After a long hot summer (well, it's still feeling like a long hot summer), we have a full array of shows onstage in Cincinnati for you to choose among. I've seen two of them so far: Good People at Ensemble Theatre Cincinnati and The Three Musketeers at the Cincinnati Playhouse in the Park.
ETC's production of Pulitzer Prize winner David Lindsay-Abaire's 2011 piece (this is the regional premiere of Good People, which was nominated for a Tony a year ago) about a woman who falls off the bottom of the employment ladder has enough humor to be entertaining (especially with Annie Fitzpatrick in the central role of Margie and Kate Wilford and Deb Girdler as her gossipy friends and bingo-night comrades) and enough contemporary relevance to be thought-provoking. ETC's D. Lynn Meyers is at her best staging naturalistic shows with social meaning, and that's exactly what this one offers. It has a great cast and flexible, attractive scenic design by the ever-creative Brian c. Mehring. I gave it a Critic's Pick. Through Sept. 23. Review here. Box office: 513-421-3555.
I wanted to love The Three Musketeers at the Playhouse (through Sept. 29), but its balance of humor and heart is out of whack to my tastes. There's lots of adventure, hilarity and laughter — especially some no-holds-barred swordplay — but the show tries to hard to entertain that it misses out on the true emotion that should lie beneath. I suspect many people will love this thrill-a-minute tale of political intrigue and valor, loyalty and royalty in 17th-century France, and perhaps it will evolve to deeper feelings as it runs. I love new Artistic Director Blake Robison's desire to put appealing, family-friendly work onstage, and he's using this production to show what he means. I hope his approach gets a tad more texture and depth as his tenure continues. Review here. Box office: 513-421-3888.
I haven't yet seen To Kill a Mockingbird at Cincinnati Shakespeare Company, and their publicity says it's already sold out its first-two weekends. So you might want to put that one on your calendar for sometime before it wraps up (Sept. 30). In the meantime, you might want to head to Washington Park on Sunday evening at 7 p.m. for a special free presentation of CSC's touring production of The Tempest. It's a perfect piece for outdoor performance, set on an island with a sorcerer and his lovely daughter and some shipwrecked nobles who are responsible for his exile. Audience participation will be a key component of this event, with the audience asked to create large-scale effects by blowing bubbles, making waves with silk and generating sound effects. Sounds like great fun. Music (by The Young Heirlooms) begins at 6 p.m. This is a good one to bring kids to see.
Also off and running this weekend is Cincinnati Landmark's production of Tennessee Williams' Cat on a Hot Tin Roof. It's a classic drama of sexual tension and family strife, a bit heavier fare than is usually found at the Covedale Center. It's a sign of the company's ambition to be a full-fledged theater offering a wide range of material. (Through Sept. 30.) Box office: 513-241-6550.
OK, it's the last day of August and the last true weekend
of summer. That typically means there's almost no theater, since most of
the stages in town are readying their season openers. But you do have a
At the Clifton Performance Theatre you can see the last few performances of Nothing, a production brought back from this year's Cincinnati Fringe Festival. It's a one-man show about bullying and autism, told with lots of illustrative video. It was a popular item during the Fringe in June, so it's certainly worth checking out. Tickets: 513-861-7469.
Another Fringe-like option this weekend is a mash-up of OTR Improv and True Theatre, happening at Know Theater, which is kind of like the crazy uncle of these two groups that make the Over-the-Rhine venue their home. On Saturday evening at 8 p.m., they'll present another installment of The Chronicle, a long-form improvisation based on the real-life stories of special guests. Dave Levy and Jeff Groh, the guys who make True Theatre go, are the starting point for the evening's fun and games. They'll tell stories, and then the improv folks will turn them into something more. You can get tickets (for $5) at the door — located at 1127 Jackson Street in OTR.
The Cincinnati Playhouse in the Park opens its new season (with a new artistic director) next Thursday with The Three Musketeers. But here's a tip: You can see previews starting Saturday, and tickets are more affordable than during the actual run of the show. You might know the story of D'Artagnan and his three swashbuckling buddies, Athos, Porthos and Aramis — but I bet you've never seen such a rollicking, have-a-great-time production as this one. I just finished reading the very conversational and funny script, and I suspect that audiences will love this show, especially if it's pulled off with visual panache. It's our first chance to see a work directed by Blake Robison, the new guy in charge. He says this is the kind of work he wants to bring to the stage regularly. Be among the first to see what he's up to. Box office: 513-421-3555.
Other theaters opening shows next week include Ensemble Theatre Cincinnati on Wednesday (Good People is about unemployed folks dealing with the "new normal") and Cincinnati Shakespeare Company starts its production of To Kill a Mockingbird on Friday. Both productions have fine casts: Annie Fitzpatrick is playing the hard-pressed central character in Good People; Bruce Cromer is the virtuous attorney Atticus Finch in Mockingbird. Both are among our most watchable actors.
My Curtain Call column in CityBeat this week offers more about these shows and others that are opening this month.
Artistic Director Jim Stump tells me that they've been notifying the
actors and designers who had been recruited for a staging of Eric
Talk Radio that the production, scheduled to open on
Sept. 27, is not going to happen. He wrote to me in an email, "This is
due to a number of factors, not the least of which was the suddenness of
our losing the Columbia with little warning. This meant we spent a
significant portion of the time we would normally dedicate to the first
production to the search for a new venue. In the end, we didn't feel we
could present a production of the quality our audiences would expect."
NET is still seeking a permanent solution to its venue needs, but Stump says the company will present The Santaland Diaries and The 12 Dates of Christmas at the Aronoff's Fifth Third Bank Theater in December.
Most of the theaters in town are gathering their strength
for the fall season, so there's not much to recommend this weekend —
unless you haven't made it to the Carnegie in Covington yet to see the
delightfully silly production of Xanadu. (Review here.) The recipe for
this delicious concoction is a really lame movie from 1980, some clever
new writing by playwright Douglas Carter Bean, really inventive
direction by Alan Patrick Kenny (the guy who staged Jerry Springer: The Musical
a few summers back) and a cast who can sing (Pop tunes from the ’80s),
dance (to a disco beat, no less), act (like Greek muses, well, kind of)
and do it all on roller skates! This weekend is your final chance to see
After Xanadu closes on Sunday, our local theaters will pretty much be dark for a week or so. Then right after Labor Day, you'll have tons of choices. Look for my Curtain Call column in the upcoming issue of CityBeat for a glimpse of what's in store for September.
If it weren't for the Carnegie's production of Xanadu,
there wouldn't much to point you for theater choices in mid-August. I'm
happy to report that the judges from the League of Cincinnati Theatres
and I are in agreement that
this frothy piece of roller-disco and Greek mythology is a great piece
of silly entertainment. (Review here.) It's great to see the work of Alan Patrick Kenny
onstage again in Cincinnati. I should mention that this show
constituted his master's thesis for his graduate degree from U.C.L.A.,
and his advisors came to town to pass judgment on it. They apparently
gave him a passing grade, completing his academic efforts and
green-lighting him for his new job teaching musical theater at the
University of Wisconsin at Stevens Point. I hope it's not too long
before he gets another gig locally, but in the meantime, I bet the folks
in central Wisconsin will be highly entertained. If you want to catch
Xanadu, you should call for tickets now, since the positive buzz means
that tickets will be getting snapped up between now and the final
performance on Aug. 26. Box office: 859-957-1940.
One other show that some of you might find entertaining is Rounding Third, on board the Showboat Majestic. It's about two wildly different guys coaching a Little League team — one is a win-at-all-costs kind of guy, the other is a geek who just wants the kids to have fun. You can imagine the fireworks. The LCT judging panel recommended it, and I can say that it's got two solid actors performing it. I thought the script was a tad predictable, but it's got some good laughs, and if you love baseball (or if you played Knothole ball here in Cincinnati) you'll find a lot to identify with. Box office: 513-241-6550.
The theater scene is still in vacation mode this weekend,
so there are only a few choices. Your best sure bet is the final weekend
of The Hound of the Baskervilles at Cincinnati
Shakespeare Company through Sunday. [REVIEW LINK]I suspect if you're a
Sherlock Holmes fan with a sense of humor, you'll love this production:
It does follow the plot of Sir Arthur Conan-Doyle's ace detective's
greatest adventure, but it does so in a very tongue-in-cheek and
slapstick manner. It's also a romp for three actors who play all the
roles, including veteran CSC actor Jeremy Dubin who is Holmes as well as
all the villains (or potential villains) in the piece. It's as much fun
watching the trio do quick costume changes as it is following the story
of a cursed family on a remote moor in Northern England. It's been a
busy box office for this production, so be sure to call in advance if
you want a ticket. 513-381-2273, x1.
The Carnegie Center's production of Xanadu doesn't open until Saturday, but the odds are good that it will be worth seeing since it's being staged by wunderkind director Alan Patrick Kenny. Read more about Kenny here. The musical is based on the cult-favorite cinematic flop from 1980, reinvented more recently as a stage production by a clever creative team. Kenny, who dazzled local audiences for three years with productions at New Stage Collective (2007-2009), returns for a brief directing stint before he moves off to Stevens Point, Wisc., where he'll be teaching theater at a University of Wisconsin campus. He's spent the past two years studying directing at UCLA — and being engaged in some creative staging and a bit of professional work, too, while on the West Coast. He's one of the most inventive and fearless directors to stage work in Cincinnati in recent years, so Xanadu at the Carnegie s a production that's probably going to draw a crowd. (It's only having eight performances, through Aug. 26. Box office: 859-957-1940.
I saw the Showboat Majestic's Rounding Third when it opened on Wednesday evening. It's a tale of dads who coach Little League baseball from very different perspectives. I'm afraid the script is rife with cliches and stereotypes, but the actors — it's a two-man show; when they address the team, they're talking to the audience — capture the essence of their characters. Mike Sherman plays a win-at-all-costs head coach while Michael Schlotterbeck is a gentle nebbish who's trying to connect with his geeky son by offering to be an assistant coach. They're differing philosophies are the meat of the story, and they do end up learning from one another — although the story is pretty predictable from the get-go. Nevertheless, a baseball story in August might be just the thing you're looking for in some summer entertainment. 513-241-6550.
Light entertainment is what most of us are looking for
onstage during August, and Cincinnati Shakespeare Company has just the
answer: The Hound of the Baskervilles. The amusing script
takes Sir Arthur Conan Doyle's class Sherlock Holmes tale and turns it
into a silly romp around the moor. CSC's cast of three veteran
performers — Nick Rose, Jeremy Dubin and Brent Vimtrup — have just the
right attitude to keep it amusing from start to finish without becoming
tiresome. That's also due to the work of director Michael Evan Haney.
He's the longtime associate artistic director at the Cincinnati
Playhouse in the Park, and he's done fine work on other stages locally,
but this is his debut with Cincy Shakes. It's a fine partnership,
building on his experience with a similar show — a funny romp through
Around the World in 80 Days that entertained Playhouse/Shelterhouse
audiences several years back and then moved on to New York City where it
had a successful run at the Irish Repertory Theatre. Hound is like
drinking fine English tea from a dribble cup. Review here. Tickets: 513-381-2273, x1.
While other theaters are largely dormant, the folks at Cincy Shakes are very busy in August. In addition to the aforementioned production at their Race Street theater, they also launch their Shakespeare in the Park series this weekend with a performance of The Tempest at Seasongood Pavilion in Eden Park. It gets its first outing on Saturday evening at 7 p.m. Go to cincyshakes.com for more dates and locations. These are free performances, so they're definitely worth checking out.
And in case you need a reminder that we have a great theater scene locally, here's a tidbit. The Phoenix Theatre in Indianapolis just announced its 2012-2013 season; this is a fine theater company, rather like Ensemble Theatre Cincinnati in its presentation of new works. But they're touting their September production of Bloody Bloody Andrew Jackson as the "Midwest Premiere," and they've given a similar designation to their January-February staging of next to normal. Um, I'm sorry to burst their bubble, but those shows have already been onstage here in Cincinnati (and I believe we're in the Midwest). Both were produced last season. In fact, ETC offered next to normal last September (not long after the Tony and Pulitzer prize winner closed in New York) and already presented a sold-out revival in June. Know Theatre gave us the hard-rockin' version of our seventh president in a heavily sold run last spring. So the Indy theater's claims are more than a bit overblown. But we'll let them believe their own hype, and aren't we smug that we didn't have to leave town to see those shows. That being said, the Phoenix is offering Seminar, a snarky drama by Cincinnati native Theresa Rebeck (her play Dead Accounts had its world premiere at the Cincinnati Playhouse back in January) this fall (Oct. 25-Nov. 25) and Nicky Silver's dark comedy The Lyons next spring (Feb. 28-March 31). Both could be worth the drive. www.phoenixtheatre.org.
I can't say that a musical based on the Adam Sandler film The Wedding Singer
is going to be either edifying or educational for a bunch of teens. But
I can assure you that the kids from all over the region involved in
Cincinnati Young People's Theatre, which opens its production of the
show tonight, will be having a blast at the Covedale Center for the
Performing Arts. I bet their good times with this goofy show will mean
contagious entertainment for everyone who shows up to see it. Whether
they're related to the kids or not! It's onstage through Aug. 5. Box
It appears that Cincinnati Shakespeare Company has a summertime hit on its hands with its very tongue-in-cheek staging of The Hound of the Baskervilles using three of its best actors. The show opened a week ago and there is so much demand for tickets that CSC has added matinee performances through the production's three-week run. Several performances have completely sold out. It's directed by Michael Evan Haney, associate artistic director at the Cincinnati Playhouse and one of our area's best at staging witty and complicated pieces — his Cincinnati Playhouse production of Around the World in Eighty Days was a big hit several seasons back (it used four actors) and it moved on to a well-received run in New York City. While Hound retells the well known Sherlock Holmes tale, it does it with actors in multiple roles (Jeremy Dubin, who portrays Holmes, for instance, also plays all the villains) and a lot of visual humor and slapstick physicality. Through Aug. 12. Box office: 513-381-2273.
Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.
There are several good productions onstage around town — check out CityBeat coverage of Hands on a Hardbody (a musical at ETC), The Great Gatsby (a classic American novel adapted for the stage at Cincy Shakes), Sherlock Holmes and the Adventure of the Suicide Club (a new adventure for the great detective at the Cincinnati Playhouse) and Tennessee Williams' prize-winning A Streetcar Named Desire (at the Covedale) — but if you've seen those, you have other choices for onstage entertainment. Here are three suggestions for shows a little more off the beaten path:
Sherlock Holmes and the Adventure of
the Suicide Club opened last night at the Cincinnati
Playhouse in the Park. It's a new adventure for the Victorian sleuth. How can
that be, you might ask, if you're a Sherlock fan — this isn't a familiar title.
That's because playwright Jeffrey Hatcher picked up Sir Arthur Conan Doyle's
memorable detective, a master of deductive observation, and plugged him into a
tale of mystery and intrigue conceived by Robert Louis Stevenson back in 1878.
No spoilers here, but I will tell you that the plot of this show requires
closely following a complex tale of both personal and political intrigue.
Hatcher has set the story in 1914, on the brink of the first World War, and the
state of international relations in Europe is woven into the tale. But there's
nothing dry about this story, and Steven Hauck's performance as Sherlock is
very satisfying: He brings a quirky physicality as well as a sharp wit to the
character that makes him very engaging. Fans of Sherlock will not be disappointed
by this show. Through Oct. 4. Tickets ($30-$85): 513-421-3888.
I attended the opening of The Great Gatsby at Cincinnati Shakespeare Company last week. In my review, I said, "the production gets the story and the era right," and I added that CSC's Justin McCombs "perfectly embodies" Nick Carraway, the honest narrator of this Jazz Age tale of nouveau riche Jay Gatsby and Daisy Buchanan, the one-time debutante who obsesses him. There's lots to like about this production, which captures the essence of lavish parties and the fast life of the Roaring Twenties. Cincy Shakes is committed to bringing classic literary works to the stage, and this production is a good example of how they get it done. Simon Levy's script hews close to F. Scott Fitzgerald's 1924 novel, and the company's actors bring life to the characters. Through Oct. 4. Tickets ($22-$36): 513-381-2273.
Everyone I've talked to about Hands on a Hardbody at Ensemble Theatre has been enthusiastic about the show that brings to life a contest to win a Nissan pickup truck by keeping one hand on it the longest. It's a true story (it was a 1997 documentary) and these feel like real people, down on their luck but dreaming what a difference that winning could make. The music is by Trey Anastasio (of Phish) and Amanda Green, and the script was written by Pulitzer Prize winner Doug Wright. ETC has staged memorable productions of his play I Am My Own Wife and his musical, Grey Gardens. But the real attraction is an excellent cast who make you believe in these people, struggling to stay away and outlast one another under the brutal sun beating down on the Texas parking lot of a Nissan dealership. It's a fine entertainment. Through Sept. 21. Tickets ($28-$44): 513-421-3555.
Just opened at the Covedale Center for the Performing Arts is a production of Tennessee Williams's great American play, A Streetcar Named Desire. It's about a woman who's down on her luck but unwilling to admit it. When genteel Blanche DuBois moves with her pragmatic sister and her brutal, blue-collar husband, Stanley Kowalski, is a rude awakening that goes downhill fast. Through Oct. 5. Tickets ($-$): 513-241-6550.
If you've become a fan of shows in the intimate Clifton
Performance Theatre, you might want to check out The Riverside, a
play written and directed by local theater artist Kevin Crowley. It's a story
set in a Cincinnati bar in 1989 as locals follow the saga of Pete Rose's demise
in baseball, the fall of the Berlin Wall and Tiananmen Square. But the bar
itself is changing, too, impacting the lives of the family that owns it as well
as its patrons.
Through Sept. 27. Tickets ($25): https://cpt.tixato.com/buy/.
If you'd like to go to the theater every evening for the next four days, there are plenty of options for you to consider as the 2014-2015 season is getting underway on stages all over town. Here are some good choices to consider:
Hands on a Hardbody opened on Wednesday at Ensemble Theatre Cincinnati, and CityBeat reviewer Stacy Sims called it "effervescent" and "offbeat" in her review, giving it a Critic's Pick. I was there, too, and couldn't agree more about the infectious, heartfelt joy coming from the big cast of 15. The show is based on a true story (the subject of a 1997 documentary) about people in a downtrodden Texas town who enter a contest to win a Nissan pickup truck by outlasting others who vow to keep one hand on the vehicle. The cherry-red truck is as much a character as any of the contestants, the physical embodiment of their hopes and dreams — which take the form of songs by Trey Anastasio (of Phish) and Amanda Green. The script by Pulitzer Prize winner Doug Wright treats these diverse, down-on-their-luck folks with dignity, and the performers (who often perform with the truck as their dance partner) bring every one of them to life in vivid ways. This one is a must-see, a great way to kick-off ETC's theater season. Through Sept. 21. Tickets ($28-$44): 513-421-3555The Great Gatsby kicks off Cincinnati Shakespeare Company's season tonight. You didn't know Shakespeare wrote it? Well, he didn't. This theater company focuses on the Bard, to be sure, but it frequently branches out to present stage versions of other classics, in this case an adaptation of F. Scott Fitzgerald's 1925 classic about a mysterious nouveau-riche millionaire who's obsessed with a one-time debutante. Set in the Jazz Age and inspired by lavish parties the high-flying Fitzgerald attended on the prosperous North Shore of Long Island, Gatsby is a story about the ups and downs of the American Dream. Simon Levy's script is the only one authorized by Fitzgerald's estate, and Cincy Shakes is presenting its regional premiere. (And here's a tip: on opening nights at 6 p.m., the theater offers ticket holders a complimentary catered meal, beer and wine.) Through Oct. 4. Tickets ($22-$36): 513-381-2273
Sherlock Holmes and the Adventure of the Suicide Club opens next Thursday at the Cincinnati Playhouse, but previews begin for the season opener this Saturday (through Wednesday). Tickets for these performances are discounted, and you'll be seeing a show that's pretty much ready to go. Jeffrey Hatcher's script should be lots of fun for fans of the Victorian sleuth. He's taken the character created by Sir Arthur Conan Doyle and dropped him into a tale conceived by another inventive writer, Robert Louis Stevenson, for a mash-up that will keep even Baker Street regulars guessing. Tickets: 513-421-3888
Serials! at Know Theatre, which has presented episodes of six Fringe-like shows at two-week intervals all summer long, culminates on Monday evening at 8 p.m. with finales of each tale. Who will win the ultimate fist fight with the Devil in Flesh Descending? How long can Luke really stay in his bedroom during The Funeral? Will we ever find out what's really happening in Mars vs. The Atom? These questions and more will be answered on Monday. Even if you've missed a few episodes, don't worry: Each 15-minute performance begins with a brief recap of the story so far. Zany and fun for anyone who's enjoyed the annual Cincinnati Fringe Festival. Tickets ($15): 513-300-5669
Finally, a tip for an eye-opening theater experience next weekend: On Sunday, Sept. 14, the Cincinnati area's first-ever South Asian Theater Festival happens in an all-day event at the Anderson Theater (7850 Five Mile Rd.). Five plays are scheduled to be presented, as well as panel discussions, seven hours of programming in all. The day begins at 12:30 p.m. and is set to conclude around 8 p.m. A limited number of tickets remain ($19-$29): SATFCincy.org
Not too many years ago August was a very quiet month on local stages. No longer. You have plenty of good choices this weekend.
The big show this weekend will be Lumenocity in Washington Park. If you were lucky enough to get a ticket, you'll be seeing some great images on Music Hall's facade with accompaniment by the Cincinnati Symphony. If you weren't so lucky, you can still enjoy the show via radio (WGUC), television, big screens (at Fountain Square and Riverbend, for free) or via live streaming at lumenocity2014.com.
If you paid attention to the local theater season just concluded, you will recall that Cincinnati Shakespeare Company completed a herculean task: During its 20-year existence, the classic theater has produced all 38 of Shakespeare's plays. This summer three of Cincy Shakes' best actors are repeating the feat — sort of — with a production of The Complete Works of William Shakespeare (Abridged), opening tonight. Jeremy Dubin, Justin McCombs and Nicholas Rose will be careening through the comedies, histories and tragedies digging props, wigs and ridiculous costumes out of a trunk. This is a perfect summer laugh-fest, and it's been a predictable hit in past seasons for Cincy Shakes, so tickets are sure to sell fast. Through Aug. 11. Tickets ($22-$35): 513-381-2273.
Summertime musicals are another great tradition, and Cincinnati Young People's Theatre has been presenting them with big casts of high school students for three decades. In fact, the just-opened production of Footloose at the Covedale Center for the Performing Arts is the 33rd summer show. It's the stage version of the popular 1984 movie musical, and it's a perfect vehicle for youthful energy focused on a group of high school kids — despite a repressive conservative atmosphere, kids in a small farming town just want to dance and have fun. With Tim Perrino at the helm, CYPT has steered more than 2,300 teens through entertaining shows, and this one will be another notch in his director's belt, providing experience for performers and techies alike. Through Aug. 3, you'll be able to come out and "Hear It for the Boy"! Tickets ($12-$16): 513-241-6559.
I wrote a CityBeat column a week ago about John Leo Muething, an ambitious young theater artistic who's staging a couple of shows this summer at the Art Academy's auditorium on Jackson Street in Over-the-Rhine. His second of three shows, repertory theatre, will be produced this weekend (Friday and Saturday at 7:30 p.m.). It's about a timid young playwright who approaches a veteran director about his new play. With Shakespeare's Hamlet echoing throughout, things get wilder and wilder. This show was a hit at the Edinburgh Fringe for two years, and its original production is still touring in England; this is its U.S. premiere. Tickets ($10) at the door.
The Commonwealth Theatre Company's Route 66 winds up its run at Northern Kentucky University this weekend on Sunday. It's the tale of a band headed for the West Coast in the 1960s stopping at juke joints, diners, cheap motels and curio shops along one of America's legendary highways. Wes Carman, Roderick Justice, Dain Alan Paige and Joshua Steele play The Chicago Avenue Band. Dinner and the show ($30): 859-572-5464.
If Monday evening arrives and you're still yearning for something entertaining onstage, you can't go wrong with the next quarterly installment of TrueTheatre. This time around it's trueBLOOD, with the warning that if you cringe easily, this might not be the show for you. Whether it's stories that make your blood run cold — or just run — you can be sure that there will be first-person tales of memorable experiences. Great fun with a lively audience. One night only, Monday evening at 7:30 p.m. at Know Theatre. Tickets ($15, only a few left): 513-300-5669.
The Commonwealth Theatre Company's production of Route 66 continues its dinner-theater run at Northern Kentucky University. It's about a band traveling from Chicago to the West Coast in the 1960s along one of America's most legendary highways. Along the way, they meet a lot of colorful characters and see a lot of America. Wes Carman, Roderick Justice, Dain Alan Paige and Joshua Steele make up "The Chicago Avenue Band," who make stops at juke joints, diners, cheap motels and curio shops in this coming of age story. Through July 27. Dinner and the show ($30): 859-572-5464.
Last Saturday evening I ended up at Highlands High School in Fort Thomas to see teacher Jason Burgess's production of The Addams Family featuring a herd of high school kids from all over Greater Cincinnati and Northern Kentucky. It's a perfect musical for the program Burgess has created (C.A.S.T, the Commonwealth Artists Summer Theatre), bringing together a ton of students who are in love with theater. Surrounding the central characters in The Addams Family, nicely portrayed by Aaron Schilling as Gomez, Lindsey Gwen Franxman as Morticia and Harrison Swayne as Uncle Fester, are 18 ghostly "ancestors." Each one is costumed (designer Laura Martin) from various periods with a clearly evident character; together they sing and dance as a coherent company. (Amy Burgess served as the production's choreographer, and Alex Gartner is the music director — in creepy makeup.) Through Sunday at 2 p.m. General admission ($10) at the door or online via www.showtix4u.com.
Monday evening at 8 p.m. brings the third installment of Serials! at Know Theatre (1120 Jackson St., Over-the-Rhine). It's a wacky summer-long set of a half-dozen episodic plays by local playwrights. So far we have seen meat falling from the sky, an NSA spook monitoring a contentious couple, a kid refusing to go to a funeral, a philosophical fetus, a suicidal pair competing over techniques and more. Each 10-15 minute episode is preceded by a clever recap to catch you up, even if it's your first time there. Rest assured there are cliffhangers — not to mention Know's well-stocked Underground Bar. Admission is $15. Tickets: 513-300-5669.
I saw Cincinnati Opera's production of Silent Night on Thursday evening. It's the regional premiere of a work that won the 2011 Pulitzer Prize for music, and our local opera is doing a bang-up job of presenting it. And "bang-up" is the operative term: This opera is set during some of the darkest days of World War I, and the opening segment of the production reproduces the violent and deadly combat between troops from England (actually a regiment from Scotland), France and Germany. You're not likely to see a more gripping onstage representation of battle than what's happening at Music Hall. Before Thursday's performance I listened to composer Kevin Puts and librettist Mark Campbell talk about how to "musicalize" such a scene: Their research included studying the opening sequence of the Saving Private Ryan, the graphic, Academy Award-winning film of the D-Day invasion during World War II. It's a powerfully real scene, a perfect opening to the moving tale of soldiers pitted as enemies who found common ground in one another's humanity on Christmas Eve 1914. You can get good seats for the concluding performance on Saturday evening (7:30 p.m.) for $30-$45 by calling the Opera's box office: 513-241-2742.
Area high school students are the talent in onstage for Commonwealth Artists Summer Theatre (C.A.S.T.) at Highlands High School (2400 Memorial Pkwy., Fort Thomas). Starting tonight is a two-week run (July 11-20) of The Addams Family, a Broadway musical based on cartoonist Charles Addams' bizarre and beloved family of characters. The group is headed up by Fort Thomas theater instructor Jason Burgess, who has assembled theater kids from the Greater Cincinnati and Northern Kentucky who are eager to develop their skills in performance and production. Tickets: $10 (http://www.showtix4u.com) or at the door.
Tony Award-winning musical next to normal, about a
woman with bipolar disorder, gets not one but two productions by
Cincinnati-area community theaters: Sunset Players on the West Side and
Paradise Players for East Side siders. You can choose between them tonight. The
venerable Sunset Players, which presents shows at the Dunham Arts Center (in
the Dunham Recreation Complex, 4320 Guerley Rd., Price Hill), has performances
through July 26,
mostly at 8 p.m.
Tickets ($14-$16): 513-588-4988. Meanwhile,
Paradise Players, a newish group offering summer productions at McNicholas High
School's Jeanne Spurlock Theatre (6536 Beechmont Ave.), is presenting its
rendition of the show this weekend only, tonight at 7:30 p.m. and Saturday at
2:30 and 7:30 p.m. Tickets: $15 (http://mcnhs.seatyourself.biz
Cincinnati stages were pretty quiet over the Independence Day weekend, but this week they start waking up and getting ready for more. Tonight at 8 p.m. is the second installment of Serials! at Know Theatre. You can see six fresh, 10-minute episodes of brand-new plays by local playwrights — Trey Tatum, Chris Wesselman, Jon Kovach, Ben Dudley, Michael Hall and the team of Lauren Hynek and Elizabeth Martin — and featuring lots of Cincinnati-area actors. New artistic director Andrew Hungerford calls it a "theater party" offering cold beer, air-conditioning and world-premiere stories in Know's Underground bar (1120 Jackson St., Over-the-Rhine). Even if you missed the "pilots" on June 23, you'll get caught up with a recap before each episode. I had a blast watching these tantalizing tidbits two weeks ago, and I suspect tickets will become harder to get as the summer progresses. (Subsequent performances on July 21, Aug. 11 and 25 and Sept. 8.) Tickets ($15): 513-300-5669.
There's a great array of theater this weekend, no matter what you like. That's a good thing, because local theater, like baseball, takes a kind of midsummer break (no All-Star Game onstage anywhere, however). So get out and see something this weekend, then enjoy the fireworks and picnics next. Here are some suggestions: