80 patrons, all African-American, had gathered to celebrate the return of a Vietnam veteran. Detroit '67 continues through April 5. $18-$44. Ensemble Theatre Cincinnati, 1127 Vine St., Over-the-Rhine, ensemblecincinnati.org.
SUNDAY 29FILM: MOON DUST Detroit-based painter Scott Reeder’s new Moon Dust is a sci-fi feature film with a one-and-a-half-hour running time. Moon Dust is about the denizens of a run-down tourist resort on the moon (called Moon World) who struggle to maintain enthusiasm at a time when the hip, wealthier travelers have all gone to Mars. With its deadpan tone, frequently improvised dialogue from non-professional actors (including Reeder, himself) and eccentric production design featuring color-saturated, patterned or monochromatic sets and oddball costumes and hairstyles, it very much is the work of a visual artist. 2 p.m. Sunday. Free. Cincinnati Art Museum’s Mary R. Schiff Library & Archives, 953 Eden Park Drive, Mount Adams, cincinnatiartmuseum.org.
CHARITY: CINCINNATI GORILLA RUN
This Sunday don’t be surprised to find downtown resembling a scene from Planet of the Apes. Hundreds of runners dressed as our endangered primate relatives will be participating in the Cincinnati Gorilla Run 5K presented by The Gorilla Glue Company, which aims to raise money for the Mountain Gorilla Conservation Fund. Gorillas found in the African mountains are close to extinction, and the Mountain Gorilla Conservation Fund is working to expand the program’s wildlife health and research center in Uganda. Registration closes at 5 p.m. March 28. Race opens at 9 a.m.; run starts at 11 a.m. $99.95 first-time gorillas; $40 and up for returning gorillas; $15 kid gorillas. Montgomery Inn Boathouse, 925 Riverside Drive, East End, cincinnatigorillarun.com.
ATTRACTIONS: MUMMIES OF THE WORLD
The Cincinnati Museum Center’s new once-in-a-lifetime exhibit, featuring real mummies and artifacts, some dating back as far as 4,500 years, is in its final weeks. Discover how mummies are created, where they come from and who they are in an immersive, multi-media display. Through April 26. Non-member exhibition-only tickets: $19.50, $17.50 senior, $12.50 child. Cincinnati Museum Center, 1301 Western Ave., Queensgate, mummies.cincymuseum.org.
Today, whenever the terms “remake,” “reboot” or anything like that pop up in terms of film or TV, people automatically assume the worst thing imaginable. While I won’t deny the fact that there have been several remakes that have been pointless, there have been a lot of remakes that have been very good and, in a lot of cases, have improved on a few aspects.
Now, I’m not claiming that the 10 I’m listing off are “better” than the original. Instead, these films (listed by release date in chronological order) are evidence that a remake is not an automatic seal of sucking.
The Magnificent Seven (1960, John Sturges)
I’m sure some of you saw this coming given what my first "Reel Redux" was about, but none the less this is still a pretty good film. A remake of Akira Kurosawa’s Seven Samurai, this version doesn’t do too much different from the original film but it is still holds up through its fine acting, amazing music score and story.
A Fistful of Dollars (1964, Sergio Leone)
Another remake of a Kurosawa film, this time a remake of his film Yojimbo. In this film you see the foundations of Eastwood’s most famous screen persona, many of Leone’s trademarks and an awesome final duel. A good stepping stone for anyone wanting to get into Spaghetti Westerns.
The Thing (1982, John Carpenter)
Yes, believe it or not there are some good horror remakes, and this was one. John Carpenter’s remake of the Howard Hawks-produced The Thing from Another World ups the ante with the suspense and gore. This is not for the faint of heart. But it’s more than just a gore-fest — it’s a film with amazing suspense and atmosphere.
Little Shop of Horrors (1986, Frank Oz)
This music adaptation of the Roger Corman B-movie is a genuine delight and definitely improves on a few aspects of the original, mainly the special effects. That glorious Audrey II puppet is a testament to how great practical effects can be. Also, Levi Stubbs of The Four Tops is a perfect voice for Audrey II.
Beauty and the Beast (1991, Gary Trousdale & Kirk Wise)
This classic Disney animated musical actually has a lot in common with the 1946 French surrealist adaptation by Jean Cocteau. Both beasts have a similar design, both feature a castle of human servants that are also appliances, and both have a Gaston equivalent. But of course the animated version does do a few things differently, mainly musical numbers, funny side characters and, of course, being a cartoon.
Homeward Bound – The Incredible Journey (1993, Duwayne Dunham)
Here’s another Disney remake that proved its worth. A remake of the 1963 movie just called The Incredible Journey, this renditions seems to hold up for anyone because of the animals. All three have distinct voices and personas that make us love and root for them.
The Birdcage (1996, Mike Nichols)
A film by the late Mike Nichols and starring the late Robin Williams is a remake of a French-Italian film called La Cage aux Folle. With the combined comedic charm and brilliance of Williams and Nathan Lane, it’s no wonder why Nichols had a hard time holding his laughter during some of the scenes. My words won’t do it justice — you just have to watch.
Lord of the Rings Trilogy (2001-2003, Peter Jackson)
If we’re loosely defining the term remake, Jackson’s fantasy trilogy is technically a remake of Ralph Bakshi’s Lord of the Rings (1978) and Rankin/Bass’ Return of the King. If you’ve seen those animated films then you can see why Jackson’s are usually the preferred versions. Jackson's films create an epic fantasy environment, they have an amazing film score and feature some awesome battle sequences.
3:10 to Yuma (2007, James Mangold)
Many hold the original 1957 film as a classic and it is, but Mangold’s version doesn’t try to duplicate it. Instead he goes the action route, and it does not disappoint. The gunfights are stunning throughout the film. Also, the chemistry between Christian Bale and Russell Crowe is stunning, and it also has a great villain performance from Ben Foster.
True Grit (2010, Ethan & Joel Coen)
My first two listed were westerns and so we end with two westerns. The Coen Brother’s version of the manhunt of Tom Chaney is truly phenomenal. The Coens stay close to the tone and style of Charles Portis’ original book by sticking to the dryer tone, keeping it less romanticized and “Hollywood.” And it features some trying fantastic performances from everyone.
Last night before photographer Roe Ethridge's FotoFocus Lecture at Cincinnati Art Museum, FotoFocus' Artistic Director Kevin Moore announced the organization is co-presenting a two-day symposium on photographer Robert Mapplethorpe's work with the Contemporary Arts Center on Oct. 23-24.
It will mark the 25th anniversary of CAC's presentation of The Perfect Moment, the retrospective of Mapplethorpe's work that prompted conservative elements — led by then-Sheriff Simon Leis Jr. — to pursue criminal charges for alleged obscenity. (Some of Maplethorpe's work in the show was sexually graphic.) A Hamilton County jury cleared the museum of all charges.
Specifics for the symposium have yet to be announced, although indications are speakers from around the country will be invited. Also not yet announced is what, if any, works by Mapplethorpe will be shown and in what context.
Information should go on on the FotoFocus site when firm.
A terrified-looking local 2-year-old has become something of an Internet sensation over the past week. In a funny photo with a cute story-turned-viral image, Quincy Kroner posed with two friendly looking garbage men in front of their truck (as he held his own mini garbage truck toy).
Pictured: Internet gold.
Dad and Northside resident Ollie Kroner, who’s no stranger to CityBeat, posted the photo on Facebook, saying, “Quincy's been waiting all week to show the garbage men his garbage truck. But, in the moment, he was overwhelmed in the presence of his heroes.” The photo was shared by friends and family, then their friends and so on until the image appeared prominently on Tumblr, Imgur, Awkward Family Photos, Huffington Post and ABC News.
Despite the sudden fame, Quincy continues to live a low-profile, tiny human life. Read more here. (Worth noting is the writer’s choice to drive home the point that “it started with a sticker chart” and to include the comment "Garbage men get swole as hell and are generally the greatest people around.")
Stock footage provider Dissolve created a “faux” TV trailer using only stock video, and it appears only slightly more generic that a CBS fall lineup.
Just in time for Mad Men’s final season premiere, AMC paid tribute to the show with a bench resembling the Don Draper silhouette logo that has become so iconic. The bench — which I really need them to mass-produce — was unveiled in front of the Time-Life building, which Sterling Cooper & Partners has called home in Mad Men universe since Season Four. Jon Hamm was profiled in GQ’s April issue, and the show’s leading man shared some advice given to him from a guy who knows what it’s like to portray an iconic TV character and then, suddenly, not — Breaking Bad’s Bryan Cranston.
"It's hard, man," Cranston told him. "It's hard to let it go. It'll hit you a couple of different ways at different times."
But before you get depressed thinking about all of Mad Men joining Walter White and the other characters in the big TV set in the sky, there’s still a whole (OK, half) season of Mad Men to obsess and drink over, starting April 5.
Serena Williams made her own 7/11 video a la Beyoncé.
Almost as good as the original and how cute is it when she stops dancing to let that old man walk by? Definitely needed more azz, though.
Goodbye Zuckerberg, hello Luthor! Jesse Eisenberg lost his curly locks to embody his upcoming role as Lex Luthor in Batman v Superman: Dawn of Justice. Check out his TRANSFORMATION (he just shaved his head) here.
The cast of Pretty Woman the movie’s 25th anniversary with a reunion on the Today Show. While it has been quite a few years since the last good hooker-with-a-heart-of-gold movie, don’t count on a sequel. They say there will never be a Pretty Woman 2. At least some things are sacred.
With that being said, of course there’s new remake news this week.
Fox announced that David Duchovny and Gillian Anderson will return as Mulder and Scully in the network’s limited-series reboot of The X-Files.
The John Candy classic Uncle Buck is also getting a TV remake. Mike
Epps and Nia Long are set to star in the ABC comedy. (This isn’t the first time
Uncle Buck is getting the TV
treatment — there was a short-lived series of the same name in 1990). Until
then, go downtown and have a rat gnaw that thing off your face.
Some movies are getting turned into TV shows while some television series are getting reworked for the big screen. Finally, the Entourage movie trailer is here.
Who doesn’t love a good conspiracy theory? Reddit user Euchrid_Eucrow posted an in-depth analysis on the Barenaked Ladies song “One Week” (yes, you’re reading all of this correctly) in the Fan Theories subreddit. S/He argues that that song — an upbeat Pop-Rock earworm full of random bits of early-Millennium pop culture — is about a man who killed his girlfriend and is slowly going mad as he stays in a room with the corpse. Internet!
Here’s Sarah Jessica Parker throwing fifty shades of shade at Tom Hanks at a hockey game.
Forget Resting Bitchface —
Carrie Bradshaw’s got a very active bitchface.
Morning all. Are you as disappointed with the soggy gray awfulness outside as I am? Over the past few days I’ve been tuning up my bike, getting ready for spring. My plan was to get it out today and ride to work instead of walking. But this morning has been more kayak commuting weather, and since I don’t own a kayak, I’m working from home. Bummer. Anyway, let’s move on to news. This is the weekly City Council update edition, where I tell you about all the zany stuff our council members got up to yesterday.
First, council passed a resolution supporting marriage equality in the state of Ohio authored by Chris Seelbach, Cincinnati’s first openly gay elected official.
“The protection and equality we want is no different than what everyone wants," Seelbach said, highlighting the ways in which his life with his partner are the same as any married couple’s. Seelbach also drew attention to the continued court battles being waged by Cincinnatians against Ohio’s gay marriage ban. Among them is Jim Obergefell, whose case against Ohio’s gay marriage ban will be tried in the U.S. Supreme Court next month. Obergefell is seeking to be listed on his late husband John Arthur’s death certificate. The two were legally married in Maryland.
“Our city could have fought us, as our state continued to do, but instead our city stood on the side of love with a message that is resoundingly clear: We welcome, accept and love everyone,” Obergefell said in a written statement read by a representative from LGBT rights group Why Marriage Matters.
Six council members voted for the resolution, with Councilman Charlie Winburn voting against it and two, P.G. Sittenfeld and Amy Murray, absent from the meeting for unrelated reasons. Winburn applauded Seelbach’s advocacy for the issue, but said he didn’t agree with its premise. Winburn has been a vocal opponent of gay marriage. Cincinnati joins several other Ohio cities, including Dayton and Columbus, in supporting marriage equality.
• More council stuff: our esteemed deliberative body yesterday rejected
another stab at a parking plan for Over-the-Rhine that would have
created 400 permitted spots around the neighborhood. The plan would have
cost residents in the area $109 a year, plus $5 each for guest permits.
Some council members, including Seelbach, said the
price is still a bit too high and probably not necessary to generate
the revenue needed. “I think we’re close,” Seelbach said. “This is close
to what we would support. But the annual permit at $109 is the highest
Vice Mayor David Mann said he expected the plan to pass.
“This continues to be a work in progress,” Mann said. “We’re very open to changes as we implement and see how it works … but I think it’s time to do something. It’s been in and out of committee for three months.”
• Council also named a whole block of Colerain Avenue in Camp Washington after John "Johnny" Johnson, who has been working at Camp Washington Chili in the neighborhood for a mind-boggling 64 years. That's pretty cool. The restaurant, which I have patronized many a late night after various shows, has received national accolades for its chili, which is awesome. Johnson's uncle started the restaurant in 1940, and he began working there in 1951after coming here from Greece.
• The road is long and difficult and every step is studded with obstacles. No, I’m not talking about an underdog team in the NCAA tournament, nor the plot of a Tolkien novel. I speak of the streetcar, which is facing yet another round of drama this week involving contracts for who will operate the transit system. The Southwest Ohio Regional Transit Authority, tasked with finding employees to operate the streetcar, must choose between two types of bids: those from companies that will manage SORTA’s union employees and those that will hire their own. Democrats on council want SORTA to go the former route and consider only bids that rely on employees from the Amalgamated Transit Union, of which most of SORTA’s employees are members. A past effort by council to get more details about the bids in relation to this wish drew sharp rebuke from the Federal Transit Authority, however, which said that any attempt to change SORTA’s bid process could result in loss of federal funds for the streetcar. The feds provided more than $45 million for the nearly $150 million project.
"If confidentiality is not maintained,” wrote FTA attorney John Lynch in a Monday letter to SORTA, “that presents risks to the process and increases potential exposure to protests and legal action from the proposers. The council's proposed changes to the procurement process could be perceived as giving preferential treatment to one contractor over another."
Now a new motion proposed yesterday by most of council’s Democrats would direct SORTA to only consider bids in which SORTA employees are used to run the streetcar. That motion needs two more votes and isn’t binding — it’s asking, not telling, SORTA to hire ATU employees. That motion also leaves maintenance personnel out of the equation, which is important because that’s a sticking point in negotiations between SORTA and the ATU on what using union workers would look like. The two are tangling over a few specialized maintenance positions that require particular electrical engineering training. The ATU says whoever does those jobs should be union members; SORTA says it has the right to hire outside workers for those positions. Phew. So there you have it. Bids for operating the streetcar are due at the end of the month, and SORTA’s board will vote to award the contract in July.
• Here’s a completely unsubstantiated, unscientific observation: People named “Woody” seem much more apt to support legalization efforts for marijuana. First there was Woody Harrelson, and now we have Taft Broadcasting Co. Development Director Woody Taft. Taft and his brother Dudley are among the funders of an ongoing effort by ResponsibleOhio to get an Ohio constitutional amendment legalizing marijuana on the November ballot. The Tafts are just a couple of the big names in town who have invested in the legalization scheme, which would legalize production and sale of marijuana but limit commercial cultivation to 10 legal growers. That dimension of the provision has raised ire from other pot legalization advocates. ResponsibleOhio has modified its proposal to allow for home growth of small amounts of weed, but those growers would not be allowed to sell their products.
The Tafts would be part owners of a marijuana cultivation farm proposed in Butler County should the ballot initiative pass.
“Our current laws are archaic and cruel to the people in Ohio who need medical marijuana,” Woody Taft said in a statement sent out by the pro-marijuana group.
• Finally, eight protesters were arrested outside House Speaker John Boehner’s Washington office yesterday. No, they weren’t up in arms about his continued efforts to dismantle the Affordable Care Act, or his moves to stymie Democrats’ immigration reform agenda. Nor were they there staging an intervention for Boehner’s all-too-evident tanning bed addiction.
Instead, they were all riled up about the fact that Boehner and other congressional Republicans haven’t moved fast enough on a ban on abortions after 20 weeks. The House was set to vote on the bill way back at the beginning of the year, but some moderate GOPers balked at the ban because it required a woman to report her rape or incest to law enforcement in order to qualify for an exception to the proposed law. Members of the Christian Defense Coalition, who were the protesters praying outside of Boehner’s office, say his failure to push that bill through is a “betrayal” of the pro-life cause. Boehner’s office shot back that he’s the most pro-life speaker in history, which seems a hard claim to fact-check considering abortion was illegal for much of our country’s history.
That’s it for me. Tweet me. Email me. You know the drill.
Former Cincinnati-based (now Austin, Texas headquartered) band Heartless Bastards have announced the release of its fifth album, Restless Ones, on the Partisan Records imprint on June 16. It’s the band’s first new full-length since 2012’s acclaimed Arrow, the group’s debut for Partisan. (The band took local group Wussy on tour after Arrow's release.)
The Bastards, who recently opened some arena concert dates for Rock music legend Bob Seger, also announced a string of tour dates beginning in June that will bring them back to Cincinnati for a two-night stand at Woodward Theater. The band plays the newly remodeled/reopened Over-the-Rhine venue June 25-26 with opener Craig Finn (frontman for The Hold Steady).
A limited number of tickets for the Woodward shows are available starting today at noon through a special songkick.com presale. Click here for details.