Did anyone else see baby-faced Facebook founder/CEO Mark Zuckerberg on 60 Minutes the other night? The 26-year-old multi-billionaire told interviewer Leslie Stahl that, after initially vowing that he would never see David Fincher's Facebook origin story, The Social Network, he took the entire company to check out the film the day it opened in theaters.
The Sundance Film Festival announced its 2011 lineup today. The festival, which invades the small ski-resort town of Park City, Utah, Jan. 20-30, will include 115 films from 28 different countries. Befitting a fest known for its nurturing of fresh talent (40 of the 115 are from first-time filmmakers), the 32 films in the U.S. Dramatic and Documentary (16 in each category) include a bunch of new names as well as a few familiar faces.
Harmony Korine is a polarizing filmmaker. One either finds his films — Gummo (1997), Julien Donkey Boy (1999) and Mister Lonely (2007) — intriguing pieces of art or complete rubbish, the work of a jerk-off provocateur who represents the “end of cinema.”
As I wrote a few days ago, the local movie landscape gets a shot in the arm with today's opening of the Kenwood Theatre, which will be run by Theatre Management Corporation (TMC), the same outfit that operates the Esquire and Mariemont theaters.
The Kenwood will offer a similar mix of independent fare and mainstream Hollywood features across its nine screens. Sure enough, the theater's first crop of openings includes two documentaries (Cool It and Last Train Home) from small indie distributors; another gem from independently minded Sony Pictures Classics (Stephen Frears' Tamara Drewe); and the latest in the Harry Potter juggernaut (Harry Potter and the Deathly Hallows: Part I), which will occupy three screens.
Vincent Cassel might play tough, wild-eyed guys in the movies, but he’s pussycat in “real” life. I interviewed him for a David Cronenberg film, Eastern Promises, a few years back, and he couldn’t have been more accommodating and personable, which is not always the case with actors who are forced to do publicity for their films (their attitude often depends on whether — and whether they realize — the movie they are promoting sucked or not).
The 43-year-old French actor is certainly a far cry from most of the big-screen characters he’s played over the years — an eclectic collection of roles that range from socially awkward to acutely neurotic to downright psychotic.